#so it’s still a pretty solid story for what it is

[artificiallita]

i got bit by the butch wolverine bug and trust me im in lov w her BUT have we considered futch deadpool???

(headcanons and upcoming fic snippets under the cut)

working on a big silly fanfic about this hot mess boinking logan in the odyssey. here’s some headcanons while the story finishes cooking.

- so. kept her first name as wade. i’ve seen a few alt names floating around for f!deadpool (big love for the winnies, winonas, and wandas of the ladypool extended universe) but genderfuck ‘not rlly a name’ just fits my vision for her. her parents were weird idk.

- deadpool is a woman in all variants except one in my personal headcanon. he is called dudepool. also her corresponding nicepool is male gaze-ified pre-mutation wade. she’s bleach blonde and her suit has a titty window.

- ex special forces turned mercenary whose life shit the bed when she was diagnosed with cancer. tried to be proactive about it long enough to get a mastectomy, then found out said cancer was pretty much everywhere else, and we know the story from there. since this predates her healing factor, she’s permanently single-boobed. has padding in her suit to even her out since it doesn’t leave a whole lot to the imagination, wears big t-shirts and ignores it in her civilian life.

- bisexual disaster zone. spent many years in a very happy and deeply perverted relationship with a male stripper named van carlysle, until that went down the toilet. a solid 70% of the casual sex she has is with women.

- dresses like the shitshow nightmare we know and love, loves an awful t shirt and a pair of crocs. put little to no effort into her appearance pre-mutation and that hasn’t really changed, had a brief phase of screwing around with makeup and wigs and then decided it was basically - to use a line of internal monologue from the pending fic - rolling a turd in glitter.

- speaking of, has a real complex about the changes to the way people perceive her post-mutation, namely that they seem to find her super fucking irritating and odd in a way that they very much Didn’t when she was still conventionally hot. between her military background and the general company she keeps, she’s quite often the only woman in her circles, and has always been a dysfunctional mess of adhd and unfiltered word-vomit, but that was generally read as mpdg ‘cool girl’ behaviour prior to her transformation, and now people seem to just think she’s a lunatic. less ‘oh god im hideous’, although she *absolutely* has those moments too, more ‘oh god everyone i know has thought i was a weird pain in the ass this entire time and only tolerated me because they wanted to fuck me’

- wears a lot of poorly applied eyeliner and purposely sleeps in it because she thinks it looks cool. it does not.

- had absolutely zero plans to snitch to cassandra about johnny’s rant, right up until the ‘bald hell’ line. she took that shit personally (almost definitely didn’t need to but whatever. i support women’s wrongs.)

and some snippets from the fic, all of which are me wade objectifying logan. technically spoilers but also what else did anyone expect

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[the-algebra-thing]

the misogyny deal that I'm hearing about with the lesbian ship being endgame and everybody now discarding them and being more invested in the straight ship or the gay one is like. god like i get it I do. it is tragic it feels wrong. it's so fucked up that everyone is going utterly insane over jayvik and caitvi is kinda in the dust. we literally scored a show with a central lesbian relationship that is fully canon and in theory this should be insane and awesome, and in some ways it is, but it's somehow not nearly as exciting as it was supposed to be. and I don't think the misogyny is completely on the viewers, if at all.

the reason that people are not as invested in it now as they were in season one is because the writing ended up accomplishing basically nothing solid in the whole damn show, and there were no through lines to latch onto that had meaningful or new themes attached, and so now everybody is flailing for anything to grasp onto. and they just didn't write caitvi in season 2 to be a good handhold. they started a lot of cool things with them and then changed direction in the middle, maybe even several times, and I also feel like the fuckass end to jinx's storyline and involvement (which I have plenty of thoughts about that I shan't get into here) kind of wrecked anything they would've been able to salvage from it. it just wasn't written in a way that is easy to parse or navigate—the ship OR the show in its entirety.

and so people are reaching for the easiest things to latch onto: timebomb had a simple, straightforward storyline and tragic ending, and it was pretty cute I guess. jayvik had one of the most central storylines to the narrative, was supremely gay, and did the howl's moving castle thing. I'm sure you can see which of the camps I'm closer to LMAO but like. caitlyn and vi DID have lesbian sex in a prison cell and I think that was very important, and they had some other concrete things going for them, but beyond that?? they're still alive and together but now they're kind of physically and mentally destroyed, and grieving, and for what. what was their story even about. what was the theme here; what were we trying to say with this. that oppressed people and cops can get married to each other and we should be happy about it?? like I dont get it; it didn't DO anything. and that's why it's falling into the background. and that's not on shippers or any of us, that's on the writers, for failing lesbians Again.

a theme isn't just a word or a statement. you've got to say something new, or say something old in a new way, or point out something new in something old. none of those things happened. they just threw some characters onscreen and some of them had very meaningful relationships, but because those relationships weren't tethered securely to one of these things, they didn't stick. vi and caitlyn had nothing to stick to. I don't like it either but I think that's why this is happening. the idea about lesbians getting trampled on is still relevant, I just wouldn't blame each other so readily

[michi-chelle]

i did it 🥹

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[artsycooky13]

top 3 fave bbys in the burrito show (bonus SUPER LONG tags on how i feel bout the characters)

[ravenwolfie97]

all pokemon games are good but they are not all equally as good

send post

[ssluggishh]

finished shadow gens. what the fuck man

[mochinon-yah]

I think i'm just full of repressed aggression, and it's all slowly seeping out every time i interact with the world

[ofcowardiceandkings]

the sinus headaches are already not great but Extra Shit has been added to the pile and im just sat on that right now trying to figure out what the fuck to do

[nellandvoid]

oh goodness i just realized that with 46*| there’s gonna be a parallel mabel and dipper,,,,,,,, and a parallel soos and wendy,,,,,,,, oh my goodness the angst between these people and parallel stan, ford, and fidds,,,,,,,,,,,,

[dear-mi]

The next character that's been developed is a palock named Kirill, oath of redemption and hexblade.

Kirill grew up in the northern part of the forest as a member of the Ulise tribe. Their mother is actually a huntress from the Vade tribe, and raised him to be a hunter as well. During one of his outings, he and his hunting group come across a member of the Wemm tribe fighting a massive collapsal.

Kirill runs away into the mountains, and the rest of his group, including his younger brother, is killed.

While in the mountains he comes across a cave to take shelter in during a blizzard. The cave is oddly covered in thorny vines that all sink deeper into the cave. At the end of the cave he finds a door, being held up by the vines. Here he has three options: tear down the vines to tear the door down, place his hands in two grooves on the door to give a blood offering, or mend the broken key in the door's lock.

Depending on which he chooses will drastically change his character's trajectory.

After stepping through the door his mind is flooded with fake memories of doing the other two options he didn't take, so that he doesn't remember which one he chose.

In the room beyond the door is a battle axe, made of a pale, calm gold, and adorned with thorns. Upon taking the axe, he will get a vision depending on which option he chose

- Key: All the tribes of Ursa united as an army, ready to stand against something hidden behind the blanket of snow, deep within a heavy blizzard, that lets out a bellowing roar.

- Blood: A large ring standing at the end of the world, and at its base is a single entity, cloaked entirely in a black mist that stains the falling snow.

- Vines: Looking from the top of the tallest mountain peak in Ursa, through a heavy blizzard, a bright blue light can be seen in the distance, its pure light cutting through the veil of falling slow, as something starts to wake up.

To explain these, at the beginning of the world's creation it was inhabited by creatures known as Pharmune. Pharmunes were essentially God like beings, with innate powers beyond anything that could be naturally produced.

Of course they weren't actual Gods, the only of which being Keter, the Morning Star, and Keira.

The largest of the Pharmune was a bear at the North Pole. A bear so large that all other creatures simply looked like ants to it, and so it grew lonely. The only other creatures it could interact with were the other Pharmune, however they all kept their distance.

One day, the great bear wished upon a falling star. This star gave the bear an offer. If the bear would eat the star, it would send it into a deep slumber, of which it would dream of all it could ever want, and when it awoke its dreams would become true, and there would be an existence that could know it.

This star was Abbadon, the archdemon of the abyss, and the star that grants wishes.

The bear accepts the offer, and falls into a deep slumber. Overtime, waves crash over it, and sediment gathers on its sleeping body, and it upholds the lands that would become the nation of Ursa.

Fun fact, it's the bear's heaving stomach that causes the tide, and additionally is the cultural reason why people wish upon a star.

Either way, this story has many lore implications. The bear did not actually eat Abbadon, but it gave Abbadon a huge surge of energy. With this natural magic of the bear paired with Abbadon's own already very large magic pool, Abbadon was able to create a plane to escape to and avoid the Probability. Because of this expense of energy, the great bear fell into a deep coma.

So, what's this mean for Kirill? Well, the axe he finds, named Lavinia, beckons him to unite the tribes of Ursa.

If the Key is chosen, it is an omen that the tribes will unite under a major threat. That threat being the descent of Abbadon, which can happen in more ways than just through Nyx.

If the blood is chosen, it is an omen that the tribes will be overrun by the demons, and Kirill will become a collapsal himself.

If the vines are chosen, it is an omen that the great bear is waking up.

United in blood, united in death, or united in heritage. The oath of redemption comes in as his oath to unite the tribes under a different path in order to avoid these omens of complete annihilation. The main way to do this is by finding and gaining the aid of the Wemm tribe that has been lost for 200 years, but he knows they still exist considering the one he saw fighting five minutes ago approaches him in the cave.

He gives some ominous cryptic message to hint that Lavinia is the wish of the great bear, and the remains of Abbadon's time as a star before he became the archdemon of the abyss. Of course he doesn't say that outright. After this he returns to his village to find them about to execute a child, and part of that redemption oath kicks in.

Now, Lavinia is a very special weapon, and it will grow as the player grows. At certain intervals its natural magic power will increase, and additionally should Kirill ever break his oath, it will take on that instead. Due to the nuance of his oath, as opposed to breaking his oath, Lavinia will actually take on an oath, and grant him an additional aura. This is in order to make his oath fit the nuance of his goal.

So he will additionally receive one of the following, the aura of: oath of ancients, oath of treachery, or oath of oathbreaker. Each one of these three is also tied to one of the three ways of opening the door at the beginning, and will aid in swaying his path one way or the other.

I know it's broken to give a paladin two aura effects but shush, rule of cool this time.

Each time one of the omens is successfully avoided, Lavinia will receive an additional effect, each tied to one of the paths. When the omen he was destined to see is successfully avoided, that additional effect with be leveled up.

[foldingfittedsheets]

One of the most memorable speeches I've ever heard was given at my beloved's graduation. They attended a pretty crunchy school natural medicine. They went for acupuncture but they also had many degrees including nutrition, naturopathic medicine, and most importantly to this story: midwifery.

The common consensus across campus was that the midwives operated on their own frequency which is a nice way to say they were usually really weird, even by the standards of a pretty alternative crowd of people. Not weird in a bad way. But weird nonetheless. They straddled the boundary between life and death and it changed them.

I had never experienced a midwife before the ceremony which is why I didn't think anything of the fact that a midwife stepped up to give the graduation speech. My friends nearby had a stir of repressed amusement and elbowing each other which did puzzle me slightly.

The speech began as a story, which I heartily approved of. The midwife related an experience in which a woman told her that during her first birth she had screamed too much and used up her energy in that instead of pushing and the midwife, to the collective masses assembled to watch a solemn ceremony, said, "I told her this time she would need to scream with her vagina."

The audience was slightly stunned by this, myself included. I scanned the crowd to see dropped jaws and wide eyes. It was such a bold statement to make in an academic setting and no one quite knew what to make of it.

The midwife continued unperturbed.

She related that many dads didn't know what to do during the birthing process and that this particular dad chose to chant over and over, "You're gonna be huge, you're gonna be huge," as his wife screamed with her vagina to birth their child. The midwife mused that she didn't know if he was talking to their child or his wife or if he even registered what he was saying in that moment.

Then the subject strayed toward how the student body had strained and striven toward this goal, this endgame that was the result of sleepless nights, hard work, and camaraderie. The speech seemed to have moved onto more solid ground and traditional graduation reminiscences. The crowd settled, thinking the worst had passed.

But as the midwife wrapped up she said, "As you go forth into the world, pushed out by this noble institution to help the masses, just remember one thing," she paused and the audience held their breath while the beat drew out before she finally whispered:

"You're gonna be huge."

There was a roar of astonished laughter as her speech neatly tied their graduation into a metaphor for being birthed unto the world and we finally understood the point of her anecdote.

The speech lives in infamy in all our collective memories. Years later my beloved's dad will still be like, "Remember that bizarre graduation speech?"

And it was. It was bizarre. But I'll say this. I've attended a lot of graduations, and I don't remember any of the speeches half so well as I do that one.

[notquitecanon]

Keep talking // Simon “Ghost” Riley x reader

Summary: Simon really likes your new sundress AND wants to hear about your day. These things can coexist

Tags: established relationship, pretty domestic, yapper wife x silent husband, sunshine x grumpy kinda??? Whatever tropes the kids are saying these days suggestive but not NSFT, dumbification if you really squint, husband Simon Riley, pg-13 at worst

—

Simon was staring at you. Intensely. Him staring wasn’t exactly a new thing, he was a silent creature by nature. He watched, he listened. Especially to you. He loved listening to you.

You’d barely noticed his intense gaze as you flitted about the kitchen of your shared home, putting away the things you’d bought while you’d been out, all the while chittering on about your day, the people you talked to, the things you’d seen, things you’d bought, things you’d almost bought, things you didn’t buy, what you had for lunch, what you were thinking for dinner… And Simon listened like always, absorbing your presence like a plant absorbs sunlight.

Anyone else would have been cowed under the weight of his stare, but not you. Not only were you used to it, you loved having his attention. Every now and then you’d offer him a sweet smile when you looked to him or press a kiss to his cheek or jaw or wherever you could reach easiest as you’d squeeze past where he was leaning against the kitchen counter, absolutely dwarfing the appliances. His face gave away nothing, it never did so you kept talking- yapping, you’d call it jokingly.

“Anyways, that’s when I told her-“

“New dress, love?”

His interruption cut you off. You set down the purse you were unpacking and looked to him as you trailed off.

“Hm?”

Simon kicked off the counter, closing the short distance. It was then you noticed that his eyes weren’t on your face or eyes or even lips, but instead tracing the line of the strap laying on your shoulder.

“‘aven’t seen that one. Is it new?” His eyes roamed to the skirt where his fingers had caught a sliver of the bow in the back, “Soft.”

You cleared your throat as you turned around to face him, “I got it a few weeks ago, since it’s getting hotter, sun dress season and all, but it might be a little much for running around town…guess you haven’t seen it though-“

You cut yourself off again when you felt the tension in the tied back slack. The snapped your eyes to Simon, realizing he hadn’t dropped the bow’s string as you turned.

“I’d remember this one, lovie.” He was still gazing at the hem line appreciatively, where the delicate pattern you loved so much revealed your thighs.

“Well, then it’s new to you.” Your voice was quieter now that you’d realized the specific intensity in his gaze. Simon grunted in response, his large calloused hands resting at your hips. You could feel the roughness and warmth through the thin summer fabric.

“You were saying?” He reminded you with a slight smirk, knowing he’d derailed your train of thought. Cheeky bastard.

“Oh, uh,” You started again, preoccupied with the little circles he was rubbing on your hips, “I told her that, well, that-“

Simon nodded along to your barely coherent dialogue, as if he was listening to a TED talk. Heat was rising up your chest and neck as the solider kept getting closer until your chests were basically flush and your legs were interlocked, your chatting was only slightly better than babbling but you continued choking through your story. Even when he’d slowly moved you backwards so that you were the one pressed against the counter. You hadn’t realized you stopped once again until his brows raised, “that all?”

“Si-“ You all but whined, sharply gasping when he suddenly and effortlessly lifted you unto the kitchen counter, the stone counter chilling the backs of your thighs. Even sat on the tall counters, you still only came up to his broad chest, “We have your friends coming later-“

“And I cleaned up the yard just like you asked, love. Wearing this dress tonight?” Simon questioned gruffly, brushing a kiss first across the top of your head and then leaning down to dust a trail of kisses down your neck.

“What? Probably- but” you stuttered, the heat of his breath making it hard to track the different tracks of conversation.

“Good, does this come in any other colors?” His questions almost fell on deaf ears as he brushed the straps off your shoulders so he could continue his path down your chest. The hands on your hips had traveled first to your knees and were slowly hiking the hemline of your dress up. He paused when you didn’t answer, cutting those sharp eyes up to yours, squeezing your thigh to get your focus back on him and not just his hands. You hummed in confusion, “colors, love?”

“Oh, uh, a couple I think,” you nodded as the squeeze to your thigh turned to a kneading moving further up, “I wanted to try one, but it was hard to decide-“

Simon was sinking to his knees in front of you, never breaking eye contact, “Keep talking, love. I’m listening.”

Simon was a hard man to say no to, so you kept talking. Jumping from thought to thought as they became fewer and farther between, a hand in his hair to ground yourself as he’d offer questions from between your legs until you could no longer say anything but his name.

___

I wrote this in 20 minutes on an airplane. It’s not proofread nor is it really in character. First time writing for COD but hopefully not the last… we shall see where the hyperfixation takes me

[justanotherbirdbrain-blog]

Geology of Natural Disasters and How to write them into your fictional universe.

So, you want to write about a natural disaster to advance your plot and torture your players/characters even more? Let me tell you how, accurately.

I feel like unless it is a volcano, natural disasters are a pretty slept on plot drivers, and some of them are really cool and unique! Today, I will talk to you about land slides, earthquakes (And earthquake related disasters), and volcanoes.

Landslides: Probably one I see the least in stories, but one that would be incredibly interesting to write into a plot where they believe in curses. Landslides can happen along ocean bluffs, slightly hilly areas, and highly mountainous areas, this means it is something that can happen in most landscapes. But what can trigger a landslide? Mostly all you need to trigger a landslide could be just abnormally large amounts of rain, excessive deforestation (with a little bit of rain), or an earthquake. If you don't want to use deforestation or an earthquake as a catalyst, a really cool indicator that the land is slipping and may be prone to a collapse is J hooked trees.

This indicates that there is soil creeping slowly over time, and it may lead to a major landslide.

2. Earthquakes: Probably one of the easiest things to write, earthquakes can happen anywhere, but they are most common in places that are tectonically active areas. There are about three types of environments you can expect earthquakes to be common. The first is just rugged mountains, if your landscape looks like this, you should write in earthquakes. Associated hazards could be landslides, avalanches, and large falling rocks.

The next landscape could be a thin mountain range, next to the ocean, very scenic, but very dangerous. Essentially, I am describing a subduction zone environment.

Earthquakes in these areas could equal a couple different associated disasters. Scenario one: A very large earthquake happens, and the ocean begins to recede. This is a tsunami, enough said. If you are writing a tsunami though, please, please, do not write it as a large wave, thank you. Also, a common way people are hurt by tsunami's are from them going into the ocean because they don't understand a tsunami is going to happen.

Scenario two: A large earthquake happens, your characters are in a valley and suddenly the ground begins to liquify as the ground shakes, once the shaking stops, the ground becomes solid like nothing ever happened, except everything has suddenly sunk into the now hard ground. This is called liquefaction and it typically happens in areas that have loose dirt or lots of saturated soil.

Scenario three: There are a lot of small earthquakes, they do not cause a lot of damage, but you begin to notice that one of the isolated mountains has a plume rising. Earthquakes can indicate lava moving underground and the filling of magma chambers.

The next environment that can host lots of earthquakes would be regions that have a lot of really deep valleys and small mountain ranges (not cone volcanoes), but overall seems pretty flat.

This indicates a transform fault like the San Andreas. If you want to hint at there being earthquakes in the area, you can show fence posts that are suddenly several feet out of line at a dilapidated farm or something similar.

(These earthquakes are different because they are cased from sideways movement, not an up-and-down movement this hint can only be used for this environment). Volcanoes would not be found here, but liquefaction and landslides could still occur here.

4. Volcanoes: If you thought earthquakes had a lot of information, volcanoes do too. First you have to ask yourself, what kind of volcano you want to have, what kind of eruption style? So lets break down the kind of eruptions you can have and what their landscapes look like. Hawaiian Shield volcano: This will produce a smooth fast lava, the landscape typically is pretty flat, but there will be small cones and the rocks can have a ropey or jagged texture and the rocks will be almost exclusively black to dark red.

Stratovolcanoes: These will be solitary mountains, typically, that look like perfect cones (Picture shown in earthquake section). These will have large ash cloud eruptions and pyroclastic flows, they may have some lava, but typically most damage is done from the pyroclastic flows (think Pompeii). Some hints of these, other than describing the cone features (which can be hidden by other mountains), would be to talk about petrified wood! Trees can get fossilized in the ash and I imagine it would be very strange to find this rock that clearly looks to be a piece of wood, but its a rock. Subcategory- Calderas: Used to be a large stratovolcano, but they erupt so explosively that the entire cone collapses and creates a basin.

There are a lot of kinds of volcanoes out there, so forgive me for just putting an infographic and then talking to you about these really rare types of eruptions that I feel like people should know about.

Okay lets talk about blue lava (kind of) and black lava

You will notice the lava is still red in the middle of this image, during the day these would look like a normal eruption, but at night the burning sulfur would make it appear blue. Some cool features other than this, would be that any water in the area would become very acidic and burn the skin due to sulfuric acid. This would again be really cool if you are trying to describe a 'cursed' land.

Black lava: This happens only in the east African rift I believe, but it is a carbonatite lava, but if you are writing in a rift valley (where the continent is tearing apart to form a new ocean) this might be a cool feature. The lava will cool white and will quickly erode, it makes for a very alien landscape!

Anyway as always, this is supposed to be an introductive guide for the basics of writing geology to create cool landscapes/features into dnd or fictional universes, if you are a geologist please understand my oversimplification of tectonics, I didn't want people to run away.