#soulmates meta

[heretherebedork]

Have I mentioned my love of La Pluie and the perspectives of so many people on soulmates? Both the people living with them and the people without them?

Tai desperately wants to believe that hearing Patts through the rain means that there is something special between them but also doesn't trust that idea after his parent's divorce. He's torn between a deep urge to believe and a deep fear of that belief.

Tien is jealous that his brother's love is so seemingly straightforward,t hat he knows who is soulmate is and can simple act on that while his own love is confusing to him and leaves him unsure and insecure.

Lomfon has a purely scientific view of the hearing loss disease with no thoughts of soulmates or any deeper meaning to be found in them being able to speak to each other in the rain and thus gives the concept itself no weight whatsoever.

Patts seems to regard soulmates as a way out of loneliness more than anything else, that a soulmate is fate but in the sense of never being lonely rather than specifically romance.

It's truly fascinating and I look forward to how this shapes their relationships as the show continues.

[fictionalmenmistress]

Understaffed and underfunded. I am now hiring the love of my life to fill this role and vacancy inside of me and outside of me, and make me whole. Complete my staff. With his staff. By filling me.

Only seeking the love of my life. Must be the love of my life, basic requirements include being tall (5'11" / 180 cm at least, or ABOVE), must be devout and madly in love like Gomez Addams, must desire to be a house husband and daddy eventually, and crave to be a supportive stay at home husband. Must be a dominant submissive & switch, leaning submissive. Must have dark straight hair, piercings, have a handsome thin face, and big dominant nose. Must have yellow/hazel/honey, or green eyes. Must have LONG sculpted hands, and feet, with symmetrical toes and fingers. Must be lean muscular, or swimmer build, or slender. Must have very sensitive and reactive testicles. Must have a naturally hairless back, and dark evident happy trail. Must be a sweetheart who others find intimidating. Required to have soft eyes, with a serious look, and intense furrowed brows. Must be cunty and sassy, and a drama king. Must be really serious, and a genius, and get stressed. Must have strong morality. Must be morally grey in the best way. Must be my soulmate. Must have a seven inch dick. Must be a slightly thicker than average girth, circumsized, sensitive and reactive, whine and vocal in bed, loyal, committed, and clean. Must love cleanliness and be extremely hygenic and good smelling. Must have straight or mostly straight, white teeth. Tattoos are optional. Must be stronger than he looks, and have a surprising strength. Must be brave and act fearless. Must be aged between 24-34. Contact for serious inquiries only.

By filling this position, we will now be a fully established and operating facility, at best capacity and potential.

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[pwippy]

my favorite thing about fandoms is when they collectively scream at each other about the black and white duos. someone brings up "do you think we're soulmates in another universe" and we quickfire through alien stage jujutsu kaisen omniscient reader link click and the summer hikaru died like

[luxaofhesperides]

Soulmate AU: First Words + End of the World ; requested by @justwannabecat!

Duke has long since accepted that he doesn’t have great luck. Most things in his life tend to go wrong very quickly, or complicate situations he was already struggling in (see: being a meta and getting his powers in the middle of a fight). Having an incomprehensible soulmark is an unpleasant discovery on the morning of his nineteenth birthday, but not entirely unexpected.

He had been hoping for something simple, a common one like hi it’s nice to meet you or sorry, didn’t mean to bump into you.

What Duke gets instead isn’t even words. 

Scrawled across his left hipbone is a string of symbols glowing a faint green. They’re not in a language he recognizes, and the symbols seem to move, shifting ever so slightly so they look different every time he blinks.

“Well,” he says after a solid five minutes of staring into the mirror, unable to rip his eyes off his soulmate’s words, “I hope theirs looks nicer than mine.”

He spends his birthday in a bit of a daze, enjoying time spent with the Waynes and his friends. It’s hard to be fully present when he’s all too aware of the soreness on his hipbone flaring up each time he moves. It’s hard to keep his mind off of it, wanting nothing more than to search for answers, unravel the mystery of his soulmate’s first words.

“Something on your mind?” Jason asks, as the attention shifts off of him for a brief moment as Harper and Cullen get ready to leave and everyone rushes to give their goodbyes,

Duke shrugs, carefully keeping his hands still so they don’t drift to where his soulmark is hidden beneath his clothes. “Yeah. Nothing you need to worry about, though.”

Jason looks him over critically, then nods. 

Duke resigns himself to being investigated by the rest of the Bats. If he’s off enough that Jason had to comment on it, then that means everyone’s noticed and are trying to figure out what’s happened. They’re not going to ask him, because they think he needs space to work through whatever’s got him so distracted, but they’re also not going to just do nothing. 

This won’t be the first time they’ve done this. Duke expects it. Frankly, it would be stranger and much more concerning if they didn’t try to dig up all his secrets the moment they caught wind of him hiding something.

He’ll tell them about getting his soulmark soon. Soulmarks can appear on any birthday between the ages of thirteen to twenty five; they might suspect he got his, but they won’t be able to confirm.

For now, Duke can keep his soulmate’s first words (whatever that gibberish means) to himself.

He makes the decision then and there, as his birthday party winds down, to tell them in a week.

And because his luck is abysmal, a world ending threat hits five days later and suddenly there is no time for soulmarks and first words.

Duke is the last to arrive at the Fortress of Solitude, hitching a ride from Superboy to get there. The biting cold and the harsh winds keep the place far from the reaches of the rest of humanity, surrounded by nothing but deadly white. 

Desolate as the landscape is, it’s still in better shape than the rest of the world.

Things would be better if it was alien invaders. It would be more bearable if some sort of cosmic colossus tried to eat their solar system. At least then there would be something physical that they could fight.

Instead, the world is breaking apart, the sky and earth both fracturing to reveal glowing green faultlines. Timelines are getting mixed up and muddled; just yesterday, Duke had to evacuate a building that had been demolished forty years ago, then stop a gang leader who wouldn’t be born for another eight years from taking over a neighborhood block and holding the residents hostage. Strange creatures are appearing out of nowhere, crawling out of shadows and tide pools and from beneath the roots of trees, all horrible, monstrous things that go after people with teeth and claws. 

The Flashes and the rest of the speedsters are nowhere to be found. The last time anyone get communication from them, it had been Impulse sending Red Robin a glitchy, barely audible video chat saying something along the lines of “trying to fix—unstable—keep us here—never been alive before.” All things that are very concerning to hear, made worse by the fact that no one had been able to contact them at all. 

The quiet loneliness of the Fortress of Solitude is a welcome change from the constant screaming, death, and destruction that’s taken over Gotham as well as the rest of the world. Last he heard, even Justice League China was at the end of their rope. 

“In here,” Superboy instructs, guiding Duke through the halls. There’s no time to look around at Superman’s secret base. All his focus is stuck on staying conscious for another few hours to see if this gathering of heroes is able to find a solution to the world breaking apart.

Batman stands besides Superman. Both nod at Duke when he enters the room. Wonder Woman is watching over John Constantine as he writes something on the floor, muttering under his breath. The rest of the Justice League lean against each other, visibly exhausted as they wait for Constantine to finish up what he’s doing. A few other heroes are here too, and Duke goes to join them where they lean against a wall, fighting to keep their eyes open.

“Hey,” he greets, voice low. “Hanging in there?”

Wonder Girl sighs. “Somehow. I don’t know how much longer we can do this. There’s just too much…”

“We’ll get through this. I mean, even without us out there, plenty of civilians have formed rescue and relief groups to help with keeping things under control,” Speedy says, gently knocking her arm against Wonder Girl’s. “We just gotta keep going. No giving up.”

“What’s this plan, anyways? I just heard that they needed me here to some attempt to fix things.”

“Well, without the speedsters, you’re kind of the only one who can help with time and power related stuff,” Speedy says.

“That’s definitely a stretch. My powers don’t really have anything to do with time. It’s all just light and shadow.”

Speedy shrugs. “Well, you’re here, aren’t you? Too late to complain about it now.”

Duke doesn’t get a chance to say anything else when a loud clap catches his attention. The entire room goes still and silent as Constantine stands up and surveys the circle and symbols he’s written, taking up an entire corner of the large room. 

“Alright,” he says. “Time to get started. Remember, let me do the talking. If you have to speak, it’s only to back me up or when a question is directed to you.”

Batman nods to the other Justice Leaguers, and suddenly everyone is falling into formation behind Constantine. Duke hurries to join them with Wonder Girl and Speedy, taking a place on the edge of the group where he’s a little closer to the circle than the others. 

Constantine begins chanting. His voice is steady though none of the sounds make any sense, refusing to form themselves into recognizable words, and the air the in the room feels heavier. The chalk circle glows a blinding white and Duke can see magic swirling through the air, his power kicking in the let him watch as reality tears and a glowing star in the shape of a boy comes out of it.

Duke blinks, forcing his power down. The hypnotic swirls of magic fade from sight, but the boy still glows, bright and terrible as he floats above the circle and surveys them all. A crown engulfed in blue flame hovers above his head and the fabric of the cosmos is draped over his shoulders as a cape. 

Just from presence alone, Duke can tell that this figure is now the strongest existence in this universe. He hopes this boy king is kind; no one, not even Superman, would be able to beat him in a fight.

The boy king opens his mouth and speaks, but it’s not words than comes out. A strange static like sound emerges, but light and almost melodic. 

His left hipbone burns.

Duke gasps, hand flying down to it, and the boy king’s gaze snaps to meet his.

The world stands still. No one moves. No one dares to breathe.

And then the boy king drops to the floor and walks out of the circle.

“I thought you said that would hold him!” Batman hisses at Constantine, who is looking more and more distressed.

“It was supposed to! I wrote it specifically to hold the King of the Infinite Realms!”

The boy king glances at Constantine. This time, when he speaks, it’s in smooth English. “Did you name the king in your circle?”

“Yeah, I named Pariah Dark… Bloody hell, you ain’t him, are ya?”

“No,” the boy king smiles, “I’m Phantom.”

The cape and crown fade away, and suddenly it’s not an all powerful, terrifying king standing before them, but a young man with white hair and green eyes who looks Duke’s age. Like he could be any other new generation hero in the room. 

“Phantom,” Duke repeats lightly, just under his breath, but it makes Phantom look at him again.

He walks forward, ignoring the other heroes’ aborted attempts to stop him, coupled with Constantine’s frantic back off motion happening behind him. Phantom leaves the circle and the Justice Leaguers behind to stand before Duke, a soft smile on his face.

“Hi,” he says softly, “I dreamed of you.”

“You—what?”

“I dreamed of you. I have for years now. To think that being summoned was what made us meet—” Phantom breaks off into a breathless laugh.

Duke swallows, then drops his had from where it had been pressed against his hip. “So we’re really—? You have my first words too?”

In the corner of his eye, he sees Batman stiffen up. Maybe he should have just told them the day after his birthday, but in Duke’s defense, this is the definition of extenuation circumstances. 

“First words?” Phantom repeats, “Is that… Do we have different soulmate connections?”

“I think so. Here, everyone gets the first words their soulmates say to them appearing somewhere on their body.”

Phantom’s gaze darts down to Duke’s hip, then back up. “Oh. I get dreams. Where I’m from, we dream of our soulmates, and the closer we get to meeting them, the more we remember the dreams.”

“And you dreamed of me.”

“I did.”

“As touching as this is,” Constantine interrupts, and Duke gets to watch as Phantom rolls his eyes, “We summoned you here for a reason. Our world is falling apart at the seams and we need someone powerful, from the Realms, to help us fix it.”

“Okay.”

“...What do you mean ‘okay’?”

“I’ll help,” Phantom says.

“Just like that? No deal to be made, no price to be paid?”

“Just like that. I’m not one for deals anyways. If I can help, then I will. But I do want to see what the problem is with my soulmate by my side, if you don’t mind.”

Batman steps in, fixing Duke with a steady gaze, a barely noticeable tilt of his head. “Signal?”

“Yeah I’ll go with him. Of course I will. The sooner the better, in fact, because everything’s gone to shit.” Duke turns to Phantom, taking hold of one of his hands. “It is really bad out there,” he warns, “If you need help—”

“I’ll ask for help from others in the Realms,” Phantom says. “No offense or anything, but if it’s really that bad, I doubt living mortals will be able to do much to fix things. It’s why I was summoned, right?”

“Right. Let’s get to it, then.”

There’s a flash of mischief in Phantom’s eyes, and cheeky grin stealing across his face for a moment, before he says, “Aye aye, captain!” and picks Duke up like he weighs nothing and flies up through the ceiling.

Duke is able to hear everyone’s surprised, panicked shouts before they’re outside the Fortress of Solitude and Phantom is flying them away. He only needs a few directions from Duke before he finds the first of the large fractures in the sky.

“Yikes,” is all he says, which is not a great thing to hear. “I think I know how to fix it, though. We’ll need to do a little investigating as to who, exactly, started messing around with reality, but once we find the source, it’ll be an easy fix.”

“That’s the best news I’ve heard all week.”

“Even better than meeting your soulmate?”

“I haven’t slept for more than four hours all week. Knowing there’s an end in sight beats everything else.”

Phantom laughs, throwing his head back and Duke can’t help but drink in the sight of him, so ethereal and bright and full of life. “Fair enough! Got any ideas as to where we should start?”

“I’ve got an entire crew of detective vigilantes,” Duke replies. He’s not taking any more chances. No more waiting to talk about important things; he messed up by keeping his soulmark to himself, so he needs to make sure everyone meets his soulmate before shit goes south again. 

“Let’s go find them, then!”

They take off again, soaring through the skies that are barely holding themselves together. 

The world is still ending, and every hero is being stretched thin, but held carefully in Phantom’s arms, racing head first into a solution, Duke can’t help but feel that everything’s going to be alright now. 

He’s had enough bad luck. Now, his soulmate with him, bearing the title of King with grace, things are finally starting to look up.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[fanfictionroxs]

People try to put down Jily because James was horrid to Sev and yes I agree.. but imagine being Lily.. your best friend betrays you for your oppressors who hate your very existence, your sister too hates you for your very existence and you seem to have no place where you are fully accepted. And then there's this dude who has always been an immature ass.. but who stands by you like a rock against those discriminating assholes.. this guy you've always hated is the one guarding your back as you guard his on the battlefield where you're outnumbered 20 to 1... this guy who could have carried on his shitty bullying habits into the future, but instead chose to fight against the monsters who want to eradicate you when your own best friend left you for them... this guy who loves every bit of you from the magic to the non-magic and to your very bones he worships the hell out of you... he will die for you and he does.

I don't know man, but that level of character development is an understandable reason to marry a dude ❤

[lord-luminous]

Someone called Bill Cipher and Ford Pines a doomed soulmates pairing and I haven't been able to stop thinking about that.

Being doomed soulmates, to me, always felt intrinsically tragic. One of the few examples I could think off hand are Achilles and Patroclus, two people loved each other so much but they weren't destined for happiness. Greek heroes 99% of the time never are. Soulmates as a trope is defined in someone being destined to end up with their perfect match.

That's why Bill and Ford being doomed soulmates is so utterly fascinating. BillFord is probably the most anti-romantic pairing Gravity Falls (show) could honestly conjure. So much of that pairing is built on manipulation, lies and transaction. Bill is using Ford to get into the a physical realm so he can rule it, while Ford is idly using Bill to learn more things about the unnatural side of the world. So those two being soulmates on any level is going to be anything but healthy. I mean, even in the show, Bill tortures Ford for information.

Furthermore, it can be used in such fascinating theories and AUs. When we read the story as them as explicit doomed soulmates, while pairing information we have from the show and fandom theories you can bring to life fun concepts.

When the show was airing, there was a theory post-ATOTS that Blendin Possesed By Bill had messed with Ford's project to further ruin it than Stan had. Which is why it looked more damaged coupled with the "Blendin was here" with a triangle right there in the episode. So what if it was Bill that ruined the project? That would make the Stan Twins fight and go their separate ways, while this intentionally led Ford right down the path to meet Bill eventually in Gravity Falls. The path that eventually lead to their partnership, Ford being pushed into the portal, 30 years trapped in the Dream Dimension, and later, Bill's defeat.

And that's just one idea I came up for some random fanfiction floating in my brain. The reason I even like that particular concept is that it does more than absolve Stan of wrongdoing, but rather shows you how twisted Bill Cipher could be. There's more you can do with it. Doomed soulmates destined to find each other, and destined to ruin each other. Bill being half the reason Ford was pushed through portal or how he let Ford go insane through fear while Ford being a part of the Cipher Zodiac that could vanquish Bill or using the memory gun on Bill to erase him from existence.

It's so interesting because even if BillFord isn't my ship, you can unpack so much through their dynamic through this lens. Like what makes them click together and what drives them apart.

You guys might have already realized all this, but I just needed to get this off my chest. Finding out more about Bill and Ford's relationship has altered me on a fundamental level. Doomed Soulmates is actually the most appropriate way to define it. How else would you define it?

Thank you for listening to me, a semi-casual fan of Gravity Falls.

[seri-tonin]

I keep seeing people say that Kaveh and Alhaitham are incompatible and I'm just like... no u don't get it. They are so compatible that I'm convinced they're literally made for each other. They're both so incredibly stubborn but underneath all the bickering, they clearly have a ton of respect for each other and recognize each other's intelligence. It's because of both that mutual respect and their directly opposing worldviews and ideals that make them both pretty much the only people that are capable of influencing good and meaningful change in the other. Kaveh brings the empathy and artistry that Alhaitham needs while Alhaitham keeps Kaveh grounded. Alhaitham always seems so much more relaxed in every scene where he interacts with Kaveh. Alhaitham is pretty much the only person that Kaveh doesn't feel the need to go full people-pleaser with (excluding the occasional client that really manages to piss him off). They're actually perfect for each other.

[raisedbythetv89]

Spike is the spark that brings Buffy’s fire (her ability to love) back

(stone - a notoriously non flammable material)

Buffy’s love is spoken about in relation to fire but even brighter and more intense

she sings of wanting the fire (her ability to love and feel as deeply as she once did) back - where once was a flame so bright it burned her - now there is nothing but black & cold

spike’s love for Buffy is also equated to fire showing how he matches her intensity with which she loves (love the use of the lighting in this shot he literally looks like he’s sitting back to back with his shadow as he wrestles for a moment of just letting Buffy die before ultimately going to help her) also this line is showing how much loving Buffy has cost him the burdens he’s carried, the pain and sacrifices he’s made and endured - “I have come to redefine the terms pain and suffering since falling in love with you” loving Buffy for Spike is painful AND HE STILL LOVES HER AND KEEPS TRYING TO DO AND BE BETTER FOR HER LITERALLY NO MATTER WHAT 😭🤚🏻

but this line from Giles foreshadows the need for Spike to get his soul (the spark) back in order for Buffy to get her fire back - soulless spike’s love is not enough because of the guilt and shame she feels loving a soulless demon

(thank you @spuffylatino for this spike screen grab)

e voila! Their joint hands burst into flames in the moment Buffy can finally say the words “I love you” which she hasn’t told a romantic partner that since Angel - representing Buffy getting her fire back and that she has found someone who not only won’t pull away from the intensity of her love but can match it

hands ablaze and neither pulls away until forced to by the collapsing hellmouth and Buffy gasps in relief because she did it, she got the fire back and now she can tell him with no fear or shame that she loves him before it’s too late

and after she says it she has sort of this “I know that’s pretty obvious given our joint hands are currently ablaze as our twin flame souls intertwine but you deserve to hear it and I wanted to and now CAN say it” look on her face like she’s really fucking proud of him but also herself that this is how far they’ve come both as individuals and a couple

When I say Spike is the best romantic partner for Buffy it’s not because it’s perfect - it’s because after she dates angel and riley she’s an emotionally devastated, vulnerable, heartbroken, abandoned YET AGAIN mess who can barely hold it together and gets more and more closed off each time. But THIS is the impact Spike has on her. Despite all they go through he is a catalyst for the return of her strength, confidence, healing, and emotional vulnerability. I love the overall impact he has on her as well as her on him!! They change each other for the better!! Through their love!!!! THAT’S AMAZING!!

[sadcoms]

i adore how protective nine is of rose but i also think what is regarded a lot of the time as ten not caring about or valuing rose in the same way is him having more faith in her. it’s kind of like when people complain about rose not challenging ten the way she did nine when they’re just much more on the same page in s2 because they know each other better, so she doesn’t really need to.

in theory, ten could have yelled at rose in the idiot’s lantern for not waiting for him when she confronted magpie. but he doesn’t, he loses his mind trying to save her (VERY nine) and also acknowledges that her observation was spot on. the whole “domestic approach” line gets attention but i have never really interpreted his intention as being to insult her; in some ways, i feel her reaction is a holdover from nine, who did put down the idea of domesticity (and also actively manipulated her into leaving her mum in world war 3 which never really gets mentioned).

and of course, rise of the cybermen is a parallel to father’s day. the doctor starts out harshly talking to her the way he did when he was nine, forbidding her to see her father, but then he gives in when she just looks at him. which is exactly what he does that in father’s day too of course.

like, why do you think she refuses to be sent away in doomsday, another direct parallel to parting of the ways? she’s saying she’s not a kid anymore, that she already made her way back to him once before. she can’t be protected from the hard choices anymore and she won’t be, because she understands everything that it means to be the doctor’s companion. you never see it on-screen but clearly sometime between tooth & claw and doomsday she asks about what happened before he regenerated; she has to learn that she is the bad wolf, especially when she is to continue her journey of turning into nine in s4 and making hard choices. ten wouldn’t have known that, but it’s a mark of the respect and faith (he believes! in her!) that he stops protecting her from the truth.

[sanjiaftersex]

Why I think Luffy saved sanji in whole cake, not just physically but in every sense of the word :

Firstly, this parallel between Luffy and Sora was extremely significant for sanji

sanji knew that food is one of the most important thing in the captain's life but Luffy was willing to forego that, jeopardize his own life and eat spoiled food for him, even when sanji was at his worst during this period. Luffy gave him the grace and consideration that sanji always gave to others but rarely got it reciprocated throughout his life. Sanji who always thought he was undeserving of love, was showed that he deserved it even when he was being difficult, and even when he wasn't seeing eye to eye with his friend. Luffy is generally not a perceptive person but he understood sanji in a time when he was at the rock bottom and everything in the world was going against him.

Again, this difference between how Luffy and Judge sees sanji : where in Judge's eyes, sanji was worthless because of his soft heart, Luffy accepted and valued him for everything he was : kindhearted and easily moved by people's pain.

Luffy loves and accepts sanji on such a genuine level that when judge was pointing out the reasons of sanji being weak, Luffy couldn't even grasp it. To Luffy, sanji being weak/a burden is so beyond comprehension that he simply didnt get it. And it's so funny to see the startle in sanji's face when Luffy verbalizes his stance on sanji's supposed weakness.

reiju helped him escape the prison but Luffy is the one who broke down the iron bars of the mind-prison sanji was in and mended his wounds left by the vinsmokes and the absence of sora. Maybe that's why when they make up and the first rays of the sun shines upon Lusan, it felt like a metaphor that the stormy days were finally over for sanji

[skywalkr-nberrie]

Throughout her career as Queen and later as a Republic Senator, Padmé became desensitized to romantic advances. Her life's work was surrounded by people who were fake, two-faced, manipulative, and full of loud bravado. Nobody was sincere, and anyone who approached her always had ulterior motives, whether seeking to benefit from her high status or gain importance by association.

What's often overlooked, however, is that Padmé also harbored similar reservations about the Jedi. While she deeply respected and admired the Jedi, she found their mannerisms, etiquette, and stoicism unsettling at times:

Padmé's discomfort with the Jedi endures, unaffected by her numerous encounters. This lingering unease is consistently reflected in her thoughts, as recorded in the Queen Amidala Journal and other Star Wars novels.

Padmé admits they’re brave, wise, and respected beings but she can’t fathom them the way they are in nature. She finds them rather irritating 😂

As we see here^^ Padmé also finds their lack of emotional repression quite obnoxious as well. So much that she’d made a vow that if she were to ever become Chancellor, she’d have every Jedi demonstrate at least “one emotion” a year.

{When the topic comes to companionship, trust, and seeking aid, Padmé has enough professionalism to know that the Jedi are people she can always rely on. She heavily respects them and trusts them no matter what. But outside the professionalism, she doesn’t mesh well at all with them because her ideals, values, and beliefs are like night and day with theirs.}

This understanding of Padmé's perspective sheds light on why she fell deeply in love with Anakin. She famously declares him the only Jedi she could ever love, and it's clear why. Despite the odds against them – his Jedi vows, her senatorial duties – Anakin proves his devotion, showing Padmé the depth of his love and desire. Passionate and hopeless romantics, Padmé and Anakin share a profound connection. Much like kindred spirits. Anakin's all-consuming passion resonates deeply with Padmé. His patience, vulnerability, and unwavering commitment ultimately capture Padmé's heart, making him her soulmate.

[lowrezbonuslevel]

you... are my nakama.......!

Day 2 Revenge Kirby Fighters 3 and Knuckles: Old Man Yaoi Edition

⚠️ LONG (but good-faith) RANT (that gives a little extra context for today's drawing) UNDER THE CUT (don't worry it's not shipping discourse lmao) ⚠️

Okay so I know neither of these modes are canon and therefore it's SORT OF a moot point, but NARRATIVELY SPEAKING, Meta Knightmare Returns and Dededetour are completely and utterly backwards, right???

What beef does King Dedede have with Dark Meta Knight? What beef does Meta Knight have with Sectonia and Dark Matter Swordsman (besides the fact that they both breathe and hold pointy weapons)? I understand that there's this ongoing plotline with having MK face swordfighters to test his skill, but I still think King Dedede should have been the one to rematch both DMS and Sectonia in Robobot (I do know Sectonia DX in TDX exists, but she isn't the final boss of the Dededetour mode which kinda sucks).

Shadow Dedede himself is a decent idea, but he's new to the series and has absolutely no story introduction (and his design isn't all that interesting, at least to me). Sectonia? Love her, but she deserves a Dedede hammer to the face for all three phases and more. DMS (and Dark Matter in general)? The ORIGINAL Dedede opp (besides Kirby lol). I know these are just clones in-story, but the coolness factor is still there.

You can make the argument that MK got to fight Mecha Knight because of MKR--which is cool, definitely, but if it were King Dedede the same could be said for the Dedede Clone fight, so in my eyes it evens out (actually... Dedede beating Stock Mecha would probably have been even more hype. imho).

Also, a Galacta Knight battle with solo King Dedede would be rad. The power scalers would have a FIELD DAY!!!

Likewise, Meta Knight never actually got to beat DMK in a proper battle at any point, did he? So based on both canon and alt timelines, DMK could still whoop MK's ass. That's just wrong... :(

It's my understanding that TDX was made with absolutely no anticipation of Robobot, so it could be the case that they simply didn't want to give Dedede the spotlight twice. But I sort of wish they had held back on MKR regardless.

Really, I don't think you NEED the anticipation of Robobot's specific plot/mechanics to see that MKR would have fit perfectly in TDX, because it answers the question of "where the hell is MK and why did he sit back when Dedede got kidnapped"? Having him fight DMK would be a way cooler explanation than an implicit "he was doing something somewhere else."

Maybe he's been fighting on the sidelines and is now clearing out the castle--which is full of Sectonia's remaining minions, the strongest and most loyal--and getting to the bottom of some source of magic still coming from the castle. Meanwhile Dedede and Kirby are helping out the people of mainland Popstar that were displaced by Sectonia and the Dreamstalk. And DMK (or, even better--a form of Dark Mind!) serves as the final boss.

Likewise, while the main events of Robobot are going on, the King could be helping Floralia defend themselves from the invasion. (The existence of Sectonia Clone combined with the pause screen that claims "Floralia is too remote to be mechanized yet" is literally just a plot hole anyway. The invaders couldn't overtake Floralia by the time we're fighting Sectonia Clone... despite the fact that they obviously DID find the huge plant that leads DIRECTLY to their kingdom AND the invaders have a mother(computer)ship the size of Planet Popstar AND practically infinite robot soldiers...? Be so fr...)

Extra work/game industry deadlines are a consideration too, but I don't think that applies too heavily here because both modes could have heavily reused and repurposed assets and level designs.

MK could have just had the typical EX mode recolors and stuff, but maybe with the story explanation/design concept that the bosses are being controlled by the Dark Mirror this time, instead of being aggravated by Taranza.

Dededetour in Robobot could have subsequently reused TDX assets. I feel like this is even a case where reskins are the objectively cooler option, as opposed to entirely new assets: seeing the flowery, green areas of Floralia converted to gross, grey landscapes would have been AWESOME, as well as seeing the insects and flower-based enemies turned to robots. Maybe the People of the Sky have been mind controlled: the six main flower fairies work together as a miniboss, and defeating them/breaking their mind control apparatuses is how they are "rescued" here, in parallel to their game of origin. Maybe Taranza is also being mind-controlled in an act of universal karma and Dedede has to bail him out. That would be sick!

This stuff isn't a series-ruiner by any means, but it genuinely feels like a glitch in the Kirby matrix that the plotlines here are so mismatched. If I were whimsically rewriting the Kirby series, the MKR and Dededetour swap would probably be the first change I'd make. (And, again, I'd like to acknowledge that there are/were probably practical considerations of which I'm ignorant.)

You know how the series could still fix everything, though...? Kirby Fighters 3, BUT this time King Dedede and Meta Knight are the main protags. They get to fight magically-summoned/echo versions of DMK, DMS, Sectonia, King D-Mind, Yin-Yarn... you name it. TOGETHER. As husbands should!!!

[jojotichakorn]

the amazing thing about the way peem reacted to phum retreating into his shell and not sharing his problems is that phum will genuinely never do it again. any time he starts thinking that he is too much or that his problems aren't that important, he will immediately remember this argument and how horrible both he and peem felt, and he will know that the right thing to do is to not go through it alone.

[tsnbrainrot]

i've been binging ten's series (for the hundredth time) and losing my mind (again) over the doctor and donna's matching outfits

the doctordonna !!!!!!!!!!!