#some aspects of the story are genuinely thought out; and most of it has a ridiculous amount of potential

[nartml]

Horikoshi write well challenge (impossible)

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[aznisure]

idol au where light chokes on a fly on live television and L is the cameraman who films every second of it. also they keep crossing paths on music shows for some reason

day 7 / au ! some au details under cut

- L doesnt actually go out of his way to film light during this miserable ordeal.he simply doesnt care about light’s reputation enough to stop rolling and forgets about it the next day. a week later light sees him at mcountdown

- yes lights stage name is kira

- light presents as the perfect idol: single, kind, hardworking, rags to riches story, humble yet confident, just gay enough to queerbait but not face homophobic backlash, passionate, creative etc., when the cameras are off hes basically canon light minus the murder

- light is an all rounder and tenor. he also plays tennis in his free time. he is japanese and has been scouted off the streets. he is a kpop idol and the au takes place in korea. he is a solo idol and has never been in a group before. l is still british and misa is still japanese.

- he writes his own songs. his ego doesnt let him indulge in ghostwriters

-manager ryuk owns a ridiculous amount of chrome hearts simply impossible to buy on a managers salary. light is deeply suspicious and mildly wary of him at all times. ryuk also knows lights real personality and finds it amusing. he takes joy in a gigantic pr scandal which light will inevitably become one day

- rem dreses the way she does without looking misplaced because its in line with misas gothic/harajuku brand. ryuk looks wildly out of place next to light but noone seems to make him change. light tried, very persistently. but even light yagami has to admit defeat sometimes

- light debuted at 17 and is now 22. L is 29

- L works at all things live television and sometimes variety shows. he mainly works for idols. the media company hes signed under works with lights company. light doesnt know this until he violently cyber stalks L after the fly debacle

- they have actually been working together for 3 years without knowing each other and L has filmed light quite often due to him being the companys most popular male idol. light of course never noticed and only sort of recalls now

- L has always found light fascinating because the persona he wears is accepted to be very genuine by the general public. L always thought it was total bullshit, a masterful imitation of a real person.

- light never yells at anyone in public ever. not to misa even though he wants to rip her from his side on the thousand talk shows they go on. not to ryuk when he critiques every aspect of every bit of lights stages. not to his previous managers even though they were wildly incompetent and pissed light off daily. his reputation is everything to him. so when he yells at L in the middle of everyone at the backstage of mcountdown its a bit of a spectacle. thats the first crack L sees in lights shell and he wants to see more

- afterwards is a public apology and bullshit story about grief and a dead relative and misdirection of feelings and the game begins. L gets himself booked on as many as Lights jobs as possible with only one aim. to capture a crack in koreas sweethearts perfect persona on camera

- L doesnt do it because hes a truth chaser or whatever he simply enjoys watching light crack. and to have him crack on love tv would be to Win. light catches onto the game very quickly

[sunderwight]

Imagine how much Shen Yuan and Airplane would hate it if an actual PIDW fan transmigrated in too, though.

Like, one of the guys who genuinely loved the stallion novel harem-building aspects, the weird-yet-vanilla het sex, the willingness to throw the plot out of the door just to have yet another interchangeable woman throw herself at the hero. Someone who only ever had nice things to say in the comment section, who unironically referred to Airplane as a master storyteller, who bought some of the VIP chapters (if he liked the wife Bingge was destined to wed & bed), couldn't name any of the monsters or sex flowers or most of the male side characters, had a Xin Mo keychain and once commissioned fan art of Sha Hualing (favorite wife) looking sexy in a pin-up pose, and told Peerless Cucumber he was a weirdo who took things too seriously on more than one occasion.

I think he'd bother Airplane the most. Shen Yuan would be annoyed and tell him his taste was in his ass, but that's about it.

But Airplane? I think at first he'd be inclined to enjoy having an uncomplicated "fan" of his work turn up. This guy actually praises him! He has nothing but flattering things to say! It's like a dream come true! Except... well, Airplane himself is perfectly aware of the decisions he made in his writing and why (he sold out deliberately, not because he thought it would actually make for a better story -- say what you will about whether or not it's worth it, but the man knows what he's doing), and also I suspect kind of resents his own popular audience whenever he has to interact with them for more than minute.

After all, these were the patrons he had to appease and appeal to, the readers he had to worry about offending or alienating, the ones who were paying the bills but also would have vanished at the drop of a hat if he hadn't given them a steady supply of what they wanted. It's not the audience he actually desired, it's the one he decided not to offend in order to maximize profitability. Peerless Cucumber might be a pain in the ass, but he's a pain in the ass who picked up on the story that Airplane himself originally intended to tell, and wanted PIDW to actually be that. Which has gotta be kind of gratifying, in a roundabout way.

I think it would stress Airplane out to have someone approve of the things he himself didn't even approve of. Like on the one hand this guy seems to have only a good opinion of him, but on the other hand it's based entirely on a false impression and Airplane actually agrees way more with Cucumber's assessment of his writing, because he wrote it badly on purpose. Since the guy has a good opinion, that's something Airplane can potentially lose, and he'd be most likely to lose it by revealing the truth about his own creative intentions and his actual tastes and inclinations. A ticking time bomb of disapproval that could go off at any moment to who-knows-what effect.

He'd hate it. Eventually every time User No.3 came around he'd just be like:

[ID: A gif of Skeletor from Masters of the Universe gliding through a blue magical barrier and then reaching back to punch and shatter it. End ID]

[periwinkla]

I think what I love the most about AA is that characters have a duality to them that I don't see often in media. They have actual flaws and do actual bad things, and it's not glossed over. Phoenix is a fundamentally good person, he helps people at the drop of a hat, risks his life for them. Has a penchant for taking strays under his wing. He believes in people... but also not really. He carries a literal lie detector with him at all times, and only employs people who can also peer into other people's hearts. So is he really that trusting? Sure he trusts his clients are innocent, but he doesn't trust they will tell him the truth at all (there's always something to lie about). He believes himself naive, and that's why he works extra hard not to be. Some people think he changed with his disbarment but I feel like when he actually changed was after Dahlia. He became less and less trusting as time went on. And Phoenix actually does forge evidence and risks his subordinate's career, and he says pretty nasty things sometimes (that one time to Edgeworth had got to hurt, badly, especially if you consider that the note could have been genuine at first, which we don't know for sure), has a pretty tactless and somewhat hurtful sense of humor, brings his daughter to cheat at poker, and doesn't tell said daughter she actually has some family left alive. He's secretive, elusive and cryptic, and masks it under a false pretence of goofiness. Miles is, by contrast, very easy to read. He may appear emotionally stunted but is one of the more emphathetic characters. He realizes when he's wrong and immediately needs to correct those wrongs. He grows uneasy and uncertain and eventually recognizes when he's mistaken. By the end of it he begins to help people naturally, without even thinking about it as much as he would have in the past. He helps so many people, he has basically got Phoenix's savior complex 2.0 but the healthy kind where he doesn't jump off a bridge. But... he was also actually cruel, and did send innocent people to their graves (was he really so naive to believe whichever defendant came his way was guilty?). He feigned his death disregarding other people's feelings, and while you could say he had no obligation towards Phoenix (apart from basic decency and respect towards someone who had turned his life around to save him), he still abandoned Franziska, who was still just a kid and had just found out about what her father did. She probably thought, at some point, that the apple didn't fall that far from the tree. That's it's somehow her fault as well. He may be rude and antagonistic, frank to a fault. Isn't afraid of telling stuff to your face. But he also cares about the people he loves so much, to the point he doesn't hesitate to risk his career and break the law multiple times. He may appear a pessimist but he's pretty idealistic at heart, it's quite funny that his favourite show is about an hero of justice, isn't it? Godot is... well, we don't know much about it from before his coma, but he definitely shared Mia's sentiments for helping people in their hour of need. But when he wakes from a 6-year coma he's so broken that he just pins the blame on the most absurd person to blame it on, settles on a complicated plan, and also prosecutes on that particular murder he should just confess upon. Iris was sweet, innocent, self-sacrificing. She knew absolutely nothing about the world apart from what Bikini or her sister told her. She was naive and falsely thought she could fix everything, that her sister was salvageable, that she could save Phoenix. But she still ended up lying to the person she loved and abetting a murder. That's why I love these characters so much. They're interesting and their stories make sense. People don't remain unchanged from what happens to them. People are multi-faceted and complex. You can't sum them up in a bunch of characteristics and aspect them to act on every single one of them, always, consistently. Sometimes people break. They make mistakes they regret, ...and some they don't.

[watermelonlovershigh]

Day on the Yacht Turns Baby Making on the Yacht

AN: i've had this idea ever since these photos came out and knew i had to write it. and lots of you guys did too because you ate up this concept. so here yall go. hope you enjoy.

This story contains: mentions of sea sickness, trying for a baby, having sex on a yacht, slight choking (kinda), slight biting (during the sex)

{ husband!harry - softrry - current harry era }

word count: 1,962

When you're fertility tracker goes off on the yacht to let you know that now is a good time to try for a baby, you make the excuse you feel seasick and have Harry come to the bathroom with you where he fucks you good against the counter top.

You and Harry decided one way to celebrate Love On Tour ending was to rent a yacht for the day and take it on the water with a couple of his friends and family. The day you chose to sail on the waters was beautiful. The sky was nice and blue and the Italian heat was hot but not too hot. The sight of your gorgeous husband was also making the view ten times better, but that's just your opinion.

Everyone on the yacht was having a great time. Some were laying out to tan. Others were sitting around with wine coolers, chatting to one another. Harry, being the man who brought everyone together today, was going around and trying to spread his attention.

First having a laugh with his long time Italian friends who are actually a gay married couple which you both attended their wedding three years ago. Then sitting beside his sister Gemma and her long time boyfriend, Michal. Of course Harry pays attention to you as well, asking if you're alright and bringing you another drink when you mention being parched.

About two hours into your yacht ride your phone buzzes in your hands. You didn't really have cell service in the ocean so you thought that was weird. But when you checked to see who texted you, you realized it wasn't a text. It was a notification from your fertility tracking app that tells you when you're most fertile and need to try for a baby.

See, for a few months now you and Harry have been trying to get pregnant. You knew his tour was ending in July and thought it would be the perfect time for you to settle down for a while and have a baby.

At first you just had sex willy nilly to get pregnant, but after several negative pregnancy tests, decided to download an app to help tell you when you're most fertile. Though not every time you have sex is with the sole mission of a baby. Sometimes you just have sex for simply the intimacy aspect.

Fuck, you internally curse. How the hell are you gonna fuck your husband while you're on a yacht surrounded by his friends and family. Thinking for a minute you come up with a plan. You can fake being seasick so he has an excuse to go down to the bathrooms with you and do some quick baby making without anyone batting an eye.

Knowing it's now or never, you fake grown and cry out, "Harry..."

He looks over at you from where he's sitting beside his sister and asks, "Yeah, love? What's the matter?"

Not exactly wanting the whole boat to know you're seasick, you wave him over to you. Harry gets up imidiantly and stalks over towards where you're sat on the side edge of the yacht. When he's close enough, you whine, "Just feeling a bit seasick. Can you take me to the toilets on the bottom level, please?"

"Yeah, of course, baby." Harry is quick to agree. The genuine worry on his face makes you feel bad for lying. But you know you won't feel bad in a few minutes when his cock is deep inside of you.

He takes ahold of your hand and very quickly steps over to Gemma to inform someone, "Hey, Y/N is feelin' a bit ill. M'gonna take her to the toilets. Hopefully we won't be gone long."

Gemma frowns and replies sweetly, "Awe, that's fine. Hope you feel better soon, Y/N." You mouth a "thank you" and tug Harry's arm in the direction of the stairs that lead to the bottom floor of the yacht.

While on your journey to the bathroom, Harry kindly asks, "When did you start to feel sick? You could have told me sooner and I would have seen if I could've borrowed a motion sickness pill off someone for you." How did you get so lucky to have married such a pure and sweet man.

Before you answer, you barge in the one toilet bathroom and Harry is fully ready to hold your hair back while you vomit. But instead, is taken back when you turn around and kiss his lips hard with need. "Baby....... what, thought you were gonna be sick?" he mutters confusedly against your mouth.

You pull away, breathing heavy and respond, "I lied. I needed an excuse to have you come down here with me and fuck me. Got the notification on my fertility app saying my fertile window is open and now is the best time to try and conceive. I need you to fuck me and come inside me. Right now."

Harry tosses his head back and says, "Fuck!" rather loudly. Though he is a bit uneasy about potentially getting caught having sex on this yacht, he could never pass up the opportunity to fuck his sexy wife and give her a baby. "Well, okay then. Do you need, like, warming up first or..." He's fully ready to eat you out or finger you for a minute to get you fully aroused if you needed that.

Harry's too kind sometimes. Always thinking of your wellbeing and needs. You laugh and grab his hand to lower it to the front of your swimsuit. "No, babe. Seeing you in these tight, green swim trunks has had me wet for hours, see." His fingers come in contact with your clothed wet pussy and that has him hardening right up.

"Alright, turn around and lean over the sink f'me." Harry instructs and you do as told. This yacht's bathroom is rather small but you'll make it work. You've had sex in much smaller spaces before but those are stories for another time. Harry drops to his knees and as he goes to slide your bikini bottoms down your legs, he kisses over your ass cheeks and the back of your thighs.

"Harry, we don't have time for that, just put a baby in me. Hurry." you grumble. You're far too impatient for him to tease you right now. You just need him to fuck you.

As he stands back up and drops his green swim trunks to his ankles, Harry retorts, "Alright, stop being bratty. I'll give you what you want. Know I always do, m'love." He takes ahold of his now very hard cock and gives it a few strokes to make sure its fully erect for you. When it is, he helps spread your legs how he thinks would work best for this position and leans over your back, carefully nudging his dick in your soaked hole with the guidance of his right hand.

"Ohh, Harry!" you can't help but moan while he's pushing all the way in and that causes him to slap his left hand over your mouth to silence you.

"Love," he says from behind you're body, "gotta stay quiet. Can't risk anyone hearing us." You nod your head in understanding and bite your lip to silence yourself when you feel him bottom out. Then without warning, Harry pulls his hips back, leaving just the tip inside your cunt, before slamming forward.

The hand Harry had over your mouth has moved down to your neck. Not with the intentions to necessarily choke you, though he is applying slight pressure, but more so to help you stay upright and look at yourself in the mirror. The scene of Harry fucking you from behind has got you even more turned on than before. The way his tan skin is glistening with sweat. The way his curly hair has fallen over his forehead. The way Harry is looking right into your eyes from over your shoulders in the mirror. It's all so intense.

After a couple of minutes, Harry can feel the knot in his stomach tighten and he knows he's about to come. Your tight pussy just feels so good hugging his cock. Wanting to see if you were up there with him, he questions in heavy pants, "Are you close? M'bout to come. Just feels so - fuckin' - good, Y/N!"

You nod and squeak out, "Yeah, I'm close too, H." Knowing you may need a little bit of extra help, he takes his right hand that he had stationed on your hip for stability and reaches in front of you until he finds your clit. When he does, he begins rubbing the nerve in tight circles and that's exactly what pushes you over the edge. That and his cock rubbing against your g-spot from this angle. You nearly fall forward because as you come your legs give out and if Harry wasn't pressed up behind you, you're sure you would have collapsed onto the boats floor.

"Ah, God!!!" you gasp while waves of pleasure roll through your body. Your orgasm triggers Harry's and he shoots his load as deep as he can inside of you. His hips falter their movements and he has to bite down on your shoulder to quiet himself from the moans he's dying to let out.

Slowly, everything comes to a stop and you're both left sweaty and panting for air in this small yacht bathroom. Harry carefully removes his hand from your throat and you slowly start to lean forward over the counter top again. The movement causes you to accidently pulse around his softening cock and he curses in slight pain. "Fuckin' hell."

"Sorry, sorry." you repeat out of breath and Harry shushes you by gently responding, "It's alright. Gonna pull out now and then I'll help you up on the counter so my cum doesn't drip on the floor." You nod and Harry carefully pulls his dick out your pussy and turns you around to lift you up on the small countertop beside the sink.

Now face to face, Harry can't help but to lean forward and plant a kiss to your lips. The kiss stays soft and airy. But knowing people above is bound to become concerned with how long you've been down here, you whisper, "Love you. Thank you for coming down here with me and I hope we made a little baby. Can't wait for our family to grow."

Harry nearly cries and gets hard again at the same time with all this baby talk. "Y/N, no need to thank me. Love you so much and would do anything to give us a baby. Even if that means break away from my friends and family to fuck my wife in a yacht's bathroom in the Italian ocean."

---------------------------

Harry helped you get cleaned up and properly dressed again as well as redress himself. Then you both walk hand in hand back up to the top deck again where everyone looks at you with concern. Gemma's the first to come up to you and asks, "Feeling better, love? You can have a sickness pill if you need one? I always bring extra."

Feeling bad for everyone's genuine concern on your sea sickness but also happy you weren't actually sea sick, you decline, "Oh, no thank you. I'm feeling much better now. Your brother is a great doctor."

Everyone continues to have a great time. Laughing and enjoying the summer sun. Until Brad, Harry's friend and personal trainer comes up behind you and gasps, "Y/N, why is there a bite mark on your shoulder? Are you alright?" Your eyes go wide and Harry who heard the entire interaction goes pale in front of you. To the point he looks as though he may actually get sea sick.

"Um, um.." you stutter. Well fuck, how do you explain they're your husbands teeth marks from where he bit your shoulder to conceal his moans while coming inside of you to give you a baby.

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(no more tags are allowed because i've hit my number limit. sorry : ( )

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My Masterlist Masterpost

[gotham-daydreams]

Honestly, in a situation like not [] where they aren't willing to physically hurt the reader but psychologically mess with them? It's fucked but at the same time I have too good of an imagination. When it comes to neglect there's so many aspects of it that could happen and even if I'm pissed I could keep my mouth shut to the point I feel numb.

I mean they can't change you or break you if you just stay in your own head after all? Lil stories in your head to keep you busy, unholy amount of hours spent sleeping. I don't care if I waste away if it means not having to deal with people who won't even listen or admit that it's gonna take time to undo trauma and won't take the proper steps to undo it.

They take things up a notch and limit food or start doing things that prevent you from sleeping? Do it, at least the hat man will be a better friend. Can't break what's not there, the batfam always has this mindset that so long as they get their way that they would do what's necessary but that's entirely because they are all too selfish to actually really respect how you feel. And no amount of bugging me or yelling at me or trying to get a rise out of me will change the fact I can just slip into my mind and ignore it all.

The only way I'd ever stop being in my head and not even wasting time on them is if they actually tried to be genuine in fixing things and admit they fucked up and are doing it out of guilt. Either put down your pride or stay with a reader who will gladly stay tucked away in the crevice of their brain in an imaginary field of flowers with whatever lil character they make to enjoy the time in their head <3

Anyways I love your series and can't wait for more!! Please take care and hydrate!!!

I do agree! Especially in this scenario where they’re way more unwilling to physically hurt the reader, because... well, they want to hear your music! Like a little songbird, just tucked away from the public eye, just for them to hear you sing...

It'll definitely get on their nerves, and some will probably crumble under the pressure - but those that don't aren't actually the ones you should be worried about. I mean, of course they'll try to do everything else they can, and at that point - its a contest of willpower and to see who can outlast the other (and spoiler, most of them will definitely lose), but some are definitely more stubborn than others. After all, their 'love' is spawned out of guilt, obligation, and a messy mix of things that's turned into this ugly beast of a thing they see as love - if you aren't willing to take it, then that's fine, but you definitely aren't getting anything until you do.

Though, again, at some point the time and treatment definitely begins to effect them too. And that’s... not good, especially when some of them are known for their resolve, will, and general ability to withstand so much crap despite not even being superhuman (even if in all honesty, compared to the average guy, they may as well be). Them being insane does not help with that fact.

They'll begin to consider things they wouldn't have even thought of before out of sheer desperation and need. They'll think about it, plan it out a little, and before they even know it - they're losing hours of sleep trying to find ways to actually execute it. Hell - some may even act impulsively, and just flat out do it without giving it a second thought. Because they can't. They can't think. They can't sleep. Not without you - not after another month, another week, another day, another hour, another second without you.

They need it. Need you. Need your warmth, your presence - to feel like they're doing something right, even when its so wrong. Even if they've left you damaged beyond repair, some still want to feel like they can fix you, put you back together... and what better way to feed that delusion then to hold you in their arms? To do all of these things with you... even if you're not mentally there?

At that point, they'd sacrifice never being able to hear your music from you to get that. To have that fabricated connection. They'd give up that one thing that's been keeping them from harming you physically, and go all out.

[Which... descriptions of losing limbs, and general gore under the cut, it's not pretty but not super detailed either? Yes, it's towards the reader. Yes the reader is awake. There is no cut away, but some dancing around using some phrases repeatedly. Consider yourself warned and advised. Even if it's just descriptions - the family isn't playing nice.]

Maybe they'd start small... just a leg, maybe two, not even a foot- your legs from the knee down are going indefinitely. Maybe even the whole thing if certain people do it impulsively, and aren't thinking - aside from the fact that they need you close, but they just have to get these things out of the way. To lessen your struggle, to reassure themselves you won't run, of course - after all, you can't run if they just... take away that option, right? It's for the best, they'd tell themselves, they need to do this. They have to. You gave them no other choice- and now... now they had to make a tough choice. They have to do this.

If it's done impulsively, it's messy. I guess not having a lot of experience cutting off limbs or disabling someone isn't going to make things easier, who knew, am I right? Taking lives (for some of them), and beating people up is one thing, but cutting off arms and legs? It's weird to think about until you're the one doing it, and in a frenzy no less.

Some of the more impulsive ones you really have to look out for, because if they do it then it is painful, and that is no exaggeration. As much as they're thinking about you, they also aren't at the same time - at least not you in the present as they're doing the removal. You'll pass out from pain, or just the visceral sight right before you witness your leg getting torn off. Real messy stuff. It's not subtle at all, they barely hide it - if they even try to allow you that luxury. If anything, you see too much of it. Either way, you're out like a light, and left with whatever you saw as nothing is left to the imagination. Unless your fucked up mind makes it worse, to which- a lot is left to the imagination as that nightmare of a scene is messed with and mixed in your head like a toddler left in the kitchen.

Of course, the family will take care of the messy outcome, and get you to another room and everything (after all, they have one too many spar ones), but, well, that won't change the reality of the situation, will it? Hell, get one of the more rough ones pissed off or just do something one of the more impulsive ones doesn't like, and you'll lose your arms, and depends on who does it - you'll lose them just as you lost your legs, and you'll get to watch... before you pass out, of course.

Maybe they'll get you things to help, like robotic limbs and such, though its not that great and doesn't make things easier. Not even a little. They'll be able to control everything you do, essentially, down to what you can even touch or interact with.

You'll feel more trapped then you ever have before, as even your body, every limb attached to your torso is theirs. Theirs to control. To mess with, and just like before, they'll take it away if you do something that makes them upset.

They'll leave you more than just defenseless.

[edgeray]

*presses my face against your tank* HELLO RAY !!! :D I AM FINALLY HERE !! MY BRAINCELLS HAVE COLLIDED AND PRODUCED A THOUGHT !!

or, er, sort of? more like a vague vibe, but i digress. basically, consider: pining arle. how does she realize her feelings for you? how does she cope? how does her behaviour around you change? does it? what is she thinking the whole time? when would she consider making a move? essentially i would like to see you psychologically pick apart this woman. go as in depth into her brain or inner monologue as you want !!! the set dressing can be canon or an au, i’ll eat it up regardless :)) and as a professional angst writer i know you can write some absolutely monstrous (/pos) yearning and i’m frothing at the mouth thinking about it 🤤🤤🤤 lookin forward to your thoughts but also take your time with it !!! godspeed 🫡🫡🫡

An Unfit Role 

(Arlecchino x GN! Reader)

A/N - Oh sev… you spoil me too much. You truly do. Somehow this turned into very ‘Arlecchino is a person'-esque and I don't know how but oh well. I don't know if this answered your questions very well, but hopefully this is what you mean by psychologically picking apart her! Was this enough pining? Content warnings / info - uhh none I think. just a lil bit of angst, 1.4k words

Arlecchino is many things. The Fourth Fatui Harbinger, a Snezynayan diplomat, the head of the House of the Hearth, and simply ‘'Father.’ She takes on many roles, and enforces them with an iron fist, every facade meticulously practiced and rationalized. Perfected as if she were an actor on a stage, every action and step is calculated beforehand. And if external factors or unpredictable variables crop up in the midst of her play? Well, a good actor knows how to improvise. Arlecchino is well aware of her roles, has memorized the lines and drilled through every movement. The Knave has many feats from each character she plays. A flawless performer, in those aspects.

A lover is not a character she can play. Someone who loves. It is a role that she cannot hope to touch, one she cannot imagine assigning herself too. She is far too inexperienced in what it pertains to. Her perception would grossly mischaracterize it, painting a rather crude display of what she knows of but doesn't know. After all, how could one act without an adequate example? No actor would want to showcase a poor impression of an original source material, an actor presents only their most remarkable qualities. A good actor knows what they cannot act, and it is this where her talents reach their limit. It is what her role as a ‘Father’ stems from; this inability to express something far too fragile and flimsy for her to hold. 

Of the few showcases of others playing the role, Arlecchino is knowledgeable enough that they are simply inept showcases. The Tsaritsa, who has shown the capability to act, and yet chooses to conceal her abilities from her audience. Crucabena, an unqualified actor, whose words dripped with far too much venom for the soft-spoken voice that she used. Perhaps Clervie was the only accurate and genuine actor able to play the part, but one cannot appreciate the traits of an unfinished story. And the naive Peruere, who could hardly imitate her counterpart, was maimed by Arlecchino’s own hands. It is here that she learns that the role of a lover earns no applause, because it adds little to the plot, and so it lacks a function in her story.  

Despite this, she finds herself in this scene, where she plays a character unlike her usual, an entirely new character involuntarily thrusted into her by the cruel machinations of her mind. 

It is a subtle thing. First, she was just the Knave to you. But somehow, among your presence, her facade slips, and she dons another character. 

She becomes a character who knows of nothing but the way her sight is captured by a singular person, a character whose dead heart begins to beat, daring to flutter back to life after it was painfully wrenched out of her chest by her favorite story's ending. She becomes acutely aware of this role when her eyes linger on you a moment longer than need be, when she indulges your empty but no less engaging conversations, when she familarizes herself with the particular fauna scent you carry. When she closes her eyes, your smile flashes through her mind, she knows she's fallen. 

An actor knows when to quit, when they misfit the character they're performing. And yet her mind remains stubborn. Acting a role one does not fit will only damage the actor's reputation, and she intends on abandoning it. But it is difficult for her to dismiss how much she yearns for a warmth that the blood flames in her veins cannot bring. It is difficult to deny that she is not momentarily blinded and stunned by your beaming expression, even when you are not looking at her. It is increasingly more difficult to control the pulsing underneath her skin. This is a character she cannot control, instead, it often feels that the character controls her. 

It is an unseemly, disgusting appearance for her. If it were physically possible, she would plunge her very own cursed, clawed hands into her chest, to grasp onto this fickle, volatile organ and crush it just to exhaust the remaining embers of a futile hope. If only it were as simple as that. Love is far too much of a complicated role for her, and yet it is somehow inescapable. Some sort of torment placed onto her by the archons. 

She can long, she can reach, she can prance around you, but never can she touch. For love imprints its scorch marks deeper than any weapon or assault. One of the lessons her story has concluded to. 

So, instead, she reduces its role to a minor character. She lets her stares remain, but she observes you from a distance. She does not dawdle a second longer besides you if she needn't be. She dresses the role of a lover as an observer. Everything she touches with these wretched, blackened hands soon turns into nothing but embers and ashes, and so the only way that you will remain is away from her.

On her desk, sits a vase with a single flower. It is your favorite flower, the flower that you smell of. It does not move from its place, nothing is done to it besides being watered. Its stem is so brittle, and the petals are far too easy to wither away.

(It is a reminder, every time she sits at her desk. Oh, how'd she like to stroke the patels with as much tenderness as she could muster. How'd she like to cradle it in her hands, this source of life, despite being so delicate, is so beautiful. How'd she like to be able to wake up everyday, and view upon this blossoming flower. But she is not a gardener. She knows nothing of how to make a flower bloom.) 

Humans are the only viable actors for the role of a lover. A curse is not. 

(In her dreams, sometimes you are in place of Clervie. Yet, like Clervie, the only moment she is able to cradle you is when her sword impales you. She will not let another flower wilt, she will not burn another flower.)

It is why you baffle her. Why do you gaze upon her with that expression, as if her claws are not one one more inch from piercing your skin and ripping into your flesh? How do you take her hands in yours, somehow slotting them as if they were always meant to, when they’re soiled with vulgar blood? Her cutting words and sharp tongue, how do they not dissuade you? How do you see her blackened skin, and not be driven away by such a mark of impurity and depravity? 

How could you not tell that she is improper for the role that you seek?

She wonders if a flower is a poor description of you. She wonders if you are instead a Sundew ensnaring a spider, unwilling to let it escape. No, perhaps that is not fitting for you, because you are unaware how effortlessly she can char you–unaware of the imminent danger that comes with keeping such a venomous creature.

Arlecchino is many things. She is a coward, if only for you. She cannot abandon her role, but she cannot perform better, floating in the state of inadequacy that she so despises. Playing a lover makes her foolish, and it is a compromising role. 

She is foolish, but she is despicable. She is selfish. And though she is perfect actor, even performers must fail to succeed. One day, her mental will and patience crumbles. She requests you into her office, your doe-eyed expression widens when she gives you the flower that sits lone in a glass vase on her desk. She tells you that you plague her thoughts, every feeling and emotion is muddied when they concern you, a culmination of things not within her grasp, not within her control. 

It is your performance that finally teaches her what she lacked before: playing the role of a lover requires another. It is a role dependent on another character, otherwise it cannot succeed. It matters not how experienced one is with the other, as long as the characters are committed to it.

There is another lesson that she learned from you.

“I cannot act as a lover.”

“Why must you act to love me?”

Love is a fickle, unpredictable thing. There is no words to be practiced, no actions to be scripted. 

Arlecchino is many things. A lover may be one of them. 

[ddejavvu]

ok so personally, Im usually so adverse to romantic interactions that even if I click on that someone is genuinely pursuing me, ill ignore it or pretend they arent. maybe a defence mechanism? idk BUT it does make for the most rabid situations and thoughts ever ever ever

imaging best friend!James and reader maybe getting into the situation in which they have to share a bed sometime. maybe its a group vacation or something. in my head - James potter is a serial humper in his sleep sometimes. hes a big guy in all aspects, and he also cant help but wanna cuddle with you to sleep!! but that also means he wakes himself up a couple times by grinding softly on u, and he feels so bad, but thankfully youve never woken up cus of it. separately, youve also learnt to not mention that you can quite clearly uh..feel him some mornings when ur both drowsy, pressed together n still groggy. and you, oh so conveniently also never mention that you kinda like how it feels. but, hey-ho.

its the middle of the night, and as usual, James is spooning you from behind, he has to be bent a little to fit his head in ur hair, and hes pressing his entire body against ur back. the air still smells of washed-off sunscreen and sea salt, and theres a fan going in the corner of the room. and this time James wakes up to YOU humping HIM. im talking, his breath hitches and everythingggg until he realises ur sleep. ur asleep and grinding back on him and ur breathing is all stuttered and he always guessed youd be a little quiet but ur little noises are so breathy and holy shit ur wet????? theres no way you get this wet.. until James realises that hes propped himself up on his arm and is just staring down at where ur moving ur hips on him and he tries to snap himself out of it by waking u up. ur still groggy but absolutely mortified when he tells you "yeah bug, you uh- y'got a little excited 'bout me in ur sleep, huh? s'okay yknow, its okay :]"

and he 100% offers to help you out. even when u say that friends arent suppose to do that, AND also mumbling about how guys normally didn't really make girls cum and mentioning abt how you always hear people say its too complicated, he just brings up how you just grinded on his lap in ur sleep, and that felt good, so, how can it not be allowed? its just a friend helping out a friend! :) and that he can definitely get u off, he'd be sooo good at it!! the only way this goes in my head is that not much shuffling around is done, all that changed is that ur on ur back now, and hes licking his bottom lip into his mouth as he looms over you slightly from ur side, his hands moving down and down. he'd definitely be tilting his head and "yeah, this part feels really good, yeah? yeah" all nodding and smiling n shit. 'best friend' James from that point on, takes any opportunity to 'help you out', he'd transition into using more than his fingers too. he was in love with you before this but now???? hes a goner.

babe thank u for blessing me with these cause i did NOT feel like writing today so i let you tell me a story and it was amazing <333

this post is 18+, minors dni.

james potter sleep slut is canon in my mind... just the way he wakes up with his big beefy arms wrapped around you while his hips move?? mhm. and he wakes up and is like ohshitohshitohshit but he doesn't wanna let go!!! so he just tries to dial himself back in, but he most likely needs a minute in the bathroom to compose himself </3

no but if you feel it in the morning.. you don't wanna point it out 'cause what if he says something like 'oh sorry i'm just really sensitive' or 'sometimes the wind makes it do that' LIKE NO. YOU WANNA KNOW IF IT'S REALLY BECAUSE OF YOU. so you just keep quiet, but in the early morning when he's sleepily begging for fivemoreminutes and isn't quite in tune with his body yet, you're definitely hyper aware of his hard on digging into your thigh or butt or hip or belly or whatever <3

when HE wakes up to YOU grinding on HIM he's mindblown.. he knows he likes you, he knows you're pretty, but he marvels at how amazing you look while dragging your hips back against his, like how could you look this amazing??

but he feels even worse watching you than he does accidentally doing it in his sleep, 'cause this isn't an accident!! he's not catching you in the act by mistake anymore, he's just watching you grind on him and getting all worked up about it, which in turn is only making him more hard. finally he decides to just wake you, smoothing your hair away from your face and kissing your cheek, murmuring your name softly until you finally rouse. and when you're blubbering sleepily at him 'why'd you wake me?' he just smiles like :] oh you were having a wet dream :] just wanted you to know :] and you're !!!!!!! WHAT !!!!!!!

you're instantly apologizing a million times but he's reassuring you like no no no!! it's okay bug, really!! happens to the best of us <3 but if you want some help w that i can help you!! i mean i've got the facilities, trust me. just say the word and we can make your dreams come true :]

you're just instantly terrified. you're shaking your head, sitting up like no, that's not what friends do. and- and it's hard! to make a girl- y'know... and he's like ?? no it's not ?? i promise i won't have a hard time with you bug.

so once you've suggested that he won't be able to do it.. he's gonna do it. he'd never ever force you to do anything against your will but the only excuses that you have are that friends don't do that (and they totally do!!! james is right now!!!!) and that it would probably be hard for him, and nothing about you not wanting it. so when he finally gets it out of you that yes you want it, but no he won't be able to help, he's gonna go to town. he begs for a chance to prove you wrong and you should have known with his super competitive nature that challenging him would be dumb, but i mean. worst case scenario he can't do it. you're already expecting that. why not??

so he tries, rubbing your pretty little clit and stroking over your folds before dipping between them, only a little upset that you're already wet because it means that he can't get you all worked up first, he can't kiss the slick out of you, he can't suck on your neck until you're wet, it's already there </3 but next time for sure, for now he's very excited about just being able to touch you

your cunt is warm and wet and everything he's ever dreamed of, but he's too nervous about overstepping to ask to eat you out, so he doesn't.. but in future, it's coming.

but he absolutely soaks in the moment, humming and cooing and crooning at you about how good it feels, asking you every time you whimper if it feels nice, if he's doing it right, if you think he'll be able to finish you off. and it's so intoxicating having him that close that you absolutely have to use all of your willpower to not kiss him while he hovers over you. he guides you through your orgasm and brings you down gently, absolutely the perfect lover, and he even asks if he can lick his fingers clean. he's like wouldn't think it was weird, would you, bug? I can clean 'em off? and when you nod he sucks them clean, humming at your taste and grinning giddily at you.

now you have a helper ! he will not leave u alone. bed sharing is a must now, and the more you sleep together, the more horny you are for him, and the more you wake up in the middle of the night, and the more he 'helps you out', and it is a cycle that you couldn't break if you tried, not that you'd ever want to.

[hamliet]

Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories

As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.

And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.

No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.

Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.

Critique of the Church, with Caveats

The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).

God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.

Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.

(Which is kind of why I'm expecting Adam to wake up in hell next season...)

Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.

But what sends people to hell or heaven anyways?

Eschatology and Atonement Theory

Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."

See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:

Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.

And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.

And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).

But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.

Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."

Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)

So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.

Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.

Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?

Love. After all, God is love (1 John 4:8).

Charlie is Jesus

"Why would you endanger your immortal life for these sinners?" 

Adam, the absolute worst, says the above to Charlie in the finale.

I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:

"They're my family!"

In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.

In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.

Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.

Angel Dust

Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.

Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.

But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."

In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...

And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).

I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).

Closing Thoughts

But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.

It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.

But, y'know, Jesus was pretty scandalous too.

So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.

[littlemoondarlingarts]

Did an artstyle study of the gorgeous art of @iliothermia and I genuinely learned alot so I'm very thankful that he gave me permission to do this 🙏🏻🙏🏻

As usual, rambles and process pics under the cut, be warned that I talk alot because this drawing was a true labor of love both for his art and Rouge

I wanted to use elements from his art but at the same time i know how deeply personal his art is to his own life and struggles and culture so i tried to be as respectful as possible (and if I failed at that please tell me I have no problem in deleting this) and tried to minimize my use of direct elements from his art to keep it to the skull which was heavily inspired by a drawing he has done, the waves which are such a beautiful staple of his art that I just couldn't not put it and the use of candles and small floral patterns and the style of the mold, but I tried to keep the rest to things that are symbolic to the character.

While he may have restraint to not explain everything, I'm not famous for that lol, so I will be explaining the symbolism behind my choices.

Part 1: the symbolism:

The red rose is Rouge's flower and it is heavily associated with him. The meaning of it being romantic desire and passion mixed with the thorns of it perfectly sum up his position as a beautiful black widow.

Voyeurism is a big part of this drawing and it is first noticed with the eyes motif on the roses' leaves, this symbolises his response to his trauma which left him feeling like an unwanted pervert on his own self. I can talk about this aspect of his story for hours but I'll spare you lol.

The X-ray cutouts are his complicated relationship with his own body and death, it is a thing that is constantly on his mind as he suffers from suicidal thoughts but at the same time he is always running away from it in fear, but he knows that eventually, he will have to stop running.

The candles melting represent him being only wanted when he is useful, when he is giving parts of himself up for others to use and abuse, when he is lighting their lives by slowly draining his own.

The piano is one of the rare things that bring him happiness and peace, but he needs to be heavily dissociated to be able to enjoy it which is represented by the hands being disconnected from the rest of the drawing and just floating in their own reality.

The snake represents two things, one is him being venomous to those around him, the mistakes he's made, the promises he's broken, the pain he's caused etc. But it also represents those who slowly wrap themselves around him in a warm embrace, presenting themselves as a saviour in his most dire times only to end up being the ones who will hurt him the most.

The book is about his obsession with keeping track of everything and of studying people, accidentally turning himself into an unwanted voyeur on their lives to the point where he has written the life stories of many people who would never want to be remembered through his eyes in his little books.

The butterflies are him, both in the way they are seen as "the good insects" and the beautiful delicate ones despite the fact that they eat flesh sometimes, it is also related to the way his simple presence for a few minutes in someone's life can create a whirlwind of change that will leave it unrecognizable, or he can simply be another body in their bed.

The hair turning into waves is meant to reflect the way he is always drowning in his own thoughts, a hand crafted constant state of misery.

The beta fish are some of the most beautiful and colourful fish out there, yet they are seen as cheap and easy first pets, leading to them being neglected and given environments that are too small and crammed, making their beautifully slow death the only thing they can offer to their owner. I don't think I need to explain more..

The skull is probably someone he's loved, or someone he's killed, or both.

The heart is his, it is rotten and covered in mold, any love he offers is tainted by his inability to heal and it is spreading to infect every aspect of his life.

Part 2: the inspirations:

The roses are a homage to the way Rachamim always places flowers in his art, either in the background or as a focal point of the illustration, most of the flowers he uses are cultural in nature, so I opted to not reuse any of them and changed it to a flower related to my oc.

Eyes are a repeated theme in his art, whether it be angel eyes, the evil eye or anything else, and as you can tell both of these are cultural and religious and while the evil eye exists in my culture, it does not in my oc's so I didn't use it. Instead I opted to pay homage to one of his beautiful merman drawings in which he used the plants to make an eye-like shape that stares at the viewer.

I thought I was being real smart in turning the hair into waves but yesterday I saw an illustration where he did the same so rip to me thinking i was being original lol.

The snake and butterflies are my way of replicating his use of animals while trying to not directly copy any animals that have a connection to himself or his culture/religion.

The beta fish is just to reference the ever present fishies in his art. I know he uses them because they represent friendship for him and they are the only animals safe from the evil eye (thanks for the fun fact) so I uh... I don't really know if this was disrespectful or not to be honest but I tried to use a different type of fish, idk this might still be slightly problematic and again I'm always ready to delete this if it makes anyone uncomfortable.

The waves are a direct copy of how he draws the gorgeous waves in his art, another case of something I fear may be crossing the line because the waves are drawn in the style of cultural jewelry 😭

The tiny flowers are an obvious reference to his own tiny flowers that decorate his art and characters.

The skull with the candles is heavily inspired by a specific drawing of his.

The cutouts are my way of paying my respects to my absolute favourite piece of art he's done without directly copying its concept because as far as I can tell, it is a very personal and emotional piece.

The mold style is a reference to his mold man (I forgot his name I'm sorry).

And the candles are another repeated motif in his art as well as the pillars and the pant style.

And ouf I sure do talk alot don't I? I just really love the amount of things I was able to cram into this piece and I haven't even mentioned everything😭😭 I will NOT be doing this again because I'm simply not as patient as he is and as proud as I am of the result, this was torture. I hope I didn't disrespect him, his art or his culture and I genuinely tried my best to be as respectful as possible but I might have some blind spots due to our experiences being so vastly different so again, please don't hesitate to inform me if you want this deleted!

[a-chaotically-small-lunta]

Is it possible to enjoy g/t without it being a kink? /genq

100% yes. Many people in the g/t community like it without it being sexual or kinky in the slightest. In fact that’s why (at least on tumblr) there is a clear split between the kinky side and the soft side (aka Macro/micro for kinky stuff and g/t for non-kinky stuff)

But anyways; yes you can enjoy g/t without it being a kink. Most people use it as a coping mechanism and a comfort thought. Like for those who like the idea of being tiny, it’s the idea of being so small that the world’s problems can’t reach you, hidden away from prying eyes and crazy ideas. For those who like being giant it’s about being seen about being strong enough to fight the world and protect those they love. Size-shifters basically shift between the two, usually based on their mood. Although these aren’t the only reasons people like being Giant/tiny, there are many more but i just wanted to give a basic idea and I guess some psychology. Heck, Some like seeing things from a new perspective, a sense of adventure in something we see everyday. Then there’s also the mini collectors and also the enjoyment of “here’s a tiny object but BIG” (I mean giant cards? Hell yes I’m playing with those!!)

Lots of people are into it non-sexually. Cause there are so many aspects to g/t than just sex. There’s the trust building (and in some stories breaking) which, at least I believe, is one of the most essential parts to g/t; the trust. Trusting someone so big to not hurt you and trusting a tiny to not run away. There’s also the comforting stuff; like being hugged by someone so large that you just get all the stress and worries squeezed out of you with so much care so that you don’t actually pop. Having someone so small put all their effort into just hugging you and it’s not much but they’re doing everything they can to show how much they care. There’s the initial interaction where each party is frozen in time, and neither knows how to act, with their minds racing “what now?” Type thoughts run through their minds. There’s stories simply put into a g/t setting like fairies. There’s so much and there are so many scenarios out there that don’t involve g/t as a kink (Me and many others have shared these scenarios) Theres so much and there are many movies centered around g/t (like The Borrowers and the BFG) most of which are made for kids.

Heck I was into g/t as a kid (I just didn’t know what it was called) I grew up watching the 1997 movie The Borrowers and Honey, I shrunk the kids. I rewatched those so many times. I was fascinated by seeing the world from the tiny perspective. Seeing normal day things huge, it just sparked my young mind. I would daydream about it whenever I could (mostly school and church but still) The idea of being small or interacting with someone huge OR being big or interacting with someone small; it just made me all giddy. It made me smile and it might’ve been a coping mechanism but i genuinely enjoyed the stories too. I read the entire borrowers series in one month cause I was that into it. As a kid I didn’t even know it was a kink or could be, I just enjoyed it for what it was.

So yeah, you can definitely enjoy g/t without it being a kink. As they say, there’s always 2 sides to the giant quarter.

If you or anyone else out there, has any more questions about g/t, don’t be scared to ask! I’ll try my best to answer questions about it.

[royboyfanpage]

Can I ask your thoughts and opinions on Mia?

Thank You 🙂

Oh I have SO many thoughts and opinions on Mia Dearden.

I feel like a big issue I've seen with how people try and fit the Arrowfam family dynamic is that they end up erasing a lot of aspects of Mia while doing it. Don't get me wrong, I have seen some brilliant analysis of Mia in fandom, but things such as Mia's early supposed crush on Ollie and her kiss with Connor tend to get ignored in the fandom, or in some cases I've seen people try and use the "DC stands for disregard canon" mentality against these events, which I think are just counterproductive.

In the case of Ollie, Mia having a "crush" on him at the beginning of their relationship IS very important to their father/daughter relationship, both in how Mia views herself and what she believes she deserves and how Ollie is able to disprove her preconceived notions of what a caregiver is supposed to do. It's important to note this panel in particular-

Because this mindset that Richard taught her is very influential for how Mia assumes Ollie will be and what Ollie will want. Because obviously Richard is manipulating and grooming Mia when he says this, but those things Richard claims to be doing- loving and caring for her- are what Ollie actually does do when he takes her in.

The biggest examples of Mia's "crush" on Ollie both take place in #11- her dream where she kisses Ollie, and her outright saying she has a crush on him. In terms of the dream, it's important to take into account that this was the same dream wherein she became Speedy. Mia's lived a significant part of her life at this point where everything has a price- the supposed protection Richard gave her came at the price of sex. Since Mia's dream at that point was becoming Speedy, she automatically assumed that becoming Speedy would come at the price of having to have a sexual relationship with Ollie when we know this isn't what she wants- like she told Richard, all she really wants is to be a kid and be treated like a kid, but she's not used to the idea that that could be a possibility. As for her saying she has a crush on Ollie, that was directly following Ollie expressing genuine paternal affection towards her, something she doesn't have experience with. She doesn't know how to respond to that, so her response is a mix between trying to downplay the genuine moment and saying what she still somewhat believes Ollie wants to hear.

In addition, I was talking to @lesbian-cowpoke recently about this actually, and in their words, "Mia views him as a father and that's WHY she had the "crush" on Ollie. Oftentimes, victims of CSA (especially incestuous ones like mia) will engage in inappropriate behavior and thoughts because of the severe damage sustained to their psyche. There are studies upon studies on how CSA survivors externalize their behaviors and have issues with interpersonal relationships, and sometimes (like in mia's case) go sorta in search if relationships that replicate that behavior" which is really the perfect explanation.

As for Connor, I don't think it takes much reading comprehension to understand that scene. It explicitly says in the scene that the kiss was a gesture and not one of sexual or romantic intent. In that scene, Mia was telling Connor she’s worried she’s dirty and nobody would want to love her because of her HIV, and Connor kissing her was proving to her that there will still be people out there who want to kiss her and give her physical affection in a romantic sense, and to prove that he isn't afraid of her diagnosis. He was co-opting a typically romantic gesture to use in a non romantic way to prove that she is capable of being loved, which is Such an important aspect of her HIV storyline.

I think Mia's story is genuinely one of the most well written stories in DC history. The development of her relationship with the rest of the Arrowfam- particularly with Ollie- is so compelling to read. I love the way their relationship is built because there are so many scenes that just feel so real. Ollie and Mia don't have the perfect father/daughter relationship. They have their ups and downs. But the important thing is they're able to resolve these issues with communication.

I'm also a really big fan of the way Mia inherited the name Speedy, and the parallels between her and Roy are so poignant. Speedy as a name repeatedly humanising stigmatised groups in society- addicts, sex workers, and people with STIs specifically. I also love the fact that to Mia, Roy's one of her biggest heroes not in spite of his addiction but because of it- because he managed to overcome his addiction and survive. Speedy means survival and perseverance and it's the perfect mantle for Mia to take up.

So yeah, those are some of my thoughts and opinions on Mia Dearden :) hope this is okay!

[iwritebigbellies-blog]

What do you think "caused" your stuffing kink? I'm curious because I can't find any research as to why, biologically, the stuffing kink is a thing. I've had mine since I was old enough to remember, i.e., a toddler - watching cartoon characters eat a lot for a gag and feeling weird about it. I've got no idea what caused it or why my brain is apparently wired this way, especially since (like you, and apparently unlike the majority of the feedism community) it is *just* the stuffing and not wg/etc that turns me on. Just curious about other peoples' (and especially those who, like me, are primarily into the stuffing and not the wg aspect) experiences, I guess.

This got out of hand. Sorry.

TL:DR - I was born this way

Deeper thoughts:

So, when I was very distraught about why I had developed this incredibly inconvenient kink, I did a little bit of looking into paraphilias.

Unlike some other "kinks", this isn't a lifestyle choice (in my case, this is something I need to be sexually satisfied. I do not get aroused without it, I definitely do not cum without it.) It isn't something that is going to "spice up the bedroom" for someone looking for a new kind of fun. It is a flatly non-sexual thing that my brain has decided is hyper sexual. I think a good analogy is a foot fetish. Nobody decides to get into feet for fun. You either sexualize them, or you don't.

I think stuffing falls under fetishistic paraphilia, like the foot thing. There's a prevelent theory that foot fetishism is actually rooted in neurology. The foot section and the genitals sections of the brain are literally just super close together, so a little divergent wiring and boom, the foot is a sexual organ.

This kind of thinking rings the most true to me. Because I can't think of an "inciting incident" or single media that really made an impression on me: I wasn't even allowed to watch tv when I was a kid, so I mostly got my weird feelings from books and comics, and it felt more like recognizing a feeling that was already there than a single jarring experience. Also, because it doesn't feel confusing or traumatic or naughty to me: it's not like I got sex=forbidden, fat =forbidden, ergo fat=sex all jumbled up. There's no feeling of shame in my kink. Just the usual feelings one has about sex things: pleasure, intimacy, indulgence.

I feel like I am just wired different. I truly don't think I could, for example, therapize this away. It feels more like being straight: it is just foundational to my sexuality. It is my sexuality. Nothing made me like this. I just am.

Two tangental things about that:

Look at the people who try to run away from this kink. They always come back. It doesn't change or go away for them. There are a lot of really miserable people in this kink because a) we've pathologized it and b) there has been no real effort to make a welcoming community around paraphilias or fetishes in general. There is no safe space for fetishists. This kind of kills me, because I have talked to a lot of men in this kink and each of them has come at it in a totally different way. They could be helping each other understand this. They should be sharing coping or lifestyle tips. They could be more open about healthy ways to live it or showing success stories with partners and lives. We could all be more welcoming and understanding of the people who wander in here, because this thing isn't going away and we are all we have. We shouldn't be treating it like a disorder or social contagion.

I think being more community-minded would also help with the thing where some of us have "rare" versions of this kink. Cuz, yah, my sexuality is stuffing, not wg. There genuinely don't seem to be many of us. And it isn't cuz I am fatphobic and just want conventionally-hot guys to temporarily fatten up or whatever shit I am being accused of this week...I actually really prefer fat guys in a strictly aesthetic sense. But it isn't foundational to my sexuality. That is a whole different universe.

But because we're treating all of this like a den of iniquity, we're only engaging with each other on a horny level. And if you come at someone horny and they are not equally horny for you (such as when somebody comes at me asking how much weight I'd like them to gain), the conversation ends instantly, often in disgust, and leaves one or the other person feeling shame or guilt.

Those of us with more "rare" fetishes are gonna feel this bounce more than someone with a more conventional fetish. But, dammit, I still need a place, I still need a platform. I need to stand somewhere while I am waiting for the rare person who is actualy on my wavelength. I want to feel accepted and safe as a fetishist, not just horny. I am more than my libido, even as a fetishist.

Gonna throw some numbers out there.

The prevelence of true fetishism in the population is pretty unknown, but some studies have suggested like 11-17% of the male population have fetishistic fantasies, with women reporting in way lower, like 0-10%. But most of those are sort of conventionally sexual people who think it might be hot to have sex in public or with someone wearing cute gloves. The ones who are all-in on being fully fetishy (like me) are more like 0.00125% of the population. Of those, the vast majority are men.

Within the fetishist population, only about 15% are into specific body parts. (0.000002% of everyone, in our back-of-napkin math.) Almost half of those are into feet. There are other groupings: I have never seen "bellies" divided out on its own (though one did single out navels) so we're gonna say we are "other body parts", which is about 13% of body-part fetishists. (Math fails me here... what are we at, like, 0.000000026% or something?) It doesn't even matter at this point, it basically means that, statistically, every person on the planet who is as obsessed with full bellies as I am could fit in a small-town auditorium, and most of them would be men.

(Yah, I know, actual numbers probably much higher because all these studies require people to self-report, and shame/embarassment cuts that way down.)

If this was based on some kind of early conditioning, my feeling is the numbers would be waaaay the fuck higher.

Anyway, I am still mildly obsessed with Jughead Jones. >.>

[iwritenarrativesandstuff]

Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

[jinbeisluffy]

I see so many posts over different social media platforms about sexuality/gender hcs for the strawhats and i want to add in my own two cents because i believe im very correct (but anyone’s opinion is valid so long as it doesnt go against canon coding)

Luffy - the most aroace and trans guy to ever BREATHE. i dont mean aroace in that hes somewhere on the spectrum where he can still be attracted to people, because he cant. this guy had never grasped the concept of romance and never will, because theres no reason for it to him. hes trans because i say he is, i dont have many reasons for THAT but its just the signals hes sending me. trans to trans communication trust

Zoro - gay. thats it thats the post. no but i dont ship luffy with anyone but zoro is just attracted to literally any man who is strong, thats his criteria and thats all he ever needs. is he aware of it? not at all, he has no idea that its not normal to get bricked up by the thought of other men

Nami - i havent seen a bigger lesbian in media ever, genuinely i dont think any other character is as obviously lesbian as she is. she loves girls unapologetically no matter what, supports all girls at the end of the day (cough kalifa) . i also hit her with the asexual beam because i can, specifically demisexual because i THINK so

Usopp - while i wanna consider kaya, i wanna consider sanji too and thats making me lean between bi or omni even if omni is a label under the bi umbrella. its more a question of if he recognises his preference for men or not, because he does prefer then at the end of the day. the ace beam bounces from nami to usopp because he too doesnt feel anything and doesnt think about it either

Sanji - oh my god where do i begin. maybe just the blatant queer coding of wci as a whole?? of course hes attracted to women, thats not an aspect you can remove or just toss around to being something else. he loves and respects women, but he is so QUEER. all of wci is just queer coding, its a queer story and sanji is a queer character i will die on this hill. he probably has some kind of gender issues too, what specifically? no clue, but he likes people of multiple genders and is in deep denial about it all the time he wont ever truly accept it but he can one day as a treat live with that fact

Chopper - oh hes a reindeer he cant really have a sexuality DID WE FORGET THE FACT HES HUMAN TOO ISNT THAT LIKE HIS WHOLE THING, NOT BEING A MONSTER BUT ALSO A HUMAN. HE IS BOTH? i dont have any specific labels to slap onto him, just that hes a people lover and encourager of literally everything. ace beam bounces onto him too

Robin - trans trans trans trans trans trans trans trans you will accept robin transfem into your life right here right now. she can like anyone, she has no label on it, she just likes people and cant bother with genders or anything like that. the ace beam actually skips her because if they were doing a hear me out cake she’d be the one putting all of the crazy things. freak. (lovingly)

Franky - HOW TRANS CODED IS IT NOT TO REBUILD YOUR OWN BODY TO BECOME A BETTER VERSION OF YOURSELF AND TO REBUILD YOUR LIFE IN A WAY YOU WANT, BUT GOING BACK TO WHAT YOU LOVED ABOUT YOUR OLD SELF, AND EMBRACING IT. literally, trans goals. he modified his body and went i might as well give myself top surgery and an awesome dick while im here!! sexuality wise hes a lover of everyone, but he has preferences for women (robin) but encourages all bromances (with brook)

Brook - THIS IS WHERE IM MOST PASSIONATE!!!! people can say that hes the token straight grandpa. but theyll never understand the joy of old gay brook had a romance with his captain, the joy of brook trying to subtlety let the other strawhats know he accepts them (he isnt subtle at all and everyone knows). look at brook in drag twice for no reason and tell me he isnt queer, in some way. the ace beam finally hits someone and its brook, insert skull joke here

Jinbei - very specifically old gay man who didnt really do much throughout his youth, he always knew he liked men but he never had TIME to do anything, too busy being awesome and a father i fear. now that hes with the crew he isnt automatically gonna seek anyone out, but hes also not gonna restrain himself from finding interests in people, hes being more selfish now and thats good for him. finally the ace beam hits jinbei and proceeds to fly off towards other op characters that i might talk about some other time

can you tell im asexual and love projecting onto characters with it !!!!