#so yeah don't worry

[softpine]

he's on steroids???

[dremieblur]

Did something happen to fourhearts-paracosm ?? It doesn’t show up in the tumblr search and the links to it via @ say the URL is invalid 😮

Yeah, uhhh, I deleted it, I did remake it, but the current blog is empty and under a different name.

I am slowly trying to figure some stuff out and once that's all sorted, I'll be sure to share the new blog!

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[bytebun]

found family coworkers (definition multiple) of all time [image description under cut]

Comic 1:

First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”. Akari has an awkward smile and replies “oh, no no. he’s my...” There’s a long pause as she looks at Ingo. He’s leaving it up to her. She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.” Comic 2: A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!” Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”. In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??” Volo is experiencing off-screen violence.

Comic 3: The comic is titled “Reunion”. In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”

In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?” In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.

[fudgecake-charlie]

to my IRL(s) who keeps sending me disco elysium memes despite the fact i haven't played it in months THIS IS BECAUSE OF YOU. HELP ME. If people have ideas on this AU feel free to have fun with it considering I. have only a few!

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[1alchemistart]

some melindas spawned by the new chapter and a piece from a little while ago :D

[puppetmaster13u]

Prompt 118

Everyone is freaking out. The titan tower was broken into, no signs of who it was, and Tim- Robin- is missing. There’s blood on the walls, taunting them, implying that Tim is going through agony, and they can’t deal with another dead Robin, they can’t- 

Meanwhile Tim is bemused, maybe a little concussed because that would explain things maybe, as he’s found himself in a living room full of books and there’s a pair of kids too? One is straight up adoption bait- wait no there’s three, with two of them being adoption bait and the third being a redhead. There’s a trio of small children there already playing by the couch he’s been bundled into. 

Where the heck is his mask- or his bo staff or any of his supplies- is that the fucking Red Hood?! No, couldn’t be, must be the concussion, because why would the Red Hood be feeding him a bowl of soup?

[cheesomancer]

What are you waiting for? I'm totally ready, I tell you.

Full art (with close up!) is here!

[catocappuccino]

Dey had ran out

(og image under cut)

[imminent-danger-came]

2x02 // 3x01 // 3x03 // 3x13 // 4x12

Team huddle!

[cesiscribbles]

OK SO

I had an idea snippet for the ending of the Ineffable Family series but it made me sad and I dunno if I will ever draw it so Im just gonna share my idea with you in written form:

(btw It's not fanfic quality, it's more messy bulletpoints written out within 5min or so)

---

Astra is growing up, getting older and lives a happy life amongst human society with her parents on earth. One day she falls in love with a human and they share the kind of deep bond like Azi and Crowley do. At some point Astra even announces that they gonna get married and her parents are super excited and want to make her the bestest wedding gift ever.

They wrack their brains over what this gift could be for a quite a while but nothing seemed right.

A book? To generic and boring. A kitchen aid? Nah, probably an other persons idea already. Money? Missing the deep meaning behind it.

It's one day before the wedding and Astra asks Crowley and Azira to meet at their special spot at a wonderful lonely flower field somewhere in the nowhere. They loved to visit this special place and spend hours being together, having picknicks or gaze at the stars (Yes, in this version Crowley can see stars). C+A arrive at the spot where Astra is already waiting for them and they are quite curious why she wanted to meet up here.

Astra turns around and looks at them with a smile, but it's a mix of a happy and sad one.

She knows what she would like the gift to be and she describes how she feels different from all the angels and demons and that she never experienced an existence before the beginning or witnessed when everything started. She loved growing up between humans and experience change herself. But she knows her true love, her human, will wither away in what feels just like an eye blink in the life of an immortal being.

Astra comes closer to her parents and holds their hands, telling them how much she loves them and apologizes that what she will say next, won't be easy.

The best gift, she could ever ask for is Azira and Crowley combining their powers and making her mortal.

Ofc both seem bewildered at such request and try to talk sense to their daughter but in the end they recognized that they would have done the same for their partner because a life without them would hurt too much.

With a heavy heart A+C respect Astra's wish and grand it to her.

She lives a happy life with her human, both equally growing older and A+C watching over them like guardian angels to make sure no sickness or harm comes into their house... till the day they have to say goodbye.

Astra and her love are not going to Heaven or Hell. They return back to the stars where they can be together and where A+C can see them from earth.

And then the end says

"Ad Astra"

(lat.= to the stars)

[crabsnpersimmons]

thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:

long-story short, Sun doesn’t believe he has emotions since he is a robot 😔

of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)

but there is a part of him that wonders if he is missing something—he just doesn’t understand what that is

Note: i should also mention, his voice is almost completely monotone. the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoes—fairly even in tone, somewhat soft

[pseudophan]

Dan has been more touchy with Phil since their comeback, but I specifically feel like in the last few videos he’s been EXTREMELY touchy! The door is opening more and more🚪👀

yeah........ dan is soooo calculated is the thing. phil is more likely to be touchy without thinking about it too much, but dan is like... he's so hyper aware. when he's getting extra touchy you know it's on purpose, it's deliberate, they are Up To Something

[sysig]

Chewtoy (Patreon)