#sometimes people don't think about what it would be like to be IN this shit

[icarusredwings]

Thinking about Gabby becoming Wade's. As in, Everyone knows that Laura is a copy and paste of Logan. Meanwhile, Gabby lowkey takes after her stepdad.

He's such a girl dad. Their family consits of 3 little girls and all three of them yell "Yay!" When Wade asks "Who wants to commit a murder?!"

Logan not only has Gabby but also Ellie now, and you know damn well he's being forced to paint his nails and play WWE in the same hour with these two, sometimes by oppisite girls. And he doesn't mind at all.

I HC she's from a hook up during the time Vanessa and Wade were broken up. He honestly didn't think there would be any consequences, and now he has the best daughter ever. (Who's favorite hero is CANONICALLY The Wolverine and owns a shit ton of Spiderman merch) If you know the lore, you know what happens with Carmelita Camacho, if not, look up Eleanor Camacho, Deadpool's Biological daughter.

Wade with Ellie:

You can not tell me that these three wouldn't have been the bestest sisters ever!! Technically, Ellies is the youngest, being like 9. Gabbys 13 and Lauras upwards of 22 by now.

Wade with Gabby:

I just know that these two are a NIGHTMARE at parent teacher conferences.

Wade: *grabs him by the tie and threatens his life* Okay bye Scott! And don't you ever give my daughter detention ever again!!

Scott: *blinks* But she keeps stabbing people...

Wade: And that's her god-given right! Isn't it Gabs?

Gabby: YEAH!

Meanwhile, Logan with Ororo-

Ororo: It seems that Miss Ellie is very..... Creative...

Logan: *raises eyebrow*

Ororo: *gestures to Ellie happily colouring on the wall a massive fight scene with her dads, spiderman, and a bunch of other heros*

Logan: Oh, so thats what happened to their bedroom wall... *is secretly proud*

[creatingblackcharacters]

on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

[ninyard]

i am a BIG supporter of create what you want for your own joy, so absolutely do what you would like to do for the trial!! no one should be pressuring you to do it a specific way unless that’s how you Want to do it.

but if you were asking about what we’d like… personally i would love to see the whole trial as much as possible (i really don’t want you to overwhelm yourself) especially for higgin’s and nicky’s parts!! i like when we see more than just Big Main Parts, especially bc you flesh it out so well <3 sometimes it’s even more hard hitting when it’s Not from the people we expect, you know?

also, thank you for making the socmed aus!! they make me giggle and kick my feet every time, and also wail in agony and clutch at my chest… you have the range <3

GOD i wrote a whole long ass response to this and i didn't realise until too late that my phone was going to die </3 and it died </3

But it was something along the lines of I'm really glad that the general consensus seems to be to do all five days of the trial, or however many days it ends up being, from start to finish. For me personally it'd feel unfinished if I skipped parts just to get to the ~interesting~ parts, and I think if I'm going to make something like this then I want to show it all.

It's not this deep, but I guess it's like... It's fucked up. People are making memes about a murder trial involving rape and other things that are just not funny at all. And skipping parts just to get to "GOD NEIL IS SO CHAOTIC ON THE STAND" or whatever feels,,, insensitive? Unjust?? I don't know

but people are also doing that shit in real life. About real people, real trials, with real victims and real perpetrators. Sensationalising trials just because it's a celebrity on the stand, or it's an "interesting" murder trial or whatever. People are making memes and jokes about them. And people are making their own minds up about the verdict because of it. I want to show people who think Aaron's guilty because of something the cop who arrested him said. I want to show people who think Andrew is an unreliable witness because of something Higgins says, somebody who thinks Aaron isn't guilty because a forensics team mentioned something about the crime scene that they don't think sounds right. I want to make this from the outsider view on the publics reaction to a trial, and specifically people who almost idolise Aaron, or Kevin, or Neil, or Andrew. People who don't see them as human, but as celebrities, as people who are supposed to be perfect. People who see a trial like this and think, "it's okay for me to make jokes about this, or to post about this, because they're just famous people. They're not like real people to me."

People are at home becoming twitter lawyers and making up their minds based on what they read or see online, and it almost separates the reality of the situation from the "characters" that people create out of defendants and victims. You see people hopping on bandwagons or hate trains or whatever when it comes to these kind of public trials. People making clips of something "funny" a lawyer or witness said for the sake of content. People making temporary celebrities out of the judge and jury and legal representation. For what? For likes?

I guess what I'm trying to say is that I want to show the different sides of how people actually react to trials like this without becoming insensitive to the fact that trials like this,,, do actually happen. But by making a fan tweet a joke about murder, I'm making that, I'm thinking of the words that go into the tweet. So it's tough. And again I know it's not that deep, but that's kind of... most of the reason why I've been putting it off? Because it's hard. It's hard not to feel like it sensationalises those kinds of things. It's hard not to feel like "God, am I just making fun of this situation here?" while also being reminded that yeah, maybe, but people actually react like that.

So is it worth the tumblr post to make memes and tweets out of something that happens irl, and affects real people? Is it insensitive, or is it just fandom stuff that isn't perceived in an insensitive way at all, because it is just that, a fandom post?

[adachimoe]

A long and meandering post about Adachi and the Investigation Team

I have no idea what to title or describe this as. This is a long ass rambling 2.5k+ word post that consists of like 5 drafts I had sitting around that all felt somewhat related. It starts with the part where the Investigation Team tells Adachi to get over himself, then devolves into talking about Adachi punching himself in the face repeatedly (metaphorically), before ending by exploring the idea of Adachi as the Investigation Team's collective Shadow. it rly is tl;dr.

Adachi will remember that

At one point in Magatsu Inaba, the Investigation Team takes turns responding to Adachi in verbal turn-based combat. They all have varying responses and levels of understanding of him.

Chie doesn't understand why Adachi even became a cop, Rise thinks he's full of shit, Kanji tells him a 2008 version of "go kys" (tbf, he's never been eloquent with words), Yukiko tells Adachi that he sounds like a kid, Naoto calls him out for finding life annoying while being a damn annoyance, and Yosuke tells him he's just a criminal.

What Yukiko says to him in particular appears to sting Adachi, evident by how he "!" emotes in reaction to her. Or idk maybe he's secretly into getting bullied by women. I think Yukiko has Adachi's number here, and he knows that. After all, part of his schtick is that, "Oh, you stupid fuckin' kids, you don't know what I've been through or how I feel! Get off my dungeon lawn!!!" And yet, one of those stupid kids is able to tl;dr his life. He later even repeats what she said back at Sho during P4U2.

What Yukiko says here, I think, stands out in particular not just because of Adachi's reaction but also because it resembles a sentiment found in other media: The contradiction of being alive while not "truly" being alive. This often goes like so: A character can be alive in that they are most certainly physically living and breathing, but they are largely closed off from the rest of the world and going through the motions. Thus they are said to not truly be alive.

In the context of Persona 4, I believe Adachi fits in with this trope. As Yukiko has assessed, life sucks, but it's not like he's in any hurry to die. From what we see of Adachi in the plot, he's going through the motions. He wakes up, goes to his job, goes to Junes to bum free air conditioning, and sometimes gets dragged over to Dojima's house.

I don't think it's bad that people fall into these routines by default. Some find them comforting, some appreciate the simplicity, and some make up for the monotony of adult life with the more fascinating things they do outside of work.

But this doesn't apply to Adachi, who openly groans about his life and job. He seems to want to live and fit in with society, but he wants to do with more than what he has right now, yet he also seems unwilling or unable to put in the effort to get what he wants. He tells us he's lonely and wants a girlfriend, but when the old woman from his Social Link tries to hook him up with a girl, he finds it all annoying. He thinks of himself as an elite detective who is above Inaba, but he is regularly made out to be incompetent, sloppy, and careless.

It's like he's stuck but not doing anything to become unstuck. Following the tropes, Adachi would move from being a character who is "alive without really being alive" to "Truly Living" once he figures out how to get himself un-stuck. If he truly wants to be a hotshot detective in the big city with a smokin' hot wife, then something needs to change because he won't get those things as he is now. But how does Adachi approach the subject of "change"?

Maybe the world really is just a shitshow?

Adachi being exposed as the murderer is a major turning point for the murder investigation. And after the Investigation Team chases him into the TV, one of the many things he talks about is "change", or rather a lack of change.

As far as Adachi is concerned, the world can't / won't / doesn't change. He criticizes the world and its inability to change, how society works, and how people will latch to whatever you tell them as the truth.

Some things he says might resonate with us, especially nowadays with the spread of social media and misinformation. However, despite these criticisms, it sounds like he still desires to be part of society. He has been trying to blend in as a normal guy since April despite being a murderer. I think it's worth reiterating that his complaints about his life weren't anarchist but more like, "I don't have a cute girlfriend who cooks for me." Furthermore, he was trying to take advantage of misinformation to get away with murder by pinning it on Namatame.

Adachi doesn't like the current world and doesn't think it will change. Thus, he is forcing it to change in a completely catastrophic way. He really is throwing a tantrum: Like, what, you can't get away with murder? All right, throw the whole world away. With this approach, it is not Adachi who must change to fit in with the world, but rather the world that must change to fit Adachi.

Change isn't a good subject with him, which, honestly, is relatable. Change is easier said than done. Even within Persona 4 itself, after getting Magical TV Powers, an event that feasibly might add spice to one's life!!, the same old routine still runs Adachi's life. What has changed is that he's now waiting for Namatame to kill someone. Showing up looking for a dead body in the shopping district is simply a new part of his routine.

This topic of Adachi and change gets wrapped up after the fight against Amenosagiri. Adachi challenges the Investigation Team: >>>If<<< they think they have the power to change the future, then do it.

After entering the TV World, Amenosagiri responds to Adachi's wish and makes his wish come true as the dungeon deadline bad ending shows. That was Adachi's own so-called power to change the future. So what is the Investigation Team's?

Yosuke then replies that everyone has the power to change their future. As in, you don't need special powers from a gigantic disco eyeball inside of a TV to do that. In context, Yosuke is telling Adachi, "This is a 'you' problem," or "Skill issue." And tbh, I think Yosuke is more or less correct here.

In which we revisit the topic of "dumbass" and effort

In some ways, this topic might seem odd to approach. Everyone on the Investigation Team - besides Chie - seems to have a better life situation than Adachi had when he was their age. Are they punching down? Perhaps it feels like a hollow reflection of the collectivist culture that the solution to these antagonists who go "BUT SOCIETY IS WHAT IS WRONG" is always to beat them up and force them to conform--

…..but hold on. That line of thought would be giving in to what Adachi says before his boss battle. And, based on how he quits talking about how "waaah society is unfair" afterward, I find it difficult to think that is what he genuinely believes about his situation.

When I suggest that Yosuke is correct, I don't mean this in a "You aren't special, Adachi, everyone else's life sucks too, just deal with it" kind of way. What I have in mind is how the game seems to support that this is an Adachi problem, not an everyone else problem. Throughout Adachi's Social Link, his other interactions, and what Atlus has said as meta / Word of God answers, you get the idea that people were trying with Adachi, but he wasn't meeting them halfway.

For example:

This entire post is about the effort the MC puts in just to get called a dumbass (though I'd bet that the protag considers Adachi calling him a dumbass to be like a Badge of Honor). Even their gay ass Fever Time in P4D tells the story of Yu trying to reach out and Adachi going, "No!!!"

The old woman in his Social Link is trying to wingwoman for him and hook him up with women in Inaba, but Adachi seems unwilling. Instead, he tells Nanako and the protagonist that he's never getting married. Despite his loneliness, he justifies himself by saying, "Marriage is the graveyard of a man's life."

The Dojima family and Adachi interact briefly throughout the game, both in the story scenes and in his Social Link. As his letter at the end of the game shows, Adachi felt lukewarm about their interactions because he wasn't quite aware of what he had with them until he no longer has their company.

The way I see it, when Adachi rants about the world not changing, he is not actually bitching about the world. Rather, this feels more like a form of projection. He says the world doesn't change, but perhaps he is talking about himself and his own inability to change. Which would reframe it as more like… He knows he's the issue that holds himself back - his own worst enemy, perhaps - but he says the world is wrong to justify himself.

You learn a bit about Adachi through his Social Link. During rank 6, in dialogue that can tragically be missed, Adachi will admit that he is lonely, but he also thinks it's easier that way. And really, easier is just another way of saying "less effort".

On one hand, this might show Adachi's annoyance with other people. But at the same time, for him to call the protagonist a dumbass for investing so much in him and their relationship, I think the unspoken bit here is that Adachi does not think he is worth the time or effort, to begin with. His lack of effort isn't just him being annoyed with people or not giving a shit about things. I'm no expert, but I think the majority of us would wager that this is depression.

As the game's timeline unfolds, we really only know Adachi as the pathetic, silly murder guy. Did he start distancing himself from people because of the "oops, I murdered someone" part? Or was he like this even before then? When he talks more about his past, he doesn't go into a great amount of detail.

Going with my gut here, but I get the feeling that Adachi's obsession with Mayumi - something from before he became a murderer - suggests his distance from people is not a new thing for him. Consider: Meeting people? Forming relationships? Even before we talk about romance, how the hell do you even make friends as an adult? (The answer is BL btw. Go find some girlies who ship the same pairing.) I think Adachi said fuck it to all that bullshit. It'd be easier - less effort - for him to just be alone.

But… What if the magical TV just tells you exactly who your soulmate is? Well, shit, that's easy. For the lonely guy who just got transferred to Inaba and generally keeps his distance from people, I imagine it would be quite convenient to just be told, "This is who your soulmate is".

And that wouldn't be the last time Adachi gets a freebie from the TV. It happens again in December, as Adachi finds an again "easy" solution that does not involve changing himself or doing something annoying that requires effort from him. Having been enabled by the magical TV, Adachi is something of a static character.

Adachi is the Investigation Team's Shadow

In the P4G Premium Fan/Fun/Fsomething book, Atlus defines the Shadow by the Jungian definition, then talks about how the Shadows in-game represent "alternate possibilities" for the characters. The specific example it gives is how Chie's Shadow holds a great deal of animosity towards Yukiko. The real Chie doesn't feel this way towards Yukiko; in fact, she treasures her. Thus, Chie's Shadow is an alternate possibility.

When you look at Chie and what she says about accepting her Shadow, her Shadow seems to be born from a real insecurity (her jealousy of Yukiko) and part of it really does resemble Chie. But part of her Shadow is also this… caricature-esque thing. Hence why Atlus calls it the "alternate possibility". In turn, Chie accepts that she is jealous of Yukiko, but she does not accept the Banana Hat Dominatrix trying to exert control over Yukiko. She even realizes that rather than Yukiko needing her, it was actually her who needed Yukiko.

(I refuse to carry on with this train of thought further than talking about Atlus's own example with Chie because it would inevitably mean having to talk about how Atlus sees Kanji and Naoto's issues/Shadows/dungeons, and I'd need like bottles of wine to get in the mood to even type a paragraph of that.)

During her P4G winter Social Link scene, where her Persona evolves, Chie brings up Adachi and how she could have become him. She continues that anyone could have turned out like him.

Indeed, Adachi very much feels like a, "this could happen to anyone" character. He is an everyday normal guy who accidentally gets involved in something beyond him: a Like a Dragon side story NPC stuck in a game about high schoolers and friendship. Based on how you see these characters, you can correlate many of their issues to Adachi's own issues.

Really, in some ways, he feels like he was written to be the sum of the Investigation Team's insecurities, all bundled into one guy. As Chie's Shadow twisted her jealousy of Yukiko into a desire to control Yukiko and showed an alternate possibility for who Chie could have become if she had let jealousy consume her, perhaps Adachi shows an alternate possibility for who all of them could become.

As Amenosagiri later reveals, the truth torments the Shadows. Your party identifies that is what causes the Shadows to attack people.

When we consider how the game has gone until now, then those moments where the Investigation Team told their Shadows, "You're not me!" must be the moment that Amenosagiri was describing. The members of the Investigation Team come face to face with a being who claims to be them and seems aware of the same issues that gnaw at them. But these beings pervert their issues issues in a direction that doesn't reflect who the Investigation Team really are. And so they challenge that this being is truly them. They, sigh, "reach out to the truth", and it causes their Shadows to go nutso and attack.

And, of course, these repeated scenes where they tell their Shadows all lead up to the last time we see this kind of sequence...

Just as the Investigation Team had to face themselves and pick apart the truths from the caricature, they, too, come to face Adachi and can cut through the bullshit, rejecting his attempts to justify why it's okay for him to merge the TV World into reality and screw everyone over.

That said, though, if we are to compare him to their Shadows, then we must acknowledge that, much like how the Investigation Team's Shadows come from their own real insecurities, Adachi's frustrations with the Investigation Team and with the world at large must also come from something real.

On this screenshotted line in particular, he even uses the more masculine "ore" as his pronoun in Japanese. He usually uses the more boyish "boku", but he seems to swap to "ore" to indicate that he is speaking quite genuinely--or perhaps speaking from the heart.

While he is a whiny murderer throwing an apocalyptic tantrum, I'm sure there are circumstances that made him the person that he is as an adult. Tbh, I've already made a lot of posts talking about the factors that might have contributed to *why* he feels like this, so I won't drag this out further.

By Arena Ultimax, Adachi has come to accept the murder case as the inciting incident that causes him to change as he finds himself finally owning up to his actions from the previous year. He's no role model lol, but life now has more meaning to him than just something you go through every day. Perhaps it's at this moment that he can be said to have gone from merely being alive to living.

(Let's be real tho, jail gives you 3 non-cup noodle meals per day? Damn. It's like he's living his best life. Speaking of which, food feels like such a fitting metaphor for his emotional nourishment.)

In the aftermath of the dungeon and the almost-end-of-the-world, Adachi agreed to start playing by the rules, and became more of a dynamic character. At the beginning of Ultimax, Adachi's commitment to this gets questioned as Yu, Yosuke, and Chie find him allied with Sho (like 5 cutscenes after Yu is so confidant he's behaving himself too, tsk tsk). But Yu reaches the roof, hears Adachi's cringe ass dialogue (I'm pretty sure that Adachi would not have said half that shit if he had known Yu was standing around the corner), and reaffirms his belief that Adachi was genuine about his promise to play by the rules.

The Investigation Team are not on the best of terms with Adachi. Regardless, they went into his dungeon, called him out on his bullshit that had been mixed in with his own real shortcomings and insecurities, punched him, and as we can tell by Ultimax, came to accept him in their own ways as they did their individual Shadows. As Yu says, perhaps they have strangely enough decided to trust in Adachi.

[qiu-yan]

3 6 7 11 16 20 25

bro is trying to get me killed lmao /s

choose violence ask game

3. screenshot or description of the worst take you've seen on tumblr:

this shit

6. which ship fans are the most annoying?

gonna be honest here, the single most annoying part of the MDZS fandom is that one hyperspecific sort of wang and xian stan who insists on shitting on not only the other characters, but also other wang and xian fans who ship the characters in ways they don't approve of. this kind of stan can not only be relied on to have the worst possible takes on everyone ranging from jin guangyao to jiang cheng, they can also be relied on to harass other wang and xian fans simply for putting wang on the bottom. fun times.

7. what character did you begin to hate not because of canon but because how how the fandom acts about them?

surprisingly, no one yet. sometimes i feel the hater urge to dunk on the morally-pure version of wei wuxian that the diehard wei wuxian stannies have collectively hallucinated, but i still find the wei wuxian from canon to be quite compelling.

11. number of fandom-related words you've filtered

the "canon jiang cheng" and "canon jc" tags. everyone stfu

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

"morally pure wei wuxian who did nothing wrong ever." to me, wei wuxian's hubris, his unique capability for inventing new kinds of cruelty, his failure to think of the consequences of his actions, his tendencies to run away from negative feelings, and his ultimate failure to protect the people he was trying to protect, are what make him a compelling character to me. these flaws in parallel with his courage, kindness, stalwart moral compass, and genuine love make him interesting to me. so i don't quite understand fans who instead insist on erasing all the morally grey and highly interesting stuff he did in favor of insisting he did nothing wrong ever.

20. part of canon you found tedious or boring

not quite what the question is asking, but i found the actual wang and xian romance in the original novel to be a bit lacking. mainly because (as other people have said already) a lot of the romantic development happened when lan wangji was drunk. at the very least, i wanted to see lan wangji's reactions to his various drunken adventures once he sobered up the next day, and i'm rather disappointed we never got to see that.

furthermore, on wei wuxian's end, it did kind of feel like wei wuxian was using this exciting new romance to distract himself from his past problems, even though it also seemed like he didn't actually know all that much about lan wangji. the only version of the romance that makes sense to me is the one where wei wuxian was already into lan wangji (subconsciously or consciously) in his first life; otherwise, wei wuxian falling in love with lan wangji during his second life, when he's yet to process any of the shit that happened in his first life, feels too much like him running away from his problems with a guy he believes will validate all his decisions. meanwhile, on lan wangji's end, i feel like the novel just did not give us a lot to work with in regards to his character. so it feels like, if you want to be a fan of lan wangji, you have to do a lot of the legwork of building up his personality yourself.

what also disappointed me a bit about wang and xian, as well as lan wangji's character arc itself, is that lan wangji is never really challenged on a moral-dilemma level in the same way that many other characters are challenged by the story. how do i explain this...alright, i'll put it this way. i've been brainrotted about madohomu (madoka magica) since i was in middle school. and that's partially because i know for a fact that, if homura was put in the trolley problem and had to choose between [killing 5 strangers] and [allowing madoka to die], she would choose to kill those 5 strangers to save madoka. but after reading MDZS, i realized i legitimately did not know what lan wangji would do in such a moral dilemma. because MDZS equates [being morally righteous] with [supporting wei wuxian], lan wangji is never placed in a dilemma where he has to choose between sacrificing wei ying and doing something the audience would think of as unforgivable.

these are just my own hyperspecific tastes, though.

25. common fandom complaint that you're sick of hearing

gonna put my hater hat on for a second, but i kind of roll my eyes at the jiang cheng haters complaining about how jiang cheng stans keep posting in the "canon jiang cheng" tag. dude, if it bothers you that much, just block the jiang cheng stans. then things will be peaceful in your favorite tag again.

[nthspecialll]

You are literally the best rdr account ever fr, your rants are not biased at all and i love it. Because some ppl rly should drop their ranting bcs it's obvious that they are more talking about their imagination about that character than actual facts.

I am so glad you think so because I sometimes noticed that too. From time to time it feels like people have an idea of a character and try to make the game fit around that rather than actually make the game sculp the character. That sounded very messy so: They make the evidence try to fit the result they want rather than letting the evidence form the result. And to be honest I think that is a little... Well offensive to the developers?

I am a writer, I write books and if someone tried to discard part of a character I spent years making because they felt like it, I think I would get annoyed, I even get annoyed reading it. Like it is fine if it is just jokes ya know? Like "Kieran is just a baby" as a joke but also being able to see that there is so much more to him, that is fine, but if you just refuse to acknowledge that there is more... No.

Another thing is glorification, I do not like people glorifying characters, again not as a joke, I think it is like ignoring a whole part of the character, the "mean" part of the character. Take Javier, I love Javier, he has so many nice and sweet sides, but I also know he is an asshole in chapter 6, that said I know people are not assholes for no reason, I know Javier had a reason to act the way he did. Do I think him acting like an asshole is a-okay? No, but I also know that there is nuance to it.

I have also seen it the other way around, where people make a character worse than they are? Like especially the women of the game, but also Javier and Bill. Again, dismissing part of a character that someone has put sweat, tears and blood into is not okay.

Media literacy is also a massive thing in this game because it is a historically accurate game in so many ways, and again, people who intentionally dismissive it because "Oh I wouldn't do that" are blind to history, because of course you wouldn't, you grew up in modern days with modern ideals and you got internet to educate yourself outside of whatever ideals and things were put into your head by those immediately around you.

I always strive to get as much information about characters as I can, to show both sides and to find out why do characters do what they do even if I don't agree with it. I remember when I learned that Javier did in fact point his gun at John and I at first got annoyed but then I caught myself and was like "that is fucking stupid ignoring it, face it and find out why."

To clarify, I am not shitting on people making jokes about characters, I do it too, nor am I shitting on people who does not have all information (I am not telling them to go research everything and "oh they must know every small detail to even speak about this character"), I am not shitting on people who have different opinions on characters, I am shitting on the people who chose to ignore parts of characters because that fits their narritive.

These characters are wildly deep and complex, allow them to be, and I know some people are going to say "oh that is so dramatic" and maybe, but that is my opion and if you don't agree just scroll, I am not forcing you to be here.

If you read all that, thank you! Here is a pic of Javier because I love him:

[youcouldmakealife]

Do you ever mix up names? I love your stories, but I am shit at names and as your pantheon/league grows I find myself increasingly turned around by all the north american dude names (first, last, AND hockey nicknames!!!). I can usually keep track of the on-going series names and names that are less common in North America (Kiro, Sven), but if I'm reading, say, an ask or rereading I usually have remind myself who is who first.

I don't mix them up between themselves and other characters in either a similar name way (James vs Jake, say) or roles (mixing up say, Wheels and Craney and Matty).

(This got so long and off topic, why does this always happen)

What I do mix up is sort of more of a...muscle memory thing, maybe? I'm writing the word, say, gorgeous, and I have to delete georgieous first, because my fingers apparently have become a phone's autocorrect function. I actually did write James as Jake a few times when I was deep deep in editing BTT, but again, it was just sort of like...an autofill error between my brain and my fingers.

The names themselves I'm pretty good with, though I do worry about whether I'll continue to be as a) the pantheon continues to expand (I love this by the way, and now I'm probably going to spend the rest of my evening mentally assigning characters places in the pantheon) and b) I get older. And both things seem pretty inevitable to me.

Unfortunately, the two things I appear to have in common with Leo Tolstoy are brevity and 'these people have three names, and I'm going to use them all interchangeably'. (ie Vinny is Thomas to himself, but Vinny to literally everybody else including me. And sometimes Tommy but only to Anton and his parents and only sometimes. Anton's alternately Anton, Petrov, Tony to Vinny and teammates, or Antosha to his family.)

I'd honestly apologise for it but it's one of those things that's really inextricable from the sort of...falling into a perspective way that I write, the same way I write in American English for American characters and Canadian English for Canadians, or use Christian (and specifically Catholic) references in Robbie or Georgie's POVs but never, say, Mike's or David's, unless we count Mike's very liberal usage of the word goddamn (and it's lowercase with him, but it'd be Goddamn to Robbie.)

And the different vocabularies extends to names. Like William Dineen is William to Robbie, he specifically asked to be called that when he was a teenager who wanted to feel more adult, and Robbie respected that then and continues to now. Georgie respected it in another way -- he was Willy to him, and now he uses Will, which William is fine with, but only with immediate family.

But in the text itself Georgie would never use William, because it'd feel distant to him, and Robbie would never use Will because he'd consider that disrespectful after William specifically requested to be called that, and me choosing one or the other wouldn't be in character, so he's Will and he's William, but never Willy (that's Tate Williams).

I make this all sound like a much more conscious process than it is. A lot of this stuff I've only figured out via metacognition of my writing process, which is, by necessity, done in hindsight.

My original answer to questions like 'why did you do _____ that way?' is invariably '*shrug* felt right', and people tend to find that...unsatisfying, so I often investigate further, and the answer becomes 'felt right because of <this reason I was in no way consciously aware of during the writing process>'. As I've said to my poor beleaguered editor, a lot of my writing process is 'just vibes'. I follow good vibes. Bad vibes tell me something's not working, and I adjust accordingly. I think a lot (I cannot tell you how many times I've been accused of overthinking things), but when it comes to writing, most of it's happening beyond my own perception, so instead it feels more like gut instinct. (which is, indeed, what gut instinct often boils down to: pattern recognition going on beneath one's conscious awareness)

[intimidating-fettuccine]

Toby with a member of the mansion who just doesn’t like him? (Platonic btw) They don’t shit talk him or anything and work fine.. they just don’t like him in a more casual setting. -🧶 (I’m curious to see how this would go. Thank you :) )

Interesting, I think this is the first request I've gotten like this :p

Toby is, unfortunately, used to people not liking him. Part of it is due to his intentionally excitably annoying facade he keeps up all the time, and the other part of it is just due to his behaviors exhibited by his trauma, which of course isn't his fault. You don't seem to judge him for his trauma, and instead just seem to not particularly enjoy his company. The only downside to people not liking him is Toby tends to wonder what he's doing wrong to make you feel that way, as he does try very hard not to make people dislike him, and he often changes his behavior depending on who he's around. So, obviously, it bothers and upsets him that you have such disdain for him.

He knows not every person in the world is going to like him, but he can't help but wonder just what it is about him that you dislike so much. Whenever the two of you are working on missions together he's respectful and doesn't try to get too close to you, but you can always feel his eyes watching you, as though he wants to say something to you but he never does. Even when the two of you are just lounging about the mansion sometimes the feeling of someone watching you never seems to leave you, which in turn just makes you more agitated that he can't seem to leave you alone. If you tell him to knock it off he will, but it tends to make him a bit mopey, which honestly makes you prefer him just watching you from a distance. You're never rude to him, and you never talk about him behind his back, so really he has no reason to be so upset about you not liking him, but the reality is that it makes him incredibly anxious living in the same place as someone that doesn't like him, and it has him set on edge the whole time, scared one day your calm distaste might turn into something worse.

I think eventually Toby would end up wanting to have an actual sit down conversation with you to discuss that fact, just so if anything he could relax a bit more in the mansion around you. He expresses what I've written above, that he knows you don't have to like him, but that his residual trauma has him scared one day your indifference might turn into anger or violence, and he feels as though he has to walk around on eggshells around you. His honesty and openness catch you off guard, and of course, you put an end to his worries, rightfully stating that you would never want to hurt him or cause him any emotional harm. You may not like him, but you're not an asshole and you're not going to cause him any harm. Toby visibly relaxes while you explain that to him, and he apologizes for ever having such worries in the first place, and you apologize for having made him feel that way. The two of you will go back to your normal, of you not wanting to be close to him, and Toby watching you from a distance and never impeding, but I think it would be a bit lighter. Toby still views you in some sort of way as his family, as he does everyone in the mansion, and he'll protect you if he thinks he needs to, just as you would him, but he no longer really feels the pressure to try and grow closer to you. He'll accept that sometimes you can't be friends with everyone, even though he'd like to be friends with you, and maybe that chance will come in the future, but for now, he's content to just exist in your space without worry.

[ananke-xiii]

More on the power of resurrection as the "apple of discord": Billie won theory.

So. Chuck vs Billie, it's all about the preservation of the natural order. Now if you ask me what "natural order" means in Supernatural I wouldn't really know how to answer. I think by that they meant a concept akin to that of metaphysical necessity, of a causality that's prior to space and time. However, Chuck has subdued the Moirai as we know from s6 and s15 and he controls life, death and space and time. Therefore, the natural order seems to be Chuck himself. Or he definitely thinks he is but he's really not 'cause, as it turns out, it doesn't really matter if Chuck exists as God, anybody who can contain God's power can become God. Just like any reaper who dies can become Death in case Death is absent. In other words, "Death" and "God" are just "roles" that virtually anybody with sufficient power and in the right circumnstances could play.

In this respect, Chuck is more powerful than Death because he can control space and time as he pleases while Billie can't. I mean, it appears on Supernatural that techinically Billie can manipulate space and time but her issue is precisely that: if you start manipulating space and time Death ultimately really means nothing since it's a concept that's intrinsically connected to these notions.

This is why, I think, resurrection is the core problem in the ultimate power struggle, i.e. God vs Death. As a concept, it defies the rules of Time. If resurrection can happen, then time is no longer irreversible and if time can be reversed then Death doesn't really need to exist. But apparently in Supernatural necessity is the ultimate force and Billie wants to protect that, she wants to protect the role of Death in the story. Surprisingly, in this view I find Chuck a litte bit more fascinating because he's not only playing around with his toys, he's actually messing with Necessity itself. And no smart God would have done that 'cause it only ends one way: a recknoning.

So following this probably unsteady logic, in the end Billie won. Because what did she want? In the words of the Shadow:

The Shadow: Become "New God." Classic narcissist, right? She's all tingly for the rules, the good-old days. [...] Everyone back to where they belong... realities, dimensions, graves. What should be dead dies, angels off Earth, demons back to Hell, and I go back to sleep.

It's always, always about "the good-old days" (insert teary gif from The Office's last episode).

She didn't get to become the "New God" because she made the same mistake as Chuck: inserted herself in the story, thought she could use Jack and focused all her attention on Dean Winchester without realizing who her real enemy was (as I've previously said, it's totally Castiel. It's always Castiel, Castiel must die die die for the story to end).

But if what mattered to her, power aside, if the reason why she wanted to become god was because she didn't want anybody to interfere with the natural order AND if it doesn't matter who Death and God are as long as they stay hands-off... then Billie totally won in the end.

And she won because Castiel died and didn't resurrect (more or less, he's somewhere in Heaven probably but we don't see him. Seeing is crucial in resurrection stories: if we don't see him he might as well be dead to us). Dean died and asked not to be resurrected (incidentally I should talk about how Billie's values align with Dean's but not today). Sam eventually dies too and Jack is... somewhere, sometime, being God all alone and in everything but without interfering with Necessity (and I should also talk about what the fuck they mean when Jack says "[people] just need to know that I'm already a part of them and to trust in that". LOL what people and what trust? And why should they care? Are these the same "people" Chuck didn't give a shit about? Chuck was already a hands-off type of God, hell, he was the absent father, right? Not just to the Winchesters and the Angels, no, he was humanity's absent father. Chuck self-inserted into the story just to play with his two toys, this has nothing to do with "people". They clearly didn't know how to end the show and tried to pull the mysticism card like they did in S11 but with worse results).

Order is indeed preserved. Time as we know it is safe. Still, there are monsters and Heaven and maybe even Hell, Purgatory and the Empty. God exists but doesn't interfere. Most importantly, Death has no obstacle and can do her job just fine. Everything in its place and a place for everything.

The universe is indeed many things. And sometimes it is poetic (justice).

[bloggingboutburgers]

cw: discussions of bullying and aphobia

Hearing aroace peoples' existential crises over their friends discussing crushes, as someone who was socially isolated and severly bullied for their whole childhood and most of their adolescence so had NO friendgroup until adulthood and NO community or inclusion in literally anything (and when it came to sex and romance the other kids explicitly considered my potential involvement in either to be impossible / laughible because of how "weird" they found me (my autistic traits before I even realised I'm autistic)), felt like starving while listening to someone else complain about the food they're actively eating.

Food intolerances and dislike of different foods (as metaphor for being aro/ace) ARE important and difficult to grapple with when you're expected to eat specific foods in specific proportions at different times - but man did it sting until I realised why I felt that way and gave myself a talking to since my trauma doesn't justify belittling the very real struggles of aroace people.

I guess since the choice between 'stay alone or conform' was never really a choice because I was rejected no matter how cis straight or allo I was it taught me to go "fuck it" and accept myself regardless of what other people do or say (which ironically has lead to me becoming dramatically popular all of a sudden at uni, which has been weird to get used to since I have literally no experience with any of this - platonic or otherwise - which did lead to some advantage being taken of me but f*ck it we ball ^^'). And I guess it's just been difficult understanding why anyone would care so much about whether they're "normal" or not? You really have nothing to gain from that, safety is not guaranteed in conformity so best to live aroace and damn all aphobes to hell if they have a problem with that.

It's a mindset I'll never understand and that's only ok now insofar as that lack of understanding no longer results in misplaced anger at people who, for a time, I had once considered spoilt, ungrateful and out of touch. Basically, I'm full of sh*t and to every aroace person reading this you deserve good friends that actually respect you for who you are and do not even TRY to get you to change your mind about sex or romance. Have a lovely day x

Sincerely,

An aggressive emotional support anon

I'm genuinely sorry for all the hardships you went through. I don't mean to equate at all, truthfully from reading you and considering I WAS asked some of those questions as a kid regardless (the "who's your crush" bullshit and whatnot), it definitely sounds like I had it less hard than you did, but... I was bullied in elementary school and middle school, also not necessarily because I was aroace (I don't know why it happened really, I don't know if anyone ever knows, I boil it down to... me being me and there being something fundamentally wrong with me ig), and I definitely also get some of those feelings of "oh boo hoo you call that struggle" boiling in me when people discuss their own past struggles sometimes, so... Yeah, every one person's experience is unique, but I can at the very least very much sympathize.

I think a way it manifests in me is that I now have that compulsive, debilitating fear of being "othered" in any way, shape, or form, so I guess being aroace doesn't help my case. But at the same time... Well, like you brilliantly put it, when you're in a situation like that, no matter what you do, you won't be accepted anyway, and having that knowledge back then is probably also what lead me to figure myself out as aroace so early in life. Because I was treated as this much of an outsider, I ironically had that much room in my own head to form my own identity, far apart from others and the need to conform. Yeah, that identity may include a "piece of shit that doesn't deserve to be supported of part of a group" side that's been forced in, buried deep down and can't be erased, but... It also includes asexual and aromantic, and it's been cemented so hard from so early with such self-affirmation that later down the line, it saved me from a lot of stuff. I never had to force myself into a romantic or sexual relationship because I was undoubtably aroace – and people saw me as an outsider and an eyesore anyway. I spent years of being scared to go to school or out in the street every day, but later down the line, somehow, I feel it saved me from doing so many things I wouldn't have wanted to do.

...Bleh, sorry, didn't mean to turn this into me-me-me crap when you had the courage and sincerity of not only showing your experience, but finding the strength to show more love, understanding and support than a lot of people probably cared to give you for so long, despite all the pain you felt for so long. I guess I just wanna say... This take is definitely inspiring, so thank you on behalf of myself and others I'm sure, but also... I hope that, for yourself, you're also managing to own what you lived through in a way that allowed you to affirm yourself more strongly (it sounds like you are, I hope it IS the case), and most importantly, I hope you're in a much better place in your life now and you'll never have to return to that level of loneliness again.

[takethelx3]

when ur platonic bro is just helping u stretch while u platonically yap about ur MAGNUM DO-- detective skills.

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

[ssaalexblake]

dw is a mid kid's sci-fi tv show and it's quality level has been mostly entirely consistent (mid, basically, with the occasional very good episode to balance out with crimes against humanity it sometimes produces) the whole reboot, and anybody acting like the Only thing going into peoples opinions of the characters are writing preferences are either Deeply naive or are trying to hide something they know people will not take kindly to.

[wigglebox]

.

[gideonisms]

See I think if I'd been born a guy I wouldn't be this pathologically avoidant trying to plan my career because there are plenty of situations you can find as a cis man where you just Do Tasks in awkward silence and you can get to those as a woman but you have to go through the rings of hell socializing first and then besides, a lot of those jobs already have so many men that you stand out when the whole point was you Don't want to do that