Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.
Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".
The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.
There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.
The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.
Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.
Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.
So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.
Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.
I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.
The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.
As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.
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If you're interested, here's a prompt from the ones who just shared:
"Then why did you do it?" "BECAUSE I LOVE YOU!"
No rush hehe I hope you get rest and have fun writing this!
Now, see, I could have taken this as an open prompt and went with something else, but I know you like dreamling and so I was good.
Thanks for the prompt dear! 💖 Also special thanks goes to @cuubism for actually going through it 🌻🌻🌻 any mistakes are me ignoring her wisdom or straight up forgetting to edit it. one of the two.
Dreamling - some flavor of hurt/comfort(?) 'you dare?' kind of situation going on there, 1,394w
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“I cannot fathom why—”
Dream halts mid-sentence, his outrage rendering him speechless for a precious moment in which Hob tries, fruitlessly, to come up with a way to placate him, to explain in a way that will somehow pass as acceptable to Dream. The betrayal is tangible in the air, so charged that Hob’s hair actually stands on end as if from static. It feels like standing at your front door, still safe but seeing the hurricane on the horizon, knowing that this false safety can and will change in moments. Hob cannot think of a single thing.
“You.” Dream grits his teeth so tightly that they scrape loudly, the sound of it making Hob’s own teeth ache uncomfortably. “Know.” Dream says each word as if it takes a great burden to even use human speech and not simply burn a hole in Hob’s mind. Given Dream’s past record, which Hob had recently learnt of, perhaps it does. “You know I do not ask.”
“I know.” Hob winces.
There’s no denying that he knew. Knew full well that asking Dream’s sibling for help was a guaranteed way to not only outrage him, but also land Hob a very creative punishment and the end of their long friendship.
He knew that, and did it anyway.
Would again, if he had to.
He will not apologize for that.
Dream seems to come to the same conclusion, cheeks reddening in a surprising display of humanity, of lack of control over his appearance. The darkness that creeps into his eyes is distinctly not human. Hob shudders but fixes his eyes on Dream’s, refusing to avert his eyes like a reprimanded youth. He did what he did, and he’s not sorry.
''Then.” To Hob’s surprise, Dream seems to level himself, to school the darkness out of his eyes and ask with a calm that is somehow more unnerving than his rage. “Why did you do it?" There is a finality to this question, like a judge asking for one last confession to tip the scale one way or another. There will be judgment at the end of it, Hob knows.
“Because…” he sucks in a breath, there’s a ball of nerves in his stomach and frustration, surprising him with its intensity, it feels almost like anger.
Why is he here, searching for excuses for something he believes in wholeheartedly? He doesn’t want to learn firsthand of Dream’s notorious pettiness but he’s not here to play these sort of games.
The outraged huff is stuck in his throat— he didn’t even realize he had raised his voice this much, not until the ring of it strains his ears. He is practically shouting. And he doesn’t care.
''BECAUSE I LOVE YOU.''
There’s anger in it, frustration, a measure of desperation.
“I bloody love you more than I fear you, that’s why.” His own cheeks burn, itch, tingle with the indignation of it all. “Because I’m a besotted fool who would make a pact with the devil if I had to, if it meant helping you.” He gestures curtly at Dream, then spreads his arm in an exaggerated motion of question. “Why else? Seriously, why else?!” He stops at that, breathing harshly. This is not how he had imagined, not even close. Fuck it. And fuck Lucifer, too. And Dream’s all too pleased sibling, on top.
Through his outburst Hob had stopped paying attention to Dream’s face, only his eyes, latching onto them as if they were his anchor in this universe, the only constant thing, in life, in this.
When he finally looks, really looks, he realizes with a start that Dream’s cheeks are no longer red with anger, that his eyebrows are not as tightly knitted, that his pale lips form a small and lax ‘o’.
His friend looks taken aback, pacified and…surprised.
Like he couldn’t fathom this being the reason for Hob’s supposed betrayal of trust. Like this was the last rationale he had expected to hear, like he, an Endless being of incomprehensible wisdom, is unable to conceive this simple truth. Like he’s at a loss now.
Like he’s a bloody idiot. Hob shakes his head in amazement, his own anger evaporating as quickly as it came. Yet again he wonders how it is possible to be all knowing and yet so blind, so oblivious to such a simple truth, one Hob didn’t even try too hard to hide, really.
“I know you didn’t want me to,” he softens his voice, speaking more quietly “but I really didn’t have a choice. If I could do this on my own, you know I would have, I’d do worse for you.” He smiles at Dream, he doesn’t even try to sound self-deprecating, it’s the honest truth. He would.
His hand drops by his side and he awaits then, for his judgment.
“You love, me?”
Hob doesn't know how to respond to such a simple question other than–
“I do.”
There’s nothing else to add to that, he said it all, he did it all, even Dream must understand this is no passing fancy. One does not risk their immortal soul for something insignificant. Especially not Hob. One does it when it means everything. And in this case, it did. Dream did.
Dream seems to again, come to the same conclusion.
He wilts, shoulders sagging. He looks both much older and much younger at the same time, like this knowledge has stricken him, hurt him.
“You shouldn’t” is all he says.
“But I do.” Hob answers in return.
“I see that.” Dream’s voice is a whisper carried by the breeze, gentle, endless, aching. He looks torn in that moment, the judge whose scales no longer measure in any understandable manner. He casts his gaze down.
“Just let me,” Hob says. He did not come here demanding boons, nor love, only to help Dream. “Forgive my impudent human inclinations to save what I love, and let us continue as we were. Friends. “
“Friends…” Dream repeats after him, as if in disbelief.
Dream opens his mouth to say more—to accept or refuse, Hob doesn’t know—but in that exact moment Matthew half-crashes, half-lands on Dream’s shoulder, a flutter of black feathers and barely muffled curses.
“Boss! Oh for fuck’s sake— I mean cracker’s sake— I mean what the hell— I mean you’re fine—you’re actually okay, I was sure that this time you’re like legit—” he notices Hob then, and cawing loudly he curses again “You actually did it you son of a bitch— you really did!” His wings open excitedly, brushing against Dream’s face, covering it up.
“Matthew.”
“Uh-” Matthew folds his wings immediately.
Hob looks at Dream then, the moment is decidedly broken but he has to know if he’d see him again, he can’t just go on not knowing, it’ll drive him insane. “Dream—” he starts, but Dream speaks over him.
“We will discuss this—” Dream’s lips tighten, eyes flicking to Matthew and then back at Hob. “At a later time.” He concludes rather curtly, seemingly deciding that addressing exactly what they will be discussing is not something he wants his Raven to be privy to.
“Right…” Hob murmurs, not speaking further of the topic either. It’s one thing to break Dream’s boundaries over life and death, another entirely over his own impatience and need to know. Dream wanting to see him again at all is already a damn good sign, and Hob will take it, gladly.
“I’ll see you later then, Dream” He uses the name even while not being sure he is still permitted to, that he did not lose the privilege. Dream tilts his head but doesn’t object, instead he nods once and disappears in a swirl of golden sand.
“Show off…” Hob murmurs into the empty air, shaking his head in disbelief. There’s a good feeling in his gut, he should probably be worried but he has a feeling that things will work out, that it all will be just fine. He can’t explain it, but he has learnt to trust his gut over the years. After all, it once led him to believe that he would never die.
It was right then, and it’ll be right now too. He and Dream will figure it out and will be better for it. Just like the other time, just like always.
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