#i just read a story and bro...

[mochinon-yah]

I think i'm just full of repressed aggression, and it's all slowly seeping out every time i interact with the world

[imaybe5tupid]

if you see absolutely anything that has kabru in it. And are unable to stop yourself from making it about L/abru (even when Laios doesn’t even appear or is irrelevant to the content in question!) and reduce kabrus entire deuteragonist-level character into wanting to fuck laios. I’m stealing something out of your house!!!!!

disclaimer: If you ship l/abru and gaf about kabru and don’t do this then this post isn’t about you 🤓

[frownyalfred]

desperately holding myself back from offering the sad “wouldn’t it be so cool if there was a Batman story where this specific event happened” reddit bros a pile of ao3 links where that highly specific event happens like some sort of shady drug dealer opening up a trench coat

[torchstelechos]

I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

[biblicalhorror]

Me when I don't like a movie: Ugh I can't stand when people say shit like "If you didn't like this movie, you just didn't get it." I understood it just fine. It was just a bad movie! People are so goddamn condescending.

Me reading bad reviews for Monkey Man (2024): None of you understood this movie at all actually

[monkeydlitty]

The art this chapter was so raw and almost messy, which is fantastic because I feel like it really added to the almost hopelessness of everything that has been happening to kuma.

[guest-1-2-3]

so. never consumed any mcu content whatsoever. however i have recently stumbled upon peter parker/harley keener fanfics, went down a rabbit hole, and am now obsessed with their dynamic and i realized i have just fallen into the trap of another blond + southerner + sarcastic + calls-his-boyfriend-darlin’ + infinitely supportive + big fucking nerd x incredibly traumatized + sarcastic + italian + orphan + definitely-started-saving-the-world-too-young + big fucking nerd ship. i am nothing if not predictable

[thesirenwithnovoice]

Thoughts about how different mediums of a same story may give you different views (and rambling about the Tower of Heaven)//TW: violence

Lately I've been wondering about how manga readers might have very different visions than anime watchers of a same story, because althought the plot remains the same, some little details can change our whole perception of a story.

This reminded me of the first time I read Fairy Tail and how terrified I was at how cruel and dark the Tower of Heaven's arc is.

Jellal's face (that by that time, were only an 11-years-old kid) drippling blood while being tortured shocked me so much as a kid and I still find it one of the most disturbing scenes in the manga, lol.

In the anime, the content itself is the same. We know the kids are slaves that go throught different kinds of abuse, however, I find the manga way gloomier and more graphic. And althought part of it might be just a personal opinion, it's not entirely without basis: Mashima uses different techniques in his art to represent facts whitin the story than the animators, and it leads to a topic I really love: semiotics - how we interpret images, and how detais can be used to convey a certain felling throught art.

Colors and composition helps A LOT creating an atmosphere and causing a feeling on the reader. Proportionally speaking, a manga doesn't have colors, but it has it's own alternatives - the Tower of Heaven arc, in comparison to the rest of the manga, uses a lot more black and hatching.

One can argue some scenes are still "visually darker" in the anime, since it has the advantage of being able to play with shadows and colors in a broader aspect; however, since Fairy Tail is not an anime that changes it's saturation or colour pallete, the loud colors in most scenes end up not helping building the same dreadful atmosphere.

(It doesn't mean you can't make a scary story using bright and colorful tones, tho. A great example is the movie Midsommar. But it's not an easy task!)

Erza's childhood memories in the manga also carry a "dirtier" feeling; the kids are always covered by bruises, and the background is rougher. Also, the anime chooses to represent slavery in a more fanciful way: the kids wear stylized handcuffs and are assaulted with magic attacks, what inevitably softens the scenes by distancing them from real life slavery.

In a story, an act of violence will always be more shocking if your brain is able to automatically make a connection with real life. Seeing blood conveys a feeling of disconfort easier than a character being hit by a wave of magic, even if the author tells you "this is painful"; that's why some people say they started to find difficult to watch horror movies involving kids after becoming parents, because after experenciating something in real life, they connect with fiction harder.

The above scene causes me very different feelings in each media. In the manga, the despair in Jellal's face when seeing they removed Erza's eye is much clearer, and his skinny body, his eyes filling up with tears (he doesn't cry in the anime) shows not only a feeling of worry, but of utter dread and helplessness. All that helps endorsing the fact that, doesn't matter how brave he is, they are still just fragile kids, unable to protect themselves from the cruelty of the world around them.

I want to make it clear, though, that this is not in any way meant to be a critique to the animation team, or an affirmation that one type of media is better than another. We all have our personal preferences, but each media has it's target audience and objective. Fairy Tail's animators certainly do know how to convey the same feelings on the public, they just choose not to, for a variety of reasons. Probably because the anime is aimed for a broader and younger audience, many scenes have been softened or censored somehow. Also, animation consumes more labour than a manga page, so unless you have a lot of time and investment, the art tend to be simpler.

So do you think it affects the plot, Siren?

In my opinion, yes, even if just in a subtle way. In the manga, I think this raw brutality helps Jellal's character to gain a more interesting complexity. To me, he feels less like a hero and more like what he actually is: just a really kind and brave kid trying his best to protect his friends.

Another major change they made in the anime was removing the ambiguity (something that happened more than once in Fairy Tail's adaptation, such as in the famous kiss scene), leaving clear since the beginning that Jellal was a victim of a mind controlling spell; while in the manga, until Urtear's confirmation at the end of the arc, we do not know for sure if he have been brainwashed or just convinced to adore Zeref.

And as much as I can see why some fans might hate it because it leaves room for people to see Jellal as a bad man, I (as someone who is not afraid of loving evil characters, heh), find it interesting and somehow enriching to the plot, because it gives the whole arc a reflection: is extreme suffering, specially at such an young age, capable of changing someone so much?

We are left questioning what did "Zeref" say, or do, that made him change so much. And having so many real life examples where despair has made people easy victims of manipulation throught faith or falling into extremist ideologies, after we seeing Jellal's pain and fragility in a tangible way, it's not that hard at all to understand how he went insane and managed to drag all the other slaves along with him.

Also, I think it makes it easier to understand Erza's empathy towards him. Jellal and Erza are characters connected not only by the affection they nourish for one another, but also for sharing the same pain. She is the only person that fully understands the horrors he lived in the tower, since they were the only kids that have been in the torture chamber. And althought she never tries to justify Jellal's actions, Erza does not only show him compreension, but she feels guilty for not being able to retribute his protection and prevented him from losing his mind.

That doesn't mean, tho, that there weren't many other clues he was not acting on free will: be it his grotesque change of personality, his hysterical laughter out of nowhere or his motivations that doesn't hold (because they were never his to begin with). To me, all that at first glance makes him closer to Batman's Joker, someone that grew insane after so much suffering, than a villain that's genuinely just plain selfish and thirsty for power. And that only makes me find him a creepier villain, since personally, I find sadism and insanity way scarier than ghosts.

So this is just a looong collection of thoughts about how small choices can change a lot the "feeling" we get from a scene or a character. I hope someone can find it interesting too. There are many other examples of adaptations where it happened, and if you remember one you'd like to share, I would love to hear!

Last but not less important, all the love for Mashima's art, the Tower of Heaven arc (that is a personal favorite) and Jellal, a character I deeply love and one that holds for sure the strongest spirit in the manga for being able to become such a kind and mature man despite everything he has been thought. ♡

[imnotpayingforurtherapy]

Dazai: *Drags yet another stray cat that wouldn't let go on his pantleg to Chuuya's place and forces him to let them keep it* DONT CALL IT THAT T-T

Chuuya: I PAY RENT I CAN CALL HIM WHATEVER I WANT, GET OVER HERE AND CLEAN YOUR MESS MACKEREL-THE-SHITTER-KUN *while cleaning the cat's shit off of the carpets he just cleaned*

[dailykugisaki]

Day 280 | id in alt

Motherfucker didn't say please.

[sophiethewitch1]

ill be quite frank, fic is not something you are owed. fandom is a community and if you are constantly treating your artists/writers like shit they will stop. they get nothing from this other than community feedback (comments. im talking about comments here) and thats it. and if you make stuff remember: unless youre getting paid, they dont owe you shit!!!!!

[cyber-harpie]

I don't suppose anybody's got a tldr for the batfam handy

[themintman]

Idk if it's the autism or what, but the way the text options in the sea temple gaslit me is wild. Like when Jack is apologising for freezing up when he stumbled upon his friends corpse and I tried to be supportive but accidentally ripped him a new one. Jesse why did you make me say that.

[puppyeared]

Ouhhhh friendship I love friendship……..

[themyscirah]

Ok game time which 3 series would you just DIE to get a run on ? I'm talking full creative control, can be as a writer or an artist + plotter if that suits your vibe best

My 3 are

Suicide Squad

Wonder Woman

Green Lantern Corps/Green Lanterns

(in that order)

[4esthetic-dissonance]

I'm working on a fic and was like 'how in the hell do you make LINGUANG JUN the least bit redeemable?'. I mean, /Linguang jun/ who tossed a developmentally four year old Mobei Jun to a pack of humans? The kid could have died. And then I saw a translation of the extras. It describes lgj as mbj's 'young uncle', says that he 'wasn't that much older than him (mbj)'. And I just- its a hell of a lot different, a Scar type tossing his nephew to the proverbial wolves than it is for a maybe dumb, maybe petty, maybe developmentally five or six year old to shove their annoying technically-nephew-who-in-age-and-context-is-more-like-a-brother-than-lgj's-actual-brother into a situation that the text implies was more frightening than actually /dangerous/. And that- well I can work with that.