#still some places to learn and grow

[carnage-queen-exe]

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[the-hilda-librarians-wife]

An aspect of Hilda the series that I feel isn’t talked about enough is the colonizer’s guilt and how it affects the main character.

What made me write this was watching the third episode of the new season, but honestly, it’s something we see throughout the whole series. Starting out with the elves in the northern counties, and moving on to trolls and now giants. Every season that came out gave us a chance to see Hilda deal with the feelings that arise from living in a society she knows is built on the occupation of another people’s native land and the oppression of those inhabitants.

She knows it’s not her fault, she knows she’s not the colonizer, but she’s well aware that she’s in the privileged side of her society. Seeing her grapple with the fact that her very existence in these spaces is only possible because someone else is getting the short end of the stick, to me at least, makes her that much more interesting of a character.

Because it’s not a matter of fixing what she’s done, but the privilege is still there and not even well hidden when she sees the day to day life of the people whose land has been occupied by humans/trolbergians. So whenever we see her rush to aid them, her borderline desperation to fix what’s been broken, it’s even more captivating because it’s not just the usual “I love helping people and having adventures” gist, there’s always this undertone of guilt for something she hasn’t personally done but still knows has to be held accountable for.

Hilda knows the type of oppression that people like her get away with. And she wants no part in it.

[headfullof-ideas]

In line with the post I made of all the funny stuff to look forward to in the story, here’s some of the…less funny stuff that will happen over the course of the story. Because I love angst, and I didn’t hold back on trying to think of how some things might go realistically

- The riders dealing with all their enemies with no Berk to fall back to, Berk itself sometimes being one of those enemies

- The guilt, pain and trauma for all the riders that comes with Ant losing his leg

- Dragon training sessions on Berk going horribly wrong

- Kaiko and Will watching their thought-to-be-dead son go through everything he does, unable to change any of it (as this story is written in a ‘the characters watch their own show’ style)

- Ant having episodes where he can’t talk due to being selectively mute, because of his treatment of Berk, and the other riders and even Toothless having to learn how to help him through it

- The riders being captured and interrogated/tortured by Dragon Trappers

- The Dragon Fighting ring in RTTE being a more widespread operation

- Diving further into how the Red Death affected the dragons in her nest, and making the scene where Hiccup and Astrid (Ant and Kari here) find the nest worse

- Dragons and humans having panic/anxiety attacks

- The riders having to learn how to fight enemies outside of the ring on the fly (sometimes literally, because dragons) and not being the best at it in the beginning

- Ant being the village scapegoat due to not being white, and having no blood family on Berk to back him up, and all the internal issues that come to be because of that

- Gobber and Gothi, while being the primary caretakers of Ant who cared for him, not being perfect anyways, and still messing up in some ways

- Situations, characters, and character dynamics being complicated and messy

- No one region or faction of the world being ‘perfect’ or ‘good’ or even ‘bad’. Everyone has problems, and everyone handles them differently

- Snotlout, the twins, and Fishlegs trying to be ‘adults’ for Kari and Ant, because there’s no one else to help them in the beginning, but still struggling in some ways because they themselves are still kids who want an adult to help

- Characters having complicated family dynamics, with some parents not being perfect, and with some of the riders still missing their own parents and families, while also knowing that those very people are part of what drove them away to begin with

- Some characters, while coming to an understanding and acknowledging that the other has changed, not reconciling and becoming best friends, or even friends by the end of the story

- Not every enemy is redeemed. At least one character that isn’t an enemy in the films is, and they are not redeemed at the end

[19catsncounting]

Hey does anyone still think about the thematic differences between Supernatural and the Wayward Sisters and how self-isolating male hunters are compared to community-building female hunters and how this was shown from the Harvelles to even arguably Missouri Mosely and even Samuel Campbell who is his daughter's father almost more than a man himself (especially in Season 6) is not immune to this?

And how the Wayward Sisters could have been built not on sacrificing yourself to this singular all-consuming relationship with your brother and sacrificing yourself for the world second or in name only, but instead on what it takes to cut yourself into useful and digestible pieces for the sake of keeping your place in that community because you're almost certain that it's This Community or Solitude Forever (Alex you can never escape the life no matter how much you don't want it you've gotta pitch in do you want your family to die on this hunt Claire you know you'll never find anyone to love you unless you make yourself softer and then are they really loving you are you even worthy of love anymore Jody your husband and son would still be alive if you listened and learned you can't lose another child in every sense you can't quite let your children be defenseless children either and you know so well how sick this fear makes you and how you're dealing with it the wrong way your son got to be a child but your daughters can't be that vulnerable Even Donna you have Your Role to play here you're not good enough as a hunter but you're funny and happy and you don't take up that much space so that's exactly how much space you're given to exist in).

And yes, a lot of these things are echoes of Kripke Supernatural but instead of too-intimate and dark and quiet confessions that the Winchesters share and know that no one else could ever have the context to fully understand it's Community it's All Our Problems the humiliation and shame is all-encompassing because there is no privacy Everyone Sees You Everyone Knows You Everyone Wants To Fix Help You.

[theood]

It might just be a lot of things. I really don't know. I don't like not having any energy after work but it staves off a lot of our thought processes but at the same time I don't love it. It's tolerable but I want to be doing something else. I wanna be in the dirt and I want to feel the earth under my feet and I want to know she's listening to me and telling me it's ok and I want to take care of her like she's taken care of me. I want to plant trees and cut back weeds and learn to identify our native plants and I just can't do any of that and make a living. It's not even a volunteer opportunity for me. I'm just some random citizen who didn't even go to school for any of it. And I'm so lonely. I'm the loneliest I've been. I love all my friends online I do. Truly and wholly but it doesn't help the fact that I have no one around me irl. And it hurts. And I'm scared. And I am so small all the time. And I just want it to change.

[gxlden-angels]

I don't know how many of you watch/listen to Belief it or Not but I love his concern about a USAmerican pastor bringing a gun on stage for a message cause my old pastor openly bragged about being armed all the time

[saszor]

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Consider supporting me on ko-fi if you find this to be helpful.

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

second way more important edit: How are people seeing this post where I specifically talk about burn survivors being normal, real people, and still tag this as "TW body horror"? Not a single one of these drawings or pictures is a fresh injury. All of them are healed. How the hell would you feel if someone tagged a photo of you as "trigger warning: gore"?

Disabled people are not your fucking body horror. Grow up.

[snekdood]

anyways the reason a lot of cis men move to the right is because they're isolated and outcasted when they come into leftist spaces for not knowing Every Possible Progressive Thing Under The Sun Immediately and now since they have no friends for being new to leftism they go to the right because its the only place welcoming them.

[waywardsalt]

i think the key ‘problem’ with me looking into darker aspects of bellum x linebeck and struggling with it is that ive put too much work into humanizing and developing bellum

[wild-at-mind]

I just read an article (/book extract) where the byline made it sound like it would explain how to find out about sex parties in your area if you're New. 'People always ask me this first' yadda yadda. So I clicked in, all intrigued, but the answer was literally 'It's easy, just...go to one! ^^' (Great thnx.)

[lionheartlr]

Exploring Bosnia and Herzegovina: A Comprehensive Travel Guide

A Brief History of Bosnia and Herzegovina Bosnia and Herzegovina, nestled in the heart of the Balkans, has a rich and tumultuous history. The region was part of the Roman Empire and later the Byzantine Empire before becoming the medieval Bosnian Kingdom in the 12th century. The Ottoman Empire took control in the 15th century, influencing the culture and religion of the region significantly. In…

[poguehearted77]

Winter's Chance

Summary: It's Rafe's turn to have your son for the weekend, but it seems the weather wants you to spend the holidays together.

--Finally some Baby Daddy Rafe

With delicate rubs to your son's tummy, you desperately tried to get him to calm down with soft pleads and overeager soothing. He'd been fussing all day, so much that you'd called the doctor to make sure everything was okay.

They simply reassured you that it may just be a prolonged stage of fussiness. Most babies grow out of it around 4 months which is exactly where Max had just reached a few weeks ago.

Just when he was finally beginning to calm for a moment your ears are filled with the chime of your doorbell. Max picks up his crying as if he had never stopped. Your eyes roll, already knowing who is on the other side of the door.

You gently scooped him up to rest over your shoulder on top of the little binkie you tend to have thrown over your shoulder at all times for moments like this. He was cute, but the spit-up was never pretty and you were always prepared.

Opening the door from a distance you weren't expecting to see Rafe step in partially covered in snow. It distracted you momentarily before Max's cries cut through the shock.

"I know, I know." You whine, gently rocking him, backing away from the cold air that swept against your feet. "Hurry up, and close the door." His eyes roll, "Hello to you too." He closes the door and stomps off the snow from his boots before stepping out of them and hanging up his jacket.

"Woah, woah, what are you doing? This is just a pick-up, then you can have fun trying to calm him down at your place." Rafe stands still, his thumb gesturing to the door behind him, "You haven't seen the news, have you? They're closing the roads, so we're snowed in. The only reason I made it here is because of the suspension on my truck."

Your face turns sour and Max continues to cry.

"So why did you come in the first place if you knew you wouldn't be able to make it back?" He ignores your question for the most part, "Relax, baby. As excited as you are to see me, I didn't come for you. I came for my son. There he is," Rafe's expression lights up as he reaches for Max and takes him out of your hold.

"Rafe you can't just take him and expect him to calm-"

For the first time in seven hours, silence consumes the room. No more screams and tearful cries. "You've got to be fucking with me," You don't say it loudly, but Rafe still hears.

"Guess he was just missin' his daddy, huh? Isn't that right, Max?" Rafe's tone is playful as he pokes at Max's tummy which elicits tiny giggles and the brightest smile you'd seen all day.

You walk away, headed towards the kitchen. Not sure why you were moving so fast, Rafe was hot on your heels. "It's not your fault, it's probably just been a long day-" He finally shuts the fuck up with his smug remarks when he hears a soft cry, "Y/n," Your name rolls off his tongue, tender and sweet. "Baby, what's wrong?" Effortlessly, he supports Max with one hand while he reaches to turn you so you're facing him.

Your eyes are filled with tears, lips quivering ever so slightly and he knows what's coming. He's seen you like this more times than he can count. He takes you under his arm, your cheek pressed to his chest and you break down, muttering into the fabric of his hoodie.

He comforts you with a big hand rubbing your back, soothing you the way he learned from those parenting books that he swear he never read. "It's so hard, Rafe." Is all you manage to say through broken cries for the first five minutes before you're pushing off him, expression more angry than upset? "He was crying all day, and the second you walk in, he's perfectly fine."

Rafe's lips frown, puzzled. "And that's a bad thing?--"

"Yes! Why do you get to be Superman?!" Earlier, the sound of a pin drop would disturb Max from calming, but now even your exclamations left him unfazed, as long as he was in Rafe's arms he was unbothered.

As a matter of fact, with a second glance, you notice he'd actually fallen asleep. Just Perfect. Another win for Superman.

He chuckles, leading you both to have a seat on the couch. Your son sleeping soundly in his father's hold. "Well, I think I've got the abs for it." His shit-eating grin spreads across his lips.

"You try carrying a baby in your stomach for nine months, and you tell me if you still have abs after." Subtly, his tongue wets his lips at the memory, "All I remember is how good you looked pregnant. Shit, wanna do it again?" You'd never wanted to hurt someone so badly.

"You're lucky you're holding my son." He scoffs, leaning in slightly as if to speak away from the baby. "I seem to remember the two of us going half on the conception, and a few times after that." You air-swat him and stand, making your way for the stairs. "I'm going to take a nap."

The hours flew by as you finally had your first uninterrupted nap in what felt like years. By the time you woke up, the sun was long gone, and there was a thick layer of fresh snow sitting on your window pane. You headed downstairs and stopped at the bottom of the steps to appreciate the view.

Nothing melted you quite like the sight of Rafe taking care of Max. You hated to admit it, but he was a good dad. A really good one. Hot, too. Rafe held the bottle to Max's lips, murmuring some undistinguishable babbles with a soft smile. Surely speaking a language only the two of them can understand.

"I hope you warmed the bottle before you gave it to him." You say, and he finally notices you standing by the stairs, stalking your way over and sitting beside him.He ignores you, knowing that you're just trying to get under his skin. "You look well rested." He remarks and you sigh with a soft nod. "Yeah, I am actually." He grins to himself, "Must be a miracle to sleep well on that cheap-ass mattress you got up there."

"Sorry, we can't all have premium mattresses." Rafe pulls the bottle back once he realizes Max has had his fill. "Y'know my money is your money right? I give you ten thousand a month but everything I have is yours, too." Standing him up on his lap first, Rafe holds the baby over his shoulder, gently patting his back.

"Well, I don't need to live in a fifteen thousand sq ft house to be happy unlike you." He shakes his head slowly, his gaze falls on you, somber. "I seem happy to you? I don't give a shit how big my place is. It's always going to be empty without you two in it... " He trails off, alluding there's more to come.

"Rafe.. What are you saying?"

"Move in with me, again." Your head shakes before you sputter profuse denials, "No, Rafe, we can't we tried that before remember? We don't get along. Technically, we're not even together." The conversation is briefly interrupted by a small gurgled burp on Max's behalf.

Rafe leans down to place a drowsy Max in his rocker in front of the couch before sitting back up. "Things were different then, we were eighteen. I can't do the back-and-forth anymore. Don't you wanna wake up in the morning, see that Max is taken care of and I'm making you breakfast, then we go back to bed and I take care of you? Huh?" He hums, his voice igniting sparks along the length of your neck as he nosed along it.

"Rafe.." your voice is shaky, feeling the heat from the discussion.

"Whadd'ya say, hm?" You reflect, having Rafe stay with you today, in just a few short hours you'd been able to take a break, he held you when you cried like he always did. You'd hardly even fought. Though that was no surprise, the two of you fought considerably less ever since Max came into the picture.

"Okay, yes." You can feel the lines from his smile stretch against your jaw just before he begins to pepper kisses on your cheek. "Y'know, we made the world's cutest baby ever right?" You smile, both your gazes focused on the little one before you.

"He's got your eyes, for sure." Rafe states and you giggle, "You're just saying that because they're brown." He sits up straight, heartfully disagreeing. "I'm not. They're the same eyes that I fell in love with when I first laid my eyes on you, and the same ones that humbled me when they looked up at me for the first time in the NICU."

His words were touching. You're seeing a whole new side of him. Not the usually hot-headed and impulsive man you were used to. This one was sweeter, softer, and more sincere.

You reeled him in for the first kiss, his lips soft as they pressed against yours, his hands confidently holding you at your waist. "Ah, I see you're taking me up on my previous offer. Let's go for a girl this time, yeah?" He grins, and you pinch him.

[honey-tongued-devil]

Got a request: Jinx x Piltover reader who comes to the undercity a lot to see some action and excitement with Jinx thinking they’re from there only to find out that they’re from topside.

[Arcane preference zaunites] with a s/o from Piltover (viktor, ekko, silco, vander, jinx, vi, sevika)

In less than a week, I’ve gained 500 followers and over 20 requests, so I’ll ask you right away to please be patient. English isn’t my first language, and I don’t think I’ll be able to post more than two or three headcanons a week (since I also draw). I’m sorry to keep you waiting, but I just ask for a little patience. In the meantime, if you’d like to support me, you can follow me HERE (bluesky) even though I haven’t started posting seriously yet, or you can leave a tip HERE. That said, enjoy!

Viktor:

- The most versatile on the subject. He’s the first one who is constantly around the people of Piltover, studying and having his room at the academy, which is even located in a wealthy area.

- Generally, he doesn’t pay much attention to someone’s origins, but as the relationship grows more serious, memories of his early academy years become more vivid.

- Viktor is a chill guy, until he’s no longer chill, (at least the original one).

- Most heated discussions are likely to revolve around politics or events in the city. But as long as you don’t call the people from the Undercity “beasts,” “creatures,” “monsters,” “beings,” or “animals,” his anger won’t be directed at you.

- At some point, he won’t remember anymore that you’re from “different neighborhoods,” and since he needs a hand carrying things to the academy, he’ll start asking you to accompany him to the Undercity when he needs to make purchases or pick up pre-ordered items.

- And although it might scare or intimidate you at first, it won’t take long for you to get used to it.

- Although sooner or later, you’ll learn to change your clothes before going down to Zaun.

Ekko:

- The first meeting with Ekko is straight out of a book: you get caught in a crossfire, and before you can even begin mentally writing your will, an arm grabs you around the torso and pulls you away at such a high speed that you feel like throwing up.

- He can’t take people directly to the hideout, but he can offer you assistance as soon as you’re somewhere safer.

- This is why, the second time he saves you, he can’t help but joke about how it almost seems like you put yourself in danger on purpose, and that you could ask him out in a less dramatic way.

- Of course, he’s just joking to break the tension, but when you actually propose it, even just as a way to repay him, it’s the beginning of the end.

- Between your outfit and the fact that, having run into you twice in a crossfire, you were in some pretty dangerous places, the last thing he expected was for you to ask him to meet up at the bridge and then show up dressed like a Piltie.

- Before his meeting with Cait and the one with Jayce, this would’ve been a breaking point; he wouldn’t have shown up and would’ve just gone back. But now, even if he’s not thrilled, he’ll at least come over to complain that you didn’t tell him you were from the upper city.

- He’s resigned to this fate, but he still remains a bit suspicious and on guard, not knowing your political stance, why you were down there, or how you see the people from his city.

- Even as you become closer, he’ll never stop teasing you about your background. You’re drinking, and you drop your cup? “What a strange way Pilties have of drinking.”

Vander:

- Going down to Zaun without stopping by the Last Drop is a waste, which is why you’re lucky enough to run into the Hound of the underground right away. Not only is he one of the most influential people, but also one with a lot of connections.

- At Vander’s suggestion, you stay at the counter, and he uses the opportunity to ask you a few questions, curious: for example, why is someone from Piltover down in Zaun alone at that hour? What do you study, if you study, or what do you do for work, if you work.

- Vander is extremely sociable, and since he handles negotiations, he doesn’t hold hostility toward upper-city residents, though it’s rare to see them in these parts.

- It’s not even about flirting; he just wants to keep chatting and make sure he won’t have you on his conscience. He asks you to wait until closing, checks in on the kids to make sure everything’s okay and says goodnight, then walks you to the bridge.

- The more regular your visits to Zaun become, the more the other regulars at the Last Drop start to recognize you and get used to you, making that place quite pleasant. And then there’s the deal with the bartender: if you offer him a good chat, he’ll treat you to a good pint of beer.

- The toughest part of getting close to Vander is learning that he’s a single father to four kids, and seeing the hostile and shocked reaction of the younger ones when they find out you’re not from their city.

- But hate is taught, and even if it takes some time, they slowly start to get used to you. Maybe they won’t jump into your arms, but if you decide to stay over, they’ll make room for you or bring you something to dry your face with, in strict silence.

Silco:

- This man, though he may not look like it, is the embodiment of patience.

- It’s his goons who bring you to his office, and the first time, all it takes is a quick glance for him to know you’re not a spy, a rival, a drug addict, or a threat.

- Silco kills, but generally not without reason. So, the first time you have a heart-pounding panic attack from being dragged there, you get off with a warning: if they catch you poking around his business again, it won’t go so well for you.

- But today, Janna’s on your side, and you’re safe.

- The issue is much simpler than it seems: if you live in the Undercity, you know which places to avoid and which gangs control which areas. But if you’re just a foolish Piltie who likes wandering outside your own city, the odds of ending up in one mess after another are high.

- That’s why, the second time they catch you near one of their shipments, his goons already have their weapons drawn.

- This time it’s not even Silco who spares you; instead, a firefight with the Firelights breaks out nearby, and you’re just lucky that bigger problems show up at the right moment.

- It happens repeatedly: either you run into his goons and instinctively wave like an idiot, or you end up in restricted areas, and one of them who’s taken a liking to you motions for you to leave, or you start frequenting the Last Drop and see them all more often.

- Gradually, this brings you more often—and with less dread—to the kingpin’s office, who, since even his daughter likes you, first makes sure to get you a map of the Lanes because “you’re obviously so clueless you must be from Piltover” to keep you from getting yourself killed.

- Then he realizes you’re pleasant enough to let you hang out in his office on weekends, when the noise downstairs is so loud that he couldn’t work anyway.

Jinx:

- You’re essentially the “dumb Piltie” stereotype that comes to mind when people in Zaun talk about those from the upper city.

- Deciding to venture into the alleys without any experience or knowledge of the area purely out of curiosity wasn’t your brightest idea, but at this point, it’s too late to turn back.

- That’s why, after hours spent looking for something interesting—colorful explosions that have been common recently near the docks, some chase scenes—you find nothing, give up, and throw yourself into a bar.

- If it were evening, you might hope for more than just a jukebox playing country music, four young guys playing pool in a corner, and a girl sitting at the bar who looks half-asleep while the bartender cleans glasses, but you still decide to sit down and order something local.

- Everyone’s eyes are on you, but the moment the girl with long blue braids lifts her head, the others snap back to what they were doing, and she looks at you, still drowsy and a bit confused.

- Meeting Jinx is the beginning of the end; she rambles on, is relaxed, and the moment she hears you wanted action, she jumps off her stool and drags you out before you can even sip your drink.

- She has no particular reason—it's just rare to find someone who wants to have fun, although you quickly realize that her idea of “fun” involves risking your neck.

- The first time ends like that; you don’t even exchange names. When it gets late, she vanishes, leaving you no choice but to return to the bar in the following weeks, where you meet her again and pick up on that fun “tour.”

- This “tour” brings you closer, even if you never talk about deeply personal things because there’s never time.

- It’s one night when you’re sitting together on a rooftop, watching the distant lights of Piltover, that she learns the hard truth: you’re from the other side of the river. This single piece of information seems to destroy everything you had built. Without a word, she runs off, and you don’t find her at the bar at the usual time anymore, but you don’t stop trying.

- The bartender probably tells her, or she sees you, who knows, because weeks later you meet again, and she almost looks sad to see you.

- She expected you to give up, not to keep coming back despite how difficult she’d made it, which is why when you pull her into a hug, she stiffens, taking a while to hug you back.

- The closer you get, the more she becomes like a ghost. You even find her at your place, but you never see her on the streets in Piltover. She rarely stays over, but you know it’s because of personal issues.

Vi:

- Vi isn’t for everyone: she’s for those with a “savior complex” or hotheads who can take a couple of punches to the face.

- The reason you’re in Zaun, dressed incognito, is because your colleagues told you there’s some interesting stuff in the underground city’s shops.

- What you didn’t expect was that the “interesting find” curled up behind an abandoned building would be a person.

- Nothing too serious, just a brawl gone wrong. She’d hidden to tend to her wounds in peace, probably in that vulnerable “cornered wolf showing its teeth” state.

- Cooperation isn’t her strong suit, and, not to rely on Undercity stereotypes, but you imagine it’s also rare for anyone to help strangers wounded on the street.

- She becomes more docile after you simply stand by, “covering her back”—basically just staying put and shielding her from view. 

- whenyou blurt out, “Forget gin; I need something stronger.” she starts to like you

- Once she recovers, she gestures for you to follow her, suddenly motivated by the urge to drink. Surprisingly, she takes you over the bridge to your own city, to a cozy pub that smells of wood.

- Drinking there becomes a habit; after a few drinks, you tell her you hate that the evening has to end, and she chuckles, flattered, before saying you can always do it again.

- And you do it again.

- You keep doing it until you end up kissing clumsily in the pub’s restroom, nearly knocking heads together, until she pins you to the wall and your brain signals a warning.

- You tell her you live nearby, suggesting you take things to your place, unknowingly revealing something you thought was obvious.

- She stares at you for a few confused seconds. “You didn’t tell me,” she says, but the truth is, Vi doesn’t hate upper-city people, so once the confusion passes, the alcohol and hormones work their magic, leaving that conversation as a problem for the next morning.

Sevika:

- Her only interactions with people from the upper city have been with Enforcers, but contrary to appearances, Sevika is a big, intimidating dog that’s actually quite tame.

- She doesn’t get her hands dirty unless necessary, so even though she has no fondness for Pilties, she’d never start a physical fight with one.

- You first see her in the Undercity, at the Last Drop, playing cards for a hefty sum of money against two shady types: one bald with a metal nose, and the other dressed like an out-of-place gentleman.

- It’s only when the game ends and she gets up to head to the bar that you clumsily manage to strike up a conversation, receiving nothing but a scrutinizing glance in return.

- She lets you buy her a drink despite the large sum she just pocketed, and when you compliment her on her play, she puffs up with pride and starts talking about how those two just cheated but still couldn’t win.

- For a moment—just a moment—she realizes she’s never seen you around here before, but then she goes back to talking and listening, fueled by the alcohol.

- Getting her out of your head becomes impossible, and if you catch her at the end of her shift, she’s even more relaxed. It doesn’t take many weeks before you find yourself with your knees over her shoulders in the Last Drop’s basement.

- Emotional or mental intimacy with Sevika comes at an incredibly slow pace, but she starts approaching you in the bar, and your “private encounters” become more and more frequent—until you try to make things more serious by inviting her up.

- Her reaction seems angry, but it’s more surprise; she hadn’t realized and didn’t expect it.

- She becomes a lot more guarded around you, until, in time, she learns to trust you again.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[stringsbasement]

ngl i 100% thought peri would be an antagonist

he's the first fairy in thousands of years, born directly under the lineage of what has to be the most powerful fairy family line in current existence

(cosmo is a von strangle, and also the very reason fairies stopped having babies in the first place. he's incredibly powerful and nobody talks about it for some reason. it's clear peri inherited that destructive potential)

the second he was born, entire fairy species (including his own kin) were out to get him to use his volatile magic for their own selfish goals. he's nearly kidnapped thrice, and almost ends the universe on the same day

the threats keep coming, and he's being dragged to countless adventures that put him at risk. he literally ceases to exist more than once

anyway, i wouldn't be surprised if some form of expectations were placed upon him growing up. maybe not by his family, but he's famous (a teacher described him as such once); in fairy world, he's automatically adored and celebrated by adults and peers alike, which foop antagonizes (and tries to kill) him for

cosmo and wanda would, realistically, of course try to shield him from all this, but no matter what they do, he's inevitably isolated

people either want to use him, put him on a pedestal, or is a universally infamous human godchild who will forget all about him in a matter of years

(cosmo and wanda becoming godparents and learning (choosing) to eventually let go of their kids is one thing, but it can be assumed poof was still a young, underdeveloped child by the time timmy (+chloe, for what it's worth) got his memories wiped

and he sees that timmy's able to live his own happy life without him in it. he lost his brother just like that, and there's nothing he can do despite all his godly powers)

there's so, so many ways he could've gone wrong

thus, my initial thought was that peri was going to be a somewhat petty, "spoiled brat," and him becoming a godparent would be the result of spite or rebellion, which cosmo and wanda would feel entirely responsible for. I HATE MY PARENTS!! yada yada yada

it was a pleasant surprise to see all those clips of them loving each other. and it's not even because i doubted for a second that cosmo and wanda are bad parents, it's just what you usually expect when seeing shows from the 2000s, even if it doesn't make sense

all things considered, i'm very glad they went for the lighthearted silly family trope. not every show needs such conflicts, and showing healthy dynamics are better for kids overall

still, i find it interesting to think about if they'd gone down another route instead. i love me a pathetic cringy villain who tries (fails) to hate the people they love the most