paramount and spyglass are trying so hard right now to save face because jenna ortega rightfully left the scream franchise after they fired melissa for supprting palestine. nobody is dumb enough to believe the excuse that it’s a scheduling conflict hours after rumors she was trying to get out of her contract cause she was pissed. i’m very thankful that jenna is risking her career and using her position to do the right thing. she’s been outspoken about palestine for years now. i hope this begins a trend of zionist losing money for their support and complacency with an active genocide
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Ok so you know how back in the 2000s there were a few jokes about Cass's gender likely because male comic book writers thought it was funny she had muscles? I'm taking that and spinning it to villains genuinely being confused about what to refer to Cass as.
Goon 1: Cmon man she's obviously called Batgirl
Goon 2: Well last month I told him he wasn't Batman and all he said was "Try me."
Goon 1: Have you heard them speak?
Goon 2: Yep. Pure gravel. You really swear that's definitely a girl's voice?
Goon 1: Has anyone ever gotten a good luck at her?
Goon 2: At Batman's stealthier, faster shadow? Come on Doug.
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1 week later
Goon 1: Jerry you're not gonna believe this. The little Bat saved me from getting my brains blown out by Penguin.
Goon 2: Oh nice! Glad you're still-
Goon 1: I asked them what their pronouns were.
Goon 2:
Goon 1:... And they said "Bat"
Goon 2: Well that settles that then. Why are you still referring to bat as they? You want bat to beat you up next time bat sees you?
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1 month later
Cass: At first I was confused why villains I save keep complimenting me on my nonbinary swagger. But after Duke explained what that meant... I think I kind of like it. Babs am I... Nonbinary?
Babs, frantically tossing aside her prepared 10 point acceptance speech for when your daughter realises she's a lesbian and scouring her database in search of parenting guides for nonbinary adult children: Honey, you can be whatever you want to be
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i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking......to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that........when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!
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writing advice: every chapter should have something that makes you, a sicko, say yeesss… hahaha… yeeesss!!! and it doesn’t quite matter what you are a sicko about but it’ll be hard to get through the chapter if nothing makes you press your face into the window
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