#some people write it good though

[heavencasteel420]

I don’t ship R*nance, but, man, it’s wild seeing people go “um, why would you ship that, Nancy is so mean to Robin” when they ship H@rringrove. Shouldn’t they be bored because Nancy’s not mean enough? She doesn’t even pop up when Robin’s gazing longingly at Vickie to go “huh, guess your crush is getting porked by Mr. Mullet tonight,” let alone break crockery over her head.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[ironunderstands]

The way some of yall mischaracterize Ratio as being stoic in chill when in reality he is 24/7 resisting the urge to rip everyone around him a new one is crazy to me like. He cares so much, so much. It’s unhealthy, he loses the idgaf war every time because Ratio is the least nonchalant person ever like

He was this close to breaking character and throttling Sunday like you cannot tell me he wasn’t planning a murder in this scene. Ratio straight up calls Sunday a crazy bitch but everyone brushed it aside 😭

Honestly his entire conversation with Screwllum is just him tweaking, watch it on YouTube the VAs performance is amazing, you can here just how much He Cares

Genuinely, Aventurine is way better at concealing his true feelings that Ratio. Ratio may be acting for the sake of the plan but the way he truly feels about anything he’s doing always seeps through, it’s why he apologizes to Aventurine in 2.0 in their staged argument scene. It’s why he is as mean to Sunday as he can be. It’s why him pretending that he “hates” Aventurine makes him act so silly. Ratio can’t fully commit to the bit, he can’t force himself to not care or to be someone he isn’t, because fundamentally Ratio CARES and that is something he is incapable of hiding, alabaster bust or not.

The problem is that him expressing his care is often done in a rude and/or blunt manner which people tend to interpret as stoicism or apathy when it’s anything but. Ratio’s vial that he gives to Aventurine is short, sweet and gets straight to the point, because that’s the easiest way for Ratio to express his emotions, even if it’s often detrimental for him and anyone else around him. However Aventurine understands him quite well, and knows that although brief, Ratio telling him to “stay alive, survive this and keep on living” is how he truly feels towards Aventurine, and that’s enough to keep him going.

Underneath Ratios carefully crafted marble facade is a man who cares so much and is so bad at expressing it and I wish the community in general, especially Aventio shippers would acknowledge that more. Ratios true moments of sincerity are brief, but they are anything but stoic. Let the man be soft, it’s in character.

[vaguely-concerned]

'my cousin is all stomach and no heart' is such a funny thing for illario to tell rook if he maybe is picking up on a little bit of a Vibe going on there. the 'LMAO. well good luck with that friend. better hotties than you have tried and failed and dashed themselves against the legendarily unamorous cliffs of my cousin's complete obliviousness and lack of interest to no avail. (optional 'may I suggest a more hah-hem *undoes another few buttons on his shirt that thing is open almost to his navel now it's borderline obscene* available dellamorte for your consideration. I mean if you're like in the market for one anyway' devious undertone as you see fit)' energy is off the charts.

(illario is above all a funny petty bitch and that's why I love him so indescribably. no no lucanis is right we need him around to drop shade like this he is in fact also an essential crow. we all contribute in our own ways)

[poorly-drawn-mdzs]

I came here for the silly haha doodles, but I've stayed for the absolutely blazing commentary in the tags. Your analysis of this story is so so so good! Thanks for all the work and thought you put into this!

I am just a silly little comics blog. I am not hiding anything in the tags, no way. Never.

[mumblesplash]

heartbreaking: this viral post is saying things you completely agree with in the most irritating way possible

[bluerosefox]

Our Well Deserved Break

Its

Shenanigans (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

Time again!~

-x-x-

Danny, our boy the Ghost King, looking over a small team going over relic's given or 'offered' to Pariah Dark over the years both before and after he was sealed away. As they're taking inventory of the chaotic offering room, they stumble across a certain artifact.

This artifact is able to summon a set number of people (it does have its limits) of the users wishes to them and it sets up a barrier around the surrounding place so no one summoned gets out. You know, those kinds of artifact's certain people use to summon heroes and or villains into a room and have them fight to see whose the strongest or for a tournament, Yeah that kind of artifact!

Danny, who found the item, takes a look at after being told what it does. Then out of the corner of his eye he spots himself in a mirror in the room and see's his crown floating above his head and feels the full weight of his responsibility since before and after his crowning. Yes he had help with his advisor, despite how cryptid he can be at times, and of his council but still the weight was a bit too much for a teenager like him.

An idea struck his mind when he hears the ticking of a clock behind him. Without saying a word Danny looks back and raises an eyebrow at Clockwork whose staring at him in silence as well. He glances at the item, tilts his head a bit before...

Smiles in only the way CW knows would both be good for Danny and amusing for him. He nods and says "One weekend should be fine. All timelines will be paused for them. I suggest telling your friends to help prepare for your guests. Enjoy and have fun my King."

"YES!" Danny's voice echoing in the offering room made many ghosts in the room jump for a bit.

This was totally going to be fun!

-x-x-

When the following weekend arrived, young and very stressed teen heroes from across the multiverse are suddenly pulled from their worlds and are summoned into the Infinite Realms. Before any of them can panic or start fights a voice rang out above them and when they looked they could see a young teen, with a crown floating above his head, white hair, and glowing green eyes sitting on a throne.

He smiled and said

"Welcome fellow stressed out Heroes and Heroines to Phantom's Keep! I'm King Phantom, recently crowned fifteen year old, and this is the Infinite Realms! The birth and ending of the multiverse afterlife! Now don't worry none of you are dead or anything like that. I summoned you all here for one reason and one reason only..."

Here Danny paused, just to troll a tiny bit, and could see some of the more tense heroes readying up for a fight or at least argue to let them go. He grinned though and then said.

"And thats.... TO HAVE FUN!"

After that he floated out of his throne and with a flourish in the air he waved his hands and his throne room changed with party decor all around. Tables off to the side appeared with food and drinks from well everywhere and anywhere the multiverse, balloons rose from the ground and floated upwards, streamers flew across above to attach themselves to the other sides, the castle lights shifted to a dim and music began playing from somewhere.

Danny grinned brightly down at them and their shocked faces. oh that's funny, thank goodness Tucker is recording this and Jazz is gonna scrapbook this party for him (she plans on making them for all the guests as a party gift later, you know to remember how fun the party was)

"Now all of you are stressed out teen heroes with a lot of responsibilities on their shoulders! Believe me, I know that feeling, been there done that still doing it even now! But! My advisor says this will be both fun for me and good for you guys to spend one whole weekend here to de-stress and have fun! I do have some ground rules though. One your timelines are in fact PAUSED, you don't have to worry about calling your parents or if you got mentors to let them know where you are at. Two you are all heroes here, many of you are from different worlds and if you are from the same world they already know or CAN be trusted with your real identities but you are NOT required to remove any masks or de-transform or anything like that, if you wish there are masks on that green table over there you can stick on if you want to keep your identities hidden and are spelled to stay on and fuzz the minds of anyone trying to remember your looks once its on, even if they catch a good look at you right now it'll fuzz their memories of you once the mask is on and even after the party don't worry we thought of the time. Three, boys and girls rooms will be at different wings within the Keep! Just ask any of the maid or butler ghosts that will be joining us shortly and they will guide you to the rooms! Fourthly! There are sparing rooms if you wanna test your strengths with others, I only ask please don't get too carried away. We are here to have fun not make enemies! and lastly PLEASE DO NOT try to leave the castle, we are in the very afterlife of the multiverse people, its like the ocean and even I find it hard to navigate it sometimes. Portals can open up to any and all worlds, different timelines, etc etc. I have key items here in the castle that can pinpoint YOUR timeline and world so when the party is over I can send you home no problem, so again please do not attempt to leave."

Danny paused to take a breath, okay ground rules set up and warnings given. He could see the absolute bewildered looks on all the heroes faces and held back a laugh. He smiled however when one of the teens, mask on his face already and dressed in green, yellow, and red asked 'Why?'

"Why? Well... I think its time us teens get to have some fun without worrying about the next big bad or world ending event. Even if just for a weekend, we do deserve a break. So... Lets have some fun for once!" Danny responded.

[that-foul-legacy-lover]

Me, Us, and You

Synopsis: You've been used one too many times, and find comfort in the arms of those you love.

Foul Legacy x Reader Pronouns: Gender Neutral (no pronouns mentioned) Genre: Hurt/Comfort, Comfort Warnings: Mentions of being used as an emotional outlet

~ * ~

“Hey… why do people like using me?” Foul Legacy looks up from the chunk of crystal he was batting around, tilting his head curiously. You catch his gaze, inquisitive and concerned, and sigh. “…Sorry. It’s nothing.” He frowns with a quiet trill. Not good- he’s seen this habit before, your way of pushing down your emotions, never speaking a word. Legacy shakes out his fur, rising to his feet and crossing the room before plopping down beside you, chittering in worry. His claws knead against the carpet, nudging and pushing up against you gingerly until you finally huff out a laugh and weakly shove him back. “…You get what I mean." He does. Far too well. He’s seen it happen, from behind a corner as Childe; idly twirling a coin between his fingers, walking up to meet you at your favorite restaurant, or merely happening to pass by on the street.

One, two, three. Then more. The number of times that you’ve been treated as a mere outlet. You’re too kind for your own good, too patient, too understanding. Why can’t you get angry? Why don’t you tell off the people who start using you as an object to vent their emotions to- or at least tell them no? Instead you just smile and nod, offer your advice even when you don’t know what to say since you don’t even know your own feelings and what they mean, but you try so, so hard to lift them up, help them feel strong, better, braver. And they do. They smile again, nod, laugh. Sometimes they take your advice, sometimes they just want someone to agree with them. Whatever the case, they leave lighter, and you leave with a new burden in your arms. It’s fine. You don’t mind carrying it for them, as long as they’re happier- you insist that it makes you happy if they are, too. But inside it still hurts, knowing you only exist when someone needs you to listen. When you need to fulfil a certain role or do something for someone.

They started getting used to it, too. Pulling you into conversations as innocently as a lamb only to pour forth a tidal sea of issues and frustration. They cry and rant and yell and scream and then pat you on the back with a smile with a see you soon and talk to you later. One even paused, looking at your tapping fingers, your focused expression, and told you to write things down. So you could remember them for later, if more things came up- we wouldn’t want you to forget, now would we? A pause, a strained smile, as you fished a notebook and pencil from your bag. It made dread coil in your chest, a heavy weight over your heart. That’s right. You only matter as long as you have use.

There’s a croon, and you blink, shaken from your daze. Foul Legacy stares down at you, crystalline eye wide and anguished. No. No, no, no- he hates that you think of yourself like that, as someone, something to be used. He crawls towards you, cupping your face in his claws and letting out a soft, saddened warble. His wings twitch and flutter, curling in your direction as if he wants nothing more than to cuddle you close and shield you from all the dreadful things in the world, because he does, his instincts scratching at his skull and hissing, biting, gnashing the source of your hurt, trying to vanquish it in battle and make it disappear. Protect. Heal. Love.

Legacy squeezes you a bit tighter, pressing your head against his lavender fluff, grown soft with how much you brush and fawn over it. You think he’s beautiful- you’ve told him before, time and time again. Beautiful, lovely, wonderful- why can’t you see how amazing you are, too? How much you help, how much you matter? Even if anyone else can’t see past their own nose, he knows how much you deserve to be showered with gratitude and affection. His gentle nuzzles shift and crackle lightly, turning to soft skin, scarred hands massaging your arms. Childe presses his forehead to yours, his despair on par with Foul Legacy’s, murmuring frantic words of reassurance filled with tears. Nothing, nothing, nothing. That’s all you ever call your feelings, your wants and needs. You’ve spent so long supporting others that you can’t even remember anything you desire, truly, nothing at all. He caresses your cheek, looking deep into your eyes with an oceanic gaze. Please, tell him something you want. Anything. Please. You shudder, and desperately reach your arms to him. Childe meets you halfway, wrapping you in a firm, tight hug and pressing his face against your shoulder.

He wants to give you everything, yet he knows what you need most is someone you can just exist with, not to help, not to complete a task for them, but just to be in their- his- presence. If you listen to his woes, ever, not even the Archons would be able to stop him from listening to yours, because you deserve it. Friendships go both ways, the world seems to have forgotten. Childe was your friend first, and he’s your friend now, and your love, your Harbinger, your sweet, monstrous Foul Legacy, and he adores you with every fiber of his being. Childe peppers kisses over your face, one hand human, the other armored talons, both him and his Abyssal half comforting you. Yes, they get what you mean. They get what you mean all too well, aching and weeping and watching you suffer again and again, wringing yourself dry for people who toss you away once their problems are solved.

But not with them. Never again with Childe and Legacy, forever by your side. You have no tears left to cry, but they still hush you, gently. Shh, shh… it’s alright. Everything will be okay. Childe sighs as he pulls away, tracing your features with a finger and holding back his own sobs, steadying his voice against his resentment towards the world for your treatment. “Talk to me. Talk to us. Please.” For us, we love you so.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[feroluce]

For some weird reason, I've always been fascinated by how wildly different Sampo operates in the Underground vs the Overworld.

Sampo is present in both places and even in official sources, he's not really counted as one side or the other- now that the theory has been confirmed in-game, he's generally just lumped in with the Masked Fools.

But there really is a big difference!

Probably the most obvious and well known instance of Sampo's...business practices *cough burglary and fraud COUGH* in the Overworld is from the Belobog Museum event. In it, you don't find out Sampo is the main culprit until near the end, because Pela has to set up a sting just to catch him in the act. And that sting is necessary all because the initial suspect they arrested, Norbert, had pretty much no idea of his partner's identity. Sampo wouldn't even speak to him face-to-face.

And whereas Sampo is normally very pleasant and friendly with the trailblazer...when he thinks he's talking to Norbert here, he straight up says that they are NOT friends. Like he really shuts that shit DOWN.

There's also an Overworld NPC, Chavez, who heads the "Dark Blue Scam Support Group." And he. Really really really does not like Sampo fjkdasjklfdj

Chavez clearly wants Sampo caught, and has literally no positive feelings about him. So. Why call it the Dark Blue Scam? Why not just out him by name? Chavez obviously doesn't give a single shit about Sampo's dignity or privacy. But he never once refers to him as "Sampo," and even the pamphlets he passes out make no mention of it. No one in the entire support group seems to know how to identify him or how to refer to him except by his hair color. If the trailblazer says his name, Chavez reacts as though he's never heard it before.

(I've seen people say this means Sampo Koski is an alias and not his real name? But Ray pointed this out, and honestly I agree; even the Fools call him Sampo, after all. I think it's just that Chavez never knew Sampo's name in the first place, and given his immense distrust, immediately assumes it's an alias.)

And then there's his characters stories, where he proceeds to pull off a heist in the Overworld while in disguise as Brughel Poisson the entire time. Literally his own stories don't mention Sampo's name even once.

So anyway, all this shows that when he's up in the Overworld working cons, Sampo is incredibly slippery and secretive about his identity. The only people who seem to know him are Pela, Serval, and Gepard. He doesn't get close to anyone else, and is even surprisingly unfriendly. Nobody knows his name. No one knows his face. He has zero qualms about backstabbing or double-crossing, and even plans for it in some cases.

Meanwhile, down in the Underground, I'm pretty sure literally the worst thing we hear of him doing is scalping tickets in front of the Fight Club. Which isn't even illegal in a lot of places (although it's certainly a dick move).

In Hook's companion quest, a vagrant miner steals Fersman's equipment and tries to sell it to Sampo. Even before the trailblazer and Hook jump in and out the vagrant as a thief, Sampo hesitates to buy it because it sounds like stolen goods, which he doesn't want any part of.

Even knowing that a geomarrow detector is rare and incredibly valuable in the mines, Sampo makes no attempt to double-cross Hook or profit off of her loss, and even tells her who to go to to get it fixed.

And my favorite example of Sampo in the Underground is the Survival Wisdom adventure mission. In it, Sampo starts up a business with Peak, another miner. And like. In wild contrast to all the cons he pulls above ground, Sampo is actually super nice and helpful here.

Just the same as with Hook's quest, Sampo talks to Peak face-to-face, with no disguises or barriers. When the trailblazer finds them, they're just in the Great Mine, no secretive meeting places. Peak knows Sampo, is familiar with him, and calls him by name. It's not even a con! There's nothing illegal going on; it really is just a business partnership. Peak is more than happy with their deal, he's even pretty enthusiastic about it, because thanks to Sampo he can now make enough money to get by while also accommodating his chronic fatigue.

The only person Sampo lies to in this whole ordeal is the trailblazer, who he manipulates into getting Peak's mining equipment back from the vagrants that stole it in the first place. And when it's done, he rewards them with a legit treasure map.

So when he's working in the Underground, Sampo is MUCH more upright and lawful. Part of this is probably to do with his "business" model- Sampo only takes advantage of the wealthy, and poverty runs rampant in the Underground. When he charges Peak an extra 30% (the same percentage he charges Norbert as a consultation fee in the museum heists- Sampo seems to go by percentage instead of a flat rate, which means his prices are more fair for lower incomes) for carelessly losing their supply, Peak literally starts counting out pocket change.

Dude's working for pennies and good will down there dknsmdmd

And you can twist this into a Robin Hood thing if you want- Sampo IS technically working to feed orphans and heal the sick. He says himself he's more than happy to make up the shortfall between the greedy and the marginalized- I mean he says it in the shadiest way possible, but I doubt the people benefiting from his work really care that he's a slimeball if it means they can survive another day. Even the two heists he pulls in his character stories are literally just him stealing absurd amounts of food.

Personally though I think it is solely because of Natasha, and Sampo is hilariously well-behaved specifically for her, because she keeps him on a short leash JSKZJMSMSKS

[silvers-starrway]

So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!

I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!

[melooooo17]

@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr

Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first

Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid

Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors

peep the rant in the tags

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It��s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[mammoth-clangen]

Do you have any source websites about mesozoic wildlife/ecosystems? I want to make a clangen or just comic thing about some form of dinosaur (either the microraptor, velociraptor, or kulindadromeus) and I'd like to figure out what other species were a part of their life

Nope sorry, research is rarely that easy buuuuut...

*cracks knuckles*

H'okay I have some advice but it'll probably be long and rambly.

Disclaimer:

I am a professional Nothing and am not an authority on anything. There is no right or wrong, this is just how I Personally do research.

Short answer:

Work out what geological formation(s) your chosen main-character-species is found in and Wikipedia it. (E.g. Kulindadromeus is fron the Russian Ukureyskaya Formation). Then go to Wikipedia's sources and skim at least the abstracts of scientific papers to get an idea if things.

If the Formation is lacking info, try searching the Epoch they're from. By that I mean "middle Jurassic" not just "Jurassic" 'cause each of these is already Huge, you want a decent idea of the overallworld they lived in! (Better yet, get it to stage, like Callovian or Maastrichian)

Also learn to draw ferns, lots of ferns, there's no grass in the Mesozoic so the groundcover is Weird cx

Long answer

(to be considered before even getting to the above step):

When choosing a setting for a story, particularly a paleo one, I find it useful to decide on what kind of story I want to tell first, then pick a species that compliments that.

A clangen, for example, relies heavily on the species being very social (such as herding hadrosaurs or sauropods). Telling a story about a lone traveller might be better with a large pterosaur or wandering ceratopsian. A story about warring factions would be better set a high competition environment like the Kem Kem or Morison, with several fighting predator guilds. Conversely a story about working through personal differences may be better with different species of herbivores living in symbiosis; hadrosaurs and ornithomimids acting like modern gazelles and zebras.

Etc etc

Choosing a species first is fine, but you'll likely have to work the story around what makes sense within that! Otherwise you end up with the aforementioned social tigers and patriarchal hyenas.

Also don't shrink-wrap your dinosaurs im begging on my hands and knees

tl;dr: research everything, choosing a species before a story is climbing ass-first up a tree, Wikipedia is your friend because they compile and summarise primary sources

[betweenblackberrybranches]

Anyways rlgl au Moon is the kind of guy who loves to cook and has an aesthetic blog about foods and recipes. But he really doesnt like eating because then he has to have his chest compartment cleaned and thats never nice.

So Sun and Y/N come running like a couple of pavlovian dogs whenever they hear his phones camera go off.

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol