#stand with Indigenous women

[harmonyhealinghub]

The Missing and Murdered Indigenous Women: An Ongoing Tragedy

Shaina Tranquilino

October 4, 2023

The issue of missing and murdered Indigenous women is a devastating tragedy that has plagued Indigenous communities for decades. Despite being deeply rooted in the history of colonization, it remains an ongoing crisis that demands immediate attention. This blog post aims to shed light on this heartbreaking reality and urges society to acknowledge, address, and support initiatives aimed at ending the violence.

A Historical Context:

To truly understand the gravity of the situation, we must recognize the historical context in which this epidemic has unfolded. Since European colonization began in North America, Indigenous women have faced systemic discrimination, marginalization, and violence. These injustices persist today as a direct result of centuries-long oppression and the erosion of Indigenous cultures.

Disturbing Statistics:

The statistics surrounding missing and murdered Indigenous women are both shocking and disheartening. According to a 2016 report by the National Crime Information Center (NCIC), there were over 5,700 cases of missing or murdered Indigenous American women recorded in the United States alone. Alarmingly, many believe these numbers may be underestimated due to underreporting or misclassification by law enforcement agencies.

Root Causes:

Numerous factors contribute to this crisis. Poverty, limited access to education and healthcare services, high rates of domestic violence within communities, institutional racism, inadequate law enforcement response, and human trafficking all play significant roles in perpetuating this cycle of violence against Indigenous women.

The Need for Awareness & Advocacy:

Raising awareness about this issue is crucial towards mobilizing action to end it. It requires educating ourselves and others about the plight faced by Indigenous women who continue to disappear or be victimized every day. Social media campaigns like #MMIWG (Missing and Murdered Indigenous Women and Girls) have played a pivotal role in bringing attention to their stories while demanding justice.

Government Action & Accountability:

Addressing this crisis necessitates a multi-faceted approach. Governments at all levels must take concrete steps to address the root causes of violence against Indigenous women, including improving collaboration between law enforcement agencies, enhancing victim services, and implementing culturally sensitive policies. Additionally, funding programs that empower Indigenous communities and strengthen support systems are essential for long-term change.

Community Empowerment:

Indigenous communities have been fighting tirelessly to protect their women and girls. Supporting grassroots organizations led by Indigenous people who understand the unique challenges faced by their community is crucial in eradicating this issue. By amplifying voices from within these communities, we can ensure that culturally appropriate solutions are implemented while fostering healing and resilience.

The missing and murdered Indigenous women crisis demands urgent attention from society as a whole. Recognizing the historical context, understanding the systemic issues involved, advocating for awareness, holding governments accountable, and empowering affected communities are all integral components of bringing an end to this deeply entrenched tragedy.

To honour the lives lost and prevent future victimization, it is our collective responsibility to stand in solidarity with Indigenous communities and work towards creating a world where every woman feels safe, valued, and protected. Only through unity can we hope to achieve justice for the missing and murdered Indigenous women who deserve nothing less than our unwavering commitment to ending this heartbreaking reality once and for all.

[meirimerens]

the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:

P2 Layers glyphs take from the mongolian script:

while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)

the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)

some of the sigils also look either in part or fully inspired by Phags Pa script letters...

some look closer to the mongolian or vagindra (buryat) script

looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):

shaped and reshaped...

[originalleftist]

(Content Warning: Self-Harm/S***ide).

The labeling of Nex Benedict's murder as a "suicide" by Oklahoma officials, and seemingly most media outlets' unthinking repetition of this, as well as of the narrative of a "fight" (implying equal guilt on both sides) has filled me with a specific kind of rage that I have seldom felt since Trump was in office. I genuinely feel the desire to do violence. I won't, and I know it would likely be worse than pointless, but the feeling is there.

And you know what, even if it was a "suicide", it wouldn't fucking matter. I know for most people it's probably just an excuse to victim-blame and let the murderers off the hook, but if a child commits suicide after being bullied and beaten by their classmates, THAT'S STILL A FUCKING MURDER.

Nex Benedict, trans indigenous child, was murdered by fellow students, with the indirect complicity of school staff, the State of Oklahoma, the Republican Fascist Party, and the Christian Right.

[imaginarianisms]

everyone say hiiiiii a.lys r.ivers witch queen of h.arrenhal!!!!!!

[ovrgrwn]

EQUITY OVER EQUALITY ALWAYS

Never have I ever heard of a white woman preaching this (I’m sure it does happen but I have yet to see it more often) - let alone in a comedy stand up. Alex Borstein is a gift.

[tacticalhimbo]

covidsafehotties , a blog dedicated to covid pandemic resources run by a trans* woman, was deleted for "harassment" after mentioning that her abusive, tme roommate had drawn a knife on her. she simply mentioned that this roommate was tme (which does not mean inherently mean transmasculine; iirc this roommate was cisgender), received threatening and harassing anonymous asks for simply stating that she was a victim of transmisogyny, and SHE was the one banned.

edit: here is a [link] to the covidsafehotties discord server; and here is a [link] to a follow-up post i made about certain recurring comments/questions!

edit 2: here is a [link] the new tumblr blog, covid-safer-hotties! in case this one also goes down; to find a better archive of information, make sure to check out nadica's proboard dedicated to covid safety, which can be found at this [link] !

while nadica (blog owner) has privately stated that she is attempting to go through the appeals process, tumblr's email from @staff has made it clear that she as a transgender woman is not welcomed on this site.

just as they have numerous trans* women in the past week.

in fact, she received the exact same email as them, stating that "automatic means were not used to make this decision or identify the content at issue", meaning that real. human members of staff saw a trans* woman being harassed, talking about her experiences as a trans* woman, and banned her for daring to say so.

they even went as far as to state that she "[should not] engage in the unwanted sexualization or sexual harassment of others".

how in the FUCK is her sharing these experiences sexual? how in the FUCK is her being harassed by transmasculine folks on this site sexual??

just a reminder: here are details surrounding tumblr’s NYCCHR Settlement, which is publicly accessible information

Summary of NYC Gov. Settlements [ LINK ]

NYCCHR Settlement Documentation [ LINK ]

in case y'all really want to raise a stink over the "queerest site on the internet" raising their transmisogynistic paws (again). and from nadica herself:

" Can we all appreciate that even beyond the transmisogyny of the likely scenario, that this person disliked a single acronym [re: tme] I used so much that they got the most [active] and interacted-with covid blog on the site banned. i can't imagine being so cruel and thoughtless about any resource "

as a tme person, i stand with every fucking trans woman and transfem that tumblr has banned from this site for existing within the content guidelines. i stand with every fucking trans woman and transfem who has been harassed, stalked, and booted from this site because the moderation staff refuses to do SHIT about it.

and i stand with every other group who faces the same treatment. the dozens of black bloggers. the dozens of indigenous bloggers. the dozens of palestinian bloggers.

tumblr is not the queerest corner of the internet. it is not a safe space. and if i get banned for saying that, then fuck it and fuck every one of y'all who let it happen.

[goodstuffhappenedtoday]

‘Bigger than the Oscars’: Blackfeet Nation honors Lily Gladstone with stand-up headdress

BROWNING — Wearing a white sequin shawl and matching ribbon skirt, esteemed actress Lily Gladstone kneeled on the floor of the new arbor on the Blackfeet Reservation as tribal elders placed a stand-up headdress atop her head. 

Thousands of people who traveled across the country — and from Canada — to honor Gladstone watched in silence. 

Gladstone stood and embraced tribal leaders. Then, with one hand over her heart and the other holding onto Charlene Plume, the elder who made her headdress, Gladstone danced in a circle around the arbor. Members of the Women’s Stand-Up Headdress Society, tribal leaders, dignitaries, students, teachers and children followed behind.

The sound of drums boomed, and the crowd erupted. 

Gladstone, who grew up in Browning and East Glacier, recently rose to worldwide fame after starring in Martin Scorsese’s “Killers of the Flower Moon” alongside Robert De Niro and Leonardo DiCaprio. 

She made history, becoming the first Indigenous person to win a Golden Globe award for best actress and the first to be nominated for best actress at the Oscars. 

At Tuesday’s event — which included a grand entry, flag song, prayer, speeches from dignitaries, honor song and round dance — leaders thanked Gladstone for representing the Blackfeet Nation on the world stage and for being a role model for young people.

“Because of you, rez kids on every reservation here and in Canada can chase their dreams,” Councilman Everett Armstrong said at the event. “Students, take a look at this accomplishment — it’s possible.”

Councilman Robert DesRosier delighted in the fact that Gladstone “is just like us.”

“She’s us,” he told the crowd before turning to Gladstone. “Lily, welcome home.”

More than 50 members of the Women’s Stand-Up Headdress Society — a group of contemporary Blackfoot women in the U.S. and Canada who own such headdresses — traveled to Browning to celebrate Gladstone. Theda New Breast, a member of the society, said Tuesday marked the largest gathering of stand-up headdress members to date. (BEN ALLAN SMITH, Missoulian)

more at the link

[queer-geordie-dyke]

This has been said ad nauseum, I know, but the thing I just *cannot* get over is how very quickly and easily the left as a movement abandoned its most basic principles:

“Rape is an abhorrent, violating crime and we must believe and uplift survivors” - until it is done to Jewish women and girls in the name of ‘resistance’ then it’s just fine and dandy, or we might not even believe you at all.

“An armed force invading and mass murdering civilians is a war crime” - until the victims are Jews and you’ve decided it’s ‘resistance’ and ‘you don’t get to criticise how they fight back.’ No, mate, the word you’re looking for is ‘pogrom.’

“Slavery is bad” - until it is Jews being held hostage in Palestinian homes and forced to work then it’s ‘they were treated well and fed, what more do you want?’

“Indigenous peoples regaining their ancestral homelands is a key part of decolonisation and is a worthy endeavour” - until it is Jews regaining the land of Israel after centuries of disenfranchisement then it’s ‘white supremacy’ and ‘colonialism’ and the most evil thing in the world.

“Collective punishment is bad, citizens aren’t responsible for the actions of their government” - until we can treat every single Israeli like evil incarnate and deserving of the worst abuse and treatment simply for existing.

“Oppressed people know their own oppression better than you do. Listen to them and don’t presume to know better about the issues they face” - until it’s Jews talking about antisemitism and then it’s ignoring them, talking over them and accusing them of weaponising their oppression to silence criticism.

“Abuse and violence against an oppressed group must be condemned wholeheartedly and we must stand with the persecuted” - until it is Jews facing a 400% increase in antisemitism - being spat at, beaten, raped, ostracised from public spaces, having their schools and synagogues targeted, and then it’s shut our eyes and ears and pretend none of it is happening.

“Queer rights for all” - until Israel dares to be a beacon of queer rights in the Middle East and then it’s ‘pinkwashing.’

Do you even hear yourselves? Do you even care that you are being breathtaking hypocrites? How do you expect anyone to ever take you seriously ever again?

[incognitopolls]

MMIWG2S+ stands for missing and murdered Indigenous Women, Girls, and 2 Spirit people. Here’s an educational resource to learn more:

https://www.safv.org/mmiwg2s

–

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[harmonyhealinghub]

Standing Together Against Violence: The Moose Hide Campaign

May 7, 2024

Shaina Tranquilino

In a world where the statistics of violence against women and children are staggering, there emerges a beacon of hope—a grassroots movement born out of Indigenous wisdom and solidarity: The Moose Hide Campaign. This powerful initiative rallies men and boys, alongside all Canadians, to stand up against the pervasive scourge of violence towards women and children.

The Roots of the Moose Hide Campaign

The Moose Hide Campaign traces its roots to a sacred journey undertaken by a father and son from the Carrier First Nation in British Columbia, Canada. In 2011, Raven Lacerte and her father Paul Lacerte embarked on a symbolic pilgrimage to heal the wounds of intergenerational trauma caused by violence against Indigenous women and girls. During this journey, they hunted a moose, and Paul made a commitment to carry a piece of moose hide wherever he went as a reminder of his responsibility to protect women and children.

Inspired by this profound experience, Paul and Raven Lacerte founded the Moose Hide Campaign, inviting men and boys from all walks of life to join them in solidarity against gender-based violence. What began as a personal vow transformed into a nationwide movement, fueled by the collective determination to create safer communities for all.

The Symbolism of the Moose Hide

Central to the Moose Hide Campaign is the symbolic significance of the moose hide. In Indigenous cultures, the moose holds spiritual significance as a symbol of strength, protection, and resilience. By wearing a piece of moose hide, participants pledge to honor and uphold traditional values of respect, love, and non-violence.

The act of wearing the moose hide becomes a visible declaration of one's commitment to stand against violence and to foster healthy relationships based on equality and mutual respect. It serves as a conversation starter, sparking dialogue and awareness about the prevalence of violence in our society and the urgent need for collective action.

Mobilizing Communities for Change

At its core, the Moose Hide Campaign is a grassroots movement that empowers communities to take a stand against gender-based violence. Through educational workshops, community gatherings, and awareness-building initiatives, the campaign fosters dialogue and collaboration among diverse stakeholders, including Indigenous leaders, government officials, law enforcement agencies, and grassroots organizations.

One of the signature events of the Moose Hide Campaign is the annual Moose Hide Gathering, where participants come together to share stories, learn from each other, and renew their commitment to ending violence. This event serves as a catalyst for positive change, inspiring individuals and communities to take concrete actions to prevent violence and support survivors.

The Impact and Legacy

Since its inception, the Moose Hide Campaign has made significant strides in raising awareness about the root causes of violence and promoting healthy, respectful relationships. By engaging men and boys as allies in the fight against gender-based violence, the campaign challenges harmful stereotypes and empowers individuals to become agents of change within their communities.

The impact of the Moose Hide Campaign extends far beyond its tangible achievements. It represents a powerful testament to the transformative power of grassroots activism and the enduring strength of Indigenous wisdom and traditions. As more individuals and communities join the movement, the Moose Hide Campaign continues to inspire hope and ignite a national conversation about building a future free from violence.

Joining the Movement

In a world where the epidemic of violence against women and children persists, the Moose Hide Campaign offers a ray of hope—a reminder that change is possible when we stand together in solidarity. Whether you're a man, a boy, or a supporter of gender equality, there are countless ways to get involved:

- Wear the moose hide pin as a visible symbol of your commitment to ending violence.

- Organize or participate in Moose Hide Campaign events in your community.

- Educate yourself and others about the root causes of violence and strategies for prevention.

- Advocate for policies and programs that support survivors and promote healthy relationships.

- Support Indigenous-led initiatives working to address the systemic factors that contribute to gender-based violence.

By taking action today, we can create a future where all women, children, and communities thrive in safety and dignity. Together, let's stand up, speak out, and make a difference with the Moose Hide Campaign.

www.moosehidecampaign.ca

[allthecanadianpolitics]

Heather Stefanson, the leader of Manitoba’s PCs, has launched a new ad campaign promoting her opposition to searching a landfill for the remains of two Indigenous women believed to have been murdered by an alleged serial killer. On Saturday, the Manitoba PCs took out a full page ad in the Winnipeg Free Press as well as site-wide banner ads on the province’s biggest newspaper’s website featuring a sensational and highly unusual campaign message from the incumbent premier, who is currently trailing by a wide margin in the latest opinion polls. “Stand firm,” reads both the print and digital versions of Stefanson’s ad. “For health and safety reasons, the answer on the landfill dig just has to be no.”

Continue Reading.

Tagging: @politicsofcanada

[starlightshadowsworld]

It's important to recognise that what's happening in Palestine, what we are witnessing and what people are experiencing, are not isolated to Palestine.

You may hear people talk about the war in Sudan, the silent holocaust in Congo.

It's because these and so many more atrocities in the world are linked. They are preperuated by the same systems.

[Video Transcript:

So as a Palestinian when I say Free Palestine, I am not just talking about Palestine. I started nursing school in 2015 at Saint Louis, just a few miles away from where Michael Brown was killed by police.

Being in that city at that time, watching Black Lives Matter being born, stirred up a lot of feelings for me as a Palestinian.

I saw a country justifying a child being murdered by the state, in the street. I saw the people protesting that murder being vilified.

Standing there, protesting, watching a militarised police force with tear gas and rubber bullets matching towards me.

And I thought, this is that.

As a Palestinian to understand what is going on in Palestine is to understand the de facto aphartied that black Americans experience here in the states.

It's not an accident that when my grandfather came here, he was told to sit and the back of the bus. And it's not an accident that he marched with MLK.

It has been black and Palestinian solidarity, and it continues to be black and Palestinian solidarity.

Because yes, Free Palestine is about Palestine ceasefire now and the military occupation of the Palestinian people. It's also about resisting the global colonial hegemonic structure.

Because the shit happening there is happening here. If it isn't Palestinian women and babies being killed by bombs in Gaza, it's black women and babies being killed in American hospitals.

If its not Palestinian girls missing in the rubble. It is missing and murdered indigenous women here in the United States.

The rage I feel when I hear the names Michael Brown and Treyvon Martin is the same rage I feel when I hear the names Shireen Abu Akleh and Ahmad Manasra.

That's not to say that allyship is transactional, it is to say that the only thing we have is each other.

There's a reason that when people ask me about Free Palestine, I will point them to books on Black Lives matter.

When I say Free Palestine, yes I mean Free Palestine but I also mean Black Lives Matter, I also mean abolition now. I also mean reparations, I also mean land back.

This movement cannot lose steam, not just because there is currently a genocide being perpetuated against my people. And every minute we don't do something Palestinian lives are being lost.

But because this is a global struggle for justice. It does not start and end with Palestine, we will not be free until all of us are free.

The world is waking up, there has never been global solidarity for Palestine like this.

And we have them so scared. The violence is so disproportional because we are challenging a global power structure. Don't let the momentum die because this is about all of us.

Ceasefire now.

End the occupation.

But know what I mean when I say, Free Palestine.

End Transcript.]

Books shown in the video:

"When they call you a terrorist a black lives matter memoir" by Patrisse Khan-Cullors & asha bandele.

"Freedom is a constant struggle. Ferguson, Palestine and the foundations of a movement" by Angela Y. Davis

[komsomolka]

To sit in the comfort and safety of the West and condemn acts of armed resistance that the Palestinians choose to carry out – always at great risk to their lives – is a deeply chauvinistic position. It must be stated plainly: it is not the place of those who choose to stand in solidarity with the Palestinians from afar to then try and dictate how they should wage the anti-colonial struggle that, as Frantz Fanon believed, is necessary to maintain their humanity and dignity, and ultimately to achieve their liberation. Those who are not under brutal military occupation or refugees from ethnic cleansing have no right to judge the manner in which those who are choose to confront their colonisers. Indeed, expressing solidarity with the Palestinian cause is ultimately meaningless if that support dissipates the moment that the Palestinians resist their oppression with anything more than rocks and can no longer be portrayed as courageous, photogenic, but ultimately powerless, victims. [...]

As a result, large swathes of the Western left express solidarity with the Palestinian cause in a generalised, abstract way, overstating the importance of their own role, and simultaneously rejecting the very groups who are currently fighting – and dying – for it. All too often, those who have refused to surrender and steadfastly resisted at great cost, are condemned by people who, in the same breath, declare solidarity with the cause. Similarly, it is common for these same people to either ignore or demonise those external forces that materially aid the Palestinian resistance more than any others – most notably Iran. If this assistance is acknowledged, which is rare, the Palestinian groups that accept it are typically infantilised as mere ‘dupes’ or ‘pawns’, for allowing themselves to be used cynically by the self-serving acts of others – a sentiment that directly contradicts Palestinian leaders’ own statements.

A specific criticism of Hamas that is frequently deployed in this context is the ‘indiscriminate’ nature of its missile launches from Gaza, actions which both Human Rights Watch and Amnesty International regularly label ‘war crimes’. As observed by Perugini and Gordon, the false equivalence that this designation relies upon ‘essentially says that using homemade missiles – there isn’t much else available to people living under permanent siege – is a war crime. In other words, Palestinian armed groups are criminalised for their technological inferiority’. After the latest round of fighting in May 2021, al-Sinwar stated clearly that, unlike Israel, ‘which possesses a complete arsenal of weaponry, state-of-the-art equipment and aircraft’ and ‘bombs our children and women, on purpose’, if Hamas possessed ‘the capabilities to launch precision missiles that targeted military targets, we wouldn’t have used the rockets that we did. We are forced to defend our people with what we have, and this is what we have’.

This failure to support legitimate armed struggle is a part of a wider problem with the framing used by many supporters of the Palestinian cause in the West, that obscures its fundamental nature and how it must be resolved. Palestine is not simply a human rights issue, or even just a question of apartheid, but rather an anti-colonial fight for national liberation being waged by an indigenous resistance against the forces of an imperialist-backed settler colony. Decolonisation is a word now frequently used in the West in an abstract sense or in relation to curricula, institutions and public art, but rarely anymore in connection to what actually matters most: land. And that is the very crux of the issue: the land of Palestine must be decolonised, its Zionist colonisers deposed, their racist structures and barriers – both physical and political – dismantled, and all Palestinian refugees given the right of return.

[gtsdreamer2]

   You were deep in the Amazon rainforest. A recent graduate with your mycology doctorate, you were researching a special species of mushroom that only was said to grow deep in the jungle and only during the twenty four hours of the full moon during the autumn months. According to ancient texts found in the indigenous people's temples, the mushroom was used in fertility rituals and to signify a bountiful harvest during these months before the cold winter. You were curious about the cultural significance as well as the medicinal properties of this rare shroom. You didn't know what it looked like, only that it wasn't foraged for by the locals anymore and that it should look like a mushroom that you don't know.

   Hours of searching later, you begin to grow tired and wonder if you should give up and wait until the next full moon. The sun is starting to set when you finally spot something different. It's a mushroom you've never seen before, which is remarkable seeing as how you've seen them all. The cap is a pinky flesh color with an even pinker button on top. You giggle to yourself as you remark that it looks like a tit with a firm nipple poking out of it.

   Kneeling down, you take out your notebook and a pencil and begin to sketch it. 'I'm just drawing a boob.' You think to yourself. You stare in awe at this shroom as the sun continues to set. Taking your pencil, you poke the nipple-esque protrusion. Immediately this mushroom expells a giant cloud of spores right in your face. You gasp in surprise, sucking into your lungs an ample amount of the potent plume.

   You hack and cough, but its way too late for that, they're already lodged deep within you and entering your blood stream. Your eyes dialate and your body grows hot. You stand and lean against a tree, trying to catch your breath. You can feel your heatbeat in every nerve. Your cells are responding in a way they never have to the new foreign agent that has begun to take over you. Your heatbeat concentrates in your breasts as you feel your nipples grow almost painfully erect. Then you feel your breasts start to press against your soft white cotton top. You can feel the belts on your corset tighten to try and contain whatever is happening to you. Suddenly you shoot up four inches in height.

   Your sudden growth spurt elicits an a forced maon from your mouth. "Mmmph!" You cry out as a second wave hits you. The belts on your corset snap and suddenly you're six foot five with the seams of your jeans splitting. You feel your feet break free from your hiking boots as your toes sink into the damp rainforest earth.

   'This is starting to feel really good.' You think to yourself as you start to regain a semblance of your normal senses. Doing a body check, you can tell that you've grown. Your breasts have at least doubled in size and are now very hot and sensitive to the touch. You can feel a hunger deep in your womb as if ovulating on steroids.

   You attempt to sit down on the cool jungle floor, your now massive ass shredding the back of your jeans as you squat down. You pick up your pad and pen and continue to make notes about the shroom.

   'It is clear that this is how the Amazon women in the lore of this land gained their stature, and I can clearly feel why this particular fungus was revered for its fertility-inducing properties. I feel so full of life, yet I also feel the need to be bred full of babies.' Looking back at your notes, you are in shock that you actually wrote that down.

   You wonder to yourself how potent the flesh of the shroom might be, considering what just inhaling some of the spores had done to you. As the sun began to set, you walk back over to the shroom and delicately pluck it out of the ground before greedily shoving the whole thing into your mouth, quickly swallowing it without so much as trying to find out what it tastes like. Again the euphoria strikes your body. You feel its effects ten fold as you quickly gain four feet in height and explode out of your inadequate top. Sitting back down on the remainder of your ruined clothes, you bask in the feeling of your massive body and heightened strength and senses. You close your eyes and listen to the jungle around you, lamenting that you ate the only specimen that you had found on your journey, and now the only evidence was what it had done to you. When you open your eyes, the realize that the moon has peaked through the canopy. Your dialated eyes can see the jungle floor quite clearly now, and shimmering all across the damp dense expanse before you, you can see dozens more of the mushroom glowing against the moon, as if drinking in its power. 'It would have been so much easier to find at night.' You chastise yourself as you stand up again. You leave your ruined clothes behind as you pick up your foraging Satchel and start to delicately pick as many of the shrooms as you can carry, trying your best to put them in containers without them expelling more spores. 'This will be so great for my research.' You think to yourself. 'And it'll make a great snack for the walk back'. You giggle to yourself as you pop another three into your mouth.

[uispeccoll]

Voices from the Stacks

Ul'nigid'

Ul'nigid'is a moveable book by artist Rhiannon Skye Tafoya, created in 2019 at the Women’s Studio Workshop in Rosendale, New York. This is edition six of 44, signed by the artist.

The book can take on multiple forms and shapes, with an accordion pamphlet and movable walls made of woven paper. When fully unfolded and standing up, the book resembles a basket. It features five poems in English with accents in Cherokee syllabary. The poems are those of remembrance, healing, love, home, and heritage. The cover shows an illustration of the artist’s grandmother, and the title is printed in both English and Cherokee.

The piece draws on traditional Cherokee weaving techniques used for river-cane basket making, but with the artists own contemporary weaving design. Instead of white oak and rivercane, she uses handmade paper. In her artist’s statement, Tafoya explains that the weaving design “represents the energy of my indigenous lineage as well as the urge to break out of boxes that a colonized society puts my identity, culture, and art into.”

The book was made in honor of the artists maternal grandmother, Martha Reed-Bark, who was a Cherokee medicine-woman and basket weaver. The title Ul'nigid’, which translates to “strong,” embodies her resilience and spirit.

From the publisher: “Ul’nigid’ is a demonstration of love and remembrance, wherein each technical process portrays strength and delicacy, allowing the artist to communicate a contemporary indigenous voice with deep influences from her traditional grandmother.”

Rhiannon Skye Tafoya is a printmaker, weaver, digital designer, and book artist affiliated with the Eastern Band Cherokee and Santa Clara Pueblo tribes. She earned her Master of Fine Arts in print media from Pacific Northwest College of Art in Portland, Oregon, and her Bachelor of Fine Arts in printmaking and sculpture from the Institute of American Indian Arts in Santa Fe, New Mexico. In her work, Tafoya seeks to share and preserve personal and familial stories, cultural knowledge, and the Cherokee language, while still paving her own journey through contemporary art.

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-Anne M, Olson Graduate Research Assistant