#sorry this just made me laugh

[sleepixgstars]

rip shen jiu, you would have loved "I just murdered my abusive husband" girl country music 🙏😔🤠💔👢🪓

[oifaaa]

Doodling a little stephcass au and came to the sudden realisation that there's nothing stopping me from giving Tim the "female that gets in the way of a gay ship treatment"

[natequarter]

What a time to be alive!

[vihrago-a]

stevie with everyone : baby , baby girl , besties

stevie with @feyras ‘s aries : 😑 bitch

[polarsirens]

Blimey.

[egophiliac]

Ernesto Foulworth and Gino… it wouldn’t surprise me if they had fake identities

I accept this explanation

(the problem is that I had a very regionally-specific immediate thought and I could not get it out of my head)

(sorry this is messier than usual, I refuse to put more effort into it than it deserves)

[criticalsyourroles]

now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think

like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny

matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic

aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!

basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences

or:

brennan - fuck

matt - around

aabria - find out

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 1 - Ratiorine Messages Edition

[Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5] [Pt. 6]

[junebugdunes]

mark vs customer service

[kristoffs-lullaby]

Jealousy, Jealousy

[sleepixgstars]

oh yeah I love donald ducks nephews; screwy, bouy, and gooey.

[u3pxx]

the people are right he is like a little chew toy

[afterthelambs]

⚠️Spoilers for Look Back but I was initially confused about what Fujino and Kyomoto's relationship had to do with pursuing a career as a mangaka. After thinking about it, I interpret it as a narrative device to represent what will come when choosing to pursue art (of any form, whether it's comics, painting, animation, music, etc.).

Think about it, what's Kyomoto's role in the story? She is what got Fujino to take art seriously in middle school, and what motivated her to continue after she initially gave up. However, she's also the only thing in the story that makes Fujino wish she quit art. First, halfway through 6th grade and then later after her death. She serves as Fujino's motivator and de-motivator.

I think the scene of Fujino wishing that she never told Kyomoto to come out (that pursuing art only led to suffering) represents artists' regrets. We literally look back and see an alternate universe where Fujino never pursued art and it has a happier ending. Anyone that pursues artistic dreams will end up regretting it at some point. It's not easy, any artist will tell you that. The story is saying yes, you probably will end up healthier and more stable by giving up your dreams. Because art is suffering.

But then Fujino enters Kyomoto's room after reading the comic from the alternate reality and all of a sudden we get a montage of the happy memories and accomplishments they had pursuing their dreams together. And we realize that, everything we saw of them in the alternate 'happier' reality pales in comparison to this:

The happiest both of them look in that alternate world is when they finally meet and promise to work together someday. They loved art. They loved each other. Giving up on your dreams means missing out on all of that, and nothing in the world can replace it. Because yes art is suffering, but art is also joy and love.

And so the end of the story where Fujino goes back to work isn't her moving on. She tapes the comic strip in front of her to remind her of Kyomoto, to remind her of why she got into comics in the first place. Basically, Kyomoto IS art to Fujino. A life with her means experiencing both suffering and joy, while the life without her means having none of that.

I might be wrong about this, like maybe Fujimoto just wanted to tell a mangaka story with doomed yuri (valid) HOWEVER i like my interpretation so im sticking with it.

[hazbingirliexoxo]

Reader: *talking about their favorite TV show/podcast*

Vox: *smugly* Well it can’t be that popular if I’ve never heard of it

Reader: *mockingly* It’s not for old people🙄🙄

Vox: ….

[poorly-drawn-mdzs]

Happy Valentine's Day! (and this blog's first post anniversary!)

[chanbig]

EXCUSE ME???