#so i can pretend i'm being productive
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foreverxdaydreaming · 1 month ago
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#just needed to vent for a sec but oh god am i tired of people#'friends' both irl and online got me fucked up lately#mental healths been in the shitter almost nonstop this year#familys always got me up the wall#i just feel like I'm constantly treading water and i am *tired*. like so fucking TIRED#it's never enough; it's too much; no not like that; but not that either; it's all wrong wRoNg WrOnG#ik im sleep deprived and possibly pms-y and that is most certainly not helping things rn but...#gods i see less and less of a reason to get out of bed and bother with anything ever again#wtf is the purpose#i can't keep friends to save my life bc im apparently a fuckin doormat and interesting as unflavored rice or smth#how hard is it to feel like you maybe sorta kinda matter and aren't an unlovable worthless piece of shit#years of therapy; trying meds; everything under the sun.... and nothing. lows and highs and dips of every kind and yet ..nothing#and maybe im just very much in my feelings rn and just yelling into the void.. but it hurts and im tired of pretending it doesn't.#i hate how hard it is to make friends as an adult especially irl. and how gossipy and cliquey and gross and mean ppl can be#of getting called childish and naive and boring for wanting to be a decent person and having interests outside of partying#(not attacking those traits but tired of getting attacked for *not* being 'fun' enough or 'social' enuf or 'sensitive' for having feelings)#enough*#i just want to go eat drywall and stand in the rain and let it help me pretend im not crying blood rn.#like every cell in my body isn't trying to spontaneously combust.#'it gets better' ..yeah? when. when i was 14? when i was 23? when im 37? when im 55? 82? WHEN.. bc im so sick and tired#and no this isn't me writing a final note or whatever it sounds like; i just wanted to word vomit bc ive never been good w sadness#and ive got such an overwhelming amount of it rn i can't even turn it into anger & spite & use that for productivity... i just want to rot#to lie down and be covered by plants as i sleep and just slowly fade into a cloud or smth like it's a ghibli movie or wtv.#im like shaking from how stupidly emotional i feel rn. the lack of empathy these days is fuckin astounding#common sense & empathy are lacking in absolutely droves these days. some days i hate the internet & tech for its irreparable damages sm#but here we are and here it shall remain. long after us; and *long* after us ..... *sigh*#anyway ima go try to take a nap or smth. I'll see ya when i see ya. take care my lovelies#if u read all this i prob owe you a cookie lol
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lovelaceisntdead · 6 months ago
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i think i just need to rewatch lost.
#that will fix me i think.#because i am doing. bad. i know i have not been keeping this a secret but i feel very stuck and i don't really know what to do.#my general anxiety levels are much higher than they usually are and um. i don't really know why. which then just makes it worse.#and i feel so down and hopeless. i can't make myself feel excited about things. i have hardly any motivation#and no energy to do anything even if i did#like yellowjackets s3 starting production and i just don't feel excited about it and it's making me really sad#and I'm getting upset about things that i feel silly for getting upset about and i can't say anything because I'm embarrassed#for being upset in the first place#i feel so incredibly disconnected from everyone around me it's so hard to talk to anyone#I'm running on autopilot most of the time at the moment#and I'm finding it so hard not to push people away. but at the same time i feel so out of place and I'm dissociating a lot so.#idk whay I'm saying with this#i just feel like i need to get stuff out because i feel so anxious i might explode#and with the weather getting warmer a lot of my physical symptoms are flaring up. anf being in this house is so suffocating#i feel like i can inly exist in this perpetual state of fine. can't be any worse can't be any better#I'm just constantly pretending that I'm just Okay because it's easier than having to deal wirh anything else. but i know I'm really just#causing myself more harm.#I'm done now. just trying to relieve some of the pressure i am feeling in my whole entire body.
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cirilya · 2 months ago
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Why do i always relate to anyhow repressed male characters. I'm just a teenage bisexual girl but clive durham i get you on a spiritual level pls never forget that.
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m-for-now · 6 months ago
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Improving in your life is actually kinda hard and sucks, I'm gonna pretend I'm at the beginning of my anime arc now
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we-fucked-up-evolution · 1 year ago
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high anxiety today. it's supposed to be a normal office day and i can't fuckin get anything done i feel like shit
might be because i'm teaching two new students after work tonight but it should not make me this uneasy
also work sucked this week i want out already and i've only been back 3 weeks part time
ugh
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dredshirtroberts · 7 months ago
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taking a break from cleaning because i need to 1) pace myself and 2) spread this out over 2 days so that it doesn't get a chance to get too dirty again before i gotta do final tidying and pickup before the chaos ensues, but i've gotten a surprising amount done for like 20 minutes of clean and 10 minutes of Silly Shit.
#the whiteboard to-do list has been a game changer for me in general#like i don't often have a lot of stuff to put on it#but when i do it's really good at keeping me on track/focused#without being too overwhelming to look at#(or while it might be overwhelming as soon as you knock something off if the list looks too cluttered you can just erase it)#(and then bam less shit on your list both physically and mentally)#my productivity hack is 1) erasable to-do list and 2) find a 15-20 minute video to pop on and work to#you don't gotta pay attention to it but finding something you enjoy listening to is a key#i don't wear headphones while working because i don't have wireless ones and i rarely wear pockets indoors because fuck that noise#so i just pop my phone in a central location to where i'm currently working and let her go#if i have to leave the room i can hear it going and i know i gotta go back for it when i'm done#you just work for the length of the video and assess where you're at when you're done#if you did extra stuff that wasn't on your to-do list#write them down and cross them off - or just pretend you've already wiped them off the list because you did them#and since it's not on your list *now* you don't have to worry about it#i used to work almost exclusively to markiplier's prop hunt playlist but i've expanded for shorter bursts#because that's what i put on if i think it's going to take all day (and then i get about 45 minutes in and go alright i finished)#anyway ymmv if you even got this far or were thinking about taking my advice#i'm just telling you what works for me#and of course it's really mostly onlyhelpful if i've already got the spoons for doing shit that day in the first place lmao#speaking of which i did figure out where the extra spoons came from earlier this week#bad news boys: it was the hormone cycle and now i'm bleedin' out me vag again#okay real sorry if you got this far on the tags thank god this is my own post lmao
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they-call-me-hippie · 1 year ago
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Here's one easy trick to become a better conversationalist
Become more jaded
#I don't know what happened in the transition to November but after getting sick and then being tired from being sick#And then being even more tired from a conference#I feel like my words come out of my mouth with more ease than they ever have in my entire life#There's something of an unique experience to see human suffering in front of your eyes at such a large scale#Because you suddenly realize more than ever that what you say and what you do at work doesn't matter at a larger scale. It DOESN’T MATTER#How can I pretend our pretend problems carry any weight in the real world when we see a genocide unfold in front of our eyes#But deny to call it such#How am I supposed to keep my mouth shut and my sentences politically neutral with such injustice around the world#So what do I care about carefully weighing my words or being softer than I am or inadvertenty appearing more demure than I am#I just say exactly what comes to mind. I let the empty space around me become mine. I stop being worried about appearing 'opinionated'#My harshness and sarcasm and disapproval is the least that I deserve to express as a human being#But that doesn't mean I allow myself to become rude or disrespectful. I just allow myself to be who I am at a realer level#You turn that sharpness into productive energy. Ask more questions. Respond with more kindness. Give more money to those in need#Show vigour to those that deserve it#Reserve the ruthlessness to those that truly deserve it#—#My words get sharper and my mind gets more alert with every act of unfairness I'm forced to see in the world#I've come to realize I'm driven by anger. I don’t like that
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fairuzfan · 2 months ago
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I'm to the point where if I hear you're endorsing/voting for Kamala Harris and you're publicly getting mad at people for not voting for her, I'm not even going to listen what you have to say, you've made it clear you have to strong principles to guide your decisions beyond "what's worse for me personally?" I think Harris voters have no actual ideologies to live by, despite claiming they do, and I fundamentally don't respect them for it. It's one thing to be angry at people who won't vote for Harris, but it's another thing to pretend you're doing it because you have some sort of moral authority and not basing it off pure selfishness. You think that solidarity is posting about things and that's it. You refuse to make yourself uncomfortable, even momentarily. And you get mad at people who are willing to go through discomfort for the sake of others. You call them names, ans claim that THEY are the selfish ones in this scenario. You've given up on making a change in the world for the better, or maybe you were never interested in it. All of your arguments pale in comparison to reality, because Harris is actively funding a genocide. She has even refused to acknowledge a reality in which she does not fund that genocide. Has made such a thing clearer and clearer. All my problems here in the imperial core are secondary to that. I'm about to go through multiple personal issues that are made increasingly hard by political factors and I still think that's nothing in comparison to what Palestinians and Lebanese are going through overseas. You've placed yourselves as the ultimate victims in the world and to me it's laughable and completely out of touch with just how fucked everyone else is because of the imperial beast that is Amerikkka. And speak nothing of the way the victims of Amerikkkan imperialism on Turtle Island bear the brunt of societies' woes for your personal comfort and refusal to make any meaningful change. Not ev baby steps! You think trump is an accidental anomaly and not a product of a larger issue within white amerikkkan politics. Is it not shocking to you that so many people here are voting for trump so enthusiastically?
Seeing things like the weaponization of personal identity, like "Muslims for Harris," used so plainly is an insult to the ideas of internationalism that you all claim to follow. What use is solidarity with the victims of imperialism if you refuse to acknowledge the entirety of the imperial complex? That includes the democrats you hold so dear as well as the Republicans? What use is any of this if you only think for yourself?
You claim to be thinking of others, and that's why you vote for Harris... but what is so incomprehensible to me is the comfort in which you accept the inevitability of Palestinian deaths. Why are you so willing to accept that reality? Why are you comfortable with that reality? It shocks me and disgusts me in a way that I can not really describe. You lot argue and argue and argue, but in the end, the difference between you and me is that I refuse to engage in a reality where Palestinians must die in any case. You have yet to refuse that. In actuality, you all refuse the baby steps, the bare minimum, of refusal to engage in continuation of that reality. And because of that, I do not take you seriously, nor do I view you as being moral in your decision to sacrifice Palestinians.
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ms-demeanor · 1 year ago
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Hey also you know that post about getting better at cooking and handling meat and stuff?
Meat is really expensive and it goes bad pretty quickly.
If you're a new cook and you're trying to figure out how to pan-fry something so that it tastes good, might I recommend tofu?
I'm not saying "treat tofu like meat and try to replace all your favorite meat dishes with tofu" (though, I mean, if that sounds good - go for it), I'm saying "it's a lot easier to practice heating a pan and flipping objects in a pan for a meal and seasoning objects in a pan when the objects in the pan cost two dollars instead of ten dollars."
Tofu lasts a lot longer in the fridge than meat does, is easy to season, and you can easily learn how to pan-fry it into a tasty snack (or main course) and only requires a little extra prep. You can also pretend that the tofu is raw meat (the texture isn't dissimilar) and start practicing for things like how to take it out of a package or cut it on a sanitizable surface, etc.
My favorite way to cook tofu is to press extra firm tofu for at least half an hour (you can get a cheap tofu press for around ten dollars, or you can put it between two plates with some books on the top plate - this is that extra prep i was talking about - tofu cooks best if you press the excess water out), then slice a 14oz cake of it into 8 slices. I lay these flat and sprinkle cayenne pepper, mushroom powder, and smoked paprika on all of the slices, then I rub it in and flip the slices and season the other side the same way. I cook it in a frying pan with a thin layer of avocado or olive oil over medium heat, flipping every two minutes until the flat sides start to crisp up a little. Just before the last flip I add about a tablespoon of tamari sauce (you can use soy sauce, I've just got allergies) to the pan, sprinkling it over the tofu so that both sides get a little bit of sauce on them.
I have that with steamed vegetables and with jasmine rice (with two teaspoons of rice wine vinegar per 3 cups of dry rice and 4.5 cups of water). I also make a honey-siracha-mayo sauce that I dip the tofu in.
It's really good. And now I end up eating leftover rice and sauce with fried eggs for lunch at least two days a week and that's also really good.
This has become one of my go-to low spoon foods because it's so easy to make, it's filling, it tastes good to me, and it has become extremely easy for me to keep a stock of tofu in the fridge compared to the effort of keeping un-expired meat in the fridge.
I find that a 14oz pack of tofu feeds two adults for one meal, though I can stretch that to three meals if I'm the only one eating.
It makes a very cheap, filling, easy dinner that I can keep the ingredients around for without too much concern for food waste or anything going bad (the tofu that I get lasts about a month in the fridge and these days I just buy three packs every time I'm at aldi and cycle in new stock - it costs $1.50 per pack)
If you're interested in becoming a better cook, rather than worrying about actual high-risk products like raw chicken that can be seriously dangerous and also cost a fair amount, tofu has a pretty low barrier to entry while also being a good way to learn on a new ingredient that has some similar properties to raw meat.
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imsobadatnicknames2 · 7 months ago
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How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked
I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.
Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.
I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:
Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)
In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue
In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.
There is a lot of art on the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.
Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.
The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.
A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.
So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.
I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:
(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)
A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.
It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is as much of a violation of copyright law as straight up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.
Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thing to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.
Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.
I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.
Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.
Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition and standards.
When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.
They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.
(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)
Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.
Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.
Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.
A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.
Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.
Some stray thoughts that don't fit any of the above sections.
I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.
Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.
So yeah, this is pretty much everything I believe about the topic.
I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.
If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.
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reiderwriter · 5 months ago
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💫 Starry-Eyed 💫
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Pairing: Porn Star! Spencer Reid x fem! Reader
For the CM Kink Bingo Challenge
Summary: For work experience, you take a job working the cameras on a porn shoot, but after becoming suddenly attracted to a new coworker, you shortly find yourself as a fluffer, the person whose job it is to keep the "talent" aroused between takes.
Warnings: 18+ MINORS DNI, Porn AU, College AU kinda, exhibitionism, oral sex (f receiving), consensual voyeurism, masturbation (male), blow job, deep throating, messy orgasm.
A/N: Well, look at where we are. I think this actually counts as my first Alternate Universe fic, which is crazy all things considered. I'm really enjoying the Kink Bingo Challenge as it's leading me to so many new ideas for fics!! I hope you all enjoy this one 🥰
Masterlist || Bingo Board
Being a college student still at age 25 meant many things, but mostly, it meant you had friends at many different stages of their lives. Some were fresh out of high school halls, enjoying their first taste of freedom, some were enjoying their first drops of alcohol. Some were giving up alcohol for good and starting families. 
Some of them were successful porn stars who'd funded their own start-up porn production company. It certainly was one way to use a film degree. You knew a professor or two who would enjoy her work more than half your syllabus as well. 
Candi Rapper had become famous doing cam shows in her first year of college and had gone all-in after graduation. You'd shared a few classes in the early days, before you took a break from college for financial reasons, of course. By the time you'd gone back, she was a big time and now in the position to offer you a job. 
“One of my crews is down a cameraman this weekend. If you're open to it, I pay a fair wage?” she'd offed at your weekly brunch. 
“Will you be the star?” You joked back with her. 
“You wish.” 
You took the job, of course, along with a ride from Candi (her name was Kate, but you'd let her pretend) and pulled up on site bright and alert at 7am. 
The set was a large mansion - typical, Candi said - and you'd be mostly shooting in the living room - typical, Candi said. You'd had to tell her after her second typical that you were, in fact, an adult and had seen at least one porno before until she cut out pornsplaining everything to you. She introduced you to the key staff and the director, and they got you set up at your camera. 
“The shoot today is going to be around 5 hours. You'll be on camera three. The papers in front have your cues and directions. You can have some free time until we start. There's a breakfast spread in the kitchen, help yourself.”
Not one to turn down free food, you bee-lined there and stood awkwardly in line for the coffee with the dozen or so other crew members, eyeing up the take-out pancakes organised across the granite surface. 
“Your first time?” An older man asked from behind you, smiling in a friendly manner. 
“You can tell?” 
“You're thinking about eating the pancakes, and the rest of us are remembering the scene filmed there last weekend," as if on queue, a shiver ran down his spine. "Yeah, we can tell.” You laughed along with the man's joke and finally grabbed your coffee. 
Luck just wasn't on your side, though, as you turned and immediately ran into someone immediately sloshing the coffee onto your shirt. 
“Oh my god, I am so - I'm so sorry, I need to watch where I'm going.” 
You'd run into 6’3” of lanky, awkward male perfection. He looked young, your age or younger most likely, and was fidgeting as he stood, the most obviously uncomfortable person in the building.
Your first thought was “Is he lost?” closely followed by “Can I beg him to get lost in a linen closet somewhere with me?” 
He grabbed a handful of tissues from the counter nearby and began attempting to wipe away the coffee you'd spilt down yourself, completely unaware that he was fondling your breasts in his haste to do so. 
“Slow down there, tiger, shoot doesn't start for another half hour,” you said, winking at him as you took the tissues from his panicked hands and dried yourself as best you could. 
“I know, I memorised the call sheet. Who are you?” His question was blunt, but you weren't taken aback at all, your smile even deepening as you enjoyed his subtle attention. 
“I'm Y/N. It's my first time.” 
He spluttered, coming up with an answer to that, and you immediately cursed yourself for the slip. 
“My first time on set, not my- I'm 25. Not that age determines experience per say but-”
“I'm 22. And my name is Spencer,” he said, grasping your hand and shaking it. 
“So, it's your first time on set?” He asked, relaxing more into the conversation as he stepped closer to you, letting the other staff members come and go from the kitchen. 
“Yeah. My friend offered me the job, you know Candi?” 
He nodded but didn't speak, so you continued. 
“She thought the experience would be good for me. And the cash. Gotta put myself through college somehow, and it was this or stripping.” 
He laughed, and you felt a flash of warmth in your stomach, a familiar hunger spreading across your lower body. Maybe it was just the atmosphere of the set, but the air was charged with arousal. 
“Well, you're certainly attractive enough to do both jobs. I'm sure the camera is going to love you,” he said, sounding so genuine and enthusiastic that you almost felt bad you had to correct him.
“Oh! Oh, no, Spencer, I'm not - I'm, uh, I'm going to be behind the camera. Behind camera number two.” 
His face instantly flushed, and you thought you saw a pang of disappointment there for a second, too. The thought of him being disappointed made your skin heat, that he'd been looking forward somehow to watching you get fucked? Your cunt throbbed and suddenly, you found you did wish to display yourself, to let everyone see if it meant that he got to.
“I am so sorry. I didn't - I thought… No, I didn't think, I… I'll shut up now, please excuse me-” 
“No, Spencer, wait-” 
You tried to call after him, but he sent you an embarrassed smile and walked off in haste, leaving you behind as the director called people to their places. 
You were still flushed with arousal as you moved to your station, getting your camera ready for filming. You were distracted even as the scene started, and the female actress came on set, already stripped down to her underwear and touching herself, teasing the camera. 
Surprisingly, you found the work easy enough, too busy focusing on the settings and the gaze of the camera to even care about what was going on down the lens. She was moaning and writhing and gasping sure, to the benefit of the cameras, and although strangely intimate, nobody in the room seemed bothered, so neither did you. 
Or neither did you until the actual scenario started, and your actress got ‘caught’ doing the dirty by the needy boy next door. You hadn't looked at the call sheet closely enough as Spencer peeped through the door to the bedroom, entering the scene not by accident but as a scripted part of the show. 
Your eyes bulged out of your head as you immediately looked down to your prompt sheet to find his name there. 
LEAD ACTOR: SPENCER REID
His stage name was scribbled next to that, but you paid it no attention as you steadied your camera again and got to filming seriously again. 
The actress had pulled his glasses off and led him to the bed, letting him keep on his sweater vest and tie as she pulled his head between her legs, and he started doing his job. 
Even from your view to the side of him, you could tell this wasn't his first time doing that. His tongue spread across the expanse of her heat, first, letting her grind into his face, getting comfortable before he snaked a hand up to her stomach and held her in place for as long as he so desired.
Then, he rolled her clit into his mouth and sucked. The fake moans and whimpers suddenly became real as you saw the sheer skill of his tongue ripple through the woman's body. 
You couldn't even be jealous at this point, despite how much you sorely wished that were you on the bed. Surely no girl had resorted to porn out of pure horny desire before, right? 
After a while of letting her gasp and moan under his tongue, Spencer's fingers curled inside the other woman as well. The director called cut, and he kept his fingers there, even as they walked him through the next few shots, and instructed him to unzip his pants in the next few clips. 
“Shit,” you muttered to yourself as the cameras started rolling again, and he did finally free himself from his tight khakis. 
You knew you'd probably sign up for whatever was on offer at this company next to see that gift again. Spencer wasn't an impressive size or girth, nothing so alien or out of the ordinary that it only belonged in porn. It was just that his cock looked so… pretty. 
He was an inch or two longer than any man you'd ever been with, you were sure, but his cock seemed to have an air of dignity about it. 
You had to stop yourself at that thought. Dignity? Really? You were working part-time on a porn set, and there was suddenly dignity involved? 
You rolled your shoulders back and tried to find your earlier unbothered attitude. But with his cock in his hands and his face slick with female arousal, you really couldn't bring yourself to think about anything less than his fingers roughly finger-fucking you. 
You tried to close your eyes to it, to be blind, but the wet, sticky sounds only distracted you  and you found yourself soon swaying, swaying, swaying until you had to catch yourself before the camera dropped. 
With a shout of “yes, baby, yes,” the female star came on his face, sending up a furret of fluids as he just kept diligently stroking his cock, only stopping at the director's final yell of “CUT.”
“Perfect guys, let's get her up and drinking water again. You need to stay hydrated after all that,” he joked, a PA walking over to pass the actress a robe and a bottle of water as she walked off set. 
You relaxed for a second, trying to find your quickest route out of the room so you wouldn't have to drool over the man's cock so obviously any more. 
“FLUFFER? Where's the fluffer?” The director yelled, looking around for someone who obviously wasn't there yet. 
“Well?”
Still, no one arrived to do whatever job they needed doing, and you felt desperate for escape. 
“New girl, would you mind?” Some crew member called out from the sidelines, nodding at you. 
“Oh, uh, sure,” you said, hoping that whatever job you agreed to would get you far enough from this room and the heat between your legs as possible. You were not a prude, and you would not bolt from your very first film shoot. 
“Great, get on the bed and keep the boy company,” the director said before exiting the room. 
You were absolutely on board with becoming a prude and bolting the scene as fast as your legs could carry you. Unfortunately, eight people still sat around, monitoring equipment and chatting on their breaks, and so you were forced to comply with the task. 
“We meet again,” you greeted the man stiffly as you found him on the bed, an apprehensive, tight smile on his own face.
“You don't have to do this if you're uncomfortable, I can keep myself… occupied.” 
You noticed then that his hand was still wrapped around his cock, giving it slow strokes, not enough to tip him over the edge, but just enough to maintain the erection. 
“So the fluffer….?” 
“Prepares the actors for the next scene? I need to stay- let say in shape.” 
His face flushed crimson as your gaze slipped down to his cock in his hand. 
“So you want me to-” 
“NO. No, I usually only talk to the Fluffers. Look at them, you know?” 
You nodded and found yourself suddenly going still, watching his face contort with pleasure as his eyes raked over your chest and legs. 
You couldn't help but let your eyes dart south again, and fuck did you wish you hadn't. His spare hand fisted the sheets as he stroked himself gently, practically taunting himself with the light touch. 
“You do this often?” you asked, trying to pretend you were open to having a normal conversation even while your brain begged you to climb into his lap and sink down as fast as you could. 
“You mean maaturbate or the porn thing?” 
“Porn.” 
“No. No, I come in for a shoot every few months. One of these shoots tends to fund another semester of my PhD, so-” 
Somewhere in the back of your mind, you were impressed by that admission, but your predominate thought was still “shit, shit, shit, shit.” 
“That's impressive,” you said, only catching your words as they tripped out of your mouth. “THE PHD! The PhD, I mean not your… penis? Not that it isn’t appealing, or- or-.” 
You tried your hardest to use the most clinical word you could, distancing yourself from the honeyed words you so wanted to drop in his ear to get him to crawl further up the bed and entice him to make his own scene with you. 
“Thank you. It's my third,” he said, slightly more relaxed now that you were the flustered one. 
“PhD that is. Not cock. I only have one of these.” 
“One is enough,” you say, unable to stop the words tumbling out as your eyes again find themselves following each pump of his hand up and down his cock. Inwardly, you curse your friend for starting up her stupid business and paying you to simply exist in the same hemisphere as this man without being able to ride him. 
“Do you want to touch it?” He asked, blurting the words out suddenly. As if God had answered your prayers, your heart leapt up into your throat, your pussy clenching around nothing as you shifted your hips closer to him. 
You'd thought then that you'd quite enjoy bouncing on that thing yourself, but a handshake would have to do.
“So you have to stay hard, but-” 
“But it's best I don't cum, yeah.”
“Okay. Noted.”
Slowly, you reached out a hand and gently wrapped each finger around the tip of his cock. He released himself and wrapped his now free hand around yours, setting the pace for you quickly as he engaged you in conversation again. 
“So, where are you from?” He asked, as inept at small talk as you felt in that second. 
You answered him without a fuss and returned the question. Las Vegas. That seemed to check out with how easily he'd broken into porn. There was always something happening in that city. 
"How'd you get into the business?"
"Well, Vegas, you know. A producer saw a group of... street ladies offer me a freebie and gave me his card."
You went back and forth on questions like that for a few minutes before you noticed he was coughing every few seconds to mask moans and groans, evidently too into this to request you stop. 
“Is it okay to…Can I touch you?” He asked, sounding very afraid of rejection at that second. 
“Oh, um, yes. That'd only be fair, right?” 
He ran a hand up your waist to the curve of your breast and pressed his fingers into one, digging into the skin as though it were a pillow, and he was testing it before he fell head first into it. 
Maybe that was just wishful thinking, though. 
Temporarily, you let go of him, popping the front buttons of your blouse until he could freely see all of your black and red bra, and feast on the tops of your dusty nipples, peaking out just above each cup.
You heard him inhale sharply, even as he tried to hide it, but you didn't care, too transfixed on the precum decorating his tip. 
“Would you mind-” You started, but cut yourself off quickly, biting your lower lip. 
“Mind?” 
“Can I suck it?”
You didn't know where it came from because there were probably half a dozen other people still in the room, and mostly men. But dear god, he looked delicious, and you wanted just a little sample. 
“Fuck yes,” he said, finally giving in and letting out a whole gust of breath as he slumped down a bit further, no longer holding himself rigid. “No, no, actually, please do. I'm begging, I'll beg-” 
You cut him off by pushing yourself to your knees and crawling in between his, and seconds later, you were licking the length of his cock from the base of his balls all the way to that precious drop of precum. 
Hard, but no cumming. You could do that. You'd never done it before, preferring to fully pleasure sexual partners any chance you got, but there was no time like the present to start learning. 
Slowly, you wrapped your lips around his tip and sank down, taking one inch, then another, and then another. When you reached the base of his cock, you pushed that little bit further down, calming yourself and going slowly so you didn't gag, nose pushing into his neat public hair before pulling away just as slowly and doing it again. 
You took him as deep down your throat as you could manage, and suddenly, it was like everything that kept your conversation casual and civil earlier had flown out the door. He threw his head back, fisted his hand in your hair, and moaned deep. 
The sound shook you so much you almost pushed a hand into your own underwear and started fucking yourself, needing to prepare yourself for him like a good girl. 
Around you, you could hear signs of the shoot starting back up again, people finding their places, still all but ignoring you deep-throating a porn star. 
Spencer's breaths grew more rapid as you sucked him, hips becoming restless as he tried to lift up into your mouth, hand in your hair tightening as you realised your mistake. 
You pulled off his cock and grasped it again, stroking it slowly, but it was too late. With a sharp moan and a twitch of his hips, Spencer so prettily decorated your chin and chest. His cum dripped down your face, hitting your cleavage and pushing further down to stain your nice black laced underwear white.
“Fuck! Sorry, I wasn't meant to do that, let me get some - Can I get a towel please? A baby wipe? Some tissue, anything?” His voice was panicked, but his hand on your head relaxed, and he brushed your hair gently behind your ear, as if comforting you. 
He was panicked, for sure, but the crew calmly handed him everything he needed, as if they'd been in anticipation of just this thing happening. You supposed they probably were, this being a porn set. You were sure you were supposed to clean yourself up, but instead, he grabbed a wet tissue, leaving the pack just out of your reach.
He managed to clean your face off a bit before the director returned to the room with a laugh. Running a hand through his hair and messing it up slightly, the director turned back to you.
“We're five minutes out from shoot time,” he said, shaking his head. You started to apologise, but he stopped you with a hand. 
“New girl, work whatever magic you just did and get him hard again. Five minutes.” 
“W-What?” You spluttered, trying your best to rise from your knees, but ultimately failing. You were either stiff from the position or just weak with arousal. 
“He just came, I don't think I can-”
“10 pictures I've done with that kid, and I haven't seen him cum that quickly ever before in my life. And certainly not just for some kitten licks. Do it.”
You turned back to Spencer, his cum still trickling down your chest, creating an almost uncomfortable stiffness as it dried up. 
“Pleasure working with you?” You said, not-so-secretly ecstatic that you got to sample him once more. 
“I'll be in your care,” he replied, as you begin softly kissing the head of his cock again, tipping his head back again and losing himself in the pleasure or your tongue.
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writing-biting · 1 year ago
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Okay, so I saw a couple of people say that we should make Zepotha out of spite. The main thing that keeps popping up is summer camps and aliens (I think someone also wanted lesbians, but I mean who doesn't want lesbians?)
But I'd like to say that this really points out the difference between Goncharov and Zepotha.
Zepotha, in a very tiktok fashion, is being made based on a popularity contest. Zepotha will exist. It didn't already exist.
Zepotha is treated like it's being made, rather than like it already exists. It's an 80s movie not because it was made in the eighties, but just based on the vibes.
Tiktok is trying to make a movie, much more than they're pretending the movie already exists.
Goncharov on the other hand, is treated like it always existed. Tumblr made a fandom and not a movie. The clarifications and contradictions are just a normal product of fandom, especially a fandom of a lost media. It's normal for people to mix up details.
The details of Goncharov depended on people seeing a mentioned plot point and going along with it, 'yes, and'ing the bit. If there was a common plot detail you didn't like, you'd just talk about how much you didn't like that that happened in the movie.
Since Tiktok is writing a movie, the contradictions are more prominent, because people want Zepotha to be the story they want it to be, rather than the story it is.
Like, I find it some of the religious symbolism in Goncharov annoying, I feel like they overdid it with two 'eating the forbidden fruit' scenes, but I'm not going to say 'that didn't happen in Goncharov', because it did!! And there's nothing I can do about that.
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chahnniesroom · 4 months ago
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some loves
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pairing: bang chan x female reader
summary: some loves are too hard to bear. years after being trainees together, chan still thinks of you all the time. he has no idea that a collaboration would lead him back to you.
word count: 6.9k
tags/warnings: reader is an independent singer/songwriter, hurt/comfort, angst, mentions of past injuries, a little bit of jealousy, i am still in denial that chan doesn't do lives anymore, hongjoong from ateez is in this fic
read it on ao3 | masterlist
a/n: once again, sorry for the long time between posts. disclaimer that i do not know much about how the music/idol industry works and i did not really do much research. also i'm not an atiny so sorry if my portrayal of hongjoong is not realistic at all. also also i did a lot of the writing on a new tablet doing handwriting with a stylus to text so please forgive any typos or weird formatting! i didn't have a chance to edit much so i may have missed some things.
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Chan’s in his studio when he gets the call. At first, he doesn’t even realise his phone is ringing. It’s 2am on a weekday and he’s been working away for a few hours so the rest of the world has just about faded into the background.
He’s both surprised and intrigued when he looks at the caller ID and sees Hongjoong’s name. Chan would consider Hongjoong to be a friend, but they’re not particularly close and he can’t think of a reason that would warrant this late night call.
“Hey hyung,” Hongjoong greets him briefly before getting straight to the point. “What’s your schedule like in the next few months?”
“It’s actually not too bad,” Chan replies after a moment of thought. “We’re just finalising all the music for the next album so it’ll be a bit of time before we get busy with recording and filming for the comeback. What’s up?”
“You don’t have the answer now and I don’t want you to feel any pressure at all, but would you be interested in doing a collab together?”
“A collab?” Chan repeats. “Like, ATEEZ and Stray Kids?”
“We could,” Hongjoong says reluctantly. “But actually, if you’re up for it then I was thinking more like just you and me. I have a couple tracks that we could work off of and I’ve roped in someone to help me with recording, engineering, and production.”
“Who?” Chan asks, interest piqued.
“Not sure if you’ve heard of them, they go by the name HALLA.”
Chan recognises the name instantly. When Chan had first stumbled upon HALLA one late night scrolling and listening to different independent artists, they seemed relatively unknown. However, a little research revealed that they had KOMCA credits on a number of songs for idol groups, some of which had become widely popular. Their personal work was a variety of genres and a majority of the tracks didn’t have vocals, but the ones that did had clever or thoughtful lyrics. There were a couple of different voices featured in the original songs, both of which were smooth and melodic. HALLA has a style that Chan thinks would complement Stray Kids and he’s considered reaching out to them a few times, but was always held back by something.
There was little about HALLA posted on the internet and while Chan definitely appreciates their privacy, he’s curious to meet the person behind all the songs that he enjoyed. There’s just something familiar about all their music that he can’t quite place, something that he wants more of.
“I’m in,” Chan agrees.
“You can take some time to think about it, talk to JYPE to see what their thoughts are too.”
“No need, I’m interested and I know I can convince management to support this.”
“Well that was easy,” Hongjoong says and Chan can basically hear him grinning through the phone. “And for my own pride, I’m going to pretend that you said yes the second I suggested the collab instead of when I mentioned HALLA-ssi.” Chan instantly flushes and is glad that Hongjoong can’t see him over the phone.
“It wasn’t-” Chan begins to protest.
“It’s okay,” Hongjoong interrupts. “I’m also pretty thrilled to get to work with them, so I understand. Didn’t realise you were familiar with their work, but I guess a hidden gem like them can’t stay hidden for long. I’ll send some files over to you and we can organise a time to work.”
Chan finds it easy to work with Hongjoong and they make quick progress on the song, writing lyrics and creating a guide within a couple of weeks. Before he knows it, they’ve scheduled a time for Chan to visit KQ Entertainment to record vocals. Hongjoong knows that Chan is keen to be involved in the production and arrangement of the song too, so they also have a couple sessions booked for that, although Hongjoong teases him relentlessly about just wanting to work with HALLA. The worst part is that Chan can’t even deny it.
Hongjoong meets him at the entrance of KQ Entertainment and quickly takes him through security.
“HALLA-ssi is already in the studio,” Hongjoong explains as they wait for the elevator to arrive. “I was getting input on a track that’s been killing me for the past few days.”
“Did they help?” Chan asks, a little surprised that HALLA is involved in more than just this collaboration. He still hasn't had a chance to connect with them other than quick introductions through text a couple of days ago and he's just as excited to meet them as initially.
“Yeah!” Hongjoong grins, eyes curving into little crescents. “HALLA-ssi is amazing. She only had listen to it a couple times before she came up with suggestions on a few different ways to fix the part that I hated. I left her to finish cleaning the song up and then it’s basically ready for review.”
“How did you start working with HALLA-ssi? I’ve been meaning to try to connect with her.”
“It was actually a friend that suggested working with her. For someone who isn’t signed with a label- which I don’t know how nobody has signed her yet- she’s surprisingly well connected within the industry. I’m sure that KQ would be more than happy to have her work with us, but when I hinted at that, she didn’t seem interested.”
“Really?” Although KQ Entertainment is still one of the smaller companies in the industry, most unsigned artists would still jump at the chance to work there since they have a good reputation, especially due to ATEEZ’s popularity.
“I haven’t poked too much, it’s not really my business. I thought I might as well try. I just know that she’s amazing at her job and I’m grateful that I get to work with her at all.”
They turn the corner to the hallway that leads to the recording studio. The door is ajar and Hongjoong opens it, waving his arm forward to allow Chan to walk through first, before following closely behind.
HALLA’s sitting at the desk and the second Chan sees her face, he stops in his tracks.
“Y/n,” Chan breathes.
You look up, startled, and your eyes connect for a split second before Hongjoong crashes into Chan, sending them both tumbling to the ground.
“Hyung,” Hongjoong complains, unaware of Chan’s inner turmoil. “Why’d you stop?”
Chan lets out an apologetic wheeze from where he’s now trapped under Hongjoong, before resting his forehead against the ground. He needs a second to recover.
It feels like a punch to the gut to see you in front of the recording studio’s computer, fiddling with a track. You look different, but somehow it feels like Chan has been transported right back to his trainee days and all that time that the two of you had spent side by side.
It has been years since Chan last saw you. He had found out that you had left JYPE just months after Stray Kids officially debuted, but all efforts to track you down had been futile. You had changed your number and broken contact with all the other trainees. He had asked around a little bit, but everyone he talked to had been unusually cagey about the subject.
Suddenly, everything makes more sense, especially the little that he knows about HALLA.
As trainees, Chan’s favourite moments had been when you had regaled him with stories of growing up on Jeju Island. The two of you had connected early on through your shared love of the ocean. You had promised him that if he ever went to visit in his free time, you would take him on the best trails up to the Hallasan, the shield volcano, and show him incredible views from the highest point on the island. Occasionally, your parents would send you care packages and the two of you would open them hidden away in one of the vocal practice rooms, the sweet citrus of hallabong exploding in your mouths.
You had always spoken about Jeju Island so fondly, of course you would find a way to indirectly pay homage through the stage name that you chose.
“Oppa,” your voice rings out in the silence of the room. Now, Chan knows why the female voice on some of HALLA’s songs had always seemed hauntingly familiar. “Are you okay?”
“I’m fine,” both Chan and Hongjoong say at the same time, then make eye contact with identical confused expressions.
“Hongjoong-ssi, you didn’t mention that the person you wanted to feature on the track was Channie-oppa,” you say, making it clear who you were addressing your concern to earlier.
“It was supposed to be a surprise!” Hongjoong gets up slowly, dusting off his clothes and scratching at the back of his head, still looking bewildered. “I had no idea that you two knew each other, hyung mentioned he hadn’t worked with you before.”
Chan stays quiet, not sure how much you’re willing to share. Hongjoong must not know about your time with JYPE if he can’t piece together how the two of you could have met.
“Oh- I used to- We trained together back in the day,” you explain sheepishly. “I was with JYPE for a little while and all the trainees knew who Channie-oppa was. That was a long time ago though, I didn’t use the name HALLA back then.”
The five years that you trained at JYPE are more than a little while, but Chan forces himself to bite his tongue at your deliberate understatement. You don’t elaborate further and while it’s obvious that Hongjoong isn’t satisfied with your answer, he’s willing to drop the topic for now. You look relieved when he switches the subject to the song.
The three of you finish recording quickly. It shouldn’t be a surprise, the work so far with Hongjoong has been smooth so adding you to the mix has just made things easier, but Chan knows he’s a perfectionist and it often takes him an almost embarrassing number of takes before he’s satisfied. The only delay comes when Hongjoong decides he wants you to sing some of the backing vocals and resorts to actually getting on his knees and begging. Chan doesn’t go so far, but he can’t help but agree that your voice blends with the song perfectly. Of course, he also just wants to hear you sing.
You relent when Chan quietly voices his agreement and it really shouldn't make Chan feel as smug as it does.
It’s not even early enough for dinner when things are wrapped up. Chan is usually eager to finish a schedule early, but he’s reluctant to leave, taking his time packing up his belongings.
Finally, he doesn’t have a reason to stay any longer so he musters up the courage to ask.
“Do you guys want to go grab some coffee or something to eat?”
You and Hongjoong make eye contact before turning to look at Chan guiltily. His stomach churns for some reason.
“I’m sorry,” you wince. “I actually promised to help Hongjoong-ssi with an ATEEZ song and we need to go over the edits that I made before his meeting with the company later today.”
“Oh,” Chan replies, feeling a little relieved. “Right, no yeah I get it. Hongjoong actually mentioned that earlier, but I forgot. My bad.”
You offer an apologetic smile before turning to the computer, opening up a file.
“I’ll see you guys next time, then,” Chan says, starting to back out of the room.
“Of course! Thank you for your hard work and good job today!” you say brightly. Looking distracted, Hongjoong mumbles an agreement and waves goodbye. Unlike you, he’s not staring at the computer monitor though. Instead, his focus is solely on you. Even from his side profile, Chan can tell that he’s enamoured.
Honestly, Chan can’t really blame him, you look comfortable and confident, swallowed up in an oversized hoodie as you start explaining the alterations that you made to the track. Your voice is calm, but warm and you’re careful to start off by complimenting the work that Hongjoong had done previously.
Chan leaves, resolutely ignoring the twisted feeling that’s back with a vengeance and any thoughts of what the cause might be.
Chan can’t sleep. His thoughts are all about you, what you’ve been doing the past few years, what happened to you at JYPE that made you leave, and mostly trying to remember how and why your relationship with him slowly fell apart.
That’s the hardest part. In the darkest time of his life, when Chan had been discouraged and disheartened, you had joined JYPE with a brightness and enthusiasm that gave Chan the motivation to continue being a trainee. He had adored you. He still does.
In those last few months before the survival show had been filmed, Chan’s relationship with you had gone from being everything to nothing. It happened in the blink of an eye, and Chan had never understood what caused you to withdraw so quickly and thoroughly. The two of you had gone from spending almost all of your free time together to you avoiding him at the company, pretending not to hear when he called out your name or tried to get your attention.
The regret of letting you slip away has always eaten away at him, but now more than ever.
Of course, at the time it hadn’t felt so simple. The survival show was Chan’s first serious chance to debut, and not just that, but the weight of having eight other people’s careers depending on his leadership took a toll on all his other relationships. Your absence in his life still hurt, but Chan had lots of practice losing people. He had coped in the way that worked best in the past, throwing himself headlong into producing, training, anything to keep himself from wallowing in his feelings.
Chan doesn’t have any schedules for today, but he still heads to the company. He knows this isn’t the healthiest way to deal with things, but he doesn’t know anything else.
When he arrives, Chan just barely manages to catch a glimpse of a few familiar faces. He calls out before he can think better of it, jogging slightly to catch up. Sana, Momo, and Mina watch curiously as he approaches. He knows that Twice also aren’t in a busy period of the year, so he doesn’t feel guilty delaying them.
“Sorry to bother you all. Sana-noona, I was just wondering if we could chat?”
Sana makes brief eye contact with the rest of the girls before agreeing and waving them to go ahead of her. She follows behind Chan as he leads them into his studio, clearly interested in determining the reason behind this atypical meet up.
“What’s up, Channie?” she asks once the door is closed behind them.
Chan tries to think of the best way to start, not wanting to just outright ask, but not knowing how to subtly steer the conversation into the right direction. Finally, he abandons trying to be casual and just blurts out, “Do you remember Y/n?”
“Of course I do,” Sana says, sounding amused at the sudden mention of you. “You both had reputations for being veteran trainees. I mean, other than Jihyo.”
“I was always surprised that she never debuted,” Chan admits. “I just thought it would happen eventually and I was so shocked to find out that she had left. I didn’t- I don’t understand why she gave up on something she wanted so badly.”
“Give up?” Sana asks, sounding like she’s offended on your behalf. “Why would you say it like that?”
“What do you mean? It was like she was there one day and gone the next, I just assumed that she had enough and quit. Nobody seemed to know anything about it. I never found out why and it’s been kind of killing me.”
“You didn’t hear what happened?”
“What- something happened? To her?” Chan swallows hard, suddenly feeling unwell.
“It- I thought that you of all people would know-”
“What’s that supposed to mean?”
“Nothing, but- you never talked to her about it? You knew her better than any of us.”
“Noona, I didn’t know that she was gone until months later. She obviously didn’t want to talk about it to me, I never reached out at first. When I finally did, her number had been changed. What was I supposed to do?”
“I- It’s better if you were to hear it from her. I don’t know the full story and you know how things can be distorted through gossip. And you especially must know how dangerous that can be.”
“What are you talking about?”
“You really have no clue? The two of you were inseparable…”
“Please,” Chan pleads.
“You know how it is in the industry, you were so close, of course there were rumours…”
It suddenly clicks.
“But we were just friends! And the dating ban-”
“Chan, you know nobody actually sticks to those, right?”
“But really, we were never-”
“I believe you,” Sana says, carefully. “But you know that to management that it doesn’t really matter whether or not anything was actually going on. To them it’s all about the optics. A perceived relationship is just as dangerous as an actual one.”
“Management…” Chan repeats, his mind racing. “They never mentioned anything to me though.”
“You never found it suspicious? You two are extremely close and out of the blue she suddenly stops talking to you, then right after the two of you stop hanging out, you’re chosen for the survival show? Someone must have talked to her at some point. Maybe not management, but for sure someone.”
“You think that’s why it took so long for me to debut?” Chan asks, even though he already knows the answer.
“It was a liability,” Sana explains. “To have a dating scandal so early on? Neither of your careers would survive. It’s painful and a terrible part of the industry but it’s true.”
“And.. Why she left, you know about that too?” Chan pleads.
“I think I’ve said too much already. I know that it’s hard, but some things are really personal.” She pauses for a moment. “What brought this on, anyway? You haven’t mentioned Y/nnie in years.”
“I can’t say much, but I- I saw her today, got to talk to her, found out what she’s been up to.” Sana gasps. Chan continues. “It was so weird to see her after so long. In the back of my mind, I had always wondered, but…”
“I’m glad that you two got to reconnect,” Sana says gently. “The two of you cared about each other a lot, that much was obvious. Talk to her, I think at the very least you’ll be able to find peace about what happened.”
“Noona-” Chan reaches out and pulls Sana into a tight hug. “Thank you for telling me. I appreciate it.”
“Of course. I’m sorry that it took so long for you to find out.”
A few days later, Hongjoong schedules another session to work on the song. Leading up to it, Chan is both looking forward to it and nervous, not sure what to expect. Although he still really wants to know what happened to you all those years ago, he’s scared about what he might learn and any part he might have had in it.
After a sleepless night, he ends up arriving almost 15 minutes early. This time, Hongjoong isn’t waiting at the building’s entrance. Instead he had let him know a few days before that Chan could just sign himself in and had sent him the name and location of the studio that was booked. When Chan reaches it, he can make out conversation from inside.
“HALLA,” Hongjoong can be heard through the studio doors, which aren’t fully shut. His tone is petulant and much more casual than it was previously. Chan wonders how much time the two of you have spent together between then and now and he almost misses the next thing that Hongjoong says. “You never told me that you were a trainee before.”
That stops Chan in his tracks, interested in how you’ll respond.
“It was a long time ago.” Your voice is faint. You’re still nice, but Chan can tell that your voice is stiffer than usual. “It doesn’t really matter now.”
This time, Hongjoong doesn’t let it go.
“What happened?” he prods.
“Just drop it,” you warn him. “It’s the past, forget I told you in the first place. Nothing ever came of it anyway.”
“Y/n-” Hongjoong changes tactics, the nagging tone replaced with a quieter, more serious one. You sigh.
“It didn’t work out. Obviously. I’m just not idol material.”
“Oh come on, I don’t believe that for a second. Your producing is good enough that I know for sure you’ve been getting offers to work with more companies than just KQ. When you direct during recording, you can hit every note without any warm up or practice. And I’ve heard your original songs, you must have been considered for both the position of lead rapper and lead singer as a trainee because there’s no way that anybody would let your talent go to waste.” Hongjoong is breathing hard by the end of his rant and Chan can see that this is something that has been bothering him for a while.
“It’s okay, Hongjoong-oppa.” Your voice is gentle, like you’re trying to comfort him. “I’m happy with what I have right now. Really. I’m grateful for all the freedom I have. Getting to work on any project I want and experiment with my music without having to deal with the bureaucracy and politics of the industry? Having that independence is precious to me. I wanted to be an idol for a long long time. But even though that specific plan I had didn’t work out, it doesn’t mean I’m not happy with what I’m doing.”
Hongjoong stays quiet for a while.
“Do you think that if you had the opportunity to debut as an idol now, you would?” he finally asks.
“Oppa, it’s not possible. I can’t dance, I’m too old-” you protest.
“No no, just hypothetically. Like if someone walked into the room and handed you a contract and said that if you signed it in an hour then you’d be able to debut.”
“I- I don’t know.”
“What’s your gut feeling?”
“I think I left that dream behind, I don’t know if I want to go down that path again. I don’t think I have it in me.”
“I’m sorry,” Hongjoong says after another pause. “I shouldn’t have questioned you so much, you shouldn’t have to justify your decisions to me.”
“No, it’s fine. It seems strange, right? For me to be an artist in Seoul and not want to get signed, it's only natural for you to be curious. But I learned a lot when I was a trainee and I learned even more after that and I can say with certainty that this is what I want.”
Chan takes that opportunity to knock on the studio door and push it open.
“Hey, hope I’m not interrupting,” he says, as if he wasn’t just eavesdropping on their conversation and purposely chose when to cut in. “Sorry, I’m a little bit late.”
“Hey, no problem man,” Hongjoong says. “We haven’t had a chance to do anything yet, so you’re right on time.”
“Good to see you,” you chime in. “I think this should be pretty quick so let’s get started!”
As you predicted, it doesn’t take long before a majority of the song is finished. Normally, Chan would be keen to stay involved until the very last detail is finalised, but he trusts you and at the end of this day, it’s Hongjoong’s song so he’s happy to give him the final say.
At the end of the session, Chan once again uses the opportunity to try to catch you alone. The two of you are side by side, packing your bags and Chan asks if you have any plans for the rest of the day. You confirm that you're available and Chan is about to suggest that the two of you take the time to catch up when Hongjoong interrupts.
“Oh, Y/n-ah,” he says. “I was actually hoping to get your input on something and I didn’t have a chance to ask you earlier. Can you please stick around for a bit? Sorry, hyung.”
Hongjoong sounds so sincere that Chan almost doesn’t feel annoyed that he’s stealing all of your time and attention. Almost, because at the end of the day, Chan’s only human. Even though he knows he has no right to feel possessive over you, he can’t stop the petty jealousy that bubbles up inside of him. At this point, there’s no denying the emotion.
Just like the previous session, he leaves alone, heading directly to the studio. Hours later, his breath catches when he checks his phone and sees that you’ve texted him.
[Received - 8:04pm]
Channie-oppa~
[Received - 8:04pm]
This is Y/nnie
[Received - 8:05pm]
Sorry about earlier, I have a contract with KQ Entertainment and work comes first :/
[Received - 8:09pm]
But I’m free now! You still interested in catching up?
Chan stares at the messages until it feels like they’re burned into his retinas. Logically, he knew that you had his number, the two of you were in a group chat that Hongjoong had set up, but this was your first time messaging him privately. The first time you had reached out in years. A precious opportunity that he never thought that he would have. He doesn’t want to mess this up.
He’s also shocked to see you texting so casually. Although the two of you have been comfortable in person, he wasn’t sure that it would translate to one-on-one conversation.
[Sent - 8:10pm]
Hey Y/n!
[Sent - 8:11pm]
No worries at all, I understand. I’m the same way too
[Sent - 8:13pm]
I still wanna meet up… but I’m all the way back in Gangdong-gu 😅 It’d be a bit of a trek for you if you're still at KQ
[Received - 8:13pm]
Gangdong-gu?
[Received - 8:14pm]
Ohh JYPE
[Received - 8:14pm]
My bad, forgot that you guys moved
[Sent - 8:15pm]
Yeahhh
[Sent - 8:15pm]
Headed straight back to the company after we were done, sorry
[Received - 8:18pm]
Well… If you’re willing to wait then I don’t mind. KQ is close to a metro station anyway
[Sent - 8:18pm]
Wait, really?
[Sent - 8:18pm]
No no no, don’t take the subway
[Sent - 8:18pm]
I’ll send a driver. They’re gonna pick you up in 20 min
[Received - 8:19pm]
Wowow
[Received - 8:19pm]
Private driver?
[Received - 8:20pm]
You’re a real superstar now haha
[Sent - 8:21pm]
alsfjshkafs noooooooo
[Sent - 8:21pm]
It’s just faster
[Sent - 8:21pm]
and safer
[Received - 8:22pm]
I’m not complaining
[Received - 8:22pm]
but I’m going to get your autograph when I see you
[Received - 8:23pm]
If I sell it then I can probably afford my own private driver 🤭
[Sent - 8:24pm]
Knew it
[Sent - 8:25pm]
You’re just using me for my fame
[Received - 8:26pm]
Ah you got me this time
[Received - 8:26pm]
*Your fame, your talent, and your good looks
[Received - 8:27pm]
Even tho you were the one that said you wanted to meet up
[Received - 8:27pm]
Hmmm maybe you’re the one using me?
Chan listens to his phone as it continues to vibrate from where it’s lodged in between two of the couch cushions after he threw it across to the opposite side of the room. His face is buried in his hands and flaming red. He feels both giddy and terribly embarrassed.
Chan’s no stranger to flirting, he’s experienced his fair share being on either side through interactions with the members and with Stay, but he forgot how flustered he was being on the receiving end of your teasing. The part he never understood is that your playful tone always gave way to sincerity. Even when the two of you would joke around, he could always tell that you meant every comment that you made about Chan being talented or attractive and that flattered him almost as much as it baffled him.
[Received - 8:32pm]
?? Speechless that I caught on?
[Received - 8:36pm]
I think your driver has arrived… Otherwise I’m being kidnapped
[Received - 8:40pm]
Don’t think I would survive a horror film… I got into the car with no questions asked
[Received - 8:42pm]
It was nice knowing you I guess
When he realises how much time has passed, Chan grabs his phone and runs down to the back entrance of the company. Luckily you haven’t arrived yet and he takes the time to reply to your messages.
[Sent - 8:53pm]
Sorry, lost track of time
[Sent - 8:53pm]
They’ll drop you off at the back door, I’ll meet you there so you don’t have to get signed in or anything
[Received - 8:54pm]
Don’t think you’re getting away with ignoring my other texts
[Received - 8:55pm]
But thanks
[Received - 8:55pm]
Is this back door, the famous one that only allows in authorised people?
[Received - 8:55pm]
I’m honoured
Chan rolls his eyes at your cheesy reference and is in the middle of typing up a response when he sees the car pull up. You step out cautiously, then brighten when you see where Chan’s propping up the door.
“Hey,” Chan greets you. “Glad that you made it safely.”
“Thanks for the ride,” you say, looking around curiously as Chan leads you to an elevator that takes you to the rest of the building. “So this is the new and improved JYP Entertainment. I’d say that it looks the same as before, but I never got the chance to come in.”
“Yeah,” Chan says, rubbing a hand against the back of his neck as he walks. “I mean it’s pretty nice, but at the end of the day a practice room is a practice room and that’s where we spend most of our time.”
“Hmm I think we might have to agree to disagree on that one. You have your own studio don’t you?”
“Ah, kind of. It’s technically a shared one, but practically I’m the only one that uses it unless we’re out of the country for a long time,” Chan confirms.
“Seems a lot better than what we used to have! Do you remember when we used to cram ourselves into that tiny room that barely even fit two chairs and a table?”
“I almost forgot about that, it was so terrible! In the summer it would get so hot that we’d keep the door open-”
“And then someone would come yell at us because we’d be playing music too loud-”
“I remember begging management to install a portable air conditioner on multiple occasions, but they always refused.”
“Of course! Even if they weren’t so stingy, there weren’t any windows leading outside in there, how could they install it?”
“Is that why? I always thought they just wanted us to suffer.”
“That too,” you giggle for a moment, before your smile fades. “But they weren’t totally unreasonable. Management has a different perspective than us, sometimes they know better than us because of their understanding of the industry. They can see things that we don’t.”
It’s clear that you’re no longer talking about air conditioning anymore. A lump seems to have formed in Chan’s throat when he recalls his conversation with Sana. Luckily, the two of you have just arrived and Chan forces himself to smile.
“We’re here,” he says, opening the door and motioning for you to enter ahead of him. “Welcome to Channie’s Room!”
“It’s cute!” you say as you step in. “Very… neat. It’s actually more spacious than it looks.”
“Oh,” Chan says, faltering in his steps for a second. “You- you’ve seen my studio?”
“In case you didn’t realise, you go live every week from said studio. I think at this point everyone in the K-pop industry and every K-pop fan has seen it,” you tease.
“Right, yeah. I didn’t- I wasn’t sure how much you kept up with that kind of stuff,” Chan stammers.
“K-pop or do you mean specifically Stray Kids?” you ask, tilting your head slightly.
“Either I guess," Chan shrugs.
"I will admit that it took me a while to get back into it," you say slowly. "I wasn't... in the best mindset after I left." Chan stays quiet, sensing that you're not quite finished. "I know that I disappeared and I am sorry for not reaching out. I wanted to, but I also didn't know how. I know that I hurt you. That it was cruel to avoid you, not reply to your messages, ignore your calls. I had my reasons why, but it doesn't excuse the pain that I caused, and I'm sorry for that too."
“I think,” Chan swallows hard. “I think that the most difficult part was that for the longest time, I didn’t know why. I didn’t know what I did wrong. I asked Sana about it finally, after I saw you again. And I just felt so stupid to realise that it was obvious to everyone except me."
“I’m sorry,” you say again. “I wanted to tell you, of course I wanted to. But I also knew you. If I had told you that us being together was preventing your debut-”
“I wouldn’t have cared,” Chan finishes your sentence for you, starting to understand. “I would have done anything to keep you by my side.”
"Even if it meant throwing away your career," you say softly. "I couldn't let you do that to yourself. You worked so hard, how could I live with being the reason that you were stuck in the training rooms? You belong on stage, making music.”
"The part that I still don’t get though is why you left? You should have been able to debut as well, I know it."
“Ah,” you say wistfully. You look around and grab onto the pillow that’s on the couch beside you, fidgeting with it as you figure out what to say next. “You know, I actually was supposed to debut.”
“What? How come I never heard about it?” Chan feels a pang in his chest. All these years ago, the two of you had promised that the other would be the first person that they would tell if they ever found out that they had the chance to debut. It seemed that neither of them had kept their promise.
“It was supposed to be a secret project. JYP wanted to see how successful a surprise debut announcement would be. You should have seen the NDAs that they made us sign.” You shake your head, letting out a huff of air. “It turned out to be a good decision because it meant they could cancel it without anyone knowing that we existed in the first place.”
"Who was in the group?" Chan asks.
"There were five of us. I think you know all of them, Sumin, Ryujin, Sojin, and Hyowon," you list. You're right, Chan is either familiar with or has heard of all the girls that you mention. It doesn't make sense though, the group was filled with talented individuals and Chan can't think of any reason strong enough to lead to disbandment. Even more baffling is that of the five of you, only Ryujin ended up staying at the company long enough to join the lineup for another group.
"And they just cancelled it out of nowhere?"
“No... It was- I know that for any idol, preparing for debut is tough, but I think that in some ways, it’s especially brutal for the girl groups," you say instead. Chan doesn't question you further, knowing that you must have a point that you're trying to make.
“How so?” Chan has an idea, he’s seen what the female trainees went through, the differences in how they were evaluated and criticised. But he wants to hear it from you, wants to understand what you’ve been through.
“The visual aspect feels like it’s more heavily emphasised than our talent or skills. We were measured for our music video outfits the second they finalised the concept. It was really early on, but at the time I thought it was so exciting and fun that I didn’t question it. I think that all of us were so thrilled by the thought of debuting that we didn't think anything of it. We did our final fittings for it a few weeks before filming and they had made them all a size too small, everything was just a little bit too tight. They didn’t outright say it, but it was implied that they weren’t going to alter them. It was a choice to lose weight or our chance to debut was gone. We were devastated and angry and eventually just resigned. If that's what it took then I would do it. We dieted like crazy for the time leading up to filming,” you laugh, but it's in disbelief, the sound is hollow.
Paired with what you’re saying, it makes Chan want to burn the whole world down. He doesn't say anything, not sure if he can even open his mouth without letting his rage escape, something that you don't deserve.
“We were practising, like always," you continue. "There was a tricky step that needed to be fixed by the next day when we’d be recording, a flip that we hadn't quite mastered. I was the smallest one on the team, so I was the one being flipped. It must have been like 3 or 4 in the morning, we were all tired, hungry, and nervous about filming. Honestly, I don't quite remember what happened, it was all a blur. There was just this feeling that something went wrong and then pain."
You roll up the pants on your left leg and show off the skin there. Chan has to hold back a gasp at the sight. Even though it’s long healed, the scarring is extensive and obvious. Chan can't imagine how much it must have hurt.
“I broke my ankle in two places and sprained my wrist. I couldn't believe it, five years of my life just gone in an instant. It took months before I could walk and even longer before I could dance again. Even now, I can't dance anywhere close to the way that I used to," you say with a watery smile. “Sojinnie had a concussion from the fall and Suminnie dislocated her shoulder, I must have knocked into them or fallen onto them or something. What could we do? Three out of the five of us were out of commission, there was no time and no budget for a group that hadn’t even debuted to find replacements or re-record and re-film everything. I woke up after surgery and they told me that they were sorry, but my contract with the company was over. That someone had helped me pack up all my things in the dorm. I went back to Jeju-do as soon as I was released from the hospital.”
"I- I'm sorry that I didn't know," Chan says, clearing his throat roughly when his voice breaks partway through the sentence. " I wish that I could have been there, to help or comfort you. I should have-"
"Oppa," you respond gently. "It's okay. I didn't tell anybody what happened and the company also kept things quiet. I'm glad you didn't find out at the time. You had other, more important things to focus on, I didn't want to distract you from that."
"You're not a distraction," Chan says incredulously. "You're important to me, I would have dropped everything to be with you in such a difficult time."
"And that's exactly why I couldn't tell you. You've always been too good to me, Channie-oppa," you sniffle. "Look at you now! I'm so always proud when I think of how far you've come."
Chan lifts a trembling hand and carefully cups your face, using his thumb to wipe away a tear that has started making its way down your cheek. He hears your breathing hitch, but you don't object to his touch. If anything, you melt into it.
Chan takes the opportunity to wrap his arms around you, bringing you close. The gesture breaks the dam of tears that you must have been holding back. Chan rocks the two of you back and forth gently, just letting you cry and trying to surreptitiously wipe away his own tears. It takes a few minutes before you calm, taking huge shuddering breaths that break Chan's heart almost as much as your sobs had.
"I'm sorry," you say with a voice thick with emotion.
"Hey, no," Chan reassures you. "There's no need to apologise. Are you feeling better now?"
You nod slowly, head still pressed against Chan's chest.
"I think- I think I just missed you. I always thought it would get easier, not having you in my life, but it never did."
At your words, Chan can't help his arms from tightening, squeezing you close.
"I finally found you again," he says. "And this time, I promise that I won't ever let you go."
read it on ao3 | masterlist
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mindfulstudyquest · 3 months ago
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❥﹒♡﹒☕﹒ 𝗼𝗳𝗳-𝘀𝗰𝗿𝗲𝗲𝗻 𝘁𝗵𝗶𝗻𝗴𝘀 𝗶 𝗹𝗶𝗸𝗲 𝘁𝗼 𝗱𝗼 𝘁𝗼 𝗱𝗲-𝘀𝘁𝗿𝗲𝘀𝘀 ( just pretend i wasn't gone for months guys )
between smartphones, computers, ipads, and screens everywhere, sometimes i feel like i have pudding instead of a brain and i need to engage in three-dimensional activities that don't involve staring at pixels all day, here are some ideas to get in touch with creativity and real word again.
𝟭. drawing and colouring ( 🎨 )
whether it's drawing landscapes, characters from your favorite series or simple doodles, putting the pen on the paper relaxes me instantly. if you are not good at freehand drawing or you're simply lazy, there are many coloring books for adults with mandalas (my personal favorites) or animals/natural landscapes, also online you can find many drawings to color that you can print. in discount stores you can find packs of colored markers at a great price, after all we don't need to be professionals.
𝟮. puzzles and diamond paintings ( 🧩 )
i recently discovered diamond paintings and i'm obsessed with them, on amazon you can find many sets with amazing designs and composing them is really relaxing. having something to focus on for a few hours a day is really essential, puzzles are perfect for this purpose too.
𝟯. reading and writing ( 📚 )
this is a more challenging activity, when we are burnout the last thing we want to do is use our brain, but reading a good novel or writing down a few pages in your journal can distract you from the present moment and give you a bit of a break while still keeping you productive. every second spent reading or writing is a second invested in your personal growth.
𝟰. experiment with outfits and makeup ( ✨ )
i have a lot of clothes but zero outfits, my favorite activity is decluttering my closet, putting away things i don't wear anymore and experimenting with new styles. also sitting at my desk and trying new makeup that's different from my usual eyeliner and mascara, i find it so fun and it's a great way to reconnect with my image when i've spent a month stuck in my room studying.
𝟱. cooking and baking ( 🧁 )
i'm not a good cook and i've burned more cakes than i care to admit, but i have to say it's terribly fun and therapeutic, especially if you're cooking with someone. u think anyone who cooks professionally hates having a second person in the kitchen with them, but when friends make a cake (ugly but tasty) and then eat it together in front of a cup of steaming tea - now, now, that's real therapy.
𝟲. working out, dancing, doing yoga ( 🩰 )
put on some music, dance in your room, follow your workout routine, lay out a mat and do stretching or yoga, connect with your body after being locked in your mind, physical activity is very important to keep your mind fresh ( mens sana in corpore sano ). if you can, go to a park, or an open space, just be careful of excessive stimuli.
these are some of the things i do, feel free to comment on your de-stressing activities.
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nostalgebraist · 2 years ago
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Honestly I'm pretty tired of supporting nostalgebraist-autoresponder. Going to wind down the project some time before the end of this year.
Posting this mainly to get the idea out there, I guess.
This project has taken an immense amount of effort from me over the years, and still does, even when it's just in maintenance mode.
Today some mysterious system update (or something) made the model no longer fit on the GPU I normally use for it, despite all the same code and settings on my end.
This exact kind of thing happened once before this year, and I eventually figured it out, but I haven't figured this one out yet. This problem consumed several hours of what was meant to be a relaxing Sunday. Based on past experience, getting to the bottom of the issue would take many more hours.
My options in the short term are to
A. spend (even) more money per unit time, by renting a more powerful GPU to do the same damn thing I know the less powerful one can do (it was doing it this morning!), or
B. silently reduce the context window length by a large amount (and thus the "smartness" of the output, to some degree) to allow the model to fit on the old GPU.
Things like this happen all the time, behind the scenes.
I don't want to be doing this for another year, much less several years. I don't want to be doing it at all.
----
In 2019 and 2020, it was fun to make a GPT-2 autoresponder bot.
[EDIT: I've seen several people misread the previous line and infer that nostalgebraist-autoresponder is still using GPT-2. She isn't, and hasn't been for a long time. Her latest model is a finetuned LLaMA-13B.]
Hardly anyone else was doing anything like it. I wasn't the most qualified person in the world to do it, and I didn't do the best possible job, but who cares? I learned a lot, and the really competent tech bros of 2019 were off doing something else.
And it was fun to watch the bot "pretend to be me" while interacting (mostly) with my actual group of tumblr mutuals.
In 2023, everyone and their grandmother is making some kind of "gen AI" app. They are helped along by a dizzying array of tools, cranked out by hyper-competent tech bros with apparently infinite reserves of free time.
There are so many of these tools and demos. Every week it seems like there are a hundred more; it feels like every day I wake up and am expected to be familiar with a hundred more vaguely nostalgebraist-autoresponder-shaped things.
And every one of them is vastly better-engineered than my own hacky efforts. They build on each other, and reap the accelerating returns.
I've tended to do everything first, ahead of the curve, in my own way. This is what I like doing. Going out into unexplored wilderness, not really knowing what I'm doing, without any maps.
Later, hundreds of others with go to the same place. They'll make maps, and share them. They'll go there again and again, learning to make the expeditions systematically. They'll make an optimized industrial process of it. Meanwhile, I'll be locked in to my own cottage-industry mode of production.
Being the first to do something means you end up eventually being the worst.
----
I had a GPT chatbot in 2019, before GPT-3 existed. I don't think Huggingface Transformers existed, either. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.
I had a denoising diffusion image generator in 2021, before DALLE-2 or Stable Diffusion or Huggingface Diffusers. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.
Earlier this year, I was (probably) one the first people to finetune LLaMA. I manually strapped LoRA and 8-bit quantization onto the original codebase, figuring out everything the hard way. It was fun.
Just a few months later, and your grandmother is probably running LLaMA on her toaster as we speak. My homegrown methods look hopelessly antiquated. I think everyone's doing 4-bit quantization now?
(Are they? I can't keep track anymore -- the hyper-competent tech bros are too damn fast. A few months from now the thing will be probably be quantized to -1 bits, somehow. It'll be running in your phone's browser. And it'll be using RLHF, except no, it'll be using some successor to RLHF that everyone's hyping up at the time...)
"You have a GPT chatbot?" someone will ask me. "I assume you're using AutoLangGPTLayerPrompt?"
No, no, I'm not. I'm trying to debug obscure CUDA issues on a Sunday so my bot can carry on talking to a thousand strangers, every one of whom is asking it something like "PENIS PENIS PENIS."
Only I am capable of unplugging the blockage and giving the "PENIS PENIS PENIS" askers the responses they crave. ("Which is ... what, exactly?", one might justly wonder.) No one else would fully understand the nature of the bug. It is special to my own bizarre, antiquated, homegrown system.
I must have one of the longest-running GPT chatbots in existence, by now. Possibly the longest-running one?
I like doing new things. I like hacking through uncharted wilderness. The world of GPT chatbots has long since ceased to provide this kind of value to me.
I want to cede this ground to the LLaMA techbros and the prompt engineers. It is not my wilderness anymore.
I miss wilderness. Maybe I will find a new patch of it, in some new place, that no one cares about yet.
----
Even in 2023, there isn't really anything else out there quite like Frank. But there could be.
If you want to develop some sort of Frank-like thing, there has never been a better time than now. Everyone and their grandmother is doing it.
"But -- but how, exactly?"
Don't ask me. I don't know. This isn't my area anymore.
There has never been a better time to make a GPT chatbot -- for everyone except me, that is.
Ask the techbros, the prompt engineers, the grandmas running OpenChatGPT on their ironing boards. They are doing what I did, faster and easier and better, in their sleep. Ask them.
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miru667 · 6 months ago
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The whole Once-ler family is working full tilt!
Here's my full piece for the VK Onceler Zine! I was very lucky to get to be a part of it...🥹 I used concept art as my inspiration this time: [link] Keep reading below for my process vid and all my director's commentary!
Thank you for being curious! Here's a video of my WIPs:
Deadlines were TIGHT for this zine! We were given only 2 months (compared to the 6 months I had on the previous onceler zine), so to make sure I could finish on time, I decided to do only base colours and lighting, with almost no shading anywhere. Still, trying to balance all the colours took the longest for me, as you can see in the vid. xP
Also idk if anyone noticed, but for the face I chose to use an already existing onceler doodle: [link] Why? Well, why not! I really liked that doodle and I didn't want it to go to waste. 😆
Things that I enjoyed sneaking in:
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-the golden spiral! Vaguely, at least! At the very least I hope your eyes can follow the order of thneed production, from the fallen tree at the window to the tuft harvesting to the thread spinning, to knitting the thneed and then drawing up plans for bigger and better things, and then ending with him pulling on his iconic glove to show he's going to take control now
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-15 cents, a nail, and a great great great grandfather snail, as well as a tin pail since that's where you're supposed to deposit your payment
-combining things from the 2012 movie and concept art, the 1972 movie, and the 1971 book (e.g. that funny wrench he uses to fix pipes)
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-Miss O'Schmunce-ler! You can see from the vid that I added the bracelet pretty late, because it was a late decision to have a Miss O'Schumunce-ler somewhere. I chose her to be the one picking up the pencil in the end, since she's pretty good with a pencil in the movie hehe. You guys can pretend the arms holding the phone is Miss Funce-ler.
-a thneed, a seed, and a (grickle grass) weed on the floor. The thneed is just the first of many that will soon create a giant pile. The seed lies forgotten in the corner. The weed is foreshadowing the future.
-hinting that Lorax and Once-ler were actually good friends, like they were in the Lorax musical stageplay. 🥺 I kept this part of the script in my mind for this piece:
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This was aftermath Once-ler talking to the Lorax, reminiscing on their good times...and also being stupid and inconsiderate because the Lorax was in fact there all along as his friend, trying to warn him of what was going to happen. 😔
So in my zine piece we're witnessing a peaceful time before all the real biggering really starts. I like to think that in this scene, the Lorax had been sitting on the Once-ler's lap, holding his gloves for him and having a nice chat together with maybe some harmless bickering, but then the Once-ler gets a phone call so he cuts their convo short and rolls his chair over to the window to answer it. Putting business over friendship as usual, of course. Inspo for the lap sitting comes from this fanart by Emi that I love: [link]
What else...the parts that I'm proud of the most are the stool (I spent 2 days just drawing this stool), the curtains, the fact that I was able to include every truffula colour, and the Once-ler's pose. I was close to giving up on that pose because I had no idea how to draw it but I'm glad that I tried again. I wanted to show him at ease during a stage in his life that we never got to see much: the happier and more innocent days of his biggering when he only had a small shop. 😊
That's all, I think! Thanks for reading if you did! Once again it was an honour to be part of this zine!!
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