#spock you will always be famous

[cherrraty]

this scene actually kills me ive never seen spock look so violated. the way he turns to jim like hes going to do anything to defend him and jim is beside himself with amusement. you are playing a losing game today mr spock im sorry

[mothfrogshroom]

Kirk getting his top surgery done at Vulcan

happy pride

[johndonneswife]

why do they keep doing this to my blorbo 😢

[tardisslayer]

Boimler you will always be famous for basically breaking up chapel and spock he's literally my best friend he did it for me

[spocks-husband]

Guys I just got the dumbest idea oh my god.

Okay so, what if after the Enterprise B goes down and Kirk gets sent to the Nexus, because he's not dead his telepathic link with Spock is still there, and because the Nexus is weird like that he doesn't entirely process that Spock is as far away as he actually is, so they continue sharing thoughts like they always have and Jim just sort of doesn't question it and Spock can't get a good answer about where he is, so he quits asking. Other than Sarek and Amanda, no human/Vulcan couple has ever had a real link together, so when people find out that Spock can still hear Jim even though he's dead they're like "uhhh yeah okay whatever fuck it sure why not".

So, it becomes a pretty frequent thing that while Spock is doing Diplomat Stuff, he's regularly asked "well, what does the famous Captain James T. Kirk have to say?!" And Spock, very begrudgingly has to answer: "Ambassador, I regret to inform you that Captain Kirk says that your plan is, and I quote, 'a load of horseshit worse than what I find in my fucked up barn every morning'."

[sapsuckers-and-stardust]

😭😭😭

the empath

[1shirt2shirtredshirtdeadshirt]

Today on popping the corn and feeding the children, what do you folks think of this discussion? :)

I'm always curious to hear what other Trek fans, especially queer Trek fans, think about our place in Trek history and how we fare as the queer participants within our fandom. What have your experiences been like?

Overwhelmingly I've found a great reception and a welcoming attitude, but I admit that has increased considerably since the 90s. However, there are still some Trek fans who seem to be vehemently in denial about queer history in Star Trek, or the fact that anyone who has worked on Trek has pro-LGBT attitudes. This always surprises me considering some of the blatant queer content we have already seen in Star Trek such as the Jadzia Dax and Lenara Kahn kiss.

Anyway, I enjoyed the discussion that followed and seeing the overwhelming outpouring of support coming from Star Trek fans in response to this thread.

Here was my two cents contribution:

"No, what they said was factual.

Have you forgotten Nichelle Nichols was indeed an African American woman in the core seven bridge crew back in 1966?

Or the fact that Gene Roddenberry went out of his way to write The Motion Picture Novel, creating the term "T'hy'la: friend, brother, lover" so that fans could choose which interpretations of Kirk and Spock they saw fit? He also embraced K/S fans and hired a number of them to write the earliest Star Trek novels, including the very first official one (The New Voyages Vol. 1 & 2) which included slash fiction as well as Gene's approval/forward in the books.

In case anyone has forgotten, here's a little bit of background on Gene Roddenberry and his perspectives on queerness in Star Trek.

He admitted that in his early life he was very affected by how society and culture treated the LGBT community, and that he too found himself subjugating and judging others for that lifestyle because it was what people did at that time. As he got older and had more life experience, he began working with a number of queer artists in Hollywood -- and through TOS, a number of queer individuals began asking questions about Kirk and Spock.

Instead of vehemently shutting down this perspective, Roddenberry was intrigued, and saw potential to tap into a large audience (LGBT) that most others didn't want to go near or acknowledge publicity-wise. He saw it as an opportunity to expand the fanbase while also pushing yet another envelope.

But with the heat already on the show for what they'd already pushed, he found he was often stuck between what he'd like to do and what production would let him get away with. There are a number of Kirk and Spock scenes in scripts that got cut out for leaning a little too obviously romantic. Tiny trickles of that content still made it in were infamous moments like the backrub scene in Shore Leave. Even the 2009 movie had a K/S moment while Spock Prime and Kelvin Spock talked that was written and filmed that was cut out of the final product.

Queer subtext and coding has always been relentlessly weeded away at with an excuse ready to go for why they always try to cut us out, but we all know it's because they are scared of the homophobic backlash and ratings hits. Look how violently homophobes went after the gay romance episode of The Last of Us **just this year**. This has always been our reality, so for someone like Roddenberry to make efforts in the 70s? That was massive.

But Gene as well as the queer/slash Trek community managed to accomplish some things in the 70s which I'm surprised more folks don't talk about or give much credit.

In the same TMP novel which features "T'hy'la" and the famous footnote, Gene cleverly wrote Kirk with a bisexual/pansexual lens: Kirk describes himself as *preferring* women but being open to "physical love in **any** of its many Earthly, alien, and mixed forms." (Direct quote from Genes book). Basically, Captain Kirk was DTF with whoever if there was a connection, which was a very progressive take for a character in a novel written in 1979, but made sense for the future which would have a lot less hang ups about sex and love compared to our current rather puritan/conservative society.

I also prefer women, but I married a man. Shout out to Gene Roddenberry for giving us a seat at the table back in the 70's when folks *still* try to insist there is no place for K/S or queer concepts in Trek, because he made efforts -- however small -- to employ queer people and show queer perspectives. According to David Gerrold, LGBT+ representation was a big thing that Gene personally pushed for in TNG and wanted various depictions of love/couples in the Risa scenes, to name one example.

In the 70s, fanzines led to meetings and swapped fanmade magazines, which got so big that they needed hotel centers, then convention centers, then one day the TOS cast came to one and what we know as modern fan conventions were born -- inspiring even George Lucas who attended Trek conventions in the 70s and saw how popular Trek was in syndication; it was a great climate to launch his Space Opera. Star Wars then became so huge that we got TMP.

But none of that would have happened without the level of organization, passion, and creativity that those fans poured into Star Trek and their characters after it got cancelled and went into syndication.

Without queer folks we wouldn't have George Takei, Theodore Sturgeon who gave us Tribbles, Bill Theiss and his amazing TOS costumes, Mike Minor's art direction, Merritt Butrick, David Gerrold (writer for TOS, TAS, TNG) to name a few of many queer contributors to Trek that Roddenberry respected and tried to go to bat for wherever he could in a climate that was absolutely impossible to gain an inch in.

At a time during the 70s and 80s when so many people resented and feared the queer community and wanted us to disappear, especially in the 80s during the AIDS epidemic which many homophobes claimed was "God's punishment to the gay community" or "Gods's answer" to our "hedonism", thinking we'd gotten our just desserts and should just disappear . . .

During that time, Gene Roddenberry gave us queer folks a place to say: "You know what? Sure. Write your stories. TV says you guys shouldn't exist, they pull books with queer people off the shelves and burn them. Laws exist specifically to forbid you guys from loving each other, and call you mentally ill. You can't even hold hands in public. But I'm going to validate you guys and invite you to write novels or work for me, try to see what we can get by production, and allow you to see yourselves in my characters if you want to. There's a place for you in our fandom."

He gave us bi/pan Kirk, he gave us K/S is open to interpretation. In Phase 2 Kirk's surviving nephew Peter, son of his brother Sam from Operation: Annihilate!, was going to be written as gay and living on the Enterprise with his partner -- that also got chopped and reworked into a script that wouldn't get used until decades later. That was huge at a time that being queer was officially listed as a mental illness, and villainized due to the AIDS crisis.

So before you try to dismiss or tell K/S + queer Trek fans whether or not they deserve a seat at the table, remember that Gene Roddenberry was among the **first** to pull that seat out for us in a climate that was ruthlessly against LGBT+ folks." -- 1Shirt2ShirtRedShirtDeadShirt

P.S: Have some cute bisexual/pansexual K/S pride gifs. :) Pride month is a hop, skip and a jump away.

LLAP!🖖💚

[shanastoryteller]

Happy Pride! Jim & Spock? Can be in the Sybokverse or on their own eitherway is perfect!

a continuation of 1 2 3 4 5

“I believe I have the right to face my accuser.”

Jim is going to tear this asshole apart.

There’s muttering throughout the crowd, the auditorium filled to the brim for one cadet’s academic dishonesty disciplinary hearing. These are always open to be attended by the accused’s peers, but usually no one bothers, having far better things to do on a Friday morning. Jim is flattered, honestly.

Admiral Archer nods and everyone turns as one of the instructors stands and walks stiffly to the other podium.

Jim is honestly taken aback. A Vulcan giving him shit over this? He squints, trying to place him, suddenly sure he’s seen him somewhere before. Possibly just in the halls, but the familiarity feels deeper than that. He’s met a lot of Vulcans, to be fair.

“Cadet,” he greets.

“Defend the logic of your accusation,” he says, falling into familiar vernacular and only barely keeping himself from saying it in formal Vulcan. This guy might appreciate it, but Archer won’t, and Chris had told him not to be too much of an asshole.

The Vulcan raises an eyebrow. “The purpose of the test is to assess your response to no win scenarios. Altering the parameters, while admittedly an impressive feat of programming, shows both your lack of understanding and your casual disregard for the institution of Starfleet.”

“I don’t believe in no win scenarios,” he says confidently, flashing a smile to the assembled admirals that, in different circumstances, tends to get him laid.

He stiffens. “Your belief in them does not change their existence. In an impossible situation, you must react to the circumstances given to you. Anything else is entertaining delusions.”

“Bullshit,” Jim says immediately and sees Chris pinch the bridge of his nose. Oops. This is a perfect time to go into the speech that he has prepared, about how if he was actually trying to cheat he would have been more subtle about it, about how cheating was his answer to the question presented by the test, and how that applies to how he would really react as a captain.

But then the Vulcan gives him the bitchiest look he’s seen in – well, about four days, but he’s suddenly so sure where he knows him from.

~

Spock doesn’t understand how someone with so little regard for both etiquette and moral standards has survived this long in the academy. He’s intimately familiar with the doors that having a famous father can open, but surely there must be limits.

James Kirk opens his mouth, presumably to continue his insulting and inappropriate defense of his actions, then his eyes narrow, widen, and he demands, “Spock? S'Chn T'Gai Spock? Son of Amanda Grayson and S'Chn T'Gai Sarek?”

For a moment, all he can do is stare. “Have we met?”

His syntax when first faced with him had made him think that James Kirk was familiar with Vulcan, as unlikely as that seemed, but now he’s sure. Not only because of the correct pronunciation of his family name, but in how he has addressed him. Vulcan society is matriarchal. It is correct to identify him first as his mother’s son, and also appropriate to leave off his father’s title as ambassador when identifying his family origin, as his father’s position is supposed to be secondary to his mother’s. His mother married into his father’s clan, but that doesn’t change formal conventions.

Even on Vulcan, he is rarely identified correctly.

“Oh, for fuck’s sake,” James Kirk says, then takes out his communicator and starts typing.

What.

“Cadet Kirk!” Admiral Archer barks. “Put that away and comport yourself as your position demands or we’ll be here for more than accusations of your cheating.”

“Apologies, Admiral,” James Kirk says, placing his hands behind his back and looking like he’s taking this seriously for the first time. “If you’ll just allow a couple minutes-”

Spock’s communicator goes off.

“Commander,” Admiral Archer says warningly.

“One moment, please,” he says, his stomach rolling as he takes out the communicator. He’s hoping that this is another of James Kirk’s tricks, because when he’s placed it on silent only his family can contact him, and his mother marks all of her correspondence as non urgent. There is no good reason for his father to contact him.

He opens it up and blinks twice, to be certain of what he’s seeing.

Sybok has sent him a text base message. His elder brother never sends him text based communication, as he believes that Spock will not respond timely or authentically, and so only video calls him. Usually at inopportune times.

stop being mean to jimmy :(

He is a genius. Several things suddenly make sense all at once.

He is of course aware of his older brother’s dear friend who he only refers to as Jimmy. In the tragedy of Tarsus IV, when all should have been lost and the corrupt governor threatened to kill half the colony and did kill a not insignificant amount of them, it was Jimmy and Sybok who worked together to create a sort of resistance and keep people alive long enough to for their jury-rigged signal to make it through.

Receiving that strange message from Sybok after years of silence had let him, and their father, know that something was wrong and alert Starfleet.

Jimmy, who had been a minor at the time, and so his identity had been kept from the public at his request, and who had visited Sybok on Vulcan but Spock had examinations at the time and had not been permitted to travel across planet to meet him.

James Kirk looks at him, a smile hovering around the corners of his lips.

James Kirk. Colloquially known as Jim. Jimmy.

Spock had designed the Kobayashi Maru with his brother’s experience at Tarsus IV in mind. He had been different after, just as prone to arguing with their father, more prone to arguing with everyone else, but he’d been sturdier too. As if that experience had at once confirmed and destroyed all of his worst expectations of people.

James Kirk does not believe in no win scenarios and he has demonstrated that more aptly than any simulation could.

“I rescind my accusation of academic dishonesty towards Cadet Kirk.”

[spockandstars]

I was thinking about how Spock is intentionally paralleled with Sydney Carton from A Tale of Two Cities in The Wrath of Khan, and now I am unwell!

At the beginning of the movie, Spock famously gives Kirk A Tale of Two Cities as a birthday present. This book was specifically included for its themes of sacrifice and resurrection, which obviously mirror Spock’s decision to give up his life to save the crew. Notably, Kirk’s final lines reference the famous closing of the novel.

Kirk: It is a far, far better thing I do than I have ever done before... a far better resting in place I go to than I have ever known...

Carol: is that a poem?

Kirk: Something Spock was trying to tell me. On my birthday.

So what’s the importance of this line? The famous “far better thing” quote is from the book’s ending when Carton has just sacrificed himself for his beloved Lucie, giving himself up to be executed in place of her husband so that she may find happiness. (Live long and prosper, anyone?)

Interestingly, both Spock and Carton are emotionally repressed characters, and anguish over the depth of their love for the people who uniquely see them for who they are — in this case, Jim and Lucie. While I’d argue that Spock is more at peace with himself and his feelings for Jim after the events of the first movie, the point still stands that Jim is the one to truly understand him in a world that labels him as a cold and calculating being.

I believe that this is what Kirk’s line calling Spock’s soul “the most human I have ever encountered,” is supposed to represent. (Even though I agree with the criticism that it could have been worded better!) Similarly, Lucie is the one to recognize Carton’s inner nature in spite of his aloof facade, begging “I would ask you to believe that [Carton] has a heart he very, very seldom reveals, and that there are deep wounds in it.” (Book 2, Chapter 20.)

When Carton finally admits his love to Lucie, it’s hard not to see the resemblance to Spock’s dilemma in the first movie. You know, that time when Spock, in his heartbreak over something related to Jim (that were not given an explanation for), cries out “Jim! Good-bye my . . . my t’hy’la. This is the last time I will permit myself to think of you or even your name again!” before attempting to purge himself of all feelings in an ancient ritual, and failing because the Vulcan priestess can totally sense that he’s still thinking about Kirk. (Yup, that totally straight time!)

Well, Carton is in a similarly agonizing predicament, because he can’t get his feelings for Lucie to go away. He tells her, “I break down before the knowledge of what I want to say to you” and “I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire—a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away.” (Book 2, Chapter 13)

He also expresses that he could never separate his love for her from himself, saying that “Within myself, I shall always be, towards you, what I am now.” (Book 2, Chapter 13) Yeah, I know the fact this mirrors Spock’s famous “I have been and always shall be yours” is probably a coincidence, but I’ll be damned if I don’t mention it.

Finally, Carton expresses his love for her in his willingness to sacrifice himself for her sake: “For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you… there is a man who would give his life, to keep a life you love beside you!” (Book 2, Chapter 13.) Of course, Carton’s story ends when he sacrifices himself for her, fulfilling this promise. Hmm, now who else does that sound like?

This is definitely not a perfect parallel: Spock doesn’t start out as a lazy alcoholic, although there is an argument to be made that Carton’s low self-worth reflects Spock’s before he went on his conversion therapy fueled journey of self discovery. Additionally, I wouldn’t say that Spock’s love for Kirk is unrequited like Carton’s for Lucie, (as evidenced by many things, but I’ll primarily point to the events of The Motion Picture and The Search for Spock), but you could potentially cast Carol in the role of Darnay, Lucie’s husband.

The most important thing to glean from this is that Spock was very deliberately set up to be the Carton figure, which is interesting given that Carton’s actions are driven by his willingness to do anything to see his beloved be happy and prosper.

[broodingheroine]

thank you for the tag !!! this one seems fun

I don't really have many ppl to tag soooo @orangexmachina no pressure tho

5 Favourite Characters Poll (Tag Game)

I was tag by: @star-mum

Rules: make a poll with five of your all time favourite characters and then tag five people to do the same. See which character is everyone's favourite.

Thanks you so much for the tag

Tags <3: @meeks-beas @practically-an-x-man @outer-space-face @trashworldblog @mydearlybeloathed

[cantsayidont]

Despite its protestations of progressive values, STAR TREK media has always explicitly presented (and, with only fleeting exceptions, consistently celebrated) the Federation as an expansionist imperial power, engaged in a large-scale project of colonialism.

The usual apologia/rationalization for this, both from the franchise itself and from its fans, is that the Federation is also a post-scarcity socialist utopia. However, that is expressly not the case in TOS, despite the attempts of the later series to insist otherwise.

Indeed, the plots of some of the most famous and acclaimed episodes of TOS are specifically about resource extraction and ensuring the Federation's access to crucial resources, including lithium (in "Mudd's Women"), pergium (in "The Devil in the Dark"), and dilithium (in "Mirror, Mirror," et al). We are told repeatedly that the Enterprise has a mandate to use force to secure these resources if gentler methods fail. Moreover, while the Federation has a strategic interest in these resources, it's clear at various points in TOS that their extraction and exploitation are, to a significant extent if not exclusively, overseen by private interests for profit. For instance, in "Mudd's Women," Harry Mudd remarks:

Well, girls, lithium miners. Don't you understand? Lonely, isolated, overworked, rich lithium miners! Girls, do you still want husbands, hmm? Evie, you won't be satisfied with a mere ship's captain. I'll get you a man who can buy you a whole planet. Maggie, you're going to be a countess. Ruth, I'll make you a duchess. And I, I'll be running this starship. Captain James Kirk, the next orders you're taking will be given by Harcourt Fenton Mudd!

In "The Devil in the Dark," Kirk ultimately takes a regulatory position — he will not permit the pergium miners to kill the Horta or continue to destroy her eggs — but at no point does he suggest that stopping the pergium production that threatens the Horta is a viable or even acceptable alternative. The accord he proposes is contingent on the Horta's agreement that she and her children will support the mining efforts on her planet, since Kirk emphasizes that "a dozen planets" are depending on the miners to supply needed pergium. (What would have happened to her if she hadn't agreed is not stated, but the episode strongly suggests that she would have been severely punished for noncompliance with Kirk's mediated solution: forcibly relocated to some kind of Horta reservation away from the main mining operations, perhaps.) When the Horta does agree to this proposal, Kirk assures Vanderberg, "you people are going to be embarrassingly rich," which once again suggests that while the miners may have contractual agreements to delivery pergium to Federation worlds, they are still a private, for-profit business, not a Federation department or nationalized entity.

Profit is also Ron Tracey's motivation for breaking the Prime Directive in "The Omega Glory": He believes that he's discovered a "fountain of youth" that he can own, monopolize, and exploit, and that the value of that resource will be enough to buy his way out of legal trouble for his regulatory violations.

We mostly don't see the Enterprise crew handle money except on away missions in other cultures or times, but there are a number of indications that the Federation in this era has not abandoned money: For instance, Harry Mudd's list of past offenses includes purchasing a space vessel "with counterfeit currency," while in "The Apple," Kirk rhetorically asks if Spock knows how much Starfleet has invested in him, which Spock begins to answer, "One hundred twenty-two thousand two hundred …" before Kirk cuts him off. More tellingly, in "I, Mudd," we have the following exchange:

KIRK: All right, Harry, explain. How did you get here? We left you in custody after that affair on the Rigel mining planet. MUDD: Yes, well, I organized a technical information service bringing modern industrial techniques to backward planets, making available certain valuable patents to struggling young civilizations throughout the galaxy. KIRK: Did you pay royalties to the owners of those patents? MUDD: Well, actually, Kirk, as a defender of the free enterprise system, I found myself in a rather ambiguous conflict as a matter of principle. SPOCK: He did not pay royalties. MUDD: Knowledge, sir, should be free to all. KIRK: Who caught you? MUDD: That, sir, is an outrageous assumption. KIRK: Yes. Who caught you? MUDD: I sold the Denebians all the rights to a Vulcan fuel synthesizer. KIRK: And the Denebians contacted the Vulcans.

Whether Deneb is a member of the Federation at this time is unclear, but Vulcan certainly is, and so we may assume that Vulcan and presumably the Federation itself are also part of "the free enterprise system."

The first indication that the Federation does not use money is in STAR TREK IV, and it's not obvious there if Kirk's remark that "They're still using money" is talking about money more broadly or just physical currency, which the Federation may have phased out even if it still uses credit or electronic transfers of monetary value. (Certainly, McCoy's attempt in STAR TREK III to charter a starship indicates that he had some means of paying for passage, since the captain of the ship specifically demands more money upon learning of the intended destination.)

If we accept at face value the assertion of TNG and DS9 that the Federation has genuinely abandoned the use of money, rather than simply going cashless, the most reasonable Watsonian explanation is that this has been a relatively recent development during the 70–80 years between the TOS cast movies and TNG, most likely related to the development of replication technology (which the Federation did not yet have in Kirk's time).

Of course, from a Doylist standpoint, we could chalk up some of this incidental dialogue to the franchise's evolving construction of its own setting, in the same manner as anomalous references to Vulcans as "Vulcanians." Roddenberry and his apologists might also insist that he always meant to depict a socialist utopia, but was prevented by the nattering nabobs of negativity (i.e., the network's BS&P); I'm very skeptical of such claims, but the writers were acutely aware that depicting what Earth is like in Kirk's time would be opening a can of worms, which is why we didn't actually see 23rd century Earth (even briefly) until the movies.

However, the focus on resource extraction and its ramifications is such a load-bearing story element in TOS that the revisionist assertion that the Federation was already a post-scarcity socialist utopia in Kirk's time (as both DISCOVERY and STRANGE NEW WORLDS have attempted to claim) would require really substantial retcons of the original show, perhaps to the extent of insisting that some of those events never took place at all, or happened radically differently than what's in the TOS episodes most STAR TREK fans have seen. For me, anyway, that crosses a line from willing suspension of disbelief to "don't trust your lying eyes," and suggests a frustrating and somewhat disturbing determination to insist that TOS is something much purer and nobler than it is rather than grapple with its actual conceptual flaws and ideological shortcomings.

[sunny-superstar]

it’s not that spirk just “Went Canon” (although it’s fun to say) it’s that Unification gave fans a chance to see a conclusion to their story together… in a way that suits their relationship as it has Always been portrayed—Those guys are literally famous for being Together. it’s just nice to see it.

Spirk itself is schrodinger’s ship. it was designed to be ambiguous! since 1979 their relationship to each other has canonically been T’hy’la—friend, brother, lover—it is intended to be interpreted as any of those three definitions. as a trekkie, you have the choice to view it however you want!!!

also, Star Trek, as an IP, has had nearly 6 decades to be modified and molded by numerous writers and producers. there are countless events and characters that are “canon,” but what does that even mean? Like, for example, Paramount can wheel out an entire new series 50 years after the original material was released, and retroactively establish that Spock “canonically” had an adopted sister all along. Just because a soulless corporation wants to milk the property for all it’s worth, doesn’t mean You have to change Your understanding of the story. It’s fiction. It’s art. Its value and meaning as a whole is entirely subjective. That is, if I chose to Only consume original series content, then that is all that is canon to me! Retroactive changes cannot fundamentally alter what was put forth in the original material! Maybe that means putting blinders on (“that’s not canon TO ME”) but you do in fact have the ability to pick and choose what you want to accept in the narrative!

All that to say, spirk has been roddenberry-canon for 45 years already… for those with eyes to see. Maybe this is a radical/purist stance, but Unification doesn’t need to be accepted as canon, nor does the Generations film, or even any of the AOS films. As far as I’m concerned, it’s all fanfiction of the source material. So, if the roddenberry archives want to drop a deepfake short film where these old guys hold hands and stare lovingly into each other’s eyes, uh, cheers to that bro. i’ll add it to my personal canon it as i see fit lol

[t0ast-ghost]

The last one… it’s been coming for awhile…

Here’s my thoughts on Star Trek VI: The Undiscovered Country

(Spoilers for- well— everything)

- Before watching this movie I was trying to figure out why they chose this name and was told by my mom it’s a Shakespeare reference which.. I should have guessed

- “A Nicholas Myer Film” Cool! Now we know who to blame or bow to

- The music is so fucking intense I’m worried now

- I know Christopher Plummer is famous, I can’t place the face though and I want to say I know the name from the muppet show

- WAIT. Michael Dorn… WORF

- Wanna let y’all know that there was a guy (Harve Bennet) who wanted to create a completely different sixth movie that would’ve been more like a prequel where they recasted everyone to have an “academy era” movie with Kirk, Spock, and McCoy shenanigans. Gene Roddenberry didn’t fucking like that idea (cause only he knows how to cast apparently)

- explosion :)

- Teacup that tells you what ship you’re on. I now understand why everyone hates Quark trying to spread his own brand when Starfleet clearly is trying to push their own into every single crevasse

- HIII SULU HIIII

- It’s nice that they gave him the ship he kept saying he was hoping for in voyage home

- I won’t make a fart joke out of “gaseous planetary anomalies” and I definitely won’t say that Q did it

- DAMN NOT THE TEACUP. NBC Hannibal would fucking hate this movie

- Forgot how much I freaking love George Takei and I am so happy they gave him more stuff to do in this movie

- Falling… for about 7 seconds which is about 4 seconds more than normal

- Fairly certain that’s Janice Rand (5:32) (edit: it is! Hi Janice!!!)

- “We have no need for assistance,” and “Stay out of the neutral zone,” sounds like challenge

- Kirk says “What are we doing here?” STARRRING IN THE SIXTH STAR TREK MOVIEE BABEYYYY

- Scotty bought a boat, Uhura teaches seminars at the academy, I love hearing about their lives, keep going

- “Where’s Spock?” Asked in the saddest wettest voice. Kirk’s got his priorities straight. Er- well- not straight exactly but they’re there

- Them trying to hide that the “special envoy” is Spock when Kirk is sitting there looking at him like this

- Sorry babygirl not taking in any of that information. I am taking in those beautiful eyes tho <3

- Ooooh starting this one off with Kirk and Spock on opposite political sides

- Kirk being the one who has to offer the olive branch probably because Spock thought he could trust him to be on the side of peace (which was a miscalculation cause he’s probably still pretty angry with the whole “you Klingon bastards killed my son” thing…)

- “I remind you this meeting is classified” as everybody splits off into chattering gossip

- Kirk actually getting angry at Spock for “volunteering” them. The giant empty room with Kirk in the shadows and only Spock in the light (plus that random person standing in a dark corner for some reason) augh the mise en scène is wonderful

- I don’t even know how to unpack all that. Kirk so prejudiced against the Klingons (finally taking a more antagonistic stance) and saying “You should have trusted me” WHICH IS WHAT SPOCK HAS ALWAYS DONE. Because he trusted that Kirk would ultimately want peace no matter how battered and broken he became.

- They changed Spock’s ears, made the points more curved into themselves

- Why does every new lieutenant like quoting regulations to Kirk? How many does he just regularly break?

- OH FOR FUCKS SAKE WHY DOES HE LOOK OVER AT SPOCK SO SOFTLY

- I love how shape her hair is (draw it draw it draw it dammnit)

- Whenever creating a Star Trek movie you need someone on the production team who loves the ship departing from space dock scenes

- “I can never forgive them for the death of my boy.” Kirk says my boy

- Okay yes, Valeris should have knocked before entering his room but Kirk should also know to lock his door when he’s talking to his diary

- Why is Valeris so involved in this movie? First she’s talking to Kirk and now we’re following her to Spock’s? Strange (my guess. She’s evil.)

- “It is a reminder to me that all things end.” Like your life. Twice. Also that’s a nice sentiment and all but it’s so sad with the context that even his own original timeline ends

- “Logic is the beginning of wisdom, Valeris, not the end.” YEAHHH OLDER SPOCK he’s got a more balanced view on the world and himself

- OKAY I absolutely adore the costume design, especially for Gorkon. Like the golden clips in the hair? The red suit adorned with studs and the giant silver necklace?? The beard??? Amazing

- I like that there’s a “chief of staff” for the Klingons. It’s like the manager at a party city

- “They all look alike” BRO THEY MOST FUCKINGLY DO NOT

- I love the chief of staff being so confused over what the napkin roll thing is. I feel that.

- Ah yes my favourite meal. Blue. With a side of orange of course.

- “I offer a toast. The Undiscovered Country…” Welp. He said it. Time to wrap up the movie

- YEP ITS SHAKESPEARE BABEYYY (thank you Spock for saying that it’s Hamlet, act III, scene I, cause I didn’t wanna look it up)

- “You’ve not experienced Shakespeare until you have read him in the original Klingon.” Quoi???

- Spock actively trying to stop Kirk from starting a war

- I think this is such a good part where the Klingons are trying to state their worries. The gradual (or not so gradual) need for assimilation to be apart of starfleet. This is a particularly big problem for the Klingons because so much of their culture has been entwined with violence which Starfleet seems almost hellbent to take away. As well as hearing troubling language such as “human rights” thrown in their faces

- IM SORRY. Kirk. You didn’t. You didn’t just compare someone to hitler.

- Spock looks actually so fucking pissed at Kirk

- “If there is to be a brave new world, our generation is going to have the hardest time living in it.” Gorkon dropping all the good lines

- McCoy just standing there adjusting his outfit and looking like the most tired man alive

- “I’m going to sleep this off.” “I’m going to go find a pot of black coffee.” Both Kirk and McCoy leaving Spock :(((

- The shaky swoop of the camera as Kirk and the rest of the bridge realize that somehow they just fired on the Klingon vessel

- Don’t care about the rest of the movie I just love the scene where everything starts floating on the Klingon vessel

- AUGH THOSE SPACE SUITS OKAY I DO STILL CARE

- Love me some good ol’ bad 3D graphics blood

- Times like this I wish I’d never skipped my tlhIngan Hol classes

- Floating dead Klingons. What. A. Scene.

- Aw Fuck Dude. The one guy getting gravity back online and everything falling to the ground and blood splattering and AUGHHH. Every time I think this scene can’t get better, it does!

- HIII MCCOY!!! He got to rush onto the bridge just to ask “are we firing torpedoes” and I appreciate that :)

- Kirk and Spock fighting over who should go to the Klingon ship and Spock saying “perhaps you’re right” and then putting his hand on Kirk’s shoulder made me more nervous than it should have. Darn you Wrath of Khan! You’ve given me trust issues. (but you're telling me this isn't supposed to look like a nerve pinch???)

- Also Kirk ultimately still trying to maintain peace. It’s his knee jerk reaction to this. He’s got what he’s said he’s wanted when incased in his own emotions about loosing his son but he knows it’s not right

- and finally, yay! McCoy gets to go on the mission!

- The actor for the Klingon that greets them is so good at the rage mixing with grief and sadness

- McCoy to the rescue!!

- Either Klingon blood is pink (like in that one game) or they wanted to keep it pg-13

- “He’s gone into some kind of damned arrest!” McCoy proceeds to straddle the Klingon on top of the table so he has leverage to do proper CPR… I have no thoughts on this that I’d like to share

- I do not believe McCoy’s punches would be strong enough to restart a heart. I’m sorry but they look so puny

- The blood bubbling as Gorkon dies is so fucking good oh my heart

- This is all happening at 2:00 fucking AM??? No wonder Kirk is tired

- “I sympathize, Mr. Scott.” Love when they make Spock say he ‘understands’ or ‘sympathizes’

- SAREKKKK!! Hehe hiiii

- “We are experiencing technical malfunction. All backup systems inoperative.” “Excellent. I… I mean, too bad.” A banger scene from Uhura and Chekov

- Rosanna DeSoto as Azetbur (the Chancellor’s daughter) plays the part so well. Again their portrayal of grief and anger while trying to get to peace is so fucking amazing. LOOK AT HER FACE

- Maybe I’m not so happy about McCoy being on this mission after all…

- The giant circular judgement chamber is so fucking cool

- MICHAEL DORN 🫵

- The sparking gavel <3

- I love the beginning of a translator translating all the Klingon’s words

- WORF IS THEIR DEFENDANT???

- That one Klingon that laughs at McCoy’s joke, wanna be friends?

- “You say you are due for retirement. May I ask, do your hands shake?” “Objection!” “I was nervous!” “No. You were incompetent.” This is like watching reality tv for me. That’s some good drama

- phew thank goodness they’re not killing McCoy. He’s too pretty to die

- The back and forth slow zoom in on McCoy & Kirk and the judge didn’t have the intensity they were going for but I appreciate the effort

- “Better to kill them now and get it over with.” That’s nice Scotty

- Oh shit Spock loosing both of his husbands in one sentencing. That cannot be good for the economy

- “An ancestor of mine maintained that if you eliminate the impossible, whatever remains however improbable, must be the truth.” Ancestor? You mean fucking Arthur Conan Doyle?? Or Sherlock??? Either way that’s a hecking lore drop

- They’ve got a murder mystery aboard the Enterprise, this is my dream

- Hey babe, new Klingon dog beast just dropped (Jackal Mastiff)

- I let out an audible “aww” of pity when I saw McCoy wrapped up in a blanket

- I can’t believe I’m only halfway through this movie what is even happening anymore

- Had a brief pause to voice crackedly yell a little bit. Something along the lines of “I do not care. I do not care! I don’t care! I just want Spock- I just want them with Spock! I do not care!” And then let myself breathe for a second or two (and then made chicken nuggets). The outburst was born of a deep sadness from the fact that they can’t just be happy and retired together. Ok, back to the movie.

- Martia just handed Kirk a blunt change my mind

- “Somebody up there wants you out of the way.” of course, it can’t just be about actual politics between the Klingons and Federation, it has to actually be about Kirk and somebody trying to kill him. Dang it.

- “But the killers may still be among them.” …wait a damn minute.. you’re saying there’s imposters- *pulled away forcefully*

- I love how every commanding officer comes into the kitchen absolutely furious that someone fired a phaser

- On that note: why is there a kitchen? And why are they preparing various cooked birds? Who’s having a banquet tonight?

- What kind of bullshit evolution puts a species genitals in their knees?

- Hate how Kirk just lets McCoy go treat the highly dangerous being alone

- “Spock was right” NO SHIT HE’S LITERALLY AN ANCESTOR OF SHERLOCK

- YASSS SULU!!! Now get your rest you beautiful man

- Spock will literally leave no stone unturned for his husbands

- Either Martia has some really good prosthetics in the cave or she’s wearing someone else’s skin… NEVERMIND haha she’s just a shapeshifter

- Chekov was so proud of himself dammit. Too bad he was so utterly wrong

- Also Valeris is so expressive, kinda loving it

- The planet seems kinda nice in the daylight.. minus the dead body I’d say it’s pretty similar to winters in Canada (yes I made the joke, please delete it before posting) (edit: nope <3 just like Canada. Made your bed, lie in it)

- “Leave me. I’m finished.” Goddamn this man’s worst enemy is the cold. Both times McCoy just gives up and tells Spock or Kirk to leave him (First time being in All Our Yesterdays)

- “If they’re even looking for us.” Bones. Spock would literally NEVER leave the both of you. That aside the rest of the Enterprise crew also loves you like crazy

- Everyone laughing on the channel with the Klingons is so funny

- Holyy shit. Is Kirk going to fight.. himself???

- McCoy angel <3

- “I can’t believe I kissed you.” Yeah. Me neither. You didn’t actually have too.

- Poor McCoy holy cannoli oil. He’s knocked out and when he wakes up immediately gets trampled by two versions of his husband

- HIIII JACKAL MASTIFF HIII

- “Since you’re all going to die anyway, why not tell you.” When I go to watch the cinema sins video (I know I’m sorry) on this movie I bet they’ll say “klingonposition” or smt like that here

- If it’s just Chang that wants Kirk dead that’s so disappointing

- McCoy looks over and sees this

- “What you want is irrelevant, what you’ve chosen is at hand.” SPOCK IS ANGRYYYYY SPOCK IS PISSSED

- Please someone let McCoy take a shower, he stinks

- WAIT VALERIS WAS THE ONE SITTING IN THE DARK CORNER OF THE ROOM IN THE BEGINNING

- The distorted wavy angle that almost feels like it’s going side to side dutch angles with each of Spock’s footsteps as he nears Valeris

- I WOULD HAVE SCREAMED IN THEATRES

- Valeris is fucking crying omg what the actual fuck

- I honestly don’t know how to take that apart. I’m still shocked and screaming a little. The reactions from each crew member being just absolutely horrified

- I’m still reeling from that but I gotta acknowledge the fact that Spock says “I prefer it dark” when Kirk enters his quarters. So did I as a teenager and my mom would tell me it was bad for my eyes

- “You and the doctor might have been killed.” “The night is still young.” They are three months from retirement. Goddammnit let them just get to be retired together on a farm or condo or smt. I don’t give a shit just let them rest.

- “Spock, you want to know something? Everybody’s human.” NO THEYRE NOT IN THIS CONTEXT. That was kind of a big point made in this movie. I think the point you’re trying to make is ‘everyone in the whole galaxy forever will always make mistakes.’

- “Doctor, would you care to assist me in performing surgery on a torpedo?”

- Chang just said, “ah the games afoot” why are there so many Sherlock Holmes references in this one? Like I know they have a hard on for famous literature but this one is named after a Shakespeare quote. Just saying it’s a bit crowded.

- They really wanted McCoy to say smt doctory while making the torpedo so they chose “we’ve got a heart beat”

- I think it would’ve been better if Chang said to be or not to be in Klingon like they did at the dinner table

- So they saved the day? Yay? Kirk and McCoy should legally not actually be there- oh they’re all clapping for them who cares

- SPOCK GETS TO SAY GO TO HELL

- Kirk did not just fucking quote Peter Pan. Shut the fuck up.

- McCoy’s look says it all. And by that I mean just let him retire with his husbands. Oh my goodness.

- Just for my mom I'm mentioning the flared pants (Spock and McCoy look kinda goofy tho)

- Ohhh so this is where they change it from “where no man” to “where no one”

- And the Enterprise rides off into the sun. What kind of Grease ending is that?

Awwe okay all of their signatures at the end was a nice touch

I don’t have much more to say here, I forgot how fun but time consuming it was to do these thought posts. I really really appreciate everyone who likes these posts because it means y’all took the time to read this which is just something so meaningful to me.

Thank you all so much <3

Masterpost

[coredrill]

also every time another show rips off disco’s “the captain has to have a CatchphraseTM” joke i just sit here like DISCO DID IT FIRST!

every time disco gets a spinoff i just sit here like DAMN RIGHT SHE DID THAT!

[cowboymater]

controversial opinion maybe:

I KNOW. i know. hear me out

i saw a couple edits on tiktok of mcspirk to soldier poet king and like. i’m not putting anyone on blast but good lord some of those choices made my head hurt. it’s taken me a couple days to synthesize my reasoning for the superior choice (as pictured above), but here goes:

the problem with assigning characters to soldier poet king comes when you take it at face value, flattening the paradigm to angry-sad-tired or violent-artsy-authoritative. if we want to get down to the root of it, the song is based on the threefold office of christ as priest (soldier), prophet (poet), and king. like i’m not christian, but on a textual level it gives us context: the concept that as prophet jesus gave us counsel and words of wisdom, as priest he sacrificed himself to redeem us, and as king he provides for, defends, and forgives us

maybe the most famous priest/prophet/king (& thus soldier/poet/king) allegory in all of literature is frodo, gandalf, and aragorn. frodo bears the burden, though he wishes he did not need to; gandalf offers words of wisdom and mercy; aragorn is a born leader, on the front lines with sword in hand, ready to die with his men if he must

KING: capt. james t. kirk is the easiest one to place. it is a burden and a privilege, an honor and a horror to have the lives of so many depend upon you to make the right call under fire. he makes the call. he leads the landing parties, he puts himself at the head of the charge because by god he is not about to send his men into a battle he wouldn’t fight himself. he leads—with heart when he can, steel when he must—and people follow him. bones and spock are always right behind because they believe in what he believes in, and more than that they believe in him

POET: bones serves as kirk’s emotional sounding board, his moral peer review. he lends an ear, and the word of an old country doctor who’s seen much and understands more. man has ascended to the heavens, to hurtling through the void in a glorified tin can, and it would be no great hardship to forget that our place in the universe is not that of higher life—we are not as quasi-gods, moving pieces on the great three-dimensional chessboard, but flesh and blood, and we must attend to each other. bones tempers the pure logos and rationality offered by spock; he offers grounding in this age of technology that wrinkles the fabric of reality, offers the kind of emotional intellect that cannot be taught, and has always been sorely needed

SOLDIER: this is the one where you really get tripped up by surface-level analysis. yes, spock is reserved and collected. yes, vulcans are pacifists (as you may recall, so are hobbits, and yet frodo remains the soldier in allegory)

the thing about vulcans, though, is that despite the vegan pacifism, they are warriors. it’s tangled up in their history and their DNA. the koon-ut-kal-if-fee survived through centuries of analytical dogma for a reason; even now, they cannot wholly escape their inheritance of violence. their forefathers ran the sands of vulcan green with blood. they venerate logic and condemn emotionality so that they will not

your average high-achieving vulcan, probably on the path to kolinahr, commits their lifetime to the pursuit of knowledge at the vulcan science academy. it’s a measured, rational decision. a controlled environment, where there will never be any logical reason to resort to violence

spock joins starfleet

he joins starfleet, and pursues knowledge in the vast unknowable universe. there is reason for violence, frequently. and sure, the purpose of their mission is peaceful. it’s true that spock would rather resolution be reached without force. but a soldier needs not want to be a soldier. he only needs go to war

when it comes down to blows, he will match them. he makes the sacrifice play, jumps on the grenade, goes into the radiation-soaked engineering room alone. it’s only logical, after all

spock is there to pick apart the universe, unravel the threads of logic until it all makes sense. bones is there to stitch it up. kirk is the hand that holds it all steady, the gravitational field that binds the people of the enterprise to their purpose. soldier-poet-king, commander-doctor-captain. it’s a story old as dirt, and we’ll keep telling it, i think

edit: my bad vulcans have. green blood

[affixjoy]

I’ve been trying to bookmark the fics that I like more often so I can actually remember where to find things, but I like the idea of talking about them here more too. I’ve been blown away by the talent and creativity in this fandom and I want to shout it from the rooftops!

With that in mind, here are some Spirk fics that I’ve loved lately!

Time After Time by spaceisgay (ChancellorGriffin)

Summary:

Sam Kirk’s younger brother James is posted to the Enterprise on a six-month rotation. Spock, preoccupied with thoughts of his sister, regards this as an unique opportunity to study another pair of adult siblings in their natural habitat.

That is very much not what happens.

My thoughts: guys I feel absolutely insane about this one. It’s just so, so good. It was one of the first Spirk fics I read when I started getting into it a few months ago, and I just reread it last week because I wanted to know if it was as good as I remembered. It very much is!!!

Highlights: sibling feelings, horny mind melds, THE DINNER TABLE SCENE, dungeons and dragons.

Entering Orbit by museaway

SUMMARY:

Jim escapes to Iowa to avoid the media frenzy following the Narada incident, but a late-night miscommunication results in Spock turning up on his front porch.

My thoughts: this was great to read after watching Star Trek (2009) a few weeks ago. I don’t love the Abrams movies but there is some really spectacular fic out there for them that almost makes up for it.

Highlights: Bartender Jim and cooking for each other.

Not in Front of the Klingons by @android-and-ale

Summary: Our beloved Old Married Spirk have been sent off on yet another diplomatic mission. They’re an (in)famous presence in Federation politics, so really, everyone should know what to expect from them. If you bug their rooms you deserve what you see and hear.

Enjoy canon level “diplomacy,” the eternal mediocrity of conference centers, and lighthearted middle aged sex.

My thoughts: this is DELIGHTFUL and I adore it. Old married Spirk has become one of my favorite things to read lately and this nails it.

Highlights: the way they banter and laugh during sex. They’re so comfortable and happy together, it’s lovely.

The recitation of names by Moreta1848@jennelikejennay

Summary:

Two hundred crew members died in the attack on the USS Farragut by a sentient cloud creature. Now the ship has to limp home with traumatized survivors and a borrowed crew. Lieutenant James T. Kirk is doing the worst of anyone, but he won't admit why and doesn't want help.

One of the borrowed crew is Lieutenant Commander Spock. He feels a strange magnetism toward the troubled lieutenant, but the chain of command and his duty to the ship must always come first.

My thoughts: I haven’t been able to stop thinking about the idea of the recitation of names. It’s a beautiful way to grieve, and having Kirk and Spock do it together here is such a moving way for them to get to know each other.

Highlights: unplanned roommates, a lot of feelings about therapy/healing, just a lot of FEELINGS.

the yeomen of the garden (and laundry) by @cicaklah

Summary:

“So you and El-Tee Kirk?” Greig said as Spock came to collect his clothing again after yet another incident. “Is something going on there?”

Spock just blinks. “Which Kirk brother are you referring to?”

Greig shrugs. “I didn’t know there was more than one of them.”

Spock nods. “I am not in a relationship with Sam Kirk, if that is what you are asking.”

Greig gives him the finger-phasers. “Oh cool, cool, that's what I thought. Sweet. Tell your buddy to get better okay? His chest must be so raw after everything he’s been through to damage so many tops.”

My thoughts: this whole series has been a blast to read, but this is probably the one that has stuck in my head the most. There’s something about seeing what other people are up to on The Enterprise that hits me in the right way, and I love the laundry guy here.

Highlights: the garden, laundry workers having all the best gossip

K'diwa: A Steamy Novel of Interspecies Romance, by Jim Kirk by branwyn

Summary:

Jim wrote a romance novel just to prove he could. Then someone leaked it on the public Starfleet server, and suddenly his embarrassingly smutty and sentimental Human/Vulcan love story is all over campus. Luckily for Jim, no one knows that he’s the author. Unluckily for Jim, someone forwarded the novel to the staff of the Vulcan embassy. Now, every Vulcan in San Francisco is reassessing the logical merits of taking Human bondmates.

Spock reads a Human/Vulcan romance novel because he can hardly avoid it. Suddenly, he is consumed by the need to locate the author, ascertain their wellbeing, and instruct them in the way of Vulcan mating bonds. Luckily for Spock, it doesn't take long to identify the author as Jim Kirk. Unluckily for Spock, Jim is unconscious and surrounded by interested Vulcans who also read the book.

My thoughts: this was so fun to read! I love Jim writing a romance novel, I love how they set up all his friends at the Academy, and I love Spock falling in love with him through reading his work.

Highlights: all the Vulcan culture stuff was interesting, and I really love Gaila in this one.