#so desperate to be cool
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allhailthe70shousewife · 1 year ago
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1/17/1981
Soooo many designer jeans ads. I had a pair of bon jours in ‘81. 6th grade. By 8th grade I wouldn’t be caught dead in anything other than Levis 501s.
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captain-krow-drozdov · 3 months ago
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Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him
Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.
It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.
So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.
Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.
Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).
Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?
All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.
Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.
One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.
They Now Think Danny Is An Escaped Ra's Al Ghul Clone.
Memes For The Vibes:
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#captain's posts#this has been haunting me#the flash/any of the speedsters:*exist*#danny:*can feel the speedforce on them* i like your vibe funny man#basically danny is actually an alternate version of Ra's Al Ghul and gets chucked into the dc vesrse#because natural portals are bitches hijinks ensue#and while i do love batfam adopting danny i think its very funny for flash to just yoink him while the big bad bat isn't looking#i desperately need him and tim to be besties tho specifically before they find out danny is an alternate Ra's Al Ghul#danny:*sitting in a park and tinkering with some circuitry* oh hey flash :)#flash: hey kid! great news i might be adopting a kid soon!#danny: oh really? thats cool-#flash:*holding out adoption papers and doing his best puppy eyes* its you. sign here.#danny:*vague memory of clockwork complaining about speedster pops into his mind* hmmm#danny:*deciding to be a little shit cause what else do you do when you're almost a year into being stuck in an alternate dimension* >=)#danny: sure why not? soooo full name or what?#flash:*didn't expect to get this far* uh-#i also really like danny being clockworks apprentice/time line clean upper so danny just remembers cw bitchin about the speedsters#also cause im a sucker for tim x danny...#tim:*having a crisis cause the cute meta kid he befriended/has a crush on may or may not be a vlone of Ra's Al Ghul* aaaaasaaaaaaaasaaaaaaa#dick: you okay buddy?#tim:*aggressively points at the dna match of danny to Ra's Al Ghul on the bat computer* AAAAAAAAAAAAAA#dick: Oh-#dc x dp#dp x dc#dp x dc crossover#dp x dc prompt#dpxdc
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ironinkpen · 2 years ago
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The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.
Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?
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Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.
And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.
When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.
The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.
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ewwww-what · 7 months ago
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I don’t think this is going to be important this season but I would really like it to be.
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royalarchivist · 7 months ago
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Tubbo's grown so much as a DJ these past few weeks, but I gotta say, every time he drops Spanish or Brazilian music into the mix, I lose my damn MIND, this goes so hard đŸ’żđŸŽ¶
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elsecrytt · 3 months ago
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Satoru Gojo goes to the same cafe every day for his coffee-flavored confectionary beverage. You are the barista tasked with pumping his drink with the unreasonable assortment of syrup squeezes.
You don't blink at it. You've been in customer service forever. Everything is second nature to you. But you give him a look when you hand him a drink and he just starts going.
He likes to make small chat, you learn. About meaningless things - desserts, drinks, the weather - but he makes you laugh, and he laughs at your jokes, too. He's smiling every time you talk.
He's beautiful - in that way that makes you uncertain if he's really there - and friendly, and he seems a bit lonely, eager to converse.
Something tells you Satoru probably doesn't have a lot of close friends. He's rich, too, judging by the massive tips he leaves you.
The thing is, you do a lot of things on autopilot. It's just the way these things get after a while. Pouring drinks, "What would you like today?", "I'll have that out for you soon!", "Have a nice day!", all that stuff.
Sometimes, though. Sometimes. Wires get crossed.
He's picked up his drink to leave, giving you a cheeky smile and a little wave, and you tell him, without thinking twice:
"Love you, bye!"
Oh. Oh fucking hell -
"Love you too!"
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quicksilversnails · 24 days ago
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Making a post compiling some of my thoughts on the new Pristine Cut music broken down by chapter because I have. many thoughts and thought maybe people might find them interesting!
The Cage's whole sound was so instantly memorable to me. I love all the different metallic percussion used: perfectly in-theme for a world envelloped in chains
There's soft yet eerie metallophones like the mock birdsong of chains, clanging bells like a death knell
It's mixed with shrill strings: reminscent of the scraping sound that plays in All Eyes On Me as the Prisoner cuts her head off, but quiet and distant, like a haunting memory that repeats itself in your mind
I also love the way the sound echoes - giving the impression of the emptiness of the woods & cabin
An Open Door pulls at my heart: the soft piano and drawn out sound stands in contrast to everything leading up to it
It plays whether you break the pattern by leaving or perpetuate the pattern and watch your dance, so the contrast of it feels representitive to me of a shift in perspective (either the Princess realizing her own control, or you realizing your lack of it)
Our Happy Ending is so damn evocative I need to break it down
It's so. drawn. out. Every note drags, with every instrument coming in at slightly different times
It has a really hollow sound to it: where Damsel's tracks have piano, strings, and woodwinds, Our Happy Ending is reduced to only the strings. There's a lot of full and rich music out there written for strings, but this (intentionally) isn't one of them.
Instead of playing every note in each chord, the instruments frequently double the same notes (just in different octaves) and omit other notes, making the sound even emptier
The arpeggio of the Princess' motif (which is prominent in Damsel's tracks) does appear around 1:30 in, but for a lot of the track the melody is very static, mostly stepping between a few nearby notes, as if it's too exhausted to do anything more complicated
It doesn't even loop smoothly in-game: there's a record scratch and a few seconds of silence before it continues, like it's forcing itself to keep going through the motions
It all sounds serene when the chapter begins but the more you listen the more deeply lethargic it becomes. It did so much to make this chapter even more viscerally uncomfortable for me
And then there's I Meant It. What is there to say. (Actually I do have some things to say)
It's noticeably in 3 (which I think is unique to this track), giving it an appropriately dance-like feeling
While it starts beautifully simple, the embellishments added to the theme as it goes on bring a sense of playfulness, reflecting the energy that grows in your dance the longer it goes on
The Princess & The Dragon!!! I speculated about this one when it was teased a few months back and it was so gratifying to hear it in context! I was very wrong about the route it plays in but I absolutely caught onto how it's an inversion of the typical setup!
The biggest example of this is how the main melody of the theme is the same as The Princess' main theme, but played in reverse! (and with a different rhythm)
The piano also plays descending lines, as opposed to the ascending lines usually heard in other tracks in this game (a good example is in The Unknown Together)
This all reflects how the chapter itself reverses the setup of the game by putting the player in the perspective of the Princess (maybe this is the melody she's used to hearing?)
The call and response nature between the humming (done by Amelia aka the Shifting Mound vocalist!!!) & flute invokes the Princess & Dragon themselves: the melody would be incomplete without both parts
It's such a warm theme too - where The Princess has a quiet somberness to it, The Princess and The Dragon feels rich and vibrant - it feels right
The Life-Taker takes the new motif from The Princess and The Dragon and puts it in the minor key of the World-Ender (I also really like the way the names of these tracks parallel each other)
Like World-Ender it's tense and uneasy, but it plays at a slower tempo, with plenty of long pauses and empty space in the melody: it feels appropriate for the silent, staring body standing in front of you
It also feels more static to me than World-Ender does with its constantly moving piano, which is reflective of how little power you have in the scenario. As TLQ, you have to make the decisions, but as the Princess, the most you can do is watch and wait in suspense
Also this is more of an audio editing thing but I ADORE the way World-Ender cuts in when you switch back mid-chord - really hammers in how your perspective is being forcibly shifted right in the middle of the action
The reversed motif returning when you leave with the Princess or merge with her again is also very sweet: whether you're sharing a body anymore the connection and understanding you've gained remained :)
I love all the new Fury tracks! They're so gritty
I'm happy they kept a similar sound to The Fury's track in the base game because it has such a cool and unique vibe and I was mildly worried that the process of being unwound would just lead the droning sounds of TLQ (still cool, just less unique)
I like how the music still cuts out when you get initially unwound, leaving just faint buzzing - it keeps the shock of that moment from the base game but keeps you grounded in the present by denying you the silence of death. Where in the base game Fury denying you death barely mattered, now you can feel it down to the unwound yet still present soundtrack
I like how Hand In Claw (which plays when escaping the tunnel with Den) introduces this growling sort of guitar sound, rumbling like the sound of caving rocks
It keeps the fast, driving percussive elements of the other Den tracks but gives it a more obvious melodic shape, as you realize that there's more to her after all
It sounds totally distinct from the other Den tracks in general, and that makes sense since its respective path is also unique among the many, many variants of the chapter
The live rendition of The Apotheosis was a fun surprise - I heard it play and just went "...that's different right?"
I still love the way the theme begins as the Apotheosis herself unfurls from the cabin: it's just as breathtaking as it was the first time
I was wondering before release how this track could be expanded on when it felt like such a transcendent and insurpassable theme (it's also used for The Shifting Mound after all) - but the game actually doesn't build on it, just letting it play, only cutting from it in extreme moments. I think that's kind of nice: the power and awe of the track speaks for itself
Meanwhile A Tapestry Undone is essentially The Apotheosis without the piano, orchestra, or any of the instrumentals that give it its sense of power
The vocals sound hollow and distant - she seems farther away, her influence less overwhelming, whether due to dissociative pain or because in that moment you're compelled to lash out at her in spite of whatever godlike power she might have had over you
In-game, the drones of TLQ are also faintly audible, which makes sense since the Apotheosis is tearing at the walls of the construct (ie. you)
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demigods-posts · 1 year ago
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canonically, percy isn't aware of the crushes people have on him until it's too obvious to deny — like when annabeth kissed him, or when nico straight up told him. and since percy isn't aware of rachel's crush on him until the beginning of tlo, that means there was a point in time when rachel was actively trying to get with him and he had no idea. and it's not even his fault lol. he just only saw her as his good friend and just thought her advances were her being friendly. i just have to see this in action.
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gummi-ships · 3 months ago
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Kingdom Hearts 3 - Rage Form
#kingdom hearts 3#kh3#sora#rage form#arendelle#formchange#my gif#rage form is so intriguing#sora still behaves in a wild animalistic fashion similar to his anti form but it's different#anti form felt as if he relinquished all self control and acted strictly on instinct just like a heartless#he used to run around hunched over on all fours and fight tooth and claw with reckless abandon#but here you can at least see SOME semblance of who he is. he's able to wield his keyblade while in this form which is pretty major#he still fights in an absolutely chaotic and primal manner but it feels evolved#the big difference is you call upon rage form at will. he channels his rage and darkness in a desperate last resort to stay alive#which is very significant but he still loses some control like the ability to use of magic; items; shotlocks; etc#it's cool to see darkness used in this way but i really want sora to able to explore themes of darkness within himself in future games#i want these to be more than cool forms with fun gameplay. i want them to have implications that something dark is brewing and needs to be-#brought to the surface and tackled head on because we've never seen anyone capable of cloaking themselves in darkness in such a way#take riku's dark form for example. he's in control and he's very much still himself. it's entirely different#on another note i'm now thinking about how hp is fully restored when activating rage form but you have the choice to give it up again-#when using risk charge. it'll increase attack damage but you're still walking a dangerous line in the pursuit of power
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icarryitin · 7 months ago
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Episode 4: Workplace Hot
spencer reid/gn!reader
look i don’t know what this is or where it came from, all i know is one day i woke up normal and then by the end of it i had started CM from the beginning and fallen in love w this man
series masterlist
word count: 1.2k//warnings: literally zero, just vibes
summary: It’s just a crush on a coworker. That’s normal, right?
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Things never go smoothly, do they?
Never quite to plan, there’s always something missing from the final draft, or something unexpected lurking in the background of the big picture.
This surprise comes gift wrapped just for you, in stupidly attractive, nerdy, beanpole patterned paper.
The first time you lamented about your unfortunate crush on Dr Spencer Reid had been over mojitos at your favourite little hole-in-the-wall bar. Sitting at the raised table with the remainder of your girl group from college, staring dismally at the bottom of your glass, they’d tried to convince you he was just Workplace Hot. Proximity Hot. Work crushes are commonplace as anything, they come just as quickly as they go. God, you wish they’d been right.
You’d tried to convince yourself of it, anyway, and that worked for a little while. You were happy enough to sit at your desk, the man in question mirroring your position somewhere on your right, five days a week. You could do your paperwork in his general vicinity and not feel like you were about to catch fire every time he leaned over the aisle to pinch a file from your stack. And then, there was The Incident.
The Incident - named for the absolute havoc wrought on your nerves until the early hours of a Sunday morning in May. Uncoordinated nights out though they had been, with your own friends out celebrating a birthday and his little group with their own agenda for the evening, it would have been rude not to wave across the bar at him. The rest of them had been too far gone already but one of your friends noticed your shy grin, arguably your best - friendship forged in the fire of back to back forensic psychology classes would be hard pressed to die. She noticed, because of course she did. So you’d told her, because of course she’d have worked it out. And then, to your horror, she’d walked right over to him. Because of course she would. She’d wandered back over to your group only a few minutes later, a solemn look on her face under the dulled bar lights.
“Do you get what I mean?”
“Oh, I get it, my condolences.”
You had been doomed from the start - cursed, bewitched. Lulled into a false sense of security via cardigans and wide eyes and odd socks until you find yourself here. Six months into your new job, and six months into an embarrassingly cumbersome crush on the good doctor.
Which probably would have been fine if either one of you stayed behind at Quantico regularly, but you don’t. Instead, you’re burdened by six months worth of knowledge of all his little quirks thanks to case after case after case.
You know he’ll commandeer the couch on the jet when he can, because he likes to stretch out when he naps. You know exactly how much sugar he takes in his coffee, too much - you feel mildly nauseous every time you make him a cup, but you still make it. You know that he chews on the inside of his lip when he’s thinking particularly hard about something, just as well as you know he doesn’t even realise he’s doing it. And sure, it’s not just him, you’ve learned these silly little things about every member of the BAU team. But Reid’s just seem clearer to you. More significant. You’re a little more self conscious when you find yourself looking at him. Even in conversation, even if he’s looking to you for an observation about the Unsub. You can’t hold his eye for very long.
He knows, you’re sure of it.
There’s a rule - don’t profile the team. The golden rule. The golden rule that gets broken about fifty times a day.
Spencer likes the rule, even if he doesn’t always respect it. Sometimes it needs a little disrespecting, he thinks so anyway. Sometimes his colleagues, his teammates, his friends - they need somebody to prod them a little, letting people in goes against every fibre of a behavioural analyst’s being. But trust has to be built somehow.
He’s about this close to cracking you.
Which hasn’t been easy by any stretch of the word. You’d held him at arm’s length for much longer than the others, and at first he’d thought he annoyed you. It made sense enough, he’s been called annoying enough times in his life to know he definitely can be, and the way you’ve never really been able to look him in the eye would suggest you don’t want to get into the situation where he could be. He tries his best not to ramble at you, even now, just in case. Though that initial ice has long since melted.
You’re a lot more open with him now, even if there’s still parts he has to chip away at thick stone walls to get to. Silly things, that not everyone would care to know about their co-workers, but Spencer absolutely needs to know about you.
Which is where the stakeout game comes in.
It’s silly, really. Twenty questions - who plays twenty questions as a grown adult? FBI agents who desperately want to get to know other FBI agents whilst they’re stuck in the confines of an SUV’s backseat for hours on end. That’s who.
Derek and Emily sit up front, watching the quiet street, the way they’re supposed to be - as Spencer desperately tries to guess your favourite movie. He’s narrowed it down to two in his mind, in only three questions. The traditional rules of the game had gotten boring after the first few cases, you’d laughed and told him that he’s too good at guessing. He’d told you that you’re just not asking the right questions on your turns. You’re watching him carefully in the dark now, the way you’re meant to be watching the Unsub’s house. You don’t make eye contact but you’re studying his face all the same, he wishes you would. He’s become a little too dependent on the way his heart seizes when you allow him that kind of vulnerability.
He doesn’t have time to pick a film or ask another question anyway, because the Unsub is flying out the back door of the house, he’s jumping out of the SUV with everybody else, and the Unsub is surrounded. Thanks to your work, your observation being the final piece of the puzzle that had clicked everything else into place.
You’re chatting to a local officer when Spencer calls out the title of your favourite movie across the street. His guess, twenty questions completed in just three. How very Spencer Reid of him.
He’s right - obviously. He doesn’t need to watch the way your head drops and your shoulders shake with a giggle, interrupting your conversation to turn to him. But he watches all the same, he always does.
Your eyes sparkle in the dark when you look back over your shoulder, finally catching his under the orange haze of the streetlights, and sending a kaleidoscope of butterflies surging in the pit of his stomach. Paper thin wings clog up his throat, spindly legs tickle his lungs.
Work crushes are commonplace - but this one might just be the death of him.
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hypnogogyc · 1 year ago
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PLEASE stop playing super smash on the couch that thing's lived through at least 5 fires by now
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bbq-potato-chip · 5 months ago
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the brotherssssssssss
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cologona · 3 months ago
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I am just so fundamentally uninterested in the story where Jason is in the wrong and needs to Gain Perspective or whatever. God what a snore. What an absolute waste of my time.
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poorly-drawn-mdzs · 11 months ago
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At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.
I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)
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divine--intervention · 1 year ago
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hi tumblr i bring you cool new ultrakill oc
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inspired by @muzzleroars, both their designs and coloring are amazing you should you know. look at their blog.
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knifetomeatu · 3 months ago
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quality time with uncle HandsđŸ„°
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