#sorry bout that :(

[honeqq]

Au where Bill choose Ford over the apocalypse ig

[mayloony]

Every choice you have made has led you to this moment.

[papanowo]

GUESS WHAT I WATCHEDDD

[non-plutonian-druid]

[ID: 8 sketches of scenes from The Murderbot Diaries where Murderbot expresses discomfort with being touched.

In the first, Done Abene takes a hold of Miki's shoulder. Murderbot, who is watching through Miki's eyes, falls off its perch and shouts "OH FUCK don't grab me".

In the second, Murderbot is standing awkwardly worried next to Mensah, just after she has been harassed by a journalist in the short story Home. It says, "You can hug me if you need to." Mensah replies "No, it's alright. I know it makes you uncomfortable" and Murderbot's face softens as it smiles.

In the third, Maro is hugging herself while looking at Murderbot and says "This is for you."

In the fourth, Murderbot thinks to itself while standing next to Mensah "If I kill this human... Mensah won't trust me anymore. She will not stand near enough to touch (without touching, ew).

In the fifth, Arada gazes up at Murderbot with a wobbly smile while Murderbot says "No hugging. It's in my contract. Do you need me to call someone for emotional support."

In the sixth, Murderbot holds a human up by the scruff of their uniform work jacket and says "Do not touch Security Consultant Rin."

In the seventh, Ratthi asks from offscreen "Do you have a relationship with this bot?" At Murderbot's disgruntled face, he says "Not like that."

In the eighth, Murderbot frowns sternly at Ratthi. Ratthi says "It was a sexual discussion." Murderbot instantly leaves, leaving behind a blank dotted outline while it hovers at pace away down the hall. End ID.]

Compilation video: Murderbot being touch averse for fifteen minutes aroace

aka touch averse murderbot appreciation post because i havent given that the attention it deserves. happy pride

[chelsiegeorgia]

*through my tears* wh-what if..Sonic’s first word *sobs* was Tails’ name *passes out*

[selestesolstice]

If this post gets:

100 notes I will attempt to find a micro label for my sexuality (I’m AroAce-spec and haven’t bothered to think harder about it)

250 notes I will come out to my elder brother

500 notes I will come out in a CLEAR and CONCISE manner to one of my best friends

750 notes I will put a pin of my new micro label on my bag

1,000 notes I will approach said best friend about a QPR or romantic-ish platonic-ish relationship (depends on his reaction to my coming out)

[siggiedraws]

❄ snowdrift sonic ❄

[luna-loveboop]

Linktober day six- horror

Wind Waker redead! On glass. With bomb smoke bc they can die by my bombs. From a distance. Hopefully I haven't fought them yet bc I'm scared.

Suggested by @arecaceae175 thanks Ace :P

I guess you could say making this was a pane

:)

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[knightbun]

just some observations I’ve made

[yardsards]

think of a character that isn't canonically trans that you headcanon as being trans-masculine. (if you have multiple, just choose one arbitrarily or pick your favourite)

trans-feminine headcanon poll

[teddylovestea]

Happy Holidays!

characters © Yana Toboso

[applestruda]

I've had O Sol e a Lua stuck in my head for a bit and idk, figured it could maybe work for desert duo

[yes-im-a-simpp]

Dick : What you and a hospital have in common?

Wally : I don't know Dick, what do we have in common?

Dick : I should be inside both of you.

Wally laughing : That's really funny-wait a second.

Dick :

Wally :

Dick :

Wally : Why do you have to be in a hospital?

Dick taking his shirt off : Well, I kinda got shot three days ago and-

Wally : DICK WHAT THE FUCK YOU'RE BLEEDING OUT

[juulded]

Good omens fanart yipeee

[whatareyoureallyafraidof]