#specifically book 1
Explore tagged Tumblr posts
Text
actual photo of me trying not to check the tags for a book I'm reading
#I love the starless sea sm#and wanna see if therws fanart#cause dorian <3#but if I spoil it for myself Ill shit tears#reading#book memes#bookblr#idk if thags a thing tbh#should be#probably has a better name#I literally did it with the isabella camherst books#specifically book 1#hhhhh#I wont#but I wanna
11 notes
·
View notes
Text
Any The Book Of Life (2014) enjoyers here? Ramble in the tags lol Reminder that commissions are open and I'm making art for your donations and we are raising money for an AAPI charity through this zine, if you or someone you know likes Watcher, check it out!
#F1#checo perez#max verstappen#daniel ricciardo#chestappen#maxiel#my art#sleepless art#the book of life#listennnn I think manolo fits checo better BUT daniel retiring -> manolo dying so Checo is Joaquin#rlly like max as maria tho like the rivalry revolves around her -> goal of being max’s teammate and RB's second driver#but like maria is her own force and she stands up for her values and chooses the best path for the city's welfare#->Max's loyalty to RB while standing up for checo and daniel's performances and focusing on winning the championship#also she's badass <3#Joaquin -hero of the people- has to contend with the expectations tied to the Medal of Everlasting Life n being in the shadow of his father#->medal is the car and it comes w/pressure from RB to deliver top results within RB's structure+facing the constant rumors and RB being RB#Manolo “betraying” the Sanchez family legacy -> RB legacy -> Daniel leaving#Manolo being tricked by Xibalba making him think he was gonna be with Maria + his path through the Land of the Forgotten n all that#-> Daniel experiencing all kinds of setbacks + VCARB + contending for the position in RB + fucked up retirement#Xibalba's trickery to control the outcome and win the wager + straight up killing Manolo grdgfdh#RB's general orchestrations + competitive mindset + being shit to the drivers specifically making Daniel retire LIKE THAT#formula 1#formula one
241 notes
·
View notes
Text
Nothing is happening. He's nowhere. And yet there's so much traffic, people and vessels moving. Distant shouting and discussions, communicating about logistics, but there's no need for him there. So he just stares out in silence and feels the cold wind. The air is choked with the stench of diesel every day and yet sea birds fly through that filth still.
#zuko#prince zuko#book 1 zuko#WIP#my art#When my family travelled by car#there are always stretches of road that are in industrial or desolate zones#asphalt framed by concrete walls#and instead of hating them#I appreciate these non-places because they have a specific appeal#Sharing another WIP from my super-secret list! I'll open the reblogs once I complete the whole piece#Late-Draft's ATLA complete series
268 notes
·
View notes
Text
Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god
#gravity falls#ford pines#stanford pines#self ship#self insert#si x canon#it me#doodles#I got a haircut! so my hair looks different now.. as haircuts tend to do lol#anyway… yeah… I LOVE HIM… GRAHHFJH#the confirmation that he rlly is just sad and lonely and insecure and craving attention and validation#OHH FORD BBY.. WE R THE SAME#like… ghghg i loved him already just w his prickly nerdy outer shell but knowing more about the vulnerable center is GREAT. ITS AWESOME#also hes a smart nerdy guy who can do science and expirements and shit which is ONE OF MY FAVORITE THINGS FOR A CHARACTER TO DO#u kno im all about scientists….#I couldn’t draw ship art back then 1 cuz I didn’t kno how to draw old men and 2 cuz I was like 13 lol… which would have been wierd#but I’m an ADULT NOW. GET OVER HERE FORD#also it didn’t even rlly cross my mind TO draw that stuff cuz even tho I did love ford#self ship and x reader sorta stuff was not NEARLY as popular back then.. like I specifically remember it like. booming in popularity#at some point. but being pretty rare before that. anyway. thank u passage of time and trends and new gravity falls book for introducing#me back to fictional man I love. so I can now draw myself smooching him and shit#hell yeah.#13 is probably not actually correct I do not remember exactly which year fords reveal was in…#but I was probably older then 13.. but still#the point remains lol.#also omg. the bit in the book w the goth moth. ‘ur probably into this sorta thing right?’#I AM INTO THAT SORTA THING FORD. thank u book of bill for being written specifically @ me. the immersion it’s great.#like ur so right ford I AM edgy and goth how’d u guess that tee hee. eyelash flutter#aLSO PLS IGNORE MY FINGER BEING IN FRAME IN THE LAST PIC. I was drawing in a tiny bound sketchbook#so I had to hold the paper down to keep it flat. and. I didn’t feel like censoring my fucking. pinkie finger out of the image
150 notes
·
View notes
Text
Genuinely trying to figure out if Daniel's conversation with Justin Kirk is taking place outside the penthouse (meaning Daniel is, at some point, able to escape without getting vamp'ed) -- or if this is in the penthouse and Justin Kirk is someone Louis/Armand would allow to visit.
It might be the former (it looks like there's two other people in the background, who don't look like Armand/Louis) -- but him saying "I want to get out alive" feels odd if he's already made it out. If it's the latter, that raises the question of who, exactly, would be allowed in to talk to Daniel, because I have THEORIES.
#interview with the vampire#iwtv#daniel molloy#louis de pointe du lac#armand de romanus#justin kirk#i've heard rumors online that justin kirk is playing a Specific Book Character who was briefly mentioned in Season 1#which might explain his attitude towards Armand and Louis if it's true
182 notes
·
View notes
Text
Fiction Works with Footnotes
Round 1
Discworld :
It's Discworld. Thats all the propaganda it needs
Look, I *know* everyone and their mother is going to submit Sir Pterry's works, but it's for good reason. He truly is the footnote king. His footnotes have footnotes. Every single one manages to be absolutely hilarious.
Nation :
One of the best Pratchett books ever
#spab polls#specific polls about books#tournament polls#footnotes books#footnotes#round 1#pterry#terry pratchett#discworld#bookblr#gnu terry pratchett
82 notes
·
View notes
Text
Now, i love our arsonist boy lockwood, but i'd like to take this time to remind yall that, in the book, it was LUCY who set the Hope house on fire
#and this was right after she specifically pointed out that using greek fire indoors was not a good idea#we've been getting it wrong all this time#they are MEANT for each other#commiting arson is a staple in their relationship#but from chapter 4 book 1#we know lucy is the unhinged one down to ignite the place#lockwood and co#lucy carlyle#anthony lockwood#locklyle
98 notes
·
View notes
Text
this is what I was thinking of re: iconoclast clem goop eyes (from mushishi vol 1, chapter 4)
#fairly sure I've seen fan art with a similar idea too#I'm cleaning my room & to finally get mushishi vol 1 off my bedside table book stack I'm just gonna finish reading it real quick#good manga!!!!! Though I want to rewatch the anime too sometime#palisade spoilers#body horror#read mushishi.or watch it the anime is stellar#the animation for this specifically rules so much#I didn't expect this to get notes. It's not even a good picture.#rosa talk
102 notes
·
View notes
Text
the book trend that needs to be left in the dust for the new year is greek mythology retellings. i am so sick and tired of "retellings" of greek (or roman, but mainly greek) mythology from authors that clearly have a very surface level pop cultural understanding of the myth(s) they're adapting and the culture(s) they're depicting. especially the many that market themselves as "feminist retellings" where the "feminism" is basically just "men bad sometimes", and especially when they're "feminist retellings" that take some of the few mythological women who get happy endings and take it away from them for the sake of saying "men bad sometimes". it's all so shallow and they exploded this year and i'm sick of it.
#i wish so fucking much to read one (1) singular actually good feminist retelling of greek mythology#but they're always so shallow both in their messaging and their understanding of ancient greek culture and religion#i speak#anti booktok#sort of anyway?#greek mythology#bc i can't make a single post tangentially about myth without bitching about medusa:#so many people in publishing clearly got everything they learned about medusa from popular online depictions#and especially the books that are specifically about medusa blending greek and roman mythology despite them having very distinct elements
170 notes
·
View notes
Note
draw more of what you want, I had literally forgotten about my sister the vampire, you hit me in the nostalgia
Join me in the nostalgia!
#my sister the vampire#Olivia Abbott#Ivy Vega#sienna mercer#my art#causeimanartist#no one I know irl has read these books so the fact anyone on the internet remembers them makes me happy#confession time: I have bought more of these books recently#I had my original 1-5 but I've been tracking down the scholastic versions of the others#specifically the scholastic versions because it's the cover art style I remember and love#I loved the covers so much and I still do#the books are sitting proudly on my bookshelf on top of twilight which is sitting less proudly#we all know the superior vampire books and it's this#a to z#a to z character challenge#a to z challenge#(two for the price of one!)
122 notes
·
View notes
Text
one thing I'm struck by in tlt is the suspiciously intimate familiarity with wearing a shitton of body paint all the time
90 notes
·
View notes
Text
anyone else very confused as to the length of harrow's hair in GtN
#the most obvious answer would be that it grows longer over the course of the book#but they are at canaan house for only 1-2 months at most#how can she go from short-cropped hair to hair that is long enough to get blown into her mouth unless her hair grows super fast#not to mention her avulsion trial haircut in the middle of it all#the locked tomb#tlt#gtn#harrowhark nonagesimus#this is so silly. thank you to my autism for choosing to be bothered by this specifically
72 notes
·
View notes
Note
oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
41 notes
·
View notes
Text
what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
159 notes
·
View notes
Text
Replenishing the Nonfiction Stack; or, We're Calling the Book Buying Ban a Wash, Officially.
I am not, apparently, immune to coupons for niche nonfiction that's directly up my alley (octopus minds and RUSSIAN OWLS, hello??? Thanks, bookshop!).
I thought perhaps the BURGLAR'S GUIDE would also be covered under said coupon, since it was publisher-specific (alas: it was Not, but we might as well bundle for shipping purposes). And then while I was shopping IRL for gifties I found a copy of ROOM, which has been on my list for...ever? So! Hopefully these will hold me over on the nonfiction front for a minute!
#books#book photography#nonfiction#tbr#a burglar's guide to the city#geoff manaugh#a room of one's own#virginia woolf#other minds#peter godfrey-smith#owls of the eastern ice#jonathan c. slaght#it was an FSG/Picador coupon that bookshop sent me lol#and i knew burglar's guide was also FSG but apparently the coupon was only for Specific Books on their List#(owls and minds)#so. those were impulse buys.#burglar's lowkey was too tbh#ROOM was 'if i cannot literally buy myself a room of my own right now i will purchase this book about it'#(the housing market will be the death of me i stg)#i saw a snippet from burglar's on this hellsite and thought 'ah architecture and thievery YES please'#seriously all my niche interests right here lolol#and yeah okay i really did think i was going to moderate a book ban (read 5 buy 1)#but i've been failing at that since. january. and i will not catch up at this stage :(#so we'll just call that dead to the world and pretend it didn't ever exist :)#ANYWAY PLEASE BEHOLD MY PRETTY BOOKS!!!#i had a spine shot but i didn't love what it did to the photoset composition lol#might as well post that separately here i goooo
77 notes
·
View notes
Text
i don't trust people who don't like adam parrish as a character. i'm usually very open to people's opinions but if you think adam is anything but an amazingly written character then ur wrong and u just don't get his vibes like i do.
#adam parrish#the raven cycle#trc#still on my trb reread and its amazing how even from book 1 he's such a fully fleshed out character#like ms stiefvater wrote him for me specifically idgaf#u just dont get it if u didnt go to a rich ppl school while on a scholarship and a shitty home situation#u just dont get his vibes like i do#mine#this was prompted by a review i watched that called him annoying btw#unsubbed QUICK
186 notes
·
View notes