#spoiler it’s a music au
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bolotosd · 2 years ago
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Another sketch without context. Yes it’s related to au from the previous post.
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meteor752 · 23 days ago
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The Greek gods and how willing they are to fuck Odysseus (at least according to me)
Not doing all of them, there’s so many
Zeus: He most def would, but not because Ody is special. Like, it’s Zeus, the man would fuck anything as long as it’s breathing. I do think he’d enjoy the pleasure of messing with his older brother though, so he’s extra into it for that
Poseidon: Oh yes. He’d deny it if asked, but he wants to fuck him so badly
Hades: I think he’d fuck him mainly to see what all the hype is about. And to mess with Poseidon of course
Hera: Nah, she’s surprisingly loyal. Which like bitch why
Hestia: Asexual queen
Demeter: She has no idea who Odysseus is tbh. Don’t think she’d be too into it anyways
Apollo: Yeah! That’s not a good thing for Ody tho, as it never ends well for Apollo’s mortal lovers. Mans might be in danger
Artemis: Asexual lesbian queen
Athena: See with her, I don’t know. Their bond is strictly platonic, but I don’t think they’d be against the idea of fucking each other. I do think she’d make him fight for it
Ares: Now for most of the duration of the musical, no I do not think he’d be interested. But after he repeatedly stabs Poseidon with a trident? Oh boy
Aphrodite: Yeah, he’s just her type! Tough warrior that’s secretly a sub :)
Hermes: Mans been willing to fuck him for a long ass time, like I’m impressed by his level of self restraint actually
Dionysus: Is in the same seat as Demeter in that he has little idea of who this dude actually is. Don’t think he’d turn him down though
Hephaestus: I don’t think so, but I have no concrete reason for that answer. Vibe check
Aeolus: No thanks :)
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backpackingspace · 3 months ago
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My actual favorite part of wisdom saga is telemachus trying to lean against Athena (he thought about that for .03 seconds and then was like nah !!! :D she's my friend not the goddess of war!!! Good to see that the audacity is running strong in odysseus's family) and then just passed threw her and fell on the floor. And then Athena did not move at all!!! And just stood there looking at him.
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o3o-lapd-o3o · 1 month ago
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*during get in the water*
odysseus: aren't you tired poseidon, it's been 10 years!
odysseus: maybe you could learn to forgive~
poseidon:
poseidon: oh, so when crows remember people who wronged them and hold grudges, its “intelligent” and “really cool”
poseidon: but when i do it, i'm “petty” and “need to let it go”
poseidon: no.
poseidon: *activates his ultimate god move: shatter the ocean*
odysseus: uhhh...there are other ways of persuasio- *drowns*
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restlesskeychains · 2 months ago
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Zombie apocalypse odysseus and telemachus!
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epicthemusicalstuff · 1 month ago
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An addition to my Odysseus’ Sees Ghosts AU idea!! When the ghosts appear during Get in the Water and Six Hundred Strike, I need Odysseus eyes wide as he is falling under the waves, and the ghosts seeing and trying to help. Odysseus is so close to death himself they can practically touch him. Then when he attacks Poseidon I need the ghosts appearing for the 600 Strikes, and maybe they are invisible to Poseidon? (Or not- he is a god after all) but they help Odysseus attack Poseidon.
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starlightshore · 9 days ago
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(WIP) Place Your Bets On Winning Hats music vid i worked on in all one sitting after being inspired by @octonerd's animatic which makes me go insane in the most positive way.
Winning Hat Au is a "what if Loop won the 2hats fight?" and that trainwreck derails from there
The song is People Eater by Sodikken!
content warnings: gore, body horror, murder, song lyrics imply cannibalism but its like, metaphorical
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carterrdraws · 1 year ago
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yuck they’re gonna confess with weezer lyrics
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blitzsicedcoffee · 1 month ago
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I didn't know I needed to hear Poseidon beg for his life but now that I have.....😏
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ladybyakuya · 4 months ago
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| BRAZIL + TASUKU TSUBAKINO.
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+cw. — advisor!Tasuku Tsubakino x fem!singer!reader, musical au,band au, bofurin as band, mention of show pub ougi bar so manga spoilers, first meeting, usage of some canonical elements, rockstar!umemiya hajime, angst,hurt, misunderstanding ( ? ), confession, smut, mature content ahead. title based on song brazil by Declan McKenna
+wc. — 2k
+syn.— Tsubaki likes you while you know that he loves umemiya hajime and that is where jealousy comes into play but when it does it always turns the world upside down.
+notes. — this is a collab piece via wind breaker server ( the bofurin brothel ) hosted by our beloved mel ( @gimme-hiragi ). i used tsubaki instead of tsubakino because that's how he likes to be addressed. he is one of my favs >:)). dividers by cafekitsune | redirect to blog navigation.
+tags. — @stunie @prettyiwa
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The stage curtains are drawn out granting a manageable access for the sunlight to pour into the empty stage. The pebble bar lights are not alive. There is no need for those but only during nights. Tsubaki is staring at the stage with a daze in his eyes as you connect the chords, set the microphone, and grab the headphones. For someone who can ignite the dormant rhythm in people’s hearts with the melody of your voice, you are an eerily silent soul. You clean the headphones with your handkerchief before putting it on. The only sound that could be heard was breathing: one was even like a pond while the other was uneven like a mountain range. Despite how quiet you are, Tsubaki can still pick up the rhythm of your body and soul: the footsteps, the breathing, Tsubaki watches as you take the stance of singing in front of the microphone.  He always does. He comes every Friday morning to watch you practice and as for you, you practice singing without any instruments or gadgets every morning, when the entire bar is in deep slumber. Clearing your throat, you start to sing but at first, just with wordless tunes, scaling your voice.
The lyrics:
{ heard he lives down a river somewhere
With six cars and a grizzly bear
He's got eyes, but he can't see
Well, he talks like an angel, but he looks like me
Oh, Lord
Oh, Lord }
Tsubaki rests his chin in between the slit of his index finger and thumb, elbow fixed on the table beside the glass of a strawberry milkshake. His eyes straw away due to the jingle of the bell coming from afar that is located at the apex of the back door. Someone is here. Tsubaki can not see them until they step into the main arena. Maybe they are from the staff section he consoles himself. He looks at you to check if you are expecting someone’s arrival at this time of the day but he finds you immersed in your voice. With those headphones on he doubts you could barely hear anything.
The thing is your Friday mornings solely belong to Tsubaki so anyone else is just noise to him but you do not know that. You know that every Friday morning he turns up sharp at 9 o clock without his twin bodyguards. He murmurs under his breath, “The music you play in bars is more real than what I play in stadiums.” and sips the strawberry milkshake through the pink straw.
You cover the microphone with your palm; moving your head away from it a little you retort tartly. “Oh? That’s new. Are you mocking bofurin?”
Tsubaki's red lips have a tinge of the pinkish milkshake he just sipped. He could not even gulp it down. Azure eyes go static, a palm over his mouth. Awkward. Waiting. 
“That’s what I thought. You could never,” you chime with a smile plastered on your face that you often maneuver during interaction of any sort with customers. He finally gulps down the strawberry milkshake. It feels stale and does not help with either the heat or the bubbling tension amongst his chest ribs. The moment you were about to sing again, your eyes switched to the entrance of the bar lounge.
Tsubaki’s sky lake eyes follow as he murmurs, “Umemiya-kun. . .?” it sparkles as if the sun shone upon him after a cloudy day.
Your mouth fell open ajar. How courageous of Umemiya to roam as free as a bird carrying all the fame and fortune on his back. “I hope you’re not looking for a place to hide, Haji.” you quipped gaining the attention of pair of eyes in the room.
Umemiya swigs his palm in front of his face exclaiming with zest, “No. No. Not at all.” He walks towards the stage and stands in front of you. Now, you can see both: Tsubaki and Umemiya. “Can’t I come visit an old friend?”
That would be unusual for a rockstar of his status. He has just started new heights. Recklessness sure follows wherever there is popularity and financial prosperity. Even with all that, it is unusual for him to pay an unscheduled visit for him. Could it be he is out in the wild, hinting at his muse? 
“you’re stuck.” Umemiya’s gigantic smile disappears instantly. Oh! That must be it. He is stuck with his music. “Bingo.” 
“Hmmm. That's what I thought. I mean you can’t afford to pay a visit like this unless you need me.”You pull his leg a little as Tasuku fidgets with the hem of his dress revealing a fair amount of this thigh. How tactless! Or could be intentional? There is a bleak prospect of that so for the better or worse you do not follow the trail of that thought. It's your jealousy wrapped with anger trying to stretch your heartstrings and release it, snapping the string and rewarding you with a bleeding heart.
You excuse yourself for a minute because it truly feels like someone is already tugging at your heartstrings and it's none other than Tsubaki. The way he acts around Umemiya bothers you. The way he acts around you clams your heart but you can not run after that tranquility. Never. Not in this life.
By the time, you come back Tsubaki has already left and Umemiya is sitting, waiting for you by the window side. He spends nearly half an hour trying to schedule a time with you and you can not lie to him. You can not lie to him even if you want to because you have to appease Tsubaki. So, if you agree with him, help him with whatever problem he is facing. 
It was decided that after a gig, the next weekend his staff would come and pick you up from your house and drop you at his house. And, when the work is done his staff will drop you back to your house.
The next morning strikes with a devastation deadlier than death. 
There is a photo of you and Umemiya on the front page. It is blurred just a little enough to not recognize your face but people around you can tell easily that it’s you. Tsubaki certainly can. That’s the only thing that matters, not the contents of the photo or how ambiguous it is. You and Umemiya are standing close to each other, closer than normal people. He is touching your earring and the angle of the photo makes it seem that he is touching your cheek. Damn! These paparazzi. You try not to call any of the Bofurin members because by now the must be busy handling the situation, especially Tsubaki being Umemiya’s sole advisor. It is almost mid-day. You throw the paper in the dustbin and pour liquor before burning it. Sure, you are jealous of Umemiya but you do not pray for his down fall. It makes you feel horrible to even think such a case. If this the price of love you have to pay, you would rather fall out of love. As if you can afford to do that. You can perhaps but not now. You have your reputation to protect.
A few nights later, after your first show when you walk back to your green room you find Tsubaki waiting in your green room without the lights on in the dark Your green room is nothing out of the ordinary except for him. He is like a cilantro in dessert. He does not belong here, in the world of booze and cheap bar lights. 
“What’re you doing here?” you try to sound angry, even annoyed but it is the shock that he hears the most, maybe a fear hidden underneath your voice. So, he does not leave the chair but rather folds his legs, one over the other. The taut and toned muscles of his legs are on vivid display making it even harder for you to focus. 
 “It was easy. I sneaked in.” He responds with so much detest in his heart that it makes you think he is mad about the photo. But he has no right to be, you remind yourself. After all, he is the one to choose to turn a blind eye to your feelings.
“Well, I have another performance so you have to wait.” you tartly spoke walking towards the mirror for some touch-up. Tsubaki watches you as you put lipstick on your lips.
“Why do you think I’m here?”
“Let me answer you with a question.” You turn your face to him, your hand still being kept on the wooden skin of the dressing table. “Why do you think I didn’t join Bodurin?”
“So, it's true. The rumors are true.” This guy . . . 
“Are you fucking kidding me?” The opened lipstick clatters among the cosmetics separating the maroon part from the lipstick case as you throw it away. Tsubaki does not say a word; just spares a glance at the smudged part of your lips, must have happened when you swatted it away.
“All this time, I thought you . . .you liked him. You liked him.”  Tsubaki exclaims in a low voice leaving his seat and coming close to you. “So, I restrained myself. I kept reminding myself—” his fingers linger on your chin. “ That you are not mine to own.” Right! How could you not think of this? Tsubaki the smudged part of the lipstick and you let him. “Now, i don’t have to do that.” he whispers against your lips. You gulp. He still has not let go of your chin. You don’t think he is going to  . . . kiss you, right? He chins your face up a little expanding a little more access towards your collar bones. Tsubaki jocks down, kisses on your exposed collarbone. Just a peck. “That will do for now. Will quiet down the rumors too.” Tsubaki smiles. You look at the mirror to check your reflection. There it is the lipstick mark, as bright as a diamond. You do not dare to wipe it off. You don’t want to. 
Tsubaki stands behind you as you watch yourself in all glory. He moves aside the fall of your hair onto your left shoulder. You tilt your head, eyes glistening as you look at him through the mirror. There is hope. Want. Lust. Desire. . . Tsubaki wet his lips seeing you inviting him but he can not do that, not here. You have a show to host, and people to entertain. So, he unzips your dress exposing your skin. You must either be wearing a backless bra or nipple pads. If not none, you are getting an earful from him later but for now, he proceeds to place a trail of kisses, slow and full all over your back. It is frustrating how you can not see his face or the lipstick marks he left on your back.
Tsubaki stands up after kissing you till the dress would allow him. He zips it up as he stands. “I’ll wait for your show to be over. Then, after the show we are going home.” He whispers into your ear but he is too close so you shrink feeling ticklish all over your body. A few days ago he felt light years away, so out of your reach and now he is standing behind you, as close as he can get for now. 
“I’ll hurry after the show if .  .  .” you can finally find your voice now. Wait, can you sing properly? Of course, you can; you reassure yourself. 
“Oh don’t worry.” Tsubaki interrupts. “ I’ll make sure we will make up for all the time we have lost love.” He holds your hand assuring you that it's okay; he is not running anymore; he is not. If anything, he feels repentance for suffering all these years regretting his feelings for you but now that bitter feeling has sublimed he is so full of love that it feels like his heart will burst at the seams. It's not suffocating anymore. It’s liberating. Love is liberating. OH DEAR! What blind fool he has been to not to see the love you have for him in those galactic eyes.
@underratedcharactercorner @interstellar-inn
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mooneltwo · 1 year ago
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Cobylu ponyo but they’re the parents
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glassladyoftheopera · 5 days ago
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In Stars and Time But It's a Musical (Part 1)
Okay hi I need to tell you all about this concept.
First off all I just need to say credit to @openphrase123 for the amazing 'ISAT but as a ballet' posts (here and also here and there definitely more but those are some of the big ones) which definitely inspired some choices here and in general inspired me to do this.
So basically I'm a big old musical theater person (and specifically musician / singer) so I've been fleshing out concepts for a what a musical re-telling of In Stars and Time might look like. I'm honestly not going to get into like... the logistics of how you could actually do it, because even with condensing a lot of things Musicals aren't typically long enough to tell this kind of story, so we're just... ignoring that when I don't have ideas to get around it.
We will start with all of the main characters, their voice types, and their characteristic musical styles!
Mirabelle Mira is our soprano, but mostly her singing and music is very much in the style of Disney Renaissance musicals. Think Belle, Ariel, Hercules, etc. I think it fits her up beat but still sometimes anxious personality. Near the end of each King Fight she gets a cool high notes as she finally has some true confidence in herself!
Bonnie Bonnie would be played by a younger performer with an unchanged voice. This wouldn't really be a dance heavy show, but when there is dancing they would take the lead b/c that's cute. In terms of their singing though it's mostly inspired by classic kid characters from Broadway, namely Annie, The Artful Dodger, and Matilda (especially for their more emotionally intense moments). Their music isn't as difficult, and in group numbers they typically sing the melody with at least one other person.
Odile Odile is the alto of the quintet. It helps her sound more mature than Mirabelle and fits her vibe of not taking on the flashy role. Her music leans a bit more classical, almost Gilbert and Sullivan-esque in her more playful moments. Overall though it tends to be a bit more melodically challenging, but not super fast or syncopated. There would be melodic and instrumental flourishes in her music unique to her that are basically 'Ka Buan' musical elements.
Isabeau Leading man baritone! His style also fairly standard musical theater, but leans a touch more modern in it's styling to accommodate his more emotionally open vibe. He'll have the pop-inspired rhythms and chord progressions, but in group numbers he's the rock solid bass part holding everything together.
Siffrin Siffrin... does not sing almost ever for the first chunk of the show outside of group numbers. He's a tenor, and helps fill out the harmonies, but the impression the audience should get at the start is that they aren't really a soloist. As the loops go on, they gain a bit more confidence, taking bits and pieces of all of the other character's musical / singing styles as they go on. They don't get a full length solo to themselves until Mal du Pays. But the character that most influences their style is...
Loop Loop is full on Broadway Jazz, baby! Syncopated rhythms, brassy sound, fast patter lyrics, the whole shebang. Don't look behind the curtain at what all that glitter might be hiding, stardust~
The King Super bass, in the tradition of opera villains usually being basses. At first the only super stand out thing about his singing is that his range is so distinct, but in later encounters he gets both more delicate moments and moments where the true power of his voice to intimidate comes through.
(Also yes all of the Forgotten Island peeps will have a few musical elements in common to set them apart don't you even worry we'll get to it :3)
Euphrasie The Head Housemaiden has a short little mini song she does for the first bit of her speech. It's simple and catchy. Every time it transitions into her final speech as the musical motifs are distorted.
Dormont The people of Dormont sing mostly in a grand opening number ala the opening numbers for Beauty and the Beast, Fiddler on the Roof, The Music Man, etc. Little bits and pieces of the song come back in various combos and Sif loops and jumps around asking people new things. They would also double as disembodied voices for certain musical numbers that could use extra voices for full out harmony, dramatic effect, etc.
More will be coming soon, so I hope you enjoyed my ramblings.
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lara-cairncross · 7 months ago
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After you recommended me Finale (Can't Wait To See What You Do Next) by AJR, I started listening to AJR music a LOT and
World's Smallest Violin by AJR reminds me of Fairy AU Mikey (comparing himself to his brothers, not giving himself any credit)
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I cant get this au out of my head i swear ASHDBASHD
first off: YES I RECRUITED ANOTHER PERSON INTO AJR BRAINROT MWAHAHAHAHA !!!! I really like their music :DD My favs are probablyyyy Finale, 3 O'Clock Things, and Way Less Sad!!
secondly: OH. BRO YOU'RE RIGHT. THAT SONG FITS HIM SO WELL--
if i had to assign each of the boys an AJR song for the fairy au (which I'm gonna do,,,, apologies in advance), then it would probably go:
Mikey -> World's Smallest Violin / Karma (he gets two bc i say so)
Leo -> I Won't
Donnie -> Inertia
Raph -> Sober Up
Collectively -> Burn the House Down >:)
--anyway. plz know that I can't get 3 months au out of my head. i think we traded brainrot??
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scribescrawls · 11 days ago
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"Faces of men who had long believed you're dead I see your wife with a man who is haunting A man with a trail of bodies (WHO?!) I see a song of past romance I see the sacrifice of man I see portrayals of betrayal And a brother's final stand I see you on the brink of death I see you draw your final breath I see a man who gets to make it home alive But it's no longer you" -("No Longer You" From EPIC: The Musical by Jorge Rivera-Herrans)
Sort of Skystar AU, I think Transformers One Starscream should go through his Odysseus Era in those 50 cycles of being unable to return home to his conjunx.
The song quote is from EPIC: The Musical about the Odyssey and in the song he talks to the prophet who tells him about the tragic things he will experience and how he won't come back the same he was before. Of course with oracles these things are never clear sounding unless you look at it in hindsight. So when he hears that his wife is shown with another man who has a trail of bodies and is potentially dangerous he thinks it is someone else since many of the things listed are things he has not done yet, but the person with his wife is the future version of himself. I just like the idea of Starscream ironically getting jealous of himself lol.
Just thinking about the potential of how TFOne Starscream and the High Guard basically could not return home for 50 cycles, hunted down by enemies, fresh off of a betrayal and watching the Primes their leaders/comrades in arms die, lack of resources and energon/food, stranded on the surface with a dangerous shifting landscape, and declared dead to the general public back home. Like I know it doesn't fit the Odyssey completely, but with some of the similarities I think about established relationship Skystar and how Starscream goes through all those things for 50 cycles and it slowly makes him worse as more time passes until the person who returns home is so changed by those experiences. Unlike the Primes who died, he gets to make it home alive. But the person who makes it home is not the same person 50 cycles ago. But also the yearning during those 50 cycles that he's going to keep going and surviving so he can get home to his 'Penelope' (aka Skyfire). I know most already know this, but for those who don't know the Odyssey 'Penelope' is Odysseus' wife. Meanwhile Skyfire has to deal with Starscream potentially never returning and people telling him to move on and that Starscream is dead :)
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restlesskeychains · 2 months ago
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More of that zombie apocolypse au! :D
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theanoninyourinbox · 16 days ago
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BEHOLD
With music from this mashup -
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