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froschli96 · 4 months ago

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You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

#assassins creed #ac1 #altair ibn la'ahad #malik al-sayf #ezio auditore #asscreed #rant #long post #this is killing me #i even started rereading the secret crusade bc i thought maybe i remember it being worse than it is #but honestly its the opposite #even just the fact that in the secret crusade altair always says some last sentence after his targets' confessions #has me so irrationally angry aksjdfh #like over sibrands body he says something like 'may death be merciful' or something #like? did they want that to be like requiescat in pace or something???#like aside from the fact that altair WOULD NOT FUCKING SAY THESE THINGS #it also just destroys the tension built up by the target's last words #like... i do think it was very much on purpose that the target always had the last word in the confessions #sigh whatever its just a stupid video game from over 15 years ago who cares #(me. i care. unfortunately. i wish i didn't. send help please.)#also the fact that bowden just completely fucked up arabic naming conventions with the whole “umar/darim ibn la'ahad” thing #(which is kind of an achievement considering that wasn't too great in ac1 to begin with)#tho bc of that they kind of inadvertantly ended up implying that roshan is altairs ancestor which i actually kind of like lol #anyways sorry for this giant wall of text #this is probably (definitely) the longest post i've ever made lmsadjf #but i do think i've gotten most of it off my chest.... maybe #maybe ill add stuff if i come across something else that makes me angry lol #sorry i know i promised an essay and instead delivered a rant #i just dont think i have the capacity to actually structure my thoughts any better kajdsf

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danishphoner · 2 months ago

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one thing that really fascinates me about alex is his devotion to art – and more specifically, how he chooses to get some inspiration from scientific works of what he aims to implement in his art. every time one gets to examine some of his lyrics, or even how he explains these lyrics in an interview, they can be greeted by some bits of actual scientific information. an example is how he named his taquería on the moon with the term “information-action ratio”, coined by the critic neil postman, and referenced it in the song four out of five, something that might also indicate an interesting articulation with postman's concept. the line “cute new places keep on popping up”, for example, can express his well-known sardonic discontent regarding the flood of information being generated and transmitted over and over and, as much as it seems visually appealing and does give the idea of benefiting from advanced technologies, it doesn't really add anything substantial to the receiver's critical thinking – and worse, it distances the information receiver from the sender in a communication channel, according to postman.

what i'm saying with this interpretation is, it's known that alex is enamoured with the idea of gathering a bunch of references and condensing them into a mixture of metaphors in his writing, but it's so thrilling how, at times, we can find some bits of science inside of it – and it's even more exciting, just like playing a puzzle game, to find these references and analyse them by doing a similar research to what he did to create his works.

#alex turner #arctic monkeys #tranquility base hotel and casino #neil postman #well i hope this makes some sense #sorry for the grammar mistakes i’m very sleepy lol #as someone who works/studies in the information science field this is way too exciting for me and i just can't stop delving into it #i'm not even going to go further into how he builds actual personas - on and off-stage - to create albums. this is so admirable #and if this isn't the perfect example of someone who dedicates their whole life to art then i don't know what this is #*the 'may' 'can' 'might' verbs are written in italics to express an interpretation and not an actual fact regarding alex's work!#'cause it might mean none of these stuff lmao but it's just my interpretation of a work from an artist that i adore so much :)#in any case please feel free to reblog and/or reply to this post with your ideas on the matter i’d love to discuss more about it!!#jules.txt #jules.rar #references:#Postman; Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin Books. 1985 #<https://quote.ucsd.edu/childhood/files/2013/05/postman-amusing.pdf>

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wanderer-clarisse · 1 year ago

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"Mano po."

Pagmamano (Tagalog) - "honouring-gesture;" a sign of respect towards elders

A continuation of sorts, of this other drawing I made of the Feänorians, which was roughly inspired by Filipino culture. I originally planned on completing this for @nolofinweanweek, specifically the first prompt about how Fingolfin and Feänor's families got along, but life got in the way and I didn't finish it in time. More background/my long rambles under the cut:

Pagmamano - touching the back of an elder's hand on one's forehead - is not restricted to family, but it's usually done in the context of elder family members. I have many memories of attending family reunions and being told to follow the other kids to "mano po" a grandfather, aunt, or uncle. While Elves don't have elderly relatives, per se, I thought this image was too fun not to draw. Also, I love envisioning Feänor as that cool uncle who gives the most amazing gifts but like, the kids are intimidated by him, so they have to be told (and supervised) by their parents to line up and greet him properly. Fingolfin's just standing there making sure his kids all greet their uncle. (Maedhros, presumably having already finished his greetings, is sidetracking Fingon.)

All this to say, I think that these guys didn't have the perfect relationship. But. You can't convince me Finwë didn't get the whole family together from time to time on some sort of family reunion camping trip. And Feänor just has to begrudgingly tolerate it because he can't say no to his dad. While the kids, obviously, have a great time.

#are any of the characters' ages canon accurate?? probably not. i did 0 amount of research #in my mind maedhros is quite a bit older than the other kids though i don't know if there's a canon basis for that #but it's more Fun This Way!! so #drawing this type of silm fanart is my guilty pleasure #it took me 6 hours to color this thing #and i don't regret it at all #i love spending too much time overanalyzing the feanor fingolfin finarfin relationship and developing headcanons that will #eventually make me sad Because Canon Happened #sorry if i don't tag all the characters because it can't fit under the tag limit lol #the kids in front:#argon #aredhel #fingon #maedhros #turgon #on the left there is:#finarfin #(with sons)#(feanor's kids in the boat. you can probably tell which one is with the giant dog and which one is lugging around a guitar)#grandpa finwe with galadriel #on the right: anaire and nerdanel making fun of everyone else #uhhh the ambarussa are somewhere there (i forgot to draw them shh)#and finally of course you have the Dads #feanor #fingolfin #about to start the spicy drama in the fam reunion #clarisse doodles #tolkien #the silmarillion #elves

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torahtot · 12 days ago

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you can always tell when someone doesn't have maga men in their life and god it makes me angry.. "if you're nice and compassionate you can be the one woman that makes them realize women aren't mean!" my mom bent over backwards for my dad for 25 fucking years he has plenty of other women kissing his ass and it never changed anything. do you really think that before being radicalized they never knew a single kind woman? they were never friends with a nice girl? alt-right men's problem with women isn't just that they've experienced too many mean women and they need to be shown that women can be nice, it's that they think women are inferior and don't deserve rights and don't understand anything so you can do what you want with them. and it takes a lot more than being nice to show someone that you aren't inferior. this isn't a case of being nice even when it's hard for the sake of deradicalization, it's about spending every fucking interaction with someone trying to get them to see you as a human being with value and a functioning intellect while they just laugh and show you that's never going to happen.

i cannot stress this enough: random women are not just going out and Being Mean to men. ur average guy interacts with plenty of women throughout his life- close women amongst their friends and family, casual interactions etc. most people don't start out being shunned by women, they start out being treated as NORMAL. & when they show their disrespect in normal society, it isn't tolerated, but when they go to alt-right spaces (which they're pushed towards online) they're told they're allowed to be as horrible as they want with no consequences because they're entitled to everything. it isn't "women aren't welcoming and the alt-right is so friendly so i'll become alt-right," it's "women don't let me disrespect them and the alt-right tells me fuck them, do whatever you want, you're entitled to it all" and why would you choose the group where you have to be a normal accountable person when there's a group that will reward you for being a shithead who gives no fucks?

the alt-right can afford to be more friendly and welcoming because they can allow bigotry. this can't work the same way for progressive spaces because we can be as kind & welcoming as possible but at the end of the day we have lines where we have to say "this behavior/speech isn't allowed in this space," and for certain people, that just can't win against a space where you can be as nasty as you want. these posts always end with a disclaimer saying "of course being kind doesnt mean you need to tolerate their bigotries" but what they don't realize and what drives me crazy is that women not tolerating bigotry IS the "women are mean" that radicalized them in the first place. they perceive you pushing back on any bigotry or bullshit as you being a meanie and treating them like they're ontologically evil. the 'kindness' they need to be deradicalized is you letting them walk all over you.

idk what the answer is to deradicalizing them and im sure relationships are part of it but you can be as kind as you want and all it will do is destroy you ime. i cant stand to see people (who have never even successfully deradicalized any man by being nice btw they always speak in hypotheticals and not from experience) double down on telling women to do things that will see no results and only hurt them, especially when any woman who has tried can tell you exactly how it went

#being as nasty as possible & shitting on everyone while giving no fucks makes you popular in certain spaces. that's tempting no matter what #to immature ppl. part of growing up is learning that you cant do that and real relationships need you to not do that #but that sucks. you could just ignore it and join the alt-right to be a manchild forever #if ur an asshole who wld u wanna hang out with: ur wife who says please dont be an asshole to me or ur bros who say she's a hysterical bitc #& u did nothing wrong?#if u had a maga dad/brother/uncle & u heard the way they talk about women its never abt being mean lol #it's abt how women are hysterical & sensitive & get upset at everything they do #im so sorry but a normal guy (i know & am friends with many) doesnt simply become an MRA because his girl friends made 1 men suck joke #if a guy truly has no fulfilling friendships with women or girls to the point where some feminist group 'being too mean' can radicalize him #bc he doesnt have any kind women in his life to prove that wrong. he already had issues.#you reach a certain point in your friendship with these guys where youve been SO kind and so supportive and welcoming and played therapist #for ages and then they turn around and say 'im voting trump cuz i like his personality better lol i dont care about rights and that bs'#even if you can deradicalize someone by being kind thats years of insane unreciprocated energy for ONE guy #who will end up being the person who never posts abt feminism except to say i became alt right because women were mean so be nice girls!#nobody tells anyone else to accept full blown bigots in their spaces either much less BEFRIEND them #bc nobody is expected to do this kind of service except women. <3 #eat ass.

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mossy-paws · 5 months ago

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some doodles! (PHIGHTING!)

A collection of recent subspace and Medkit doodles! The final thing is actually a remake of a really silly meme I made like. God how long back in August of 2023? Geez I’ve been in the fandom for awhile,,, it’s crazy how my art has evolved since then for real!

also… these, no, no I am not giving ANY sort of explanation for them

#artists on tumblr #phighting!#phighting #phighting fanart #digital art #roblox phighting #phighting roblox #art #phighting art #roblox #I can’t think of any tailor swift songs to quote sorry #This is the second most cursed thing I’ve drawn of subspace and Medkit #Second too mederica and Britianspace….#I am a horrible person /silly #ANYWAYS OFF OF THAT TOPIC #THE RATS!!#I hate both of them so much /aff #Jeraboaspace my beloved… ouuuugh #And predisastor I love predisaster a lot #“Please stick your hands into the bars of my enclosure!! I swear that I won’t bite!!” - cutiespace. Probably #Anyways I’m going back into the gutters #Artfight is soon so don’t expect any other unique content from me lol #I have like 90+ characters bookmarked so yeah that’s ALLLLL yall are going it be seeing for artfight season #I’m gonna resume working on TMA designs AFTER artfight #I wasn’t expecting them to take this long but I mean there’s a lot of characters I still have to design and then a lot of characters I’m #Going to have to individually render and color #So YEAH #That au is definitely going to take a long time- but worry not since I’m still SUPERRRRR hyper fixated on TMA #So I have not forgotten about it!#Now for actual tags…

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that-was-anticlimactic · 4 months ago

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i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

#corey talks:)#this has been in my drafts forever but i saw something that made me have feelings and so i finished it and here take this iuygfcvghuij #i justgod the books are SO GOOD and barely anyone knows theyexist #and i think that's what makes me the kost upset #or some [people chose to ignore they exist or don't give them a chance bc... i don't even know why. ppl are just so quick to dismiss them #the books are so important to me (literally got a httyd book tattoo) and i get most book fans also like the movies #but it sucks bc i can't go through the httyd tag without being bombarded with movie stuff #i'll even look up 'httyd books' and half of it is still about the movies.#i'll look up snotface snotlout and only finds movie stuff even tho ig they changed his last name in the movies???#i'll look up camicazi and find it filled with astr*d. WHAT.#i'll look u toothless and only see the freaking nightfury. not the original.#like god movie enjoyers at least tag correctly. i get you want ppl to see your posts but the more i see movie stuff in the book tag the mor #i hate the movies lol like the movies are so much more popular than the books let us have our tags okay #sorry if any of this sounds bitter also i hope it doesn't sound like i want to argue or fight #this is just my opinion and i have feelings and i just want ppl to know there are books #also i am not shaming anyone who likes the movies like i already said you do you boo just don't come at me for doing me #bc yes that has happened to me multiple times :) which is one reason why i get so upset :)#i just personally cannot separate the two. i know some ppl can and i'm glad! but i can't and that's okay too #httyd #httyd books

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azu1as · 6 months ago

Text

dumb rotmhs fanfic idea: one hundred years after his death, tang bo reincarnates as the son of a wealthy merchant family in shaolin.

—basically, a tangcheong reincarnation ficlet set during the shaolin tournament arc 👍

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Part 1 2 3

the zheng family was the leader of a wealthy merchant guild in shaolin. while they were not on the same level as the hwang, they were still influential enough for rumors to run amok.

And rumors always circled their eldest son.

zheng bo was as much of an enigma to his family as he was to those within their village. he had always been a quiet child but, one day, something happened that /changed/ the then five-year old.

the zheng family's son cried tears upon tears. he was absolutely inconsolable. his small body shook, overcome with emotions so heavy that his entire body was painfully heaving.

and when he woke up, eyes bloodshot and distant, it was as if the childhood spark in his eyes disappeared along with his tears the previous night.

off-handedly, his father noted the history book that was dropped haphazardly on the floor. several of its pages were scrunched up terribly.

the zheng partiarch mistook it as his son's desire to learn martial arts, but quickly learned the opposite as his son glared at the instructor with so much vitriol it was poisonous.

no matter how many instructors he sent his son's way, he all turned them back—uncaring whether they were decades-long martial artists, instructors of renowned ones, or teachers from the shaolin sect itself. if anything the latter worsened zheng bo's mood to the nth degree.

ashamedly and with deep regret, both the zheng patriarch and matriarch had to give up on their son as they realized the teaching him how to inherit their merchant guild was a futile endeavor. zheng bo would rather stay cooped up in his room in complete silence.

the zheng family had three more children after their eldest yet none of their births affected the dark veil of mourning that shadowed their eldest brother.

A veil that no one could ever seem to lift.

other families often asked after him, most in hopes of marrying off their daughters, but the zheng matriarch stiffly laughed them off.

they had tried once to set a play date with another merchant family's daughter, but it ended up with her in tears and vomiting with an upset stomach. the same occured with the next and third ones.

they catch zheng bo slip a vial with an unknown substance back into his sleeve and understood the lengths he would go to avoid such a thing from happening again.

many years go by and their second son inherited their family's merchant guild, much to the confusion of many.

it stirred up interest in zheng bo. rumors went around about his inability to perform his duties as the eldest son; some said that he was actually a bastard which was why he was overlooked.

former servants and workers from the zheng family whispered about the eldest son's madness and how his mania could not be cured by even the best of doctors and healers.

but as with all rumors and public interest, it died down when no new information sprung forth.

zheng bo was simply a crazy son who was better kept within the walls of the zheng estate than be let out for fear of what his madness would lead him to do.

when the shaolin tournament began with warriors and fighters from the ten great sects and other notable families, the zheng patriarch tried to urge zheng bo to attend and simply watch the battles with the rest of the family.

zheng bo scoffed at him.

their second son placed a comforting hand on his father's shoulders and suggested that they just let him be, "the winner has already been decided. i'm sure eldest brother would end up bored."

but the world had a funny sense of irony.

mount hua was the competition's dark horse. they were nigh unstoppable, flicking away their opponent's swords with absolute ease and twisiting around them as if they were falling petals themselves. it was an unexpected but amazing start to the competition.

as the finals approached, discussion about the upcoming fight between mount hua's divine dragon and shaolin's hye yeon run rampant outside of shaolin's walls. inside the zheng estate, no one could stop talking about the unexpected showing from what should have been a fallen sect.

tang bo, by chance, overheard the praises heeped on mount hua's divine dragon who had beaten everyone he had faced undeniably and soundly.

a part of him felt guilty that he had been too overwhelmed by his own grief and pain to even step out and check on his family and hyung's sect—especially after what he had learned about the aftermath of the battle against the demonic sect one hundred year ago.

so felt a strong wave of relief at the knowledge that mount hua had regained its footing somehow and that it was doing well enough to receive awed praise.

he felt imensely grateful towards whoever this divine dragon was because he seemed to the center of mount hua's revival.

tang bo idly wondered if chung myung was berating him in the afterlife. he asked him to take care of tang bo's family, but couldn't offer the same for his sect, he imagined that the other man would just exaggeratedly roll his eyes and tell him to start doing better then, you bastard.

and so tang bo, for the first time in a decade, knowingly chose to leave his room and approach his second-life father first.

thirty years was a long enough period to mourn, even if his heart still aches with regret.

but tang bo supposed supporting mount hua's divine dragon in the finals was a start.

#this has a part 2 lol #still unwritten but soon #im always a sucker for reunited tangcheong just !!!!!! <3 <3 <3 #i ended up writing too much exposition again still fun #tangcheong #tang bo #chung myung #rotmhs #rotbb #return of mount hua sect #return of the blossoming blade #return of the blossoming blade fanfiction #dumb rotmhs fanfic ideas #staying true to my og branding with prev tag #tin writes #also i wrote this in one go on twt so sorry for any errors HAHASDLKJSD

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