#so much information. so much left out.

[ru5t]

FIRST IMPRESSIONS MEME A meme for first meetings and introduction threads, or a ‘What you will notice about my muse’ cheat sheet. Copy from template meme: x , don’t reblog. 

GENERAL APPEARANCE

Sex: Feminine. Notes: afab and has never encountered a reason not to just go with that, though really she doesn't strongly feel pressed about presenting as any particular gender, like. She's Tech. It's sort of a non-thought? Gender is a performance and she is the show's tech crew.

Race: Caucasian

Complexion: Fair and freckled; holds a little color, but even now she's more likely to freckle further (or even burn) than tan very deeply. Pale girl struggles. (At least she's not as pale as Vi-)

Height: 5'2"

Build Type: Slight. Other / More Details: In terms of physical development, she fell behind in her preteen years for a variety of reasons (but mostly because of interference/side effects) and never caught up or reached her full potential. She's not frail, but she'll never be particularly strong, and she struggles to put on any mass, muscle or otherwise (also for many reasons but mainly because of that interruption in her growing years.)

Hair: Varies a little from a shorter bob (close to her chin) to kind of medium (touching her shoulders) with choppy layers and a slight wave texture Color: Naturally red; it was lighter when she was younger, almost more strawberry blonde, and got darker as she got older, into coppery, rusty shades. I tend to draw it orange because it suits her but I do technically think it has mostly been natural lately, because of her smuggling efforts/fake city identity. Style: She wears it up a lot to get work done, often putting it into a ponytail or sometimes a big jaw clip or with a hair stick. Lots of smaller clips for the many little flyaways. When not working she generally leaves it loose, because having it up for long periods tends to give her a headache or make her head tender

Eye color: Hazel Notes: Often described as curious, sharp, and/or seeing. A little wide-eyed vibes, too, sometimes.

Scars: Quite a lot of little ones, largely work-related (burns and cuts on her arms and hands) and from that whole survival thing. Some more notable ones include: one through her right eyebrow, one on her outer left arm, the Many on her outer left thigh, and the entry and exit wounds on her upper back and chest respectively. It's probably worth noting that before her reeducation she had different scars, including one through her bottom lip, which were 'scrubbed', so anyone who knew her before would probably note she looks different, even if they couldn't exactly place why.

FASHION

Fashion Style: A little tomboyish at times. She's got some clothes purely for functional reasons when dealing with bigger scale projects, and the rest of the time it's very... early thousands punk-y/grunge girl, spiky updos and all Notes: In terms of silhouette, think like Linds.ey Lo.han and her on-screen friends in Freaky Friday - actually kind of just early thousands Lindsey most of the time? Avril La.vigne(!). Early thousands P!nk a little bit. Whichever of those Mary-Kat.e n Ash.l.ey movies is the one where they have this vibe.

Typical Clothing: More fitted tops, t-shirts and tanks, paired with looser bottoms that are usually cargo-pants in spirit if not literal application (pockets!!! a must-have.) Sometimes she has a jacket or secondary loose layer over top, sometimes she does not. It's not usually Noticeable with a capital N I don't think but there is a pattern/fact of her shirts never touching her neck- they either have some kind of dropped collar to begin with or she will alter it. She dabbles in clothing theft, but usually more for sleepwear than every day. Loves a good giant shirt for sleeping.

Color Palette: Maybe like.... orange, green, pink? A dash of teal and yellow? All over the place if we're honest. The more regular note is: stripes. She wears a lot of striped tops in particular- she's owned no less than three different orange striped shirts. Her pants, if only because she likes the cargo style, tend to be the more neutral part of her outfits, ranging around in khaki and dark greens, dark blues, grey- you know. Cargo pants colors. She's owned at least two pair of camouflage colored/patterned pants, one of which she cut into shorts at some point (and the second pair to replace the first lmao)

Jewelry & Piercings: Her ears are double pierced on the lobes; she tends to wear studs in the higher/second set, and likes dangly bright charm earrings in the lower/first set. She had a septum piercing at one point but I don't know if it's still there. She does not and will not wear necklaces (though may occasionally pull her goggles down and leave them there, while she's working. Mostly they go up on her head though.) She likes woven bracelets, and anything clicky-clacky (but not jingle-y) like wood and plastic. She picked up the habit of wearing 'bad luck beads' from a certain someone.

Tattoos: N/A

Other Information: Gloves! Fingerless. Sometimes practical but more often a fashion/cultural thing, the patterned useless kind. Headphones sometimes, and welding goggles of some kind, I haven't settled on a particular style. I'm still not sure I'm committed to the cat ear helmet, but. Potentially there is also the cat ear helmet sometimes (<- which would not be in that color but that is soooo the vibe, the energy, if she does have one)

EXPRESSION

General Facial Expression: Fluid and ever-changing, even when she's otherwise placid. It would be incredibly heart-on-her-sleeve if not for the fact that her expressions and moods don't match the way you'd expect. (In fact, it often counterintuitively serves to obscure what she's thinking; people generally have a hard time reading her expressions (and sometimes body language). More information does not always mean better clarity.)

Default Body Language: Much the same as her expressions, though a little more traditionally matched. Small for scared, fidgety for nervous, tall shoulders for angry. The problem is more that she doesn't really seem to have anywhere to settle. There is no default, only wherever she's at that day.

General Movements: Cautious and guarded. A hand-talker, though she's often known to keep herself strictly contained in unfamiliar settings— she's typically an incredibly high self-monitor, constantly aware of where she is in a space, how much of it she's taking up, if she's in the (apparent) way, how close people are to her, etc. etc. Thus, she gives off this sort of... tightly wound energy. Like she wants to go big, but won't commit. When at work on a project she's very nimble and clever, generally confident, almost a whole different vibe: she's great at tiny fiddly machines and wires.

NOTABLE FOR RP

Presence: In person, usually pretty innocuous. She's colorful yeah but in home setting that's the norm, so she doesn't generally stand out in a crowd. She mostly just wants her own space, but with her wandering expressions and habit of talking to herself and the occasional little tic, some people are put off and/or rude to her. She also... doesn't necessarily Miss social cues, but will fail to initiate them first, or the way people expect. She's just... a bit odd. Has some crazy currency. Over the transmitter she's an absolute menace and regularly antagonistic to anyone who gets on her nerves even a little.

Appearance: Always at least a little wild looking— her hair messy, her clothes crooked. She (accidentally) ends up with tears in the knees of her pants a lot. A little like... you know how people dress after they develop a personal style but before they get it in their head to be self-conscious about being "put-together"? It's kind of like that. There's an energy and a vibe just not necessarily a huge amount of polish — things she likes, rather than outfits she puts together for people to look at. Also, with all her workshopping and tendency to bump her elbows and scrape her knees ... a little bit spicy kitten feral. A dash of mad-scientist. Odd little bug.

Scent: Ignoring the obvious notes to be made about people in apocalyptic-esque settings (although I really think. Personal HC disclaimer or whatever but I think it's not that bad, broadly speaking. No-showers georg probably exists but... there is a city actively manufacturing things, and a thriving smuggling scene, and an entire trade system, and sort of prairie-culture more than apocalypse wasteland, you know? it's more about conserving the safe water than not having the access to the necessities, I think. Dry alternatives are probably popular. ANYWAY-) I think anything else noticeable might be... a little bit of a (good) cat-smell, because of how much time she spends with Glitch+how often he's sitting standing or laying on her.

Voice Description: Honestly I have never had a particular association other than knowing she talks fast.

Accent: (This was presented as a "yes/no" question and I am here to say: Everyone Has An Accent.) More information: There's a kind of... zones accent? That isn't formally plotted out but just sort of developed as we were writing. It involves lots of dropped consonants + some Spanish influence and rapid-fire sentences ft. all that slang. To me it's always seemed almost... American South in terms of vibe? But that might be a biased take on it. I don't know that it necessarily sounds that way, like with the same vowel placements, but it reads that way to me.

Speech Mannerisms: Sort of wobbles between some natural leanings and just a little bit of putting-on — she tends to exaggerate her 'zone accent' a little bit when she's feeling either superior or inferior or if she's just trying to make a Point of something. Naturally a chatterbox, though it might take her a bit to warm up (and sometimes she also goes entirely nonverbal). Time alone during years she should have been expanding her social skills led to her talking to herself out loud a lot, and sometimes she forgets people like to be able to respond. If she gets snapped at or fussed at specifically for talking a lot/too much she's incredibly likely to A) snap back and then B) become a lot more stiff and/or outright refuse to speak with a person anymore. Practices being brave about things she doesn't want to say by saying them AllinOneBreathWithNoSpaceAndVeryVeryQuickly

Anything else to add? People who think they have her figured out off a first impression and go on to try and predict and/or direct her behavior typically set off several alarms for her, and always fuck it up one way or another. This is largely lefftover from the way her mother treated her. I know what specifically sets it off, and how to avoid it but don't like to announce it because then people. try to Outwit it. and it annoys me.

[dollypopup]

"Penelope should have chosen Debling!"

My sister in Christ. . .he literally dumped her???

Like just before Colin Bridgerton was on his knees after outrunning her carriage to profess how he can't stop thinking about her in his love me, choose me, I'm yours speech, Debling did the Regency equivalent of calling her a floozy who would undoubtedly cheat on him when he abandoned her for several years to chase his passions (because she would never be one of said passions since she asked outright if he could ever come to care for her and he went 'hmmmm seems unlikely! good thing you have solitary hobbies to occupy you instead!') when he has been given 0 evidence of such other than realizing she liked to look out the window because she had a crush on the boy across the street. I was ready to challenge that man to a duel for Pen's honor

His feelings for her were middling at best, I mean Christ on a Pogostick, after he asked her mum for permission to propose he isn't even happy when he opens the door and Pen is there? She's looking like a snack- nay, a whole ass MEAL, and he can't even smile? He just nods at her and dips the fuck out? You don't think it would kill Penelope to know that both her sisters have husbands who absolutely adore them and she's out here with an absent dude who likely won't even write to her?

Portia's 'Love is make believe!' speech is so transparently full of shit when you realize that we've got Dankworth who is so obsessed with Prudence that he makes heart eyes at her every waking moment and considers her his little bonbon and Albion who loves Phillipa so much that he was waiting for her to consent to sex (not realizing she didn't know what it was) for two entire years because he would never pressure her and so he was content with finishing in his pants when he kissed her to make sure she was comfortable. And you want Penelope to settle for a life of loneliness? When Colin is so besotted with her that he dreams of her and breaks every societal expectation in the book as a notorious People Pleaser to run after her and cannot even wait for the morning after being intimate with her to introduce her as his wife to his family in the middle of the night? You want her to turn down Mr "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" Bridgerton? For LORD PENGUIN?

Be so serious right now

[kwillow]

What kind of sound are Theo's... noises... intended to be? Snorts? Mouth sounds? Choking sounds? Stuffy nose sounds? I feel like I imagine them as a different thing every time I read them lol

Almost all of the above, really! Nasally grunts, snorts, whines, growls, guttural noises that sound like he's clearing his throat or choking on his own air... Theo makes all manner of noises. Not on purpose.

His "noises" are unconscious vocalizations most of the time. They're akin to vocal tics. The utterances are louder, more pronounced and more frequent the more stressed he is. It takes quite a bit of effort and discomfort to suppress his noises once he feels the urge brewing (if he even catches it in time, because most of the time he isn't even fully aware that he's doing it). He does his utmost to keep them choked down, but to his embarrassment, some grunts and gags always slip through.

Also, often his laugh can sound like "a noise" since it can be more of a gargling wheeze than a proper expression of mirth. His smoking habit hasn't helped the, er, phlegminess of its sound.

A counterpoint to his common stress-sounds is his habit of making quiet humming noises when he's feeling contented and relaxed. He only does it when in exceedingly good spirits - so as you might imagine, he hasn't had much cause to hum in many years.

[poorly-drawn-mdzs]

Do you think Wei wuxian listens to weezer?

I don't know...I don't know...I really don't know.....

[pickled-flowers]

I only vaguely know my Mysqueery Gang lore but Lila is honestly a mystery to me even tho I see her all da time ... What's her deal :0

So clear isn’t it

[maxthesillyy]

and if you kick every gay person out of your target audience by purposely trying to make the LIS games not “the gay games” then WHO is going to be playing LIS, decknine?

[miscgallery]

[Day 4: AU] a close call!

(bonus doodles and context under cut)

peaky are sort-of "robin hood" characters who are rich themselves, but don secret identities to target corrupt politicians, government officials, and billionaires when the law fails to punish them. most of what they do is dig up dirt on their chosen target and bring it to light for the general public.

one of their targets had invited esora (current ceo of the shimizu group) to a mansion party. they decided that this would be a good opportunity to gather more intel and do a little snooping around the mansion.

esora attends the party proper with yuka as her "bodyguard". things are going well until the power goes out and a gun is shot. the room immediately dissolves into a panic, and yuka scoops esora up before making an emergency exit through one of the massive windows. kyoko and shinobu throw out a rope ladder and yuka grabs it at the last second before they make their escape.

[red-moon-at-night]

The Trojan Horse/La guerra di Troia (1961)

Ignore the complete mischaracterisation of Helen and the inaccuracy of events, you need to see this sequence of how Paris dies. It's absolutely WILD.

[jgnico]

please nico i beg you to explain the sukuna 4 eyes being a copy of six eyes theory 🙏 it sounds really interesting

I was going to make a joke about you triggering my trap card, but yes, I would love to explain the Eyes Theory.

First, I wanna lay down some groundwork before I get into why I believe that Sukuna having four eyes functions as a nerfed version of the Six Eyes technique.

Thanks to statements from Todo and Mechamaru during the Goodwill event, we know that normal sorcerers can see cursed energy and follow its flow/behavior. With Todo, he's able to see the flow of Yuuji's cursed energy and how it lags behind, which leads to him teaching Yuuji the basics of cursed energy manipulation. Later in this same arc Mechamaru is able to see one of Panda's cores by looking at where his cursed energy is concentrated within his body.

So we know that sorcerers can see the cursed energy of other sorcerers and curses even without Six Eyes, but to drive this point home...

We get a panel of Sukuna looking at the cursed energy of the people within the city around him in the very first chapter. This lets us know that not only can he see cursed energy, but that he can see the limited cursed energy within non-sorcerers.

Where Six Eyes possibly differs in this aspect of its use is the precision with which it sees cursed energy. In the top panel here we're able to see Gojo's view of Toji's movement thanks to The Worm he's carrying, which isn't only brighter/clearer, but the traces between Toji's movements can be seen despite Toji's speed making him basically invisible to the naked eye.

It's thanks to this view of cursed energy that Gojo is able to do things like discern a person's technique or see if someone is a sorcerer to begin with. [ch. 69, 70] But, I'd like to point out that Sukuna has done something similar, for both of the previously listed feats. Not only is he able to figure out Megumi's technique during their fight, similar to how Gojo figures out the curse users technique in his respective fight, but we've repeatedly been told by The Angel that Sukuna only needs to see someone do something once in order to replicate it himself.

This isn't only how he was able to turn himself into a cursed object, despite other ancient sorcerers being unable to do so, but also how he's able to understand how Gojo was "healing" his cursed technique and do it himself afterwards. Likewise, this is also the foundation of why he wanted to use Mahoraga against Gojo after seeing how the shiikigami operated in Shibuya: to get a blueprint of how to get past Limitless. Despite multiple guesses from multiple characters about how Mahoraga adaption works (namely of which was Gojo), Sukuna is the only character that's seen it adapt multiple times, and therefore, knew that its adaptation process differed with each use.

So if we know that Sukuna can see and interpret Cursed Energy at a level on par with Gojo --save for some clarity through how the Six Eyes takes in information vs the eyes of other Sorcerers -- what about the other benefit that Gojo gets from his eyes: high amounts of Cursed Energy Efficiency?

Well, we get the answer to that from the person -- outside of Gojo and Sukuna or even Kenjaku -- that would know the most about Cursed Energy Manipulation. Keep in mind that Kashimo, regardless of his death, was someone who kept his place among the strongest by only using his CE reserves. By right of his skillset, he's no slouch when it comes to the topic, and per his assessment, Sukuna's efficiency would be better than Gojo's if he didn't have the Six Eyes to replenish his CE in the way that it does.

This is the only real substantial difference between the two, that Gojo's Six Eyes gives him more cursed energy, which allows him to burn ridiculous amounts of it, even without perfect efficiency. To balance it out and keep them somewhat equal, Sukuna has a tighter hold on his efficiency rate and a lot more cursed energy to compensate for what he uses up.

But why do I think that Sukuna having extra eyes is his own version of Six Eyes specifically, rather than a visual buff alone?

Well, we told explicitly that Sukuna's extra limbs and organs make his body perfect for sorcery. None of these modifications to his body are purely aesthetic. Extra hands for signing, an extra mouth for chanting --both of which greatly increase the potency of your attacks-- an extra heart and lungs to make sure it all keeps running smoothly.

The only feature that isn't mentioned is his extra pair of eyes, which is odd given the fact that they're arguably his most noticeable and present feature. Even outside of his true form, his eyes are manifested on his vessel while his extra mouth and arms aren't. Even when he's not in control of his vessel --as with Yuuji's case-- his eyes still remain on his face, only closed.

If all of his extra limbs and organs have a purpose that makes his body perfect for sorcery, then why would his eyes be different? And what better eyes to immulate than the ones that are highly valued within the jujutsu world for the advantages they give in terms of sorcery and have also been around in some way for as long as Sukuna has?

While I won't argue that they're better or even the same, I will say that they are at least (arguably) equal in two of the three main benefits that the Six Eyes grant their users; perception and interpretation of cursed energy.

That's the theory, at least.

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[ineed-to-sleep]

I wanted to say, bc I saw someone mention Geralt as an example of a predetermined character in an rpg that works, that yeah, I fully agree it can work! But in Geralt's case, for example, he's a well established character who's fully written before you start the game. He has his own traits, his flaws and shortcomings, history, relationships, etc. He's just as well written as any other character in the story, and the only things you have power over are his choices and a bit of his fighting style(sometimes his hair as well), but everything is made to fit with who this character is as established before the game even starts. Think of the origin characters in Baldur's Gate 3, it's the same thing- they're not customizable, they're established before you even start, and the only control you have is over their journey. None of these are ever meant to be a blank slate, and they're written as such.

With this Phyre character it's like they're trying so so hard to tread the line between "this is a character that stands on their own" and "this is a blank slate you can fully customize". What you end up with is a very "meh" sort of character, who's not one or the other, without enough wiggle room to make your own story however you want and not enough to get attached to them as they are. We get attached to Geralt bc he's a fully written character in the game, you just control his actions. The problem with Phyre is that they're neither a fully written character nor fully yours to write.

[puppyeared]

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it

[orcelito]

Several months late, the landlord finally picked up the dehumidifier from my kitchen

Would've been nice had I been told they were coming though 💀 so I could've cleaned up the grocery bags on the floor that I hadn't put away yet 💀💀💀💀💀

[lunarharp]

into the deep end - 29k T orufrey fic.

the sweet oblivion of the victim, the poisoned freedom of the other.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[albatris]

aidan "torture doesn't work but it sure is fun" jasper

[kitnita]

Wow, kind of unbelievable how hot the goalie pussy fic is. I mean, I went in expecting hot, but DAMN DUDE. And to have That after the extended scenes of him being So Uncomfortable with the change…which were also soooo good omg. The emphasis on how he’s Aware of it and Not Chilling scanned really well. And of course, the kitnita signature(tm) attention to detail is all over it! I love that you used a real baseball game when you didn’t even put the teams in the text. It was a really really fun read, start to finish!

i'd put the amount of the fic that was at least sex scene adjacent (either otter or robo were touching otter with intent to get him off OR were thinking/talking through getting him off before or after touching him) at like. a little less than half the total word count so i'm SO glad that it ended up reading as hot to you!!!!

even though he was soooo aware of it at all times jake was trying really hard not to be ........ he was So Chill, Actually. that's why he could never bring himself to fact check with another goalie about the whole second contract goalie pussy thing before it happened! because he was So Chill. it's why he had a mental block getting himself off! because he was So Chill. robo was also off losing his mind about everything, but he was capable of acknowledging that he was losing his mind & was therefore also capable of actually exhibiting enough chill to fool otter into letting him hit it not just once, but twice, and probably many more times in the future <3