#something something saving them from becoming crows and the likes

[mtvjedi]

can i complain about gladiator 2. i’m gonna!!!! here is your official spoiler warning!!!!!

i knew frankly nothing of the plot before i went to see it i ONLY saw it because of pedro pascal and paul mescal (and denzel) so in that sense it was a good movie. in all other senses it was…………. well……….. a movie. why was lucius beat for beat maximus from the original movie but written worse. birthright stolen from him, wife murdered by the roman army, forced into being a gladiator due to the whims of powerful men, eventually becomes Thee leader of the gladiators, overthrows the current emperors/government/etc. except we have the added “plot twist” of him being maximus’ son AND marcus aurelius’ grandson. double nepo baby. i say plot twist because it was obvious to probably literally everyone who knows even a tiny bit about the original movie.

it is very obvious that they cut basically everything important from the plot because nothing connects. the ONLY plot line that has any kind of follow through is denzel’s so no shock he was the best part of the movie. side note i knew once they cast him that he wasn’t going to be playing some silly goofy mentor character so him turning out to be more important wasn’t surprising but his true motivations were and, again, the only coherent plot line in the movie. he was a slave, he bought his freedom, he got rich, and he did what he had to do to get his revenge. his and paul mescal’s relationship was the most interesting one because you were a slave but now you’re buying slaves and potentially sending them to their gruesome bloody deaths in the hopes that someday one might be powerful enough to help you overthrow the emperors??? did you KNOW paul mescal was lucius when you found him or was that simply pure dumb luck???? “the dream of rome is dead” ???? great continuation of the first movie because truly like what was supposed to happen post russell crowe killing joaquin phoenix and then immediately dying. who was in charge after that. side note: why were there like. full scenes from gladiator in there as flashbacks.

pedro pascal was like. kind of exactly the character i expected him to be. but again it feels like there’s MORE that they could have done with him. i understand why he had to die and it WAS interesting to pit him against paul mescal in the arena and then have the praetorian guard actually kill him to show how the emperors were losing control of the people, enter denzel, but. idk it felt like there was something missing from his character. i was actually convinced that the guy who put young lucius on the horse and sent him away would turn around and be pedro pascal and that would’ve been like an interesting little i saved your life please show me mercy here’s how i connect to the story besides being your stepdad type thing but here we are i guess.

poor paul mescal, truly. i thought he was as good as he could be with what he was given. his whole character just felt disjointed. like, it makes sense up until he’s revealed to be lucius. captured from his home, forced to watch his wife and eventually his friend/mentor die in front of him as a direct result of the roman empire, forced into slavery, doesn’t want to kill other slaves but eventually has to because he, like denzel, has an axe to grind with rome. but then he actually gets to rome and appears to not remember anything about who he really is, his mom figures it out in 0.2 seconds, and he suddenly remembers everything? had he ever even forgotten it? if he hadn’t forgotten, what was his plan back in his city? did he really love his wife? if he had forgotten, how does he remember everything so quickly? why does he hate his mom if he was 12 when she sent him away, aka old enough to understand what was happening? like, him in the first half and him in the second half are completely different characters and there’s not much of a bridge to connect them. there’s no explanation. honestly i kinda thought the real plot twist was gonna be that he actually was just some random kid and not actually lucius. like he just Becomes this character at the end without any real growth!!! he forgets about his wife and his friend! he has the chance to kill pedro pascal but he just……… doesn’t, for whatever reason. i kinda thought he was gonna die at the end because there had been so many little flashback moments to his wife crossing into the afterlife like russell crowe walking in the field to his wife and kid but i was gonna be really pissed if he died because then it’s just like exactly the same as the first movie where like who’s gonna lead??? you’re gonna be in the exact same spot in 20 years again!!!!!

idk it was just so long but nothing like. happened. it’s like a half baked gladiator remake but there’s so much CONTENT missing. overall, cheesy, the “dream of rome is dead, but we can rebuild it for all of us” or whatever thing was a little heavy handed, 10/10 for denzel washington, fun to watch if you don’t wanna think about the plot, pedro pascal and paul mescal as beautiful as expected.

[mbg159]

One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[squeakyducky]

One headcanon for each OM! Cast

Lucifer

Sometimes absentmindedly hums along with the cursed record as it plays. MC caught him on the act and he swore them to secrecy.

Mammon

Owned a goldfish like Levi. He named it "nugget". But he only got to raise it for one day because his crows thought it was food and ate it.

Leviathan

Once listened to vocaloid songs and has already fallen down the rabbit hole. His favourite is Miku. Classic.

Satan

He's a hardcore fan of Sherlock Holmes, has finished all the novels, TV series and everything. He sometimes calls MC his Watson.

Asmodeus

Hates washing dishes with a passion because it always ruins his newly-painted nails. He always tries to persuade one of his brothers to switch with him.

Beelzebub

He never had the torture pleasure of watching mukbang eating videos because it triggered his tantrums once and blew up half of the HOL.

Belphie

He can't fall asleep comfortably if he's not hugging something, be it a pillow or MC. And he always drapes his leg over whoever he's sleeping with.

Diavolo

Thinks 5-minutes crafts videos are legit and he always tries to follow their ideas. Barbatos is so tired of it. Please save him.

Barbatos

Accidentally destroyed half of the castle trying to chase a rat down. He repaired everything in just a day because it's Barbatos.

Solomon

Tried to work in a hospital but instead got charged with food poisoning and attempted murder, the news spread worldwide and he was banned from every hospital in the human world.

Simeon

Uses Pinterest whenever he feels uninspired or feels stuck in the middle of writing a book. It was easier to use than other platforms for him because there were only pictures.

Luke

Watched My Little Pony and thought it was a good show. Only Simeon knows of this because he was too embarrassed to talk about it to others. His favourite is fluttershy.

Raphael

Got a wild idea to add pickles to the ice cream at 3am and it has become his new favourite food ever since. Even better when Solomon makes it for him.

Thirteen

Always makes sure to has some traps laying somewhere whenever she and MC are hanging out because someone Mammon always tries to interrupt their date.

Mephistopheles

He used to be a theatre kid and he is still one. Secretly. He thinks he's being slick but he's not. Literally everyone knows.

MC

They once tried to drink motor oil thinking it was beer. The situation shortened the brother's lifespan by a hundred years.

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[vimmark]

what bums me out the most about veilguard's sanitizing of the crows is that... they didn't have to do that. the whole apocalypse situation was the perfect opportunity to "force" players to align with a faction that's objectively morally bankrupt.

it's not like they were completely unwilling to put the player in a position where they have to turn to bad people for help. the threads are a crime syndicate that, among other things, runs protection rackets. they are not good by any sensible measure. but the venatori are a common enemy, and the shadow dragons need help. there might be an alternative, but it might be one you don't feel any better about. or if you save treviso over minrathous, they are the only choice. they want their city back too, so they will help. it might mean you're empowering them to run things their way later on though, when the venatori are gone. that's a risk you will have to take.

if we can have that, why not something similar with the crows? maybe they couldn't or didn't want to outright say that crows buy slaves and snatch orphans off the streets to brutally train until only the very few that can withstand literal torture are left to become contract killers for the rest of their lives. but there were ways to peel back the curtain a little, and still convince the player they are better than the alternative:

npc and/or crow rook dialogue stating they joined because it was that or die on the streets

codex entries or small notes about the latest batch of fledglings that didn't make it through training, and someone has to make time to burn them with the rest of the dead

banter with lucanis on what his and illario's training actually involved, with another companion reacting in horror and lucanis shrugging it off, because it's normal for him. yes they beat them and starved them, how else could they learn to do what they do? how else could he have survived a year of torture in captivity? it made him strong. it's what they do.

they could have shown enough to make it clear not many people choose crow life, and that they keep their numbers up by bringing in those who have nowhere else to go and conditioning them into undying loyalty. but what are you going to do, let the city and the country burn under antaam rule and feed the gods' power? who do you think will suffer the most from that?

the crows are brutal. they are constantly at each other's throats (this part they acknowledge, but mainly through the mayor's accusations that we're not really supposed to agree with), they control antivan politics (they acknowledge this themselves, proudly) and make a lot of their living off of meddling in everyone else's too. it's an organization that most members join because they have little to no other choice, and the only way out of it is death or a lifetime looking over your shoulder. but if you want to save the world, and lose as few people as possible in the process, you're going to have to grit your teeth and get them on your side.

we could have kept everything else as is, and when we hear the talons talk about how they have to do something because no one else will, we know we might be playing a part in changing the world's perception of the crows for the better. this exchange from the wigmaker job could still hold true:

but now they will be heroes everywhere, and you helped. it's a risk you had to take.

[vigilskeep]

hey harker! very much enjoying the lucanis/illario/general crow posting, and im gonna encourage more: now that you’ve had some time to sit with the game i was really curious to hear more about your opinion on lucanis becoming first talon. i can’t help but feel like it’s completely glossed over that lucanis is definitely going to get chewed up by this job in most save states. i have mixed feelings about it personally - but setting those aside because i’m asking about yours.

i TRULY cannot express this enough: that villa is a tomb and if we do not get him out of there we are burying him in it

lucanis does not want this job. he has straight up canonically always avoided thinking about this by assuming he would die before it becomes something he has to deal with. he reacts with paralysed disbelief to being given it and seems to have barely registered it for the rest of the game. and even if he did want it, lucanis is not capable of this job. none of his skillsets are managing people, or making ruthless calls, or watching out for himself. the only driving force behind him being pushed into this is caterina, who will not be around to do the admin and protect him from external threats forever. and she only wants him to do it in the first place because she had a good heir—his mother—and has needed to project that dead daughter onto lucanis for his whole life, to believe she hasn’t already gambled and irrevocably lost her family’s future decades ago. but lucanis’ incapacity to ever say no to her, which is what lets him stay that eternal teacher’s pet, is one of the most obvious shining examples why he would be so bad for the job!

it would be an uphill battle for anyone to recover control of an assassin house that until last week was being run by your cousin who tried to kill you. it would be an uphill battle for anyone to lead the crows in the aftermath of the antaam occupation. it would be an uphill battle for anyone to cope with the fact that relying on viago and teia—which lucanis with his resources and skills has no choice but to do here, even if he didn’t simply like them and make choices based on liking people because he is not a strategist—presents them as an alliance that any other ambitious talon must cut down to get anywhere. three out of eight of the talons is such a ludicrously dangerous number. it does not take an overwhelmingly brilliant mind to notice that there’s more of us than there are of them

the best man for the job would still be fighting for their life, and lucanis is far from the best man. caterina was! and she still lost five children and six grandchildren holding it! that’s so many! have you guys ever seen that one post about people who kept getting a new outdoor cat every time the last one got eaten by cougars and it was pointed out they were basically just feeding cats to the cougars. that’s what caterina dellamorte was doing having kids

the points in lucanis’ favour off the top of my head are the weight of the dellamorte name and reputation, that his victory over illario was decisive and public, and simply the fear factor that he is a god slayer and, lest we forget, a fucking abomination. is that enough to keep him alive? for how long? under what level of constant anxiety and moral degradation for his very soft over-caffeinated heart? all for the questionable gain of several large and empty villas and the privilege of dragging out the slow and lingering death of a family that, you guessed it, you love it, it’s the thedas favourite: has no! next! generation! heirs! at all!!!

(unless illario has a bunch of kids somewhere. i think that would be objectively pretty funny, a sentence i managed to type most of before feeling ill. oh god we need to get them out.)

i apologise that my tone here is somewhat hysterical but i have been living in the mind of my rook, a character very aware of the realities of crow politics who loves lucanis very much. it does not surprise me that lucanis was once again incapable of even conceptualising saying no to his grandmother and accepted the title, or that the idea of abandoning her legacy and his family would seem insurmountable to him when he has been raised to believe it’s all he’s for and he is the last one shouldering the weight. but i am saying this with total and absolute confidence: this is another prison and he is going to die in there if nobody gets him out.

[clawsmiic]

"I had to talk to you."

Repost from other account

2.4k words

CW: Heavy flirtation, canon divergence (S4 end events didn't happen), College Student!Steve, Steve has shit eyesight

October 13th, 1989

Steve sighs, leaning back on the drivers side of his 1983 BMW. Burgundy paint starting to chip on the hood, the car becoming less appealing day by day. Girls passing by not even looking in his direction anymore. He was old news in Hawkins after people found out he had finally started at a college half an hour away in Fort Wayne. Just starting his life like everyone else did 4 years ago just wasn't appealing to most girls.

At least not Hawkins girls.

But at this point he didn't care. He was proud of himself for pulling his life together after all the bullshit he had been put through. With saving an entire town too many god damn times. Cutting his dad off when his parents divorced. Moving out to get a rented house with his best friend Robin. Just what he learned he needed over time.

Getting into a good school by himself with no help was just a cherry on top of the fuck you sundae he graciously served his past problems.

He was satisfied with what he had right now.

Dustin walks out of the new game shop in the newest strip mall to grace Hawkins. Steve looks up, pushing his Ray-Ban sunglasses onto his head.

"You made it out before, Robin. I'm surprised." Dustin glanced at the instrument shop a few doors down, then back to Steve. "You get what Eddie needed?"

"Mostly yeah. She's still getting her trumpet fixed?" Steve shrugs at Dustin's question and slides his sunglasses down in place again.

"She probably got distracted looking at something shiny and new. You know Robins crow brain sometimes." Dustin laughs, looking into his bag, shuffling a few things around inside.

Steve looked over at the liquor store at the end of the strip mall. Looking back at Dustin, he taps the top of the car. His head snapped up, eyes a bit surprised at the sudden noise.

"You want anything?" Steve asks, tilting his head back towards the store.

"Coke? If they got it." Dustin simply replied before getting in the back seat. Steve nods and walks to the liquor store.

The bell chimes over his head as he walks through the door. He takes in the warmth of the store and the radio playing over the speakers on the ceiling. Such a nice contrast to the crisp Autumn air outside.

He turns heading down an isle of assorted liquor bottles and bar accessories before finally stopping at the fridge. Humming along to the song over the radio, mumbling the lyrics to 'I wanna know what love is' absentmindedly.

Sliding his glasses down his nose, he squints at the selection. All the labels are blurry the farther he is, he steps forward rubbing his eyes and sure doesn't help with the florescent lighting blinding him from above.

God I need to get my eyes checked.

Opening the fridge, he grabs the 3 soft drinks and a 6-pack for later when he hears a metal scrapping and whoosh next to him. Followed by a muffled but panicked "Shit!"

Looking over, he sees the back of a squatting woman struggling with a metal shelf slipping out of one of the fridges.

Walking over, he quickly puts his things down and pushes the shelf back in. The metal shelf, cold against his warm skin as he reaches into the fridge, fixing the fasteners back into place.

An issue he's all too familiar with working at Family Video. The fridge racks always got loose and every time it happened he was always made to clean them up. He could only imagine the mess a bunch of glasses and beer would have made.

"Thank you so much!" The woman speaks as Steve stands up, slowly closing the door. Looking back, he finally sees your face. His lips slightly part as you continue talking, he can't hear a word you're saying right now.

All he can hear is the very oddly convenient Foreigner song playing over the store radio as he takes in every detail of your gorgeous face. From your shiny hair to your bright smile. The vibrant colored nail polish on your fingers you're waving as you talk. You're unfamiliar, he's never seen you before, but you're an absolute stunner of a woman.

Steve never thought of himself as a love at first sight kind of guy. But right now he was undoubtedly being proven wrong by the spark he was feeling, not to mention the nervous knot in his stomach.

"But really you're a life saver... Thank you." You stop talking, looking at him. Your face falls as he perks up, realizing he's just been staring like a complete idiot this entire time.

"You're welcome!" He spoke, choking almost over how inappropriately loud he was for a second. Feeling the effect of not talking to women for a while really hit him. You look down at his soon-to-be purchases.

"Full Sail Amber. Good beer." You comment, making him look at the floor and nod.

Crouching down, he grabs his things and stands cracking his head on one of the fridge door handles. His sunglasses fell off his face and onto the floor. He stands up wedging his soft drink between his side and arm. Rubbing his head with a hiss.

"You okay?" You ask with a slight chuckle. Bending down, you grab the sunglasses, Steve moves his hand, grabbing the bottom of the door handle to shield your head from injury.

"Yeah, thanks." Before he gets to put his hand out to take his Ray-Bans back, you slide them on his head with a soft smile.

God she's so fucking pretty.

"You're welcome. And thanks again for... Saving me from paying for a full shelf of beer." She turned down the isle to another part of the store.

Part of Steve wants to follow you and try chatting you up, but the slight embarrassment of hurting his head just keeps him from doing so.

He turns, goes to the front of the store and makes his purchases. Heading outside, he walks to his car, finally seeing Robin in her usual spot, the passenger seat. Opening the driver's door, he slips in.

"There you are!" Robin looked at him, her trumpet case in-between her legs on the floor of the car.

"What's with the face?" Dustin asks, Steve looking at him in the rearview, glaring.

"Shut up Henderson." He hands them their sodas, moving to close his car door when he hears the bell from the liquor store chime.

Out you walk, starting across the parking lot to a top-down red 86' Volkswagen Cabriolet. Steve freezes, staring again. He really can't help but stare.

"Oooh." Robin and Dustin both taunt him, making him sigh. He needs more friends, fewer annoying friends.

"She's pretty." Robin says looking at Dustin.

"Too pretty to talk to, apparently." Dustin adds, laughing as he looks back at Steve.

"I talked to her in the store." Dustin raised his eyebrows, pushing his baseball cap up a bit.

"You asked her out?"

"No." Steve watches you load your bag into the back seat and start pulling the top up on your car.

"Not too late!" Robin smiled, taking a sip of her drink. Dustin looked at her.

"He's not gonna do it."

"No, he's gonna do it."

Steve feels like he has a devil and an angel bickering on his shoulders right now. His foot meets the new asphalt of the parking lot as you open your driver's door.

He's quickly out of the driver's seat.

"Holy shit he's doing it." Dustin comments as he shuts the door on them.

He stops at the bumper of his car, hearing your car engine click over. Music pours out of your open windows before you turn it down quickly.

The universe is screaming at him to talk to you when he starts hearing that familiar Tears for Fears song, 'Head Over Heels'.

Please don't pull away, please don't pull away.

He nearly sprints across the parking lot out of fear of missing his chance. Upon reaching the car, he knocks on the back window, pulling you from looking for something in the console.

"Hi..." He says awkwardly, approaching the window. Leaning on the door, he smiles as you smile back.

"Hi. You need something?" He gets so agitated that you smirk up at him.

'Why'd you have to be so God damn pretty?'

"Sorry if this is weird, but I had to talk to you." He started, finally being able to say something. Your eyes go half shut with a soft nod.

"Talk to me?" He nods, clenching the door frame for a second. "Go ahead then. Talk."

His eyes go wide in surprise at your sudden confidence. Steve stammered for a second.

"Uh... At the risk of sounding crazy or desperate... You're probably the most beautiful girl I've ever seen in my life." You can feel your body warm up as he gives the most genuine smile you've seen on a man in a while.

"Mmhm, go on."

"Are you by chance single? Or like... Are you even attracted to men at all?" He asks, sheepishly smiling.

"Yes, and yes." Your smirk slowly turns into a grin as he squats to eye level now, feeling a bit more confident after your answer.

"I'm Steve, by the way. Steve Harrington." He smiles again hearing you reply with your name. "Are you new to Hawkins?"

"I am actually. I just moved here from the city and needed to stay nearby for school."

"Where are you going?"

"Trine University." His eyes go wide, the same school he goes to. What are the odds?

"Really? I actually go there too. Education major." You look him up and down. You never pegged him for the teacher type.

"Software Engineering major."

"So you're smart and gorgeous. Good to know." He smirks, finally feeling like himself when talking as your flush finally becomes noticeable. "You like movies?"

"What kind of psychopath doesn't like movies?" He laughs at your response, leaning in closer to the window.

"Lemme be more specific. The new Halloween 5 movie came out today. You interested in seeing it? Maybe with me tonight at the drive-in theater in Lafayette. We can have dinner after. All my treat, of course." He can see the sparkle in your eyes, that spark he felt looking at you before is still lingering around him.

"What's in it for me?" You playfully ask. He cocks his head to the side, leaning it on his arm for a second.

"A fun night out with a gentleman, I promise I'm fun." You chuckle, rolling your eyes, he knows you want to say yes. "Please?"

He'd never said please before when asking a girl out. It didn't feel embarrassing like he thought it would. You turn your attention back to the console looking for something.

Pulling out a napkin and pen, you quickly write down your number and address. Turning back, you hold it out to him as he takes it.

"I'm free at 8. And dress nicely. You're taking me somewhere decent after the movie."

"I'll take you to the most expensive restaurant I can find if that's what you want. I don't care. As long as I get to see you again." You laugh at his bluntness, it's like music to his ears.

"That won't be necessary. I don't need to be spoiled."

"What if I want to spoil you?" That caught you off guard as you didn't respond right away. He let a soft breath escape his mouth. "You like roses?"

"White roses." You reply, he nods, standing up again and folding the napkin, storing it in his back jean pocket for safe keeping.

"I'll be sure to remember that." You two just stare at each other in silence for a minute. No man's ever looked at you like Steve has right now, it makes your heart race from nervousness.

"I'll see you at 8 o'clock then." You look past him for a moment and back to him. "Tell your friends I said hello since they like to stare so much."

Raising an eyebrow, Steve turned his head. He sees Robin poking her head over the roof of the car and Dustin sitting on the rolled down window frame. They quickly hurry back into the car, noticing they've been caught. He should be embarrassed, but he fully expects their behavior from being friends for so long.

"Ignore them." Steve says, sighing as he looks back at you. "I'll see you at 8."

He turned away towards his car, trying to stay as confident as he was before turning his back. Reaching his car, he pops the door open, clutching it for dear life as he silently collects himself. Robin poked her head across the driver's seat to look up at him.

"You good dude?" She asks, concerned but also excited as he just nods.

You pull out of your parking spot, stopping behind his car and honk once to get his attention. Dustin pops his head out the back window as Robin looks out her open door. Steves head snaps up at you as you lean on your window frame, chin on fist with the most shit eating grin on your face.

"See you at 8 sexy~" You called to him. And then you have the balls to blow him a kiss before peeling out of the parking lot.

Steve silently gets in the car. Robin shuts her door as Steve does his. Dustin sits forward looking at Steve, who's just gripping his steering wheel, the adrenaline starting to wear off.

"Dude, she's so into you, into you!" Dustin breaks the silence as Robin nods.

"And I'd say it's the same for Harrington here." Robin grins as a massive smile spreads across Steve's face.

He starts excitedly thrashing frontwards and backwards. Enough to shake the car and look like he's about to rip the steering wheel from it's column. He lets out an excited yell, causing his two friends to laugh at him.

He let out a long breath, looking at them.

"She says hi by the way."

[n0n-sen-se]

💌 𝐉𝐮𝐬𝐭 𝐚 𝐟𝐞𝐰 𝐊𝐍𝐘 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐛𝐞𝐢𝐧𝐠 𝐲𝐨𝐮'𝐫𝐞 𝐒𝐞𝐜𝐫𝐞𝐭 𝐀𝐝𝐦𝐢𝐫𝐞𝐫. . .

includes ;; genya, muichiro content ;; pure fluff. a/n ;; stresstember eh? the perfect time to indulge in some adorable escapism! (´｡• ◡ •｡`) ♡

☆☆☆ # genya shinazugawa !

genya regularly receives check-ups at the Butterfly Mansion, thus you tend to bump into him a ton!

this is where things start to take a turn. . . he stops getting so angry and quick to shut you down. . . and instead, he starts watching you train a little more, keeping idle tabs on your schedule, daydreaming of you when he should be focusing on training. . .

then it hits him:

he's got a crush ?!

to this boy love literally feels lethal.

he can't function. at all. he's unable to stand or talk to you for more than a few seconds without becoming flustered and wracked with nerves.

so loving you from afar is the simplest-easiest option.

he stares a ton, and tries hard not to get caught.

daydreams when he shouldn't- and at the worst times- you can only get punched in the face while training so many times before you start to wonder if having a crush is really worth it.

i'm pretty sure anyone could see the reason this quick-tempered boy suddenly turns shy when he's around you.

and he hates admitting it. (what is he supposed to do? he's never been in love before?)

there are times when he's 100% undoubtably sure that you're busy- or far, far away from the scene of the crime. . . he'll sneak into your room (after double checking that the coast is clear, again) he'll leave a few wildflowers next to your nightstand.

just the thought that he's showing romantic affection towards you has his heart palpitating. . . even if it is, technically indirect.

has him paranoid as hell, like somehow even after all his precautions, you'll just know it was him. if you suspect him, or bring it up, he'll vehemently deny everything.

(whenever he leaves flower btw, it'll be up to a week before he works up the courage to bring another bunch, and in between he tries to garner the courage to talk to you. . . without success)

he'd actually get pretty comfortable with this scenario, and eventually saves up enough to produce a small vase to hold all the flowers.

and it feels like the biggest step yet!

its a painfully simple pot, and he feels he could do better, but he's tied a woven red string around the neck to help. . . at least a little.

you know. . . in the future he could tie notes to it. the thought has his ears burning red hot, and he flees the scene just as quickly.

☆☆☆ # muichiro tokito !

honestly, it doesn't fully occur to him that he is a secret admirer at first.

he just one day happens to notice you because you caught his eye. nothing in particular, there was just something. . . bright about your presence.

your eyes? your smile? who could really say. all he knows is that your very interesting to look at when you're around.

even your voice catches his attention, like the sound of bells to his ears. its calming and also so alluring? how are you able to charm him like this?

the couple times you caught him staring he looked away quickly, then he starts wondering why he's afraid of being caught?

that's when the idea of an idea starts to form in his head.

a crush!

honestly, i think he'd smile to himself at the thought. its all very confusing and all very new and exciting!

he'd stare a ton and try to be subtle. . . but then fail at that too. (at this point he's just standing beside a tree rather than behind it?)

muichiro gifts you things that remind him of you: things that are eye-catching and interesting to him.

. . . something that holds his attention as much as you do. . .

mostly things he's found, like the shiniest shells or rocks, broken ornaments or porcelain he's found. the best would probably be a tiny pearl he. . . acquired.

instructs his crow to deliver them to you, which in turn means you get hit in the head with said object- you don't need a more obvious clue to know that his crow hates. your. guts. (don't worry she's just a little jealous)

at first, he completely forgets that he's sent anything to you at all.

until he see's you holding them and it all connects.

silently hopes you to make the connection too. and i don't think he'd mind being caught at all. (its kind of like a fun game he's playing, that subsequently causes the faintest blush to appear across the bridge of his nose)

thinks about you maybe a bit too much, and starts to get excited at the prospect of being in love or a relationship! what would it be like to hold your hand, or even have all of your attention for once? (now he's just smiling up at the clouds like an adorable idiot)

if he writes anything (a note?) its just doodles and drawings he's done that he then hands over to his crow to deliver.

actually very fond of leaving you snacks too. . . or straight up offering to share while (innocently) asking you what ❛all those things in your hands❜ are.

[girlboypersonthingy]

Let’s make this adorable~ Sal Fisher x afab reader who’s all about romance. Loves cooking for him and sending him love letters through his locker. She’s just enamored by him and has to express it.

OOH OOOH OOOH!!! YES, LOVE IT. Gonna do some headcanons. I love this man endlessly 🩵

Sal x reader-Hopeless Romantic 💖

Cook for him and he’s gonna lose his absolute mind. He will go back for seconds even if he’s miserably stuffed already- just wants to show his appreciation

The only ppl who’ve ever cooked a meal for him is his mom and Lisa so it truly makes him feel so special and loved.

LOVES physical affection too! Hold his hand, link arms with him, kiss his prosthetic, hug him often- he loves it all.

He’s a bit self conscious and might be timid when showing you physical affection so feel free to take the lead! Initiate the touch first and he’ll become more confident and return the gesture ten fold!

Just don’t stop touching him okay? If anything, touch him more! As long as he has you in his grasp or can feel you hanging on him somewhere, he feels secure.

Plz plz plz leave him love notes everywhere and anywhere! Sticky notes on his gearboy, long thoughtful letters left folded up on his dresser, more sticky notes on his bathroom mirror about how gorgeous he is.

And he leaves them all in their respective spots, just letting you add more. He can’t stand to remove the notes, it hurts his heart a bit too much.

If you remove them yourself and replace them with new notes, he’ll actually probably cry at the loss of the old ones. Like 🥺

“you…threw them away? Why?”

“To make room for the new ones, babe! It’s fine, Sal, they’re just sticky notes.”

“No…no they’re not. They mean everything to me.”

Starts to remove them himself and saves every single one in a shoe box under his bed.

You bet your ass Larry teases him when he finds the box and starts digging through it all while Sal is absolutely proud and happy to go through it with him, rereading all your lovely poems and compliments.

Don’t be afraid to call him cute pet names or show PDA in front of his friends. He lives for that shit. Lowkey loves when Larry and Todd snicker and make faces at him after you kiss him or call him ‘honey’. He doesn’t care, it just makes him feel even more giddy and in love with you.

MIDDAY NAPS IN HIS BED WITH GIZMO CUDDLED BETWEEN YALL OMFG BEST SLEEP OF HIS LIFE

Kiss the inside of his prosthetic right in front of him and let him know it’s so he’ll always be able to kiss you even when you’re away from him

Bonus points if you wear lipstick so he can see the kiss mark before he puts his prosthetic on.

Imagine he takes it off later around Larry and Ash and both of them are like “uh, Sally, you got a little something…on your face.” And he’s sitting there with a dopey grin and blushing cheeks like “yeah, I know~”

GOOD LORD, when yall are alone, feel free to pull his prosthetic off and just go ham with the face kisses. You don’t even need to ask to take his mask off when it’s just you and him, just yank it off and make out with him already

Gift him stuff! Doesn’t matter what it is- could be a dozen fresh roses, a lollipop from the dollar store or a shiny rock you found on the ground while walking to his house. He’s like a crow, he’ll hoard it all no matter how small.

All in all, he loves having an ultra loving and affectionate partner, just give him time to warm up to it and he’ll gradually start returning the favors.

[elexaria]

Simon Riley who had been on a lookout for a particular peer of his after high school, sweet little girl who normally did all of the schoolwork for him. Even behind the teachers back. Even when their handwritings never, ever matched up; but the teachers only let her off because, at the very least, he was passing with an A.

Sweet, somewhat nerdy!Reader who actually felt bad for a guy, in general just a person, going through such a rough time when in reality school would only fuck up people into being robots for the government and absolutely do no help for the post puberty and traumatized Teenager!Simon. She tries to have sweets on her for whenever he pops in, also tries her hardest to be nice to the other Riley. Sweet young lady Reader who somehow becomes well known around their high school after winning a last minute game in volleyball, followed by basketball, tennis, track, and soccer. Medals and whatnot. Even earned a goddamn picture in the Coach’s office — the female coach, the male one who seemed to be more like a father to sweet Reader.

Sweet!Reader who is suddenly gone. Desk of hers absolutely empty. No pens, no pink notebooks mixed with pastels. Not her signature backpack in sight. No scent of hers, no constant chirping, no glances that arrived at Simon once she caught glimpse of him in the hallways right before first period. Third period feels… loud. Ironic since there’s a pin-drop silence, even breathing. He normally has the rest of the periods with her from then out, until seventh period. He could recite her entire schedule.

Simon can’t help fidgeting, biting his tongue from asking where she is. Not to be nosy, not to be teased, outwardly and fucking pushed into the lockers teased. Perhaps she was coincidentally absent?

Years pass on, evidently screaming she was, in fact, gone. Even on missions, Simon can’t help but glance everywhere. He’s more fucked up, a bitter version, working exactly for the monarchy (almost forgot he’s British, for God’s sakes) and saving his people.

And just one day, one day that everything seemed normal for Johnny and the rest of Simon’s boys, he catches a goddamn glimpse of her. Her face, specifically. Rushing around, apron around her waist and down her thighs. Appropriate attire of a waitress serving a man with a comically huge cigarette and in a suit whilst speaking to another duplicate of his.

His grip on his whiskey tightens.

(Andddddd you continue!!!)

-🍓

ohoho, strawb anon you genius >:)

simon feels his chest tighten up, his grip on his drink tightening as he glances at the mom and pop diner across the street. no… could it..?

before he can indulge himself with another thought, gaz nudges simon gently. “you alright there lt?” he asks sincerely, an eyebrow raised as he tries to figure out what simon was glancing at. he just grunts in response, relaxing his shoulders as he downs the last remaining drops of whiskey. “thought i saw someone. ‘scuse me—“ he murmurs in response, standing up from the pub booth as he saunters past gaz and up and leaves. when one of the lads asks where he’s going, simon grumbles out a ‘goin for a fag’ while lifting up a ciggie and his lighter.

simon leans against the alley wall that faces the diner, deep in thought as he exhales plumes of smoke while glaring right at the restaurant. come on, he thinks to himself, show yourself. he begins to wonder if he was just seeing things, like you’re an oasis in the middle of the desert or something. wishful thinking, he muses to himself.

and just when he pushes himself up from off the wall, his lips drawn into a thin line in disappointment— he spots her.

she’s absolutely beautiful, breathtaking even. the faint crows feet around his eyes crease as his gaze softens. it’s funny how time has treated them both. one of the only friends he had considered himself to have during school has found herself working as a waitress, cute pinafore hugging her curves in all the right places— while he’s just a bigger, meatier version of the boy he once was. he’s just a husk of a man now. war’ll do that to a bloke.

he fidgets nervously with the zipper of his windbreaker, chewing the inside of his lip as he contemplates popping over to say hello. would that be weird? hell, would she even remember him anymore? his feet are itching to move, but he’s cemented right there— forced to stare at the diner, and the siren within that seemingly tempts him.

with a groan, simon pulls out his phone to text the group chat— “gonna head off, see you back on base” before shoving his phone into the back pocket of his jeans. and with a clear of his throat, he steadily paces across the road to the mom and pop diner. simon feels sick with anticipation, a feeling he’s never really felt before in his life. even when he had found the bodies of his family, even through the torture— he’d never felt quite a strange amalgamation of emotions before. and that really freaked him out.

the diner’s door bell rings, the dulcet tones of doo wop music playing in the restaurant greeting simon when he steps inside. he waits patiently in the small foyer, calloused fingers reaching out to smooth over the creased laminate menu on display. and his heart damn near falls out of his ass when the waitress greets him with a friendly smile.

“hi there! welcome to pop’s EZ diner! my name is ____ and i’ll be your waitress today!” you greet enthusiastically, beaming up at the stranger stood in front of you, awkwardly glaring right into your soul with hauntingly beautiful stormy blue eyes. it was kind of creepy, but weirdly endearing. you just wrote it off, assuming he was socially awkward— after all, he clears his throat and struggles to find the words to say for almost a minute before finally opening his mouth.

“uh… hello. you don’t—“ simon pauses, clearing his throat again as his hands continue to fidget with the menu, his gaze nervously flitting from the menu back to you. “you don’t happen to recognise me, do ya? simon? simon riley? from st matthews?” he says, the timber of his voice itching the back of your brain in a pleasing way. st matthews? how did he know where you went to school?

you shake your head politely, nervously tucking your notepad and pen back into your pinafore pocket. “oh, um. sorry, i don’t—“ you reply, offering him a sympathetic smile. the man, simon, turns bright pink— again, nervously clearing his throat as he nods, lowering his head as he turns on his heels to head back out the diner. “oh, sorry. nevermind.” he murmurs, raising his hand politely to you before his hand reaches for the door handle.

and then it clicks.

oh. my. god.

it’s been YEARS since you had thought about simon riley, and suddenly your mind was being overwhelmed with all these memories of helping a teenage simon out in school. your eyes widen, a hand reaching out to gently grip on his windbreaker sleeve. he freezes, half glaring and half shocked as he turns to face you. but the expression on simon’s face eases when he realises that he was right, it was you.

“simon riley? oh my god—“ you gasp out, eyes wide as you look up at him with a dumbfounded expression, one that sends a shiver down simon’s spine.

what an interesting reunion this would turn out to be..

[hamsternella]

Have you seen that anime about the elusive samurai?? Could you write something with a reader who is a hashira and acts like the protagonist? +yandere pillars and muzan/other demons🤭

[PART 1] Yandere!Hashiras (+Muzan and demons) x Elusive!Reader

cw: yandere themes, stalking, blood, gore, violence, forced relationship, mdni

SO SORRY but it doesn't allow me to put more images, so here is the link to the second part where the demons + muzan are included: HEREEEE

TIP JAR

Ubuyashiki could be a man capable of predicting the future, and thus save himself a great deal of trouble that would jeopardize the safety of his family or his company of Pillars. But all people have a breaking point—and you were, without a doubt, that point.

No one really knew when you became a Pilar. Not even Ubuyashiki himself was sure. This was because of your elusive and confusing nature; the way you seemed to totally detach yourself from everything and everyone, all the time. You were not a bad person at all. You were just... misunderstood, let's say.

You accomplished all your missions on time, and you were undoubtedly a defender of your people with all your heart and pride on the edge of your sword. You were also known as the 'Elusive Pillar', due to your obvious nature. If anything, the real reason you were still alive was because of your enormous ability to dodge and escape from dangerous situations instead of attacking.

If a demon recognized you, the others knew there was no way to beat you: you were going to make them desperate, and eventually their hunger would turn to frustration. People loved you unconditionally for that reason. It was even funny.

To Ubuyashiki and the other Pillars, the reason for your loyalty to the cause was unknown. Why on earth had you become part of the team? No, indeed, how did you even manage it?

You could go against the evil of the world, the injustices and the demons; but not for a murderous hatred, and much less for money, because clearly your salary was the lowest. Your interest was nil. During fights you preferred to work alone, because you enjoyed the chase and the weight of death on your heels.

And you always laughed. Always. God help us, because at this point you even looked like a crazy person.

Otherwise, you were almost never with Ubuyashiki and the Pillars. Who knows where you would be fulfilling missions; eating or sleeping at night. It was difficult to contact you because even your crow had had enough of you—a peck on your head and never came back. Trusting someone lonely and who seemed to play between life and death was too much even for the natural course of the universe, if even a crow didn't want you around.

But as much fun as the idea of continuing to play blindly with death was, duty eventually came to your door, materialized in the form of Ubuyashiki's crow. The animal announced the arrival of new subjects and a demon that promised scientific advances; and the truth is that it was impossible for you to contain your curiosity.

Your approach to the team not only led you to reconnect with the Pillars, and thus take back the place that belonged to you, but also to meet special demons that promised another kind of glimpse of what was your good friend. The most loyal, honest and eternal companion.

Death. Or maybe something more—something terrible.

Gyomei

The Stone Pillar considers you a necessary member, but condemns your childish attitude. He does not believe that your uprooting will bring positive things, both for you and for them; and he fears, of course, for your safety when you fail to report your condition after many months away from home. Gyomei thinks you could do with some training to forge some character in you, and asks Ubuyashiki to allow him to be your teacher.

Needless to say, the decision doesn't seem like a good idea to you. For the first few days you disappear again; and if you return at all, it's to steal some food from the kitchens and to play with Nezuko, who turned out to be a pleasant companion with whom you can enjoy a moment's peace. Gyomei catches you in the act, but holds back and says nothing. He secretly begins to discover facets that he thought were alien to you—and he begins to like that. His perception of you eventually changes.

Gyomei would gradually become a silent stalker. That would lead him to take advantage of the information he gets from you in your vulnerable moments, in order to connect with you when he can catch you in the middle of your escapades. He uses his wits to avoid being discovered; and although guilt weighs on his conscience, a strange pleasure settles in his heart.

With the delicacy of a petal against the lips, Gyomei rests his against your ear on the coldest nights; sighing sensitive words of encouragement, finding morbid satisfaction in how you melt and surrender yourself before him. When you decide to give him a chance, finding in him a sensitive soul who understands you incredibly, you end up undressing your soul, and you share with him part of your past. Why you are like this.

The story of your family being slaughtered brings the Stone Pillar down completely. You tell him how a distant relative betrayed your parents, selling them with no shame. You survived by the grace of the Gods; while your siblings ended their own lives, terrified that the same demon might return for them. Over the years you found it impossible to end your life as they did. There was something inside you—a flame. It wasn't courage or honor; neither was it a thirst for revenge. You simply wanted to live.

Gyomei understands that you and he are somewhat alike, and if that alone doesn't fuel his craze for you, the fact that you are so fragile definitely does. Fragile for him, at least. A voracious hunger begins to take hold of his being; the need to contain and possess you, to never let you escape again. The idea that you still want to savor the brush of death and enjoy the chase burns within his heart. Gyomei can't believe you're going to go on living like it's nothing; even after that night he confided his past to you too.

Gyomei would be a soft yandere. He doesn't use brute force to keep you in line. He prefers to mold you emotionally and psychologically. He would know how to follow you silently; he would use all the information he gets from this to get you, to make you need him, and maybe make you more docile and to never escape from there. From him. He would use your past misfortunes to brainwash you, considering that he loves your dependence on him.

Gyomei doesn't mind if you remain a Pillar. Although if in the end you decide to give that up he wouldn't mind either…

Tengen

Tengen considers you a curious specimen. He finds it fascinating to meet a person as agile as he is, who seems to understand the techniques of a speed fight. Imagine the surprise that engulfs him when, challenging you to a race, he finds that there is no way to track you by sound—you are quick and delicate as a leaf in the wind.

Nevertheless, the Sound Pillar feels conflicted with other facts. For example, that your loyalty to Ubuyashiki is merely a matter of convenience, since for you none of this is part of honor or revenge directly as they are; and eventually, Tengen feels both distrustful and fascinated at the same time.

How are you supposed to relate to him if the guy is giving mixed signals all the time? As the weeks go by you decide it's best to ignore him—and Tengen, of course, hates that. The frustration of not being able to be with you, since you run away all the time, leads him to put aside prejudice in order to enjoy training and racing with you. On one of those days he finds Gyomei spying on you, and the Sound Pillar can't hide a strange feeling in the pit of his stomach. It wasn't annoyance; the truth is that he was also intrigued to know what you were doing in your free time (which was technically almost all the time).

Tengen would be slow to realize that he is falling on his knees before you. He thinks it's because he has found a good partner, with whom he can enjoy many fun times. But the truth is that it's hard to control his feelings when he discovers that Gyomei has managed to have you in the palm of his hand; not only getting honest about who you are, but also monopolizing your time by becoming your teacher. An accumulation of jealousy leads him to eventually accept that he has begun to like you. You know—more than a friend.

I said it would take him a while to figure it out, didn't I? I hope you know how to prepare yourself very well for when Tengen accepts the inevitable. There's no turning back when he decides there's no reason to hide or repress his feelings for you. The Sound Pillar does everything to hinder your encounters with Gyomei; and even proposes to help you in your training when he notices how close you are to the Stone Pillar. Although it pains him to accept that you appreciate his partner, Tengen understands that he can't simply force you to stop talking to him.

The truth is that I don't think Tengen is a violent or extremely jealous yandere. Of course, as his obsession with having you to himself increases, so does his jealousy or harmful thoughts if he finds you too close to Gyomei, for example. But like the Stone Pillar, he is incapable of laying a hand on you… at least in violent terms—because sexually speaking, the Sound Pillar is increasingly thirsty. Unlike Gyomei, who finds pleasure in the emotional control he has over you, Tengen prefers to be physically dominant and have your attention and devotion on him at all times.

The day he discovers something from your past is the day you can consider yourself lost. Tengen will try everything in his power to familiarize you with his wives —always imagining that you could be among them, as a partner, good friend and lover—, and thus bind you emotionally; taking advantage of the fact that Gyomei opened a past wound. Tengen wants to show you that he can help you forget the pain with his great qualities. Sex, money, fun... Anything you want, he can give you. Do you want to cheat death? He will help you with that! Of course, then you have to be good, and return the favors... And who are you to refuse a good friend?

As long as your attention and adoration are on him, Tengen has no problem with you remaining a Pillar and talking to others. But at the end of the day he must always be your priority! Because, when you have to leave your post, you have to know how to satisfy him to fulfill your role by being at home with everyone else.

Yep, he's made up his mind. He has to be fast if he wants to get you. Even faster than you.

Kyōjurō

Well, let's see. You didn't like this guy at first. What the hell with that smile? And that voice? God, if anything he can seem like someone so nice, but the first moment he meets you the only thing that comes out of his mouth is: 'I don't accept your ways! But I welcome you, Elusive Pillar!’ And that's not a bad thing—please don't be misunderstood. You didn't expect them to open their arms to you as soon as you arrived; you understood it was going to be difficult if they'd hardly ever seen you in their lives. But this guy was something else.

Although Kyōjurō is not entirely convinced of your participation in the cause, you two now have Tengen in common. He appreciates you both very much, and the Flame Pillar notices it; so he tries with minimal interest to relate to you in order to understand what it is that fascinates others so much. It doesn't take him long to become equally fascinated with your agility and wit. You're quite charming, too! Suddenly Kyōjurō's smile grows naturally—his heart vibrates with excitement as a new day begins with your face in front of his.

The Flame Pillar is a typical sunshine. You quickly grow fond of him, and deeply appreciate his company. At first it was hard to put up with his yelling, and let's not even get started on how hard it is to talk to him because of his poor hearing. But other than that, Kyōjurō is a real sweetheart of a person that you love spending time with; you play together, eat together, and he even supports you unconditionally in your training and everything you do... until these same goals begin to pull you away from him.

You can't wish for things so different from him! The Flame Pillar loves your way of dealing with society's problems —demons or crime in general—, but he knows that sooner or later your true goals are going to lead you to not concentrate all your energy on your training, and with that, to move away from him and the cause. Kyōjurō wants you to stay with them forever... Well, the truth is that he wants you to stay with him forever, rather.

The Flame Pillar knows how to use his charm on others to drag shame and guilt on you. How do you go against the ideas of someone as respected as him? Impossible! Imagine how hard it is to start missing training, meals or meetings when everyone is betting on your participation because of Kyōjurō; the way even Ubuyashiki eats the story that the Flame Pillar puts on the table for him. Gyomei himself proposed it, and Tengen fully supported it.

‘Master! This person is very valuable to us, but it is difficult for them to accept it… Their past haunts them—the pain of loss and distrust of themselves. They are afraid! Master, please propose Elusive Pillar's compulsory and absolute participation with us! We are their friends and we want them to take command of their territory and responsibilities as a Pillar.’

Kyōjurō is an extremely possessive yandere, but not jealous. He loves to imagine that it will be practically impossible for you to escape if everyone starts to get familiar with you. Maybe you'll find a better goal if you see that everyone loves you! Why wish for death, when there is a huge and powerful family that can bring you greater pleasure? Besides, it would be a shame to jeopardize your abilities for an unnecessary whim such as playing with fate; always between life and death, escaping from those who can appreciate and love you.

The Flame Pillar is a delusional man. It doesn't matter how much you show your discomfort; nor how much you fight or escape countless nights, when everyone is asleep. He really believes you do it because you're afraid of the truth: you need them, and especially him. You crave affection, protection and unconditional support. You long for someone like him—a person capable of providing for you in all the ways you lack in your own capacity. But don't be ashamed! Kyōjurō will do whatever it takes to make sure that your ideas —and your legs, which really would be a shame if something were to happen to them— don't get in the way of the dazzling future that awaits with your new family... and partners, too. The Flame Pillar has no intention of abandoning his own yearnings with you.

Giyū

Giyū doesn't give a shit about you. The truth is, he doesn't agree with your actions, and disinterest is his first response to anything to do with you. So what if you're agile? So what if you're resourceful? What good is it if others fight to get Ubuyashiki's word to keep you locked up and forced to work on other terms? Giyū knows you're not going to take it seriously one way or the other. You're not even here for money, food or shelter—you're here for fun!

The Water Pillar finds it offensive that you show your face every morning in the main yards. Your hand on your sword and your back straight; eyes attentive to everyone and everything. He doesn't quite understand your dynamic either. Why are you so good at EVERYTHING you do when you fight? What is your purpose? Giyū feels that the world becomes three times more confusing when he must leave on a mission with you, and until you have the demon stressed you don't give even one cut with your sword. NOT EVEN ONE.

In spite of everything, he cannot deny that the Gods are on your side because of the way you dodge death with every step you take. Every leap is minutely calculated; every turn, every laugh, even. You dare not waste air—your breaths are precise and clean. Your technique is immaculate.

The Water Pillar swallows his prejudices when you end up saving his life. You decapitated the last demon with simplicity, smiling sweetly at him. Giyū didn't know the reason, or maybe he wanted to ignore it; but from that day on he had to give Kyōjurō the reason. To the things he and the others whispered about you on the sly. Because yes, just as you read it: Giyū might be as frustrated as he wanted to show, but he couldn't shake the charm of your smile and the impact of your presence around him.

Don't think this will make him want to spend time with you anyway. This guy is going to go on for a while ignoring you after he greets you in the morning. His eyes will roam over your figure, his hands will trace the fabric of your haori when you least expect it, and maybe he'll allow himself to take a walk to catch you sneaking around playing in the trees, wanting to hear your laughter... But nah, don't think it's because he's interested in you. Right?

Giyū is extremely weird. He doesn't understand that he likes you; and when Tengen makes a joke alluding to it, the Water Pillar can't help but feel deeply hurt that you don't even care about that. The feeling passes, but the disappointment there lingers. Giyū is embarrassed and confused. What is wrong with you? What is this unhealthy interest? The walks among the trees increase; and it's all about learning more about you and discovering what drives him so much to you. It's just that. It really is.

The thing with Giyū is this: the guy ends up coming to the conclusion that it's all due to pure and simple admiration for you. Nothing more. He talks it over with Kyōjurō —for he doesn't trust Tengen and his humor; neither does he trust Gyomei and his need to keep all information concerning you to himself—, and with a bit of manipulation here and there is where the real trouble begins. The Water Pillar is a new man.

Giyū would take a long time to demonstrate his yandere nature, but once he does, for you it's where hell on earth unleashes its first waves of heat. A warning. The Water Pillar is possessive and jealous, but he doesn't communicate it with words; he prefers to punish you physically with light activities, and humiliate you with a kind of ice law to make you feel lonely. Of course he'll join in with the others, and take advantage of this to gain your attention and affection, so that he can get inside your head and manage you as he pleases. And, hey, don't tell anyone, but... Giyū doesn't enjoy having to share you.

His darkest dream is that something terrible would happen to you, to those beautiful, fast legs, so that you would abandon your post and he could lock you away from the world. You would be just for him—to discover together other kinds of morbid pleasures that don't have to bring you so close to death, and thus away from him.

Sanemi

I'll keep it short and clear with this guy: it's going to hurt like hell, and where suffering is optional, with him it's inevitable and unstoppable. Your encounter with the Wind Pillar begins and ends with a fight, where he refuses to 'team up with someone as hopeless as you'. Just as you thought sensibly about Kyōjurō you did so with Sanemi, but of course you came to be offended by his violent behavior. The discomfort was such that you ended up running away for the whole day; terrified at the thought of having to share another space with him.

Sanemi doesn't exactly hate you, but he doesn't appreciate you either. It's a middle ground... that always ends with an explosion on his part. Screams, fists in the air; occasionally your terrified face. That's funny to him—your grimace of terror. You can be unstoppable to demons, and maybe charm others with your wit or shit whatever it is you hide up your sleeve, but he'd rather keep the charm of your fear to himself. You're so small and easy to take down with a scream. You are pathetic.

The Wind Pillar would be one of the most difficult to conquer/accompany. Relating to him means that you're going to have to put up with banging and yelling; although if you decide to walk away, he will eventually find out one way or another about your past. At first it's annoying mutterings, all coming from what he considers to be your 'pathetic followers'. Then the odd encounter with Kyōjurō, where Sanemi can't ignore honorific mentions of you and your achievements in battle; as well as your amazing personality and authenticity. To the Wind Pillar all this is pure garbage. Why should he be interested?

'They are pathetic. Are you telling me that they come to take part in a cause for the fun of it? So what if they fight and defend? It's the minimum and indispensable; I'm not going to applaud them. Nor do I find much merit in them being fast or agile... How else are they going to survive if they're not? Fuck them—with their ways of doing things, here and there. Whatever. I don't want to talk about this again, Rengoku.'

It gets to a point where Sanemi can't get over the frustration. His partner's voice keeps drilling into his head—his words about you; the way you 'so well' fight or handle yourself around, melting into the environment as you carry yourself with simplicity and divine graces... Needless to say, at night the Wind Pillar corners you after witnessing your training. The result? A 'let's fight, you piece of garbage', and a beating that leaves you stone dead for a week. It is humiliating for Sanemi to have to accept what others whispered in the shadows: you were charming. And not just charming, let's be honest; also fast and agile.

Like Tengen, the Wind Pillar would begin to let go of certain prejudices in order to spend quality time with you. In other words, simple training. Sometimes also because of how easy it was to be with you even in the silence, thanks to that way you have of being: so calm, but at the same time on par with the flow of life. It's as if you are aware of things that humans normally ignore. Sanemi didn't know how to explain it—it seemed complicated and therefore annoying. He preferred not to be annoyed with you; who knows if he would end up beating you to a pulp again.

Kyōjurō seizes the opportunity and leaves the rest of the work in the hands of Gyomei, whom Sanemi deeply respects. The latter gives him an account of nefarious events that end your family's story, and of the real reason behind Ubuyashiki's words regarding your new role in the cause. The Wind Pillar since then keeps seeing you with different eyes; his own heart spinning as he imagines your small figure —that of a creature; a child— facing such macabre scenarios. He understands on the one hand why you act the way you do. The image of his own brother dancing in his mind, with bitter memories tangling with yours. He's going crazy and the feeling is strange.

Sanemi will begin to silently admire you. With that comes other particular things, like his drastic mood swings; being bitter, maybe angry at something or someone, and then an appearance from you keeps him shy or silent. It's strange to you—but you don't question anything about it. You love being able to have a normal coexistence together with Wind Pillar, whom you admire greatly for his strength.

Sanemi, along with Iguro and Shinobu, would be the most dangerous once their yandere natures come out. The Wind Pillar is quick to understand that he wants and NEEDS to protect you. He is capable of anything for it, even hurting you enough to cripple you. He is a passionate lover; he wishes he could hold you in his arms, and can only bear to share you normally with Iguro; filling his head with ideas to set his eyes on you. So watch out, because Sanemi is going to do the impossible to make you understand (physical, psychological or sexual punishments. All of it). Maybe it's time for him to share more time with Tengen—something interesting could come out of it to try out with you.

Iguro

How come? Sanemi's on his knees for you? The Snake Pillar feels like the world is upside down when he finds his friend's lost eyes for you. And why is that, by any chance? He doesn't quite understand; but he's willing to find out. Of course it's not easy, considering that even with your reduced schedule due to training and meetings you're still on the run and doing your own thing. In dark times, in pain and illness, you are still you. He admires that very much.

Iguro is another dangerous yandere who accepts his own nature without shame. As soon as Sanemi fills his head with topics referring to you, he marches and includes himself in your routines to learn more about who you really are and the things that make you up. For you it's awkward, of course—the encounters are forced. Iguro judges you all the time, though he soon realizes that you're not at all like Giyū: someone haughty who passes over others. It's a relief to him. How could he have doubted his friend's judgment?

The Snake Pillar invites you to trainings, either alone with him or even when the Wind Pillar is available as well. It's hard for you to keep up when they attack you so eagerly. You can tell how much fun they have with you, fascinated by your movements and your charm when you get caught up in the moment; for Iguro it's a feast for the eyes and ears, with your laughter vibrating in his memory when you're not there. It doesn't take long for the Snake Pillar to feel repulsed by his feelings for you as they begin to emerge. He finds it bold on his part; considering himself unpleasant and unable to live up to you.

Just like Giyū and Gyomei, Iguro will start stalking you to satiate his need for you. In one of those many silent pursuits he'll end up hearing a couple of curious murmurs from the others, and as if his fascination for you wasn't enough, with whispers about your past and a couple of more private details he ends up accepting that he can't —nor wants to— tear you out of his head. From here the stalking increases, and you know he's there, but you don't say anything. You think it's halfway understandable; you weren't going to be marching with freedom so easily yet. Although the reason you had in mind was totally different from what they had.

Once the contempt stage passes and your words of encouragement reach the Snake Pillar's heart, considering that your friendship with him increases over time, Iguro will be more than willing to be faithful to you completely. He will attend to your needs whenever he can and you need him to; he will give you emotional support, as one would imagine a man devoted to his lover; and he will be defending the territory around you like an animal. He is a possessive yandere, and quite violent with the reason of his obsession if he doesn't get what he wants: your attention and reciprocation. Needless to say, just like Giyū, Iguro hates having to share you. When he learns that Tengen has plans to take you into his domain to fulfill alongside his wives, fury consumes him.

The Snake Pillar is not entirely okay with you continuing to take on your responsibility as a Pillar. What's more, with the Wind Pillar they had wicked conversations; full of plans on how to get you to retire forcibly. At first it's a soft thing—the sweetness falling from his lips like a whisper. As desperation takes over his mind, and with it bitter fantasies where he loses you completely, Iguro loses patience and accepts Sanemi's help to humiliate and break you mentally. Who knows... maybe even this will lead you to despair; and with it, to a terrible accident.

But you don't have to be afraid! Iguro has suffered for a long time from confinement. He understands that your charm comes from that beautiful freedom, with which you can walk around and sing for him. Iguro loves to hear your laughter. So when you retire, he will be more than willing to accompany you and keep an eye on you; always attentive to your needs, and then you can calmly return home, where you will lie for the rest of your life in a quiet and safe routine, far from death. The Snake Pillar trembles with excitement, unable to process how happy it feels to dream of that future where he has you tamed. Where you are docile and always by his side.

Muichiro (platonic)

Muichiro forgets you as soon as you introduce yourself after a meeting. The Mist Pillar, who is just a child at your side, not even acknowledges you from then on; passing you without greeting, losing his attention on the shapes of the clouds, and remaining silent, his eyes fixed somewhere when you speak to him. It's strange—but you don't question much else.

The only way I can see this boy ending up obsessing over you is after a messy fight. Not that he will be immediately attached to you; but he will certainly remember your face and voice clearly when you have saved his life. It's as if you've reached a weak spot inside his mind, in a dusty corner. The honorable way in which you risked your life to save a couple of children from several hungry demons, with a speech directed towards the Mist Pillar and his behavior, undoubtedly interfered with a barrier in his heart.

Muichiro is jealous, but only if he loses his priority for attention. If you put him at the top of your agenda, rest assured that you won't have to deal with his bad temper, which is pretty funny—but don't let his tenderness blind you. The Mist Pillar may do unpleasant things, never directed at you, in order to have you all to himself.

The loss of his family at such an early age, and in a traumatic way, leads Muichiro to cling to you in order to feel the normality he lost years ago. At the beginning it's something soft: glances, smiles, training sessions together, meals... By the time you realize it, you have the Mist Pillar inside your territory. It's like having a little brother. It's tender, but over time it becomes insistent.

Kyōjurō takes this opportunity to try to mimic Muichiro within your family picture—convince your brain that the wounded boy could be saved by you, just as you never could with your own siblings. It's cruel, but at the end of the day it works successfully. You may not see the Mist Pillar as normal at all; but he is patient, and he is willing to pull the strings to force you to like him if necessary.

Muichiro is a soft yandere, who enjoys being affectionate and receiving equal treatment. Like others of his peers, he doesn't quite agree with you being a Pillar; but he also can't imagine a future where he can't fight by your side. He loves to watch you dance among the leaves, moving your legs almost as if you were flying—never touching the ground enough, looking like a bird about to dart toward the enemy with the edge of your sword as its beak.

But as much as he adores you, Muichiro understands that he has to take care of you if he wants to continue to enjoy your presence and your affection. The way? By ruining your wings a little... just enough for you to flap them when he wants you to; but to make it impossible for you to fly away. You'd lose the charm if you have to be put in a cage, no matter how much others think it's optimal.

The Mist Pillar has dark ideas, but they are born out of the fear of losing you. From his affection for you. He is mostly someone tender and possessive, willing to mental manipulation rather than physical punishment. The latter would be the one he would never choose, unless you force him.

Shinobu

Sadistic and unstoppable. That's how Shinobu can be described. She would have been obsessed with you long ago, perhaps since you arrived with the other Pillars; but she would not be close to you completely until time passes, and with the arrival of Kyōjurō and his confirmation about the popular interest in you is when she decides she might join the plan.

The Insect Pillar is someone who enjoys good conversation, medicine and peace. She is too quiet and can barely care deeply about anything other than her job as a Pillar. Other than that, forget about it. So imagine her surprise when she learns of your arrival—Ubuyashiki's words echoing in her head as she prepares everything to inspect your health.

Suspicion blossoms first. Shinobu doesn't quite buy the reason you became a Pillar, but feigns understanding about your case and listens with sincere interest to your anecdotes. Discovering that you have traveled and fought around many new places, with demons of all kinds and a secret past, begins to sting deep inside her. At the beginning it is just that: curiosity and distrust. She refuses to so freely allow anyone who has been away for so long. I mean, you're the first Pillar in history to have been away from their post for so long! What's the point of that?

Because you have to attend often for the beatings Sanemi gives you, or for regular checkups for health issues that Ubuyashiki is concerned about, Shinobu finds herself starting varied conversations with you, because she finds you a good companion. You learn new things about medicine, and impart to her techniques you learned far away, having to meet doctors from hidden villages. The Insect Pillar considers you an interesting and powerful member.

The moment where Shinobu starts to like you is unclear. As if that wasn't enough, her signals are confusing, and she doesn't fully share her feelings with you or anyone else. To you, the Insect Pillar is terrifying with her empty eyes and inaccurate temperament. To her, you are charming and interesting; with a bright personality that helps her dispel anger and sadness.

You don't often see the Insect Pillar, but she is always one step behind you. There's no escaping when her obsession grows and is fed by Kyōjurō and the others. Just like Iguro and Giyū, Shinobu is a potential stalker, feeding her delusions with whatever she can gather from your daily routines. These same fantasies grow with the help of her companions, and it won't be long before she starts using her poisons to create new drugs to use on you.

Shinobu has no problem using physical punishment. What's more, her regular talks with Sanemi always end with a topic referring to you. She agrees with the Wind Pillar about leaving you immobilized so that you will never again endanger your life by being a Pillar. Needless to say, she is not easily moved; there would be no way for your tears or pleas to do anything in her heart.

The Insect Pillar has lost someone very special in a cruel way at the hands of a demon. Of course, you are much more agile and quicker, able to play with death without fear climbing up your back. But how long until your legs fail? How long until no one can ever hear your voice again?

Birds continue to sing even inside their cages.

Mitsuri

The Love Pillar is enchanted by you from the first moment she lays her eyes on you. She is fascinated by your ways: from the way you run, to the way you train, to the way you laugh or fight. Everything about you is incredibly cool and, of course, attractive. How could anyone hold back when they see your smile? Even your voice and shyness when Ubuyashiki introduces you to the whole team is charming.

Mitsuri is by far the Pillar you like the most besides Gyomei. Both are sweet and understanding; although just like Kyōjurō, the Love Pillar is delusional about what you want, and what she thinks is really what you should want. You don't pay enough attention to everything she says about it; you don't think there's anything you need to change. You are very clear about what you want and what you don't want.

Mitsuri doesn't agree with your escapades at all. She loves to see you being happy, and especially if it's because of her that you laugh so beautifully. But is it really necessary for you to seek such cruel things as death to give your life meaning? What is it that you are really looking for, deep down in your heart? The Love Pillar is worried that something terrible will happen to you and you will no longer be able to use your legs. It would be unfortunate if you could no longer dance and train together.

Unlike other Pillars, this girl wouldn't find satisfaction at all in having to hurt you to make you stay. Mitsuri prefers to use words... and well, let's be honest, maybe a LITTLE bit of force—but only to scare you. For her the best thing is to have you psychologically handled; the purest emotions, such as love, will keep you tied to her with honesty.

The Love Pillar has no problem sharing you—the more the merrier! There may be Pillars that she likes more than others, but in general she doesn't believe in having preferences when it comes to taking care of you and loving you. Mitsuri is not jealous; her security reaches to the skies, and her concern to have you satisfied is greater than any other negative feelings that could take place in her regarding your other partners (even if you don't think they are, but now you have them!).

The truth is, it would be hard to tell when she becomes obsessed with you. The Love Pillar may seem casual in showing her love for you, but it only takes a moment of desperation where it seems like you're going to vanish from her life to find her obsessive nature. Mitsuri is capable of crying, begging, and in one last —and terrible— instance even outright manipulating you, just so you won't leave her side.

The Love Pillar is very sweet and attentive, but also capricious. If it were up to her, she would do everything she could to be glued to your side so she could kiss you, hug you and live as your shadow. Her biggest dream? To have a family with you, of course! Imagine how beautiful the two of you would look together; a beautiful western style house in the background, with a traditional garden where you could sit and eat pancakes and watch Muichiro train, who of course is part of the family and Mitsuri already adopted —secretly— as your little brother.

But I would like to, you know, give you a little warning. Notice well how much Kyōjurō starts to impact on Mitsuri. Especially if you decide to reject her attempts; because then her obsession would become violent, and that means that maybe the impact on you would no longer be solely psychological. I tell you this in case you cherish your legs very much, for example. I don't think you would want to lose them.

Just as I don't think they would like to lose you.

[magnusraydar]

I need more Tim Drake going back in time AU's

I have so many ideas but no writing talent, but ik ppl on here do so ideas I need done in fics

Tim dies from something sad and horrific all alone, his last words? He's sorry he failed them, of course! His regret is so strong that he's given a second chance!

Tim goes back to being 7. Why? I think it'd be funny

Tim decides he will not physically interact with the Batfam but become "Crow," an informant that solves cases, gathers physical evidence in recordings and photos, and info about Damien, Cass, Steph and any harmful events like Ethiopia.

Tim, cuz he's a little shit, fucks with the League while he attempts to convince Talia to give Damien to Bruce, this causes Ra's to take an interest.

This interest got his computers blown up, and now there is a small grudge where Tim gets stabbed by an assassin who's sent to bring him to Ra's, Tim loses his spleen at 14 whoops.

His parents just so happen to die a week later. He fakes his uncle once again.

He does seek out Shiva to help Cass earlier, and he teaches her a few things before she's taken away (she escapes just a few weeks later to Bruce).

A quick timeline: Steal Damian (Tim is 10 and Damien is around 4), Save Jason (Tim, 12, Jason, 15), Cass (Tim is 11 and Cass is 14)

He's a full-blown vigilante by 11, and no one knows. He's been doing his stalker behaviors since 7, and now he's actually fighting crime.

He goes by Crow, but people nickname his work as "Crow's Omen"

He's figured out at 17 after Bruce is lost in time and fighting the Council of Spiders

Bruce randomly sees him watching in a tree by Wayne manor after he returns and goes, "That's my savior? Ha, more like my child, " and kidnaps him

Thanks for listening to my rant on a feral shadow vigilante, Tim. That's so dumb and thinks the best way to save his family is to work in the shadows.

[raz-writes-the-thing]

Passing The Baton (Six of Crows One-Shot)

Kaz Brekker x Fem!Reader / requests are open and encouraged

Summary: To your knowledge, your crush on Kaz is unrequited. Apparently this is not the case.

CW: Kaz is dumb but we love him

SAB/SOC Tag List: (send an ask to be added to a tag list!)

___ ___ ___ ___ ___

Kaz ‘Dirtyhands’ Brekker. Bastard of The Barrel. Also- your unrequited love. Kaz had caught your eye just as he had caught everyone else’s. Everyone knew not to mess with the Dregs, and that was thanks to Kaz. Before he’d risen through the ranks of the club, the Dregs had been no one. Quite literally the dregs of society- and while, yes, that was where the name came from, it was quite the rise to fame as the Dregs started getting more and more popular, and more and more dangerous.

Even the Crow Club was starting to become a real pain in the other clubs’ asses. 

But Kaz? He’d fascinated you well before any of this. You’d been working at the Crow Club as a serving girl since before Kaz arrived. Not long, mind, but long enough before that you got to experience both sides of the Dregs’ fortune. 

Kaz hadn’t seemed to take much notice of you at first- and why would he? Weren’t you just another serving girl being groped by the drunk patrons? Anything to make a few Kruge. But he did take notice when you threatened to cut the balls off a patron when said patron got a little too handsy one day.

He’d taken you back into his office and thwacked his cane on the table hard enough to scratch the varnish and told you rather harshly to never do that again. To come to him next time there was an issue like that and he’d deal with it… discretely. 

What that had meant was clear only to Kaz, and that was fine by you. But that was when your little crush had really taken off. What could you say? You liked a bad boy. Someone who could handle his own and Kaz could definitely handle his own. Cane or no. 

Despite telling you off, Kaz had clearly taken note that you weren’t afraid to get your hands a little dirty either, something he had an appreciation and mutual respect for. And so you went from lowly serving girl to, well, still a serving girl, but a serving girl who also took jobs for Dirtyhands and worked with him to secure patronage for the club, and Kruge for his and your own pockets. And for Per Haskell’s pockets as well, you supposed. Lazy bastard. 

But you longed for more.

 

You longed for Kaz’s touch, for his lips on your skin. You longed for his affections as much as you longed for his approval. It was a dangerous combination.

As far as you could tell, he did not feel the same way. But then again, would you have ever known otherwise? Kaz kept his cards close to his chest- as he should. 

Today seemed different though. You’d barely made it back from a job and Kaz seemed… angry, to put it lightly. You had no idea why, though, considering you got what he wanted, and made it out alive, too. Win-win. 

Inej may have had to save you, but that was beside the point. 

“You need to be careful,” he said, mouth pursed angrily. “You can’t be making reckless choices and silly mistakes. This is The Barrel. I can’t afford mistakes.” 

You met his harsh gaze head-on and shoved the ledger he’d asked for into his chest with vigour. Kaz didn’t even break the gaze between you, just reached with one gloved hand to take the ledger off you. 

“I got what you wanted, didn’t I?” 

A muscle in Kaz’s jaw twinged. 

“That is not the point.” 

You let out an exasperated scoff, removing your hand from his chest with another soft shove. Surprisingly, Kaz lets the action move him. 

“Then what is the point?” You ask, frustration evident in your features. 

“The point is- oh, for Saints’ sake,” he sighed, pinching the bridge of his nose. “We could have lost you. I could have lost you.” 

Your eyebrows practically disappeared into your hairline. 

“You could have lost me…” you trail off, echoing his words, feeling them out for hidden meanings. 

“You’re a good investment. I don’t like to lose investments.” 

Oh. Okay. An investment. You should have known that that was all you were to him. That’s all you were ever going to be to Kaz no matter how much you wished differently. Ridiculous. 

“Of course,” you reply, turning to walk away. “Your investment needs a dri-hey!” 

Kaz’s gloved hand snatches at your forearm and yanks you back towards him. You re-balance yourself and glare at him, looking between the tight grip he has on your arm and his heated glare. 

“Stop,” he says before forcing his features to soften. “I’m not one for feelings.” He practically shudders through the word. “You’re more than that. An investment, I mean.” 

You stay quiet, not giving him anything to work with here, but you’re surprised he can’t hear the uptick in your heartbeat. 

“Look,” his grip loosens. “I don’t want to lose you. Purely selfish reasons. Not because you’re an investment, but-” Kaz clears his throat and avoids eye contact. “I care for your wellbeing.” 

It’s not an outright declaration of love, but it’s about as close to it as someone like Kaz would give. He’d bared his soul to you here. All the fractured, broken pieces of it. He’d bared his heart for you to treasure or smash into bitty little pieces. 

You sucked in a breath. 

“Are you saying you have feelings for me?” 

Kaz grunts and lets go of your arm. You brush your fingers over where he’d just touched you. 

“I suppose so, yes,” he said, eyes flitting to the door like he was thinking about making a run for it. 

“Don’t suppose it would interest you to know I felt the same way, would it?” 

And there it was. Passing the baton back to Kaz. Passing your heart in return for his. Now it was he who held the power to treasure or smash you into pieces. 

Kaz finally met your gaze, and his lips ticked up into a small smirk.

“Oh, I knew that.”

[aennasan]

Hybrid Sanctuary AU where avian crow hybrid Johnny is so enamored by you that in your eyes he is more like a puppy than a bird. When he was rescued, his kind was already deemed extinct, until you were brought in and rescued from a mansion which collects exotic hybrids.

At first, he was so surprised by your presence that he did nothing the whole day but stare at you. It was your fault because you got lost and it was too late before you realized your mistake. You went inside his nest, your awareness has been dulled after years of being chained down. You were so scared that all you could do was crouch down as he tower in front of you, waiting for him to kill you for ruining his nest.

But nothing happened.

When the rescuers can't find you, they started frantically looking for you, and almost fainted when they saw you inside Johnny's nest. Alone, scared, and shaking in fear.

They were able to save you from him and they brought you back peacefully in your place. Later you found out that Johnny was known to be unpredictable and deadly. That's why he was in solitary for years now. No one could explain how come you got lost in a cage that was supposed to be inaccessible by another avian without permission.

Although whatever happened has been scary to everyone, especially to the doctors who have been taking care of you, they somehow deemed that maybe being around you would make Johnny less intimidating. And so your cages were moved side by side with each other, with only the glass wall separating you.

You were fully convinced it was a bad idea. You were wary of him and the thing he may do. Until you were always woken up each morning with him tapping on the glass, leaving behind gifts, placed at the side of the glass wall where you can see it first thing in the morning. He would even bring you his meals. Gets frustrated when he realized that the rescuers will not allow him in your space. But ended up with a solution anyway as he decided to eat up his meals at the same time as you eat yours. Making sure that you are looking at him before he munches and tells you it tastes good. He would even try to talk to you but all you did was stare at him, still wary about being in the presence of a male.

The behaviour that started as odd to you, has become a habit. You are not as scared of him as before but still there is fear. You started to learn to be comfortable around him but maybe it was just a calm before a storm.

The alarm blared as it signals the emergency. Metal bars started replacing the friendly glass walls and all you can do is walk away from them, as you look around, shaking, and trying to understand what's going on. The intercom keeps repeating the same thing, "Abandon the facility now!" and your brain who wasn't taught enough words may not understand what was being said, still felt danger, and in panic, you ran away.

You don't know where you at. You don't know what happened. You didn't see any hybrids running away except you. So you were alone as you made a temporary shelter at a cave, behind a waterfall. You were so tired that the moment your head was placed in something comfortable, you slept, the water sound was soothing and you finally were able to get a shut eye.

It was the feeling of warmth that woke you. A hand draped on your waist, tightening when you whined about the feeling of being too hot. Your mind was still drowsy from sleep, but all your senses snapped open when a familiar thick voice warned you to stop grinding your ass on his cock.

You try to push him away, claw at his arms, almost gauge his eyes out but he only pouts and whimpers at your efforts to remove his hold on you.

You don't understand and cannot comprehend how Johnny found you and even slept beside you without you noticing. It was as if he followed you. Then something clicks and you froze when the realization hits you.

How did you run away in the first place without the facility finding where you are? Also, this whole thing is familiar. It was as if the reenactment of how you got lost in his nest when there is no way you could be lost there.

[sfhvn-alltheas]

An open letter to Netflix and for everyone who feels the same

I would like to apologize in advance for any linguistic errors, English is not my native language, but I will do my best to express my concerns appropriately.

I am reaching out to you to express my deep disappointment at your cancellation of Dead Boy Detectives. The news of your decision hit me hard and I would like to ask you to reconsider. I understand that Netflix is ​​a company that is about money, about numbers, about streams, about performance. It is a business and the decisions are based not on emotions but on lucrative fundamentals.

We all know that.

But this cannot work in the long term, not without an outcry from your viewers. Because what you do is selling dreams. You might not see us, but we are here, we are being absorbed into the alternative realities you have created. We live these dreams you sold us. 

You know this, you know that you mostly produce more than just mindless entertainment that is subsequently forgotten, and that is exactly why I feel so let down by you. You are aware that our hearts and souls are attached to these characters, that’s what you want and it totally makes sense. Because whoever is emotional involved stays long term. A show can be so many different things for different people: a place of well-being, comfort, escapism, distraction, mental support, self-discovery. Queer and inclusive programs in particular help people and make them feel seen, understood and accepted. A show can be the only light in a darkness that so many people find themselves in today. A show with their characters can save lives.

How then do only numbers decide whether something continues or not? 

You, as the producer of dreams, have a responsibility to us. Money and numbers should be secondary in your industry. Feel free to call me naive, I am, I like to be, I have to be in this world, but I believe in humanity, in the values ​​that you claim to represent. Not every show can bring in billions. Not all of them can be Wednesday, Squid Game or Bridgerton. Not within fourteen days, not without support. With your impatience, you are depriving great shows of the chance to grow and, over time, attract the viewership that meets your expectations. What I'm trying to express here isn't only about Dead Boy Detectives. It's a fundamental problem.

I am not okay with this

Julie and the Phantoms

The OA

The Society

1899

Six of Crows

Shadow and Bone

Archive 81

Lockwood & Co.

Glamorous

Half Bad: The Bastard Son & The Devil Himself

First Kill

Inside Job

Midnight Club

Warrior Nun

- just to name a few. All this shows have met the same fate, they all were cancelled too soon and never got the chance to grow, to become a next Stranger Things, the next slowburn success.

This has to stop! Imagine having cancelled Stranger Things after one season back in the days. What you would have missed! Instead, you give up on shows too easily without hesitation and disappoint the very people who could have been your allies in the effort to bring the next success.

I honestly don't understand that. And it's not fair either. Not to us, not to the creators and actors who gave their everything. You should trust them to be capable of creating something epic if only they had a little more time. 

I'll tell you how it is: The news that Dead Boy Detectives had been cancelled is devastating. My life pretty much sucks for a few years now and there is little to nothing that still brings me joy. A second season has been the only thing I've been looking forward to these past few months, the anticipation has been the reason I'm still here. You took that away from me. From all of us that are like me. Now I’m sitting here and write this letter, hoping to save the show that has given me so much confidence and joy and meaning, visibility and understanding that it's okay to be who I am. It's not fair that I have to fight to keep this precious show instead of enjoying it while I deal with the wreckage of my life. 

If you don't understand that what you're doing is impacting so many people, then maybe you shouldn't be selling dreams. Better sell electronics.

I won't stop fighting for what means so much to me. It's not too late yet, you can at least right the wrong you did with Dead Boy Detectives. Please do it, give Dead Boy Detectives another chance. We, the viewers, deserve it, the creators and actors deserve it, and most of all the show itself deserves it because it is the greatest thing I have seen in many years.

Thank you for your time and for considering my request.

[da-rulah]

Hello :)

I would love to request the Papas with a s/o who is basically a Disney Princess with animals and is constantly bringing home something new and unusual. Like ducklings in the bathtub or baby opossums in the dresser drawers. They think they get used to it until they bring something new and unusual, forever keeping them on their toes.

This is such a cute idea. 🥹 I've given it some thought, and I hope you enjoy!

Primo

It started when he found you hiding a stray puppy in one of his sheds. There was no way he could ever be mad at you; he wonders why you'd hidden it from him to begin with.

He'd given you the space to nurse the puppy and watched on with a softness in his eyes. This was one of those things he loved about you; your soft gentility.

One morning, he found you in the same shed with a box full of newborn fox cubs. They'd been abandoned, and you couldn't leave them out in the cold...

Primo relented easily, smiling to himself and offering to help.

This continued - filling the shed with animals you kept finding in need. They seemed magnetised to you. It astounded Primo...

He surprises you one day, having emptied the old shed of any of his gardening supplies and instead, asking the Ghouls to build you your own little animal sanctuary.

He figured you needed a less cluttered, cleaner and friendlier space for all your little rescues.

Secondo

He tries to argue with every new animal you bring home, but you've already overrun your shared quarters with three rabbits, two ferrets, a wounded crow and a raccoon

That raccoon was the last damn straw; they were supposed to be vicious! You couldn't keep that here?

But the thing just sat around blinking at him, eating scraps most of the time.

He grumbled and groaned about it like an unexpected new father would.

But you come home from your duties one evening and find him knelt at the edge of the bathtub, shirt sleeves rolled up past his elbows, cigarette between his lips as he coos and whispers to the ferrets who are playing in the water beneath him.

The rest of your furry friends are surrounding him, avoiding the water but calmly enjoying his company too.

He looks so soft, fussing over all of them as if he hadn't been grumbling over their very existence.

"See, you do love them," you smirked, leaning against the door frame.

"Amore, I would kill or be killed for them. But no more..." he told you sternly.

He was not going to like what was waiting for him in the living room.

Terzo

Total enabler.

He becomes aware of your little obsession very early in the relationship and his favourite little trick, is to tell you "you only got one? But it'll be lonely" and give you puppy dog eyes.

Obviously, you cave every time, finding friends for your rescues.

Your apartment is like Noah's fucking Ark - two by two of everything.

He loves it though, and insists that you name the first, he name the second, every time.

He must say, the weirder the animals get, the more difficult life in your quarters becomes but hey, he likes the challenge.

He figures that soon enough he'd be able to open up "Papa's Petting Zoo" for the Ministry children.

He does indeed make a joke to you about Papa's "Heavy Petting Zoo" that was saved for you and you alone. He couldn't resist.

Copia

He started it.

He had two rats when you first started dating, but he just kept bringing them home with him.

And so then, every time you came across a rat that needed shelter, you would bring that little guy home to an ever-growing adoptive family.

Copia's face would light up every time, and together you'd spend the entire evening brainstorming names.

Eventually the enclosures you had for them had to keep getting bigger and bigger, until eventually, your apartment was overrun and their enclosure was the entire living room space.

Neither one of you minded of course, happy to give them the freedom they desired.