#sometimes you just never learn

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[undertheredhood]

jason todd is much like a typical dad in the sense he will share something extremely outrageous that had happened to him/he did out of nowhere and will never speak of it ever again no matter how many times he’s asked to elaborate.

[wyrmswears]

i finished aai2 (one of these is not like the others)

[kacievvbbbb]

I think it’s interesting how as time goes on Zoro kind of becomes more and more like mihawk in some ways whether that’s just because if you spend time with someone for 2 years you’re bound to pick up their habits or a deliberate attempt to emulate him is a conversation for another time. And Mihawk and Zoro where already pretty similar at the start so it’s a little hard to notice now.

But yeah whether unconsciously or consciously Zoro is becoming a bit more like Mihawk and it’s interesting to think that while this means maturing in some ways (he’s swordsmanship for one but he’s also just quieter much more assured of himself) it also means deaging in some others.

Despite their significant age gap and general dispositions, when it comes down to it Zoro is just a lot more emotionally mature and developed than Mihawk is. And a big part of why is because he found something larger than himself to devote his life too, hell Mihawk himself even kind of acknowledges this when he agrees to take Zoro on as a student when Zoro begs for the sake of his captain and crew. He acknowledges that putting aside his own ego and dreams for the sake of someone else isn’t something he can do and sees it as a fault in himself and a strength in Zoro.

Mihawk may be outwardly mature and his skills defiently did not stagnant but I’d wager that Mentally Mihawk is still stuck at the same age he was when he took over the title of world’s strongest swordsman. Honestly maybe even younger. And it isn’t until training Zoro, letting Perona stay with him, for probably the first time in his life taking charge of lives outside his own did he finally unarrest his development.

If Zoro is purposely trying to emulate Hawkeyes, which it wouldn’t be a surprise if he was that’s who he’s trying to be Afterall, then it would honestly set him back emotionally because fundamentally as he is now Mihawk’s attitude doesn’t work in a crew. It’s too singular, too abrasive. And while that abrasiveness can be useful in Zoro’s role as Luffy’s first mate sometimes it makes him a little too callous a little too apathetic, like with his disregard for Luffy’s sadness over vegapunk.

But Zoro has his crew to temper that, they are honestly just too ridiculous to ever stay serious around. And try as he might to hide it Zoro is also just a silly dude who likes to be horrifically petty with his opponents. And zoro still has so much fire in him, so much he has too prove and so much he wants to protect to ever really fall into Mihawk’s apathy. Zoro has Luffy who even after they reach their dreams will probably still continue to turn the world upside down forever keeping Zoro in some kind of trouble and his life interesting.

Zoro can’t be Mihawk because even Mihawk can’t be Mihawk anymore. Being with crossguild and crossing with the Red hair pirates and the strawhats is going to change him, it has too. if Mihawk is going to live after losing his title he’s probably gonna have to become a little bit more like Zoro.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sherbetyy]

what if when duck said he “always knew he deserved to be dead” he also (maybe unknowingly) meant he excepts how their world works. like we all know he loves living in that hell hole of a home and love love loves when things go orderly and as planned. and he’s ALWAYS fucking dying so he’s sorta like . “hey. if this world wants to kill me sometimes that’s okay.” duck will just randomly out of nowhere says things like he knows too much about whats going on, but he just doesn’t care bc he believes it’s normal. and if he has any awareness of this thing specifically , i don’t think he minds as long as he gets to come back. because that’s always what happens and he’s okay with that. maybe he just thinks that that place knows what’s best for him, so he deserves what he gets. even if it means making him hurt from time to time

[youjustwaitsunshine]

anyways i genuinely and deeply believe that seb is one of the best, well-rounded, most talented racing drivers currently active and i think no matter where he was racing, he'd adapt within less than one season. he's incredibly versatile, everyone who has worked with him praises his quick understanding, intelligence and detailed feedback. he's a genius on track and seizes every opportunity he can and any team across all of motorsport recognizes his talent. so many other drivers know him to be courteous and friendly and so many racing series want to win him (and the fanbase and recognition that comes with him) to drive for them. It's clear that once a team is genuinely happy to have him and listens to him, he's a major force that very few other drivers could come up against.

[uncanny-tranny]

I just heard this ad that says therapy is just "learning how to love yourself," and quite honestly, I disagree with that sentiment. I think it puts uneeded pressure on people to "love themselves."

I don't think you need to love yourself to benefit from therapy, and therapy shouldn't just be "learning to love yourself." It certainly is beneficial for some people to learn skills that we call self-love, like setting boundaries, hygiene that works for you, eating full and balanced meals that you enjoy, for instance, but that doesn't need to include this air of being in love with yourself.

I think therapy is about learning how to live with yourself. You don't have to love your flatmates (for example), but you often respect them as people. So, you'll clean up after yourself, and you'll communicate with them, and you'll even make small talk with them. That's kind of how I see therapy. You don't have to love yourself, but you often need to learn how to respect yourself, and I think those are slightly different things.

[novelconcepts]

Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?

Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?

Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.

Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?

[sparklecryptid]

I had no patience for people policing other peoples ships before i went to library tech school and library tech school has make me a little bit pissy about the entire thing actually.

[evansbby]

my opinion on the Blake lively situation

[dykrophone]

multishipping is a superpower you neeeeeeeeeeed to have when you love getting into shitty gay media with found family because OF course they're going to make an incest map of all the characters and your otp will almost definitely not be endgame. of course they're going to pair the main guy and girl together as endgame just because. and I mean you COULD be a hater about it and curse the writers and throw a four year long fit but it's so much more fun when you just make your peace with the fact that this was always going to happen and pretend everyone is in a happy little polycule as they go through 18575879 different pairings you know aren't going to last because fandom and just the experience of being a fan is so much more fun that way!!!

[likes-words-and-shrimp]

Seeing that one post going around that's just basically 'say if you ever read fanfictions that are better than published books' and it's like, yeah of course there are some that are better, because some people are genuinely good writers, but also there are good books too, and then seeing people say things like, 'I have never read a good book I only prefer fanfictions' and it's just?? Seek out some books? There are so many different kinds, for so many different things. It just sounds like you're reading for an easy serotonin boost than really engaging with the work.

People who write books and people who write fanfics have one thing in common: they write. They are doing the act of writing, and each person is going to have different styles and come at it with different experiences. Also, if your favorite fanfic writer comes out with an original work that's not just filing the serial numbers off, will you read it? Or are you only there because they're writing your favorite characters from another piece of media (which might even be from a book?). Speaking as a fanfic writer who is happy when people compliment my writing, please read some books I'm begging. Not everything is from booktok.