#so maybe a part 2 of that who knows

[teddykaczynski]

kate mckinnon hosting snl with billie eilish musicalguesting on my birthday week yippiee

[spookberry]

Idiot to Idiot communication

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[ghostbsuter]

Wonder MOM ( part 1 )

Happenings/mentions of:

Child abuse, possible trafficking, kidnapping and blood!

Nothing is explicit.

.・゜-: ✧ :-

Someone was in that cage.

Controlled anger aside, Batman made sure his footsteps were to be heard, speaking slow and calm as he approached and slid off the cloth.

"Everything will be okay now, are you–?"

With the cloth aside, Batman got a good look at the unconscious person inside.

He knows that face.

Thats—!!

"B! B, can you hear me?" Oracle calls, considering no one else seems to talk, he assumes Barbara put them into a private line.

"I'm here, Oracle." He answers easily, hands gripping the lock and fishing out the familiar pick-locking equipment.

"You went silent for a moment there, B, we got worried."

He gives a grunt at that, ripping the cage bars open and carefully checking for a pulse.

It's there, barely.

"Oracle, call Agent a to prepare, I'm bringing someone over."

"Got it. B, be careful, please."

Bringing the teen, the same age as his youngest, out of the cage seemed a bit harder than thought.

With some manoeuvring and carefully placed feet, the big Bat brings them both out in one swoop, tight on his hold.

His head rolls to the side, groggily blinking awake and peering up to Batman.

"Batsy?"

"Sleep, I'm getting you out of here."

"...knew you'd find me." Messy black hair hides the way he squishes his own face into Batman's side.

"Mom's probably very worried..." he gives an awkward laugh, throat dry and burning with the move.

The movement and warmth lulled him into sleep quite easily.

(Batman's expression, even if stony and blank, covered in a dark veil, anyone can see the carefully hidden layer of fury.)

—

Patrol was cut short that night, the boy in Alfred's care, and Bruce didn't hesitate calling Diana immediately after.

"Hello—"

"I found him."

Diana, Wonder Woman, remained silent upon the response, a quite inhale echoing through the call.

"They brought him all the way to Gotham?"

The man nods despite knowing Diana wouldn't see, giving a verbal answer after.

"I have a report of all injuries he has been subjected to. I'll send you the list."

There is a moment of silence before a sharp hiss from Diana comes through.

"They took his blood–?!"

"Not much from what Alfred gathered, but enough to get a running supply for their... plans."

"I'm coming over. Bruce, you and I both know the dangers of his blood in the wrong hands."

"Let's discuss this once you're here, Diana. Safe travels."

With a click and the call ended.

One look, and he has the eyes of most birds and bats on him already.

"The boy. You know him." Damian steps forward, arms crossed and cape off. The others must have come back not long ago and eavesdropped on his conversation.

"I do."

(The fact he doesn't elaborate nor does anyone either speak up is quite hilarious, wasn't it for the situation.)

The silence goes on, eyes sweeping over Stephanie's furrowed, thoughtful expression, Tim's calculating gaze, cass's curious yet open body language, duck's suspicious raised eyebrow and Damian's 'I dare you' scowl.

At least they didn't wake duke with their commotion.

"What's going on?" Jinxed, Duke himself comes down the stairs in his sleeping clothes, yawning.

"Duke, you're supposed to sleep."

"Sorry, sorry, apparently family drama is happening, and they needed more support." He jerks his hand towards the gaggle of vigilante children(1)/teens/one adult that is only an adult because of age laws.

Bruce suppresses a sigh.

There's a giggle to the side which gathers the attention of everyone.

Around the same height of damian, slightly thinner, is the teen B rescued not long ago. And who should not be awake either.

Alfred gives a smile, arm out stretched to support him on his way to the batclan, eyening his form with tapt attention.

"Batsy!" Ignoring the snorts and coos, Bruce nods back.

"Danny." The kid grins broadly, approaching.

He gives a wave to the other, attention solely on Bruce however.

"Is my mom coming?"

"Yes, she is on her way."

"Wonderful!"

He claps, arms bandaged to his throat, sickly pale and absolutely looking like prime adoption bait.

Cass approaches, hands ready to sign the most wnated question of everyone in the room and Bruce is already feeling the words of denial at the tip of his tongue.

'New br—'

"No."

Cass isn't backing down, expression only getting more determined.

'Honorary brother?'

He doesn't stop the sigh escaping, especially when Danny jumps up at the words with glee.

"Yes! Honorary!"

She seems very pleased with that, holding her hand out for a silent request, qnd once approved, gave a nice headpat.

"I'm actually surprised you didn't tell your kids of me, batsy." Danny side eyes the man, grinning mischievous.

"It slipped my mind."

(No, he doesn't break under the gaze of every person's disbelief stare directed at him. He stronger than that.)

(B did avoid meeting anyone's eyes tho.)

"Wait, so who is the moth—"

A green portal opens in the middle of the cave, and it has the most tense and drawing weapons.

Wonder woman stepped through.

"That answers my question then."

"Mom!"

Diana swooped him up, holding him closer and ducking her head into his black hair.

The Lady peers up at Bruce with a smile. "Thank you."

Her attention shifts to the child. "Frostbite will be expecting us, are you doing good enough to walk or should I–"

"I'm okay! I can walk!" Danny puffs his chest to prove it, giving her a reassuring smile.

Diana's brows knit together in worry. "Very well." She accepts, reluctant. She leads him to the still open veil of green, nodding towards pennyworth and both bid their goodbyes.

For now that is.

The portal closes.

"So, how were we originally supposed to know about Diana having a son??"

"HIS MOM IS WONDER WOMAN????"

"I'm so glad this isn't another adoptive brother. Honorary is good enough."

"HOW COULD YOU KEEP THIS FROM US, B!!!"

"Does that mean we have a miniature Trinity of the originals?"

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[sysig]

Puts the “plates” in “Fellplates” (Patreon)

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[triija]

there's a vague overarching theme here i think

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[tytoalbatross]

god damn i do not post often but can i talk about intentionality for a second?? one second please

i'm gonna be talking about bg3 but this really applies to any fandom space. people will, surface-level, agree that a Black character is not getting enough content compared to their white counterparts because it's. obvious . take wyll, who is several hours behind on voiced lines compared to other origins despite being one of the original five (before they added karlach and whiteified her too but that's another post). it's hard to deny cold hard facts

but then instead of engaging in content that uplifts Black characters and creators, they'll go right back to pumping out more and more content of just their white faves. on its own, it's not actively harmful, but here's what the implication is, whether they acknowledge it or not: yes wyll has less in-game content, yes his writing didn't get the attention it deserved, therefore i don't like him as much. it only perpetuates wyll's lack of content by contributing to his sidelining in fandom spaces

what i would love for fans who claim to be allies to do is to step out of the comfort zone of their initial favorites (which can, in fact, be biased!) and start pursuing content centering Black characters with intentionality. like all things, anti-racism (actively pushing back against racism rather than simply "Not Being Racist") takes practice and effort. you can't really agree with us that wyll needs more content, then in the same breath say that it's because of that that he's not interesting to you . the point was right in front of you doing a jig and you still missed it

[corrodedcoughin]

little story about little Eddie and his 2 new friends | word count approx 2.5k | general audience rating | steve and eddie are kids and Wayne is a pushover

Wayne sometimes thinks it was a mistake, not taking in the boy. God no, he would never think of Eddie as anything other than an important and intrinsic part of his life, couldn't be without him, wouldn't want to be. 

No, what Wayne worries about is how his readiness to help Eddie feel loved might contribute to the boy's difficulty in making friends.

It was an innocent enough request, Eddie asked for a pet as all young children do. He was so small and so wide eyed, just a scrap of an 8 year old with more feelings than he knew what to do with. Wayne knew he'd never hold up against any request Eddie made but he liked to pretend to himself that he could. And while technically he never pandered to the boy, yes Eddie usually got what he wanted but in a way that suited their means. Or so Wayne tells himself. 

8 year old Eddie asked for a pet and a pet is what he got.

-

Eddie barrelled into the trailer door, backpack swinging off his arm and ready to be thrown into the corner. Planning to shoot off back out the door to do his usual; lift up rocks and inspect whatever bugs he could find, to grab sticks and imagine them as wizard staffs, to let his imagination finally run wild after hours of sitting still at a desk under too bright lights and too busy class rooms. In truth he wasn't really paying attention to the insides of the trailer, expecting it to be the same as always. It took a very pointed cough for Eddie to register that Wayne was unusually home from work, far earlier than normal, and a further loud clearing of the throat for Eddie to pay attention to what Wayne had placed on the kitchen table. 

Right in the middle of the table, sitting in a beam of sunlight, was a cage and in that cage was what would soon become, Eddie's very reason for being. He crept up close, almost as if scared that any sudden movements would prove the whole thing to be a cruel illusion. He was brought out of his reverie by a pink nose wiggling at the bars, whiskers attached and twitching as the rest of the rat appeared.

'is he-? is he for real?' Eddie said with a gasp, hands inching towards the door of the cage. 

Wayne had to suppress a laugh, trust this boy to be bowled over in wonder at a rat as if it were a puppy. He opened the contraption of the enclosure door and dipped his hand inside, allowing the rat to climb onto his palm. The guy from work assured him that this one was the most tame he had, inquisitive to a fault and oddly enough, desperate to be handled. Quite honestly, the perfect match for his well meaning but excitable nephew-near-enough-son. 

'Yeah, yeah kid it's for real. And he's a she.' Wayne lets the rat sniff at Eddie's hands, little pink hands finding a platform on Eddie's palms, clearly holding himself a still as possible but if Wayne knew this boy, and he did, he knows that Eddie is so close to vibrating out of his skin, that containing that much excitement must be killing him. 

'I don't care. Wayne, I don't! Can she sleep in my room? Does she know tricks? Can I teach her? What does she like? Can I take her to school? Please! Wayne!' He's started now, words pouring out of his mouth, tripping over himself to try and release every thought entering his brain at lightning speed.

'Woah, there' Wayne says pulling the rat up, cradling it in two hands, 'We got to be kind to her alright? She's only small. Doesn't know what loud noises are good and which are bad, okay?' He watches as Eddie nods vigorously, eyes never leaving the creature. 'Now you promised me you'd look after a pet so that's what's going to happen. She is your responsibility. That means cleaning, feeding and loving, got it?' Eddie nods again, tentatively reaching his hands up, the image of Oliver Twist springs to Wayne's mind. 

Wayne comes around the kitchen table, crouches down to Eddie on creaky knees and hands the rat over, filling Eddie's small hands with a heartbeat and fur. Eddie giggles, watching as the rat surveils the new patch of skin its found itself on. 

'Tickles, Wayne' and its said with such love and devotion Wayne almost feels his heart break 

'Yeah son. She does, doesn't she?' 

-

 Of course it takes less than a week and Eddie and Sam are inseparable. As soon as Eddie gets home he's itching for his furry friend, delighting in the way she scampers around the room, over his arms and anywhere she can get. No matter what though, she always comes back to him. She can be digging in to a particularly interesting crevice behind the couch but she'll always come running back when she hears Eddie make a noise.  

The thing is, Eddie is a pretty lonely kid. Not for lack of trying, don't get it wrong. Eddie tries to socialise he tries to talk to the other kids in his class, get them involved in his imaginary games and play pretend but being the new kid doesn't really do him any favours. Being the new kid that lives in the trailer park and a penchant for biting to show affection does him even less. 

To Eddie, its him and Sam against the world. He can come home and know that his best friend will listen to all his problems, will stay close and won't run away even when he's extra loud or being 'a lot' as his teacher like to tell him. He's so tired of being told to use his 'quiet hands', his 'inside voice' and every other subdued phrase they try to press on him. 

This particular day was a hard one, Sally Winters had said that Eddie was 'bad luck' and the word quickly spread around by recess. Eddie had thought he was making some progress with a couple of kids from the class, was thinking today might be the day that he finally got asked to play but that hope quickly got squashed. He had hopped up to the potential friends with a stick in his hand and a notion of being a pirate when they both looked at him like he was a monster, they couldn't get away fast enough. And Eddie couldn't find a place to hide quick enough before the fat and heavy tears fell from his eyes. 

It was a long day and home time was his only saving grace. 

Wayne knows somethings up, can tell in the way that Eddie isn't even really talking to Sam, hardly looking at the Tv despite the fact that Wayne very purposefully had put the cartoon Lord of the Rings movie on. The sure fire fall back he liked to keep in his back pocket. The trump card to get his kid happy. This time though? No luck. Looking at the kid makes a chasm open up in his gut, deep and full of overwhelming sadness that he just wants to stop, wants to find the solution to make this boy smile like the sun again. They don't talk much for the rest of the night but Wayne makes sure to stay close, stay awake in case he's needed. Eddie spends the time between dinner and bed sitting on the floor, side pressed up against Wayne's leg and playing fetch with bits of Wayne's whittling with Sam, not a word said. 

-

Eddie wakes up the next morning with a plan and a devil may care attitude. Oh so carefully he maintains his usual routine; says good morning to Sam, carts her around the trailer as he washes his face and wanders into the kitchen, placing her in her secondary cage so she can eat breakfast with Eddie and Wayne - Eddie was adamant that they couldn't have meals without her, 'she's part of the family!' and soft hearted fool Wayne Munson agreed and an additional cage was sourced. 

When breakfast is finished Eddie begins his usual rigmarole of dragging his feet to get out of his pjs and into his clothes, reluctant to grab his bag and go out the door. Same old protests as Wayne watches him walk out towards the school bus. 

What is a new addition to the routine though, is Sam Munson hiding up the sleeve of a school boy and about to go on a secret and very dangerous mission. A mission to survive the school day. 

Surprisingly, Eddie manages to keep Sam secret, keep her safe, the whole morning. He came prepared with snacks to make sure she was entertained and happy, he couldn't stand the thought of her being sad, her eyes get so big and her tail droops as well as her ears, it makes the whole of Eddie ache. But no, she's happy, or happy enough at least. 

So the morning goes without a hitch, Eddie making noises to cover up any squeaks and keeping a hand in his pocket to reassure Sam, stowed in the pocket of his hoodie. He knows he's seen as 'weird' so what's a few extra noises? They are let out for recess and Eddie breathes a sigh of relief, thinking this is his time to let Sam out, knowing she's desperate for some fresh air. Sure, she's peed in his hoodie pocket, but he can't really tell with it's dark colour and the layer of t-shirt between the wet material and his tummy. 

He runs off to his usual corner, stuck between a bush and a tree and gently tips Sam out of his pocket, she scampers around his feet and gratefully accepts a broken off bit of cracker between her hands.

'Thanks for coming with me Sam. Everyone is so mean, its so stupid. I don't care. You are a better friend than any of those losers' He crouches down, hoping to find a twig to play fetch with. A game that he delights in, is immeasurably proud of her for learning it so quickly. 'Gonna find you the best stick Sam. Promise. Best stick for the best friend' 

He continues muttering to himself and doesn't notice that he's getting progressively louder after finding a twig and beginning the game. Doesn't register that he's drawn unwanted attention with his happy shouts and encouragement until a body is crashing through the shrub he's hidden himself behind. 

Sam doesn't notice either until the unexpected form is right in front of her and she bolts, running as fast as her legs will carry her and Eddie is right behind her, muttering under his breath as he trips over his own feet in an attempt to catch her 'oh shit oh no oh no oh no' He's pushing himself as hard as he can but it doesn't count for much, he never was the fastest. He keeps trying though but then a faster body is accelrating past him, in a evident bee line for Sam. 

Without thinking, Eddie lets out a painful 'NO!' terrified of what might happen.

He knows people think rats are dirty, thinks they don't deserve love and don't deserve life. He doesn't want to imagine what this person's intent might be. Sam reaches a dead end up against the wall of the school and the body, the boy, stops infront of her. Scoops her up? Cradles her into his chest? Eddie...Eddie doesn't know what to think, he's prepared to fight this kid but then the boy is looking up at him with curious hazel eyes. Stroking Sam's head gently and with intent.

He holds Sam out, careful with his motions, trying to blow his brown floppy hair out of his face without disturbing the animal in his hands 'is she okay? is she yours? did I hurt her? she looks okay, is she?' Eddie gingerly steps forward and plucks Sam out of the boys hands, gives hera thorough inspection as the other boy continues 

'I didn't mean to scare her I swear! I didn't even know you had her! I won't tell, I swear I wont! You know...you shouldn't really have a rat in school. If I promise not to tell can I play with you? I'm Steve' 

Holding her close, Eddie squints at the boy, at Steve, and thinks. Thinks about how he looks nice, about how soft his hair looks and how he asked Eddie, Eddie!, to play, that he didn't give him a wide bearth and that he held Sam with such care. It isn't even a hard decision.

They spend the rest of recess together. Eddie shows Steve just how smart Sam. That she can play fetch, that she can run across one arm to the next, over your shoulders without losing balance. That she can twitch her whiskers and it seems like she's laughing at the joke Eddie tells her. That she laughs at the joke Steve tells her! Steve learns that she's named after somebody called Samwise and it doesn't matter that he's a boy because Sam is brave just like Samwise and smart and cares just as much. That Sam is Sam and Eddie is Frodo and together they can take on the world. 

Steve asks if he can have a name too and Eddie calls him Legolas, doesn't tell him why. Doesn't say that Steve reminds him of the pretty elves described in the books Wayne reads out loud to Eddie. It doesn't matter, not really. 

Recess ends and they shuffle back to the school doors, both of them lagging behind the others.

Eddie steels himself, knows he has to bring his misfortune up so that he can own in, so that his new friend doesn't find out from someone else. 'I'm bad luck you know. Sally...she said it. now everyone wont talk to me. I wont be mad if you don't either. I've got Sam. We'll be oaky! So you can just go, I don't care!' He knows he's getting wound up, he can't stop himself. He just wants the bandaid ripped off so he can start feeling sad quicker, get it over with sooner.

Before he can register is, Steve is wrapped around Eddie in a flash of a hug, careful to keep his tummy away from squashing Sam. 

'Not bad luck to me. See you tomorrow Frodo' Steve whispers next to Eddie's ear and shuffles through the school door. 

Eddie is in a daze of joy and happiness, thoughts rumbling through his head but none of them sticking as he journey back into his class room. Pure happiness radiating out of his body, he takes Sam out of his pocket and holds her up to his face 'Sam you made my bad luck go away!' kissing her on the forehead as he hears his teacher scream 

'EDWARD MUNSON IS THAT A RAT?!'

-

So Wayne thought the already unpopular kid having a rat would make things worse. Turns out, he was wrong. Very, very wrong. He might have to start pocket inspections before school though.

--------------------------------------

also on ao3 if that's the preferred reading format for you

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[juchily]

caitlyn try not to become a dictator, engage in chemical warfare and engage in police brutality challenge:

[mars-ipan]

Hi, it's me again. I decided to follow your advice and try to seek out your 'actually serious' analysis, which led me to your komahina bible, the most easy to find compilation of this supposed analysis. Here are my thoughts-

1) Overview

- Most of this 'analysis' isn't analysis but a summary/overview of the game. It's not so much a 'bible' as a children's book summary of the bible, which at that point it would be better to play the actual game itself. It's clear it was made for a presentation on the 'uninitiated' if you will, but if that's the case, you shouldn't be advertising it as the literal bible on the subject.

- When you are not regurgitating points from the game beat by beat, the screen is halfway filled with either manga panels or fanart. My gripes with manga panels are, that even though they do depict the events of the game, the way they can be depicted by the artist can be pretty subjective due to the freedom of the medium in comparison to sprites, and that the role of one character can differ depending on whose pov manga it is (chiaki vs nagito). Fan art therefore should be scrutinized even more since it fully depicts abstracted and even the fandomified version of events, leading to situations where it's either unclear what is actually happening or betrays your more shallow view of the characters (i talk abt this later.)

- When you do use pictures directly from the game it's either a possible screenshot from a memorable moment or dialog from the wiki, limited almost exclusively to the freetime events. This leads me to believe that you haven't actually played the game(there are other factors hinting towards this) or watched a Let's Play of it, but going off of merely information that's already widely known and circulating within the fandom, and easy to search on the wiki.

2) Incorrect/Questionable information

Here I'll compile a lot of information that's either plainly wrong or baffling to having come to that conclusion , leading more credence to the theory that you either haven't actually played the game or your memory of it isnt as good as you think.

-"if Nagito's plan went off of without a hitch, he would have killed anyone that was closes to him at the time" plainly wrong. Komaeda's goal from the start was to make himself the victim, so by dying this way his death could have meaning and help the others. For somebody that keeps talking about Komaeda's "Martyr complex" this is truly a weird take to have.

-"Nagito...got the nurse for sure sick" is there any proof that specifically points to Komaeda for this? I believe the takeaway should've been that Mikan got sick because she was around all of them AND she overworked herself trying to take care of them. Is this just an awkwardly phrased attempt to make more of a connection between Tsumiki and Komaeda? I don't think you needed more than the ones that already existed.

- "he helps Junko brainwash a bunch of students" Kamukura at neither point in the anime or Danganronpa 0 was ever specifically implicated in the brainwashing. He never 'helps' Junko, especially in that way. If you meant, participates in the student council killing game, you should've said that, but even then his agency and influence is limited.

-"they found the Remnants and captured them!"...no, they didn't. The Remnants presented themselves as survivors and the Foundation took them in. They handed themselves over willingly. It was a pretty big piece of the final part of the game...

3) Komaeda and Komahina

- "Nagito's habit of putting people on pedestals" Where. Sure, he certainly parrots the belief that the "Ultimates" as a unit are at the top of the food chain and should be prioritised, but its clear that doesn't exactly carry over to his classmates like teruteru, Kuzuryu and even Souda sometimes. Just because of a few positive comments refering to them as Ultimates and the trial which he literally breaks down in, this is a hard position to support.

-"Nagito manipulates Hajime into playing the game" How. He literally just told him to play it. How is that manipulation. Also, isn't it a bit unfair to put the blame on Koizumi's death to him as well? I think they were multiple factors playing into this, but sure, how else are you gonna convince people that Komaeda is a twisted fucking cyclepath that loves leading people to their deaths.

-The way that you say the Kuzuryu/Pekoyama relationship mirrors Komahina as 'I will give up my agency for you/ I just want you' is also confusing. Unless of course you mirror Peko's struggle with her agency and harmful beliefs the clan enforced on her with Komaeda's own belief system, in which case, idk man, i feel like you are giving a bit too much credit to the supposed severity of Komaeda's views and trying too hard to make Hinata the 'rational' and 'grounding' one in the relationship.

- Again, the amount of times you refer to Komaeda as a freak for doing something 'weird' or even being drawn weirdly doing it , mostly in the manga, makes me belief this isn't just an affectionate tongue in cheek joke as you claim, but an actual way in which your interpretation of Komaeda is colored.

-"it doesn't excuse his nonchalance towards tragedy and murder but explains it" what needs to be excused here exactly? Komaeda doesn't need to immediately bawl his eyes out when someone gets killed or else he's suspicious and...bad? I am confused with what you mean by this. If you mean that Komeada shouldn't be so nonchalant about murder because he's constantly trying to kill someone else, that is plainly incorrect and i explained above why.

-Posturing about Komaeda's 'black and white thinking' while in the next exact slide you show fanart of him smugly explaining he has Borderline. First, i want you to explain to me the black and white thinking in a way that isn't "oh, the friends and classmates i previously liked turned out to be fucking terrorists". I think that's a pretty justifiable situation for your thinking to go from white to black. Also, if that is enough credence to assign Komaeda BPD, you really don't know how BPD works, especially since you assigned it to the one character you constantly talk about being a freak (and also lust...pseudo lust? after).

- The insistence with Hinata not really understanding Komaeda and running away, even if he wants to understands him is pretty suspect, especially when compared to the game. Hinata is confused and overwhelmed yes, but it's not just that he wants to understand Komaeda but that he still feels fondness for him, he still follows his advice and puts his faith in him and the way he mourns him in Chapter 5 is also pretty indicative of this. It's just another part in the pattern in you making Hinata the confused, rational, 'morally pure' man that's 'tempted' by 'corrupted' manic pixie mentally ill demon Komaeda. Something tells me your priest AU isn't so much playing with dolls as much as...what you actually believe these characters dynamic is.

- The whole page where Servant is basically made into a joke about how hot and sexy and freaky he is doesn't help your point either.

-The most damning evidence of course is a drawing in the second to last slide, wherein Komaeda is supposed to be analogous to 'guy who has something wrong with him' (distorted, freak, mentally ill) and Hinata is analogous to the guy that 'is the only one that understands them' (the rational one, the relationship of understanding doesn't go both ways).

- Your slide with sources is pretty vague and unclear. Also the way that you credit "Your superior mind" before the game itself when all you've been doing is repeating and misinterpreting the plot of the game is ...ironic

So yeah, that's all I got. Feel free to 'debunk' my observations as much as you please, I just want to know if there's actual basis behind everything you just said or I should go digging for 'the actual serious analysis' yet again.

i think you forgot that fandom is meant to be fun

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits