#so i can justify it
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andoutofharm · 1 year ago
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i got the teacup
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bet-on-me-13 · 5 months ago
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Danny commits to the Bit a bit too hard...
So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.
No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.
"Why not just...play into it?" She said, barely looking up from painting her nails.
It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?
So he does just that.
From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.
Box Ghost destroys the towns Warehouses? It was on his orders.
Ember mind controls masses of Teenagers? All part of his Plans somehow.
Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.
He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.
Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".
Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.
This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.
Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.
And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?
He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?
He may have let the Bit run a bit too far...
...
Check the tags for more context!
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vriskan8or · 10 months ago
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let her go
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why haven't i posted this yet
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v-poreons · 7 months ago
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That's it that's their dynamic
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poorly-drawn-mdzs · 7 days ago
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Your beats make me sick
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anghraine · 5 months ago
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It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.
If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.
Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.
I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.
There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.
This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.
Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.
Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.
And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.
And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."
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queeringclassiclit · 5 months ago
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Which adaptation of Sherlock Holmes is the most queer?
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*not including House M.D. because it's not really an adaptation, or any overtly queer pastiches like My Dearest Holmes or The Adventure of the Furtive Festivity because that's not really a fair contest
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dykedvonte · 3 months ago
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Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.
We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.
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Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.
He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?
I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?
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It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?
Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.
So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!
Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.
Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!
This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own
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cubbyhole-for-flea-bee · 11 days ago
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Once the theatre monkey discovers angsty broadway musicals its all over y'all
or: I got a new personal project I'm workin' on! I'm at the first pass on the animatic rn! I forgot that 'generate matte' is a thing you can do in SB Pro for a whole hour!! I'm suffering!!!
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gal-o-guacamole · 1 year ago
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●Radiant is Gabriel●
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Feb.2024 (stained and artistic glass, copper, lead, gold and silver paint)
Process pics + vid ↷
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notherpuppet · 5 months ago
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Any characters you're most excited about seeing that we haven't met yet? Baxter, Crymini, Molly, etc?
LILITH, I know we got a sneak peek but I want to meet her very badly
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beastlyidiocy · 2 days ago
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Feuċ, súile Dé go fuireaċ air
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marypsue · 1 month ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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poorly-drawn-mdzs · 4 months ago
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with Luo Qingyang and Lou Binghe having the same last name I got start thinking of an au: like what if lbh was her little brother
tho what's funnier lbh in the mdzs universe or that means tlj is lou qingyangs dad in that au
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I wanted to give this a genuine answer but I kept getting distracted by Lou Binghe...so...yeah.
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