THE TORTURED POETS DEPARTMENT | Concept Redesign
Taylor Swift's 11th studio album The Tortured Poets Department dives into the lives of victorian women who refused to adopt wholesale the codes and conventions of the male poetic tradition.
More about the concept under the cut
Theodore Turner, Thomas Bennet, Paul Wright and David Morgan founded TTPD in 1835 in New York with the hopes of making their way through the world of literature. 20 years later they found themselves being the most prolific publishing house in the city with acclaimed poems and short stories becoming an undeniable force among their female readers. No one could believe four men around the age of 30 could understand the nuances of love, heartbreak, loss and hopelessness as well as they did. But not every story has a happy ending. While the four gentleman became history and their names were positioned next to the biggest names of american poetry of the 19th century there's something that lies beneath that chronicle.
35 Women were the backbone of TTPD writing everything from poems, short stories and even clever and witty jokes that were quite hard for victorian men to grasp. While relegated to the back of the building they tried to fought for their space in the poetry world. Each publication was signed with the initials TTPD and while common readers could interpret that as the well known acronym of the company's founders they believed leaving their own trace would mean something to future writers and women across the country.
The Tortured Poets Department was born out of anger and spite yet kept going for so many years, until the company closed, because the shared love for poetry and expressing and seeing the world in a different way was cathartic for 35 women who from a young age were told to get married fast and not intefere in gentlemen's business.
This album shines a light on those women who died thinking their efforts to become someone were useless. The Tortured Poets Department dives into lives of 35 victorian women who refused to adopt wholesale the codes and conventions of the male poetic tradition and recounts the story as it should've been told in the first place.
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I genuinely GENUINELY believe that throughout the entire fight at the end of full moon, Blitzo genuinely believes that this is about a book and sex.
I fully believe that when he begs Stolas, he truly truly believes that it’s for the book. He is genuinely panicking about the book.
(As opposed to popular opinion, that he was using “I need the book” to disguise wanting to say “I need you”)
And it isn’t until the LAST SECOND
The VERY LAST
In the calm of the storm, it finally hits him.
This (the fight, his anger, the transaction) wasn’t about a book at all. It really wasn’t even about good sex, either.
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Serious Bitch Opinion: lan wangji...would be a terrible chief cultivator. yes, he is righteous and honorable and has a stalwart moral backbone. however, when you are given the responsibility of leading others, the impeccability of your own moral character must come second to what tangible results you can actually achieve for your people. and if you want to actually achieve any tangible results, instead of getting deadlocked forever or getting done in by your political enemies, you have to learn to compromise on some of your ideals. instead of freezing out the people you find morally despicable, you must learn to cooperate with them; otherwise, you will not achieve anything. and in order to achieve your goals, you must learn that not all of your goals are achievable--that, in order to get the more important of your desired measures passed, you must give up on some others.
now, this is almost the polar opposite of what MDZS as a text champions. arguably one of the central thematic thrusts of MDZS is the importance of not compromising on your ideals, even when it would be far more pragmatic to do so. thus, if lan wangji wanted to become a leader who could actually achieve things, he would have to directly contradict one of the most important messages of the very text that valorizes him.
the moral framework employed by MDZS to evaluate its characters and convey its themes is much more focused on ideals than on results. what matters to MDZS as a narrative is ultimately not the results of one's actions, whether one's righteousness led to joy or to ruin, but rather that one attempted to be righteous even in the face of almost inevitable failure. attempt the impossible, after all. the text of MDZS does not follow utilitarian ideas; it does not condemn wei wuxian for ultimately failing to save almost anyone. rather, wei wuxian's stalwart moral character is celebrated in spite of his failures because he, unlike everyone else, tried.
unfortunately--while someone who is only responsible for their own life can attempt the impossible, someone who is responsible for the lives of millions must instead achieve the achievable.
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seeing how Atsushi was in the orphanage his whole life, I bet he went absolutely crazy for train stamps; like taking Ranpo out to the train and noticing the stamp booth and asking 'whats that?' and Ranpo explaining the system and Atsushi immediately buying a notebook to get his first stamp! (he downloads the app for the local line stamps which offer digital stamps)
then him freaking out that the metro does stamps as well?? cue him always agreeing to go out with Ranpo and the other Agency members taking him along and bringing a page of the train stamp if they ever leave Yokohama without him
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every time I see the big black "songs about fucking" cover i remember jakey bought a "funny" t shirt with the cover photoshopped so the lady was holding a bad poker hand. and I asked him what the joke was and he said "she looks mad because her cards are bad" and he wasn't being wry or ironical, that's just what he thought "jokes" were about half the time. a joke is when a familiar thing is slightly different. this got him enough false positives on his guesses about what a joke was that it just reinforced his lack of comprehension about the concept of humor. he kept buying t shirts like this, about half of them were actual jokes and the rest were either so lame they weren't actually even funny in a shitty tshirt way, but merely confusing, or were not jokes at all and instead were just "hey remember thing you've seen before?" but not even in a novel context or anything. but he thought they were jokes, and would laugh at them
I'm never going to be able to move past this because it's impossible to receive any sort of explanation for something the person holding the misapprehension believes to be self evident and thus inexplicable
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thinking about the folklore prologue and how taylor says "a single thread that, for better or for worse, ties you to your fate". thinking about how invisible string is a song about taylor's journey with that thread and how she thought it led her through hell and brought her heaven. thinking about how it turned out that that thread led her to a fate that was worse than she was expecting. thinking about taylor finding it difficult to leave the relationship because of all those signs that prove that they were destined to be together. thinking about taylor resigning herself to that fate, for better or worse.
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