#sort film

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[professorcalculusstanaccount]

I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"

Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.

imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws

[thirtysevenodddogs]

My dear friend Iris made a movie! The movie has been shortlisted as one of Denmark's best short films. She is now in the running to be on the top 10.

Please watch and vote if you can :D

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[pocketgnome]

Gnomes in Art🎨 #Halloween edition 🎃

[chloesimaginationthings]

Shadow Freddy is in the movie?

Yes they are! Max the babysitter is seen stuffed into a shadow Freddy suit near the end of the movie

So in return, it’s fair to say she’s Shadow Freddy

[pianokantzart]

I know I've mentioned this before, but whoever worked on the script of The Mario Movie and decided to lay the groundwork for Luigi's Mansion by establishing that Luigi has a fear of dogs of all things needs a raise.

[of-fear-and-love]

The "coelacanth" from Monster on the Campus (1958)

[beaulesbian]

ONE PIECE FILM: Z (2012)

[heeruh]

I've seen several kissing on tiktok vids and yet they don't get shadowbaaaanned wtf am i doing wrong anyway

I think touch is an integral part to the series—

For Metavee it's a prominent form of language used with Ai-oon and even with her surroundings after getting blind from that incident 2 years ago

And for Ai oon it's somehow a place of comfort. Something she seeks out to feel loved and wanted and needed given she wasn't given much attention and familial love since their parents died

[goryfluff]

Lilo & Stitch (2002) dir. Chris Sanders, Dean DeBlois

[inumbrapugnabimus-maybe]

A link design!!! For a story that’s solid enough in my head to possibly become a comic ehehe

some notes:

Link has been Heroing for some time now, with minimal success. He’s a bit grumpy.

he also has a bulky brown overcoat, but I haven’t figured out what it looks like yet so i didn’t draw it lol

the gloves are to hide his scar, but also help in the cold. Because this Hyrule is rather cold :)

The overtunics are both pretty new, which is the only reason they aren’t torn to bits. The same person who made them mended his pants and made his hat, which is why the patches match cloth in other parts of his outfit.

the scar on his face is from a lizalfos. I figured, if the Dilophosaurus in Jurassic Park gets to spit acid, then shouldn’t a lizalfos get to too? So it’s an acid burn. He’s lucky he dodged most of it!

I’m still figuring out how to accurately depict the scars, so they don’t look quite right yet! With research and practice I’ll get there!

the other scar I will not get into for plot reasons hehe

This is the same story the above Zelda design is for!! I’ve posted her design in varying stages before, here, here and here, but the story in the previous posts has changed a bit since!! There are also some really old doodles of Link if you (hehe) follow the links.

the above is Zelda’s formal dress. I designed it with a girl a little younger than her in mind, because she loses most of her wardrobe when she’s about 12! So I really ought to draw this on her younger self XD

Finally, scrapped Ganondorf and Link designs!!!

don’t look into these too much as I’m only putting them here because I’ll never post them otherwise; they do not fit the story at all lol

Ganondorf is gonna be… really hard to design… I made him a very complex character and his personality is so intertwined with the story there is a lot to be taken into account XD

ummm that’s all for now!!! I doubt many people will read all this but feel free to send asks if you have questions nevertheless :D

[stargiirl27]

Zero Day, 2003 (dir. Ben Coccio)

[ Transcript:

911 OPERATOR: Hello? Hello? Can you pick up? Hello?

ANDRE: Hello?

911 OPERATOR: Can you tell me where you are?

ANDRE: Hello?

911 OPERATOR: Can you tell me where you are?

Andre: Oh! Oh! Oh! They’re shooting in the school!

911 OPERATOR: Where are you at?

ANDRE: Help me! Help me! I’m the fucking shooter, tell the fucking cops! ]

[vieneri]

ATONEMENT (2007) dir. Joe Wright

[egelskop]

a(u)dventure

[the-crooked-library]

opened tiktok (mistake number one, i know) and immediately saw someone saying that Thomas Hutter subverts the "disbelieving husband" trope which... listen i love a thoroughly pathetic mess of a man myself and i get that Ellen's other option is a 400yo evil corpse, but can we please not give him credit for things he didn't do?..

the literal inciting incident of the story is that Thomas DOESN'T listen to Ellen. he doesn't believe her. she tells him that she's got a bad feeling about this trip, begs him not to go, tells him about her nightmare - and what does he do? he calls it a childish fantasy, tells her to stop worrying, and implies that she would benefit from talking to a doctor. saying shit softly doesn't make it any less dismissive or insulting, like i'm sorry but this is peak Disbelieving Husband in a Horror Movie behaviour. he only changed his mind once Orlok put him through the horrors himself, which is also a perfectly standard thing for a Disbelieving Husband to do in the second act. furthermore, from the beginning of the film, he neglects Ellen's emotional needs, is uncomfortable with her abnormalities, and doesn't even really know what sort of gifts she likes - and again, these are all standard flaws for a Disbelieving Husband to exhibit. they're indicative of a disconnect between him and his wife that he continuously refuses to bridge.

caring for someone doesn't mean you can't neglect or harm them, and that applies to everyone - including Normal People like Thomas, like Harding, like Sievers, like the viewer; and that's the point of the film