#so idk. maybe that means i Do have feelings of romance

[xenteaart]

the hard way

pairing: vampire!chris x to be vampire!reader genre/warnings: dark romance, mean chris, angst? kinda dead dove, mentions of death, blood and a lil gore (not too graphic tho imo), it's okay in the end??? and they're in love plot: reader is getting turned into a vampire and it's not as cool as she imagined author’s note: obvsly heavily inspired by railway and that SPITTING SCENE. idk it's prolly gonna flop but i wanted to picture that process and a not so hot side of it

“no.” “why not?!” “because i told you so a million times already. we’re not discussing this.” chris spits out and furrows, growing more agitated with each passing second.

“what, you don’t want me to be equal to you?” you ponder desperately while your mind searches for any, any reason at all as to why chris won’t turn you. it’s been getting to you for the last couple of months, and you’re sure you’ve gone through every possible explanation your troubled brain could come up with: he doesn’t love you. he doesn’t wanna spend eternity with you. or maybe it’s a power thing. or, or, or...? this endless cycle of worry and uncertainty has been keeping you on edge for way too long to think clearly now. “gosh, it has nothing to do with equality,” he rolls his eyes and shakes his head. “what is it then?” “drop it.” you snap. “we’ll have to find out the hard way, then.”

you grab the nearest kitchen knife, and it turns out to be the one you use for cutting meat, a chef’s knife as they call it. how fitting. chris barely has enough time to catch up with your madness infused impulse, and when he turns his gaze back to you, the knife is already deep in your guts.

you thought it was gonna be romantic or somewhat dramatic at least. something from the movies where he sinks his vampire teeth into your neck, and just like magic — your eyes flash bright red, announcing the beginning of a new life.

“you dumb bitch,” he exhales shakily and somehow manages to catch you in time because the sharp pain in your stomach makes you lose your balance instantly. you’re still bitter and angry in the heat of the argument and you expect him to be the same way, but when you glance up, chris looks nothing but panicked. “that’s a new look on him,” you think, and it confuses you.

chris growls and sinks to his knees, carefully holding you and trying to move as fast as possible. what you don’t know is that turning can only be done in around thirty seconds since fatal injury. that might explain the rushing and chris’s pure bambi eyes panic but your consciousness is already starting to drift away to hold onto that train of thought.

chris bites into his wrist with unmasked fury, tearing and ripping his own veins even though using a knife would have been much cleaner. probably less painful, too. “swallow. now! come on, don’t you fall asleep on me now, focus!” he grabs your face and presses hard on the jaw joints, making you open your mouth like a puppet doll.

the sickly metallic taste of your own blood at the back of your throat from the internal bleeding mixes up with chris’s thick blood that he generously spits into your mouth, and you want to throw up. your head feels dizzy as your eyelids are getting heavier, your hearing suddenly fails completely as if someone turned the volume down from ten to zero. limbs are falling weak, and the pins and needles in them are so, so far from pleasant.

the thing about turning is... you actually have to die first. be fully, completely gone to be able to come back changed and corrupted, turned to the extent of your DNA having been violently rewritten. that you did not think through enough. the muscles in your throat contract almost on reflex, swallowing and gagging on the gooey salty substance, making your chest heave while coughing strangles you further. the tingles and nausea are so overwhelming and all consuming you actually catch yourself thinking dying would be a relief now. and then it follows as you wished.

you doze off for god knows how long but, by the looks of it, it can’t have been more than a few minutes because as you regain consciousness, chris is still looming over you, his own blood fresh on his lips. he’s blurry, though, everything is.

“come on, suck on me. c’mon, baby, there we go,” he coos as he brings his wrist to your lips, forcefully pressing it into your mouth and leaving you with little to no choice. the phrasing, unlike usual, doesn’t sound dirty or hot now, more like a life-saving command while you’re still so out it. it feels good, though, chris’s blood.

it doesn’t taste so metallic and gross anymore, and the texture feels almost soothing on your dry throat, like hot honey milk on a friday evening. suck, gulp, suck, gulp, suck, it almost lulls you back into serenity, some primal instinct of being attached to your only life line, finding comfort in someone’s warmth and touch and taste.

you wonder how much you’ve drunk already and whether chris will have anything left but you’re so, so thirsty you can’t even bring yourself to care.

what finally makes you stop is the sudden sharp ache in your gums. it feels so piercing the aftershocks are almost reaching your brain and eye sockets, and as you feel your old teeth fall out, a pair of longer fangs cuts through and settles into the upper teeth row. hot tears are stinging your eyes and you whine like a wounded deer, still unable to speak properly. it’s all too much, and you start to regret what you’ve done, and maybe, just maybe that’s why chris so passionately refused to put you through it. this kind of hunger and the animalistic, blood thirst driven rage were never something he wanted to inflict upon you.

your entire body is shaking but it’s not really a fearful tremor, more like restlessness, a new sort of “itch” somewhere deep, deep inside that you’ve never experienced before, the feeling so intense and soul wrenching you simply can’t disobey it. it makes you want to jump up and run.

“don’t worry, i’ll teach you how to handle it.” chris cups your face after taking off his leather gloves so you can feel the comfort of his actual skin. the touch is calming, but barely enough compared to that growing desire and need to satisfy the itch. “you stupid crazy cunt, why do you never listen,” he whispers into your forehead, his lips lightly brushing over your cold sweat covered skin, as he holds you closer, squeezing you against his chest in a protective manner, though the real danger to yourself is now planted within you.

[swallowerofdharma]

Following the discussion from here. Hoping you don’t mind if I make a new post so that the other one doesn’t become too heavy. I’m answering some lingering questions, but I am also saying that I won’t be dissuaded from treating this manga differently. As said recently*, Yoneda takes such care to give details and context to the story, that it is intriguing to look into things with analytical eyes and I can’t see the problem with it. For those who maybe feel like “the story isn’t that deep”, that is more offensive to the author tbh than to me or others in fandom who write commentaries. * @dragomfry said: “It makes our analyses of her work hold extra weight because there are things that she wants us to look for and derive meaning from (rather than us trying to derive meaning from nothing to begin with)”.

So to clear this first.

I can’t quite see why this story would be distorted into something it’s not intended to be if we approach it under a romantic lens.

I am not debating people for approaching the story romantically, but - because some troubling arguments were made about the recent poll - I will say this. Rape culture takes some arguments from romantic and patriarcal views to defend the aggressors and blame the victims instead: this isn’t romanticism’s fault, but the very fact should be at least taken into consideration. [More on this below**]. So several of the reflections I was writing about framing the manga as romance rather than literary realism were prompted by this issue. And reading your thoughts about the story, I can understand where we differ so much: and that is in how we view Doumeki especially, rather than the rest. Maybe you are not romanticizing Yashiro and his trauma, but you are especially romanticizing Doumeki. For example:

I allow myself to indulge in the romanticism of it all; both of them falling in love at first sight, depressed Yashiro finally finding someone who truly cares about him, Doumeki who doesn’t back down when Yashiro rejects him, Doumeki still having feelings for Yashiro even after he shot him in the leg and pretended not to remember him, etc. There’s so much in this story that’s blatantly romantic, almost corny.

There are many aspects of the manga that I do find realistic in it’s portrayal, such as the CSA, what I don’t find realistic, however, is the portrayal of love, the romance. I find it very idealised and romanticised for the most part (i.e the falling in love at first sight (I’ll get to that), Doumeki being Yashiro’s exact type, Doumeki happens to be impotent which allows Yashiro to develop feelings for him, the fact that Doumeki is completely accepting of everything Yashiro does regardless of how Yashiro treats him, the fact that Doumeki is still in love with Yashiro after he shot him the leg, maybe he even stayed in the Yakuza world just to be near him (although who knows why exactly he did that?) Idk maybe it’s just me but I find it very unrealistic. It’s this romantic idea of „there is this perfect person out there who accepts you just the way you are and you don’t have to do anything to keep them happy, you can even shoot them in the leg and they’ll still love you, they’ll stick around no matter what it takes to be with you“.

I can’t pick and choose what I want to romanticize or not, I have chosen to look at things differently, and I am keeping the same approach when looking at characterizarion. When I look at Doumeki, I see as many problems as those Yashiro has. He is the one depressed imo, at the beginning of the story, he is in much worse shape than Yashiro. Yashiro has a support network, Doumeki was isolated in prison and kept family away when he was released. Doumeki isn’t this strong and stoic person who is in love with Yashiro and is therefore shouldering a burden or enduring abuse in the name of love. I have been misunderstood before on this, but I want to say that I look at these characters without romanticizing either of them. I am not so much interested in looking at who is right or wrong, or to paint one character in a better light and bashing another: I want to understand their differences and how they came to be, how the relationship is affected by those differences. This is why I don’t take a shipper’s approach either, I am not solely focused in their relationship, but in the story as a whole.

There are several posts where I talked at lenght about these characters, because Yoneda gave a lot of backstory, and I encourage who may be interested in checking further. Doumeki has trouble facing or recognizing reality, until reality kicks him in the face, and that is happening to him since the nurse and Aoi. So he is only observing when it suits him. Yashiro established his emotional boundaries plenty of times, and Nanahara is there to corroborate and reinforce Yashiro’s prefereces. Here are some examples, and these are from volume one alone. It is a pretty clear situation, and Doumeki understood it.

I know that people are objecting to the very idea of framing Doumeki as the aggressor in this case, but the power dynamics had already shifted at that point when things went down in ch 24-25. It is the result of an escalation that sees Doumeki hiding his feelings and his arousal, and becoming more aggressive and unhinged towards others during the investigation into who ordered the hit on Yashiro. Yoneda was painstakingly building towards that scene, while also painting a bigger picture and external plot, and there are so many details that I haven’t even touched upon yet, but nothing is filler. And the parallels between Doumeki’s arousal and his violent behavior can’t be easily ignored.

Again, I feel quite powerless and unequipped to persuade those who already formed their opinion. But when given arguments in favor of dismissing Yashiro’s right to object or arguments that shift the focus away from the simple topic of consent, then I have to ask myself why this is happening. **Rape culture does play a role, and as I said, rape culture can and does weaponize some romantic ideas about love. Or against the autonomy of the person, against choice and so on.

I find it very important that Yoneda chose to put those words in the mouth of an ex-policeman, while dressed up as a policeman, and of another abusive detective with the police. Or the fact that Inami commented on Doumeki’s father building a career to cover up his crimes. See these statements from the Wikipedia page on rape culture:

With how difficult has become to search on the web for unbiased results, I am just giving the Wikipedia page not as a source of authority, but as a peer reviewed summary that provides a starting point for research and some bibliography on the subject. For example:

I want to add that I don’t agree with the way the article frames “men” as perpetrators and “women” as victims. That should be corrected and can be misleading. Men have been historically and consistently discouraged to speak up about being victims of rape themselves and often the law didn’t even consider them. And the gendered approach contributed to make so many victims invisibile. There is so much we have to learn.

Again, this post is solely for the purpose of answering arguments or points made directly to me about how we interpret the story in Saezuru. These are my observations and reflections, the links I see, and it is possible because these things are in the manga. And last, I love love-stories. But romance - especially romantic tropes, often reinforced by fandom shipping culture - don’t always equal love to me.

[ir-abelas-vhenan]

quick question (maybe? Hopefully?) for anyone who has played Veilguard more than me or has a better memory than I do. Did I miss something with Davrin's backstory as it pertains to why he only does casual relationships?

I keep seeing a sort of vibe assigned to Davrin that to me is characterized as (oversimplifying here) "oh he only does hookups and Rook shows him that it's okay to not feel like you're mere breaths away from death all the time, and that's the root of his holdups" and while yes that's a vibe he carries I don't necessarily think that was an irrational or unfair perspective to carry in light of who he is and what he does? The idea of being like "silly Davrin, of course you can have a future with love!" that I felt while playing through his romance keeps throwing me. Because the whole point of the Grey Wardens is "your life is no longer entirely your own, you exist for Something Greater." Antoine and Evka are the only concrete example I feel like we get of this idea being challenged without your playable character being involved (disclaimer: I have started but not finished DLC for Origins and I vaguely remember there perhaps being additional examples in Awakening), and we don't get that until Veilguard. You can of course romance Alistair as a HoF, but that's still another example of "we're in the cause together so we both understand what we may or may not have tomorrow," while romancing Blackwall in Inquisition is almost kind of like a "thank God, no Calling to worry about here" situation. At the very least, the impression I've gotten is that it's very much the exception and not the rule for Wardens to find True Love.

I could once again be remembering incorrectly, but in my playthrough when I romanced Davrin, I felt weird being so calm and casual while he sits there panicking because he didn't die at Weisshaupt because like. Yeah, it makes sense in a world where most of the time, a warden has to die alongside an archdemon. And it would make sense to me to panic a little bit if you stab an archdemon and remain breathing by the end sans an old god baby to show for it, because surely something Cursed Has Gone Down. And maybe that means something is wrong with you, that you are somehow partially responsible for how bad things are about to get. That you played by the rules and did everything right and still weren't enough.

Idk. I think the TLDR of it is that there's a difference to me between Davrin as someone with commitment issues just because he fears death and its impact on a relationship as opposed to Davrin as someone who understands the gravity and limitations that come from the status quo of the occupation he's chosen and understands that probably 90% of the time falling in love would only hurt your ability to perform. And it's not just confronting a relationship preference that has him so stressed out, it's a system he's built his entire adult life around.

[calyptramoths]

having a lot of thoughts about aromanticism and how that interacts with my idea of friendship vs romance

[oceanwithouthermoon]

i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???

you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"

[nobodybetterlookatme]

nah cuz I would pass away if someone asked me if I was into them 😭 but CONGRATS ON GETTING THE DATE!! I hate to say we told you so, but we definitely told you so 😌💅

Bro I literally short circuited lmaoooo like it was not cute and I almost died fr. But yeah, date secured ahskaksk y'all were right 😭 it still feels so surreal lmao I'm still vibrating about it

[aroaessidhe]

2024 reads / storygraph

At The Feet Of The Sun

book 2 in a slow paced high fantasy duology*

the right hand of the emperor (who is off searching for an heir) struggles with what to do after passing on his responsibilities and also discovering various pieces of information that are mindblowing to him, personally,

after adventure is thrust upon him, he travels to find His Radiancy and they go on some otherworldly adventures while growing closer and figuring out the nature of their friendship

(*there’s extra novellas & i think another book coming? duology adjacent, currently,)

[authenticcadence18]

I miss the person I was a year ago. two years ago. more social. happier. doing more creatively.

[widevibratobitch]

something about being told im 'the leading person at this whole academy when it comes to interpretation and stage intelligence' by the husband of the woman im trying (not really. but i mean. who knows) to seduce... ok boy you got me. lets make it a polycule.

[gigantomachylesbian]

Guys. I did not know before now that writing could be painfully millennial in a full prose book but the pho*nix ke*per has proven me wrong and I have to complain about it in the tags

[brittlebutch]

working on another I Like You Too fic btw. i got distracted by the whole HRT wait but Im back at it again :3

[spikeyjo]

also uh im kind of not thinking about it much because its insane. but if everything goes right (and i mean a considerable amount of things that probably wont go as planned) but if they DO... i will have a major surgery in like two weeks

[pouletaulait]

I don’t mind the conversation either. I always enjoy having a discussion with people who have a different point of view and who are open to having a discussion, like you are, so I appreciate your reaction. My reblogg wasn’t intended as criticism, not at all. I just wanted to point out that personally I can’t quite see why this story would be distorted into something it’s not intended to be if we approach it under a romantic lens. Like I said, personally I think it’s intended to be a romance, albeit not a banal or a „simple“ one but you’re absolutely free to disagree. I understand realism as a fictional portrayal that’s intended to be realistic, in the sense that it attempts to portray a situation in a fashion that stays as close to a possible reality as possible and in which the author seeks to represent this portrayal in an objective manner. A romance, in this context, I understand to be an unrealistic, idealised portrayal of love/a relationship. (Do our understandings differ on this?) But like you pointed out in your original post (if I understand you correctly) what we deem realistic or unrealistic is ultimately influenced by our subjective perception of reality, which might explain why our opinions on this differ. It seems like I didn’t explain my view very clearly; There are many aspects of the manga that I do find realistic in it’s portrayal, such as the CSA, what I don’t find realistic, however, is the portrayal of love, the romance. I find it very idealised and romanticised for the most part (i.e the falling in love at first sight (I’ll get to that), Doumeki being Yashiro’s exact type, Doumeki happens to be impotent which allows Yashiro to develop feelings for him, the fact that Doumeki is completely accepting of everything Yashiro does regardless of how Yashiro treats him, the fact that Doumeki is still in love with Yashiro after he shot him the leg, maybe he even stayed in the Yakuza world just to be near him (although who knows why exactly he did that?) Idk maybe it’s just me but I find it very unrealistic. It’s this romantic idea of „there is this perfect person out there who accepts you just the way you are and you don’t have to do anything to keep them happy, you can even shoot them in the leg and they’ll still love you, they’ll stick around no matter what it takes to be with you“. Idk, to me personally this doesn’t seem like the author seeks to portray a realistic relationship here and to me that’s what it boils down to when I’m saying that to me it reads like a romance (of course this is just my opinion, I don’t know anything about Sensei’s actual intentions)

What I meant by „she’s toying with the idea of idealized romance“ is the fact that most, but not everything ,about the romantic aspect is idealised, hence my example that Doumeki’s love doesn’t cure Yashiro’s trauma. Maybe „toying“ is not the most accurate expression to use in English in this case… but what I mean is that Sensei is ,like I said, employing many aspects of an idealised love, imo, but that she doesn’t fully „commit“ to it if you know what I mean; the way I see it she’s building it up to be this fantasy, this ideal of almighty love, but then she defies our expectation by creating a climax (Chapters 23-25) that’s the opposite of what you’d expect from a romance; instead of Doumeki’s love being the answer to all of Yashiro’s problems and them ending up together, it ends in a disaster (in the sense that Doumeki ends up hurting Yashiro deeply and that they part ways). So, I think she’s taking a more realistic approach in that sense but I think the story remains anchored in the idea of the ideal romance, because that seems to be its point of reference imo. If there was no idealised romance at the core of it (which to me seems evident in the exposition) there’d be no expectation to defy in the first place if you get what I’m saying. I hope I explained this in a somewhat understandable way… but maybe this is not making any sense to you since you seem to have a very different opinion on Yashiro’s feelings. Just to clarify: You don’t think he’s in love with Doumeki? Or do you think he doesn’t want to be in a committed relationship with him, or something else entirely? The way I see it, there certainly was an instant attraction to Doumeki on Yashiro’s side. I guess you could argue that it wasn’t „love“ but just sexual attraction, that’s certainly debatable, but the way I see it, he at least started developing feelings for Doumeki very quickly, hence his interference with Doumeki’s sister, his jealousy, etc. so, yes, the „falling in love at first sight“ part comes down to interpretation but personally I find it likely and my assumption is that he wants to be in a committed relationship with Doumeki (that’s purely my assumption based on my interpretation which obviously heavily influenced by the fact that I understand this to be a romance) Anyways, what I meant by problematic: If I’d look at this story as a entirely realistic portrayal of a relationship or love, I’d find a lot of aspects of it very problematic (how Doumeki is completely devoting himself to Yashiro, how he’s basically stalking him, how he keeps going after Yashiro despite him shooting him in the leg, etc.) That’s what I meant by I wouldn’t root for them to end up together if I’d look at this as a realistic portrayal. It wouldn’t be an irredeemable situation for me either but it’s just nothing that I’d be interested in reading, that’s my personal preference. I’m not opposed to realism in general but, like I said, in this specific case, it doesn’t make sense to me personally. Honestly, I don’t think our opinions on this are entirely different because I agree that Kou Yoneda sensei appears to be taking a quite realistic approach in many respects. I think where our opinions differ seems to me to be the point that you seem to regard this as a work of realism, while I think of it as a romance that challenges romantic ideals in some ways but that ultimately stays anchored in an idealised romanticism. But like I said I think I’ll only know for sure once the story’s been told in its entirety.

An example of novel that follows the literary realism tradition but is sometimes approached under romantic lens, and therefore distorted into something else entirely - maybe because of the (bad) movies adaptations? because of the marketing and the covers? I don’t know but I will link this no longer rebloggable post for you to check - is Lolita by Vladimir Nabokov.

I read Lolita when I was seventeen, felt deeply discomforted but I liked the book, understood what it was doing with its narrator, but I have to add, before reading Lolita, I had already read Flaubert (Sentimental Education, didn’t finish Madame Bovary) and Émile Zola to name a few. I think that growing up I have read more books in this genre than others? I don’t know considering that back then I had to read a lot classics for school.

But long story short, I think something similar maybe it’s occurring with Saezuru. To be clear, I am not saying that you have to read it in a certain way, please I don’t really want to even imply that. Read it for yourself and your pleasure first. What I am saying is that, like Lolita, to me Saezuru makes total sense if we assume that it is written with a realistic intention and therefore not exactly bound by the rules of romantic novels that tend to present more positive and idealized views. After all manga are divided into demographics more than their genre, so authors draw very different stories. I still want these characters to find happiness! But I also want to be able to buy the eventual resolution and therefore I appreciate that the development of the story feels organic.

Anyway just a thought. Nakobov himself wrote (in Strong Opinions):

Reality is a very subjective affair. I can only define it as a kind of gradual accumulation of information; and as specialization. If we take a lily, for instance, or any other kind of natural object, a lily is more real to a naturalist than it is to an ordinary person. But it is still more real to a botanist. And yet another stage of reality is reached with that botanist who is a specialist in lilies. You can get nearer and nearer, so to speak, to reality; but you never get near enough because reality is an infinite succession of steps, levels of perception, false bottoms, and hence unquenchable, unattainable. You can know more and more about one thing but you can never know everything about one thing: it’s hopeless. So that we live surrounded by more or less ghostly objects— that machine, there, for instance. It’s a complete ghost to me— I don’t understand a thing about it and, well, it’s a mystery to me, as much of a mystery as it would be to Lord Byron.

As for marketing, if you check the link and think about Saezuru: the covers and merchandise vs the content of the chapters, vs the story as it’s told, the parallel with Lolita makes sense to me. The cover only has one imperative: to sell. But once you are alone with the story, you see that stylistic choices, tone, everything suggest that you read it in a critical way.

The way Yoneda Kou draws is also quite sober, discarding decorative details and paying attention more to frame and pov. The way she presents what happens is objective and detached, neutral I’d say, making us impartial observers most of the time, letting the actions speak without commentary being made. The dialogue is hard for our translators because it recreates the speech patterns of the various characters faithfully. And these characters are common yakuza that live harsh realities, the gritty social aspect of it is visible and part of the story, as well as social injustices and personal trauma, and keen and realistic attention to human behavior.

I guess all this clued me in to reading the story the way I do, and probably also why I chose it in the first place. Realism is the genre of fiction I am more read in, although I am expanding my horizons more and more.

[opens-up-4-nobody]

...

[waywardsalt]

tbh i might go ahead and put dungeons in as a part of the bellum x linebeck fic's plot since like. 1) struggling to actually figure out a main plot and having dungeons as sort of bit points to hit and be little bits of fitting exploration and bonding and 2) i do kinda want to do dungeons. i like thinking of them and again i do think its fitting.

[sarah-sandwich-writes]

HOLD ON WAIT UP HOLD THE PHONE

I KNOW I WAS GONE FOR A FEW MONTHS THERE BUT HAS BLUE LIKE DON'T FORGET ABOUT ME ALWAYS BEEN A PART OF A SERIES OR IS THAT A NEW DEVELOPMENT???

I FEEL LIKE ITS CHRISTMAS ALL OVER AGAIN FUCK Y E A H

Okay so

I...

have been cooking

by which I mean illusions of grandeur and

schemes

And I have not been forthcoming lol Everyone kind of disappeared all at the same time so I kind of stopped talking about what I'm doing but I have been biding my time, quietly putting mechanisms into motion and plotting and occasionally cackling over my cauldron.

I finished the first draft of Blue like don't forget about me and didn't like it so I cut out all the sci-fi fantasy stuff (bye bye aliens farewell superpowers) and in November wrote a new first draft that's all contemporary romance babeee and I'm so in love with it I'm turning it into a little 3-part (possibly 4 if I can't control myself) series.

The original childhood years have been split off into a prequel novella called Red like my bleeding heart in your hand. Then Blue like don't forget about me will take place 20 years later. Nash works at Cherished Hope Nursing Home

“And what is it you do? At the nursing home, I mean.” I wipe shit off of old people. And Teddy’s a hockey player. What’s Luke, an underwear model? He shouldn’t have come.

Teddy comes back to town for a funeral and

Teddy looks at him for the first time in twenty years and every ounce of warmth leaves his expression. Message received. He should not have come.

OKAY SO AND THEN the next book will be Jo's POV and is called Violet like these delights. and MAYBE there will be a 4th from Luke's POV bc he gets to live this time by the grace of god (me) but it'll depend on how Violet goes (its current state is mostly vibes and a single overarching theme so, stand by).

Red needs a clean-up round of edits to snip out the few little threads that connected it to OG blue. And rewritten blue is basically done. I've done the major revisions and am about to start line edits and after those are done I'm sending it out to beta readers (lmk if you're interested).

There are concise actual summaries in my pinned post btw lol

WHICH REMINDS ME

The series title is Wildflowers of Deliverance. Which I'm extremely proud of. Did you notice did you notice how each title incorporates a wildflower did you did you? and the town they grew up in where Nash and Teddy first met is called Deliverance!!! It's okay I know I'm a genius.

And this brings us to the meal okay? because like I said I've been Cooking™ quietly but steadily for a few months now. ANd what have I been cooking? PLOTS and PLANS

I've decided on a pen name: Sarah B. Elisa

I've created a(nother) side blog for it that will be exclusively centered on my og writing and geared more toward readers rather than writers like this blog is: @sarahbe-writing

I'm going to create a website (as soon as I convince myself to spend money)

and a newsletter (as soon as I convince myself to spend money and do work)

I'm still waffling between trad publishing and DIY. I really like all my hats and it would be a shame to have to share them but oh my god I don't want to do all the marketing but trad pub seems hit or miss on how well they market you so I might get half of my hats taken away and still have to do the marketing bullshit UGH

anyway

OH YEAH and the OG draft I wrote for Blue? I'm going to spin it back to its OG OG roots [parkner, naturally--Return of The childhood friends to estranged almost lovers to super-powered rivals to reluctant allies to friends to lovers finally wip!!! AKA: We Were Gods (we were kids)] and that will fix all the things that went wrong and I didn't like 😌 so it's basically like double Christmas I think