#someone else’s headcanon

[foxlover835]

O sitting on Tee’s head

Exactly as the title said. I had lots of fun drawing this :) so I hope you enjoy this too! This is not my headcanon by the way, it belongs to Help_Mii on AO3, so you can check out their fanfic for context.

[ichirothehallow]

Dude! I NEED To See That! Fanart/Fanfic, This Is Such A Cute Idea!

As much as I love people making Sonadow fan children where they are Sonic and Shadow’s biological child, usually using some sort of DNA splicing or whatever.

But I know damn well those two would find a 2 year old in the garbage and be like “I guess we’re dads now.”

[a-great-tragedy]

James: Hey Remus! What’s up? Wanna spend summer at my place?

Sirius: Nice jumper Remus!

Remus: *Internal monologue* They all hated me

[ckducky]

This one goes out to @a-dauntless-daffodil. They infected me with the hilarious idea that Charlie is jealous of an inanimate object.

[theoihalioistuff]

ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

[yourbestbuddie]

Headcanon that cas does not understand human pet-names in the slightest. Sure he knows about ‘darling’, ‘honey’, ‘sugar’, but he doesn’t understand why those words are chosen specifically. One day, Dean and Cas are in the kitchen, Dean’s making dinner and Cas is watching him, and Dean’s like, “Hey Cas, can you pass me the rice?” And Cas, wanting to impress Dean with his knowledge of human interaction/emotion, responds with “of course, Milk.”

[ywuji]

yuuji doesn’t think he buys you things often, but your bed full of stuffed animals says otherwise. (f!reader, plushie humping and them watching u fuuuuck)

often times when he goes out with friends or on missions, yuuji will come back with little trinkets or toys he thought you would like.

he doesn’t listen when you tell him you have nowhere to put them—when he gifts them to you, he’ll just smile his giddiest smile, hoping you’ll forget about that for a moment.

it's funny because he’ll come over to your tiny uni room down the hall from his own, see his gifts taking up the majority of your space that you’re meant to have, and he’ll still have a mind to think of other things he could get you!!

‘the more the merrier!’ is the sentiment of all of his lighthearted protests when you bring it up in conversation—and he’s genuine with that—but there’s also something else.

something about those times when either you or him are away and you’re missing each other, him telling you to call him—voice or video, ‘whichever you prefer, cutie’—and the conversation ending up in him talking you through straddling his favourite stuffie of the day and grinding your sweet little wet cunnie on it.

"does he feel good, sweetie? …yeah. y'sound so pretty... mhmm, sound so good, my love. keep going, baby."

"nonono, you’re doing great, honey. i know you’re tired, but it’ll be over soon, yeah? just a little more and you can cum… yeeaahh that’s it, princess, doing so well f’me."

"f-fuck… l-look so cute, baby… can you see? ’m leaking so much. …mhm, ‘s all you, pretty girl, ‘s all f’you."

or the other times, when he spends the night at yours, and you touch and you kiss, and the next thing you know is that you’re pushed into the bed, surrounded by your dear stuffies, whining and mewling as yuuji hungrily looms over you, pumping his thick cock into your wet, messy heat.

“yuuji..! a-ah! ‘s too much, ji—ah!” you whimper, voice struggling to come out of your throat every time he pushes into you. he knew from your previous three orgasms he gave that you're reaching your limit, and he’d pull away if he knew you wanted him to, but the way you’re grasping at his toned back, his beautiful neck, and his tousled hair, pulling him closer, deeper into you—he knows you can take it.

“pussy so fuckin’ good, princess… l-love it so much—f-fuck! s-so good for me, baby,” he caresses your precious head, brushing hair out your face and staring right into your eyes as he pushes himself in further into you. the waft of his breath heating your cheeks as he praises you, “suckin’ me in s-so—fuck—tight…“

“‘m close, ji! s-so good! ohmygod…!” you grip onto him impossibly tight, fingers digging into his thick, muscular shoulders.

“h-haah—y-yeah? me t-too... where can i cum, baby?” he pants, his whimpers that you love so much becoming louder.

“inside! insideinside! please inside! pleaseplease—please!” you choke out. you don’t have to wait a moment longer before he’s pounding into you like your lives depend on it, fat cock drilling you at an angle, stretching you out and hitting all those right spots only he can reach.

“c-cumming…! ‘m cu—!“ his lips crash into yours, swallowing your sweet sounds as you cum and cream around his cock, legs wrapping tightly around him feeling ropes of his thick, hot cum spurting into you as you both shake and tremble from your orgasms.

he lowers the rest of his body onto you, being careful not to crush you. his face burying itself in the crook of your neck, whispering little praises and tender words of affection. ‘love you so so much, baby’, ‘did so well for me, pretty’, ‘look so beautiful when you cum’. with his sweaty front now pressed to yours, he lays still. warming his cock inside your cunt to let the both of you ride out your blissful highs.

his head comes up to look into your dazed eyes as you gently cup his hot cheeks. he smiles and chuckles breathily, littering quick kisses from your lips to your chest, licking and sucking cheekily at your nipples, leaving a few lovebites on your breasts.

moving to sit up on his knees, he looks down at where the two of you connect, softly rocking his hips and moving circles over your sensitive clit, watching the sticky white ring of your mixed orgasms coat his cock with each slow thrust.

you whine and hold out shaky fingertips to his hips. he grins, pulling his cock out painstakingly slow, watching his cum leak out of you, collecting it up with his fat cockhead, and pushing it back into you with one last gentle thurst.

“yuuji...” you mewl out with a small pout on your face.

“yeah, honey?” he looks at you with wide eyes and flushed cheeks.

“...they were watching the whole time.” you point to the little crowd of plushies who are all faced towards you, an odd feeling washing over you as you realise your shared stuffed ‘children’ witnessed the two of making love right in front of their plastic eyes.

he shrugs nonchalantly, a tired smile on his face “it’s not that bad.” he teases.

“wha-?! what do you mean…?!”

“they’ll just learn a few things,” he smiles playfully at your puzzled expression. “y’know? like how to be in love and… how it feels to know someone truly.” he nods his head and purses his lips as if he's just said something deep.

“you’re so stupid.”

[rosehipandroots]

me when the. me when warriors captain link hero of hyrule is nothing more than a political image. me when link is shoved aside for the hero captain. when his brothers leave the war & keep going but he's stuck bc he isn't allowed to stop being the hero. when "hero" is turned into a political title and warriors is dehumanized along with it. when the hero is nothing more than glorified puppet solider with a pretty face, when warriors is an actor every second of his life. me when the fandom doesn't like warriors bc they fell for his ruse

[sah-headcanons]

I do wonder if Mulmangcho was originally sent to get close to the Guard Commander, since that would be useful. I mean, they clearly knew each other. Mulmangcho prepped the car for Geumsaegi to go to the festival. And Geumsaegi didn’t think it was odd that Mulmangcho gave him the camera he’d taken in for repairs.

So…was Mulmangcho a brownnoser to Geumsaegi at some point in time?

You know, like the suck up at the office who’s fishing for a promotion.

What other kind of blackmail could the Search Commander have gotten out of Geumsaegi in The Secret of Wolfspider Cave?

The pact already had a plan to kill General Commander Jogjebi, with him being in the hospital during the Flower Hill festival being the focal point.

With Jogjebi being sick, it was the perfect opportunity to sneak in and kill the commander. In fact, if the plan to shoot his twin brother had gone forward nonfatally, the Weasel Unit could have brought back Assistant Jogjebi and hid him, and then assassinated Commander Jogjebi themselves, and blamed it on Flower Hill. The perfect plan of it hadn’t been leaked.

However, Geumsaegi had been suspicious of attacks, and increased the Guard around the hospital. These mice were all intensely loyal to Geumsaegi due to the time he had spent with them, so they could not go in the front, leaving the secret door as the main option.

Obviously, as I have mentioned before, any rebellion on the scale The Pact were planning would have required the help of the Guard Commander to get into certain places anyway. The problem is, they can't access the front door since Geumsaegi increased the guards, so they need to get in through the secret door, which only Geumsaegi could do.

They had already bugged his camera, but it is suggested that they actually did not know he was a scout before they looked at the contents of the bug in question.

They clearly needed some sort of blackmail material on him for later, but finding out he was a scout was a stroke of luck since they needed to work fast.

Granted, pointing out that they knew he was a scout is risky. On one hand, he now has nothing to lose in fighting back. But there was the chance that he would also be interested in killing Commander Jogjebi, and would happily fall in line if he thought he would be allowed to live afterwards.

Of course, what would happen if they had not found out he was a scout for Flower Hill? What other secrets of the Guard Commander could they have used against him as blackmail?

And if the blackmail had not worked? What would they have done then to try and get through the secret door?

I think about this a lot.

sah-headcanons brought up that they could have put off their plan, since it appeared as if secrets were getting out, most likely through Geumsaegi. Also, if Assistant Jogjebi was shot at the festival, they could have said that the commander lingered while they quickly worked on a new plan.

If blackmail did not work, they could have tried to negotiate that as a scout, surely he would want to kill the Commander of the enemy army as well? Then the new leaders could go after some other, weaker country. They could promise to just let him leave afterwards (and shoot him in the back as he does).

Kind of not smart to go directly towards threats when they could have tried a 'we have the same goals to kill the commander, so why not work together?' type plan. Even though their assumptions were incorrect in Geumsaegi plotting to kill Commander Jogjebi right then, he could have still gone along with it and found a way out, later.

They could have killed Geumsaegi, and then presented the evidence to Commander Jogjebi, or take the evidence first and then reveal they captured him. If they gave Mulmangcho the credit, then maybe he could become the guard commander and get the codes to the secret door for the next time, if they wanted to bide their time.

Of course, mind you, they don't factor in Scout Goseumdochi, but that is a different story.

Also funny is how they put all that effort into recording people for blackmail, but then Wolfspider Cave has cameras all round. Most likely to blackmail everyone there into not betraying the rebellion, but still.

[batcavescolony]

So you know how artists irl will draw celebrities? Do you think fans in superhero universes draw them? If so I think I'd be funny if they draw a mantle character (a mantle with multiple people as them) but the eras are so mushed together the hero's can't help but analyse who they were trying to draw

Donna: ok black hair me?

Cassie: but I had a black wig in early YJ days

Donna: true. Is it Yara?

Cassie: No it's short sleeve, I think it's you?

Donna: it can't be I never had red pants, jump suit yes, but you had red pants!

--------------

Jason: found another fanart of Robin

Steph: not me it has Black hair and is male

Damian: legs aren't exposed, so that leaves me and Drake

Tim: but the cape is full yellow that was Dick and Jason

Dick: their's no weapon so that doesn't help

Jason: but it had my front hair curls.

Dick: the 'R' is blocky Tim started the pointy 'R' so maybe it's one of us with pants?

Duke: is it a 'We are Robin' Robin?

___________

Or characters that look similar from a distance

Mia: Blonde Archer Girl with Red, no other color.

Cissie: well it's not my original Arrowette suit, it's full body.

Mia: didn't you have a tactical suit?

Cissie: yes, but it wasn't as streamlined. Did you loose your hood anytime? Maybe they saw you without it?

Mia: I'd still have a yellow without the hood, the bow is wrong.

Cissie: eh people usually draw them wrong, it's gotta be you the artist said they saved them, it's been awhile since I've been out.

Mia: we don't know the age of the artist maybe it was in your Young Justice days

Cissie: that makes me sound old, never say that again.

[steddieas-shegoes]

Country singer Steve Harrington, who has always leaned more into the pop country side of things (think Wanted by Hunter Hayes), but wants his third album to be more true to old school country roots.

His label agrees but only if he works with Eddie Munson, a rock star who had to leave the spotlight when he got kicked out of his band for, well, rockstar behavior gone too far.

Steve isn't amused, especially because he doesn't care for metal music or rock star shenanigans. He was "raised better" and doesn't think Eddie could sit down and write songs with actual emotion and feeling.

Cue long songwriting sessions where Eddie is trying his hardest to be on his best behavior because he knows this is his last shot at being taken seriously, and Steve being surprised every time Eddie proves that he's talented as a songwriter and musician, well outside the scope of just metal and rock.

They write a song that they're both so proud of, Steve asks if he'll record it with him just for fun. The released version would just be Steve.

Eddie agrees.

It's an incredible duet, something country music has needed forever, but Eddie doesn't want that version out there.

The label genuinely accidentally releases their version instead of the Steve only version. As soon as they realize, they remove it from official places, but it's too late.

Fans have already heard it and have gone crazy over it, begging them to let the radio play this version, begging for this version to be available for streaming. The Steve version is great, but it doesn't have the emotion that's laced in the tone of them singing together.

Eddie finally gives in when he sees how happy Steve is about the reaction to it.

But the label decides they want them to tour together, have Eddie work as his opening act, perform his acoustic songs that haven't been officially released anywhere. Eddie can't do it.

He can't go back into that lifestyle. He couldn't do it to his band, who made him promise that he'd come back to them when he got his shit straight. He can't do it to his fans, who stuck by him through some rough shit, but probably wouldn't support a fucking country music career. He definitely can't do it to Steve, who deserves to have someone with him who can be trusted not to go off the deep end.

So he runs. He hides. His uncle welcomes him home, congratulates him on finally embracing his country roots.

It doesn't take long for Steve to find him.

Because he'd been more honest with Steve than he'd ever been with anyone. He told him about his childhood, his Uncle Wayne, his struggle to make it. He told him about his worse struggle when he did make it, how he got in with the wrong people, the wrong things. Prioritized the lifestyle more than his own life.

Of course Steve knew where he'd run to.

Of course Steve came to remind him what his life could be if he allowed himself to find new priorities.

Steve's lips were pretty persuasive, but not nearly as persuasive as his promises to remind him what he could have if he kept his life his priority.

"But what if I let you down?"

"You won't."

"But-"

"No. You won't. You're gonna do amazing things for yourself. And I'm gonna be there to see it happen. That's all."

And he was.

They co-wrote Steve's entire album while Eddie worked on recording his own original songs. He liked that it was an old school rock and roll feel, some blues, some country, some hints of metal sneaking in on a couple songs.

He called his band to come help him with a song, hesitant to even ask, but they came. Of course they came.

He called his Uncle Wayne to play banjo on a song, worried that he wouldn't like the heavier electric guitar notes over it. Of course he loved being involved.

When their tour started, he let himself actually feel nervous.

But instead of running, he looked at the man who supported him through it, even when his own career was on the line.

Of course Steve was there.

[strawlessandbraless]

Time traveling destiel fic where later series Cas ends up in Stanford Era Dean’s timeline.

It goes as usual, Dean soon finding the dorky angel odd and endearing. Enjoying how well Cas seems to know him and even starting to like all the staring.

At some point, Dean finds the mix tape in Cas’s pocket, immediately recognizing the handwriting and clocking the traxx and what that means. Because he knows this was his go to move when he really liked someone. He listens to the tape with the songs he picked, and he knows, without a doubt, future him is in love with Cas.

Chaos ensues.

[cyberels]

thinking about modern loser!ellie as ur gf :3c

modern!abby version here!!!

requests are open btw please i’ll write for ellie or abby

18+ sfw & nsfw

-> sometimes she’ll send u random ass pictures she finds funny

-> does the thing where she pretends to swerve off the road while she drives cuz it makes you laugh

-> she SPAMS you with tiktoks

-> every time there’s video of an old guy on her fyp that has 2 likes she’ll send it to u and be like “thought this was joel”

-> the guy looks nothing like joel

-> pretends to have a fear of thunder so she can use every thunderstorm as an excuse to cuddle you

-> “babe i’m so scaredddddd please😣😣😣 im shaking”

-> CANNNOT keep secrets from u

-> she’ll plan surprise dates and when you ask where the two of u are going she’s like “…nowhere…”

-> she’ll have to be silent the entire drive because if she speaks she will immediately reveal entire date

-> she HATES cringey pet names

so obviously you call her them all the time

-> she’s in line to buy smth and she’ll ask u for her wallet and u’ll hand it to her and say some shit like “here u go baby snuggle bear🥰”

-> the look she gives you LMFOAODKSLDKDDK

‘😦’

-> literally looks like u just killed her first born

-> does that “i hardly know her!” joke all the time

-> if no one laughs at her jokes she’ll tap on her hand and be like “uh, is this thing on?”

-> she thinks this is peak comedy

-> she’ll find silly things throughout her day that remind her of u

-> she takes pics everytime she sees a heart shaped object and sends it to u

-> absolutely has to get u a little treat or gift when she goes out, candy, flowers, etc. anything u might like she WILL buy

nsfw ‼️ 18+

-> SENDS U STUPID ASS REACTION MEMES AFTER U SEND NUDES

-> omg u and her buy stuff off adam & eve sometimes so she signed up for texts

-> and every time she gets a text she’ll send u a screenshot like “great news babe the butt blaster is 40% off!”

-> when y’all first starting having sex she’d be so awkward 😭😭😭😭 she couldn’t take herself seriously

-> eventually warmed up and started getting more confident

-> ellie williams is a sub i’ll die on this hill

-> but she’ll def try almost anything at least once to see if she likes it

ok that’s all for now love u all

masterlist

[superbat-love]

Clark banished Bruce from his apartment after letting him stay for just one night. Bruce left the bed unmade, dropped dirty clothes and towels on the floor after showering, and routinely left used cups and plates on the table. His kitchen was a disaster zone after Bruce tried to make himself an omelette. Worse, he never turned off the appliances, and Clark nearly had a heart attack when he saw the utility bill.

To avoid being responsible for a dead Superman, Bruce promised to clean up and cover the expenses. Unfortunately, he hired a house cleaning slash renovation crew, turning Clark's apartment into Metropolis’ fanciest, complete with a private elevator and a backyard pool. Clark didn't even have a backyard. Now he has to figure out how to explain the whole thing to his landlord.

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[originalaccountname]

My turn to be skk-posting

in my ideal vision, when they finally get in something resembling a relationship (as adults, they were Not There as teenagers), it's because they both want it, which means they unlock previously forbidden features with each other like sharing a bed instead of a couch (you all know about my weird obsession with skk and couches), but also freely touching.

Dazai is a rather tactile person; my guy is freed after 2 weeks in prison and the first thing he does is dance, poke at, lean/hug and play with the hair of the first non-evil person (a stranger) he meets. Being with Chuuya, he constantly finds himself in Chuuya's bubble, and indulges in ways he usually can't with others. That often means direct skin contact, not even with ulterior motives, but really just because he is allowed and he wants to.

Chuuya on the other hand has never done something gently ever: he is fierce, he cares and loves intensely, and he never lets go, but he barely knows the concept of a reassuring gesture (working on it). Dazai being in his bubble wouldn't bother him at all by that point, but the handsy part? it's awkward. needs some getting used to. It's a learning opportunity.

And when Chuuya gets used to it and finally makes a move to return the favour? it's Dazai who short-circuits.