#spoilers in following tags.....

[shield-and-saber]

me reading path of deceit: hey the path kind of reminds me of evangelical pray the gay away movements, i wonder if that was intentional

me reading path of vengeance: oh

[gongyussy]

deepthroating a gun without breaking eye contact...... he put his entire gongyussy into that | SQUID GAME 2

+ the video because the sound he makes when he puts the gun in his mouth? [redacted]

update: he improvised that. the man really said i'll go full slut.

[fluffydancer618]

"Stuck in the timeloop as a punishment" is cool and all, but stuck in the timeloop voluntarily though? Oh, brother. Stuck in the timeloop cause you just can't move on. Stuck in the timeloop even if you know that it's not real and whatever should've happen already did. Stuck in the timeloop even if doesn't makes you happy. You just can't bear the thought of not being able to see them ever again. Stuck in the timeloop even if you know you should move on. Stuck in the timeloop even if you know they would want you to move on.

But maybe just a little while longer.

[hinamie]

in spite of everything, I had fun <3

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[humming-fly]

I've been really enjoying all the heart-wrenching and beautiful art episode 43 of malevolent has spawned, so to even things out here's even more monty python shitposts

Bonus:

[gradelstuff]

My Hero Academia - Art Card Collection Vol. 1 from Jump Shop Online (2024)

[remxedmoon]

i hit 1k followers recently!!!! yipee!!!!!!! thank you all!!! so in celebration here’s all of my completed isat doodle pages, from oldest to newest. go nuts with them!! and maybe don’t look at the first doodle page too closely. it’s Old.

(no greyscale version below for once! just some mushy ramblings. you don’t have to read them don’t worry)

hhhhhha?? so many people. where did you come from. how did you all find me.

ok but seriously, thank you all so much for all the support. i never really. expected to make it this far? like, ever?? i’ve mentioned it a few times on here, but i’ve been a lurker for the past… 2 years, i think? and even before that, i never gained much traction outside of a couple posts. so this has been. very new to me!! in a nice way!! it’s weird to feel like an actual member of a community!! that people know about!

the idea of finally coming back to social media was Daunting (i literally got stress hives writing my first post lol) and the warm reception really. meant a lot?? i don’t think i would’ve ever gotten the courage to come back if i hadn’t been encouraged to by the people over at the isat discord!!

the fact that people actually care about my art still doesn’t feel real?? seeing people take inspiration from my art is just. surreal. just. auagssh. thank you all so so much for everything, i really do appreciate it!!! i’m really glad to be in this community. sorry if this all sounds sappy and long winded i’ve just got a lot of emotions about this whole thing!!

(also as a bonus for reading all this or whatever. here’s a concept page for isatscryption! it felt a little out of place next to my normal canvases so i’m putting it down here! yipee! sorry my notes here are so disjointed auauau…)

[zipsunz]

at first sight, a similar feeling

[egophiliac]

innocently logging in to look at the Twst schedule for May like

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[elkian]

So I never really questioned Kabru and Mithrun's dynamic given what's coming up, but that episode really emphasized some stuff to me. We know already that long-lived races, particularly elves, have a tendency to dismiss the other groups as being childlike. But the sheer infantilization that everyone, and specifically Kabru, have to deal with in that episode really hammers it home.

When Kabru mentions his adoption, pretty much all of the Canaries start immediately treating him like a toddler. And we know from flashbacks in the manga that he received pretty much the same treatment from his adopter - I wouldn't say he was quite treated like a favored pet, but it's much closer to that than any kind of healthy relationship dynamic.

So when Mithrun stands up, gets in his face, looks him eye-to-eye and says: "You're plotting something. I'm going to find out what.", that? That is the first time in this scene - maybe in his life - that an elf takes Kabru seriously. Mithrun has his own thing going on, but regardless of his reasoning, he addresses Kabru as a person and an adult. As someone with complex motivations who could potentially trip him up. I don't doubt Kabru has in the past used that infantilization to his advantage, but it's blatantly obvious that he doesn't enjoy it. Who would? So Mithrun starting their relationship by treating Kabru as a peer explains a lot about their dynamic down the line, in my opinion.

Kabru doesn't have to prove his humanity, his personhood, his adulthood to this man, one of a group infamous for how they treat younger species. It must feel like one hell of a paradigm shift.

EDIT: I've seen it pointed out on this post and others that Kabru also shows Mithrun understanding and decency and sees him in a way that others haven't been and I think that's a very important parallel and good point.

[chaoflaka]

[hazelnootnut]

Act 3 (But why did they look so...?)

We finally got to the comic that actually made me think about this AU in the first place. After I was mulling around the idea of Loop looking like Siffrin the whole time, I realised that the conversation of "who or what do you think I am?" doesn't apply anymore. But you know what would?

The question of why Loop is even here in the first place. Because while it's nice to have another you around to help you out of the loops, isn't it weird that they're even here? Who sent them?

... and what was with their response?

[hinamie]

siren!megumi concept sheet i whipped up in a single-minded fever state fr @uriekukistan

[hotshotsxyz]

8x01 coda

(buddie adjacent) (784 words) spoilers ahead, read at your own risk!

A little peroxide, a little elbow grease, and the engine bay should be good as new. Five minutes, ten max, except Buck’s been scrubbing for twenty and the fucking stain won’t come up. He kind of wants to scream.

There’s blood soaked into the concrete and blood on his hands and it’s ugly and red and Buck needs it to be gone. He pours more peroxide and watches it foam.

It’s too goddamn quiet in here. The construction’s stopped, obviously, and Hen took the station out of service so no alarm will take its place. No one’s yelling, no one’s commiserating, no one’s vacuuming the fucking upholstery.

Nausea wraps itself around Buck’s organs. A hand lands on his shoulder and he jumps.

“Buck,” Eddie says, quiet, too fucking quiet.

Buck scrubs at the stain.

“Look at me,” Eddie says, kneeling beside him.

He can’t. He fucking can’t because the stain is still there.

Eddie grabs his wrist. “Buck,” he says again, forceful and a little loud.

Buck drops the sponge and whips around. “What?” he asks. It comes out flatter than he thought it would, drenched in something like apathy.

“You can stop,” Eddie says.

“No,” Buck says, shaking his head. “You know what he’ll do if this is here when he gets back?” He gestures at the stain. He can’t even say his name.

Eddie’s hand tightens around his wrist. “Let someone else give it a try,” he says gently.

Buck knows when he’s being fucking handled. He wrenches his wrist from Eddie’s grasp. Eddie grabs his shoulder instead.

“You didn’t do anything wrong,” he says quietly.

A humorless bark of laughter escapes Buck’s throat. “Yeah, no, I just killed a guy. Totally fine.”

“He’s not dead,” Eddie argues.

“Yet.”

Eddie takes a long breath. “He’s not dead,” he repeats. “And even if that changes—”

“What,” Buck interrupts. “It won’t be my fault? It kind of fucking is.”

Eddie shakes his head minutely. “If that changes it’ll be the universe or whatever.”

Buck rolls his eyes. “You don’t believe in the universe,” he says.

“No,” Eddie acknowledges. “But I believe in what I can see. And what I saw was you risking your life to save his. You didn’t do anything wrong.”

Buck swallows harshly and rocks back on his heels. “For—for a second I—”

“What?” Eddie prompts.

“I was—I wasn’t happy, but I—Eddie, I didn’t care,” Buck says finally. He drops the rest of the way to the floor and pulls his knees to his chest.

Eddie blows out a short puff of air and settles next to Buck. “I’m still not sure I do,” he says, tilting his head to catch Buck’s eyes.

“You don’t have to care,” Buck says. “He’s awful to you, and you’re not the one who killed him.”

“Still not dead,” Eddie reminds him. “And he’s awful to you too. He was in the middle of yelling at you when you saved his life.”

“It’s not the same.”

“It’s not,” Eddie agrees.

Buck bites his lip. “Have you…” he trails off.

“Ever killed someone?” Eddie guesses.

“You don’t—I’m sorry, I shouldn’t have—” Buck stammers.

Eddie presses his knee against Buck’s. “I don’t know,” he says, “not for sure.”

Buck frowns.

“I’ve shot at people,” Eddie continues. “Hit a few. I don’t know if any of them died. I’ll never know.”

“How do you deal with that?”

Eddie levels him with a flat gaze. “Buck. I’m in so much therapy.”

It startles a laugh out of him. “Eds I’m serious,” Buck says.

“I am too,” Eddie replies. “And either way, it’s different. You didn’t kill him.”

“He still might—”

“Buck.” Eddie looks away slightly and shakes his head. “Even if he dies, all you did was change what killed him. You gave him a fighting chance, it’s more than he would’ve given you.”

Buck scrubs at his eyes as they begin to sting. “I don’t know what to do with that.”

“You talk to me,” Eddie says, nudging his shoulder. “You’re a good person, I’ll tell you as many times as you need to hear it.”

A single tear escapes Buck’s lash line. “Yeah?” he asks, watery and rough.

“Yeah.” After a moment, he stands and holds a hand out to Buck. “Come on,” he says. “Brass says we can go home. You’re coming with me.”

Buck takes Eddie’s hand and allows him to pull him to his feet, leaving the sponge and the stain exactly where they are. “Okay,” he says quietly.

“Okay,” Eddie repeats.

There’s blood on Buck’s hands. Eddie takes him to the shower room to wash it off.