#situations you literally only ever see on tumblr

[holybibly]

Hi bunnies, I talked about this yesterday, I don't want to bring it up again but it seems like people just can't stop and keep lighting fires. What confuses me the most is that they monitor my every post and action, it's really scary, it's some kind of unhealthy obsession and I can't understand what it's all about as I'm being accused of stalking and inflicting emotional and psychological trauma, but they all literally live on my blog.

Sorry if that sounds rude, but this is almost yandere behaviour. Please move on with your own lives. Do you really enjoy spreading hate? You call yourselves "protectors", adults, proper and well-behaved people, but literally everyone from my legal department who helps me in this situation is literally shocked by the messages you send me. It's almost a form of stalking.

I have never touched you, I have never followed your blogs or existed in your ecosystem, I have never written anything specifically for you, I have never been interested in communicating with you, and so on. Leave me alone, go about your life, drink some tea, go for a walk, read a book or whatever. Live an elegant life that you are not ashamed of.

And now that I have met such people, I understand why many authors stop writing and leave the platform and the fandom, it's too toxic to be calmly surrounded by such people who wish you, and I quote, "I hope you spit out your guts". Or do you think that any of the idols, not only in our fandom but in general, will appreciate such behaviour from fans? You are literally forcing people to stop supporting groups because of such negativity.

Now I want to say that I am very grateful for all the support and understanding I have received from both my subscribers and people who are new to my blog.

I am so sorry that you have had to go through all of this, so I would like to apologise for the fact that you have had to see all of this and deal with so much negative and humiliating information.

I am ashamed that my safe and comfortable environment has suddenly turned into a real battleground, fuelled by people who do not know me or my blog at all, and who are basing their conclusions on someone else's words and unfounded accusations.

You are right, it is not easy, at the moment I have over 100 malicious messages in my inbox, ranging from personal death wishes for me and even my cats, to the most disgusting and horrible insults I have ever heard in my life.

I have asked several times to leave me and my blog alone, but people persist in sowing chaos, hatred and malice, so I will warn you one last time, otherwise the whole internet, and not just Tumblr, will find out about this channel. All platforms that have any influence in the K-pop community will find out your names and real ages.

During the investigation, I managed to find out not only the names of the aggressive and malicious users, but also their real ages, among which, beware, there are several minors.

Also, my legal department provided me with complete information about the term and the concept of "r*pe", both in medical and legal terms, and to return to my earlier words, if you do not understand the terms you are operating with, go and familiarise yourself with the information, it is publicly available and free.

As this is a very sensitive subject, I don't want to go into it or give a detailed explanation in my blog, so I'm going to talk about it minimally and in a short post with warnings.

I want to end this now, while we can still part on a positive note and go on with our own lives without any crossover. I don't want to get involved with you, it's just childish and stupid behaviour, it's an inappropriate and unhealthy fixation. Otherwise, every anonymous post will be published with the username of the user who sent it to me, and then your own moment of "glory" will come. Someone once said that karma always pays in full, and it's true.

I hope I have made my point and this will be my last post on this subject. And if I get an anonymous "I'm not afraid of you bitch" after this, I'll see what you say when everyone sees who you are.

That's all.

[niuxita21]

She’s literally SO PRETTY YOUR HONOUR I’m gonna call the police (pun intended)

[honey-tongued-devil]

↞[arcane preference] founding out you were injured in crossfire↠

Since I've created a Bluesky profile and wrote my thesis on Arcane, I'll be posting both old and new drawings there as soon as the time comes. I'm taking advantage of this little space to promote my other social account. honey-tongued.bsky.social Also, I've received both comments and requests, but Tumblr decided I couldn’t post for a week (my internet connection is terrible). I want to let you know that I appreciate them, and I'll get to everything as soon as I can. So, feel free to leave comments, feedback, or requests!

Jayce: 

- This is the worst news he could receive: he's a scholar, he has no idea how to handle these situations, and, most of all, he's forced to confront his pride.  

- Not only was he unable to protect you now, but what if it happens again? Even if he's there, he wouldn't know what to do.  

- What if there's a next time? What if it doesn't turn out as well next time?  

- His self-sabotage leads him to distance himself from you for a few days, not because he doesn't want to be near you while you're hurting, but because he's ashamed of not being able to protect the person he loves.  

- On the bright side, for even just a second, he remembers the original purpose of his research: making the city safe, helping people.  

- But on the negative side, with no one to blame, more than ever, the people of Zaun appear to him as beasts, second-class humans who can't be redeemed in any way.  

- When he finally gathers the courage to see you again, he tries to make amends for everything: for not protecting you, for not being able to, for allowing someone to hurt you, and for not being there during your recovery.  

- He'll literally do anything to be forgiven: every morning you'll find breakfast in bed, if it's cold at night he'll prepare a warmer for your feet, and despite his squeamishness, he'll personally tend to your wounds, even if it makes him feel queasy.

Viktor:

- He tries to help you in every way possible, even ignoring his own pain.  

- He feels sadness, regrets that you went out alone and ended up in such a situation. He can't help but imagine the fear you must have felt, the confusion, and the loneliness when the guards intervened, and you woke up alone in the hospital.  

- He may be a scholar, but first and foremost he's a man with a moral code, and secondly, he's from Zaun: if he has any work, appointments, or lectures, he'll skip them all, maybe muttering a few insults in his thick accent at the most insistent people, and make up for it at night.  

- Plans, ideas, codes, anything – but he won't leave you alone unless you ask him to.  

- He takes care of you meticulously, respecting schedules, bringing you meals in bed, changing your bandages until your skin heals, and you're able to stand on your own again.  

- He doesn't mind helping you – as a chronically ill person who refuses others' help, he's learned to do everything on his own, and he's almost happy that his skills can be useful to someone else.

Ekko:

- Is it something totally normal in the lanes? Yes.  

- Does this stop Ekko from panicking? No.  

- He's the one who finds you and brings you to the others, but he doesn't want, nor can he afford, to be seen panicking. So, he swallows his despair and tries to act as normal as possible while ten other people rush to help you.  

- His face remains expressionless as the most skilled remove debris, clean the wound, stitch your torn flesh, and bandage you, but his foot keeps tapping the floor with force and speed, revealing his anxiety.  

- When the others insist that it's best you stay in the makeshift infirmary, he tries not to protest, but suddenly every moment of the day becomes an excuse to pass by: to bring you stolen sweets from Piltover, to tell you about some expedition, maybe even steal a kiss or fall asleep leaning against your mattress.  

- It's an overwhelming fear, but the fear of losing you makes him unable to think rationally, and all he feels is how much he misses you, even while you're right there with him.

Vander:

- A crossfire from the other side of the river was already a big enough provocation to alert him and prepare to defend the city or, if absolutely necessary, to strike back.  

- But you, as an accidental victim, are a huge problem.  

- He doesn’t have the heart to pull away from you, and when he does, he can’t help but feel frustrated, angry at himself, knowing he hasn’t been able to keep his city under control like he promised—to you, to Piltover, to everyone.  

- He’ll ask for your forgiveness by kissing the scarred skin every day, even if you insist it’s not his fault, and if you remember even one of the faces, he’ll go and handle the problem.  

- Not with violence, unless necessary, but it’s not about personal justice; rather, it’s about protecting the other citizens of the alleys too.  

- Even after you’ve healed, he’ll insist it’s absolutely necessary to carry you everywhere you need to go, claiming a very good doctor told him so.  

- And the memory of the scar will be tiny compared to all the marks Vander has left on you.  

Silco:

- Private justice is absolutely the first option, even though you were an accidental victim.  

- He’ll call all his goons and associates for a meeting while you’re still bedridden, to see if they’ve heard, seen, or been involved in any armed conflict, and if he doesn’t get a face or a name from them, he’ll turn to the brothel, the house of all information,  

- Until he finds who hurt you and makes sure they can’t do it again.  

- Silco isn’t fazed by blood or open wounds, but despite having enough experience to handle it himself, at least on the first day, he’ll take you to Singed to make sure you’re in the best condition.  

- In the following days, he’ll take care of you himself, but he has pride, a façade, and little emotional communication skills, so he won’t openly show how worried he is, relying entirely on the fact that you don’t know about the murder of your assailant and remember nothing of the visit to Singed.  

- But the only reason you heal so well and so quickly is that, even if he doesn’t know how to express it, all the love he feels is poured into the care he gives you.  

Jinx:

- Flashbacks. So many. Too many.  

- At some point, she’ll even convince herself that she’s the one who shot you, leading to a complete breakdown.  

- She punches her head, scratches herself without realizing it, her nose bleeds, and her eyes are bloodshot.  

- It takes her a while to convince herself that she wasn’t the one who shot you, even though the hallucinations overlap images of you with memories of her armed, creating waking nightmares that feel increasingly real.  

- As much as she’d like to ask her father for help, even just to give you a cleaner room, she feels responsible and is too scared that if she stays away from you, you’ll forget her. That’s why she sets up a little space for you and takes care of you herself, though not always painlessly.  

- She’s pulled bullets out of her own body more times than not after missions; what might seem like dangerous, delicate work to someone else is almost routine for her by now.  

- Once she has a suspicion of who might have done it, she’ll make sure they learn their lesson. 

 

Vi:

- Anger.  

- Why were you out alone? Why didn’t you leave as soon as you saw the crowd getting too big? Why were you in that area?  

- But her anger is just panic pouring out like a flood, the fear of not being able to protect the one she loves twists her stomach, making her feel like she might throw up, like she’s dying inside.  

- None of those questions mean she blames you, but she doesn’t know how to feel, what to think, or even what to do.  

- She’ll do everything to help you—bandaging you, cleaning your wounds, staying silent and giving her full attention to make up for not being there when you needed her, even though that’s not true.  

- And when the scar forms, she’ll kiss it every single day, every single night, like a little ritual between the two of you.  

Caitlyn:

- Safety first.  

- She’ll be the one to assess how bad the injury is, and if there are any foreign objects in your body, there’s a good chance she’ll try to handle it herself, even though at first it might seem a bit barbaric.  

- She’ll give you the guest room and call the family doctor to make sure you’re okay, that you don’t need anything else, and she’ll take care of what’s necessary, even teasing you a bit to hide her worry.  

- "A bullet in the leg from being caught in crossfire? Very vintage, I must say."  

- What you won’t know is that she’ll quietly increase security, not in an oppressive way, but just enough to make both you and the other citizens feel safer.  

- Her family won’t get involved directly, but they won’t stop her either. Sometimes Cassandra herself will make sure her daughter finds the tray to bring up to you, though she’ll never be too open about it.  

- The perfect rehabilitation? Long walks in the villa’s garden, so you can stop for some cookies or tea when you get tired.  

Mel:

- Flashbacks, but less personal than Jinx’s.  

- Her mother would call her weak if she knew how it kills her to see someone barely scratched by crossfire, and that realization soon turns into frustration, which then becomes anger.  

- She tries to stay calm, but her voice sounds like she’s scolding you, and then like she’s scolding the servants, or anyone else who crosses her path.  

- Two hours of lecture if you’re lucky—why you shouldn’t go out without a guard, why you shouldn’t put yourself in dangerous situations, why the enforcers are utterly useless and can’t find anyone responsible, even though the fight was so intense.  

- She’ll focus entirely on the bureaucratic side because little Mel was never taught how to deal with strong emotions, and she’s definitely feeling them now but can’t afford that vulnerability, even though she knows you’re safe.  

- She won’t take care of you herself, but she’ll always stay in the room. Not because she doesn’t want to, to be clear, but because she wants you to have the best care possible and prefers to leave it to a top professional rather than her inexperienced hands.  

- In return, she’ll triple the amount of affection and caresses—more to calm herself than you, but you won’t be the one to complain.  

Sevika:

- She needs a moment.  

- She knows she has to report to Silco that there was a firefight, that someone is threatening the people, but part of her just wants to grab those responsible and crush their heads with her bare hands, doing both you and her boss a favor. Yet, another part of her doesn’t want to leave you alone or take you with her.  

- She knows how to handle these things; she’s lost an arm, and Silco’s goons often come back in worse shape, which is why she’ll take care of you herself, in complete silence.  

- She’ll wait until you’re asleep to place a water bottle, a glass, some painkillers, and some bread on the nightstand next to your bed. And when she’s sure you’re fully asleep, she’ll leave a soft kiss on your forehead before putting on her cloak and heading out to the Last Drop.  

- There, she’ll release her anger in a brawl or two, talk to her boss, and search for the reason why she feels so awful at the bottom of her third glass of whiskey.  

[mimikyuno]

im literally sobbing in bed trying to sleep but mizu5 literally tore my heart out. i cant stop crying fr. i genuinely think mizuki akiyama is making history as one of the best written trans characters im so serious. the kindness and carefulness in which her story is being told is mindblowing. this event was perfect tbh. im so fr. no way after such a long wait the secret was gonna be revealed with happy tears and there. done. this event Physically altered the game. it’s the only event to do so, and the only event to end on such a cliffhanger. the way the whole event gets the player to empathise fully with mizuki - you feel her anxiety and her fear and pain. and then the rooftop scene. it was unbearable. her coming out was taken away from her. she had to see ena’s shocked expression from the sidelines. ena, the one she wanted to tell the most. ena, who has been waiting for her by her side for all this time. seeing the realization dawn on ena is too much for and she runs, like she always has. even though she Knows ena was just shocked. she Knows ena and niigo will accept her.

(sidenote i cut lots of dialogue from the screenshots above bc tumblr 10 images limit)

“you’re so kind, ena.” but that does not matter. it’s all ruined. in niigo’s eyes, mizuki was just a girl. a “normal girl”, as the classmates called ena. even if niigo accepts her, she’s terrified that they’re never gonna see her as a “real girl” again. just like her classmates. this change in their perception is heartbreaking, terrifying. and even more than that is the fear that from now on, niigo is only gonna act normal around her out of pity. the thought is unbearable. it’s all ruined. nothing can ever be like before in mizuki’s eyes. her precious, safe place was ripped away from her. mizuki’s pain felt so real and raw that i still get chills when i think of the last two chapters of this event. the way ena screamed and ran after her, her desperation to reach her, her horror at seeing how much mizuki’s been suffering, the way mizuki’s coming out was also taken away from ena. their precious moment, long awaited, stolen and destroyed by some careless, transphobic comments. “are you also a dude?”. ena’s anger at herself for not being able to reassure mizuki, for not knowing what to say in the face of all that hurt and fear.

the event ends with an unskippable black screen, and mizuki’s voice saying “you reap what you sow,” and then these lines:

mizuki’s dissociation and suicidal thoughts hit me like a truck. as meiko told kaito, this situation is so fragile. and all it took was ena’s shocked expression to send mizuki into a dissociative spiral.

(continues in rb)

[tealvenetianmask]

I want to talk about a kind of troubling reaction I've been seeing to both Apology Tour and Ghostfuckers among parts of the fandom. The person is usually a reaction youtuber but sometimes someone writing on tumblr or twitter. They say something along the lines of "oh, I'm glad Blitz is being forced to confront his crimes/traumas/pain. This is the only way he will finally heal."

That's not how healing works.

I know that reaction youtubers don't always have the most developed takes because they're . . . you know . . . reacting in the moment. But I think it's still worth talking about.

I'm going set aside the people who seem to believe that Blitz needs to be punished for his crimes, and address those who genuinely think that getting a tidal wave of his own trauma in his face is what he needs to heal.

There's an attitude in contemporary culture that traumas are something people need to confront. As in, put on a brave face and dive in like a big boy. I blame capitalism, rugged individualism, and all the pieces of media that tie up a character's arc neatly by having them confront their darkest fears and insecurities. It can put a nice bow on things, but it isn't really how healing from trauma works.

Apology Tour:

Blitz gets confronted by a shit ton of people who hate him, at least some of whom are his exes, who he feels he's personally damaged. The decor and party games are all about killing and torturing him. Verosika confronts him about how much he hurt her. Oh, and then he sees the love of his life, who he's just recently pushed away, making out with another guy- proof, in his eyes, that Stolas is happier without him. And this all reflects the underlying fears he already has about who he is as a person (shown to us by Truth Seekers).

So what was the takeaway? Blitz came to the conclusion that he doesn't always want to be like this (good, but like . . . worth this much pain?). He flops on his steering wheel (relatable). He stops trying to reach out to Stolas (uh oh . . . ). He spends A MONTH spiraling in his own misery and making a mess of all aspects of his life until he's dragged out of it by a caring friend.

The party doesn't empower Blitz to change. It knocks him down and fucking traumatizes him (seriously, images of Stolas from the party show up later in his trauma reel) too much for him to be able to do actually work toward said change. I suspect that if left to his own devices, he would have kept spiraling for quite a while longer. It's one thing to want to change, and another to try to do so alone in the aftermath of a pile-on.

Ghostfuckers

After Blitz drags himself out of his hole of cheesy ice cream and despair to "play sex ghosts" (escapism, again, still knocked down by Apology Tour), infester demon Rolando picks him out as an easy target and assaults him, yes, assaults, with horrific images of his worst traumas and fears.

Not to state the obvious, but Rolando isn't interested in helping Blitz heal. He's trying to kill the guy. He wants to engulf Blitz in his trauma to the extent where he's consumed by it and loses the will to fight back. And as some excellent posts by others have pointed out already, he very likely would have succumbed if not for Millie's support.

Millie helps Blitz get through the onslaught by telling him about what makes him great and how he's improved her life and showing him love and care. And by literally beating the fucking infester out of him. Because there's someone in him who's hurting him, who's re-traumatizing him against his will. She takes him away from the reel of horrible memories.

So . . . do I think that confronting traumas can play a role in healing? Sure. But only if it's consensually (which neither of these situations are) and when the person trying to heal is ready. And most likely in small doses. No one's going and successfully confronting every horrible thing that's ever happened to them in one go.

And in my humble opinion, it's not going to work (for anyone, but especially not for Blitz) alone and without a healthy dose of kindness and compassion (both external and internal).

Blitz has a long road ahead of him toward healing, and it's going to be hard work on his part but also require love and support from the people in his life.

In a wonderful moment near the end of Ghosfuckers, Blitz and Millie work together to get Blitz's wrecked van unstuck and push it back through the portal into Hell. I love it because it's so simple and it kind of tells us everything we need to know. This sweet and salty gremlin has a lot of work ahead of him, but he doesn't have to do it alone.

[lsuyia]

❝𝐁𝐀𝐁𝐘 𝐅𝐄𝐕𝐄𝐑❞

A/N - ngl i literally pulled this out my ass at 11 am since i rlly needed to start posting on my tumblr more, pls request fic ideas!

relationship is established! also fem!reader

MDNI

ᡣ𐭩

satoru gojo, just seems like the the type of person to randomly be scrolling on instgram,— barely finding interesting and find a video of a baby.

The baby could be doing anything, laughing, giggling, saying its first word,—and like fucking magic will automatically text you about it, spam calling you

it all just started as one simple cute video that satoru saw, making his baby fever go through the roof.

One fucking video, was all it took.

You would get home from work, wanting to take a nap, oh but here he comes, bending you over on the kitchen table, making your legs tremble, just so he can try to get you pregnant.

“Spread wide open f’me, yeah?”

You started to wonder what was going on when one day he magically appeared when you were showering saying he wanted to shower with his beautiful girlfriend, which you knew he was lying straight through his teeth.

Few minutes later, he has you pinned against the shower wall, going at an ungodly pace bruising your cervix in the process with every thrust as he smiles seeing breathless, flustered face.— which some how always seemed to keep him hard.

“Just a little longer for daddy?”

You automatically knew when he said that something was going on, and you were going to get to the bottom of it.

For days straight, satoru would always have you bend over, legs up, on the floor,on the wall, in the bed, in the car fucking you dumb until he finally came inside you.

Everytime.

At this point you were getting concerned that you might actually get you pregnant.

So, you decided to finally open up about the whole dilemma, you couldnt keep going on like this.

“toru baby?” You called out to him after minutes thinking about if you should actually do this. “coming.” He said back as his light footsteps treaded across the living room before finally appearing in-front of you before he sat beside you. “yeah honeybun?” He softly spoke to you while his hand traveled to your thighs, squeezing at the plush.

“I wanted to talk to you about something..” You trailed off at the end, which in gojo’s eyes sounded pretty serious to him. His head immediately turned to look at you looking at you concerned. “Do you think we could like…—calm down with the sex?”

You spoke softly to him not even looking at him out of pure embarrassment of the situation. The silence was so loud after you spoke to him,— until he finally casually spoke back to you“yea baby thats fine, if you wanted to calm down you could’ve told me earlier.” He said with a shrug seeming like the situation didn’t affect him at all.

Oh but, it very much did.

In his eyes, It sounded like you didnt want to have a child with him, which drove him absolutely insane.

The constant sex ban worked for a full month until he was back at it again.

You couldn’t even take off your shoes without him touching your nipples through your clothes, just to turn you on and get you into bed with him.

One thing lead to another and you and him getting into a heated argument in your shared bedroom.

“Gojo, what is up with you? I cant even walk into the fucking house without you trying to finger me!” you exclaimed practically yelling at him. Your attitude towards him at him caught in a dumb daze. You were starting to get tired of the constant sex every day.

He was yelling back before but now he was silent as he stood in front of you not speaking, you rarely ever called him last name which let him know you were pretty serious about the whole ordeal.

He couldn’t keep his need for you under wraps for any longer.

“Honeybun, I want a baby.” He said to you, as his light blue eyes locked with yours.

You were honestly shocked at him, he wanted a baby? The only word you could even speak was

“what?”

“honeybun, I want a baby with you.” He leaned towards you cupping your face as he planted tender kisses.

“I want to see you and me mixed together, I wanna see both of us go through mother and fatherhood, I want to see all of you honeybun.” He said grabbing your hands interlocking them with his. He was really genuine and heartfelt about the whole baby fever nonsense.

You were still in slight shock, but you had a small thought about the idea of you and satoru’s kid still fresh in your mind at the moment

—

Needless to say, you finally found out why gojo was acting crazy all those months ago

You sighed watching television with your pregnant belly while gojo had his arms wrapped around you and his head lightly resting on your stomach, careful not to hurt you at any point

“Their going to be so cute.”

he hummed giving your tummy a tender kiss.

[shradsmanifestt]

The law is too easy, hence the resistance

This is something I've been pondering for a long time ever since I started receiving so many doubts and questions through my dms and all. A lot of people have the most stupidest doubts and queries that I feel like pulling my hair out literally Cause it just seems so freaking stupid to ask me these when you can literally know everything you need to know by just reading even one of the posts I have written on tumblr.

So you see that the law is literally too fucking simple. All you have to do is persist on the assumption that it is already yours. That's it. That's all you have to do. You don't even have to take action in the 3D in order to get you want. It's literally just handed to you on a platter in unimaginable ways if you just persist.

BUT, we as humans we are too logical. We need to find a plausible reason as to how this works and why this is so, How can something that can give us everything we want, be so simple??.

It seems highly illogical doesn't it. That's what the problem of many of you is. It seems so illogical that it's so easy and its like you're finding ways to make it more complicated if only to fulfill the need to work harder in order to get something. I feel that this is the reason why you guys find it so hard to actually believe it is yours. This is why you pay attention to 3D circumstances so much , even while knowing that it literally has no power over you. You guys are just making it complicated so that it is harder for you to manifest to fulfill some notion that good things take time or success is attained only through hard work or something.

If you are such a person, I hope that while you're reading this post you realise where you're going wrong. I hope that in this moment you decide to get out of this cycle of thinking.

Now the law works in mysterious ways for sure Because we don't know how it's gonna happen or when. And the thing is we don't need to know it. We really don't. All we have to do is persist in our assumption. That's it. Persist no matter what. Persist no matter what you see or hear. It doesn't matter. You already have it and that is the truth. You don't need external validation. Nope. If you can see it in your imagination. If you can affirm for it, it is yours, Imagination is the true reality. If you can conjure up the thoughts of having it. Nothing can stop you. Only you can stop yourself by thinking in opposite. Only you have the power to go against you by giving your power to the circumstances. Only you have yourself to blame for your situation rn.

So stop it buckle up, you've got this.

P.S a lot of you have been asking if I'm active on twitter and for my account. I am on twitter I'll give the link below and yes I am active on twitter cause I love reading them while affirming. I don't tweet much, But I'm gonna start doing it Cause why not!

[cloudcountry]

just realized i NEVER posted this to tumblr??? HELLO??? if it wasn't for ao3 this shit would have been lost media because i literally cannot find it in my google docs??? HELP???

ANYWAYS!! WELCOME TO WHAT THE TWST BOYS LEFT YOU WITH AFTER YOU BROKE UP

its bittersweet. you guys broke up on good terms. post-formatting auburn here and omfg what was i THINKING this shit HURTED. OW. CRITICAL HIT I NEED A HEALER. FUCK.

Riddle Rosehearts leaves you with an appreciation for learning, a strong sense of awe at the bookshelves lining the walls of NRC’s library. He leaves you with a pen, tucked at the bottom of your backpack that you forget about until a late night study session. You find it and giggle, remembering the time he gave it to you when yours ran out of ink, and you begin to take notes with the red-rose ink.

Trey Clover leaves you with a sense of nurture. You pick up cues from people that you never would have seen before and know exactly how to act, and it isn’t until you find yourself “babying” Ace that you step back and laugh. Of course Trey rubbed off on you, he always was taking care of you with nobody to help out him.

Cater Diamond leaves you with extensive knowledge of camera angles. When you’re taking pictures with your friends or just you, it's like you know exactly which filter would look best with every shot. Sometimes you’ll stumble upon a filter you only ever used on his pics, and you’re filled with a bittersweet happiness. Simple photo editing holds so many memories, and you can only hope he’s making new ones, too.

Deuce Spade leaves you with a motivation to protect yourself. When you started dating him all that time ago, he insisted on giving you some form of self defense lessons just so you could protect yourself. He made you more confident, even if he never knew it. You’ll always be thankful for the way he unknowingly made you stand up straighter, like you were proud to be yourself.

Ace Trappola leaves you with a lighter soul. He’s always been a goofy person, and you know full well that he’s never changed. He made you way more optimistic just by dealing with things the way he did, always being true to his heart no matter who he was speaking to. You always admired that about him, and it made you feel like you could be more like yourself even when he wasn’t there anymore.

Leona Kingscholar leaves you with a piece of his pride. He always told you to keep your head up especially when you’re scared half to death. You find yourself using his advice every time you face a situation you’d rather not be in, and slowly conquer everything that used to freak you out. You finally glow with the pride that you know he would have been so proud of if he was still with you, but you’re starting to think that maybe he’s proud of you anyway.

Ruggie Bucchi leaves you with a determination to constantly fight for better. You need to make the best of your circumstances, being transported to a world where you’re powerless with nothing but the shirt on your back. He’s taught you to be crafty and resourceful, and to never let yourself be taken advantage of. You can’t thank him enough...and really, you can’t anymore, but that’s okay.

Jack Howl leaves a carefully planned school year in his wake. You find yourself planning out your day, little events scribbled into your calendar and schedules created in the margins of your notebook. Jack had always reminded you of things and you wanted to let him know how much you valued his efforts to keep you on track, so you started writing down his schedules too. It isn’t until you flip back through your notebook to find older notes that you see “Track and Field Meet - 5pm” and feel a pang in your heart.

Azul Ashengrotto leaves you with a ton of home-economics knowledge. Long after you two have broken up, you still find yourself checking on your monthly expenses and tweaking your meal plans, and it isn’t until you’re laying in bed one night that you realize you wouldn’t be nearly as efficient as you are now if it wasn’t for your previous sweetheart.

Jade Leech leaves you with a fascination for the world around you. He took things that you didn’t think twice about and twisted them into beautiful sights, and you never quite looked at them the same way. It’s not a bad thing, it’s quite the opposite, actually. Your world has never been more beautiful, even if the boy that opened your eyes isn’t there to see it with you.

Floyd Leech leaves you with a restless need to do something. Sometimes, during your down time, you’ll set down your phone and start pacing around your room, wondering why your legs just can’t seem to sit still. Then something clicks—Floyd used to barge into your dorm and dance with you at random intervals, but he doesn’t do that as much anymore. Laughing to yourself, you slip on a coat and decide to take a walk—anything to get the fidgeting out of your system.

Kalim Al-Asim leaves you with a brighter smile and higher patience. You’d always had to chase after him on whatever misadventure he decided to go on that day, apologizing to Jamil with a wobbly smile on your face once the day was done. Kalim never failed to make things brighter, even your breakup. You two still hang out sometimes, but you aren’t as close as you used to be, even if the memories of your adventures remain.

Jamil Viper leaves you with some of his best recipes. It may seem silly or insignificant to anyone else, but you know exactly how much time he spent cooking and baking for Kalim and his entire dorm on a daily basis. He even found time to bring you and his club snacks occasionally. You still know how to make his favorite curry, and if a recipe calls for dates you scratch them out from the ingredients out of habit.

Vil Schoenheit leaves you feeling beautiful. He never once looked at you wrong, whether you had just woken up or had gotten into another mud fight with Grim or if you were wearing a swimsuit. There was nothing but love in his gaze and a reminder to keep your head up on his tongue, because in his eyes you were precious. Because to Vil, you were unapologetically beautiful (and you still are. You always will be.)

Rook Hunt leaves you with an eye for detail. After picking up on everything you did and telling you about every habit he examined, you became keenly aware of your habits and how to manage them. You’re far more observant when it comes to your own self care, and you know you wouldn’t be as diligent if it wasn’t for the insistence of your ex.

Epel Felmier leaves you with a love for nature. You’re hyper aware of how long it takes apple trees to grow and what you can do to help them along. You whisper to your plants now and sing little songs to them and you water them. Your friends have even started coming to you for pointers, and despite the fact that Epel isn’t your partner anymore, you refer them to him automatically.

Idia Shroud leaves you with an absurd amount of techy knowledge. With all the gadgets Ramshackle has because of him, you’re thankful he took the time to explain how they worked. The gifts he made for you almost make the fact that he had to end things with you because of his...family business and that you’ll likely never see him again easier to swallow.

Malleus Draconia leaves you with a greater love for the night sky. You had a person to share the sight of the stars with for once, someone who loved looking up at them just as much as you did. You can still feel the chill of his hand over yours as he reached for it, holding it like you were the most precious treasure of all. Now, when you look up at the stars, you feel a pain of longing in your chest. You miss him.

Lilia Vanrouge leaves you with knowledge of the worlds you’ll never see. You find yourself drawing parallels between this world, your world, and the mystical places Lilia used to talk about. Even Trein has been impressed by the knowledge you’ve displayed in his essays despite not being from this world, and you can only force a laugh.

Silver leaves you with a safety net, something you can use to calm down whenever. His childhood lullaby. He sang it for you time and time again when you were having trouble sleeping in an unfamiliar place when your anxiety got a bit too much. Whenever you have a nightmare now, you find yourself humming the old Briar Valley tune, in hopes that it will give you some comfort.

Sebek Zigvolt leaves you with a greater appreciation for reading (and a pile of bookmarks tucked in an old leather box he presented when he started “courting” you.) You still find yourself exiting Ramshackle on the weekends, and heading to that very same tree you two used to read under. There’s a part of you that wants to look for him, to check and see if he’s also heading to your tree, but you don’t.

[koolades-world]

Can you please do headcanons on an MC who always find themselves in the craziest hiding spots

Some examples are somehow they can find themselves on a roof of a building when there’s literally no way to get up there or they somehow get on a chandelier that’s in the middle of the ceiling and also impossible to get to

You just find them somehow on a window edge that’s literally way up high on the wall and there’s no ladder, no magic that can be detected, and literally no one should have been able to help you get up there either

It’s literally impossible to get up there

But MC, in their (stupid) brilliance, found a way

MC doesn’t know how to get down though so their only solution is “jump and hope someone catches me”

MC never shares how they get to those impossible places and no one ever catches them getting to the spot no matter how hard they try

haha hi! yes of course :)

i think i did something kinda like this? honestly i'm not sure so if i did, we have two now!! i think what i did was just mc who likes hide and seek

edit: i literally did this before haha. tumblr has been doing this thing where it will duplicate an ask i already did and i've caught it a few times, but not today so oops! haha

enjoy <3

Mc who hides in crazy hide and seek spots

Lucifer

he's very concerned for your wellbeing

less worried about how you got there and more worried about how you plan to get down

after hearing that you don't really know how and are just hoping for the best he freaks out

he knows one of his brothers will always be around to catch you if you fall but that doesn't stop him from worrying

Mammon

equally as worried as lucifer, if not more

hide and seek kind of stresses him out a little because he knows he'll have to find and catch you

he always does and will but it's just the act that worries him

he even has a pillow he carries around with him if he needs to place it under you to soften your fall, but he's never needed it

Levi

he always wonders how you get up there

do you teleport or something??

he tries to catch you off guard to see if he can see you headed up but never can

he won't question you but that doesn't stop him from thinking of all the ways you might be able to get up there

Satan

he's very curious on how you get up there

to the point where he sets up secret cameras pointed at the places he knows you've been in before

mysterious though, something always goes wrong with them and he only ever see you on the ground, then in the spot, no inbetween

but, these cameras do let him get some great blackmail for his brothers haha

Asmo

he thinks when you hide up high, you could get some super cute pictures of him

y'know like a perspective thing. must be on .5 haha

he also takes pictures of you to match for his devilgram

he keeps every picture of you because you look cute in every single one of then!

Beel

by far the most chill about it

he's a little worried but he knows you're having fun

he doesn't want to stop you from enjoying yourself

but he does make you promise to never get yourself into a situation you could get hurt in, and hopes you're true to your word

Belphie

he's the insane one who hides with you

or, well, tries is the key word

it's become a friendly competition to see who can hide in a crazier spot

spoiler alert: he hasn't managed to beat you yet haha

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[stillness-in-green]

Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point?  Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to.  We already knew that because it's what the whole story of BNHA was about!  Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else.  If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing.  It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid.  That's the one who we saw could not become a Hero under the previous system.  That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself.  And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever.  Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series.  Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it?  Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof.  So, who does save those children, then, in this grand, improved version of Hero Society?  Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that.  Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later.  No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed!  Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku?  Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out."  But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with.  It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save.  But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed.  However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in.  Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life. 

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai.  To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles. 

Like, this list is not short.  Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can.  So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover.  Truly, as art that summarizes the story goes, it’s a masterful choice!  And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

[lixies-favorite-cookie]

laughter like honey dribbles ◦ l.f

-an inexperienced Felix tries to impress you by forcing his voice deeper. What do you do when it cracks mid-through?

Paring◦ Lee Felix x Fem!Reader

Words◦ 1123

Genre ◦ The fluffiest smut you'll ever read, awkward sexual situations, realistic sex where life isn't all butterflies, orgasms, and rainbows.

Warnings ◦ Reader is described as having a vagina, laughter during sex, Felix being a big baby, embarrassment (what's new), ruined orgasm ig? Ngl i feel like half of this is just a bunch of me yapping and terrible punctuation (if you find any errors PLEASE let me know, thank you).

A/N ◦ This was the very first thing I've ever posted on my tumblr literally ever and so I'm going to be reuploading all of my stuff back onto this account 😃 so why not start off here

~CookieCreates🍪

You can feel him all around you, chest to chest, skin to skin, heart to heart. Your bodies melded together flawlessly, as though you were molded to fit into each other's arms, and, well, each others…

He pumps in and out of you ruthlessly, perfectly tipping you closer and closer to the edge.

“Please,” you whimper, wrapping your legs around his rutting hips, wanting him closer, harder, deeper,

Fuck.

“What do you want, baby?” He slams his hips harder into yours, prodding all the perfect places. You choke, a rush of pleasure vibrating through your bones. “Use your words.” He pants, nibbling on the soft skin of your neck, his voice deep and low, the seductive sultry tilt sends shivers up your spine and tingles to your core. 

“Say something, anything, your voice drives me crazy,” you whine, throwing your head back in bliss. A shrill moan rips from the back of your throat as you feel your orgasm quickly approaching, electric hands reaching out to you. You brush the tips of its fingers; trailing rings of fire seem to be tickling your skin, raging beneath your bones. 

So close.

So close.

So close.

You reach, all you need is,

“Good girl.” Felix doesn't know why he did it, forced his voice lower, deeper. At the time when ecstasy was rushing through his veins, it didn't seem like such a bad idea, until he went so deep it cracked.

He wants nothing more than for the earth to crack open and swallow him whole.

He stops.

You stop.

The world stops for a moment, and all you can see are his big, brown eyes blown wide with shock. The room is completely silent; the only thing being heard is the rough pounding of your hearts and the hard blinking of your eyes which seems like all you guys are able to do. You stay like that forever. Watching. Waiting. For one of you to take one for the team and cut through the growing tension in the room. You curl your lips into your teeth, breaking the awkward stand-off on whose either going to laugh their ass off or pretend that nothing happened and continue to fuck, but with your orgasm long forgotten and the previous raging heat of the room now dwindling to nothing more than a few flickering embers, the laughter that bubbles up in your throat is beginning to be too hard to contain.

Heat floods his cheeks as he blinks, still in this weird form of fight or flight mode. His muscles tense beneath your traveling fingertips, overcome with the humiliation that burns through his chest, and figuring no matter how much he's praying for the earth to swallow him up, Mother Nature is not coming to save him, so he shoves his face into the crook of your neck, hiding from your amused stare instead. 

“Baby,” you chuckle softly, sympathetically, the sound reminding him somewhat of delicate strings of honey that float through the air. Even with the regret coursing through his veins, the sound sticks to parts of his brain that only you are allowed to occupy, so basically, all of it.

He could sum up his life with you in one simple sentence: cotton candy kisses and laughter like honey dribbles. He groans, digging his face deeper into the soft skin of your neck, the same neck that's littered with the love bites he bestowed not even moments earlier.

Oh, how the world changes. 

You can't help the spree of giggles that spill from your mouth.

“Can you come out now, please?”

"No, I'm good. I think I'm going to live here, die here, eat here, sleep here. You might as well get comfortable, baby, cause I'm staying here for the rest of my life!” He says erratically, digging his face deeper into your skin.

“My dramatic baby,” you coo, running your fingers through his hair, still damp with sweat. Time seems to trickle by as soft bouts of breathing fill the air. The heat of his cheeks burns into your neck as you attempt to coddle him out of the embarrassed home he's made in your body.

"S'embarrassing,” he mumbles, voice muddled by the depth in which he has burrowed into your flesh.

“What was that, baby? I couldn't hear you from the home you've made in my neck.” You tease, a playful smirk dancing on your lips. He lifts his head, shooting you an equally playful but unamused glare. You have to push back the laughter that threatens to leave your lips as you take in his red cheeks and shy eyes. He looks so adorable and yet so sexy at the same time. You don't know if you want to jump his bones or bake him a batch of cookies. The best part is that you know you're going to be able to do both. You lift your eyebrows, sending him a look that states, "You have to admit that really was funny," which he reciprocates with a bashful smile, not quite meeting your eyes, giving you a look back that states, "I know it was funny, but right now I'm too embarrassed to say that currently."

That's what you loved about your relationship with Felix—you didn't always have to communicate with words. Your hearts did the talking for you.

“Come on,” you giggle, “you have to admit it was kind of funny.” He rolls his eyes, a wide smile creeping onto his face. "Yeah, I guess it was kind of funny.” 

You snicker, “Thank God, cause the laughter wasn't going to hold itself in for very long.” 

"Ugg, I hate you.” His words were as soft as silk, holding not even a centimeter of malice. He buries himself back into the permanent place he's made his home. 

“But I love you.” You whisper, your lips grazing the crown of his head, soft hairs tickling your chin.

You loved Felix, and he loved you, and even though the mood was ruined and hope for an orgasm was gone, you wouldn't trade it for the world. How could you when he was exactly that. Your world. 

“Okay, as much as I hate to say this, you can't live inside of me forever; my pH levels have to be screaming right now.”

When you were a girl and the coughs started coming, your mother used to give you honey in a spoon and a tickle to the stomach, telling you that laughter was the best medicine, but mixed with the slick amber liquid, your laughter would always sound like honey dribbles, the perfect cure, but with Felix, you never had to worry about being sick because laughter was all the two of you ever spoke.

©CookieCreates (posted: June, 2nd 2024) All rights reserved. Do not translate, copy, or claim my works as yours! I only post on this platform so if any of my works are elsewhere, report and notify me immediately.

[cloudnineminusnine]

How would the Destined One and Wukong (separate) react to you asking to sit on their face?😏😏🙂‍↕️

P.s- Love your blog here on Tumblr, I do sincerely hope it doesn’t make you uncomfortable, only answer if you wish of course💖

oh, it's fine anon! it doesn't make me uncomfortable, not at all. i apologize in advance for any spell mistakes as i'm still learning to write in english.

without further ado, here you go! (and nanashiii thank you once again, partner in crime 😶‍🌫️)

!NSFW CONTENT AHEAD SO MINORS GET OUT!

in both situations you're in the middle of things with them. afab reader!

♡ sun wukong got your sweaty body caged by his hairy arms, pressing your arched back on the smooth surface with the weight of his own body, lips avidly leaving trails of his devotion over your exposed neck and chest — when they weren't busy muffling your needy murmurs.

you can barely take your stare away from his lustful eyes, piercing you so hungrily "please, i- let me sit in your face, please!" a hot breath blows past your lips, heavy with so much desire that it makes you feel dizzy. he's shivering above your body, clenching his jaw to suppress a scandalous moaning from escaping.

"you...!" oh, so that was the reason you wouldn't take your eyes off him, getting all worked up everytime his eyes rolled to the back of his skull in pleasure. he knew you were up to something, acting weird somehow, spacing out. fine, he gives you the permission to turn that humble wish of yours into reality. it would be kind of the same as eating you out, rigth? so no complaints on his side.

for the first time ever you would be in charge, literally on top of him. he seems enthusiastic about the idea, amusement painted all over his face, and a smug grin showing up when you slowly push him backwards, crawling over him. he tries his best to not burst his load as soon as your hips are hovering his face, so close that your scent impregnate his senses, luring him in.

almost at your limit, there's no time for you to lose with being ashamed. your trembling knees sit around his head and the touch of his big rough hands find it's way immediately up your tensed thights, smoothing your skin lovingly. he's got the perfect balance in between calm and restlessness.

"now do it, love. sit on my face with all that you have, just as you want." he encourages you, and there's a faint hint of a plead in his tone that makes your insides squint. you can't control yourself when he's talking to you like that, staring at you like that. he looked totally blissed out. brown pupils filled with adoration being eclipsed by the heavy eyelids.

you do as said, crying out loud when you meet the hasty tongue halfway. he goes in like he's in a hurry, not able to wait anymore, not wanting to, giving in to the temptation of being drowned by your heated core.

and it was kind of different than eating you out. but so, so much better. the heaviness of your naughty hips moving against his mouth and the warmth of your soft thighs around his sensitive ears, i'ts so hot. he goes feral, immobilizing your legs with the tight grip of his hands to keep you in place, wet tongue burning and messing each and every spot he can reach as your juices drip by the corners of his lips.

you can sense his non stop moans vibrating deliciously through your soaked walls, making it hard for you to not just give in and cum all over his face. you can't just yet. you need him inside.

some time is needed for the both of you to calm down, to climb down from the top of a iminent climax. the overwhelming feeling making your legs so weak that you simply sit above his chest, delighted by the sight ahead.

he looks so fucked out, like never before, and just the image is enough to pull a painful moan out of you. panting deeply in the middle of horny grunts, you can see those beautiful eyes of him blurred by lust, yet he still smiles like the cocky monkey he is — vestiges your nectar glistering over his lips and chin.

you can tell it's not enough for him by the way he nips at your inner thighs with his teeth, slowly lapping each bite right after, hairy hands easing carefully your petrifying tension until you feel like feeding him again.

♡ the so called destined one, less composed than he normally is when it comes to you. whenever you two start to make out he find a way to have your body closer, to the point of almost fusing in one single being. he's always on the verge of desperation, wanting to make sure that you feel pampered, worshipped — and of course you take advantage of the fact that he clearly has a sweet spot for you.

"you know, i..." sultrily you whisper against his lips, making him fidget under you, gulping down with anticipation"i wonder how it feels to sit in your face" faking a innocent tone you bat your lashes smoothly at him, earning a frustrated, low mumble in response. you know just how to melt him.

mesmerized by your lustful hungry eyes he surrenders himself readily, lying on his back as soon as your hand push him to. you travel up his body with your lips first, kissing everywhere in an attempt to calm him down a little — his breath has gotten rigged to the point of coloring his handsome face in scarlet red. so adorable.

he begs you silently with his endearing, pretty brown eyes, shivering under the weight of your body and words, barely breathing cause the air around you suddenly feels so dense.

"is that alright? would you like that, sweetie?" you lick his neck intensely, causing visible chills to run through his torso. he's nothing but a mess, losing himself to desire so easily.

moaning wholeheartedly, he break down from his silent facade. big calloused hands make their way to your waist so he can press you down on him. he so want it. "yes, please-... please do it!" in a painful expression his brows frown, accompanied right away by that obscenely raspy voice, causing you to throb eagerly.

one last prolonged kiss to his jawline, inhaling his fruity scent harshly, and then you're ready to go. he watches intently as your hips approach his face, your smaller hands guiding his to your thighs — wich causes him to pulsate down bellow. he feels like a vulnerable prey ready to be engulfed by you, and he loves it.

"you can touch me as much as you want, alright?" as you hover his mouth you let go of his agitated hands which waste no time, squeezing, kneading and caressing your responsive body, burning over your sensitive skin.

he goes for it thirstily, it feels like the it's first time he's exploring you, but he knows just where to touch and what to do, feeling you up in way that makes you lose a bit of your balance, immediately sitting right on his face. you try your best do keep the surprised scream to yourself, firmly biting down on you lip. a hoarse grunt resonates through your insides and he presses you so hard that his wet muscle seems to go deeper than it would usually.

he's not much skilled and that's exactly why everything with him gets much more intense. it's all about how good he wants to make you feel, and how needy he turns to be in the process.

the more you spill over his mouth the more he wants to drown himself in, the harder he squeeze your hips and waist. he needs more, he wants to get fully drunk on you.

you're on the verge of cumming already, lightheaded, sweaty and panting, but you can't stop riding him — and he's taking it so, so good.

[ryssbelle]

The Brozone Misconception

(This picture is more a joke don't take it too seriously)

This is a kind of long analysis, deep dive, and discussion about certain fandom misconceptions. I am 100 percent open for discussion but I would ask that you read the whole thing first before reaching out, and please be respectful!

A link to the og google doc with images as tumblr image limit killed part of the essay XD

Essay under the cut

There is a common misconception in a small subset of the trolls fandom about the character of Brozone. That is their reaction and treatment of Branch, their overall purpose in the story, and whether or not Branch should have forgiven them. Whether or not their trauma born toxic traits which they aim to grow out of should be forgiven or not.

Let’s begin with an analysis of the beginning, middle, and end of their arc progression more or less.

We start with our favorite problem child, Jonathan Dorian, mounting the pressure of tonight's show, building expectations, and showing us, the audience, a bit of what goes on every time these guys perform: 

Making Bruce do 100 more push ups in the time before showtime (1 minute) 

Pressuring Clay to wear the funderdrawers even tho he clearly doesn’t want to 

Rebuffing floyds attempts to calm himself down

And his worst crime

Making Baby Branch Nervous

Now you could see all of these and think “Evil! Evil John Dory! Jail for John DOry for 1000 years!!” because he is being oh so toxic. Now JD’s main motivation for pushing his brothers so hard in this moment has to do with the “Perfect Family Harmony” which according to baby Branch no one has ever hit before

And you can see the strain it puts on the other brothers not just through the scenes i showed before but Clay literally tells us

John Dory not only sees it as a great achievement, but he is putting his own and his families self worth all on whether or not they accomplish the perfect family harmony

(ignore the crappy cropping image limits)

And when they fail he blames it on them not following his lead 

He still believes after all of that that they can successfully complete the Perfect Family harmony 

This looks to be about the first time the brothers air their grievances out to their older brother about how they actually feel about not only completing the harmony, but the direction of the band itself.

All of this happens within the heat of the moment, and only continues to get worse as when confronted with all of this Negativity JD decides to leave. You can see by his facial expressions in the above screenshots he was already feeling terrible about the situation as a whole. Animation is very show don’t tell just as much as live action is, it’s very important for storytelling as a whole. A character should not have to SAY they are remorseful for you to be able to see it.

So JD leaves leading his other brothers to leave as well. Ironically they are following his lead badum dum dum. 

Now we can assume this is probably par for the course for these guys, cuz Grandma is right there, and she just lets them leave, you say plot convenience I say subtle story telling/ It is implied they do this all the time and will eventually come back. (they don’t)

(Also ignore this image its also a silly and not serious XD)

Now you may be thinking, Ricky, you say that Brozone is not toxic, yet you show us the worst examples of their character. Listen dear reader, this is only the beginning, what I’ve shown you is merely the establishment of the eventual conflict that will be part of the driving force behind character growth and the story itself. 

Let’s move on to adulthood. The main arguments against Brozone happen here, other than the initial abandonment of Branch, which, I should remind you, happened when the oldest among them was still a teenager (teenagers are dumb). 

In this section I also have to mention another movie, and another character, as he is usually brought up in these discussions 

Creek

Creek is usually used as a comparison to the Brozone bros in the argument that Brozone is EVIL AND TOXIC AND UNFORGIVABLE and Creek by comparison should be seen in a better light and not deserve the hate. To be honest I have never seen the level of hate that has been given to Brozone leveled at Creek in the slightest. He is canonically a toxic character, and one who is incredibly self serving which a majority of the fandom recognize and vibe with. Creeks admittedly rancid personality is a massive factor in his appeal (at least for me), and that is kind of the point of his character: To be awful and unforgivable. Creek wasn’t made as your average side character, Creek was specifically made to be an antagonist, to be a contrast to one of our main protagonists, Branch. That is why they are always at odds with each other within both 3D media and 2D media. 

Taken from the trolls wiki

Creek has also shown disregard for Branch’s hobbies in the main show, tossing his puzzle into the fire. This was during Haircuffed, when Creek didn’t want to do Branch’s puzzle

Which you think not so bad, its just a puzzle! Well…

Puzzle’s have incredible significance to Branch, a comfort object if you will, and another way to feel connected to his Grandma. Now you might cry “Creek didn’t know it was significant! He can’t be held responsible for that!” HE SHOULDN’T HAVE TO KNOW THE TRAUMA BEHIND THE PUZZLE TO NOT DESTROY THE PUZZLE.

Conversely let's look at the Brothers:

Throughout the course of the film they are a bit rude to Branch and dismissive of him:

JD:

Bruce:

Clay:

(You could argue the face grabbing is just a troll thing cuz)

But anyway

These scenes are minor things that add up during the course of the film for the purpose of showing off the traits they will put aside and grow out of for the sake of each other.

(brb reading xmen)

Lets talk about Xmen, you think JD is bad well watch this

Bam!

Anyway

Before we tackle the entire argument scene let’s first tackle the individual character of each of the bros, Specifically: John Dory, and Bruce, who are most criticized for their actions.

John Dory is one of the first brothers we see return in the film, and his first and foremost objective is to collect Branch so that they can go get their other brothers to rescue Floyd. Some have called John Dory uncaring for his younger brothers, but if that were the case why start the rescue mission at all? An uncaring brother would just ignore the letter and go on with his life, but John Dory literally drops everything just to go rescue his little brother. The letter even specified getting the other brothers first, but John Dory goes alone to get Floyd out of danger as fast as possible only retrieving the other bros when he fails (and cuz he didnt know where they were, can’t waste time when you got a brother to save)

A brother who didn’t care about his family wouldn’t go through all this effort. Some would say he’s only doing it for appearances sake, but for whom? Him and his brothers have been out of the limelight for 20 years, JD especially has been isolated in the neverglades, who is he trying to impress with this? No one, he’s just a good brother.

Also a reminder! When thinking about breaking Floyd out he is not the first to bring up the harmony! Floyd is, John Dory had a much more clever idea

So it's not just to complete the harmony either.

He’s also held on to all the merch from their Brozone days, mementos of his family, it shows how he cares, but also the flaw he aims to overcome: his desperate attempt to cling to the past, the better days.

Now let's go to Bruce, easily the most scrutinized of the brothers (because of the baby comment) 

When he first sees his brothers again this is his reaction: 

(Another point for JD, got ignored but is more happy to see his bros getting along)

Bruce is excited to introduce them to his family, excited to reconnect.

(Note: At this point tumblr stopped allowing images so i will be giving descriptions along with a link to the original google doc for reference purposes these are screenshots from the movie)

Cut image: Bruce introducing his wife to his brothers "These are my brothers, unexpectedly"

(Still excited and immediately introduces them to his wife despite them being “unexpected”)

Cut Image: Brandy saying "It's so nice to finally meet you"

“It’s so nice to finally meet you” Implies that he’s talked about them at length and the possibility of them meeting up with one another.

Also all of his kids completely ignore their mom, just to ask their father something, or tell on their sibling, or ask for his help as seen in this entire clip

With the ketchup kid he assures his kid he will handle it (and yes Brandy had to handle it but um rescue mission?) and that he loves them he just needs a bit of time to address, um who was it again? His brothers, right…

Bruce is argued as being incredibly selfish, I had seen a meme once that had suggested Bruce would let his own children die before he would give up his own life, which is horrendous and blatantly untrue. Bruce only tries to turn away his brothers when John Dory brings up the perfect family harmony and that’s before he knows it's for Floyd, once he finds out it’s for Floyd he is immediately on board! His biggest concern about the harmony at this time is how they’re going to do it. 

As for “abandoning his family again” Bruce is going on a rescue mission, which he asks his wife before hand if it is alright

Which she approves, he also agrees to cover for a WHOLE MONTH for the yoga retreat (Also seen in the clip above)

He spends the majority of the journey caring for Tiny Diamond as well, he lets Tiny into his hair, carries him around in a baby sling he’s a dad to any kid who needs him.

Clay doesn’t get as much scrutiny as either of the older bros, most likely due to his inability to leave the golf course and the fact he apologizes to Branch at the end. There are many things that mimic the same in the ending scene but let’s address the points brought up within the argument that people use to claim the evilness of Brozone. 

Also fun reminder, Clay is the one to start the fight, Not John Dory, not Bruce, Clay just a fun note (he is a lil problematic and argumentative and thats why i love him)

Clay brings up John Dory being bossy which sets everyone off into a tangent about the past, past actions that they think are resurfacing

Cut image, the beginning of the argument:

Clay: No. No, dude. You’re forcin' us to be perfect, just like you always have, so we can hit the perfect family harmony.

John Dory: Yeah. For Floyd.

Bruce: Is it? Or is this all just so you can tell people what to do again?

John Dory: Wha What?

_

Bruce: This isn’t gonna work if you keep on bein' the same old John Dory.

We all know John Dory’s reason for being “bossy” ; his reason for his perfection, once done out of an effort to impress, is now one out of necessity. They need to be perfect because now someone can die, and the others can’t see that due to their own trauma at the hands of JD’s perfectionism. 

As shown way at the beginning of the essay, all of the brothers suffered at the hands of JD’s past obsession, Bruce had to look a certain way pushing his body past its limits, Clay had to act a certain way disregarding his own happiness to keep up an image, Floyd was ignored and his advice pushed aside, and Branch was pushed to be perfect when he was only about 2 years old (or a month old if you go by the brozone blog). JD also suffered, pushing himself to make song after song, mentally exhausting himself and inadvertently hurting his brothers in the process of doing what he thinks is right for them. 

JD also had the responsibility (as a teen) to parent all of his younger brothers:

Cut Image:

John Dory: Well, I’m not allowed to change. I’m the oldest. I had to be the leader.

John Dory: Why do you think I moved to the middle of nowhere? So I didn’t have to be in charge of anyone. Four little brothers is a lot of responsibility.

You could argue it's his responsibility as the oldest but Grandma was right there, they shouldn’t be his sole responsibility. 

When most of them left it was done out of self preservation, to protect their sanity and to finally find happiness outside of a place that was no longer bringing it to them. They were kind of acting how most would want Branch to act, they cut out the toxic family for their own safety. 

Bruce:

Cut image:

Bruce: [stammers] Why do you think I left? So no one would treat me like you did.

Clay: 

Cut Image:

Clay: I’m gonna find trolls who take me seriously. Next to Clay is a picture of himself in a graduation cap

(Also that is Clays graduation photo, they are all around teen years in  the prologue which means this is either a middle school graduation photo or he graduated early and is still not taken seriously, which as someone who also faces that [only being seen one way despite your achievements] is incredibly discouraging and soul destroying) 

They most likely didn’t return due to the fact they didn’t want to be faced with this kind of treatment again (golf course entrapment aside) 

(Now you’re probably wondering about Floyd and he’s a whole other post, this is mostly focusing on the brothers who receive the most criticism due to misrepresentation)

During the argument they talk about going their separate ways, it is admittedly harsh they way they talk about leaving again, but they never say they’re leaving forever. Bruce has to return to his wife and kids, Clay left the golf course without one of its leaders, JD has his own life and routine, of course they’d go back to it once it was over, but that doesn’t mean visiting is off the table, and that they’d never see each other again. 

Cut Image: John Dory: What? The mission’s the mission. [chuckles] You didn’t think we’d all live together when this was all over, did you? Singin' songs and roastin' marshmallows?

Again i recognize JD is being an asshole here, but he is only knocking the idea of living together off the table, which kind of understandable they’re all adults with their own lives they don’t need to live together, I don’t get mad at my sister for going back to her house when shes done visiting. But again it is more how they say it then what they’re saying

Cut Image:

Branch: [scoffs] Oh, I’m sorry. Is that funny to you? That I might want us to actually be a family again? Tiny Diamond, pull over. Now.

Seen is JD's look of regret

You can see on his face that he regrets what he said when Branch says this, when he gets angry at him, he didn’t mean it like that. Thats when the don’t be a baby comment comes in, they still don’t actually understand why he’s upset, they think he’s acting childish, they don’t recognize he’s changed yet

Cut Image: The bros reaction upon hearing of grandmas death

These are their faces when they hear what Branch has been through, they obviously are upset, they’re hurt on his behalf, they are remorseful, this and their future actions signify the shift from who they were (hurt kids turned hurt adults, fighting over their past trauma) 

After Branch leaves, they, on their own accord, continue the mission to save Floyd, which is how they get caught, and during the final climax control freak JD relinquishes control, having changed and lets Branch take the lead. This is after Branch reminds them they don’t have to be perfect to be in harmony, just to be as they are together which they AGREE

Cut Image:

JD: We'll follow your lead, Branch

Once they save Floyd we are brought to Bruce’s restaurant, he brings them there to host their reunion, there is where branch gets encouragement from JD, where Clay apologizes, where Floyd reminisces and you can see JD engaging with his brothers more than just encouraging Branch he has joined Clays sad book club

Cut Image: JD reading a sad book behind Branch and Clay talking about said book club

This isn’t the end of their reconnection, this is only the beginning. They still have lots of time to grow, and to become closer as family. 

Now lets head back to Creek for a moment before we close this off:

We have brought up the puzzle destruction and his purpose as an antagonist. The main argument most people use is that Creek had no other choice but to sell out his entire race to be eaten and killed to save himself. He had a choice, Branch would’ve let himself get eaten if it meant protecting all of troll village as noticed when he protects poppy in twt (though he might’ve actually found another way out), Poppy would’ve as well. In tbt Floyd begs each of his brothers who meets him before the climax to let him die so they don’t face the same fate, these are all selfless acts. Creek reacts selfishly, eat everyone else but don’t eat me, then he smugly confronts Poppy, obnoxiously laments about how he has to live with his actions when if he were a truly good and selfless character wouldn't have been an issue. He smiles smugly, shrugs his shoulders, and lets himself be carried to safety when his people look at his betrayal with disbelief and sadness. 

Creeks actions in the 1st movie are awful, they’re supposed to be, they’re meant to be unforgivable crimes, and that is why he is killed in the 3D canon, legit he is dead in the 3D canon. 2D and 3D are different continuities, which is part of why I find them (Brozone and Creek) to be mostly incomparable.

Brozone’s arc only affects Branch and each other and in the end they grow stronger, and into better people. Creeks arc/actions affect an entire species and their survival, within the 2D continuity his actions only continue to be self serving, and rather toxic (more for funsies but you know) he should not have been forgiven, but he was. His actions were deplorable yet forgiven which then begs the question why aren’t Brozones? Creek also wrote the apology song solely to humiliate Branch in front of his friends which is not cool bro, Branch did not deserve the treatment he got in the episode from anyone. 

To conclude my thoughts are that Creek and Brozones actions are incomparable, Creek’s actions are not meant to be taken in a positive or sympathetic light, he is a villain cut and dry, that is who he was made to be and he does it wonderfully. I don’t hate Creek, I love his character, he is awful and that is great! Love toxic awful characters! Brozone are a representation of a broken family coming together again, they are toxic, and then they grow, they are meant to do so, the villains of that movie are Velvet, Veneer, and familial trauma all of which get mended by the end of the film. It’s not perfect but its there, and the ignorance of it is what causes these major misconceptions. 

TL;DR Learn media literacy please

[chessboredom]

Can we please get a rant on PV's characterization ? Asking both to hear your thoughts and to see if I need to reevaluate my own idea of it because accidentally mischaracterizing favourite characters is my biggest fear ":)

So I'm having the thing where "opening your favorite character's tag only to see mischaracterizations" That makes me go "Oh I can't wait to look at fanart of my blorbos in tumblr dot com!" only to remember that people play the English version(scum of the earth) and not the Korean version(literal Cookie Run Bible to me) and then feel like I directly get shotgunned at the face and I never open the tags ever again.

This is Not to say that "Your characterization is wrong!!" or me trying to discourage anyone. It's just not for me, das all. Go do whatever you want forever.

ANYWAYYYY

(I'm still continuin this LMAO)(NOT DONE YET UUGGHHHHHHH)(still isn't done but I'll just make a new post lol)

This also extends to Shadow Milk characterization because I cannot characterize one without the other as a compliment. (I have the Chronic Narrative Foil illness from being a dirkjohn shipper. That god forsaken ship rewires your brain. I've made people like them and I clearly see the impact.)

PV is not nice, he is kind. His actions take effort with no exchange. He could impact a group of people one day, they love him, but they disappear. This is the part where he lies. PV is self-sacrificial, and he says anything that would benefit his subjects happiness over himself. It's important for him that they be happy for their whole life because they are all fleeting but he isn't. He is immortal.

(This is because I see people draw him hugging Smilk, which is something Smilk would HATE SO MUCH.)

He also changed from a patriarchic kingdom into a democratic kingdom.

And he isn't above violence, he just chooses to not participate in it until he didn't have a choice when they were fighting against Dark Enchantress. He protected his friends then stepped forward to attack her with everything he's got, and it's DARK MOON MAGIC. NO SOUL JAM. (I should mention that he USED TO be in the Middle position. This is a Smilk parallel.) Then gets SUCKED into a singularity she made which EXPLODED EVERYTHING AROUND THE KINGDOM TURNING IT INTO A BARREN WASTELAND, still manages to trap her in the Moonstone. He even enclosed the Vanilla Kingdom IN A TIME STASIS and IT FLOATS IN THE SKY. <-ALSO MADE WITH DARK MOON MAGIC, which is similar to SMILK'S DIMENSION but Smilk's has the future of the past and the present coexist.

(I correct my past assumptions about Healer Cookie now too.)

This so comes with the price of losing his memories, but his miraculous healing stayed. THIS was another parallel to him becoming "Truthless Recluse" (The Hermit of Truth in Korean) when Dark Enchantress said that he was "falling deeper and deeper into the abyss." PV's self was hidden in the dark side of the moon with the Light of Truth who was always calling out to him, until Gingerbrave came and changed everything, and then it made the voice louder. That's why his eyes were open majority of the time when he was Healer Cookie nearing the end of the Timeless Kingdom adventure, because he wasn't *full* Pure Vanilla yet. (PLURALITY MENTION!!) Healer Cookie is another personality who is taking place for Pure Vanilla's arrival. Until PV finally comes back, then reuniting once more with Healer Cookie, who is also himself.

Then he just sends Gingerbrave and Friends™️ into a quest to send letters to the other Ancients' kingdoms because he had to stay in the Vanilla kingdom, and the possible survivor's guilt he holds in that Dark Flour War and also to avoid the shock of having to meet them in person because you know he's understanding the situations they're possibly in since it's been decades since they met.

One Ancient who deeply cares for him as a friend is Hollyberry Cookie. Friendship gang's first meeting with Hollyberry Cookie was her PRETENDING to be a different cookie because of the CRUSHING GUILT she had of not being able to protect her friend that she abandoned her kingdom and her role as queen(sloth moment). And in one of PV's kingdom interactions with her is HB asking if he ate. 😭(I LOVE THEIR FRIENDSHIP SO MCUH)

(I WILL STILL NEED TO WATCH BEAST YEAST EP 1 - 2 AGAIN TO ADD TO THIS I SWAER. TO GO.D)

Skip to EP 7 - 8....

PV went to the Spire after they just found some totally (not) legit info about "Beast Binding Ritual," he met Fortune Teller Cookie, who was also himself(I cannot read tarot card. Might do that later), and then he was separated from the Friendship Gang because Smilk couldn't care less about them. Smilk wants Pv to focus on HIM. Main Character of the show. Not PV, the half-penny(fool or idiot). He literally puts himself into PV's memories, and then proceeds to tell PV that "I've been with you your WHOLE LIFE." "You need me." Okay projecting bitch. Shut up. That's bullshit.

PV doesn't need Smilk. PV has lived with no Smilk. It's the other way around. Smilk NEEDS PV. He's obsessed with him. Very obsessed that he is PROJECTING. In En he called PV his "other-half," but in Kr he called Pv his "lesser half." He is still in control. He does NOT want to see others authority over him, despite their theme of King and Jester.

Historically is that jesters where actually an incredibly valued part of royal family’s almost treated like a noble and were the closest to the king outside of his family. They where just silly goofy guys that they kept around. Jesters where so respected they would stand next to kings and help them make important decisions. A lot of jesters WERE scholars. They had to be diplomats in place of their kings.

At the time of Tr!PV, he wanted to push him to the BRINK OF BREAK DOWN. (Take a look at this freaky shit here.) But good thing Friendship Gang was there making him remember who he is, or else he would've actually became a Cookie of Lies, and remembers that his role and purpose, just like Healer Cookie, was to ACT like a different person until PV wakes up and becomes one again. This is a parallel to how Smilk has different identities in different times and ages, which are also himself.

Tr!PV's WORDS(in Korean) are so perfect, that he even manage to fool Smilk himself through making him think that HE has the upper hand. He even mentions it later when he was awakened. (I have to look for that part again.)

With his new awakened form making Smilk crash out for lying and being a traitor, and then he literally beats the shit out of Smilk 2-3 consecutive times because he's a stubborn child who doesn't want to. (Seeing fanart of PV hugging Smilk is so ??? to me. Smilk would rather DIE.)

DON'T GET ME STARTED WITH THIS. ENGLISH TRANSLATIONS DO NOT SHOW THIS LEVEL OF UNDERSTANDING IN HIS WORDS.

Smilk wanted to end it all!!! He doesn't need PV. He doesn't need the Soul Jam. HE WANTS TO DESTROY IT ALL. (Goofy ahh tantrum.)

Now the part about Shadow Milk and touching, and being "touch-starved." But people seem to forget he is a CONTROL FREAK. He's gonna have some tantrum if the narrative isn't in his control. Yes, he would love the sense of touching PV, as long as he leads. He NEEDS to be in control. He NEEDS to be in the spot light or else he'll be weak and he doesn't want to be seen weak. Like, he's already accustomed to being starved of touch. And receiving it makes him feel sick. >> I answered an ask here.

And about ShadowVanilla; I keep seeing the joke "friendzone" and then seeing Smilk be disappointed which is... something... Like... The kind "relationship" Smilk made for them wasn't getting married, (but they are Metaphorically as Narrative Foils) it was FORCED through TORTURE because THAT'S ALL HE KNEW HOW TO MAKE A RELATIONSHIP. He wanted to share a soul with PV because it was his fear of being alone that he rather drown himself than face that Truth, and that was the ONLY TIME Smilk made himself vulnerable. Do you think he had a choice when the Witches created him with the other Virtues? They immediately had sentience with no young adult stage to meet naturally like how the Ancients slowly melded into a friend group, and they had no kingdoms to attend to back then. And the Virtues need to work together while being entrusted with a bunch of cookies, which for them is equivalent to taking care of ants.

And that being said, with the consideration Smilk is a literal cookie god who never felt a touch of another cookie in millennium, being invited into a friendship (with another cookie who he was not baked with in the dawn of time) is the most intimate shit he's going to get. He may Know everything(LITERAL NERD OVER HERE), but he never had Any EXPERIENCE. As slutty as he looks and acts, he is one. VIRGIN. LOSER. (TO ME!!)

To end this rant. Control Freak character weakness: Getting dicked down by some guy with a kind heart(who is unexpectedly freakier than Control Freak).