#side note i love them so so so so much

[hopskippen]

I love having two cookies I ship in my kingdom because I can just do this and I am fed for a week

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

[First] Prev <–-> Next

[korolation]

chara deserves a hug so bad (twin runes by @akanemnon you guys should go check it out)

[morteisshipping]

3 AM epiphany:

Han Yoohyun: loves Yoojin so much that he hates and doesn't want to exist in the world without Yoojin in it.

Sung Hyunjae: loves Yoojin so much he learns to love the world that Yoojin loves and the life he shares with Yoojin.

This is especially more special if you add the fact that both hunters find the world boring and uninteresting. Especially shj, after universe-hopping so much, he finds living to be incredibly dull that he literally longs for death that he literally cannot achieve. But meeting hyj has turn shj from passively suicidal into loving life, loving the world he's in, all bcs he meets someone who cares for him like a human being.

[freetobeafcknriot]

FIVE & BEN ft. checking up on your little brother.

[hinamie]

please any atla gojo lore. anything please im begging on my knees hands pressed together like im praying to god

I really wish I could anon :'> we tried to think of non-spoiler-y lore we could share but turns out every aspect of his character is either a. major spoilers or b. a near-direct echo of canon but make it atla flavoured (ie. his relationships w/ geto/shoko/nanami/haibara; him being The Strongest(tm) in-universe, etc). I guess there's technically the satosugu betrothal but that's already Public Knowledge given that there's art, plus the details are (surprise!) more spoilers

so ...yeah.... unfortunately you'll just have to wait to learn more about him in the fic :"> please accept this compensatory art as apology even though i am Not sorry in fact the pleas of the commonfolk make me cackle

jjk atla!au with @philosophiums

[luminut]

thank you boonboomger!

[bluegekk0]

A glimpse of the past

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[arty-tardigrade]

They HUG!

[laurrelise]

beautiful gorgeous stunning women of the umbrella academy save me SAVE ME

[spacetimeaccordionfolder]

(lyrics from Guide my Way by Casey Lee Williams and Martin Gonzalez)

I've been thinking about making something like this for ages. Finally had the time today. I'm quite happy with this.

Weirdly it was easy to draw the left side of Kendal's hair but not the right, and easy to draw the right side of Vash's hair but not the left.

No words version and close ups below the read more

Used 1.1.3 (pose) and 1.18.12 (Starfire colors) as references for Vash (along with looking at various pages for his swirls and then just winging it) and used 1.22.23 (pose and colors) and 1.22.58 (eyes) for Kendal

[limonjarritos]

If I keep quiet, my tail gets noisy!

[teddybearty]

Sum MOAR Hundred Liners ✨

[siyratiin]

insane!!! what!!! v models!!!