#something easy and accessible

[birlwrites]

overthinking the order in which the horcruxes were made and hidden

[bogkeep]

there's something so deeply dystopian to me how tech companies don't understand that a forced convenience is not a convenience at all. i'm sure autocorrect is helpful for many, but a function that forcibly changes my actual written words and punctuation is taking away my language. photo filters can be nice but i need to choose using them myself or else i have lost the ability to take the picture i want. i don't want a machine to draw or write for me. taking away the option for me to do things manually feels like violence!!!! all this talk of endless opportunity, why are you RESTRICTING me

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[sleepysuccubi]

i’ve been living in sundresses lately ✨☀️

ok to rb (unless you’re a minor then gtfo)

[elmonstro]

Young Lambert trying to make gunpowder for his experiments

[gayforbronze]

idk what it is about this look but i DESPERATELY need to see more pictures of lucy in this outfit

[ghosthoodie]

i feel like the pinterestification of drawing references really affects learning artists(/non-artists viewing these drawings with repeat genres of conventional beauty) when they see a character design that is not in the Norm of conventionally attractive…ive been doing a bit of portrait practice and yea there’s a few outliers but a lot of the references when you search “portrait” are pretty young women with big distinct eyes and medium to small noses and juicy lips…and yea it’s good practice but if that’s all youre practicing or taking into account when it comes to visual design you’re not really expanding your visual library as a designer in my opinion! and i think it affects learning artists in that anything thats not their pinterest reference is ugly!

[hecksee]

im learning i have an intense fondness for historical gays. modern gays are good, but theres just Something about historical queers that hit my brain. bonus points if they're from the 17th-19th century.

[ratatatastic]

she is a bit slutty and honestly good for her

[mistyheartrbs]

another thing about i saw the tv glow that fascinates me is the like...movement (transgression?) across mediums in that to begin with it's a theatrical feature film about a tv show. and when you think about it, while there are lots of tv shows about tv (30 rock, showtime's episodes) and lots of movies about the movies (singin' in the rain, la la land) there isn't as much crossover between the two as you would expect - few if any tv shows about movies, even less in the realm of movies about tv.

when isttvg came out in theaters, brigette lundy-paine made an instagram post with this caption:

which is a direct reference to a line their character says in the film - that the pink opaque airs on the young adult network right before they switch over to black and white movies for old people. (i'll have to double check if maddy says "movies" or "reruns" in the actual scene; i remember it as "movies" EDIT: it's reruns but my point still stands) and, for much of isttvg's runtime, it both operates in tandem with and against this notion - it's a cinematic spectacle, visually gorgeous to be sure, but the scale is very small, almost claustrophobic at times, in a way that says that the experience of watching this movie wouldn't be incredibly diminished if you played it on a boxy television in the middle of the night on basic cable (so long as you had somebody to watch it with)

but maddy's line is said with a surprising and youthful sort of disdain - the pink opaque is so different from the dumb nostalgia of their forebearers (with the same winking-at-the-camera irony with which a comic period piece notes the record-breakingly fast ten-mile-an-hour horse carriage or what have you - what they see as progress already obsolete in the eye of the modern viewer), and moreover it's in the exact medium it's meant to be viewed in. it's a tv show they're watching on tv (and in fact the impetus for owen and maddy to grow closer is owen specifically saying "i want to watch it live") - versus black and white movies, the original filmic spectacle, being thusly reduced to something smaller and lesser than they were meant to be. but of course that would never happen to our favorite Brand New television show, the pink opaque, which is super cool and is going to be relevant forever! nothing like that stuff for "old people." it's indicative of how prickly maddy is but it's one of the least sentimental sentiments of what is otherwise very much a love letter to the screen. it stands out!

(and we get even more of that with the streaming version of tpo later, but i'm getting ahead of myself here)

and it's further complicated by the fact that owen views the majority of the show via home-recorded vhs tapes, handmade gifts from maddy, forbidden things. the way you watch it matters too. the way you construct your relationship with this story. which in a way queers the viewing model too; he's literally watching the show out of order!

and now getting back into the horrendously depressing streaming scene, in which schoenbrun does the impossible and makes the phrase "soup party" upsetting, the convenience is what makes it wrong. transgression in the wrong direction. anybody can watch it. you don't even need a disc, owen/isabel says in voiceover, numbly. but instead of maddy's tapes, born out of connection/love (to a degree that neither of them even fully recognize yet), this version of non-normative/alternative access is something dictated by capitalism (it's also worth noting that the streaming scene is the only moment of overt product placement in the whole film, with the new flatscreen with the LG logo all but shoved in front of the viewer). owen/isabel flicks through the episodes lazily and languidly, landing in the middle on the mr. sprinkly episode. there is no effort involved anymore, none of the personal element present in maddy's handwritten notes ("season 2 finale: guaranteed to make you cry!"), just picking and choosing.

all this culminating in a movie about television, with a pseudo-wide release and enough buzz that it did moderately well as far as indie flicks go.

yet - inserting myself into the supposedly distant third-person analytical essay, as queer theorists are wont to do - i don't really think i would have been nearly as affected by this movie if i'd just watched it on like. netflix. if it'd had commercial breaks on late-night cable ("past curfew," as owen's parents repeatedly note) that's one thing, but the modern streaming paradigm doesn't really allow for that. seeing this movie in theaters forces you to go to the theaters. it forces you to sit with other people and view it together/separately. to walk out mid-credits and talk it through with your friend and look at each other and joke "(gasp)............we're secretly in another world where that dunkin donuts is two blocks away!" when the google maps app glitches out. you have to sit with it. you can't not sit with it. it took effort to get here, and you cannot so easily get it out of your head. it's a movie about tv. the medium doesn't fit like a glove. it barely fits at all. and you are left feeling like it's been much longer than a hundred minutes.

(i'd love to see if a24 has fun with merchandising once it gets a home release - if they sell a novelty vhs tape or what)

i think a lot of that is really something to look at. much like the film itself i do not have a conclusion to this essay.

[moe-broey]

One thing they don't tell you about the Senshi tulpa that WILL inevitably manifest in your mind to tell you to eat better is that. Every time I make myself a coffee via kuerig instantly, I can hear him. Lamenting the fact that I have become so accustomed to convenience and ease that even a standard coffee machine has become foreign to me. I am thinking about how to make coffee without use of a machine in the first place, I am wondering where my french press went, I can see him. In my mind. Showing me how to make coffee in The Dungeon. Dungeon Coffee.

[hephaestuscrew]

I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...

Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.

This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.

When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.

Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.

If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.

I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.

In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.

Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.

Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.

Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.

I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[iiusia]

Is ir okay to not feel it as a christian if youre still doing it? If i read the word and do what it says, but i never feel. the feelings. Is it normal? I feel so lost. Ive prayed so much.

hi!! i'm going to assume this question is coming from this post of mine. if its not sorry but i hope my answer still stands!

my point in that post is that it's not all about feeling the feelings. honestly, i would say that usually, Feeling Strong Emotion/being overtaken by emotion over it is something that is not necessarily common. of course, it depends on the person. some people are just Strong Feelers but that's not everyone! (i am not one of these people, for example).

if you don't Always Feel The Supernatural Presence Of God and you don't feel emotional every time you think about the Lord, or whatever standard you want to set, that's not an indicator of your faith. (or if you're truly saved.)

what's important is knowing. and believing. do you truly Know And Believe that the Lord Jesus, the Son of God, died on the cross for your sins? do you Know and Believe that the God of the Bible is real? that He created the world and everything in it? that He sent His only begotten Son to die out of love for us?

"Now faith is the substance of things hoped for, the evidence of things not seen." Hebrews 11:1

that's what's important!!!! not if you cry during worship or if a sermon touches you. not Feeling A Supernatural Presence. if you know God is with you always, then you don't need to feel it for proof. you know it. you have faith.

modern-day christian culture has turned christianity into solely something you Feel. big displays of emotions during worship, people talking about visions and speaking in tongues and being filled by the Holy Spirit, etc. (this attitude has also led to the culture of "if i don't feel that the Lord is telling me that this is wrong, or if i feel that the Lord is telling me that this is okay, then it is.) but you can't rely on your feelings.

"The heart is deceitful above all things, and desperately wicked: who can know it?" Jeremiah 17:9

you want to hear God speak? you open your Bible. it's Literally God's word. everything you need to Know about God and how you should live your life is in there.

basically: anon, lack of Strong Emotion over living the faith does not mean that you're doing something wrong. however! i want to cover all my bases, just to be sure. you mention "reading the word and doing what it says". you might already know this, but being a christian isn't just about acts or works. the entire point of the gospel is that we cannot be saved through what we do, only through faith. it goes back to what i was saying about faith earlier on. if you find yourself treating this life like a checklist, like a "i'll do this, and this, and this, and then God will help me/love me", then that might be something to meditate about.

"For by grace are ye saved through faith; and that not of yourselves: it is the gift of God: not of works, lest any man should boast." Ephesians 2:8-9

[munchboxart]

It's midnight so I'm gonna ramble again but about animation/cartoons as a whole included with my lack of knowledge about the industry

A few weeks ago, I remember watching some video about Cartoon Network or something and the guy doing the essay mentioned something like "With the rise of streaming and online as a whole, there is a loss of connection with parents and their kids because back then, you could watch the same cartoon with your kids and recognize who that is". They absolutely did not say those exact words but something along the lines of it, and it's stuck to me for days because it's true! Like I don't think kids nowadays have that kind of connection other than theatrical kids movies, which sucks I think moments like these are precious to have.

Another thing is that I think people kind of underestimate how popular cartoon/2d/3d shows are with adults? Especially young adults because the people who grew up with like, 1990s-2010s shows are probably mostly grown adults now. Probably the best recent example of this is Adventure time and how (I think) big Fionna and Cake is. Like I could go on Twitter and be spoiled hell and back on the newest episodes LOL. How about Owl House and Infinity Train? Bluuey too?? I don't know, but with the writers strike and how swept under the rug animation is, especially on streaming, it just kind of sucks where the current state of animation is right now for everyone as a whole

[darkwood-sleddog]

Bruh how much did tumblr fucking pay for tumblr live that they’re willing to not only make us re snooze it every goddamn week, but now they’ve put the “create post” button on the dashboard??? Blocking the visuals of posts to make room for tumblr live? I can’t with mobile tumblr. Most sucky experience of all time.

@staff