#shit this post got really long

[rayhantochtli]

Hermits I'm watching this season

[dykealloy]

[kelocitta]

Hi hi!!

I've always been impressed and amazed by your art, the way you use shapes is really communicative and I just love how gogeous it looks

I was wondering if maybe you could share a bit on how you draw ? Because you're genuinely an inspiration for me and I'd love to see the behind the scene if it makes sense

Thank you for posting your art it's always a pleasure to see c:

have a nice day/night and don't forget to drink water!!

I actually made something akin to this a while back but got shy/paranoid about it, so maybe here is an alright time to share at least a part of it :)

The best way I can think of is it that with digital art I dont really think about things in terms of mixing paints but more like a paper doll or paper cut art- some pieces you want to look stuck together and others you want to look glued to the back, but also maybe you reuse the same piece of paper a lot. It's not 100% how I'm going about things, but the mindset is close enough. I like when things look clean and connected or have a sense of flow to them, so a lot of colors will flow into a different part in a line. Everything is very heavy on the layers, which means in any given piece i can probably pull the whole thing apart and change bits and pieces individually. This is what the average WIP looks like:

You'll notice theres a lot of smooth continuous lines and "meeting points" for curves. Even if i drew them at different points, I usually make them lead into each other on purpose. It's not really complicated, but also my methods are the probably extremely weird and nonsensical because something about digital art stops me from being able to process how things should work. It's very different from traditional for me.

[jjkyaoi]

speaking of stiles stilinski, the way the entire fandom like. warped his character completely for so many years is still one of my favorite talking points because what do you MEAN pack mother. what do you mean he’s this selfless hero who would sacrifice himself for his supernatural found family…???????????? girl. 90% of the characters we’ve met he’s either distrusted and theorized as killers (most of the time being right to some length but that’s beyond the point) like a cat who hisses when their owners friends come over, and the other half he’s like. made multiple comments about wanting to kill or been. unnecessarily catty to. like . that motherfucker CRAVES violence. the entire show would’ve been completely fucking different if he was the main character. why did the fandom take these things from him when they make him SO interesting

[thankstothe]

Some notes on Wilson's marriages/divorces, and how he met House:

• House didn't just meet a freshly divorced Wilson. He met barely married Wilson, who just got notified about his #1 divorce by a lawyer, not his wife

• Wilson walked around with papers on hand, long enough to give House a chance to sneak a peek. The same day he received the news. (there's a chance it was some sort of middle step in the divorce procedure, but "just served", checkmate your honor)

• House 100% knew that when he bailed him out. No, I don't have any concrete evidence besides "it's fucking House"

• House had Wilson observed the entire time to know he didn't open the papers. The divorce lawyer prob gave him an idea of what it is, and he was just marinating in the suffering juice

• House had to be nosy and stealthy when he checked the package Wilson clung to, he saw what's written on it

• They didn't actually talk at the conference itself, so House did it silently too

• There was a law firm address on the papers, and you couldn't just google shit then. House's had to remember it to investigate it further, or he already knew of the firm (or it said "BLAH LAW FIRM BLAH HERE'S YOUR DIVORCE PAPERS, LOSER", which is possible)

• Wilson likely opened them in a hotel room (or he looked at the package sadly/angrily there too), needed a drink, and House was at the bar

• House was watching Wilson at that conference, then at the bar, then meltdown over the song, then the whole fight and the mess, then the detention, and was like yeah I'll bail that

• "First words you ever said to me." This is when they first talked, Wilson was in jail and the one in need

• Ok alright, hear me out, if House didn't know what the papers were at the time of bailing. There are 2 paths for him to find out

• Wilson STILL had them on hand in jail

• Or Housey saw them at Wilson's hotel room. Yeah

• It's been over the decade since they've met and they both vividly remember the details of that drunk night (I get why for storytelling purposes. Still... Much to think about)

• That conference is either the last one, or one of the lasts, House attended. And that one was already boring to House without Wilson. 15 years prior to s06e06 "Known Unknowns", can't do the timeline magic I just eyeball it

• House also introduced Wilson to Cuddy pretty soon, since she was a witness to the levels of despair he was apparently in

• House might've pestered Cuddy to hire him, or she chose to do so herself (whenever she was dean). Maybe House chased away some poor oncologist to make an opening. Even if House isn't as obsessed with Wilson at the start of season 1, he's always plotting

• There's the brother thing too. Wilson still fresh out of med school, still divorcing, still guilty af and looking for the brother in Princeton, so he was happy to work there

• Prior to that, Wilson was working 2 jobs to support himself and Sam and was ready to follow her to Baltimore

• The divorce and meeting House happened in 1991, the same year USSR completely fell apart. Just thought I'll throw that in #educational

• Wilson was married, non-fraudulently, for 12 years total

• Marriage #1 has only lasted 1 year

• That means every marriage House was present for has lasted longer #math

• Wilson found a way to get fulfilled while in the marriage

• Now he's got a needy bitch with infinite problems and who will slurp any poison he has to siphon

• I'd argue House is what made Wilson bearable at home

• At the same time, House is what kept Wilson away from home, ultimately contributing to the divorce

• Wilson himself describes his marriages as crappy - he doesn't really need help destroying them. House still helps~✨

• Timeline gets wonky, but there couldn't have been much of a downtime between marriages, a couple of years max

• "Fell in love at the wedding" - whatever the fuck that means for Wilson

• Either Wilson met Sam through that wedding, and she also aimed to work in medicine - how they've connected. Or they went there as a couple, both being med students? Got high on emotions and jumped into marriage

• Wilson speedruns relationships once he's in them, so it could've gone "hey that was a nice wedding, how about we have our own?"

• He fucking sucks at proposals, his looks and general air of niceness carried him all 3 times, I will not be hearing any objections on the matter

• When Wilson talks to Cameron about cheating. He says, "I have (cheated). I always told them"

• "Them"

• It's could've been every marriage (#1, #2 and #3). If boy managed to sneak in cheating in his 1-year lightning marriage #1, while he was studying + 2 jobs (now I don't doubt his time management skills, but it's still a hassle. On the other hand, all that stress couldn't have been helping)

• Or it could be #1 and #2, or #1 and #3. But #3 is pretty much a certainty (he flirts with nurses on screen, House is also there), and it's "them", so why would he randomly stop in the middle? Don't think so

• What's most likely is - #2 and #3. When arguing with Sam (#1) again she didn't mention or allude to the cheating, her problem was that Wilson didn't communicate ANY emotions to her, she even admitted to House she made the most mistakes in that marriage, let's say there's some truth in that

• Wilson either didn't tell Sam about cheating, she didn't have a problem with it, or he lied to Cameron

• OR he didn't cheat on Sam

• He started to cheat after the first divorce AND his marriages started to last longer, which is funnier too

• He could've started cheating prior to House entering the picture, but much more likely - after. Divorce and/or House are the cause

• Speaking of. Meeting House is very tightly linked to the #1 divorce. Every time Wilson would think back on it, he would have to think about all the turmoil and getting bailed by House. And vice versa - every time he'd think back on meeting House...

• "I met someone who made me feel funny. And I didn't want to let that feeling go." Another Cameron talk. Ur honor, there's something on that wall

• btw, he is STILL married while meeting House, so if you hilson 1st-night-fuck truther, that meeting is his cheater origin story in a more practical sense. He then could've really meant all the marriages, but then he lied about telling Sam/Cameron, he might not count it since he's divorcing to tell Sam

• Ultimately, he's a huge liar, and I'm wasting my time. What I'm saying - nothing is really off the table with this guy in terms of hcs

• Aftermaths of #2 and #3 aren't really talked about like #1. It must've been really nuclear

• House says neither of them recovered from (#1) divorce to Wilson's face, Wilson doesn't contest that in any way. Even tho House didn't know Wilson before the divorce he usually right on the money with these things

• After the divorce #2 Wilson got 3 legged cat

• After failing to secure marriage #4 (#1 part 2) he got a diabetic cat

• Just like the thing he has with missing phone calls, after every divorce, consciously or not, he might expect a savior to bail him out

• After and during #3 he crashed at House's, then surfed hotels, then moved in with a dying patient, then Amber's, then House moved in with him (still Amber's)

• Maybe his wives kept taking properties in the divorce, and he just stopped getting them

• Man frankly didn't have a home for a while (HOMELESS BUT NOT HOUSELESS)

• Then Wilson finally commits and gets the place for himself and House, from Bonnie (#2)

• Wilson adamantly remains on good terms with his ex-wives (but not random exes. One helps House with a prank, House kept tabs bc of course)

• But Wilson thinks they hate him. Did he ever pay attention to them?

• While spending all the time with House, then cheating, telling his wives about it, Wilson gave them more attention and emotions to delay the divorce

• He also learned how not to get attached in marriage, to not get destroyed by the divorce (excellent gambit if you expect your marriage to fail)

• He has a better support system now too. Can't believe House is your support system, fucking lmao and ouch. Cuddy is his only other friend we see, maybe Stacy at some point (he kept in touch with after the incident)

• All his other friends and family we hear next to nothing about, at best they're surface level

• In season 5 he's only visited by the coworkers/House's team + Cuddy <- all that is pretty much House's tolerance circle

• House is pathetic, but Wilson is something else entirely

[martinsorbit]

[Inscryption AU] They thought being inscribed was for one game file ONLY! They MAD!!

god this is so self indulgent. like im not even joking this time im 100% serious. oh my god. are they my fucking ocs at this point? sorry im tired

So uh. After PO3's takeover of Inscryption by the end of ACT 2, Lunar and Solaris get turned into cards yet again (LOL sorry) and become part of the technology deck in ACT 3 as Moonbot and Sunbot.

PO3 didn't really mean to inscribe them, I dont think It knew if they really existed or not since both Solaris and Lunar are scrapped secret bosses that never got truly deleted.

Since the two shouldn't really exist in the game, in ACT 3, both of their cards get a new sigil and effect (Still thinking of a name, but I want it to be like the pizzaplex virus in the sense that it affects an animatronic and infects the others close to it; Maybe a power debuff to all adjacent cards + and some damage stuff)

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[ondeemand]

Transformers One Review

For the sake of convenience, I’ll be referring to the characters as their new names (Optimus Prime, Megatron, Bumblebee) instead of their old ones (Orion Pax, D-16, B-127).

Also, I didn’t grow up with Transformers, so this will be mostly from an outsider’s perspective. I can’t tell what possibly was or wasn’t a retcon or how accurate to the source material it was, but I think the background info on their world held up very well and they were able to explain it clearly to new viewers like me. It definitely would have hit harder if I grew up with Transformers and knew more than just facts from cultural osmosis, but I still enjoyed the movie a lot.

Notes/Things I’m Neutral On

Very weird to hear my name (Dee) being said throughout most of the movie by Chris Hemsworth’s bad American accent.

Also, I forgot that Megatron has transformed into ground vehicles before. I only ever knew him to turn into a jet, so I was kind of confused that he was a tank in this movie. I hope we get to see him get upgraded to a jet in the next one, but the tank is still cool.

Pros/Things I Liked

Simple but effective color theory with their eye colors. Main good guys have blue while Megatron has yellow, sitting between good and bad. Still a friendly color at first, but slowly turns closer to orange and then fully red as his anger and hatred consume him (and after he met the red-eyed Starscream, a cowardly man who ends up enabling Megatron‘s more violent/aggressive tendencies)

○ Also I don’t know if I was just seeing things, but it looked like Megatron’s eyes got more yellow whenever he looked at Optimus which is so sad and so gay.

I really thought they were gonna push a romance between Elita and either Bumblebee (goofy manchild x competent woman trope) or Optimus (male lead x female lead, blue x pink), but I was pleasantly surprised that they didn’t. Sadly, there’s still time for it in future installments, but I can dream.

Not to be gay, but spider woman sexy. Airachnid was so obviously evil that it was funny, but I can’t fault Sentinel for having her around because I, too, would want a deadly goth woman to be my right-hand lady. They felt like the evil, less developed versions of Mustang and Hawkeye. I am in love.

The animation is gorgeousssss. The environments, the character designs, the fight choreography, the transformations, the lighting, the texture, mwah mwah MWAH STUNNING!!!

○ Sorry, I’m never gonna stop talking about this. The way they were able to make square/blocky figures move so fluidly was fantastic (and proof of concept that a fully animated Minecraft movie would have worked). ○ The camera angles were also great for framing both the dramatic, intense, and/or high-action moments like fights or chase scenes, while also adding a lot to the comedic moments. Like when the camera stays tracking Optimus’ face when running through the forest, only for him to suddenly fall down a cliff neither he nor us saw coming, only to then zoom out to the perspective of the guards below, showing them stumbling and falling. ○ The contrast between the mechanical and organic elements on the surface were really cool, and the way it was introduced was able to convey this idea that organic life was this strange, alien thing. ○ The way the surface just rebuilds itself into these jagged, blocky terrains was really unique and interesting! It felt like a glitched computer model because of its rougher shapes which really added to the fear and hostility of the surface.

90% of their jokes landed and they landed hard. The bit where Optimus looks like he’s about to transform and then just fucking books it is incredible. The audio and camera work help add to these as well, like the music building as Optimus pretends to transform, the camera zooming in close to different parts of him, only for all background noise to cut out as it shows Optimus running away. I won’t name every joke and quip I found funny or we’d be here all day, but they’re certainly a highlight of the movie.

I love Keegan-Michael Key, but I wasn’t a fan of him as the comic relief character of Toad in the Mario movie. When Bumblebee showed up I got a little nervous, but I really loved his performance of the character.

I really liked the midpoint pep talk about hope. That’s a really nice reason that Optimus is the leader despite not being as skilled as other people. He has the hope for a better future and it was a core part of his character from the beginning, and I really like the idea that a leader is someone who can envision a brighter future no matter what.

Alpha Trion transforming was SICK AS FUCK!!! I love that he was more animalistic when the rest of the cast become vehicles. His final fight was so cool, and it actually made me kind of emotional to see him at the end with the rest of the Prime ghosts.

The stabbings? The beheadings?? The branding??? The way Megatron tore Sentinel in half and then ripped his heart out on-screen holy shit???? This movie was incredibly brutal and I loved it. It’s such an interesting phenomenon that children’s media is allowed to be about as graphic as they want as long as it’s against robots, even incredibly sentient ones like in the Transformers series.

○ I watched the 1986 Transformers movie for a class earlier this year, and while it also had a lot of brutality in it’s fights, the new movie felt more intense. Part of this could be attributed to me watching the 2024 movie on a big screen vs the 1986 movie in my living room, but there are other reasons as well. The 1986 movie had more upbeat songs playing over the fights, specifically songs like The Touch and Dare, which helped keep the tone lighter and more exciting. The 2024 movie didn’t have anything like that, allowing the action, while still cool and exciting, to take on a more serious tone. This is also emphasized by the graphics of the movie being 3D instead of 2D. While the 2D 1986 movie is a stunning masterpiece, people still view it with the idea in mind that, since it’s a cartoon, the stakes and story will be less intense. The 2024 movie being 3D with very detailed graphics and lighting already has more visual intensity. The characters are still these bright, poppy colors, but they can come across more moody and dark due to the environments, lighting, and textures that the 3D medium more easily allows. And while the painted backgrounds and cell shading of the old movie are great, the CGI backgrounds are a lot closer to realism, so the harsher elements like metal and rock, which make up a vast majority of the environment and characters, look real too.

The way Megatron’s hate consumed him to the point where he started acting more villainous and, while not entirely similar to Sentinel, still ended up hurting innocent people was tragic. Trying to push away and deny everything about a person only to wind up being just like them. This was perfectly shown in the end credit scene where Megatron is branding himself and the new Decepticons with Megatronus Prime’s face. To him, it may be him reclaiming the traumatic experience and literally using it like a badge of honor, as well as thinking he’s honoring Megatronus Prime. But in reality, he’s just inflicting the same trauma done to him onto others, just like Sentinel. Such a cool way to show how every villain is the hero of their own story.

The doomed yaoiiiiii I’m never gonna get over them. The only other Transformers media I’ve consumed is the 1986 movie, which kills off Optimus Prime in the first 25 minutes and Megatron becomes Galvatron, so I never knew the depths of their homoerotic relationship.

I’m a sucker for “the hero and villain used the be friends (and maybe even lovers?)” trope, so Optimus and Megatron’s relationship and the general premise of the movie was already a slam dunk for me.

I’m also a fan of legacy stories like Avatar and She-Ra. While this movie didn’t get as in-depth with the concept, I enjoyed that they played with the idea of legacy and taking up the mantle of the former Primes.

I absolutely loved the end message that Optimus gives us. Hope, freedom, and autonomy are incredibly important things to learn, and as a trans person who very much wants to keep control over what I do with my body, I really resonated with that last one. I think it’s really cool that they included a message like that in this children’s movie about robots that turn into cars.

Regarding the message of autonomy, I love that it gives the term Autobots a new meaning. Auto meaning “automobile”, since they transform into cars, and Auto meaning “self”, as they are now fully their own bots with control over themselves.

Cons/Things I Disliked

Mid vocal performances from everyone except Brian Tyree Henry and Keegan-Michael Key. And as I mentioned before, it was hard not to focus on Chris’ attempts at an American accent, not to mention how recognizable his, as well as Scarlett Johansson’s, voices are.

The plot felt a little disjointed in the first 1/3-ish.

○ Good setup with the main characters being an oppressed working class with one dreaming of better things and the other hesitant to fall out of line or take risks. But then suddenly there’s a race, and then they’re in it, and then they lose, and then their leader wants to promote them. At first it feels like there are hints that he’s a scummy celebrity-type and that meeting their hero is what will spur on the disillusionment with their society. But then some random douchebag that doesn’t like them reassigns them which goes against their leader’s command, and that’s how the plot kicks off? ○ Also, Elita’s involvement felt kind of rushed/hand-waved. They all get stuck on the surface, but instead of trying to make her way back to report them like she was saying she would for the past few minutes, she makes a complete 180 and heads the expedition herself. ○ It all just felt a little strange, but once it got going the rest of the plot felt fine.

Megatron’s descent into “evil” felt kind of rushed. I understand that he feels betrayed and I really love where the character ends up by the end, but it felt like a real 180 without a lot of build up.

Some jokes fell flat or felt annoying and kinda cringe. That’s the territory of children’s movies though, so par for the course.

TLDR

Overall, this movie was a really fun watch and I’d love to go see it again. While some parts fall a little flat, the movie is lifted from mediocrity by its many Pros. From the stunning visuals, to the quick humor, to the tragic origins of two friends driven apart by their ideals, I’d recommend this movie to anyone interested in animation or the Transformers brand.

8.82/10

[soren-apologist]

time for more soren character analysis:

petrine’s battle conversation with soren in chapter 23 has always been a favorite of mine, and now that i’m looking at it again i noticed a few extra details:

it’s important to mention that this battle takes place directly after ike and soren’s a-support, in which soren confesses he’s a branded and expects to be shunned, only for ike to tell him that it doesn’t matter and he wants soren to stay by his side regardless.

anyway, besides “Now let me show you true fear!” being a really hard line, it’s really cool to see how soren’s reaction to his branded status being pointed out changes so sharply over the course of a handful of chapters. i already analyzed his reaction to nasir’s betrayal where he’s agitated over the fact that he could have prevented it if nasir hadn’t threatened to reveal him being branded to the army, so seeing him being so confident in himself is great, and i’ll touch on why here.

one of the reasons i like to say the game treats ike and soren’s a-support as canon is actually this particular conversation. soren, having just been reassured that ike will always want him at his side regardless of who or what he is, now suddenly has had his biggest fear and insecurity taken off his back. he doesn’t need to hate himself for being branded because ike, the only person who’s ever truly mattered to soren, doesn’t care at all.

back to the conversation, soren’s judgment over the situation at hand is no longer clouded by his own self-loathing. instead of comparing them as branded and seeing himself as just as horrid and disgusting as petrine (tiger branded, fun fact), he’s able to instead compare them as individuals and realize that what he’s done up to that point will never measure up to the atrocities she’s committed. i think the best part personally is just how disgusted soren looks by the notion he and petrine are the same, because he’s right— him being cutthroat and pragmatic is nothing compared to everything petrine has done in daein’s name— and the fact he can clearly see this means that, for the very first time, he’s finally starting to heal from the mental wounds inflicted upon him by his childhood.

overall, i like this little nod to soren starting to learn to grow and change from who he was at the beginning of fe9. it’s more clearly seen in radiant dawn, where he’s calmer to the point ranulf even comments on it, but these little inklings implying the start of soren’s healing are really cool to see.

[witchinatree]

i have posted a LOT about the issues i had with season 4 of TUA but i'm going to say everything i've been thinking right here right now. i cannot get this shit out of my head.

i think a lot of it ties back to the flaws i noticed in season 3, they tried to take on too much and abandoned the previous storylines that were waiting for them (viktor's traumatic relationship with leonard, five's trauma in general, lila's parents dying because of five, DAVE, etc etc) and we were all expecting them to tie it all together in season 4

instead they just.. added more..???? jennifer and abigail were thrown in late season 3 and were just suddenly supposed to be super important to us (they were not.) the subway that takes you to other timelines (objectively cool as fuck, why is this only introduced in the last season of The Timeline Show)

and i'm still really upset that reginald is an alien because it makes no fucking sense. i always assumed he created the mystery 43 babies (why else would he seek them out and already have a plan for them) but the alien route was.. ill-fitting. i think it would've worked better if he fell in love with abigail, who was an alien and created marigold, and then his hubris and curiosity was what unleashed it into the world and doomed the timeline. "sure this mystery chemical destroyed the planet my wife is from but i'm reginald hargreeves so that won't happen to me!" [happens to him] also i wish abigail was not just used as "see! abuser not so bad! abuser have wife! he love wife :]" because. what. and then her weird complaints about reginald in episode 6 that came out of nowhere confused me. they just should've written her entirely different if they were gonna have her at all

AAALSO i hated that they regressed all of the characters back to how they were in season 1 (or worse??). luther was living in the old umbrella academy building because apparently he will never leave it?? after everything?? diego's life was different but he was still doing this weird job shit (discount batman and mail carrier are the same thing) and he was miserable with his loving wife and kids (who ARE you.). allison's husband left her again (what the hell raymond) and she was still the neglectful single mother of claire?? after EVERYTHING I KNOW I ALREADY SAID THAT BUT GOD. klaus actually had something going for him, if only his recovery wasn't made into a joke, and then he relapsed and got kidnapped and was just very.. season 1 klaus.. but with no ghost ben anymore. five.. eugh. he was not season 1 five he was just NotFive. crazy how they had a magnus archives crossover and just brought in NotThem to take five am i right guys. ben's also different because it's not the same ben from season 1 but they just made him really fucking mean. like worse than season 3 because there wasn't that underlying "please i just want to be loved" thing. crypto bro ben was funny as fuck though. and VIKTOR just fucked off by himself after working so hard to be part of the family again. glad he got to transition and become canada's #1 manslut but jesus, just abandoned everything you did to be part of the family huh.

my vision for the ending of TUA would go something like this

ending of season 3, pretty much the same but they all have their powers and reginald's head getting sliced in half did not reveal him to be some alien freak. also at some point abigail would have been introduced. i don't feel like rewriting season 3 too okay i'm cutting corners.

luther finds sloane when he goes back to where the umbrella academy building used to be, but it's now a very lovely apartment that the two of them live in together. they host all of the family gatherings for sentimental and space reasons. i think luther would explore the stripper idea but decide not to follow it because of sloane. sloane would be fine with it but luther would still get worried.

diego and lila live in the same house somewhat nearby. lila's family (they do get to be alive but lila does have to overcome the trauma of losing them while simultaneously getting them back) are their neighbors, it was the compromise they came to because diego wanted their house to be their space but lila wanted her family close. they have three kids who are each loved and names get to be in the fucking show. (looking at you mystery twin. grace and coco (?) didn't really get much attention either). they have a big backyard that the kids all play in together when they're visiting

allison and ray are still together and they have claire (maybe another kid...) they also live somewhat nearby the rest of the umbrella family because i refuse to let them separate. i don't have much to say about them other than RAY DID NOT WALK OUT ON HER.

klaus and dave live in allison and ray's neighborhood. maybe they adopted a kid? maybe they didn't? i think their family would be really cute either way. klaus is still overcoming his addiction and dave supports him through it. it's not made into a joke and actually gives klaus a lot of depth and emotional moments. also just in general dave meeting the rest of the family would be really really sweet

five gets to retire. he lives with viktor in my mind. full circle on viktor being the person who always waited for him and offered him a place to stay after he got home in season 1. five would not actually be getting a retirement pay because he has never had a real job so he's just vik's roommate now. he could have a romance plotline with a woman working at the department store down the street named delores. she looks familiar.

ben lives alone and works at a tech company? honestly i don't know what i would do with him in the pre-plot but it would not be put him in jail?? me personally. i think he would probably move further away than everyone else but stay close enough so he could visit sloane sometimes. he still feels like an outsider but doesn't know how to tell the umbrellas he wants to be their brother now

and viktor lives with sissy harlan and five (previously mentioned). his transition gets to actually be explored (PLEASE.), harlan is in therapy, and sissy is a strong working woman!! again i don't really know what to do with him pre-plot. just know he's the happiest he's ever been!!!

and just in general, a lot of this happiness from all of them comes from their powers and that they can finally be one big happy family together (whether ben likes it or not). setting up the inherent tragedy that comes with perfection

episode 1 opens by showing everything i just explained, the tragedy of getting everything you want or whatever the title was. their powers are still integral to their lives. they're either tied to their careers (luther would probably be like a wrestler or something again, diego could try police work again because i want that to be explored) or other aspects of their existence (allison still finds herself doubting how much of her life is real, klaus' relapses are always caused by his trauma surrounding ghosts, five sometimes space jumps when he wants to be alone [also i think he could feel some sort of shame/guilt because he lives with viktor and can't really contribute much without the commission. not really his fault though because of his insanely fucked timeline], ben uses the squid to carry things or grab things that are far away, and viktor plays the violin to help him remind himself that he is in control of his power now, and he won't end the world again)

the main conflict starts when ben meets a new woman named jennifer and shakes her hand when introducing himself (starting the marigold/durango reaction that builds very slowly throughout the season.) it could be romantic but i think it's just devestating. they're slowly realizing they're losing everything they worked so hard for because of something they can't control

yadda yadda yadda figuring shit out while also having conflicts in their life from the earlier seasons and it culminates in the old umbrella academy building, viktor is the only person who can remove the durango and marigold from ben and jennifer and save the world. he finally gets to be the hero, be the one to stop the end of the world instead of cause it, but he needs to take the marigold from each of the siblings in order to balance the amount of durango jennifer had (no idk why he would let the other like 30 something marigold kids keep theirs i really don't know how to fix that. why would they do this to me)

each of the siblings have to give up part of their lives, part of their identities, and it's hard for them!!! they struggle a lot to agree to do it!!! and it's also harder for them because they don't know if viktor will survive doing this. but he's the only one who can? is his life more important than the existence of everything and everyone? ultimately, they all give up their marigold, and viktor takes all of it and the durango to save everyone. it cancels itself out and stops the cleanse reaction, and i think it would kill viktor (but it doesn't have to). we see that same clip of the 'perfect world' but they get to be in it. they were never the problem. lila and diego play in the park with their kids. allison ray and claire are walking together. klaus and dave are talking on a bench. luther and sloane are carrying a large basket of food. ben and five are helping them set up the picnic. harlan is sitting in the grass with sissy next to him. each of the adults have a small violin tattoo on their wrists. their lives will never be as perfect as they were before, but they can finally just rest and move on. because it was never their fault.

also reginald dies. fuck that guy

[daddyplasmius]

reread edited what currently exists of my DP Wolfwalkers AU fic. here are all my favourite lines in no particular order & lacking context

[flower-boi16]

Forgot to add, but Stolas basically guilt tripped him into doing it.

"The one who wants me is my first ever friend..."

Blitz was perfectly willing to just leave Stolas there tied up, but instead gave him pity sex.

Yeah sure...Blitz was the one to make it all about sex. No Stolas....no....that was ALL YOU! The only thing Blitz did was do a little bit of flirting and steal the book, he didn't make it about sex. From beginning to end, that was all you.

People like to defend this kind of shit with "Oh it's intentional because it's meant to show Stolas lacking self-awarness!", which is very funny because 1. You are actively acknoweledging that Stolas' perspective here is invalid and Blitz's is which goes against the whole idea that both sides are suppoused to be in the wrong and 2. The show is not calling this shit out and every time Stolas says something like this (The final scene in Full Moon and the begining of Apology Tour) it's never called out nor is it ever frammed as that, and in Apology Tour specifically it is very obvious that we are specifically suppoused to take Stolas' side here and see Blitz as purely in the wrong.

I also do need to acknowledge that there are people who think that Blitz's feelings are portayed as valid by the narrative. They are not. The final scene in Full Moon and the begining of Apology Tour have Blitz rant about Stolas being a prince and considering that Oops established that this is a bias Blitz has towards Stolas it is very clear that these scenes are intended to be read as Blitz being blinded by his biases against Stolas due to Stolas being a prince, and he's too consumed in his biases to see that Stolas has real feelings for him. That is how these scenes are being frammed and clearly how they are suppoused to be read.

So no, the show doesn't see Blitz's perspective as valid. There is that rant in the begining of AT where Blitzo awkardly spells out his self-hatred keeping him from believing that a prince could possibily love him but the rest of the episode frames Stolas as someone hurt by Blitzo's actions and Blitzo as an asshole who hurts others. So his self-loathing isn't really something that the episode really wants you to sympathize with, only as another reason for why Blitz struggles to see that Stolas loves him.

Blitzo isn't a character that the show wants you sympathize with in this situation; the point of the episode is Blitz realizing that he isn't a good person and he needs to change. That's not a set up for a sympathetic character.

The show is directly outlining people information like this yet people still make bullshit excuses for Viv's writting based on some tweets. Blitz's perspective is never treated as valid by the narrative at all, sure, it acknowledges that Stolas was wrong for making this deal in the first place, but that gets rendered moot because that's not the reason for why Blitz hates Stolas; Blitz hates Stolas because of a bias he had against royals that completely came out of nowhere in season 2 solely so the show could make him purely look like an asshole consumed by his biases.

The narrative doesn't see Stolas SAing Blitz as the reason he hates Stolas, rather it sees Blitz's bias being a reason for that. It doesn't actually look at Blitz's perspective and how Stolas' actions may have affected him, hell it shows that it doesn't even affect him at all!

It's another instance of the show demonizing the people who Stolas has hurt so it could make them look unreasonable and further woobify Stolas. It's made even worse with the implication in Apology Tour of Blitz gaining feelings for Stolas and since Blitz really wanted to fuck Stolas it's not unreasonable to assume that the show may go in the route of "Blitz liked being SA'd by Stolas but he was just too comsumed by his biases to realize it!" because then you are fully painting Blitz as an biased asshole and any argument that the show understands his perspective gets thrown out the window.

Stolas' feelings are treated as valid by the narrative, how hurt he feels that Blitzy doesn't love him, that Blitzy doesn't see that Stolas loves him back, that Blitzy is "making him uncomfortable". Meanwhile, the narrative purely treats Blitz's feelings about Stolas as completely invalid, not using Stolas SAing him as an reason for Blitz hating him but rather him being too comsumed by his own biases.

There's a strong inbalance here that makes the argument that the show wants us to see them both as in the wrong completely fall apart. Blitzo is treated as the problem by the narrative and the fandom, that he's hurting poor Stolas' feelings with how he's treating the bird boy. And here's the thing; Blitzo having this bias came out of nowhere. There as no hint of this in season 1 or the first five episodes of season 2, it was only until Oops where this thing came up. This was never shown to be a character trait Blitz had nor is there even any reason for it, why Blitz has these preconcieved notions about Stolas going in. It's because the writters pulled this out of their ass so they could have an easy way to make Blitzo look like a complete asshole. Nothing more.

It's further accentuated by the show using "tell don't show" in that scene, where we are told that Stolas did all these nice things for Blitz rather than shown, and not to mention these nice things do not line up with Stolas' behavior at all in season 1. It's all just completely and utterly lazy. It's a lazy way to make Blitz in the wrong here. It's a lazy way to absolve Stolas of his behavior again so the narrative could coddle him.

It's a lazy way for the show to pretend this relationship has naunce when it doesn't. Oh, and fans have the fucking gall to say "you don't understand the nuances" when people critisize this shit. Oh, I'm sorry, what naunces? This relationship isn't nuanced in the slightest; it's a victim and abuser relationship where the victim is strawmanned and portayed as wrong and the abuser is coddled and woobifyed. Whether it was intentional or not, that is how the relationship comes across as.

The show needs to see that BOTH perspectives are valid for the "their both in the wrong" thing to even work, but it doesn't. Blitz never gets any slack and Stolas is babyed. That is how this relationship is frammed. You can not ever convince me otherwise.

[ao-xingyume1987]

Bittersweetness (practice)

[yujeong]

Me being totally normal: I can surely figure out what page he's at if I stare at it for too long

Also me, staring at it for too long: Wait...is he reading....the foreword...? I can't believe it took me this long to realize Vegas is reading the first page here. It might not even be the foreword, it might be info about the author, it's so funny. But don't worry, the good news is that he's actually reading the book in this scene:

which, of course, you can make the claim that beforehand, he was not in a good mental state (Vegas? not being mentally well? No fucking way right?) so he was trying to distract himself from whatever the fuck the whole thing he's doing at the safehouse is, but after him and Pete talk and bond and all of that good stuff, his mind can focus and actually read the damn book. Sidenote Because I'm a bit insane and very committed in finding things to obsess over with my hyperfixations, I estimated the possible percentage of the book he might be currently at, then went to the appropriate page and found this line there: "He felt very gay and light-headed, and quite forty years younger, as he walked to the door."

I swear to God, it was there, and I laughed so hard they must have heard me over in Thailand.

[moongothic]

This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit

Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".

Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.

But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?

Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.

But that does bring up an important thing to considder.

If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?

Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.

So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?

Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.

Regardless, let's be real.

It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.

Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.

(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)

All of this to say, again.

The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)

Whatever the case, I'm sure Oda knows the truth.

And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.

[unordinary-diary]

Blyke in Season 3.

This is my prediction. With the way Season 2 ended, I think they’ll find Blyke months later looking something like this.

Shit happens to people in prison. Terrence was murdered in his cell, Rein was worried about being killed by other inmates, hell, Blyke’s already pretty banged up in the finale and he’s been there for 2.5 seconds. Not to mention that the Authorities seem to have no problem torturing kids *COUgh* Keon.

Perhaps it’s a bit pessimistic, but the story’s been getting a lot darker lately. I doubt Blyke’s getting out of prison without a little extra trauma at least.

Latest Chapter as of Prediction: Side Story — Triple Threat (1)