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mickstart · 4 years ago

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what do you think are some iconic/memorable schumi moments? i just got into f1 and would like to know more about him bc somehow i can’t really find anything like that about him.... just stats which are incredibly impressive but i can’t find anything about how he behaved or just anything about his personality..... thanks <3

:) Hi anon, thank you for unleashing the beast.

Ok I love you for asking me this thank you SO MUCH. Welcome to the circus I’m glad you’re here! Also yeah, Schumi is often talked about in terms of statistics and not as a human, Which is a shame bc like! Schumi is fascinating and the dynamics on the grid in late 90s F1 is so much fun! Also, this is mainly going to be late 90s -> early 2010s stuff bc I was born in 98 so uhhh I didn’t properly witness ANY 90s stuff and had to learn about it.

OK so I got super carried away but I’ve divided this into 3 sections: Drives/races that I think showcase some of his talents, human moments we need to talk about more, and Chaotic Little Bitch moments. The key thing to remember w/ Schumi is that he personally tends to be nice but as soon as you put him in a competition, Bastard Mode activates like a cat’s pupils going wide.

I am so sorry for the following short essay. Also some crashes are briefly mentioned but only ones with absolutely no injuries and there’s no details.

Chaotic Little Bitch Moments

Schumi debuted as a SUBSTITUTE driver for Jordan when one of their drivers was in police custody (yes. really.) The highest a Jordan had qualified all year was 10th and in his DEBUT at SPA, one of the toughest tracks, in the middle of the season, Schumi qualified that Jordan 7th! THEN his clutch failed before the first lap was even complete, but Benetton and Jordan WENT TO COURT to fight each other to sign him for their team before the next race in Monza. He couldn’t debut normally he HAD to cause a scene and set the tone.

The Red Strings of Fate: He qualified 7th, his iconic 7 starred helmet, his first victory next year was ALSO at Spa - his first complete race would be at Monza, Ferrari Holy Ground, and he finished 5th which 👀 1) he was immediately racing with The Greats. 2) Mr 5 Championships With Ferrari.

Winning a race by taking a stop and go penalty on the last lap, crossing the finish line in the pits, and making such a complicated argument about said penalty that in a hearing that was SUPPOSED to be Mclaren protesting the race result the stewards scrapped the entire penalty and the 3 who awarded it handed in their licenses??? Iconic.

Austria 2002 where Rubens was ordered to give the win to Michael. And then Michael fucking made him stand on the top step on the podium like “oh no no no RUBENS deserves this” and made a big SHOW out of it and its like “Michael stop you’re not making it heartwarming you’re making it WORSE Michael STOP” The Tension of germany 2010 podium VS the theatricality of THIS podium.

Team orders were banned because of this which also makes this indirectly responsible for Fernando Is Faster Than You having to be a coded message. You can’t escape him,

Blocking Alonso in Monaco qualifying and then, years later in 2010, overtaking Alonso technically illegally at Monaco (the race was ending under safety car, but the safety car doesn’t lead them over the line it pits and they’d crossed the safety car line and the regulations were NOT specific about the rules) and getting a 20 second penalty bc Damon Hill was a steward. Haunting FERNANDO specifically at Monaco like the ghost of christmas past? Getting a harsh penalty because ANOTHER driver he’d fucked over was a steward? Forcing the FIA to rewrite the rulebook to account for his nonsense when he was in his FOURTIES? I don’t know another chaos king.

Winning the 1995 championship by crashing into Damon Hill, getting AWAY with it for some reason, and then trying to do the same thing in 1997 to Villeneuve, failing to do so and simply rebounding off of him harmlessly, almost COMICALLY, and beaching his own car in a gravel trap at which point the FIA said “I have had ENOUGH of you Wacky Races Man!” and disqualified him from the entire championship

Forcing Mika off the track so bad at Spa 2000 that Mika realized the only way he was gonna be able to get past him was to re-invent the overtake and go for it whilst they were passing a backmarker. (The overtake itself is at 2:05 in the video but the build up to it is Important bc the key part it’s not just badass, it only happened bc Mika knew who he was dealing with.)

Spa 1998 was a Ridiculously Chaotic race it truly was the Mugello 2020 of its year, and after a crash at the start that took out almost the entire grid Schumi accidentally collided with Coulthard later in the race. (The teams used to have a spare car at every race then, so the race was able to continue after a restart.) This wasn’t a racing thing, Coulthard was getting lapped. So something in Schumi SNAPS, and he storms down the pitlane and tries to fight Coulthard while the mclaren and ferrari mechanics both hold him back and finally drag him away. He projected into the future, saw Coulthard was gonna talk non-stop shit about Seb, and acted accordingly.

Monaco 2012 Pole don’t talk to me about this I still can’t believe the audacity of this man to get the only pole of his comeback, at MONACO, at the ONE RACE where he had a 5 place grid penalty to take!!

In general, I know Cheating Bad but. I HAVE to admire the brainpower it must take to have the rulebook so memorized that whilst driving an F1 car Schumi could spot a loophole the size of the eye of a needle and then dance through it, forcing the FIA to add ANOTHER page to the rule book specially for him bc nobody else even REALISED that loophole existed.

Human Moments

A quick rant about Mika and Schumi’s entire friendship. After Spa 2000 Mika goes up to Michael, says something like “Don’t ever do that again” then they’re friends again. They had this mutual understanding that Racing was not Reality. This goes all the way back to their F3 days they were rivals AND friends for their entire career. They truly were the Sewis of the era if Sebastian was like 50% more evil. Their entire dynamic is “You’re the only motherfucker in this pit lane who can handle me”. Schumi would do some bullshit and every other driver would throw up their hands in frustration and Mika would just go “Okay” and drive better to put him in his place bc he was the only one who could keep up, and Schumi very visibly LOVED that he’s grinning after Mika owns his entire ass with that overtake at Spa. They were unstoppable force meets immovable object and I’m so sad their rivalry isn’t more talked about bc the way Mika is the only driver who can get him to behave like a normal human being is SO entertaining.

This is a sad one so I won’t link it but he started crying in the 2000 Monza press-conference with his brother and Mika when he equaled one of Senna’s records. The press kept trying to ask questions about it and Mika just has this death grip on his shoulder and tries to get them to stop or let them take a break and it’s so sad but also important to know about.

Once said he didn’t want Mick to race in F1 bc the pressure of his name would put Mick under so much stress and he wanted his son to be happy. (He fully supported Mick in his endeavors! But only after making absolutely sure it was what Mick wanted, and making sure he knew he could just race for fun if he wanted and it didn’t have to be F1)

This whole interview just after Mick was born with the Schumacher family. Special shout out to Gina on his head the entire video and also Corinna talking to the press while Michael is captivated by Mick. Me too Michael.

Once allegedly pleaded to take a stray kitten home from the track?

I reblogged this yesterday but. Sticking like glue to Sebastian at an F1 test and immediately being like “This is my new son he’s gonna go far”. There’s a lot of pictures out there also of Michael being a guest at the karting races Seb went to as a kid and baby Seb visibly losing his fucking mind at being given a trophy by his idol. Every day of my life I think about him trying to ruffle Seb’s hair through his helmet at Brazil 2012

WInning the championship in 2000. Him thanking the entire team individually and pausing mid-celebration to kiss his wife Corinna so tenderly it’s in the F1 opening. Also, the way it literally cuts from the rest of McLaren looking like they’re attending a funeral to Mika grinning at him and hugging him fucking SENDSSSSS me.

Schumi was a little shit in all the 2010-12 press conferences like, lowering Lewis’ chair, playing with a microphone wire, but ESPECIALLY corrupting baby Seb and getting him to mess with Nico Rosberg.

He’s just GOOFY! Like I refuse to let him be remembered as a terrifying force of nature he was so goofy kind of similarly to Seb. PLEASE watch this incredibly awkward interview he did with Coulthard on a golf buggy where they both had to pretend they hadn’t thought about murdering each other at least once. I think Sky F1 should force Brocedes to do this when covid’s over. “Do you mind if I drive?” “Yes.”

EDIT: I CANNOT BELIEVE I forgot the 1999 Canada press conference where Eddie Irvine and Mika Hakkinen get into a water fight and Schumi immediately grabs a towel and hides behind it and is like “I had NOTHING to do with it” 🥺 adorable, actually

A lot of people at Ferrari, including Rob Smedley (who was on the other side of the garage with Felipe Massa so not in his inner circle) have said that a lot of the success of the team came from Schumi’s LEADERSHIP more than anything, that he’d make the team get together to bond all the time. When Schumi moved to Ferrari in 1996 they were NOT dominant. He did the same thing Lewis did - went to a team that everybody said would be a huge mistake and helped build them up behind the scenes.

THIS bit of the Canada 2011 Rewind where his engineer gives him the strategy and he’s like “... OkaAaAaAay?” and then when it turns out to be the wrong strategy he cheerfully tells them it’s too late. Little shit.

Speaking of Mercedes I also wanna say that like. They were a MESS in 2012 and his car DNF’d because of a failing on their part MULTIPLE times. (In Canada qualifying his DRS was stuck open and they couldn’t close it.) He did not say a single bad word about them EVER even though the press used this to attack him non-stop as washed-up and bad without Ferrari to cheat for him. At Ferrari he was the exact same with the team, any bastard antics Schumi had for his rivals did not extend to the engineers and crew.

OK this one is soured bc Top Gear is trash BUT if you were like, a kid in England who followed motorsports? Schumi’s fake reveal as The Stig on Top Gear was like the coolest, sickest thing,

Please view this image of Schumi and Mika when they were young and stupid

Iconic Races

ok so I have limited myself to a few races that show off some of his key strengths!

Hungary 1998 / France 2004 - STRATEGY/SPEED - Schumi switched to a 3 stop strategy in 98 and a FOUR STOP strategy in 04 and won both races. In order for the strategy call to work he’d have to basically make every single lap a qualifying style ‘flying lap’ and you best fucking believe he DID THAT. God I fucking miss when Ferrari was the king of strategy.

Argentina 1998 - has it all. Talent, battling Mika, pit lane mind games with mclaren, and bullying coulthard xxx

Spain 1996 / a majority of the wet races - RAIN - One of Schumi’s nicknames was Rain Master bc he was so fucking good in the wet. If it started raining and you were a Schumi stan you were cackling evilly before the red lights even went out. I single out 1996 bc it was his first win for Ferrari and it was unexpected but in most wet races, even Canada 2011 post comeback, you can see Schumi thriving.

Malaysia 1999 - Schumi missed pretty much the entire second half of the season with a broken leg, came back for the last 2 races with everybody murmuring about whether he would struggle, and immediately put the Ferrari on pole. Also worth noting is that he was the number 2 driver for these 2 races bc his teammate Irvine was fighting Mika for the championship and he went along with that without complaint, allowing Ferrari to win the constructor’s championship if not the driver’s.

Monza 2002, 03, 04, or 06 just because it has the energy of the tifosi kneeling at the feet of an idol to their red god.

Brazil 2006 - Fuck All Y’all - Schumi’s last race for Ferrari. He got a puncture and ended up almost lapped, and then drove his way back from that to 4th bc he couldn’t go out without reminding us he’s a bad bitch.

Monza 2012 - Defending - Don’t tell F1 Twitter that there’s actual footage of Lewis and Michael having a genuine lengthy battle on track but DO watch Michael defending like a motherfucker and Lewis breathing down his neck for half the race we need to talk about this more.

Valencia 2012 - This isn’t necessarily anything special but I cried in my living room over the only podium of his comeback so it goes on here. It doesn’t have the same impact if you haven’t been watching him struggle with the car for years, DNF-ing from car failure most of 2012, and having BBC F1 telling you he’s washed up every single weekend, but you can just enjoy one of the best drives of FERNANDO’S entire career as he DRAGS that Ferrari by its hair to a home grand prix win and then watch the crowds embrace him like jesus and also Schumi being happy on the podium. Also, the very start of this clip from the press conference: him forgetting what language he’s supposed to be speaking

Basically, Schumi was a hyper-competitive ambitious bitch who turned into a goofball as soon as he switched the engine off. This is by NO MEANS everything if I was making an exhaustive best races guide I’d do more research and another post but I hope this is what you were looking for?? THANK YOU SO MUCH for letting me go MAXIMUM SPECIAL INTEREST and I apologize.

#asks #Schumi #Mika #Alonso #long post #god I'm so fucking sorry #Anonymous #This is not comprehensive bc I didn't want to accidentally turn this into a whole research project especially if you're new to it!

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popculturebuffet · 4 years ago

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Top 20 Animated Episodes of 2020 Part 2 (#10-#1)

And we’re back.. The first part is HERE, which includes the first 10 and my thoughts on this past year in animation, so we can cut the long intro and get right into it. This is the best episodes this year had to offer in animation, and it’s , without meaning to, at least a third bojack horseman. On with the show.

10. I Am My Monster (Steven Universe Future) “We all had Steven when we needed him, but the only person who's never had Steven is Steven. He's always been there for us, so... how can we be there for him now?“ Oddly “The Future”, a finale I did really truly enjoy.. is not on this list. Really good episode, it’s just Future was easily one of Steven Univereses best season, tightining up the pacing without loosing what made the series feel special and really digging into some of more unhealthy aspects of steven’s life. And while the future is good and certanily the needed epilogue.. this episode is the climax, the cumilation of EVERYTHING Steven had done and gone though and something fans sadly saw coming and just had to simply watch, unable to help as Steven slowly lost himself. Previously on this list we saw him hit rock bottom and it only got worse: He went to home world, attacked white diamond due to his pent up trauma and once again ingored attempts to help him, this time from the diamonds and spinle, angrily refusing to listen to his own words she she sang Change at him. This only got worse in the briliant and sadly edged out of the list “Everything’s Fine’ A really damn painful episode where steven tries to assert he’s okay and act normal.. only he cant and he destroys everything around him, and even repeats pearl’s text trick from a single pale rose with a pained voice message to connie saying to help steven. But the pressure of the LONG overdue intervension and the fact it came too late.. means steven confsses his recent sins.. and instead of taking them for twhat they are, spur of the moment acts caused by a toxic influence and a fuckload of ptsd and unreseovled issues with white that while certanly not okay are symptoms of a larger issues takes it to mean “Im a fraud”.. and thus he horriingly corurpts. So here we are as Greg, Connie and the main gems all gap ein horor as Steven has corrputed himself, reduced to a monster whose not even malcious just.. sad.. so full of self loathing he can’t function and at risk of STAYING like that. And the relization hits hard.. and hits everyone who joins in hard. The auxilery crystal gems soon join but attempts from both groups to stop Steven do nothing. The diamonds arrive.. and not only are saddneed by what htey’ve doned but equally powerfless to stop him. Everyone breaks down, blaming themselves for not seeing this sooner and for speding YEARS piling their issue on the kids, everyone ready to give up as they loose the person they care about most.. except one. Connie proves to be the hero of the episode, rallying the others with the above, pointing out Steven would happily help them if he could.. and that’s the problem. He’s spent his whole life fixing other peoples problems and focusing on that.. but never had someone to be HIS Steven. Fighting him’s not going to work.. he needs to know he’s loved... in the end the final battle of the series is not some struggle of life and death.. but of love. What wins the day isn’t a fight, though our heroes various powers do come in hand to restrain steven.. but it’s all of them, one by one telling them they love him in easily the most tearjerking moment of the series, cumilating in connie softly playing a kiss on his nose... and it’s this that FIANLLY frees steven from his self made prison.. finally realizing h’es not alone and that no matter who or what he becomes.. his family loves and forgives him. While we REALLY needed the next episode to wrap things up after this swell of emtitions. this was the climax the series desrved: after spending 6 seasons trying to help everyone ELSE and fix their issues he never should’ve had to.. it’s eveyrone else who gladly pitches in to fix steven’s own issues, to help HIM when he’s at his lowest point like they’ve been, and make it so he can FINALLY heal and finally find himself once and for all. IT’s one of the finest episodes of the series and easily the best of future.

9. The Perfect House (Close Enough) “I’m this close to connecting garfield, TO JESUS” This one’s just really funny, charming and creative. Simple as that.. I could move on but eh i’m a wordy bastard. Once again we’re focused on Emily, this time as we find out an endearing hobby of hers: She likes visiting open houses and fantasizing about affording a better place she likely never will afford, one with trash can nooks, a kitchen and a living room that are fully seperate, and indivudal bins for tea and sugar... and when it’s pointed out she dosen’t drink tea it’s only because she has nowhere to put it. But after Josh and Candace get them thrown out, if adorably so, Emily is forced to face reality... i.e. Alex, in one of the series finest gags, in his underwear with conspiracy boards trying to connect garifled to jesus and having a jug of his urine around for some reason. Did I mention I love this weirdo because I do. Brigette is painting in the ktichen.. using her body as the canvas, though in a bikini because the show wasn’t streaming only yet. You’ll have to wait a season for possible boobs. Naturally this just stresses her out so she goes to visit more houses while Josh vows to buy a family bike, a large circular bike for the whole family, as an activity because of course he does and of COURSE he also has a recurring issue of being mocked by some random kid about not having one.

So she escapes and meets dave and caitlin, a husband whose family life is miserable and a child star who got emanicapted and they quickly form a psuedo family to look at open houses.. only to, as if to remind you what show your watching, instead end up in a tgif sitcom... and trapped in a styigian void, with only Emily desperate to get out. Also she’s been missing three days and Josh has some thoughts on that and goes after her. Naturally given she’s crashing in on her fake sitcom family, this oly has him seen as a plot element, and Emily’s attempt at cursing and everything she can , while hilarious fail.. but the climax is what makes the episode and what inches it slighlty above quack pack.. which itself was fucking awesome. Instead of FIGHTING the format... Emily is forced to play into it, and realizes a cheesy moment of emtional honesty is what’s needed. She apologizes to her fake family, saying their nice but she has to face the world and to josh and much like Donald, seroiusly this episode was made years ago and there’s no way in hell frank knew about it, she just needed an escape but it’s more healthy: instead of wishing for a life she never had Emily just wants a break from the life she does for five minutes. She’s happy where she is, with her loving husband, wonderful daughter, impulsive but still carring best friend.. and well okay maybe not Alex, there’s somethihng really wrong with him, but as much as I love the guy I admit he’s not for everyone. I’m also a borderline feral man covered in hair who wants people to know i’m smart. I get him.

IT’s this that sets her free.. and we get another amazing gag as Dave’s family shows up and Dave chooses the fantasy.. though instead of this being thorughly pogiant it’s just “classic dave”. COmplete with title sequence. And of course it ends on a family bike with Emily getting those tins from Josh. Their relationship.. is REALLY what makes both this show and this episode in paticular work. Here while Emily screws up, it STARTS innocently enough, simply faking being a family and spirals into tgif because while this show isn’t, possibly, in the regular show cinematic universe, it’s defintely in the same multiverse. She just wants some peace of mind from a chaotic life, but dosen’t resent her husband or anything.. he just frustrates her sometimes which is fair. But he’s never portrayed as an abusive asshat which you think would be a low bar to clear but.. you’d be suprised. Point is it’s a wonderfully weird and somehow still unique despite being one of three tgif parodies this year. Seriously that shit is a goldmine. It’s how Dashieel Driscoll got half a season out of full house and a good chunk of a very special epsiode as a whole out of it. Though a certain incident helped.

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Point is good show, jolly good show... and ew’ll be right back with the rest afte the cut

8. Agony of a Witch/Old Bodies, Young Souls (The Owl House) “You always thought you were better than me! That I could never Beat you at anything! “ “I AM Better than you!” “Then WHY WERE YOU SO EASY TO CURSE?!” The Owl House was a show I took WAY too long to catch up on after missing the second half of season 2.. minus Enchanting Grom Fright which I caught first run and we’ll get to that story shortly. Point is my procastnation did me dirty here as this show , which was already fantastic just got better and better, cumulating in this epic, heartdestroying, soul punching, beautifully animated finale that takes everything the show has built up thus far, blows it up in some places and uses it to beautifully end in others, leaving us with a new road for the future. So yeah naturally it’s been a long ride as one of Owl House’s strength.. is that no episode is filler. No really, each one has a purpose great or small in the larger narrative, and every major arc has been expertly paced and crafted, bringing us to this point. The only major arc or plot thread left out is Amity, and that’s honestly for the better. Make NO mistake, she’s a great character.. but like fellow great Donald Duck, she was left out because the episode had a LOT of emotional stuff going on, a lot of plot to fit in, and a lot to do and it’s simply better for her character and for the moment’s she’s bound to have in response to well.. everything happening here, to let it breathe next season rather than try to shove it into an already stuffed two episodes. But this episode is one long string of payoffs, and payoffs creating more setups: So all season Eda, our loveable witch, has been grappling with a curse that turns her into an owl beast, one that’s been getting worse as far back as the mid season finale Escape from the Palisman. She’s been needing more and more elixer to combat it, a harrowing parallel to some real world diseases: Sometimes your meds can only DO so much to combat something actively killing you.. thankfully this time.. not speaking from personal experince. And Luz finds out soon into the episode as Eda makes a cloak of witches wool, which can deflect powerful spells, to protect herself.. only to black out and go owl just as she’s saying she’s fine. Like most parents would Eda hid just how bad things have gotten and it’s gone from needing just one bottle of elixer to needing their entire suply, and even that barely worked. Despite her mentor’s assurances, Luz is now PAINFULLY aware her mentor is on borrowoed time... not helped by the fact the coven attacked earlier that morning and she finds out by finding hooty playing tea party with them, meaning Eda is outgunned, outmanned and while Lilith failed, again.. the emperor can now easily find her himself and send whoever he wnats and however many people he wants to fetch her.. and Eda can’t use too much of her magic or else. So while Eda and King, touched by how much Luz has changed them, decide to throw a suprise party with King making a big cake to jump out of and Eda using witches wool she intended for herself to make her a cape. Meanwhile as you’d expect Luz.. is plotting a dangerous and life threatning mission: with a field trip to the Emperor’s Coven that day, one she was going to sit out because you know they hate her second mom for dogmatic and vile reasons the episode fleshes out, she finds out they have an artifact called the healing hat that can seemingly heal anything. So she does what Luz does and comes up with an impulsive plan to heist the thing.. but for once her impuslivness isn’t played for laughs. Her mother figure is slowly sucumbing to a fate worse than death, for once instead of just acting rashly because Luz.. she’s doing so because she KNOWS, that she has no other choice. Nothing else in sight and she’s smart enough to know that if Eda had a cure she’d of told Luz about it. Even if it was dangerous or required a sacrifice or something Eda would’ve just left that part out. But the trip serves a few other purposes besides getting Luz where she needs to be for the plot that makes it work: it elaborates on just what the emperor’s coven is like and WHY Emperor Belos gets away with everything: He claims to speak for the titan, the giant dead monster whose body makes up the boiling isles and who, as Luz has discovered, is the source of the magic there. So when he bloodily, I mean it’ sa kid show so they dont’ say so but given how violent this one is i’m asssuming bloody, took power, he claimed they were doing magic wrong, killed any hertiics and set up the rigid coven system. It explains just WHY the boiling isles limits themselves, gives the whole thing a creepy dogmatic religion vibe.. something that i’m REALLY suprised disney let them get away with as they had to fight for gays in the series.. but at the same time shouldn’t be because hunchback of notre dame exists and Soul , released the same year, was a big gamble against the bible belt. So their not afriad of religious groups.. but they ARE afraid of homophobic groups.. which have a lot of overlap.

Point is it’s a good storytelling device.. and cathartic given i’ve been playing Fire Emblem: Three Houses as I finally bought it with some christmas money. Good game, probably will talk about it in the future, not the point here.

The point is that the visit gives us some worldbuilding that helps show just how much of a threat the coven is and why their so intent on capturing Eda. We also finally meet belos, god emperor and man tired of Lillith’s shit and giving her till twilight to get Eda.. or presumibly die. I mean he dosen’t say it but he sure is implying it as loud as he can. That’s when things go pear shaped for Luz who finds the hat.. and LIlith who has found her barganing chip to lure Eda to her, which works as well as you’d expect and leads to the best figh tin the series thus far and one of , if not it’s best scene; A duel between edith and lilith. And while they fought back in Covention this time it’s not a petty squabble between siblings masquerading as one trying to capture the other.. it’s fight NEITHER can afford to loose. Eda can’t loose her protege and Lilith will loose everything, dying at best being cast out of the coven at worst, if she fails not to mention loosing what she feels is her only chance at saving her sister. But it’s also VERY clear Lilith is groosly outmatched, and while no slouch herself Eda’s constant bragging about being “the most powerful witch on the boiling isles”.. is entirely backed up. Lilith barely is able to hold herself and only gets ahead by using a child as a shiled, going even lower than her sister. However the stress of this, the build of having been the older sister of someone who constantly outshined her then turned entirely against her, finally causes lilith to snap.. and reveal the curse is her fault. Cissy Jones delivery here.. is jsut perfect, showing a mixture of rage and pain, showing that she’s spent YEARS hiding this, years resenting her sister for constnatly being better desptie working harder and doing the right thigns. Even when she’s trying to HELP Eda, genuinely trying to undo her mistake as we find out and as we’ve seen genuinely sees the emperor as the wise and benevlolent god he portrays himself as.. she can’t let it go. SHe can’t see past her own bitterness to see her sister is right and if she could just let this go and work on Eda’s terms instead of forcing Eda into her world, then maybe it wouldn’t of gotten this bad. Maybe she could’ve told her.

Eda takes it about as well as you’d expect, and Lilith.. uses this to threaten luz’s life and force eda to use up her magic to save her, leading to the series most heartbreaking moment and Wendy Mallick’s best acting so far as she bids her appretnince a tearful farewell. Luz RIGHTFULLY and angrily lashes out at lilith calling her a monster while Lilith takes Eda and urges luz to go home... and after a tearful ending with king realizing something’s deeply wrong.

So thus next episode after a history lesson from king and some suprisinging caution as he KNOWS what Luz is up against.. Luz still decides she dosne’t care. Eda’s sacrificed herself, to Luz it’s her fault she’s in this which while KINDA accurate missues some fine points such as her sister’s stubborness or the fact had lilith not shown up she could’ve taken the hat. And the fact LIlith saying the hat was junk was pretty unreliable. What i’m saying is maybe the child shoudln’t blame herself for being kidnapped while genuinely tring to reach the same goal.

But Lilith soon learns to her horror her sister was right. While Belos restores Eda’ss sentience even fully owled.. he has no intrest in helping her, eveyr intrest in publicly petrifying her, and not even the slightest hint of remorse at betraying lilith this deeply. After all her faith in the man.. Belos spat in her face and told her to like it. Meanwhile Luz goes on the warpath, and we see just how far she’s come.. and WHY Belos is probably so restrictive with magic and put it on such a tight leash: we see that with her natural power and just a handful of spells, the four she’s pciked up over the season, she easily curbstomps the conformotrium staff, gets to Eda fairly easily.. and fines sshe can’t free her and eda wants the door destroyed so whatever Belos wants with it, he can’t have it. Luz heads home, ready to destroy the door.. onlyt of ind two things. her magic dosen’t work there.. and Lilith followed her and grabbed king. After a breif fight and Luz angrily and rightously confroting the asshole, wish she was in Eda’s place.. Lilith admits luz’s right and gives her backstory: That her insecurity was so great that on the day before a duel with Eda to determine who got into the emperoror’s coven, she curfsed her own sister, with no idea it’d last this long or get this bad. And with no idea Eda had lost intrest in it and WILLINGLY gave her sister teh spot.. It’s very clear despite her masssive flaws that will need to be adressed.. lilith never stopped caring about her sister, and it took all this to make her realize that trying to fix the mistake on HER terms without including her sister.. instead has almost cost her it. So Luz and King relucntnatly take her help, though the other two are quickly capatured when theyt ry to get to hte exceution platform and thrown in the cage with Eda.. which dosne’t help the coven’s reputation as gus and willow try to make a case for Eda. Meanwhile we get the SECOND best fight of the series as Luz challenges Bellows.. and it’s UTTERLY chillling and while he’s had scenes before this it’s here we get the true scope of who he is ..and that like eda the god complex is something he can back up. Whlie Luz proves just how strong she’s gotten by keeping up with him it’s barely, and it’s clear from the moment go, and one of the series best shots, with Belos creeply materlizing behind her before announcing “sure, i’ll play” that this is a game. She’s no challenge to him and he simply wants to see waht she can do and is mildly impressed if a tad annoyed at her actually damaging his mask. But with Eda, King and Lilith’s lives in the ballance the only way Luz can save htem.. is to give him waht he wants.

Thing is, just like Lilith, just like everyone has, good an dbad all season.... Belos undereesitmated luz.. who left fire runes on the door, willnig to sacrifice ever seeing her mom again if it meant keeping him away from her. While he has no invasion planned whatever it is CANNOT be good. Luz saves them, and Eda flies them off with Belos saying the titan dismissed them. Also that Belos has a big penis.. super huge, size of a tractor that one. Yeah that’s the ticket.

But we get a happyish ending as LIlith does what she should’ve done a long time ago and apologizes, and Eda starts to fogive her, brought on by King earlier standing up to her as whle he’s not happy with her either, he realizes from her story she’s not a bad person.. just a very messed up one who couldn’t own up to her mistakes. One who belivied in the wrong person to fix her problem and finally takes repsonsiblity and part of the curse into her. So with the sequel hook of Eda having lost her internal magic power but still being able to use glyph’s like luz, we also find out the Emperor has the door and a mysterious masked minon,.. who i’m fairly certain isn’t amity only because it’s too obvious. This is simply how you end a season: It’s engaging, heartbreaking, well animated and pays off EVEYRHTING so far while setting up the season to come. It’s going to be a LONG wait till next time, mid-this year.. but I can wait. The high from this one’s going to last a while.

7. Good Damage (Bojack Horseman) “ That means that all the damage I got isn't good damage. It's just damage. I have gotten nothing out of it and all those years I was miserable was for nothing. I could have been happy this whole time and written books about girl detectives and been cheerful and popular and had good parents, is that what you're saying? What was it all for?! “

Bojack Horseman is one of the best shows of the last decade, and an important one to me. it was the first one I watched when we switched to all streaming. I really related to Bojack and his struggles with depresion and self loathing.. which backfired given he’s a much worse person than me and while I could relate, I also compared myself too much to a character who in retrospect is both far worse and has FAR MORE issues than I do and diffrent ones at that outside of the depression and self hatred. The point i’m framing is that the series and I have a complicated relationship and that coupled with how bad 2020 was meant it took until a few days ago to finally finish it, almost a year later. But I cannot deny how good the show is: it has faults, a bit of reptititon in some character arcs, casting a white woman as a Vietnamize-American woman (something both Ralph Paul Waskerberg and Alison Brie have apologized for to their credit), and .. I can’t think of a last one. They never brought Ralph back? Yeah let’s go with that one what the fuck there. So I felt I owed the show one last round and it payed off as the final stretch, while easily the hardest to get through due to covering the collapse of Bojack’s life, is easily one of it’s best.

But before the fall, we get Good Damage, which instead of focusing on BoJack focuses on Diane, said asian woman voiced by a white lady, neurotic writer and Bojack’s best friend, who has moved to Chicago to be with her boyfriend guy, a chill, charasmatic and likeable buffalo cameraman. Things are going better than they ever have: she’s in a supportive relationship and thanks to her antidipresenants, while still her loveably neurotic self, is now not obessing over shit as much and is solving her problems with applomb. Even the weight gain from her meds, which she dreaded in the previous half of the season.. has insteead only made her look healthier and happier, and more beautiful than ever.

The only problem is she can’t write her long promised Memoir, which Princess Carlolyn, her former boss, agent and loveable pink cat and single mother, has promised to a lot of celebrities. She TRIES, she puts lots of work into it, keeps trying to sit there but nothing comes out. And what makes the episode truly great is how this is presented. Bojack is no stranger to beautiful, visually diverse episodes, Stupid Peace of Shit being a notable example and one similar to this one but uniquely great in it’s own way, but this one is easly the bes,t using a squiggly crude style to show just how chaotic and uncomfortable diane is and how stuck she is. She’s TRYING, but she just can’t make her life’s story into anything GOOD, she can’t get the words out which as someone whose had reams of projects I never startd, even to this day and who has genuine trouble writing fiction.... I related to this like all hell. But even people who have never had an intrest in writng can just get the feeling thanks to the wonderful writing and animation, from cameos by the rest of the cast to Diane’s father showing up as a goblin to the word boxes showing what she’s writtne it’s just a treat. But what centers this amazing visual represtnation is Diane’s internal struggles as an encounter with a rude sales person leads her off on a tangent..and to Ivy Tran, a teen detective whose upbeat, optimstic, and in a great bit outlines who she is in jsut the right amount, and solves mysteries in a food court. It’s a genuinely good idea, one I honestly think could support it’s own series... seriously get on that Ralph-Bob. Get on that. Point is it’s good.. but Diane’s so hung up on what she SHOULD be making, she can’t see what’s right in front of her, despite guy saying the passages are good. Things come to a head when Diane makes a huge mistake and goes off her meds.. which from experince never ends well: for the entire episode she’s been under the impression she can’t write because of them.. only to be proven HORRIFYINGLY wrong. It’s a VERY necessary aseop: that your medication will always be with you and that going off it suddenly, or blaming it for writers block not only isn’t true but is DANGEROUS. Diane spirals, cries and her writing gets dark and full of self hate. It’s then Guy proves just how fucking majestic he is: he figures out what’s going on after she tells him, and helps her get to bed so she can rest, puke whatever she needs and they’ll talk about things after she takes her meds again and gets her head on straight, when she’s in a good place to do so. As someone with mental illness.. ti’s nice to see a character who not only supports someone fully, but knows how to handle it. Instead of a shitty third act breakup like many shows would do guy stands by her. He does however step SLIGHTLY over the line, if iwth good intentions and reason and send Princess Carolyn the Ivy Tran pages, because as he puts it he made an executive decision.. and when Diane is a bit annoyed by that as it does sound a tad douchey, he rightly points out she was in a really bad hole of a place, stuck in a loop doign something that even before going off her meds was clearly hurting her and going nowhere, and needed SOMETHING to snap her out of it, and did so not to hurt her or because he thought he knkew better or , like her ex husband, because he was oblvious to her needs; he did it because it was the hard but necessary thing to get her to seee she had something special and that she dosen’t have to constnatly tear herself up by diving into past traumas because of some internal obligation.

Naturally Diane dosen’t take it despite Princess Carolyn not only being impressed but PREFERRING the ivy pages, as she was genuinely unaware Diane had something so happy and charming in her. While Diane is worried about it when the two end up meeting in person, we soon find out why: If all the damage she went through wasn’t “good” damage, things she could writ eabout and use later.. what was it for? Could she of just been happy this whole time? Did she waste her life. And in a rare moment betwen the two PC helps Diane walk it back, explaning that she can do what she always wanted: write something that makes someone like her feel not alone. That she dosen’t HAVE to make her life story into something complicated, just make what makes her and other people happy. Something PC’s daughter could enjoy one day. So Diane finally accepts that maybe there’s something else for her.. and then we get a segue into the next episode with bojack having a panic attack and pasing out but that episode, good as it was didn’t make it so moving on. We also check in with Penny, the daughter of an old friend of bojacks who he nearly slept with and is stil haunted both by the decision and a drunken later visit to apologize... which isn’t helped remotely when max and page, two reporters inovlved in teh subplot that tears bojack’s life apart, start hounding her. While they have good intentions, exposing Bojack’s connection to Sarah Lynn’s death, the two’s methods still come off as creepy, following a, at this point , 21 year old girl whose been through ENOUGH home. While the two aren’t terrible people their actions.. are.. while getting hte story ismprotant is it truly worth genuinely harming this person. And penny wonders if she SHOULD air her story.. she ends up not.. but only because her mother, while lettiner he decide, poitns out it may not be worth all the pressure and possible trauma it digs up,especially since Bojack is getting what he deserved anyway. IT’s a decent subplot tha tties up a loose end but really makes our journalist characters feel like assholes for again, basically stalking and harassing a young woman who didn’t want to rehash the worst moment of her life. Otherwise top notch stuff.

6. Heart (Parts 1 and 2) (She Ra and the Princesses of Power) “Don't you get it? I love you! I always have! So please, just this once... STAY! Stay. “

Now we get to the gays winning.. and to one of the best series finale in recent memory. And given the other two titanic shows ending, one of which we’ll get to’s ending in a moment, last year, it’s a huge compliment. Heart is how you end a space opera... with big wonderful speeches, great payoff, a huge climax.. and a beautiful cathartic kiss paying off the relationship at the heart of the series that ends up saving the universe. So let’s just go ahead and crack open that pinata: The kiss.. was easily one of the best moments of animation this year and, at a time when the quarantine was starting, misery was spreading, and things looked pretty damn bad, having a major animated show, one of the biggest of the last few years, climax with an emotional moment between two women, one the series had been setting up since day 1... it was a huge step foward for gay representation in children’s animation, and warmed my big bi heart. And it’s not just good because of that: the fact it’s a giant pile of representation is wonderous, but it’s because it’s also well baked into the show. This is the conclusion of both their character arcs: Catra finally realizes Adora will not abandon her and her leaving the Horde was not choosing them over her.. it was simply doing the right thing. So instead of running or trying to escape she’s grown enough to fight for what she wants and fight for a future with Adora. Adora meanwhile finally overcomes her martyer complex, her determination, especially after Angela’s death, to make sure no one else is gone and she’s the only one that suffers and looses. To make sure there’s nothing else. It’s Catra’s confesssion that FINALLY gets it through her thick skull that she dosen’t have to be alone or bear anything alone.. she’ll always have someone with her to do that.. and even before Catra.. she’s always had friends for that. She dosen’t have to be alone. So the two embrace and it’s fucking beautiful..and gives adora the full power of the doomsday device they went to shutdown in the first place, restoring the planet.. and allowing her to destroy horde prime’s fucking soul. I just want to reiterate that because it understandably got lost in the shuffle of the gays winning, but our heroine fucking tears out the main villian’s soul.. and it is SO damn satisfying given what a truly repulsive , irredemible, asshat Prime was. So the two finally get a future together, a chance to build and to stop letting the past define them. It’s wide open. But while that alone would probably net it on this list but it’s damn good otherwise, an epic final struggle between our heroes and the horde for the fate of not just their planet but ALL of htem as Prime prepares to finally wipe everything else out in egomanical genocide. There are just.. tons of awesome moments in this one: Bow and Glimmer’s suprising but welcome love confession, Seahawk annoying mermista into fighting her chip, the people of etheria fighting back.. and the reason they do is easily the second best moment of the episode. With the chips down, not literally, and things looking bleak Bow hyjacks Prime’s egoamnacial hologram.. and broadcasts for everyone to fight, to fight back, and to END THIS. After spending most of the series as the one trying to keep his friends together, the glue of everyone.. it’s bow’s heart, courage, and voice, the one that lead his friends through some rough times and severed as reason when they needed it most wether they listned or not.. that frees the world and with Entrapta turns the tide at long last. It’s just a hell of a moment. And the only other moment equaling it is Hordak freeing himself and deciding he is his own man, he made himself tha tway for better and worst and kills prime, at least before adora finsihes the job with the badass “I am HORDAK and I DEFY your will. “ It’s just a wonderful, epic finale that pays off most of the shows major arcs, gives our heroes a MUCH deserved happy ending after spending their lives at war, and let it be said one last time, gave gay representation in children’s cartoon one hell of a win.

5. Nice While it Lasted (Bojack Horseman)

“ No, I need to tell you... thank you... and... it's going to be okay... and... I'm sorry... and... thank you... “

Back to back finales here and honestly both are REALLY close in quality, both satisfyingly paying off their series. But both take equal and opposite routes: Heart is an epic finale in scope size and impact... while Nice While it Lasted is a very stripped down character piece: there are other characters in the background but after the intro the only voiced characters in each segment are Bojack and one of the main cast, each one both showing how much said relationship has evolved since the show began, and giving Bojack time to reflect on his possible future. I say possible because one of Nice While it Lasted’s best aspects it that there’s no real concrete ending for Bojack. Ther’es still closure: after his life emploded and he nearly died, more on that in a bit, Bojack ended up in prison, offically for breaking and entering but unoffically for all the shitty things he did with him glumly accepting it. So one year later he’s out thanks to Princess Carolyn for her wedding, sober again thanks to prison and even started his own acting class at the prison he’s geninley invested in, inteding to continue it once he gets out. But otherwise.. his future’s in flux. HE’s sober for now, but he’s painfully aware that could change again, his friends while, with one excpetion, still having a place for him in their lives, have moved on, and his career is on the upswing again despite being a pariah a year ago because as I mentioned earlier and as PC brilliantly puts it

So he could become a better man, get his career back, make amends for what he did and stay sober.. or backslide and fall down into the same traps he always has. It plays into an aseop the series has always preached: There are no real endings, life just goes on. Even for the rest of the cast hteir lives aren’t over.. their just in a good place.. maybe bojack will, maybe he won’t. Tha’ts up to the indvidual viewer and I like that. While ambgious endings can be frustrating and I get while some preferred the more concrete if still somewhat ambgious ending of a view from halfway down, I feel this fits the series better: Bojack, like the end of every season is moving on to something new, but this time we don’t know what, and that’s okay. IT’s time for us to move on. Well okay not from this entry as each vingette deserves some praise: Our first has Mr. Peanutbutter pick up Bojack from prison, and even get him a new suit.. and then another one offscreen because predictably for his life BOjack got meatball all over it. He also calms our hero down when he wants to go back to jail, letting him know it’s okay and he’ll be there for him.. unless his friend Erica shows up but what are the odds... 1:1. But what’s nice about it is while Bojack still makes jabs, it’s clear he’s gone from truly hating and resenting PB for being the betterversion of him.. to truly seeing the guy as one of his best friends, his jabs having gone from hurtful and bitter to wry and warranted. I mean they were warranted a lot back then too he’s just a lot softer about them.

At the wedding Todd and Bojack finally reach some form of understanding after years of awkwardness, the two having reconclied but not being really remotely close or in each other’s lives hardly anymore after Todd’s understandable blow up at Bojack in “It’s You”. Here Todd has Bojack rush him to the beach to cary him on his shoulders.. to watch fireworks because he could tell he was overhwelmed, the two having found a rhtym again, with, like with mr peanutbutter, Bojacks jabs being a lot friendler and Todd having a respect for his own needs while actually being present for bojack instead of ignorant of how bad things were like he was at the start. He even helps BOjack see even if he DOES replase.. he can get right back on the horse, couldn’t resist that one sue me, and as the hokey pokey says turn himself around.

After, in one of the best payoffs of the series, finally trying Hondedew and finding it’s not so bad, Bojack dances with PC, admittingh e half hoped he’d have to help her go thorugh with it before the two run through the scenario, and PC expresses some honest fears with bojack helping her showing how the two hav egone from a horribly stiffing relationship.. to two close friends who are probably stuck with one another for life. Sunk costs and all that. And if bojack does want to act again she knwos some people. But for now PC finally really has everything she ever wanted:: A daughter, and a loving husband in judah.

Finally we have the most painful of the group because of course the Bojack finale wouldn’t be all sugar and would have to punch us in the gut. Bojack finds Diane again who hasn’t talked to him.. because he called her the night of his near death/sucidide and due to putting the blame on her due to being high out of his mind, made her feel like it was his fault during the 7 hours she could reach no one and thought he was dead. Diane is hurt, feeling betrayed that bojack promsied he’d be fine then possibly left her with the pain of his death on her concious forever. Thankfully she’s doing fine, as she’s now married guy and Ivy Tran is a huge success and probably a series now.. but it’s abudnantly clear her friendship with Bojack is over.. but even this bittersweet, and necessary, seperation, as Diane has moved past LA and Bojack needs to stop relying on her and stand on his own two hooves, still warms the heart as she thanks him and lets him know i’tll be okay, and endugles him in telling her one last story, a rathe rfunny one about prison movie night bfore the series ends on the melancholy and apporriate song mr blue as the two gaze out and they see each other and we see them for the last time.

4 The Wasteland (Infinity Train)

“I'm as good as dead, and if my last act is to bring you with me, sliver, I can't imagine a better way to go!” “Well, I can! “

So from a bittersweet ending to holy shit that’s depressing, we have our only entry from Infnity Train on the list. That’s not to say the series did bad this year. Season 2 was easily the series finest hour, taking the framework from season 1 and crafting a gripping story of a teenage mirror person who just wanted to live without assholes trying to kill her for what she fundementally IS, and be recognized as a person, with the help of a magical deer and a more optimstic teen grappling with his peer pressure issues. The series was still undoubtly silly with a parasite voiced by Bill Corbett, wonderfully so, and again a magical deer named Alan Dracula, long may he reign, it simply deconstructed the nature of the train and thus opened up the floodgates. By giving us a denzin who, after years of being someone’s reflection in both senses of the word, just wanted to live and how that clashed with the train and the racist assholes she met alnong the way, from the ones who wouldnt’ stop trying to kill her.. to humans who considered her as nothing more than a plaything at best and something to get rid of at worst. While Season 3 was not bad, if a bit way too strcuturally messy and trying to do too much at once, Season 2 still handled the same issues but in a much tighter frame storywise. And that’s why only one episode made it: Most of the episodes, espicially the later ones, are pieces of a large whole, with the show being heavily seralized. Which while a great approach intended for streaming, also means it was hard to find a chapter that worked that well on it’s own, steven universe future had similar issues. But I did and the wasteland is easily the darkest, harshest and most intresting episode out of the batch. The episode opens at MT’s darkest hour: The apex told the mirror police where she is, Jesse is gone, and MT is now running for her life from the sadstic assshole and his spinless partner who want her dead just for existing.. gee can’t imagine why a bunch of assholes refusing ot acknolwedge other peoples opinons, rights or even existance was a big topic last year.. or this year.

So while Mace, the main mirror cop, manages to handcuff her MT manages to throw him under the train. THe result is her trying to escape the train by wondering i’ts vast desert, forced to drag Mace along as he taunts her, bleeding out slowly from you know being bisected by a train. It’s a really moody peace as Mace mock’s mt’s dreams of escape and justify’s his own selling out, while MT pokes holes in that: he was so desperate to not nonexist.. he’s willing to kill others who just want the same. IT’s a damn hard watch but fuck if i’ts not compelling.

And the climax is what makes it. MT finds out she can’t leave the bounds of the wasteland, as it only projects so far and after escaping the ghoms ends up back on the train, with Mace, not long fo rthis world trying to kill her.. so we get a 13-14 year old GRINDING HER HORRIFYING ABUSER UNDER A TRAIN WHEEL. Just jesus.. I mean I kind of get HBO Max’s point that MAYBE this is a bit much for kids. I mean i’ve seen other really dark stuff but holy fuck a man died.. and we see his blood splatter. But it’s this horrible, harsh moment that makes the episode.. as is MT”s reaction.. not one of triumph.. but of exaustion and horror at what she’s done, before steadying herself to prove him wrong. A hard one to write about but damn it was good.

3. Enchanting Grom Fright (The Owl House) “Dear Luz, will you go to Grom with me- Amity” Now we THANKFULLY get to something lighter: the gays winning.. again. Coming out during pride month, phrasing, and only a month after the she ra finale we got this delightful episode. As I said earlier I watched this one first run: while I was super behind, I couldn’t resisit to the point I watched it before that week’s amphibia. I was that curious what was going to happen. See as i’ve given out about quite a lot.. and I mean a LOT, Disney dosen’t have the best track record with gay representation: they don’t do horrible sterotypes or anything.. but they also don’t do much of anything for the most part. Alex Hirsch has outright spoke about how much he had to fight just to get Blubbs and Durland firmly together in the finale, and how the symbols for the love god were widdled down to just male and female. And around the time this episode came Disney was coming out of a REALLY bad batch of pr stunt gay representation: They made a big deal about the first gay x in an x having gay characters in avengers endgame, star wars: Deep Hurting and onward.. but these were cameos AT BEST, with the endgame one being so minor I genuinely didn’t realize the character was talking about dating a man and only found out afterwords. Sure Ducktales had gay dads, which is awesome and always will be.. but none of the major cast was allowed to be openly gay. I mean we know webby and lena are gay but hell if disney would allow that. But miracoulsy.. shockingly and wonderfully.. Disney DID mange to finally just say fuck it and let some big gay rep in, something so obvious it can’t be ignored and that actually features the main character and one of the most major supporting characters. And what do you know, the good press and pats on the back outweighed the bad. It’s almost if giving up homophobic markets in exchange for doing the right thing.. is a GOOD thing while also being profable. Who’d a thunk. Point is via sheer perstiance, Owl House creator Dana Terrance got to not only make her lead bi, which Terrance herself is, but have her love intrest be a girl. And I find it genuinely wonderful that gay, bi, pan and what have you children can watch this and say “tha’ts me and this is okay”. But even minus Owl House saying gay rights.. the episode is just REALLY good and part of it is who it focuses on. Amity easily has the most character devleopment out of the cast going from someone who walls herself off from everyone, revels in her superiority.. to slowly opening up to heroine Luz, realizing Luz is not a bad person and that Amity herself dosen’t have to be, and right before this starting the road to patching things up with her former best friend willow. Allt hrough this said friendship had been prettty, prettyy, prettyyy gay. And that’s wonderful obviously, but part of why I watched this was while I HOPED they’d get to be couple.. I wasn’t convinced since see a fucking bove. But I was happy to realize that oh my god I was wrong, the gays won all along.

So with Amity a better person she’s naturally syampthetic when sh’es put front and center at hexside’s prom equvilent which while having a dance, gromprosals and a disco ball tha’ts also a sentient being, becuase boiling isles, it also has the queen or king forced to fight a horrifying monster that manfiests as your greatest fear. And, as we find out towards the end.. Amity’s is being rejected by Luz, having her love letter, which she fails to deliver due to running into luz.. and co (which is my faviroite gag of the episode and the adorable smiles gus and willow give in response are what make it). And . it makes sense. When you stop and think about it.. Luz is the best thing in her life. She got her to change as a person, genuinely cares about and adores her, just wants to be her friend and thinks the world of her. Given her siblings, while trying to be better, are two disaster bisexuals who just stopped a lifetime of untietonally harsh bullying and her parents are controlling asshats who made her abandon her best friend at a young age and she sees LILITH as a mother figure, just let that sink in given a few entires back.. yeah.. no wonder sh’es utterly terrified of rejection. Poor baby.

Of course WE know Luz wouldn’t. Luz may be many things, including oblvioius to thte freaking obvoius as this story line has revealed, but shes not cruel and even if she said no, which I higlhly doubt she would, she woudln’t be a dick about it. But being surrounded by cruel assholes for some time has made Amity a bit paranoid so Luz volunteers to sub in to both genuinely help her friend.. and to prove to eda she can do this. Eda is also chaperoning. and looks neat in a suit, while King and Gus get a wonderful b plot of mcing the dance with the egotisticl king having issues with stage fright. I will get more into that when I review the episode proper, come back in a month for that. But yeah while Luz does well when the time comes, and while sadly not wearing her otter suit does wear a wonderful tuxedo with a tutu.. she has her own repressed issues to adress as Grom takes the form of her mother, as Luz has been nursing guilt over not telling her the truth about what’s going on. Luz runs, and Amity ends up facing her fear to save her crush and the two get a wonderfully romantic, and desturctive dance together as they face hteir fear, untie as one and kill that motherfucker... well okay i’m not sure grom can die but it’s gone for now. The dance sequence.. is easily one of the best scene’s all year, beauituflly animated and painstakingly planned out, with wonderful music.. it’s just awesome and what takes the episode ove rthe top, with the two perfeclty in synch as they take grom out in less than a minute. Also king become prom king and queen, he is best of both as Luz’s own personal issues put a damper on things. Also someone’s been writing her mom.

Overall just a perfect episoe and a perfectly gay episode of one of the best shows going right now. Speaking of a perfect episode of one of the best shows going right now, tha’ts also on disney.

2. Escape From the Impossibin! (Ducktales) ”We have to keep them safe” “But not like this!” So from some emotinal torment mixed with some lovely shipping, we get a whole buttload of emotional anguish but with a robotic scrooge and the time loop room and the time loop room and the time loop room, and time l...

As I said in part 1, Season 3 is easily Ducktales best so far, having far better pacing, character ballance and bolder and more intresting stories than ever before. While the first two seasons are still excellent, this one has taken everything great and honed it and no episode shows off just how great this season is than this one. This one takes place in the fallout of “Let’s Get Dangerous!”, with the family dealing with finding out FOWL”s not only still alive, but is run by Bradford, head of scrooge’s board of directors former shush agent as we’d find out later, and asshole, who knows all their secrets. And given Scrooge is mildly paranoid on a good day and Beakly is extremley paranoid on her best day, it’s done a number on both as they’ve split the family minus launchpad, who just had a whole episode so fair enough, up: Scrooge has taken Della and Louie, wiht their see all the angels schtick, to test out his new security, while Beakly and Donald are securing the house while Beakly has webby throughly test the boys. Neither side goes well. The bin ends up locking our heroes out due to Scrooge’s password being changed, and forcing them to work past it. Louie rises to the challenge, as does della.. but as they beat a robot versoin of scrooge, because of course the final test would be a robot version of scrooge, Scrooge is instead of triumphant at not being dead, incredibly depressed and furious. Because when told he’s scrooge mcduck he tellingly replies “AND WHAT IF THAT’S NTO ENOUGH’. For once.. Scrooge is SCARED, up against someone who knows his every move and is one step ahead, iti’s how it’s always been, no matter what he’ll do, he’ll always loose and Bradford will always win. I REALLY need to watch spies are forever, point is he’s scared and Bradford PROVING the point by revealing he was behind it and taking over the robot dosen’t help. Our heroes win though in a damn impressive action sequence, but as it turns out.. it was just a distraction.. but we’llg et back to that. The other plot though is whyt his is so high. While the first plot is a fun romp with deep eomtional consequences.. the second plot is decidly far darker.. it still has some good bits as webby terorizes the boys and easily one of the best in the season when she horrifying imitates dewey, but its’ only when she does finally attack she realizes she’s taken it way toof ar. She’s terrorized her brothers, caused huey to break his leg and then turn her away when she tries to help.. all she’s done is turn them AGAINST each other and they can’t win this way. Beakly strongly disagrees and clealry lost in her own paranoia and fear, prepares to attack huey.. and thus Webby steps in... leading to one fo the most heartbreaking and tense fights in the series as grandmother and grandaughter fight one on one but both are outmatched.. but Huey and Dewey, despite everything, refuse not to help their sister and help pull webby up, with Webby panickidly realizing something’s VERY wrong and her granny usually isn’t like this when sparring... and is also chasing them. This leads to the roof, in a rainstorm no less, and Webby relcutnatnly ready to fight even though she clearly knows she both can’t win.. and dosen’t want to anymore. Despite her wilingless to scrap, fight and train.. Webby dosen’t WANT to hurt her granny she just wants to help her. Thankfully, the boys attempt to stop this, while failing horribly, catches donald’s attention as he catches them, ntocies what’s going on and furiously refuses to let this go on. While Beakly tries to ignore it and fight..s he instead slips and despite everything, the rest of the group rescue her, with Webby impressing on her grandmother that they aren’t fowl. They wont’ win acting like them and tearing each other apart.. they need to be the family they are. But if all that wasn’t enough turns out.. yeah, Bradford’s thing was a distraction and with the rest of the group distracted with Beakly, that meant his plan went off without a hitch: all the missing mysteries have been taken by FOWL, in a masterstorke that ties both plots together and brings what seemed like isolated adventures on their own in a tagnetally related plot into the fore. Everything so far has built up to this.. and despite the loss.. the family, having been through a dark night of the soul, is ready to fight back. They want the rest of the mysteries? Their going to have to fight clan mcduck in their elment. And it’s been glorious so far. A tense, well paced, hard hitting episode, this one’s a winner. and almost got #1.. ALMOST. But as much as I tried to not go with the obvious chocie, the one with tons of press and praise and that’s graced tons of best of lists... I had to go with what was honestly the best. So...

1. The View from Halfway Down (BoJack Horseman) “Oh BoJack, there is no other side. This is it. “ This episode was my main reason for catching up with the series and finishing it off once and for all. Awash with praise and hype I was curious about this one.. and my curiosity paid off. This is easily one of if not hte best episodes Bojack put out in it’s storied run: it’s creative, impossible to look away from and devistating: in short it’s the show in a nutshell.. and it’s a hell of a view.

Previously as mentioned before Bojack’s life blew up and he lost just about everything, from his friends, though as the finale bared out only one of them stayed away for good and for good reason, his only family in hollyhock, his house, even horsin around. He had nothing left.. so high on drugs and in his old house he passed out at the end of last episode.. and we wake up here with a recurring dream as Bojack has a dinner party at his mother’s house, another wonderful performance from Wendy Mallick. Everyone there is someone Bojack knew who died: his former best friend he betrayed Herb, Sarah Lynn his former child co start turned washed up 30 something he let die, Courdory, a co star who died trying to get off david caradine style, Crackerjacke, the uncle he never knew who die din the war and his parents, distant mother Beatrice as mentioned and his father, who is in the body of his hero secretariat who comited suiccide in this unvierse due to getting banned from racing, as that’s the kind of weird shit dreams do. Also Zack Braff, who has no real conncetion to bojack but still died during that time Mr Peanutbutters house sunk into the earth and his ex wife Jesscia bIel formed a death cult. The group play a game of best and worst, lay into each ohter and have some really intresting conversations with Bojack confident of when it’ll end: before the show their always mentioing. But this time, it’s diffrent.. Bojack is there for it so we get a trippy and horrifyimng stage show as Bojack watches the various people one by one vo into a black door, allt he while bojack coughts up sludge and is persued by it, unaware where he was before this. Sarah Lynn gives one last song, a reprise of a song from previous in the series, Courdroy does a ribbon dance and zack braff gets on roller skates. And bojack has a frank conversation with his dad, with his dad/secretariat revealing he DID care but was just so filled with loathing he coudlnt’ admit it to his son and thus was an abusive ass.. and then reveals to bojack he’s not waking up and bojack horryfigngly see shimself, drowning ina pool. And while he frantically, heartbreakingly tries to flee... he can’t. There’s no exit for him. As herb tells him, this isn’t the afterlife, this is his brain making sense of his last moments, and ther’es no way of knowing if he’ll get rescued, no way to do anything but watch.. watch as his father secretairat shows suicide in all it’s horror by letting it know he wouldn’t of done it if he knew “the view fro halfway down”, a horrifingly haunting poem that sells just how bad it was. As beatrice and crackerjack also go we’re down to herb who introduces bojack... before going in himself, claming there is no other side. Bojack tries not to go genle and runs, and in a horrfying sequence is surronded by the ooze as he tries his damndest to escape.. but in the end he can’t. As herb said.. he can’t do anything about this. So speaking to his min’ds version of diane he accepts he probbaly won’t be coming back and we hear a monitor as we fade out. While we know it’s not the end now... there’s no way of telling then.

The View from Halfway Down is a haunting, beatuflly animated, masterwork, taking 6 seasons worth of communinity and regret and shoving it in bojack’s face in an intresting way, while bringing back characters we thought we’d never see again for one last go round. It was patcually nice to hear LIn Manuel Miranda and Wendy Mallick again,, and Kristan Schaal is always great. The show ALWAYS had a horrifying habit of having it’s penutlimate episode be an utter gutpunch that broke you, with the finale picking up the peices and offering some hope.. and this was no exception. They literally saved the best for last, and it was worth the wait. The view from halfway down may be gahstly,.. but the view of this episode is hauntingly beautiful.

So that was the list, and it was.. a lot taking 2-3 days to finish all together over both parts. But it was worth it and hopefully we can get back to some regular stuff later today. For now, thank you for reading, and hopefully i’ll see you somewhere in the sunset.

#steven universe future #steven unvierse #the owl house #lumity #catradora #She Ra and the Princesses of Power #bojack horseman #close enough #infnity train #2020 #best of the year #animation #disney #cartoon network #hbo max #netflix #disney channel #lbgtq

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hobeymakar · 4 years ago

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Whatever Will I Be | J. Skinner

Words: 2,627

A/N: In this, COVID-19 is going on and the playoffs are currently happening in its new schedule and format

Warnings: swearing, alcohol use, mentions of sex

You wake up to the sound of footsteps bursting through the door and running to your bed, pulling on your legs.

“Mommy! Daddy! Wake up!” you hear your twin sons exclaim, as they continue to pull on your legs.

“Boys! Stop it!” Jeff groans, sitting up.

He lifts Jesse up onto the bed and Jesse takes that as an excuse to crawl over to you.

“Mommy wake up!” he whines, yanking on your arm.

“Jesse! Be gentle with Mommy!” Jeff warns, shooting him a look.

Jeremy waddles his way over to Jeff’s side and gets lifted onto the bed, as well.

“Morning, boys,” you finally say, not wanting to be attacked some more by your sons.

“Auntie Jillian is here!” they announce.

“That’s great. How about Daddy makes breakfast!” you suggest, knowing how much the boys love when Jeff makes breakfast.

“Daddycakes! Daddycakes!” the boys chant, referring to Jeff’s pancakes.

“Alright boys, Daddycakes it is,” he smiles, getting up from bed.

He puts on an old Kitchener Rangers shirt before leaving the room. He obviously checks the boys pull-ups first, making sure they didn’t pee in them overnight. That’s one of the many times you’re both thankful that the boys are potty trained and only use the pull-ups at night. They then head downstairs where they’re met with Jillian who is standing in the kitchen, typing away on her phone.

“Good morning, Jeff,” she smiles, hugging her older brother.

“Jill, what brings you here so early?” he asks, as he places the twins in their high chairs.

“I figured I could help you guys out early. I know today is a big day and I figured I could help you deal with my favorite little nephews,” she explains.

“Yeah well with these little guys, we’re gonna need all the help we can get,” he replies, getting the ingredients out of the pancakes.

“Where’s Y/N?” she asks.

You start waddling your way downstairs right after she asks.

“Speaking of the devil,” he chuckles, as you slowly make your way to the kitchen.

“Y/N!” Jillian smiles, hugging you.

“Hi, my love! It’s so good to see you!” you smile back.

“How’s my little niece or nephew doing?” she asks, placing her hands on your bump.

“He or she is alright. This pregnancy has been easier than the twins. God, that pregnancy was so exhausting, but with this little one it’s been pretty smooth,” you explain, thinking about the hell the wins put you through.

“Mommy, juice!” Jesse chants, smacking his hands against the table.

“Jesse, what do we say?” you ask, giving him a stern look.

“Pwease!” he replies, shoving a finger in his mouth.

You, Jillian, and Jeff laugh before you get both Jesse and Jeremy a juice box, since you know that Jeremy would ask for one after seeing his brother drinking one.

“So I talked to Mom and Dad and the girls and they said they should be here within the next few hours to set everything up for the party. What time is your family coming, Y/N?” she asks.

“I don’t know. They said they would get here by 2:30,” you inform her.

“Awesome because we were planning to start this thing around that time. Everyone can eat and have a good time and then at like 6 we can do the actual reveal,” she suggests.

“That sounds like a great idea, Jill!” you smile, loving the plan.

“Thank you, my love. I always have the best ideas,” she teases.

Normally, you would’ve had a bigger celebration with Jeff’s teammates and all the WAGs, as well as all your friends and extended family. The celebration would’ve also taken place in Buffalo, as Jeff would be in training camp at the moment. However, COVID-19 brought a change to all their plans, so their celebration will be in their backyard and is limited to only you and Jeff’s immediate family.

Jeff finishes making the pancakes and serves everyone. He also pours coffee for himself, you, and Jillian. You all sit and watch as the twins eat and babble, while making a mess all over themselves and their high chairs.

“Are you guys sure you’re ready for another kid?” Jillian asks, looking at how chaotic the twins are.

“If I can handle these two little terrors, I think I can handle a third child on top. Although I will take advantage of this extra time Jeff has had to help,” you explain.

“I never knew how hard it was to get these two into bed every night, until I started doing it mostly by myself while I let Y/N rest,” he confesses.

“Now you know why I would always be so tired every time you would come home after a game,” you reply.

“Best wife ever,” he smiles, kissing your forehead.

“I love our children, even though they’re so damn hyper,” you admit.

The boys start babbling about something and you both pretend like you understand exactly what they’re saying. After a while, they finish eating and you clean them up, as Jeff picks up all the dishes and puts them all in the dishwasher.

“Babe, can you give the boys a bath, please? They have syrup all over their hair and themselves,” you note, taking in how filthy the boys managed to get themselves.

“Sure babe. Come on boys, you’re both stinky! Ew!” he teases, putting his shirt over his nose.

That gets a rise out of the twins as they start to laugh uncontrollably at their father’s antics. He picks them both up and carries them upstairs.

“Is my brother ready for another kid?” Jillian, as soon as he’s upstairs.

“I know it’ll be tough once the new season starts, but he loves being a dad and I know he’ll be able to handle it,” you reply, knowing how great he is with the twins.

“Yeah, he’s pretty great with them and he’ll be even better with a daughter. Right now, you’re outnumbered by the boys in your house,” she teases.

“I mean, I would love having another boy, but having a girl would be really great, too! It would be great to not be so outnumbered too,” you tease, referring to the amount of testosterone in your house.

Jillian goes outside to start setting up for the party, while you start preparing what to make for the party. After a bit, Jeff’s other sisters show up, as well as his parents and they help set up. Jeff’s mom and two of his sisters take over in the kitchen, so that you can go get ready. You head back upstairs and take a nice warm, relaxing bath, as everyone else is busy preparing for the party.

After a while, you get out of the bath and head to your room to get dressed. You’re in your closet getting ready for the party, while your in-laws are setting up everything in the backyard. The weather has been nice in Markham recently and you’re hoping that will continue for the few days left of summer. You, Jeff, and the twins have been at your offseason home in Markham ever since the league allowed for players to travel back to their home countries.

You and Jeff had decided right away that it was best for your little family to head back to Markham instead of riding out the pandemic in Buffalo. You’re both glad you did because it’s been a long offseason, with the Sabres not making the qualifying round.

You're currently 20 weeks pregnant with your second child, after getting pregnant right after quarantine started. You thought people were lying about a quarantine baby boom, but you definitely contributed to that. You finish getting dressed with your hair and makeup done as well. You have a blue and gold dress on, which are obviously Sabres colors, while Jeff is dressed in his jersey and the twins are also dressed in their mini Skinner jerseys. You leave the room and make your way downstairs and as soon as you head outside, you hear the shouts of “Mommy!”

The twins come barreling towards you and hug your legs.

“You look so pretty, Mommy!” they exclaim.

“Thank you so much, my babies!” you smile, ruffling their curls.

Jeff then makes his way towards you and you swear you hear the air being punched out of lungs.

“Wow, babe! You look amazing,” he smiles, kissing you.

“It’s amazing how nice I clean up when I’m given some alone time away from our little terrors,” you tease, referring to your active 2 year old sons who think it’s fun to drive you both crazy.

“Well good thing my family’s all here to help, except for Ben,” he adds, referring to his only brother Ben.

Ben is currently gearing up for another season playing hockey in Germany and unfortunately couldn’t be here but he’s apparently gonna be sent the video from one of Jeff’s sisters. You greet all of Jeff’s sisters and his parents, before greeting your family as well. Everyone is talking about the bets they placed on the gender and the decorations are set up perfectly. All the treats are baby-themed and everything looks amazing for something being planned during a global pandemic. Andrea pours you a mommy-gria aka a non-alcoholic sangria and you watch the kids interact with Jeff’s family, as well as your family. Music is playing and everyone is dancing and having a good time, completely forgetting about the chao going on in the world for the moment.

The food is being served outside and everyone is eating while also trying to keep a bit of a distance from everyone, as you’re still in a global pandemic. Your family is interacting with the Skinner family nicely and times like these makes you really miss family. In the beginning of the pandemic, the lockdown made it so that you couldn’t see you and Jeff’s family, but now with the restrictions easing, you’ve been cherishing the time being spent with them.

After a while, everyone finishes eating and you head over to the driveway where the net is set up and Jeff grabs his stick in his hand. Everyone follows suit and crowds around in the driveway to get a good view of the surprise. Jennifer hands him the special puck and they all get ready to film the gender reveal.

“Are you all ready?” Jeff asks, stickhandling the puck a little.

“Yes!” they all shout in unison.

“Alright, 1-2-3!” he shouts, before shooting the puck into the empty net.

Pink smoke comes out of the puck and everyone starts shouting. Jeff hugs and kisses you as tears of joy start to roll down your cheeks.

“I love you so much, baby!” he smiles, kissing you.

“You’re gonna be the best girl dad ever!” you assure him, knowing how great he is with the twins.

Those who bet boy pay up their debts and hand all the money in a box to Jillian, who returns it to your room for safe keeping. The music turns back on and people start dancing again, while Jennifer and Andrea go back inside to grab stuff to cut the cake. After that, everyone takes turns taking pictures with you, Jeff, and the kids in front of the cake that reads “whatever will i be?” After all the pictures are taken, Jennifer and Andrea start cutting the cake, while Erica and Jillian pass the pieces of cake out to everyone. After a while, everyone has a slice and you sit down on your favorite chair while you eat your cake. Jeff is sat right beside you as the twins are on their high-chairs making a mess from eating the cake.

“Are you boys excited to have a little sister?” Jeff asks.

“Sister! Sister! Sister!” they chant over and over again, smashing the cake with their hands.

“I guess that’s a yes,” he chuckles, kissing your cheek.

You start thinking of names for your baby girl as you eat, not noticing yourself starting to zone out.

“Hello earth to Y/N!” Jeff calls out, waving his hand in front of your face.

You snap out of it and blink a few times before turning to face him. “Sorry, babe.”

“What are you thinking so hard about?” he asks.

“Just names for our baby girl,” you reply.

“Already? What names are you thinking of?” he asks.

“I like Scarlett for her first name and Jessica for her middle name,” you inform him.

“Scarlett Jessica Skinner? I like that,” he smiles, nodding his head.

“So Scarlett Jessica it is then?” you ask to make sure.

“Yes babe, Scarlett Jessica it is,” he confirms, nodding his head.

Your daughter starts moving around in your womb, clearly agreeing with the choice for her name.

“She’s moving so I guess she likes her name,” you giggle, loving the feeling of her movements.

After a while, everyone is done eating, and Jeff’s sisters help clean everything up. After a while, some of your family start leaving, bidding you, Jeff, and the kids farewell. More and more people follow suit until it’s just Jeff’s family left. They help clean up everything and bring everything inside to the house. They packaway the leftovers to take over to their houses, since you tell them that you don’t want any of it.

After everything is cleaned up, Jillian informs you and Jeff that she’ll be taking the twins home with her to watch them so that you and Jeff can have a night alone together. You both happily agree to it and Jeff goes upstairs to pack everything for the kids, while you make yourself comfortable on the couch. After what feels like forever, but it’s really 20 minutes, Jeff returns with two bags packed for the twins.

“Babe, it’s one night! They don’t need all that stuff!” you sigh, knowing that he for sure overpacked.

“I just want them to have everything they need,” he defends himself, handing Jillian the bags.

“Are you boys ready to have a sleepover with Auntie Jillian?” Jillian asks.

“Yes! Sleepover!” they chant in excitement, since they know they’ll be able to get away with everything with their Aunt.

“Alright, let’s go kiddos!” she shouts, grabbing their hands.

She bids everyone farewell and leaves the house with the kids in tow. The rest of Jeff;s family follow suit and before you know it, the house is left to just you two.

“Do you hear that babe?” you ask.

“The sweet sound of silence. God, I can’t wait to sleep in tomorrow!” he cries out in joy.

“I love the boys, but I’m sure gonna enjoy this night without them,” you add.

“I’m gonna go shower,” he informs you.

“Alright, I’ll be getting ready for bed,” you inform him.

You both go upstairs and into the bathroom. You take off your makeup and tie up your hair, while Jeff takes a shower. You then go to your room and get dressed for bed, wearing only underwear, since you won’t have to deal with children trying to get into your bed in the morning.

You then climb onto the bed and wait for him, turning on the TV and getting comfortable. After a while, he comes out of the room wearing a t-shirt and shorts. He takes in the sight of you in your underwear and he goes straight onto the bed, grabbing the remote and turning on the TV.

“Hey, I was watching that!” you protest, pretending to be mad.

“No, I know exactly what you were doing!” he responds back.

He’s right, you were trying to take advantage of the lonely night and he luckily, took the bait. Jillian is officially your favorite sister-in-law now.

#jeff skinner #buffalo sabres #hockey #nhl imagines #nhl players #jeff skinner imagine #hockey imagine #nhl writing

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mahou-furbies · 4 years ago

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It is time for

Last year the Dazzling Pink Precure were supposed to host the event but were unavailable due to being redesigned, but this time they are ready for the job!

Here is the magical girl (and related) media consumed on this blog this year:

(you can read my closing thoughts on them here)

Anime: Kaitou Tenshi Twin Angel & the 2 OVAs, Twin Angel Break, Pretear, Happy Seven, Ojamajo Doremi (started), Healin’ Good Precure (most of it that’s out now), Magia Record (also following the game news though I don’t play), Myriad Colors Phantom World, Re:Creators, Concrete Revolutio)

Movies: Fresh, DokiDoki, Happiness Charge, Go! Princess, KiraKira & Star Twinkle Precure season movies, Spring Carnival & Miracle Universe crossover movies, Magical Sisters Yoyo and Nene)

Manga: Magical Girl Site (finished), Zodiac P.I. (reread), Sugar Sugar Rune (reread), Nogi Wakaba is a Hero, Puella Magi Suzune Magica (reread), Puella Magi Tart Magica (reread), Can You Become A Magical Girl, Colourful Macchiato)

(revisits to old familiar stuff don’t qualify for an award unless I had forgotten everything about it, Doremi is ineligible since I've only seen 1/5th so far)

Unexpectedly I managed to finish quite a lot of stuff on my last year's "plans for 2020 list".

As for blog stuff, this year the Precure Chibi Project was concluded for the designs that exists so far, but obviously it will continue when more are released and I'd also like to draw some more of the civilian clothes too. But this year over 400 chibis were drawn...

Then we of course had the Precure Dress Tournament, with Cure Magical emerging as the winner. Hosting it was a lot of fun since I like graphs and numbers, as the fact that I keep a google sheet that documents the dates when I draw the chibis (it also calculates useful data such as how many percent I've finished).

(Also Megumi's heart dress should totally have won the tournament)

The Precure positivity posts were also a thing this year. Usually the franchise is bitched at here at Mahou-Furbies so I tried to say something nice about each Cure that I had seen. Which was a major struggle in some cases but hopefully they don't come across as too much damning with faint praise. I plan on writing similar posts for the Cures from the other seasons too as I watch them, but also because I managed to write an entire post about Mana without complaining I take that as justification that I get to write a huge bitchy "the flaws of the Precure franchise" post later.

And then now at the end of the year the Dazzling Pink Precure finally managed to emerge again with their new designs. I hope I'll be able to post more about them in 2021!

And now, the Mahou-Furbies 2020 magical girl awards!

Let's start with Best Henshin Design: Megumi Moka from Magia Record! I always love a good sweets theme and I can't get over how cute she is.

(Kikko from Concrete Revolutio was also a strong contender)

Best Team Design goes to Nogi Wakaba Is a Hero, I've always loved the YuYuYu henshin outfit design.

The Best Powerup Look award goes to Lala's Cancer form in the Star Twinkle Precure movie! I just really like the fresh colour palette...

Runner-up is Nagisa's MagiReco Valentine's outfit which I like for being sweets themed but I guess it's more like an alternate form than a powerup?

There weren’t that many contenders for Best Civilian Design but let’s say that since I like the casual outfits in KiraKira Precure in general, The Movie was also good at this. So let’s reward Ciel’s look, it’s nice to see a more muted colour palette in Precure every now and then!

Oh, right! Also everyone from the Star Twinkle Precure movie! Love all their outfits.

Best School Uniform is the one from Sukoyaka Middle School, from Healin' Good Precure! I like the colour palette, and the cut of the dress.

The uniforms from the Twin Angel franchise are also fun with their cherry ribbon.

Best Hair award goes to Kikko, from Concrete Revolutio! The "rectangular" cut ends are fun.

Best Magical Item is Mamika's wand from Re:Creators! There's really nothing special about it, I just think it looked nice enough with the candy cane and the heart crystal (and also not so merchandise driven since this isn't a kid show).

The Best Henshin Scene award goes to Sudachi from MagiReco! I don’t like how detailed all the body curves are drawn in the few seconds before her outfit appears, but otherwise there’s great backgrounds in this, starting from the space theme, twinkling stars, beautiful blue sky and then ending with cute hearts.

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Best Fan Creation award goes to Marighoul’s comic “First Hunt”! (read it here) It was a fun little story and the colours were amazing!

Best Relationship is Hikaru and Lala with the alien in the Star Twinkle movie! I would never have guessed that I’d enjoy Precures raising a “baby” mascot this much, but it is true! I love how much role their bond had in the story, and the conclusion was more epic than anything Precure has managed to offer elsewhere.

The Best Mascot of 2020 is... the aforementioned alien UMA! Unusual design for a girl show, doesn’t have an annoying voice or speech pattern (or in fact doesn’t talk at all), and has an interesting role in the story.

Second place is Nyatoran from Healin' Good Precure, he pairs well with Hinata and I love the scene where she records cat videos of him with her phone.

As for Best Supporting Character, this is a joke character, but I have to say Mayune from Pretear. I'm sorry I just like this kind of dumb diva characters (with the o-ho-ho laugh!) and always had a good time when she was on screen.

Discount Tuxedo Mask from the Twin Angel franchise was also fun, he had nice chaotic energy to him.

Best Visual goes to Kikko's magical effects from Concrete Revolutio! We always get the standard sparkles so I was so happy to see something different for once.

Best Audio award goes to Pretear OP! The song feels a bit dated but in a good way, this is just the kind of music I like.

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The Best Scene award goes to Healin' Good Precure attack!

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Usually in Precure I really don't care for the stock attack animation and instead just focus on the henshins, but in this one I really like the bit where the giant hands rip the element spirit out of the enemy. The music is so good in that part, and the huge hands compared to the tiny spirit feel majestic.

I also liked Re:Creators scene where the (in-story) writers create a powerup for their character by getting their audience excited about it by tweeting. It was dumb how a tweet from some ranobe author goes viral in a matter of seconds, but I still thought the scene was fun and worked well.

The Innovation Award for doing something magical girl related I haven't seen dozens of times already goes to Happy Seven! I thought it was fun how the main character wasn't on the magical girl team at all and instead was practically the Muggle friend for most of the story!

Re:creators is the runner up here with its "fictive characters show up in our world" story, but I think it could have done more with the idea, and I think Happy Seven is commendable for doing something that feels refreshing without having to be all smart and self-aware about it.

Then the Golden Mana Award for one thing that I really didn't like this year.

The questionable honour goes to Meguru's unbearable behaviour at the start of Twin Angel Break, when she keeps pushing her friendship on the blue girl who has made it very clear that she'd rather be left alone. And of course the blue girl is secretly lonely and ultimately caves in so Meguru faces no consequences for being selfish and entitled and having zero respect for other people's boundaries. Stuff like this fuels my rage at the Friendly-And-Energetic-Stock-Magical-Girl-Heroines.

For Best Character I want to pick Lala from the Star Twinkle movie but she won Best Character last year so let’s pick someone else. To be fair nobody (else) this year made me super excited, but leaving such a broad category as this completely empty would be really stupid, so the winner is Himeno, from Pretear!

She had a lot more multifaceted personality than I initially predicted, had interesting and different relationships with many different characters, and of course had many unique henshin!

And finally, Best Work of the year... I know I picked Star Twinkle as the best series last year (award has been renamed now) so this feels somehow redundant, but I still can't get over how enjoyable their film was and as you may have noticed it has been mentioned in plenty of other awards already so it deserves the spot. On principle I liked that it wasn't centered around the pink Cure for once, and additionally it was about Lala who is my favourite Cure, and also since there wasn't really a villain the plot was more interesting than the same old "bad guy wants to take over the world". Also great visuals.

And that’s it for 2020! It has been a weird year, but that didn’t really show on this blog.

Plans for 2021:

Also once I finish drawing the chibis for the Madoka girls, expect a Madoka themed character tournament in 2021!

#blog stuff #annual wrap up

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honestlyhufflepuff · 5 years ago

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Just Another Analysis of Steven’s Trauma, and How That Led to Behavior Changes:

Do you guys ever think about Steven sticking up for Peridot and wanting to give her a chance to change when nobody else did? He did the same for Lapis and Bismuth, even after they tried to kill him. He did the same for Eyeball, and for the first time it backfired, leading to him nearly being stranded in space forever. He befriended and worked with the Diamonds to restore peace and create a new order, after they imprisoned him and put him through horrible things (especially White).

In the main series, he was always relentlessly, recklessly compassionate. He was willing to bear his entire heart to every enemy.

To a degree, this is admirable. Steven accomplished things no gem ever could because of this.

However, going back and re-watching the series, it’s obvious that Steven repressing his issues and denying his own feelings has been a habit he’s developed over a long period of time. It was a coping skill he utilized more and more as the problems, responsibilities, and traumas he’s faced became too complicated to solve with a few musical numbers.

I’ve been on team “this boy needs therapy” for a long time now, but especially after the episode “Bluebird.” Future Steven never let down his guard with Bluebird. There was no attempting to sing with her or to teach her the wonders of the earth like he did with Peri. He was constantly on edge, always trying to talk himself down into thinking she wasn’t about to murder everyone. He gave her a chance to change in order to stick to the principles he still held, but his heart was never really open to trusting her. And imagine how damaging it must have been to this child clearly dealing with symptoms of trauma when it turned out his mistrust of her was justified.

Let’s break down some of the many PTSD symptoms Steven has exhibited:

1. Nightmares/flashbacks: None showed yet in SUF, but he had more than his fair share in the main series. Think about the dream with him throwing up Rose’s hair.

2. Avoidance of reminders of the trauma: He avoids any reminders of Rose, especially by hiding her painting- which has apparently been bothering him at least since “Storm in the Room” back in season 4. This has progressed to him losing control of his powers when new things about Pink are even mentioned. Just as recently as the movie, he was able to at least talk to Spinel about what Pink did, but with Volley (a completely friendly gem who wasn’t trying to kill his entire planet), he couldn’t even hear a word of it without exploding. The time skip between the movie and SUF is a few months at the most, implying that Steven is decompensating at an alarming rate. In psychology terms, decompensation is defined as a worsening of symptoms, an inability to cope with stress and change, and difficulty with normal life situations.

3. Irritability, agitation, heightened arousal, hypervigilance: Just the entire episode of “Bluebird.” Also, in “Little Homeschool” Steven goes up to help Jasper and loses his crap when she squashes a bug. That escalated pretty quickly considering Steven’s prior baseline for being patient with others. We’ve never seen Steven get that mad at her even when she was actively trying to kill him.

4. Emotional detachment: Steven used to be so skilled at getting others to be honest with their feelings, but the reason he’s “lost touch” with that is because he no longer knows how to be honest with his own. Even his most earnest attempts to help now often seem superficial, inconsiderate, manic, and rushed. This was demonstrated especially in the episode “Guidance,” in which Steven was made aware of this problem, but just because he’s aware of it does not mean he’s able to change his behavior immediately. He demonstrated the same detachment later in “Volleyball.” He has moments where he allows himself to be emotionally vulnerable, like when he admitted to the Rose Quartzes that he’s “not fine,” but later in “A Very Special Episode” he stresses that he fine although he’s clearly not (if we can include that episode as canon, that is). Recovery from ingrained behaviors like being emotionally closed off is not as linear or simple as stopping after you intellectually understand them, or learning your lesson once and for all in a single episode. Changing behaviors is more often a day to day struggle, and requires learning over and over again. Backsliding is normal, and doesn’t mean you’re not making overall progress.

5. Unwanted thoughts/feelings: Steven visibly shuts his eyes and blocks his ears to drive away unwanted thoughts. Even back in Garnet’s wedding, the chipper lyrics to the song are “There’s an awful lot of awful things we could be thinking of, but for just one day let’s only think about love.” Kind of has a dark tone in hindsight.

6. Mistrust or severe anxiety: Again, the entire episode of Bluebird, ok?

7. Self-destructive behavior: No indications of this at the time (aside from his lack of healthy personal boundaries), but if Steven’s corruption is as eminent as the fandom thinks it is, there will be soon.

8. Insomnia: Steven is often animated with bags under his eyes, and mentions to the Quartzes that he gets up pretty early.

9. Direct exposure to a traumatic event or set of events: Steven has had multiple attempts on his life. He has been abducted at least 4 times (by Jasper, Aquamarine, at the Zoo, and even one time by Ronaldo). He also witnessed his father get abducted and blamed himself. Him and his best friend were prisoners on a hostile alien planet for long enough that they were very hungry and dehydrated upon release. He has experienced identity issues due to almost everyone he knows thinking he was his mom at some point. He went from thinking his mom was a perfect, impossible ideal to live up to, to thinking she was a murderer, to learning she was a Diamond with a whole new set of messes to clean up he never anticipated.

Steven’s story is so important. His story shows that mental illness can cause even even the kindest, strongest, most patient person struggle with less kindly regarded symptoms like anger and withdrawal.

The line where Steven said he felt like he was “losing his touch” actually cut me pretty deep, because he’s comparing himself to when he was younger and being emotionally intuitive came easier. There’s this notion that things should come easier when you’re older. He’s expecting a lot of himself, figuring that there’s no reason for him to be so on edge when no one is trying to kill him anymore (which he has to constantly remind himself of). The truth is, trauma symptoms are often delayed months or even years after the incident(s) occur. Steven may never be as happy-go-lucky or as easily trusting as when he was a rolly-polly kid, but that doesn’t have to be a bad thing. Part of his healing shouldn’t be getting back to where he was, but moving forward and accepting who he is.

#watch out y'all i have a psych minor #ptsd #su meta #suf spoilers #steven universe #text post #character analysis #lizzywrites #bluebird

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dokidokivisual · 4 years ago

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Gochiusa BLOOM episode 6 impressions

Previously: 5 - 4 - 3 - 2 - 1

Oh no, we are already halfway through the season! Time sure flies fast, doesn’t it? Anyway, let’s see what the episode 6 had to offer.

The episode opens with the titular “fluffle of rabbits” (which supposedly is an actual term for a group of rabbits in parts of Northern Canada, but honestly that just sounds completely made-up. I mean rabbits don’t even live in Nothern Canada, or are they? but I digress) surrounding Sharo.

Sharo’s costume and her holding a flyer is a direct callback to a scene from season 1 episode 7 “Call me Sister” where Sharo has encountered Wildgeese while distributing fliers for Fleur du Lapin. It’s not really explained in the episode, but this time Sharo is on the job to pass out fliers as well, but is tolerating the rabbits for the sake of Chino.

The fact that rabbits (other than Tippy, Anko and Wildgeese) kind of avoid Chino is also a previously established trait, namely in season 1 episode 6, but it’s not mentioned very often. However it’s interesting to rewatch that part of season 1 episode (06:00 - 06:30 and 08:20 - 09:00), because it establishes a metaphor which is crucial for understanding the current one.

Basically the rabbits rejecting Chino symbolize her lack of sociability (called komyusho コミュ障 or “communication disorder” in Japanese). While Chino thinks that the fact that the rabbits don’t run away has to do with Sharo being present, it’s actually explained by her personal growth over the last year or so.

In fact the theme for the entire episode can be summarized as “growth”. It’s fitting that rabbits are also a symbol of growth... in numbers at least.

After the OP, the story suddenly switches to Chimame’s middle school as they decide on a natural look for their graduation photo album. It’s another reminder of the passage of time, and the fact that Chimame-tai are about to become high schoolers in a few months. But it’s still October, and at least the manga takes its sweet time to get there.

By the way this pose is similar to Chimame “victory pose” from season 1 episode 5.

Megu decides that her hair type resembles Sharo’s and decides to ask her for advice. It might be hard to notice with their usual hairstyles, but if you look at Clockwork Rabbit Sharo you can see the resemblance. Coincidentally Sharo is getting a haircut right outside her home, so Megu hides behind a fire hydrant. In the manga she hides behind the corner of a building which I guess didn’t make sense given the geometry of the location. Then again, how large is this fire hydrant that Megu can easily hide behind it?

Sharo and Chiya eventually do spot her, and start fighting over who gets to do Megu’s hair. It turns out that they both cut each other’s hair, even though they’re not particularly satisfied with the result. The point of contention seems to be them cutting the bangs in a straight line, which is called pattsun ぱっつん in Japanese. Koi has previously mentioned this concept in volume 3 chapter 2 titled “Pattun Horizon”, which was adapted as part of season 1 episode 10. In that chapter Cocoa has a sleepover with Chiya and Sharo, and gets a matching pattsun to commemorate the occasion.

By the way there is an entire character song about Sharo having her hair cut by Chiya and it’s called 空色サロン (”Sky-colored salon”). It’s a really good song from the recent Blend of Letters album so check it out.

In the end, Megu gets her hair styled by Chiya’s grandma, using the same “thing” (probably a brush) she grooms Anko with. This also includes perming her curls straight. Unfortunately we don’t get to see how it went, and the scene switches to Maya right after. By the way, this manga chapter is called “Megu loses her tornado” (メグ、トルネードを失う).

Meanwhile Maya goes to a hair accessory shop to cover up her ahoge (”idiot hair”). Rize also happens to be there (implying that she might also be preparing for a graduation album photo) and tries to help Maya. She seems to carry some sort of hair conditioner with herself, although Maya’s ahoge is too strong for it. In the end they decide to buy matching hairpins.

Even though Rize holds a yellow hairpin and Maya a purple one, the back of the packaging is identical for both and indicates yellow color (黄). This is probably a mistake. The barcode number 8/08 140 2/14 160 indicates Maya and Rize’s birthday and height respectively (similar to Aoyama’s bounty in episode 3). I wasn’t able to read the QR code but maybe it encodes something as well.

Later when Rize scolds Maya she flicks a finger at her forehead (called dekopin でこピン in Japanese) while calling her DekoMaya (でこマヤ). Rize is basically implying that Maya has a big forehead, however it only got exposed because of the hair decoration she put on.

Finally it’s Chino’s turn. Apparently Chino usually cuts her hair herself. However this time she notices Tippy looking unusually fluffy and it turns out it was Cocoa who trimmed his fur (which is normally also done by Chino). Since angora rabbits were bred for their wool, it grows very fast, so unlike most other rabbit breeds it’s necessary to regularly trim it.

Chino becomes resolved to let Cocoa cut her hair, which makes her quite surprised and happy. Like Sharo and Chiya before, Chino is willing to put her trust in Cocoa, which shows how much their relationship has progressed. Cocoa tries to imitate a hair salon beautician, in particular the phrase “kayui tokoro wa gozaimasen ka?” (”does it itch somewhere?”) seems to be a staple phrase among Japanese hair stylists. This might be how Mocha used to cut her hair back home. Chino comments that Cocoa’s hair has grown longer, however it doesn’t look much longer than in previous episodes when in manga it was obviously longer:

The theme of growing hair corresponding to growth of a person is explored here. Mocha has very long hair, and Cocoa is thinking of growing her hair just as long to overcome her sense of inferiority. However regardless of hair length, we still see Cocoa being as immature as ever. For example she offers to hit her with a pico-pico hammer (pikohan) in case she makes a mistake. This toy is commonly featured in Japanese variety shows, and even in videogames, in fact it was invented in Japan by Masudaya toy company in 1968.

As I mentioned in episode 4 review, in the manga Cocoa only finds out that Chino has decided to go to her school at the end of this chapter. In this scene Cocoa doesn’t know it yet, and Chino when asked about it says she thought about joining Megu and Maya in Sharo’s school. This causes Cocoa to inadvertently cut Chino’s hair wrong. In the anime the dialogue is changed completely, but the end result is still the same. Chino learns that it’s inappropriate to joke around in certain situations, and Cocoa learns that longer hair doesn’t necessarily make you a good oneechan.

In the end Cocoa and Chino cut each other’s hair and Takahiro reassures them they did a good job after all. In the manga this hairstyle was labeled as つるてーん (tsuruten) which I think comes from the expression つんつるてん　tsuntsuruten which is used for clothing which is too short, for example pants being so short that lower legs are exposed. Perhaps it’s implied that they cut their bangs too short and too much of forehead is exposed.

In the end we get to see Chimame-tai’s final form. Megu’s change is the most radical as she did get a straight perm after all.

Now onto part B. It’s based on the same chapter as the opening scene with rabbits and Chino, namely volume 6 chapter 4. In the manga this scene follows directly after, which explains why Sharo is still wearing Fleur uniform there.

The original bread festival happened in season 1 episode 7 and was also advertised via distribution of leaflets. Here’s the original poster for comparison:

Compared to the original poster, Rabbit House is now spelled correctly, and “Welcome come on” is now written in English. Also Tippy is now singing a weird jingle (papan-pan-pan-pan-matsuri) which brings to mind Cocoa’s bread-themed Rabbit House theme song from Sing For You as well as Cocoa’s character song パンパカパンのパンのパーティー which features “welcome come on” and I guess was inspired by Cocoa’s bread festivals.

Soon, Aoyama and Rin turn up, still chasing each other since the previous episode. However the previous episode omitted an important detail about Rin from the manga chapter, which is that she doesn’t really like coffee. In the anime it’s revealed later, but it explains why nobody seems to care about Chino’s “special blend”. In response Chino turns into delinquent mode, with Wildgeese on her head instead of Tippy.

The way Chino speaks changes too. Normally Chino always speaks in polite register, using desu and -masu verb forms at the end of the sentence. This is one of the defining characteristics of Chino since she’s the only character in the series to do this even in informal situations.

In this scene Chino switches to plain register, ending her sentence with da ze, which is a plain copula da followed by ending particle ze indicating forcefulness. This sentence ending is well known from the catchphrase yare yare da ze of Jotaro Kujo from JoJo’s Bizarre Adventure.

When Wildgeese is replaced with Anko, Chino goes into a stupor. In the end it turns out Chino was playing along, and it was another of her “pranks”. Rize comments that Chino became just like Cocoa, perhaps recalling Cocoa’s breakdown in season 2 episode 10.

The bread festival is about to begin, and Chino still seems to be upset, even though Cocoa praises her (too late). Cocoa herself also seems to be unsure of her bread’s quality (especially compared to her sister).

For some reason, Sharo is in the mood for some coffee and orders Chino’s special blend. This causes everyone else to order it too. Maybe Sharo felt bad for Chino in the earlier scene and took one for the team?

Anyway, Chino’s coffee is very pretty and features a flower made from whipped cream (for which there’s an official tutorial how to make it). I guess this ties into the theme of BLOOM, however in the manga it was also a flower and it was probably written before the season 3 title was decided.

Sharo tastes Chino’s coffee and ends up in “paradise”. You might notice, with the field of flowers and flower wreaths it also fits into the BLOOM theme.

Seeing this reaction, Rin also decides to order coffee. Rize responds with “but you said you don’t like coffee”, but she never says this in anime. Unless it was supposed to be an off-screen conversation? Anyway, Rin also enjoys Chino’s coffee, and the “warmth” she put into it. Chino, who originally had a rather cold personality takes this praise to heart.

It turns out that there were many customers other than the regular characters (which doesn’t happen often in Rabbit House). Lots of children too, who seem to particularly like Chino as has been previously established. Chino shows them how to make latte art, promising to make a “fluffy rabbit” which might be a reference to the rabbit she draws in the ED of this episode.

Cocoa also has a self-reflection moment when she decides she doesn’t have to be like her sister because Chino looks up to Cocoa anyway. Cocoa explains that can’t distinguish Chino’s blends of coffee because they’re all similarly delicious to her. Considering she misidentifies one of Chino’s blends as instant coffee in the first episode there are reasons to doubt this confession. It works on Chino though who can hardly contain her happiness.

Despite all the praise heaped on her, Chino is still not sure if she’s changed. However as she comes out to take down the signboard, a lone rabbit approaches Chino and doesn’t run away.

Under the warm sunset colors, Chino gives a “warm” welcome to the rabbit, referencing the episode’s title (though it was just one rabbit, not a “fluffle” of them) and giving a conclusion to this arc. As I explained in the beginning, the rabbit is a symbol of Chino becoming more approachable over the past few episodes. She is also now seen as a grownup by those who are smaller than her, such as children and, well, rabbits.

So that was a “growth” episode of Gochiusa BLOOM, and the next episode (which is Halloween-themed) promises to be quite important as well.

Oh, and poor Rize’s pasta... Nobody seem to have ordered or even mentioned it. I’m sure it was delicious as well. Can we get a Rize appreciation episode please?

#gochiusa #gochuumon wa usagi desu ka?#is the order a rabbit?#review

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ms-rampage · 4 years ago

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Eden’s Gate: Left Behind Chapter 16 - This Life

Warnings: Swearing, birthday sex, oral (female reciving)

Word count: 2.9k

Summary: Time flies by, John and Kate continue their relationship, Kate’s birthday and earning her degree.

Guest OCs: Paige Winchester [mentioned] Kenneth Smith [mentioned]

Guest characters: Chuck/God [mentioned], Archangel Gabriel [mentioned], Castiel [mentioned].

Note: Chapter 2 of The Mother will be posted soon!!!!!

**************************

“You’re okay. You’re okay” John says, holding Kate in his arms. Stroking her hair.

“What-what- what happened?!?” she wheezes out.

“You were dead!!” Morgan tells her.

She looks at her confused, “Maybe that's why I saw my dad” she says.

“What?!” John asks while looking at her confused.

“Your dad?” Morgan questions.

“My dad. I saw him, and I spoke with him” she tells them.

“Isn’t your dad dead?” Morgan asks, eyebrows raised.

Kate nods, “Yeah but I saw him. On the other side!”.

Morgan, and John look at each other in confusion, “You mean Heaven?!?” he asks.

“Plane of existence actually” she says, in a matter of fact tone.

“Okay, you really need to get some rest. You spent the last hour dead, and you lost way too much oxygen in that noggin of yours” Morgan says.

They help Kate stand up, and they take her to her room to lay down.

After helping her, Morgan leaves the room, leaving John and Kate alone together.

He lays next to her on the bed. He sighs, and says to her “I read that brown leathery notebook”.

She looks up at him, “What?!”.

“That notebook, the brown journal” he says, pointing to the bookshelf.

She sits up, and asks “What did you read from it?”.

He looks at her, “A little too much about you, and your family”.

Looking down at her hands, “Yep, that's my whole life, and before I was born written in that notebook by my dad”.

John gets up from the bed, grabs the notebook from the shelf, and sits back down on the bed.

“My dad wrote this before my sister was even born. Every hunt he went on with his brother, or with an old friend, or any other relative, or friend. It’s all written in here”

She flips through the pages on the book, and sees the photo of her and Paige.

“I saw that photo earlier” John says while resting his head on her shoulder.

Kate chuckles, “I think I was 2 months old? A month in a half?. Maybe?”.

“I believe so” he says and looks over at her, “Sasha”.

She looks up from the notebook, and looks over the imaginary camera in her room.

“What?!” she asks, acting like she doesn’t know what he’s talking about.

He smirks at her, “Sasha Georgia Winchester”

She looks over at him with wide eyes.

“That was supposed to be your name” he says chuckling, padding her hand.

“Where did you find that info?!?’ she asks looking away from him.

He cocks his eyebrows at her, “From the notebook of course” he says sarcastically.

“Sasha Georgia?. That name wouldn’t have suited you” he adds, sighing.

“Yeah I know. Katella Evyanna doesn’t suit me either” she says, looking down at the photo.

“Yes. It does” he says, disagreeing with her opinion, “It goes perfectly with you” he kisses the side of her head.

Kate sighs, “If I had to choose my name, or if I wanted to change it, my name would be either Jenna, Saraya, Katherine, Daenerys, or Lacey”.

“If you were my daughter I would’ve named you Allison, Samantha, or Isabella” he tells her.

Kate smiles, “If I had a daughter I would name her Daenerys, Saraya, or Arya”.

“What kind of name is Daenerys?!” he asks, mispronouncing the name. Saying it as Dee-nay-ers.

“Day-nair-es. It’s the name of a character from my favorite tv show, Game of Thrones. She has bleach blonde hair that's in beautiful well done braids, and she has 3 dragons. She’s the Mother of Dragons”

“I’ve never seen it” he says, sitting back in her bed.

“It’s a great show. I love it, season 1 of course is like watching porn” she says, making John chuckle.

“One scene some guy is getting his head cut off, and the next scene is some girl is getting fucked in the ass” she adds, laughing a little.

John chuckles again, and says in a lustful tone “What are you suggesting?” as he moves closer to her. His hand moving up her back.

“I’m suggesting” she says, moving closer to him, “That we watch Game of Thrones”.

“Or we can do something else, while that plays in the background” he says, placing his hand on her thigh.

Kate lets out a soft giggle, placing her hand over John’s, rubbing it gently.

He starts to nibble at her neck, then turns into light biting, then kissing.

Kate moans softly at this, lifting her head to give him better access.

“You know I can hear you right?!?!!” Morgan yells out from the living room.

Making John stop for a moment, and Kate lets out a loud laugh.

*******************************************

Several months later, John and Kate are still together, after everything that had happened she had Castiel wipe John’s memories of Saleos possessing him, and everything that Kate had told him about demons, ghosts and everything related to what happened.

But his memories of that can be restored if Kate, and Kate only were to bring it up to him.

It’s August 5th, and it’s also Kate’s birthday, she is now 20 years old and is 1 week away from earning her Masters of Science degree in Psychology.

There was supposed to be a graduation ceremony, but with the Cult terrorizing the town, all the students who are graduating were to be given their degrees handed to them, or mailed to their residence.

She’s surprised she was able to keep her grades up for all 8 of her classes, and managed to keep her job. All at the same time.

Especially with her personal life going into the shitter. Well more like Hell.

Her friends getting attacked by demons, her boyfriend getting possessed by a demon, forcefully being atone for her sins, exorcising the demon from her boyfriend, working cases, getting involved with a Cult, being dead for a whole hour, and meeting her dead father for the first time in her life.

Yep, that’s the life of a Winchester, and it couldn’t be any weirder. Fuck it, it can be if Chuck wanted it to be, or maybe let Gabriel make it weird for him.

To her surprise Kate got a call from her older sister Paige, whom she hadn’t heard from in months. She wished her a happy birthday, and mentioned that her and Kenneth are getting married in April of that following year.

In regards to her birthday, John wanted Kate’s birthday to be special.

He went the extra mile to make it a private ceremony/party for him and her.

Not really an extra mile, but fuck it. He loves her, and it’s her birthday and she earned her degree for being a Doctor.

Even though she doesn’t have her Doctorate Degree, and she’s technically not a Doctor yet, that's her next step.

John hired professional chefs to make them dinner, and dessert.

He surprised her with expensive gifts. Expensive clothes, jewelry, shoes, and other miscellaneous items.

After dinner, and moving on to dessert.

The chefs brought out a 3 layer red velvet cake with vanilla buttercream frosting, Kate’s favorite. She's not much of a chocolate fan.

Halfway towards the end of dessert when the chefs cleaned up and left, leaving John and Kate alone.

That’s when he gives her his birthday gift.

He lifts her up, grabbing her ass, and lays her down on the kitchen counter.

His hand creeping up her dress, the other reaching over to the cake, and grabs a piece of it.

Having her lick the frosting off his fingers. Pushing them into her mouth.

“Happy birthday darlin” he says, as she licks his fingers clean. Sucking on them.

“Thank you” she moans, as he moves his hand away from her mouth.

He undoes his pants, and slowly removes her panties. Her bare ass touching the cold kitchen counter. He lifts her dress up, and rams his cock in her tight cunt. She cries out in pleasure, arching her back up.

His hands holding her hips in place, he moves them up so he’s pinning her hands down.

Attacking her neck with kisses, and bites as he thrusts in and out of her.

He lifts her up with one arm, and unzips her red dress from behind with the other.

Slowly moving the straps down, kissing her exposed soft skin.

He removes her dress completely, dropping it to the floor, leaving her completely naked on his kitchen counter. Admiring her amazing body, licking his lips, the feral lust growing in his eyes.

John takes off his shirt, tossing it on the floor. Kissing her stomach, and curves. His fingers tracing the Lust scar on her chest.

“You’re so beautiful” he moans in between kisses, “So exquisite. You’re so perfect. You belong to me”.

His hands covering her breasts, kneading them as he moves down to her nether regions.

Her breath shaking as he kisses her inner thighs, her fingers running through his hair.

Slowly spreading her legs open, kissing her wet core. His body holding her legs open.

His beard tickling her thighs. He gives her a long, hard lick to her wetness.

Making her moan loudly, her stomach in knots.

“J-John” she whimpers.

“Hmm?” he hums as a response.

“I want you. Please” she moans, “Please touch me”.

He lifts his head up from her legs, their faces inches away from each other.

“It’s your birthday. What do you want?” he whispers into her ear. His hot breath giving her goosebumps.

“Fuck me. Please, fuck me” she begs him. Feeling her eyes getting watery.

He smirks at her, finding her pleads for him to fuck her adorable.

“Anything in particular?” he whispers in a teasing manner, while moving her hair away from her face.

“Anything” she whimpers again. Her eyes looking so innocent, pleading him to fuck her.

He chuckles, moving her hair away from her face.

“You’re gonna be sore once I’m done with you” he chuckles, his voice filled with malicious yet lustful intentions.

He pulls her closer to him. Her bare ass dragging along the cold, marble counter.

He shoves his cock in her, fucking her so hard and so fast that she felt herself piss a little.

Like he punched her in the vagina with his dick.

Immediately hitting her G-spot over, and over again.

His movements are so fast that she can barely keep up with his pace.

She couldn’t make any sounds because it took her by surprise, all she can do is look up at him, her mouth dropped open. Tears leaving her eye canals.

All of her moans, and screams trapped in her throat.

John’s grunting grows louder, and louder by the second. Not once did he slow down, he practically fucked the wind out of Kate.

She closes her eyes as he fucks her senseless, tears streaming down her face, his hands gripping her thighs move up to her chest.

His mouth latches onto her right nipple, still keeping his fast pace.

Wrapping his arms around her as his mouth plays with his nipples.

“John” she moans, her fingers tangled in his hair, “John”.

He moans in response, tugging, and sucking at her nipples.

“I love you” she moans, not realizing what she just said.

He stops, her nipple in his mouth, he lifts his head from her breasts, and moves up to face her.

Those perfect blue eyes staring down at her brown eyes.

He looks her in the eyes, and says “I love you too”.

She smiles in response, tears streaming down her cheeks, wraps her arms around his neck, and kisses him deeply.

His soft lips crashing against hers. Forcing his tongue into her mouth, wrestling with hers.

“I love you so much” he moans against her lips.

John wraps his arms around her, sitting her up on the counter.

He rests his forehead against hers, both of them out of breath.

“You love me?” he asks, breathing heavily. His arms wrapped around her.

“Yes” she responds, “I love you”.

Trying to hold back his tears, “Say it again” he whispers, voice raspy.

Kate smiles, “I love you John”. Running her hand through his beard.

Biting his lip to keep the tears from falling, “One more time”.

“I love you John Seed” she says again.

“I love you too Kate Winchester” he says, looking into her eyes.

He pulls in her for another deep passionate kiss, lifts her up off the kitchen counter, and bridal carries her upstairs to his bedroom. All while kissing her, like it was their wedding day.

He drops her onto the bed, and he immediately starts to make love to her.

Crashing his lips against hers. Desperate, and hungry for her, needing to be inside her. His hands tangled in her hair. His body pressed against hers, pinning her to the mattress.

Kate wraps her legs around his waist pulling him closer to her, begging for him to be inside her.

He pulls away, looking down at her while he thrusts in and out of her.

Watching her facial reactions as he fucks her.

He places his left hand around her throat, making sure it’s not too tight. She lets out a loud pitchy moan, “Oh John”.

Burying his face in the crook of her neck, biting at it.

Moaning into her ear, “You were made for me. Your body knows how much you want me. Only I can make you feel this way, only I can make you feel this good”.

Moaning loudly into her ear, his breath giving her goosebumps.

Kate feels his cock twitch inside her, and she prepares herself for his ejecutlation in her.

He stops, slowly pulls out of her and sits on her chest. His knees on either side of her head.

His dick right in her face, just barely touching her nose.

She immediately knows what he wants, and she wants to hear him say it.

“You did a great job before” he says, biting his lip, "You know what to do".

She takes a look at his cock, it's hard, pre-cum dripping out, and well trimmed like he planned all of this.

Taking all of him in her mouth, his right hand holding her head. He lets out a loud raspy moan, thrusting himself in her mouth.

Pulling her head forward, making sure to get every inch of himself in her mouth.

Making her gag. His raspy moaning echoing off the walls as Kate sucks, and swirls her tongue around his cock.

The tip reaching back of her throat, making her gag once again.

He hisses as her tongue sucks along the vein.

Her hands creep down from his sides down to his balls.

Moaning her name several times in less than a minute that's how she knows he’s close.

Rocking his hips forward, fucking her throat.

She feels his cock twitch against her tongue as she sucks on it, and he holds her head in place.

Releasing his load into her mouth, down her throat.

He pulls himself out of her mouth, leaving drips of cum on her chin and chest.

“Since it’s your birthday” he pants, looking down at her all sweaty, out of breath, and God she finds it so fucking hot.

Moving his wet hair away from his sweaty face.

The sweat shining off his toned, tatted and scarred up body.

“On your hands and knees” he orders her.

Kate does as she's told, and lays on her stomach with her ass in the air.

John positions himself behind her. Normally he would finger her, stretch her out a little but he wants her now, and doesn’t have the patience to tease her. His cock brushing her wet entrance.

He forces his cock into her tight cunt, digging his nails into her hips.

She cries out, moaning loudly at his sudden penetration.

“Ohh darlin you’re so tight” he moans, picking up the pace.

His cock deep inside her. Making her scream, moan and beg for him.

“John, fuck, John” she cries out, “Fuck me, shit fuck me”.

This is how John imagined it. How he imagined life with Kate.

Her being his wife, the mother to his kids. Seeing this view whenever they have sex.

The sight before him, Kate on her hands and knees with his cock buried deep inside her pussy, made him fuck her even harder.

His faster, harder pace makes Kate go into tears.

“Fuck, fuck” he grunts as his movements speed up. His nails digging into her flesh.

Joseph was right. He was right about everything. He didn’t want to lose Kate, he loves her, and she loves him.

They were meant to be together, when the Collapse happens everything will be in motion.

That’s when they make the next generation of the Winchester, Seed family.

Going to the gates of Eden with Kate as his wife, and their children.

Lost in his thoughts, Kate cumming on his cock, and her loud moaning snaps him back into reality.

“John, John” she cries. A moaning sweaty mess underneath him.

“Good girl” he moans while rocking her hips against his.

She collapses on her side, John lays next to her. Holding her close in his arms.

“Best birthday ever” she says out of breath, before falling asleep.

He chuckles, and kisses her temple.

Falls asleep with her in his arms. Holding her close to him.

#far cry 5 #john seed #kate winchester #fc5 john seed #my oc kate winchester #my writings #my ocs #the seed family #fc5 #my oc morgan costello #john seed x kate winchester #john seed x oc #john seed x oc kate winchester #my far cry 5 ocs #joseph seed #my crossovers #my crossover shit #supernatural references #spn reference

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lifeinahole27 · 5 years ago

Text

CS ff: “Walking the Tightrope” (Chapter 6/10) (au)

Summary: Killian’s daily routines are a matter of habit. When he wakes up late one morning, his routines all change for the better. Emma doesn’t care about routines, but she does care about Killian, no matter how reluctant she is to admit it to herself.

Rating: E (much later in the story)

Content Warnings: Maybe some strong language. Attempts at sexual situations. I did mention this was a slow burn, right? Like. Super slow burn.

A Special Thank You: My continued gratitude to my lovely friends, @captainstudmuffin and @phiralovesloki. And a heap of love to @captainswanbigbang for putting this together and helping me accomplish this.

Find it on Ao3 & FFN!

-x-

Chapter 6: Softening the Edges

November 2: Saturday

The last time Emma remembers going on a date, it was with Walsh - and while she has a feeling Killian would appreciate the LBD with a leather twist that she still owns, she’d rather not wear something that has a memory of that asshole attached.

All of the other dresses she owns are tight and short, which worked a lot better for picking up one-night-stands. None of those dresses are going to be the right ones, either, which is why they’re all still in the back of her closet.

Instead, she’s looking at the choices hanging in front of her that she unpacked while on the phone with Killian last night. One was an impulse buy from this past spring, and the other two are loaners from Ruby and Snow.

It’s noon, and there are hours to go before the date, but Emma wants this to be perfect so she diligently takes each dress off the hanger, slipping it on and assessing each option carefully before moving on to the next.

Her timer goes off, letting her know it’s time to retrieve her laundry. Normally, all she wants to do on a Saturday is lounge around, but nerves have her going strong right now. She also wants the loft to be spotless. Just in case she has a visitor tonight, but that’s not something she’s anticipating, so to speak, but it could be.

The way her stomach flips tells her exactly how big of a deal that actually feels like.

Instead of dwelling on the hopeful way he invited her in for hot chocolate on Halloween, Emma focuses on her tasks. She switches out the clothes before going back to try on the last two dresses.

It’s between a black one that Ruby lent her and a pink one she bought online, and it’s not until the latter is on her body that she decides it’s the one. It’s soft and almost fluid, and she takes a moment to turn back and forth to feel the skirts brush against her thighs. She stands in front of her mirror admiring the picture it all makes, so unlike how she dresses for work or even for a night on the town.

Off it goes and back on the hanger, and Emma makes sure to set out the rest of what she’ll wear, finding the perfect heels to go with it before heading downstairs to clean her bathroom.

She’s never been one for following a specific routine other than necessities, but Emma goes through her process later when she’s getting ready. It’s maybe the only time she cares about being orderly, stashing all her makeup back away when she’s finished with another whisper to herself that it’s better to be safe.

Killian texted and said he’d be there at six-thirty, and she’s just fixed the backing on her second earring when the knock comes.

Shaking out her hands one last time, Emma swings open the door for Killian, and immediately all thoughts simple and pure fly out the window.

Suits and ties, she’s used to. Even the waistcoats. But this look is somehow familiar yet completely new. No thoughts of offices and editors come to mind when she looks at the total picture that the black jeans and leather vest gives off. She's tempted to invite him in now, but she’s hungry and has no intention of turning Killian into one of her really bad statistics.

Killian, meanwhile, has a look on his face that she’ll be replaying for as long as she lives. His eyes scan her from top to bottom, not in a sexual way but in stunned surprise. And yeah, because he’s used to seeing her in jeans and a leather jacket, she doesn’t blame him for the expression on his face. He finally picks his jaw up off the floor and looks her in the eye again.

“You look stunning, Swan,” he says, the words slow to come out as he takes in her appearance. Good to know she’s knocked him off balance, as well.

“You look…” she trails off, not even knowing how to sum it up, but he saves her the trouble.

“I know,” he says, a little smug but mostly matter-of-fact.

Her laugh is a quick exhalation, her lips turning up into a smirk before he holds out a single rose for her. It’s a small gesture, but it’s still better than any other man has done for her on a first date. Really, on any dates at all.

“Let me pop this in water and we’ll go,” she tells him, moving quickly to the kitchen to find a vase.

It’s only once outside that she realizes just how cold it is, and she’s glad she wore her wool coat but momentarily regrets the lack of hat. It would’ve ruined her hair but at least her ears would be warm.

“I hope you weren’t lying about trusting me,” Killian says as he guides her to an SUV that’s idling against the curb.

“What’s this?”

“Robin let me borrow his vehicle for the evening. He’s been helping me get used to American driving. Might be a different side of the road but I think we’ll be all right.” He opens the door for her and waits until she’s settled before closing it again. When he climbs in and closes his own door he turns to her for a moment. “I also hope a diligent law officer can turn a blind eye for the sake of a date, since I haven’t gotten my license just yet.”

“Knew there had to be a catch,” she jokes, patting his arm comfortingly. “I won’t tell if you won’t.”

It’s been years since she’s gone to Tony’s, and never has it been with a man she was seeing. The last time she was here, it was with Ruby and Snow because they wanted to dress up and feel fancy for a night while also consuming their combined weight in pasta.

Killian hastens to pull out her chair for her, smiling as he shrugs out of his jacket and drapes it over the back of his chair before settling in across from her.

“No sad back stories,” Emma says as soon as their waiter walks away. “No prior relationships. Anything else is fair game.”

“You don’t waste any time, do you?”

“Not really. I like you. And I’m scared and excited to be on a date again for the first time in a very long time. And I don’t want to fuck that up by rambling about how shit my luck was before I made it to where I am now.” It takes a lot of effort not to wring her hands together, even as they’re sitting in her lap. No nerves, no tension. Just enjoy a date.

“Fair point. First, let me ask your favorite type of wine,” he says, handing her the menu to consider.

“Most reds, but not tonight.”

“Afraid you’ll find me even more irresistible?” he asks, leaning back and doing something sinful with his eyebrows when he looks at her. He’s tempting… so very tempting.

“No,” she says after a moment to collect herself. “I like first dates. And I’d rather not be all cloudy by the time my dinner arrives.”

His smile turns to something pure and happy. “No wine, then.” He waits until the waiter has taken their orders before speaking again. “What’s your favorite thing about Storybrooke?”

“That we have actual seasons here. Not like in Florida where it was just hot and humid until it wasn’t, with a smattering of hurricanes.”

“Or England where there’s maybe forty-five days when the sun shines.”

“You get the point on that one,” Emma tells him. “Why did you decide to move here?”

There’s a few emotions that cross Killian’s face all at once, and she knows without needing the explanation. Will did say it was a story for the man himself. “Okay, we’ll save that for another time, too.”

“I was genuinely surprised that a publishing company wanted to set up an office here in Storybrooke,” Emma says, realizing she’s never asked why.

“Robin prefers forests of trees over concrete jungles,” Killian explains. “There is a central office with a lot more people in New York City, but he only goes down when he has to and we utilize a lot of video conferences for everything else.”

“That’s a lot of distance for just some editing and such, isn’t it?”

“It’s more than just that, love. Robin’s looking to start up workshops and clinics for his signed authors. He’s been hosting a fellowship for new authors for a week at a time at a cabin he owns up on the edge of the town as well. If you ask him, this place has a natural fount of creative powers just waiting to be tapped into. That’s kind of how Henry happened.”

“What do you mean?”

“He was on vacation about a year ago with his parents… well, foster parents. They said as soon as he sat down in the room that he whipped out his pen and paper. By the time they got back from going to grab dinner downstairs at Granny’s, he had just about finished the first chapter. Worked out a deal to buy him a laptop for some chores.”

“That’s amazing. Do they come with him for his meetings with you?”

“Well,” Killian starts, and his face falls. Before the words are out of his mouth, she knows what he’s going to say. “He’s not with that family anymore. That couple did everything they could to try to make up for the fact that they had to move and not take him with them, so he has his own laptop, we communicate with him via an iPod, and he has a suitcase that he protects with his life. But his current situation is... not as ideal.”

Emma swallows hard, a bubble of emotion getting lodged in her throat. “I can imagine how much that must hurt for him.”

“He’s been in higher spirits since his new foster parents started letting him travel on his own. He’s just turned sixteen and he’s fiercely independent, so he loves to take the train from Portland by himself and make his way up the coast for a weekend, even if it’s just a few hours away.”

“Sometimes even just a few hours can feel like a whole different country.”

“I gather you’ve lived in a few places if that’s the way you feel.”

“I didn’t really live in Boston. But sometimes going down there to visit was like going to the far reaches of the Earth. Tallahassee was too far, when it came down to it, so I’ve mostly lived here in Storybrooke with a few exceptions.”

“Where you’ve followed the family business to be a police officer.”

“Correct. Have a shiny degree with my name on it and everything. It’s just from an online degree program, but…”

She’s surprised when Killian reaches across the table to touch her hand. “Online degrees are just as valid and important as ones earned in person at a university.”

There’s something about the way he says it - Emma is positive that he’s giving the affirmation to both of them - but she pushes past wanting to ask him about it and instead flips her hand around to briefly link her fingers with his. “You’re right. They are. And I’m proud of mine.”

“But you refuse to wear a uniform?”

The urge to shudder crawls up her spine but she controls that, as well. “Hate the things. Way too unflattering, way too uncomfortable. Besides, David decided we didn’t really need them since it’s such a small department. As long as we don’t come in wearing sweatpants, he’s okay with it.”

“Do you enjoy it?”

“Yeah,” Emma says, almost immediately. “There was a time when I was younger that I was sure I wouldn’t, but I do now. By the way, Regina approved our budget for upgrades. I’m sitting down on Monday and just going to town online shopping for all the things we need. I’m pretty sure I’ll be able to get everything we want and still have some left over.”

“That’s fantastic,” he exclaims, looking genuinely happy for her. She’s so unused to this kind of support and attention, but she’s certainly not going to complain.

When their food arrives, they slow down a little bit but not by much. Back and forth they ask and answer, between bites of food and avoidance of the hard stuff - both in liquor and life experiences. There’s plenty to be talked about there: Emma has a metric ton of shit in her history and she knows she’ll have to talk about it eventually, but eventually isn’t today. By the time they’ve ordered dessert, she’s more relaxed than she’s ever felt on a date before. They only ordered one of the delectable selections, something that’s ice cream and delicious and not the standard tiramisu. As the check arrives, Killian reaches for his wallet and Emma grabs for her purse. At that, his eyebrow pops up.

“I’ve never been on a date with a woman who pulled out her wallet at the end,” he admits. “Would you prefer to split or would it be okay if I paid for the both of us?”

“I’ve never been on a date with a man who asked,” Emma says, gesturing for him to go on as she tucks her handbag away again. “Did you have a choice to work in NYC when you moved here?” Even though they talked about the Storybrooke location earlier, she realizes she never asked him that.

“No. Robin specifically hired me to be a junior editor in this office.”

“Would you have preferred to work there instead of here?”

“Not at all,” Killian says without even a second of hesitation. The quickness surprises her, just like so much constantly does with him. “I was working in London and living right on the outskirts of the city when I applied for this position. I’d had enough of bustling and tourism and noise. When Robin told me I’d be moving to a town in Maine that had a population of less than ten thousand, it felt like the right move. And now that I’m settling in, I know I’ve made the right choice.”

“I may be biased, but I think you did, too.”

With the bill all settled, they exit the restaurant into the cool night air, with Emma’s hand tangled with Killian’s. She noticed that the patrons all glanced as they came and went, but Emma hopes that she and Killian are yesterday’s news before too long. It’s probably the only downside to this small town that they all feel the need to gossip like wildfire.

He opens the car door for her again, letting his fingers trail across hers as he releases her hand and sends little shocks of heat along her skin.

Killian walks her all the way to her door, his thumb gently rubbing against hers as they climb the stairs. She turns when they get to her door, slipping a little bit into his personal space.

“Well, not bad,” she says, reaching down and taking his hand and hook in her hands. “You managed to make me forget that I’ve spent the last three days trying to get oil spots out of my jeans thanks to an unfortunate call to Billy’s shop the other day.”

“That’s an easy, three-step process if you’d like my assistance.”

“In that case, wanna come in for some coffee and stain removal?”

He hums, stepping forward so they’re toe-to-toe, their noses brushing as she’s just at the same height with her heels on. When he speaks, his breath tickles her lips and she frees up her hands in favor of running them up the lapels of his jacket to rest on his shoulders.

“Aye, but first, I’ve been waiting to do this all night,” he tells her, his voice low and husky and everything she wants to hear right now.

Then his lips are on hers and she’s perfectly fine with not hearing his voice because she’d rather be doing this anyway. Carefully, without breaking the kiss, she inches backwards until she can lean on the door, pulling Killian against her and letting all her thoughts leave for the moment. She doesn’t put out on the first date, but that doesn’t mean they can’t do anything else, right? His grip on her hip feels as tense as she is, and she finally stops so she can get her door unlocked.

When it swings open, however, her apartment isn’t dark and empty like she left it, and she jolts away from Killian in surprise at Snow propped on her breakfast bar and David standing behind her counter.

“Hey! We weren’t sure when… oh!”

Clearly, the other couple hadn’t expected Killian to still be attached to Emma when they hatched a plan to come see how it went instead of waiting until the next day. Emma glances at Killian to see the amused smile on his face. She also sees that this is where the train stops tonight, and she sighs.

“Give us a second,” Emma says to her family as she crowds Killian back into the hallway for some semblance of privacy; she knows how thin her door is. “Do you still want to come in and have coffee? Probably get the concerned-father speech from David?”

“I suppose we’ll just have to wait until next time for all of that,” he says, definitely not unkindly but there’s a hint of disappointment that this is where their evening ends, and she knows the feeling.

“Next time, huh? I don’t remember asking.”

“That’s because it’s my turn,” he tells her, his voice light and playful. Just as quickly, he gets a serious look in his eyes and she’s not sure a marching band coming out of her apartment would tear her attention away from him. “Will you go out with me again?”

His eyes are so sincere, his expression hopeful and patient and of course she’s going to go out with him again. She steps forward, deciding that actions are better than words right now, kissing him softly but solidly, making sure it teeters right on the edge of the heat they were producing just a few minutes ago.

She can’t get over the way he holds her, the way his arms come around her and mold her against his body. That paired with the way he kisses her back, the low rumble he makes when her hand comes up to brush against his cheek before sliding into his hair, she almost gets lost to the sensations all over again, Snow and David be damned.

With effort, Emma pulls back the tiniest bit, trying to catch her breath more at the way he leans his forehead against hers than the kiss itself at this point.

“Okay,” she breathes out. “Goodnight Killian.”

“Goodnight,” he replies, his voice sounding equally unsteady.

She looks back at him one more time, biting her lower lip at the mirrored look on his face.

“I need to get the locks changed,” she mutters as she opens the door to her apartment again. “So, let’s talk about how you guys broke into my apartment tonight!”

-x-

Listening to Emma re-greet David and Snow makes Killian chuckle for a moment, and he takes a big breath as he settles his blood again. This woman is already so far under his skin that it’s hard to believe it’s only been a few months since they first spoke to one another.

He has Robin’s car until morning, so it’s a quick, warm drive home. When he steps inside, Killian closes the door and locks it behind him, turning on light after light as he walks through the rooms that he’s inhabited for almost five months. He’s restless, only because he’s already looking forward to the next moment he gets to see Emma, and as his eyes land on various boxes and empty corners, he decides to use this momentum to finish what he started the day before.

After changing out of his clothes and into a pair of sweatpants and a t-shirt, Killian retrieves his box cutter from the kitchen from his last unpacking adventure and starts with his office.

It’s more than past time for him to officially make this place his home.

-x- November 4: Monday

It takes effort for Killian to crawl out of bed on Monday. It’s probably the first time in as long as he can remember that he doesn’t bounce right out of bed as soon as his eyes are open. That excludes times he’s been sick, of course. He’s only human. But he’s not sick today. He’s tired. Downright exhausted, and with every right to be so. When he finally drags his eyes open, he looks around the room at all he accomplished. Gone are the barren walls and empty hangers. Every single piece of clothing he owns is now tidily put into its place. Trudging through his morning routine, Killian still manages to smile wide when he opens his closet to the wide array of clothes all readily available.

He’s nearly ready when he hears the horn outside, and he smiles with the knowledge that Emma is out there waiting for him. With careful movements, he pours the two mugs of coffee from his pot and rinses it out, making sure it’s turned off before heading out.

They’ve got a good deal starting, as far as he can tell. She brings the car, he brings the caffeine, and it’s almost as good as their walks.

He rushes to the car through the morning chill, happy to at least have his scarf and hat in place. She pushes the door open from her side when she sees he’s laden with coffee mugs pressed against his chest with the help of his left arm.

“Hi! You found some winter weather gear!”

“Aye, finally got around to a lot of things I’ve been meaning to work on,” he tells her as he settles in, shutting the door firmly against a cold blast of wind. “Brought you coffee.”

“Thanks,” she says, grabbing the mug from him and taking a sip. She reaches over, almost without thought and squeezes his wrist to emphasize her words.

Their banter on the way to his office is as it always is, but when she stops in front of NeverEndings, there’s care in the way she leans towards him. He meets her halfway, sighing into the simplicity of the kiss and wishing he could dawdle and kiss her in her car all day.

“I have my lunch hour totally free today,” she tells him when they finally do part. “Want me to swing by?”

“I have a meeting with Henry this morning. I’m not quite sure how long it’ll go, but stop in and we’ll see?”

She smiles and nods, waving once as he climbs from the car and shuts the door.

By the time Emma shows up at noon, he very clearly needs the respite. Henry is looking similarly worn down, obvious by the way the teenager is slumped in his chair, fiddling with a fidget cube that Killian keeps by his monitor for moments of extreme stress. That’s how Emma finds them, with Killian fighting off a yawn as he stares at his computer screen and Henry teetering on death by boredom.

“Whoa. Are you guys working or just slowly melting into your seats here?”

“I’m melting,” Henry says without moving anything that isn’t absolutely necessary.

“I’m working,” Killian adds, sitting up and stretching his neck to release the knots that are dying to form along his spine. “Darling, I’ve got just three more pages left on these edits. I’m so sorry. Would you like to stick around until we’ve finished?”

“Are you his girlfriend?”

Killian sputters for a second, unsure of how to introduce them in this situation.

“I’m Emma,” she says, saving him from anything else. “So, Killian tells me you come up for vacations?” After shifting around a couple items, Emma makes herself comfortable by perching on the edge of the desk.

“I did, back when…” Henry trails off, and Killian can see from this angle that Emma’s face falls into something that borders on understanding. He knows that she was raised by David’s mother, but he also knows that she uses a different surname than the Nolan household, so maybe there’s a kinship that he wasn’t even anticipating between them.

As they get lost in conversation, Killian desperately wants to keep paying attention, to absorb in the information that she hasn’t yet divulged to him, but the edits call back to him and before he knows it, he’s lost to the words in front of him once more.

Far longer than he would’ve liked to spend on it, he’s finally at the end of the passage and he saves the file with a noise of victory.

“Alright, lad. We’ve got it. That’s the whole thing with edits and comments now done.”

“Really?”

“Aye. The next part is all up to you. We’ll get a look at your schedule and set up another meeting in the middle of the month if you think you can handle that.”

The boy scoffs, accepting the folder and thumb drive that Killian hands over to him. “I can practically make these changes with my eyes closed at this point.”

“Yeah, yeah. Safe travels back to the city.”

With a final wave, Henry exits his office and Killian slumps down in his chair, peering around his monitor as Emma relaxes back in the chair that Henry just vacated.

“Thanks for your patience, love. How’s your day going?”

“Better than yours, it seems. I texted Ruby and she’ll have lunch waiting for us. You ready?”

“Would you carry me there?”

Emma laughs, music to his ears, and he hauls himself from his chair, taking her hand when she offers it.

Killian’s own lunches don’t usually last very long, but he feels he’s earned the right to relax for a little bit since the first round of edits is officially done, and his “quick” morning meeting just went two hours over his proposed time slot for it.

It’s not the end of the job, of course. There will still be more edits after Henry comes back with his changes. But that’s in two weeks, and until that time, Killian can start worrying about everything else with the book.

Not only are there design aspects to be considered, but they’ll have the company Christmas party in New York next month, which will act as some kind of debut for Henry. It’s the one time every year that all the employees and authors come together. In England, they’ll be hosting their own version of the event, but over here, it’s a chance to celebrate the creativity that’s come out of the whole year and for Robin to announce everything they’ll look forward to in the one to come.

While he always has an outfit ready for the black tie event, he’ll also be in charge of making sure Henry is taken care of. He’ll have to ask the lad whether he has a suitable outfit. Despite being the editor for such young talent, Killian’s primary anxiety rests over getting everything done and in a timely fashion. He decided after their first meeting that Henry was more mature than a good deal of the grown men and women he’s worked with before, but in the eyes of the world, he’s still a child, and he wants them all to see Henry like he does.

After the party will be the actual book release, and the press for it. And then there’s the worry over its success or failure, of course...

“Hey, Killian.”

“Hmm?”

Emma pulls him down for a quick kiss right on the lips. “You’ve gotta let your brain rest for a couple minutes. Coffee?”

He looks around, having missed the whole walk over to Granny’s, apparently. He sighs, letting Emma lead them up the path to the diner. “Yes, that would be helpful.”

“I might be wrong, but I feel like you’re freaking out a little bit.”

“You’re not wrong,” he admits to her. “I just want everything to be perfect. He’s so talented, but he’s young. And one wrong step could mean the book goes nowhere.”

“I don’t think you’re going to let that happen,” she says as she sheds her coat and gloves, setting them on the seat on her side of the booth before she slides in.

Their food and drinks are placed in front of them almost as soon as they’re settled in, and Ruby gives them both a signature smile before she zips away from the table to tend to the rest of the lunch rush.

“Told you I gave her the heads up,” Emma says, smiling at him and nodding to his food. “Dig in. How long until you have to be back?”

“I have a meeting with Robin at 2:30 to go over our progress from today,” Killian tells her, glancing at his watch and seeing that Emma’s hour is already almost up. “You want to get a box for that?”

“Nah. I already texted David and told him I would be back later than usual.”

“You’re simply a marvel, Swan. Thank you.”

“You’re welcome,” she says, smiling and propping her hand under her chin and getting comfortable with her hot chocolate, clearly settling in for some quality time.

-x-

It’s weird, Emma thinks, to be the source of comfort for someone. But judging by the way Killian relaxes almost as soon as she reassures him that he’s not going to fuck up is a pretty clear indication that he’s taken the words to heart. What’s weirder is that she likes the feeling, a lot, and wants to keep being able to do this for him whenever he needs it.

“Tell me something new today,” she urges, using the moment to take a bite of her food before he can turn it around on her. She watches carefully as he gulps, clearly already knowing what he wants to say but maybe afraid to speak the words.

“Promise you won’t let it scare you off?”

“I can try,” she says honestly, but there’s no fear sparking in her stomach, no panic in her lungs.

“Seeing you for the first time was the moment I finally felt like I was really here - that I’d really moved to a whole new country and started a brand new job. Your hair was down. It caught the sunlight first, and then your badge did. I couldn’t get over how you looked ethereal and yet so solidly real, and you were staring at me as if you were waiting for me.”

It’s her turn to swallow hard, hearing his admission, and knowing that the day he first saw her, she was waiting for him.

“Wow,” she finally manages. She picks at her forgotten food, the blush rising to her cheeks and the smile unable to be contained.

“I’ve been told I could write romance novels,” he says, and it’s the seriousness of his tone mixed with the smile in his eyes that finally makes Emma grin as it calms her nerves.

“I’d buy them,” she admits.

“I could write about a hapless Brit learning all about American culture from some blonde goddess in a red leather jacket.”

“And what adventures would they go on, Killian?”

“Epic battles, Swan. They couldn’t have just any boring old story. They would need action, fighting to find each other after being separated, and when it’s all said and done they would share True Love’s Kiss and she would turn him into a frog.” She is so obviously distracted by the way his hand has reached across the table and his fingers are rubbing over her knuckles, the deep timbre of his voice, that she almost misses the last part, but she hears it, and she chortles at the picture he’s painted.

She takes a deep breath, prepared to share something of her own. “I didn’t want to date you,” she admits. It’s like an anvil dropped in the middle of the table but if he just admitted all of that to her, maybe she can meet him halfway.

His face falls, and she hurries to continue.

“Not like that,” she says reassuringly, giving his hand a squeeze to emphasize. “I had this idea that you would just be this stranger I passed on the street every day and that would be enough. And then we started talking and I thought - okay, this is cool. We can be friends.” She laughs even thinking of it, at the sheer absurdity that she was so sure there would be nothing between them.

“You started it,” he says. “You kissed me first.”

“Yeah? So let’s talk about setting up that second date.”

“Well, I’ve finally finished moving into my flat, so I think it would be nice to have someone over to see it without towers of boxes invading each room.”

“I think that sounds like a good plan.”

There’s a thought that flashes through her mind that adds together one part Killian, one part dinner, one part alone, and it takes her a moment to pull her mind from the gutter once more. Especially when she thinks of how they were interrupted before he could come inside after their first date.

But more than for anything like that, Emma thinks about how nice it’ll be to have something closer to a quiet night - there won’t be any townspeople staring at them and taking notes to pass around to all their friends. No one will take notice of them leaving and speculate about what’s about to happen next. Plus, the idea of Killian cooking is quite appealing.

“Saturday?” she asks before they part ways after lunch is over.

“Saturday sounds perfect,” he reassures her. And while she’s already excited for it, she also knows they have a whole week of little moments like this to look forward to.

-x-

Chapter 7

#cs ff #cs ff au #captain swan #captain swan ff #sarah writes ff #csrt

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teababe27 · 4 years ago

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Notes From the 2020 Myanimelist.net Challenges - Part 1: Anime

You don’t need me to remind you how much 2020 sucked. It was definitely a hard year for me as well, especially since health problems (fuck cancer) pretty much kept me on the couch, in the hospital, and out of work for 6.5 months out of the year. Add to that the current events, almost daily anxiety attacks regarding the current events, and my main escapes being cancelled, 2020 was definitely a rough one.

That being said, when I was more cognizant and not suffering from executive dysfunction, I did watch some pretty good anime this year.

I will now continue with my yearly post about some of the anime I watched and manga I read for this challenge, starting with the anime side. While I didn’t finish the challenge by the site’s deadline, I finished before the end of the year, which was better than last year’s attempt!!!

Like the previous 2 years, I will talk about some honorable mentions/anime I had thoughts on, followed by my favorites from the challenge.

Let’s do this.

Honorable Mentions/Other Notables:

Inferno Cop - completed for the task “Watch an ONA”

Inferno Cop is, well, a cop, whose family was murdered by the organization Southern Cross. Now, he is tasked with fighting that organization and keeping the peace in the city of Jack Knife Edge Town.

My reaction to watching this anime was pretty much this:

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This anime was honestly kinda funny. I’m usually not into the stuff that’s bad/over the top on purpose (I guess they would call it Stylistic Suck), but this anime made me laugh really hard at points. I feel like it also helped that each episode was about 4 minutes each.

My favorite part was honestly this:

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Believe it or not, it makes just as much sense in context.

There are definitely worse ways to kill an hour.

Strawberry Marshmallow (aka Ichigo Mashimaro) - completed for the task “Watch any anime recommended to your Favorite Anime”

The slice-of-life adventures of 6th-grader Chika, her friend and classmate Miu, 5th grader Matsuri, British transfer student Anna (who transfers to Matsuri’s class), and Chika’s college-age sister Nobue. Hijinks ensue, usually initiated by Miu.

This was recommended to me because one of my favorite anime listed on my Myanimelist profile is Azumanga Daioh. I feel like this one is a little more hyper (if that makes any sense, it’s honestly the only word I can think of for this), but still fun and not a far-off comparison.

Pretty much your basic Cute Girls Doing Cute Things anime with some zany hijinks thrown in. It was cute and funny, though I feel like this is one you have to be in the mood for, similar to when I watched The Irresponsible Captain Tylor for last year’s challenge. I still had fun with it and it made me smile. The last episode was actually pretty heartwarming, and the fact that I watched it on Christmas Day was a cool coincidence.

Canaan - completed for the task “ Watch an anime that began airing the same year you joined MAL” (2009, in this case)

Maria Osawa, a photographer, is on an assignment in Shanghai with her colleague, Mino. They end up in the middle of a conspiracy involving a mysterious virus, a deadly terrorist attack, rival assassins, and a white-haired lady named Canaan, who Maria apparently knows.

This anime actually came up for multiple tasks in the challenge, so I pretty much had to watch this one, lol.

This anime was a bit dark at certain points. There was a bit of an interesting mystery, as well as pretty good action scenes, especially the fights between Caanan and Alphard, the main rival assassin. I honestly ship Maria and Canaan; I wish the anime just came out and had them get together, because some of their dialogue can get a little gay-baity at times, but it was still precious. Some lapses in logic and artistic liberties, but still pretty good.

Ginban Kaleidoscope (aka Skating Rink Kaleidoscope) - completed for the task “Watch an anime generated randomly using spin.moe”

Tazusa Sakurano is a figure skater who dreams of going to the Olympics. After a fall on the ice where she hits her head, she wakes up to find herself sharing her body with the ghost of Pete Pumps (yes, really), a Canadian stunt pilot who died during an air show. Tazusa has to get used to sharing her body with a ghost while trying to realize her dreams, and Pete helps her out, too.

I honestly thought this anime was kinda cute and heartwarming. Funny at times, too, especially when Tazusa is first getting used to sharing her body with Pete. I thought it was nice that Pete helps Tazusa with her skating later in the anime

Your Name (aka Kimi no na Wa) - completed for the task “Watch an award-winning anime”

Mitsuha is a high school girl who lives out in the countryside and dreams of moving to the big city. Taki is a high school boy who lives in the city and has a part-time job, living a pretty busy life. One day, they find that they’ve switched bodies! They then try to find out about each other and find an answer to why they temporarily switch bodies every now and then.

Yes, I gave in to the hype, and yes, I loved this movie. And yes, I cried.

This movie was honestly beautiful. The art looked great, the story was interesting, the plot twist was unexpected, etc. Not the best anime movie ever like everyone says, but I still loved this one.

Favorites From the Challenge:

Ping Pong the Animation - completed for the task “Watch an anime with a score of 8.00 or above and an episode duration of 16 minutes or more”

Makoto Tsukimoto, aka Smile, and Yutaka Hoshino, aka Peco, are childhood friends who are part of the ping pong club at their high school. Peco wants to be the best in the world, while Smile mostly finds ping pong as a way to pass the time. The anime shows them playing in and trying to win the championship, as well as them getting better and their various feelings throughout.

Might as well continue the tradition of watching a Masaki Yuasa work for the challenge. He most certainly did not disappoint here.

This made me think of how I felt when I watched One Outs for last year’s challenge. A different take on sports anime than usual, focusing on more of the psychology of the players and their histories. The two friends weren’t together all the time, though their bond was still there. I honestly binged this one in a couple days, that’s how much I was invested.

The art style is very interesting and unique, which was a major positive. I found this anime to be great overall.

Mononoke - completed for the task “Watch an anime that finished airing with 11 or more episodes and has a synopsis by MAL Rewrite”

A mysterious Medicine Seller wanders Japan to slay malevolent spirits called Mononoke. In order to do so, he has to figure out their Form, Truth, and Reason, along with psychological analysis and talking to the people caught up in the Mononokes’ schemes. Only then can he use his special sword to exorcise the spirits.

Unique art styles definitely seem to be a trend here, a complete coincidence on my part.

This reminded me a lot of the anime Mushishi, except on acid or some other drug like that. I like that this is an anthology of sorts, with the 11 episodes divided up into groups of 2 or 3 episodes per plot arc. The art style was unique and very pretty at times, and I found the psychological aspect very interesting too.

This anime isn’t for everyone, and it can get a little confusing at times, but I liked it a lot.

Silver Spoon (aka Gin no Saji) - completed for the task “Watch a listed Gourmet or Isekai themed anime” (Gourmet, in this case)

To get away from the pressures of home life and high expectations, Hachiken, on the advice of one of his teachers, decides to go to an agricultural high school, thinking it would be laid back. When he gets there, he has a bit of a culture shock and learns about farm and country life, including taking care of livestock and making fresh food.

I liked a lot of the characters in this one. I like the friendships Hachiken gets into with his classmates, especially a girl he meets on the first day and his assigned partners in rotations on the farm. This anime was also kinda relaxing too, and another one I was able to watch several episodes of without realizing.

Aggressive Retsuko (aka Aggretsuko) Season 3 - completed for the task “Watch an anime with a main character that is a professional in their field”

To pay off some debt that Retsuko incurs, she gets roped into helping out an underground idol group who is trying to make it big.

Honestly, this season hit me with all the feels multiple times. I loved seeing Retsuko take charge in several of the episodes. A lot of what I loved about the previous 2 seasons of Aggretsuko were here. Definitely made me laugh several times.

Princess Jellyfish (aka Kuragehime) - completed for the task “Watch a Noitamina anime”

Tsukimi is a shy, awkward outcast who loves jellyfish and lives in an apartment building, Amamizukan, with a few other awkward outcasts. One day, while out at a pet store, she meets a confident woman while trying to save a jellyfish from improper care. This confident woman, who is revealed to be a guy, Kuranosuke, who likes dressing like a woman, plants themselves in Tsukimi’s life and helps her break out of her shell.

This wins Best Anime for this year’s challenge. I found myself relating to Tsukimi a lot, being a socially awkward nerdy outcast. To be honest, I found myself headcanoning most of the characters (especially Tsukimi) as being autistic. I loved the relationships between the characters and I found a lot of this anime really relatable. The two main ladies (I say that loosely because Kuranosuke isn’t technically a lady) were my favorite characters.

This anime was so cute and so heartwarming. I’m planning on reading the manga now to see where the story goes. I’m glad I finally got around to watching this one.

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anindepthanalysisofhaikyuu · 4 years ago

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Season 1 Episode 1: The End and The Beginning

The episode starts off with a monologue from our favourite orange-haired boy, Hinata Shoyou. In less than a minute into the show, they’ve set up the overarching theme of it- a team can help you reach the top!

The first opening theme for this season, Imagination, suits this first episode incredibly well- it’s light, uplifting, and makes me look forward to the rest of the episode and season. Also helps that the rhyming scheme somehow reminds me of some of the noises Hinata makes during the course of the show to describe volleyball shots in the most layman way possible (like shyoom and zoom etc.) Is it just me? Probably.

And then we see what got Hinata hooked to the sport in the first place- a tiny high school kid jumping so high that it almost looks like he flew, which fascinates Hinata’s also very tiny body and mind. This player is the Tiny Giant, and that team is Karasuno. Fitting how the school’s name has “crow” (Karasu) right there in the name, eh? And also that their uniforms are black? And, as we later discover, their volleyball team motto is Fly?? Karasuno really wants you to know they’re crows. You know what they call a group of crows? A murder. They’re out to kill, basically- not quite yet though.

Fast forward to 3 years later, where Hinata is in his senior year in middle school and has managed to cobble up two friends and three freshmen to form a volleyball team, and is now going to play his first match ever in a real gym. In a tournament. His team is so green, that they don’t even know the rules. So green, that their uniform is also completely green. Hinata himself doesn’t know much, apart from how to spike*. This is nothing but a bad idea, in most people’s minds. Hinata Shoyo, as we will learn, is not most people, because none of these factors affect his goal- to win the match. Is this stupidity? Naivete? Determination? All 3? All 3.

And who are the opponents Hinata and his ragtag team from Yukigaoka Junior High have to face?

Enter, Kitagawa Daiichi Junior High.

They’re tall, towering over Yukigaoka- an immediate disadvantage. Points in volleyball are scored most often through spikes, and if an opponent can block them out from over the net, then you’re pretty much toast. Strike 1.

They also have a cheering squad, something Yukigaoka decidedly lacks. Hell, Yukigaoka doesn’t even have a libero*. Nobody, not even Yukigaoka’s players(except Hinata) are expecting Yukigaoka to score a single against Kita Ichi. Strike 2.

And then rolls in Kageyama Tobio. King of the Court. Setter*. Complete with a metaphorical crown, cape, and menacing aura to boot.

For someone who’s very into volleyball, Hinata has no clue who this team, or this King figure is. Goes to show Hinata has a very one-track mind about volleyball. In Hinata’s head, volleyball = jump and hit ball hard downwards. A severe underestimation. If it was up to Hinata, I don’t think he would ever do any research on prospective opponents and try to come up with a strategy to face them before he meets them on the court. He’s a simpleton when it comes to the sport, and that sometimes works in his favour actually! Most times, it does not.

Like now. His nerves through his stomach in a tizzy, and he makes a run for the bathroom. Which sets up another recurring theme in the show.

The bathroom is where you meet dangerous people.

For it is here that he encounters a few of Kita Ichi’s non-regular players talking shit about his team. And also Kageyama Tobio.

Interestingly, Tobio tells his teammates off for hiding behind the reputation of their school without even being on the bench yet. This man is the King of the Court, why won’t he chill out about this team that showed up from god-knows-where? Because Tobio has never chilled about volleyball. This boy doesn’t know how to take it easy when it comes to this sport. Everything is Serious Business, All the Time. A shared characteristic with Hinata, except that Tobio actually has skills to back it up.

Hinata and Tobio’s conversation raises a few points. Firstly, the whole thing about winning- Hinata says how no game is a guaranteed failure, as long as the team doesn’t give up. Tobio counters this by saying that not giving up isn’t easy. Judging by how Tobio really doesn’t know how to chill, plus how he told off his teammates earlier, plus what we learn about his work ethic later, it’s clear he isn’t the giving up type. Then who is Tobio talking about? His teammates- the ones he actually plays with. Tobio thinks his teammates are “giving up” when they can’t play the extreme plays he sets up for them. We don’t know exactly how long Tobio’s tyranny at Kita Ichi’s team has been going on for, but it’s been going on for quite a while, considering how these cracks are starting to show.

Secondly, the difference in how Hinata and Tobio talk about vball. Hinata talks in “we” and “my team”, Tobio talks in “I”. Even when Hinata talks about himself, he makes sure to mention that he’s playing with a team of 6. Which leads me to my second observation- Tobio is so far in his head, he’s begun to think of vball as an individual sport. Another indication of this thought process is later when his coach says that his individual skills don’t count for much if he can’t give the spikers what they want, and he straight up ignores that advice. Not only is Kita Ichi’s team showing cracks, Tobio himself isn’t as put together as he thinks he is.

In both sets of the match, Hinata is totally shut off. No amount of his jumping gets Yukigaoka points, and as observed by the scorekeepers, his jumps would be more effective if nobody saw them coming. And have we seen an example of a set that comes so fast even the spiker barely manages to get it? Yes, we have. Tobio’s set ups are way too fast for his teammates. Intriguing.

Another parallel that comes up in the match - both Hinata and Tobio are fighters (or intense to the point of stupid, depending on how you look at it).

We also get our first glimpse at Hinata’s insane broad jump*. Not only can he jump, but he also had great reflexes and can run like the wind! And yet, Yukigaoka loses. When Tobio sees that broad though, it’s like you can see the gears in his head turn- Hinata is the spiker who can match his insane set ups, from anywhere, at any time, at any height. He only looks at this from a selfish standpoint, as expected, and deems Hinata’s time as ‘wasted’ since he hasn’t been honing these skills with Tobio. Typical.

Hinata and Tobio are set up to be rivals- and yet they are so compatible. How will that work out for them?

Hinata and Tobio’s conversation post-match outside is the first example of Hinata understanding exactly what Tobio is trying to say, no matter what tone/language he uses. Tobio’s statement of ‘get better’ could be seen as a dig, and would be seen as such by most other players. Hinata sees it for what it is though- honest advice, and does what he can to improve.

In spite of Tobio being the king on the court, Kita Ichi loses a match in the future, which is unsurprising with all the cracks they had.

The episode ends with Hinata making it to Karasuno, and heading straight for the volleyball gym where the Tiny Giant stood, fueled by wanting to get revenge for his loss against Kageyama Tobio.

And. Oh my god. They’re teammates.

Thank you for reading this far! Here are some of my final thoughts on this episode-

This episode served as a great introduction to the protagonists of Haikyuu, and also set up some great parallels between Hinata and Tobio. I also love how some themes set up in this episode are seen throughout the show, like Hinata’s nerves, meeting ‘dangerous’ people at the bathroom before a game, people underestimating Hinata because of his height, Hinata not having much in his arsenal volleyball-wise and Tobio not having much in his arsenal people-wise.

Volleyball Terms: Spike - The act of scoring a point by slamming the ball over the net into the opposing court effectively and aggressively. Libero - A player specialized in defensive skills. Setter - Perhaps, the most important position. Is in charge of the offense and is in-charge of setting the ball up for their teammates to attempt a spike. Broad Jump - You gotta see Hinata do it to see why it matters.

#haikyuu!!#haikyuu to the top #hinata shoyo #kageyama tobio #haikyuu s1 #anime #anime boy #furudate haruichi

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popculturebuffet · 4 years ago

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The Critic Valentine’s Day Double Feature (Pilot/Sherman, Woman and Child)

Vivia Jay Sherman! Viva Quebec! Viva Valentine’s Day! And Viva WeirdKev who as happens for a good chunk of my content payed for this wonderful double feature for one of my favorite shows. The Critic was created by Al Jean and Mike Reis of The Simpsons fame, a comedy team supreme. While I knew the two wrote for the simpsons, more on that iin a minute, I had no idea just how many classics the two churned out: There’s No Disgrace Like Home, Moaning LIsa, The Telltale Head, The Way We Was, Stark Raving Dad (Sadly tainted by it’s guest star being a horirble monster but that’s not their fault), Mr. Lisa Goes to Washington, the treehouse of horror segments The Bart Zone and Clown Without Pity (The second of which may be my favorite treehouse of horror segment), and later coming back to write the story for one of my all time favorites Round Springfield and to outright write the classic “SupercalfragalisticexpalliDOHcious”. And to his credit Jean would later go on to write some classic post-golden age simpsons episodes during his tenure as producer: Lisa’s Sax, Mom and Pop Art, and Children of a Lesser Clod, which is notable if nothing else for this gag.

So yeah the guys are legends and were right to start their own show under Simpsons producer James L Brooks over at ABC. The show followed the adventures of film Critic, Jay Sherman, a parody of film critics with high brow tastes, impossibly high standards, and a huge opinon of himself, having won the pultizer at least once. Despite this he was also constnatly spat and shat on by society, divorced, lonely, depressed and eats like a thousand pigs combined in some horrific science accident. And given the last three parts describe me, as well as my profession of b eing a critic, naturally I love the guy and this show. I’ll get into his cast as we go as the first episode does an excellent job of introducing the entire cast so there’s no sense repeating myself. But the show’s style I can and will talk about: It’s basically Golden Age, i.e. season’s 1-10, simpsons, but with more pop culture refrences and movie parodies, since the show would often feature multiple on Jay’s show coming Attractions and took place in the celebrity hot spot of new york and was a love letter to the city.. and sometimes a hate letter but only when those digs at the city would be funny, which to be fair depsite never having been to or lived in new york most really are. That’s the series key asset: while a LOT of the jokes haven’t aged well as a lot of the celbreity refrences are dated as are some of the movie parodies, most are hilarious wether you get what their making fun of or not and to me tha’ts a good parody: where knowing what their making fun of HELPS, but you can laugh regardless. The show had the charm and pace of the Simpsons while having it’s own unique style and cast that was just as charming and I love it dearly. The show sadly only lasted two seasons, with ABC canceling it after one, and Brooks having it moved over to FOX, which was a good idea and lead to what’s probably my faviorite simpsons episode, a Star is Burns. Ironically despite you know, the show being created by two simpsons writers, backed by one of their producers and perfectly in line, creator Matt Groening was against the idea, publicly ranted about it to the press, and generally was an ass about it. Look I love the guy and even Brooks, Jean and Reiss were all nice enough in thier criticsim of the guy, but sitll very much understandably pissed off. .and i’m with them.

It gave what’s again, my faviorite episode and what is not a “30 minute add” but an episode that easily stands on it’s own and also you know, pokes fun at itself for being a crossover a few times. You don’t need to see the critic to enjoy it, and episodes most iconic gags, Boo-Urns, Man Getting HIt by a Football, Senior Speilbergo, all don’t involve jay. And again the shows were not at all dismilar: While the critic was it’s own thing it still had the simpsons sense of humor and pacing so I saw it more as a petty rant against having a crossover in general more than a legit critcisim. Especially since Groening had no such complaints decades later with the family guy crossover after both shows had all tehir talent surgically removed and had the gall to NOT remove a cheap shot at Bob’s Burgers. And yes i’m still bitter about seeing that in a promo for the special, Bob’s Burgers is fantastic, to the point that now, in a fabulous case of history repeating itself, it’s got it’s OWN show like the critic made by talented former crew members using a similar but sitll throughly unique comedy style , The Great North. My point is that controversy pisses me off, and The Great North is spectacular go watch it while you read this.

So yeah the Critic is awesome, me and Kev are both fans, and there are plenty of romantic episodes abound as the show digs into Jay’s love life quite a few times and has episodes about his son’s first love, his boss finding a wife towards the end of the series, his parents rekindling their spark and in what’s easily my faviorite episode, his sister dating a grunge rocker. So there was no shortage of choices but the choice made was brilliant.. and i’m not saying that because i’m being paid to, as my review of splatter phoenix’s first episode in darkwing duck and woops should show, paying me does not guarantee that I have to LIKE what your paying me to review. But here I did and he pointed out the first episode of each season, with season two being a soft reboot that while keeping the premise and supporting cast changed a few things around and added two new main characters, and both involve jay finding a new love intrest and intorduce a lot of the cast. I found him to be right, so where we are and after the cut i’ll dive into the good and bad of both episodes and see what changed inbetween seasons.

That gag will make sense.. later. Right now it’s time for our very first episode, the show’s very first episode as you could probably tell by the title.

Pilot: The pilot starts with Jay getting touched up by his Makeup Person Doris. Jay is played by legendary comedian John Lovitz, who this show gave me a deep and lasting appreciation for. Lovitz was at the time best known for his 5 year long stint on SNL, and film wise is best known for Three Amigos, the Brave Little Toaster, The Wedding Singer and Rat Race. Sadly while I do geninely love the guy.. he has been in enough crap to destroy the New York Sewer system, as everyone needs money and sadly not everyone appricates the talents of John Lovitz like I do.

So naturally he’s also been in The Stepford Wives remake, Grown Ups 2, The Ridiculous 6, Eight Crazy Nights, North, Benchwarmers and Benchwarmers 2: Breaking Balls. Yes that’s an actual movie, though it’s already better than the first one for virtue of not having Rob Schnider and David Spade starring in it despite.. that title. The irony is not lost on me that Lovitz has essentially made his money starring in the kinds of films Jay was forced to see for his job. Still a VERY talented, very lovely man.

Before we get to our next voice actor up, no profile of Jon would be complete without mentioning that time he slammed Andy Dick’s face into a bar. To make a very long story short, Lovitz was friends with the late great Phil Hartman, who even did some voice work for this very show, whose wife who had severe drug and mental ilness killed them both. Phil had told Lovitz he saw Dick give his wife cocaine, so after Phil’s tragic murder when Lovitz and Dick ended up on the same show, Lovitz ended up exploding at the guy out of grief and blamed him for her death, but later apologized like a gentleman. Living up to his name though Dick later went up to Lovitz at a restraunt Lovitz owned and said “I’m giving you the Phil Hartman curse, you die next”. Granted he was drunk but still...

Naturally Lovitz banned the guy and Lovitz later demanded an apology when the two ran into each other when they ran into each other at Lovitz regular gig at the comed store. Dick not only refused to apologize even when Lovitz put him against a wall, but said it was because “you blamed me for her death”... which was a decade ago with change by this point, the actions of a man GREIVING for his best friend whose wife’s relapse you caused which inadveradntly lead to her and her husband’s death, and something HE APOLOGIZED FOR. Naturally Lovitz took this how you would and did what we’d all like to do in general and broke the shit out of his face and only didn’t do more because they were seperated. IN short this man is a hero and I wil lbring up this story at every opportunity. Doris was played by the late voice actress Doris Grau, a script supervisor who worked on a LOT of films as one , the most notable I could find on wikipedia being Clue. This is a fact I just learned today but boy if it isn’t neat. Grau mostly did aditional voices for shows, most notably Ducktales and the Simpsons, where she played Lunchlady Doris, and of course this show. Still she seemed like a very funny and talented woman and it’s sad she’s gone. The two start the series mostly sniping at each other and while that never ENTIRELY goes away, Doris gets more supportive after a spotlight episode where she and Jay bond and Jay thinks she might be his mom. And while she’s not this surprisingly sticks and for the rest of the series while still not above making potshots at him on occasion, she’s far more supportive. She also informs him she’s out of spray on hair “I’m bald and ugly, get more!”. This show is naturally comedy gold and a lot of it relies on Lovitz sense of timing, though the rest of the cast aren’t slouches but we’ll get to them as we go. She ends up putting a hat over him and we get our first film parody, Rabbi PI starring Anuld, which is alright. Not one of the series best but passable and gets the gimmick of having film parodies on jay’s show across, which was a nice way to set it apart from the Simpsons. Jay reviews it on the Shermometor, a gimmick jay hates and that disappeared by season 2, giving it a bellow zero to the ire of his boss Duke Phillips. Duke is one of the best parts of the show, an unhinged southren billlonare who was a modeled after Ted Turner, down to the mustache, who built up his fried chicken franchise into a multimedia congrlomorate and is also mildly nuts, though that part would be more of a thing in season 2. In season 1, he’s mostly there to make Jay’s life hell, with about half of the seasons episodes having him either fire jay or put his job in jeapordy versus 2 the next season. He’s still not unfunny, but most of his best stuff is in season 2 when Charles Napier’s allowed to cut loose a little more and the character wasn’t shoehorned into just being a clueless executive. Charles Napier is a longtime character actor who showed up in TONS of films and tv shows too many to list.. and trust me with some of the lists of credits before and after this that’s saying something, his biggest voice rolls being in this series and Men and Black the Series as Zed. But needless to say he was ALWAYS this awesome and sadly passed in 2011. Jay’s guest for the day is Valerie Fox, an up and coming actress whose first film kiss of death is coming out soon.. and whose age is an engima and it’s only a problem because if she’s 20, like the episode mildly suggests giving her starting career and her voice actress being that age, then this gets really gross as jay is 17 years older than her then. But given she looks older than that and sounds certainly older than that, i’m going more with 30, since she looks more like it, and sharon stone, who she’s mildly based on given she stars in a basic instinct knockoff and does the leg thing, was 32 at the time of basic instinct. Valerie is voiced by Jennifer Lien, aka Kes from star trek voyager who I only know about because of reviews done by SF Debris and Allison Pregler. She was the childlike love intrest of Nelix, the ship’s resident pain in the audience asses who made them BEG for early seasons wesley crusher and who once, and I saw footage this wasn’t SF Debris exagreated, lunged at a crewmate in a jealous rage, unfounded by the way since Tom was AVOIDING kes depsite being attracted to her as he just wnated her to be happy and to not mess up her relationshpi, and screamed “i’ll kill you!”. Point is she hasn’t had a huge career, but was still worth noting and does a fantastic job here. Again I did not realize she was that young at the time by her voice, and that means she did a great job.

So Jay’s smitten with her, finds her super attractive and she asks him out.. but to the show’s credit, and Jay’s he does try to rebuff her because he knows ther’es a conflict of intrest there.. but ends up giving in. However at least the show not only is upfront that there’s an issue here but that ends up being the thrust of the last act. Granted there’s still some.. questionable stuff like when she does the basic instinct leg cross and he says “can we get a shot of that”, which no.. Jay.. no you can’t. Ewwww. Seen far worse, like It’s Pat, which was a VERY real SNL sketch about people trying to guess the titular pat’s gender because that’s not creepy or invasive even for the time. And they made a movie out of it because Wayne’s World was popular forgetting that Wayne’s World, one of my faviorite movies by the way and one I need to cover here sometime this year now the thought’s occured to me, was a labor of love, with a talented director and actual ideas from it’s two leads who actually fleshed out the character versus a concept that was NEVER funny to begin with and has gotten down right horrifying with age. And wasn’t I talking about the Critic? Not the abusive jackass mind you, Jay Sherman.

Ah yes so Jay takes Valerie to a date at Lane Riche, the rich jackass where we meet Vlada, a vaugely european man whose your typical hollywood suckup. As Jay puts it in a later episode Vlada: I love you too Jay: You only love my money Vlada: That’s true but it is a love that will never die. He also naturally scoots Jay to a less nice table in the Critic’s section once Conan O’Brian shows up... which WAS supposed to be a different kind of joke, as at the time Conan was just a writer on the simpsons and SNL, but now given he has a decades long career in late night and famously said fuck you to NBC during that whole Tonight Show debacle, which netted him his own show on TBS, it comes off more as the kind of self deprciating gag Conan makes about himself. So in other words it’s actually funnier now?

As for the critic’s section that’s a part of the series I’ve neglected to talk about so let’s do that: The kind of critic Jay is, one who plays clips of the movie and reviews them.. on television. And were usually academics who looked down on popular film, the kind Siskel and Ebert popularized, and both suprisingly had a huge guest apperance in season 2 and even reviewed the show on their show. This kind of film criticism just dosen’t exist on tv that i’m aware of anymore, and mostly lives on with internet reviewers , many of whom were inspiried by critics like this, and who range from acadmeics to average joes to some mixture of both. It never went away just simply went to a younger generation. Some of which squandred it and somehow still have a career like certain abusuive jackasses i’ve mentioned enough with that one gag a few paragraphs ago. Point is it’s a much more varied and different game now so the critic ended up as one of those shows or movies where the main characters very job feels like an artifact of it’s time, like our heroes in Wayne’s World hosting a public acess show, when nowadays they’d just put it up on youtube or the entire idea of a UHF station in well.. UHF. It’s not a BAD thing, just something to note.

But the date goes well as Valerie shows she’s really into jay and even takes him oggling her in stride, though we do get an utter classic of a gag when Jay says something about women being drawn to him.. and cue an old woman asking to rub his nonexistant hump for luck “You hunchbacks are all alike”. She does so anyway to his understandable annoyance.

But the two go back to Jay’s place, talk about his acomplishments including a pulitzer and then well.. the obvious happens they go to bed together and the next day after Valerie is horrified at his just woke up fac,e he gives her an easy out but she’s fine with it. It honestly shows just how low the poor guy’s self esteem is that he just.. assumes a woman will regret having slept with hima nd walk out and while played for laughs it really gives a clear look into Jay’s mental state: He’s so full of self loathing, not helped by the world being out to get him, that it’s really oddly endearing. And VERY releatable. The two are interupted by Jay’s son Marty. Marty is played by the very recognizable and very wonderful Christine Cavanagh, who sadly passed away in 2014. She voiced Chuckie Finster, Gosalyn Mallard, Oblina, Dexter from Dexter’s Lab and the titular pig from Babe. She decided to retire in 2001, so while her career was only about a decade she made quite the impact and is sorely missed. Unsuprisingly her usual voice is perfect for the very awkward Marty, who Jay asks to tell eveyrone about the beautiful woman in his bed especially his unfaithful and utterly loathsome ex wife ardith.

This scene demonstrates two problems. The first is just the pilot as Jay’s kind of sleazy. While Jay being thirsty wouldn’t go away, especially in the episode Lady Hawke, it’d be made more awkwardly endearing. Here there are moments of him just plain being creepy like the aformentioned oggling, which while not bad in itself, if a bit awkawrd, also has him creepily muttering to himself while doing so which removes any charm or relatability and just sends it straight into needing 10 showers just to wash this scene off. The rest of the series would just turn him into a bit desperate at worst. It also explains why the only other romantic story the guy has in the season is a pastiche of misery. Thanfully this would be GREATLY adjusted next season but we’ll get to that.

The other problem is just the tone... we get a good half a minute of Marty talking about how he calls Ardith’s boyfriend “Uncle Al” because he likes him a lot.. to his dad’s face. And granted his dad is being creeptastic this episode but the early episodes just pile on the Jay hatred by the world a bit thick, to the point one episode puts him as “worse than hitler”. Granted the audience is full of idiot teens who have no idea who hitler is, and the gag is kinda funny, but it makes my point: Jay is just utterly shat on by the world, and while he does get a few wins, most are undercut by something awful and it gets taxing sometimes. The guy is just too loveably pathetic to hate, too relatable even as a teen and not snobish enough to be really loathsome or WANT to see him knocked down by the world. It’s not overwhelming enough to ruin the first season, it still has good episodes but this episode does highlight a LOT of these problems. He does get to spend the day with val though, dancing outside the trump buliding, seriously even back then he was a joke and his lack of money half the time was well known.. how did the last four years happen, and they tell each other they love each other. I’d aww if I didn’t know how this ended. So jay relates the good news of how he feels to his best friend, Jeremy Hawke, played by Maurice LaMarche. LaMarche is one of the most talented voice actors alive, a master of impersonations paticuarlly orson welles, who was naturally brought on board because they knew they were going to need a lot of celebrity voices for the film parodies and needed one or two guys to do them to keep it cheap. The guy is like most of this cast a legend in the industry, having voiced the Brain, Squit, Dizzy Devil, the Human Ton, Big Bob Pataki, Egon Spengler, Sleet, Kiff Kroker, Headless Body of Agnew, Morbo, Various other Futurama characters because that list is long, Mortimer Mouse, Blue Falcone, Father, Yosemite Sam, Vincent Van Ghoul, Doctor Doom, Abradolf Lincler, and Odval. Point is the guy has been engranged in my childhood and adulthood and will probably even after he’s gone come back from the grave to do some voices. He even got the part of Jeremy Hawke here because he happened to do a REALLY good australian accent depsite not being australian. Jeremey was a combination of paul hogan, the star of the Crocodile Dundee movies and at the time sex symbol and at this time known anti semite Mel Gibson. Obviously neither of those refrences has aged paticuarlly well, but since hollywood ALWAYS has room for a super hunk from australia, just ask Chris Hemsworth or before him Hugh Jackman, the character still works and his breakout role, Crocodile Ghandi is so ludcrious it works. I.e. a white australian man playing the mahtma and saying before he brings peace “First a tasteful shot of my bum for the ladies. Jeremy, while sometimes increidbly oblvious, is still a fairly nice easygoing guy and an extremley loveable character. And whie Jay worries about Valrie meeting him because he’s sex on a cracker she ignores him and jay gloats for a bit, paticuarlly with the great bit “take your genatalia right back to australia”. And while Jeremy’s happy for him he tries to reign Jay in when Jay talks asking her to marry him. As Jeremy later relates on Jay’s fire escape “Bubala, i’ve learned there’s two things you should never do: Marry an actress and wear blackface to the naacp image awards. Two things I found out the hard way. “

So Jay takes her to meet his parents and finds out he’s adopted.. and their also rich. Jay’s waspy parents are his cold and overly honest mother Elanor, played by Judith Ivey, his kooky dad and THE best part of the series Franklin played by Gerrit Grahm and his loving and free spirited teenager sister Margo played by Nancy Cartwright. Okay (cracks knuckles) here. we. go. Judith Ivey is a tony wining stage actress and has also directed numerous plays and is mostly known for her stage work but I know her from Designing Women where she played BJ in the last season. Garret Grahm apparently shows up in a lot of brian depalma movies, including Beef in phantom of the paradise, a lot of tv work and to my shock the asshole dad from Child’s Play 2. Another thing I genuinely love I wasn’t aware an actor or actress from this series had a part in. Finally there’s Nancy Cartwright, who you DEFINTELY know from the Simpsons, where she plays Bart, along with Nelson, Ralph, Kearny, Database, and Maggie, and Kearny. Other credits include Pistol Pete, Mindy from Animaniacs, Chuckie Finster picking up for Christine Cavanagh ironically enough, Lu and Rufus from Kim Possible. She’s a talented lady and i’m glad sh’es still around. Whew.

Okay so yeah I do love the shermans and fraknlin is again easily the best part of an already excellent series and unlike Duke that’s in full display here, with him saying, when his wife mentions they were going to give jay back at one time, “Son if I’ve said it once I said it a thousand times.. who are all you people. “ and he’d only get better. Sadly he’s NOT in sherman woman and child. Our loss really. But he’s in pretty much every other episode of season 2 thankfully and most of this season so eh, fair trade off. Also we get the classic line, after Jay says he’ll love valrie even when he’s decaying in the ground, his mom quips “Cna’t we go one meal without talking about your rotting corpse?” Though Eleanor understandably thinks Valarie is using jay for a good review. Margo suspects her of the same and takes her on a horse ride, though all she can gleam is that Val genuielly loves jay and welcomes her to the family. Jay however does decide to duck out of the inteview by faking sick, which leads to a really sweet moment where Valerie visits him and they dance, in a hilaroius but oddly sweet parody of Beauty and the Beast, Beauty and King Dork. Despite the title and the song insluting him a LOT it’s still just endearing. This is a problem but we’ll get to in just a moment WHY all these touching moments are a problem. So naturally things don’t go that well for Jay as Duke has a tape of the film sent to him “My shrink was right: GOd does hate me!”

Naturally kiss of death is bad and valrie is bad in it and Jay is left uncertain what to do, but eventually decides he has to do what he feels is right,.. though he does take a picture of her while she’s sleeping. “In case you do leave”

So in a tender and heartbreaking moment Jay is honest, the movie does suck and she’s not good but he does compliment her, for her personality not her body despite his skeevy behavior and say she could get better. Instead when he arrives home.. she dumps him to his face and leaves never to be seeen again while he assumes she’ll come back. And that’s the issue it’s GENUINELY hard to tell if we’re supposed to side with Jay. On one hand he genuinely loves her and does the right thing and on the oth er he’s kinda creepy. It’s a mixed tone that just sorta hurts thing and something the series DID fix after this, as it found a better ballance of the guy being pitable while also still being an ass and ONLY usually being punished when he does something actually wrong, the only exception being Dial M for MOther which is easily the weakest episode of the series. The episode does close on a really funny moment as Jay’s dispondent because “I’m sitting on top of a volcano of rage and I don’t knwo where to direct it”. Marty mentions a new Sylvester Stallone movie where “He plays a concert pianst who” And jay dosen’t even need the rest of that to shout “To the multiplex!” The man is back

Final Thoughts for Pilot: This episode is not bad. It has it’s flaws as I said, mostly in tone, but the series would iron that out and it’s still a great pilot that organically introduces the entire main cast in one episode and really gives us the full idea of who Jay Sherman is. It’s also REALLY funny, as the series should be and it would get better, but i’d still put it over some more awkward first episode like Letterkenny’s “No Reaosn to Get Excited”, even with it’s brilliant ending or Bojack Horseman’s first episode whose title is way too long to put here in an article that’s already long as hell about about to get longer. But like those series this pilot worked pass the awkwardness and the result is a damn good series. but if you want a better idea of what it became.. wellllllll

Sherman, Woman and Child: So yeah as you can tell JSUT by contrasting images a few things were changed up between seasons, part of it at network instance. The designs were softened , the color palette was brightened with jay being the most noticably alterted between seasons.

The execs wanted jay a bit warmer, so his face was given wider more expressive eyes and was also scrucnehd down a bit. He was also made slightly less of a jackass, with his elitisim toned down a bit and his creepeir moments gone. For instance he no longer had a split personality/imaginary secretary named ethel. That was actually a thing. It didn’t even really change Jay as a person, this very episode mentions him not liking the Lion King, and he’s still snooty, he’s jusst not as punchable about it and that was for the best. But the cringe comedy in general was taken down a peg and replaced with more fun weirdness, which wihle present in season 1 really pops more here, especially with Jay’s dad who sadly dosen’t show up in this episode, but at various points dresses up like El Kabong, puts on the mask from the mask (”He did the same thing at Nixon’s funeral”), and blows up famous works of art while babysitting. But yeah things get a bit more surreal like the simpsons from season 4 onward, ironically enough given these guys left to make their own show, and it’s to the show’s benefit.

But besides a lighter tone, they also wanted two things to hook viewers in: A permenant love intrest for Jay, and an adorable kid character. The former.. was acutlaly quite resonable, as i’td both give jay a “win” as it were, allow the cast to have another femlae character and give him someone else to confide in besides Doris or Jeremy, to give those characters a break. The other was less so and we’ll get into why when we meet her.

This episode really is a second pilot, reintroducing about half of the main cast. Marty, Elanor, Margo and as I said Franklin are all absent. But their reintroduced soon enough with the fourth episode in both broadcast and dvd order, and my personal faviorite “A Song for Margo, is entirely focused on Jay’s parents and sister, while Lady Hawke has marty breifly at the start for broadcast order and he’s in the frmaing device for Sherman of Arabia in dvd order. So the characters all get a proper reintroduction to new audiences, but it was the right call to NOT shove them into this one, still introducing new people to the new cast, but letting the two new additions to it breathe and get properly intergrated into this universe.. well more Alice than Penny but we’ll get to that. It’s part of why, besides the genuine extra coat of polish aand seasonal changes I feel this is the better episode.

So we open with Jay on his show and two parodies in a row. The first is a few good men but with Jack Nichelson making fun of Christan Slater for sounding like him even though. they honestly aren’t too similar other than both doing that pause thing a bit. So yeah not their best but the second segment makes up for it “The Nightmare Before Channukah” a parody of the nightmare before christmas that was so beautifully animated and funny, that they actually bumped it up to the season premiere. But while the parodies are good Jay’s show is once again, this happened a LOT in season one, in jeapordy, being beaten by the Benedictine monk variety hour. Which while the Bendictine Monks are VERY much an artifact of the 90′s a choir of monks that somehow went mainstream, the whole segment is so absurd and wonderful it stands on it’s own and is still funny to me in 2021. Duke comes in anda fter trying to softball things shows the change I mentioned: He’s actually sorry the show is in danger and is genuinely sincere that he’s sad he’ll probably have to cancel it versus season 1 where he was ready to cancel it what felt like every other episode. And I prefer this, where he can still mess with jay or flex his power over him, but is more cordial with the guy and it allows more jokes between the two.

So Jay’s not doing so good.. and during his crappy day he spots a 30 something woman and her young daughter struggling in the rain and stops his cab to help. And gets maced for it “MMM, Jalapeno”. Though Alice does apologize and Jay does understand as it is New York and she graciously takes the offer. It’s in the cab their properly introduced. Aliice thompkins and her daughter penny who in a great bit punches jay in the nose for not liking the lion king (”rex reed did the same thing”) and then kissing him on the nose in apology (”Rex did that too” And he acompanies them in.. and also gets conked on the head by a potted plant and put in a materinity dress.

So we get to know Alice and what her deal is: Alice was once married to and supported the career of country star Cyrus Thompkins who was.. less than subtle in his music about how faithful he was

Easily one of my favorite gags of the series if in part for Pat Overall’s delivery. So she moved from Knoxville to New York to prove to her daughter a woman can make it on her own, and proves she’s smart, talented and driven she just needs a break. She seemingly gets one in a man in a bright white outfit who says “this is your ticket out of this rundown flophouse” only for him to cheerfully exclaim “Your being evicted!”... PFFFTT. Cue where the commerical would be

So during this lull in the action let’s talk about Alice and Penny’s voice actresses: Alice is voiced by Park Overall, though for some weird reason I thought she was voiced by Hollly Hunter. Dunno why. Park is an outspoken liberal, supporting my boy bernie sanders in 2016 and in general seems like a fascenating lady. Naturally like with Jay’s parents I know her from something more oddly specific, the sitcom Reba, as I did not realize she voiced alice depsite using a similar voice for her character there, Reba’s best friend Lori Ann.. And while Park TRIED her best.. the character didn’t work out: a combination of it being simply funnier that barbra jean tried to wedge herself into the roll and the fact Reba really didn’t need a horny abrasive sidekick meant the charcter had a very short shelf life and the audience had very low patience for her. I did like her constnatly insulting Brock as he was not a good person andi t was nice SOMEONE besides Reba actually got to roast him on a regular basis.

Penny was voiced by the one and only Russi Taylor, who sadly passed in 2019. She voiced Huey Dewey and Louie, Webby Vanderquack, Minnie Mouse, Fantasma, the imcomprable martin prince...

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Among tons of smaller rolls. She’s sadly missed. We’ll get more into what they add or subtract from the show in a minute, as the next day at work Jay wonders how to help, though Duke’s interjection gives us two great gags: his “30 second workout” which involvees throwing jay around like a medicine ball and.. well this.

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The man is a legend for a reason. He earned that golden statue. So Jay TRIES slipping alice the money only to give it “To my good friend crazy postman”, and Alice refuses the money due to pride.. even if you know, she has a small child and new york is expensive but Jay finds a better solution, hire her.. even if it’d make it impossible for them to date. For all of one episode. What keeps the power dynamics from feeling EUGUUUUGGHH here is that Jay treats alice like an equal partner at work and dosen’t let their relationship really impact things outside of one episode, and dosen’t use his position to get into a relationship with her nor does she use being responsible for a turn in his fortune for hers.

And yes turn in fortune, as a makeover and a change of attidue under Alice’s direction, which is utterly amazing to watch and wow’s duke and hte audience, wins back his fans and his job is secure. Duke meets alice and we get more great duke stuff. including something truly iconic...

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I want bears who sing for me, doo dah, doo dah. But yeah things are well though Jay ends up admitting to Jeremy he can’t stop thinking about her “Her merest smile is like pedals of the empreror’s bathwater, BATHWATER I TELL YOU BATHWATER. “ So Jeremey encourages him carpe canum “Seize the dog”. He does so.. and the day but instead finds Alice with her ex Cyrus whose trying to win her back. Wuh oh. Once the asshole leaves, and agrees to give her the night to think, Alice admits the only reason she’s considering it is she has a weakness: his singing melts her like butter on a bagle (”God i’ve been in new york too long”. ) Jay tries to talk her out of it at the critics meeting for “Dennis the Meance II Society” which involves Dennis pulling a drivebye on mr wilson.. why wasn’t this the second live action dennis the meance movie? WHY I ASK YOU. But Jay gets a good idea, as Alice TRIES to tell the asshole to get to stepping (And to see penny often, she’s not a monster), he works his evil song magic.. only for Jay to undercut it with his own amazing song on acordian. “Cyrus is just a virus, he wants to tie you down while your still young. Your potetial, is what’s essential, you could someday be another connie chung!” And that ultiamtely shows WHY jay is the better man. He just wants what’s best for her and dosen’t care if it’s him, he just wants it not to be THIS asshole. He’s not even trying to win her over, which a lot of these gestures creepily lead to. He just wants to help her be who she’s MEANT to be. And that’s why this works better: Instead of a fake relationship built on lust and someone conning the other person, it’s a real one built on genuine chemistry. Also Alice you know dosen’t just.. vanish after an episode but is a permenant part of the cast. I mean she does for the webisodes but we don’t talk about those.

So our hero undercuts Cyrus one more time Cyrus: “Loverrrr, without you there’s no other” Jay: Give him a chance he’ll do your mother....

I mean he’s not worng, So Cyus is sent packing and we get a nice romantic moment between the two.

Final Thoguhts: Sherman, Woman and Child This one is truly excellent. It relaunchs the show on all cyllanders. And frankly Alice was a fine addition to the cast: her own fully fleshed out woman with her own personality outside of jay, who was tough, smart and a good counterpoint and confidant to Jay and it felt like she’d always fit. Penny on the other hand, apologizes to the late Russi Taylor who tries her best, just dosen’t work and feels ultra cloying and out of place in the series and unspurisingly is barely used after this. But overall a better pilot than the actual pilot was already pretty good and a fine pair of episodes. Check em out whenever the series eithe rgets on a streaming platform or pops back up on youtube as Sony’s struck it down... despite not putting it up anywhere i’m aware of. Seriously sell it to HBO Max or Disney I want a reboot. But for now this series is awesome check it out and until the next rainbow, it’s been a pleasure.

#the critic #jay sherman #alice thompkins #marty sherman #duke phillips #pilot #sherman mother and child #jon lovitz #the simpsons #mike reiss #al jean #abc #fox #animation #the 90s

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