#so i either leave or i die

[this-should-do]

venting dont mind me xp ✌

[bumblydumbly]

i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably

[reminiscentrainclouds]

But as it is And it is We're just two slow dancers, last ones out We're two slow dancers, last ones out

[gossippool]

logan would die for his lovers and wade would die with his. thank you for coming

[psychologicalwarclaire]

Wu trained Morro at the same time that Garmadon was training with Chen which MEANS that Misako was around to see what the pressure of wanting and training to be the Green Ninja could lead to.

So later when she had Lloyd and KNEW that he would be the legendary Green Ninja, do you think she thought of the child Wu had once trained? The kid who became so obsessed with proving himself that he put himself in danger time and time again? The little boy who ran off into the night and never came back?

After seeing that, is it any wonder why she didn't want to leave her son-- the actual Green Ninja-- to be trained by Wu at such a young age?

Maybe a boarding school for bad boys would never make him want to be a hero. Maybe it would keep him safe from the destructive power of destiny. Maybe Darkley's was the only way to save her beloved son, Lloyd Garmadon, from himself.

Maybe Misako remembered Morro. And maybe, just maybe, she knew it would be best if her son never turned into someone like that.

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[a-most-beloved-fool]

there's a scene floating around in my head which would take place during the events of Kirk getting pulled into the nexus in Generations where Spock is at the Academy teaching when the bond he shares with Kirk is ripped from his mind. it's shocking and painful and generally devastating, so Spock just collapses right where he is, on the floor of the classroom, clutching at his head with tears streaming down his face.

His students, of course, assume some kind of illness or condition, and contact starfleet medical - and mccoy, who is spock's primary doctor and who has had medical alerts set up for both spock and kirk for years, is the one to come for him. and mccoy walks into the classroom, sees spock on the floor looking more wrecked than he has ever seen him before, and knows.

he pales, stumbles backwards a few steps, and says, "no. no. tell me it isn't true, spock." he goes to spock, kneels before him, and grabs him by the shoulders. "jim, spock! what's happened to jim?"

spock can't really do anything but collapse against mccoy, whole body shaking with grief. "dead," he chokes out, eventually, voice hoarse. "jim... is dead."

mccoy had known already, at that point - he had known the very moment he had seen spock shattered on the floor - but hearing the words still breaks him, and he sags forward like his strings have been cut.

For a time, all either of them can manage to do is hold each other on the dingy carpet and weep.

then in my heart later spock discovers that even though the bulk of the bond was torn away there are still a few thin strands left and he and mccoy use that to fish jim out of the nexus. and then the three of them live the rest of their days in peace and happiness. because i am too weak for devastation <3

[midnightdemonhunter]

But don't worry. By then, he wants to.

(@romanromulus :D )

[dykedvonte]

Jimmy killing himself because he knows he is incapable of living an life without Curly and knows that in the miracle chance they were found and saved they would not let him have contact with Curly and he hates the idea he'd actually have to take responsibility.

Even if he lied, its only a matter of time before Curly is capable of showing or telling what a monster he really is, no matter what delusions tell Jimmy Curly would never do that to him.

He understands that he was the monster in everyone's worse moments but refused to accept that at the end. So he made sure that he died without the possibility of it being actualized as he's the only one that saw death as an escape rather than a release. Jimmy truly didn't believe Curly had anything to escape from even after everything and let him have what he perceived as glory as the sole survivor and thus Captain of the Tulpar.

[shannonsketches]

[curioscurio]

not to be a freak but I think when Trump loses he will either kill himself or Putin will let loose the real assasins. it's just the smart move like he knows too much and he's losing all the power he used to have lol. like if I were putin I'd be worried about what kind of information a desperate man like Trump is willing to surrender once he's caught 👀

[neurotonic]

so what's going on in that brilliant mind of yours, doctor p?

If you've been wondering where I've been. I definitely should be drawing anything else right now but...I got dragged back into one of my old interests and I was more than happy to mash that and IEYTD together. It was fun designing all of them to resemble Prism in some way, ehehe.

[wispforever]

exalt

[mosscaps]

let's all think about roman literally on his knees at gerri’s feet, begging to be saved. but you can’t be saved from Logan, that’s the whole point, he is a planet of a person he’s a black hole he is every decision already made. gerri tries to get him to see this — there’s no way out, no move they could possibly make against him, because Logan. always. wins. maybe if roman could give her one reason to fight for him, but there aren’t any. it’s pointless. it has nothing to do with roman, really, and everything to do with the harsh reality that Logan is the center of their universe. but all that nuance is completely lost on roman, because in that room he is seven years old again and always. and when she asks how it serves her interests, what she is saying is show me a way out, but what he hears is that she doesn't care about him. and maybe she never did.

[rindomness]

ummmmmm. something something normal being the only one to actually empathize with the doodler before they were dood and teenshaped and being the only one to empathize with hermie when hermie was alive. that's it that's the thought.

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.