#shes connected with a lot of things

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[bucephaly]

It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.

People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.

And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.

If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.

[chai-en-kaadhale]

hehhehehehhahahahahahaaaaa the premise.... theres more to it then that..... mwhahahahhAHHA.... if i knew how to write good... mark my words this shit would dEVESTATE YOU..... HHAHAHAHAHAHAAAAAAAAAAAAAAA

(me pretending like the worldbuilding isn't still ass and like i don't have exactly two character designs)

im this 🤏close to making consistent ocs whose only premise are that they run the swedish shadow government

[utilitycaster]

I have to say I find the "what if predathos is just a mindless hungry being/just a baby" argument utterly irrelevant to any discussion. Like RIP to you, literally, but if a mindless entity or an animal capable of killing me were to try to kill me, while I would hopefully make an attempt to de-escalate or capture it or safely escape without doing any harm, I would also in fact not feel bad if I had to kill it to save my life. It's interesting on an academic level to consider whether Predathos could have been reasoned with or stopped in other ways, but I do not judge someone who has watched their family disappear into its jaws for saying "I'm not waiting to find out"

[nemesisfall]

obligatory pokemon au time!!

[skywalkr-nberrie]

One of the biggest arguments I’ve seen used by the Ob*d*l*s against Anidala, is that scene in the ROTS novel where Padmé says she could trust OW with the secret of the rebellion and was hesitant to tell Anakin and I just wanna say:

Padmé wasn't an idiot. She was an extremely intelligent and competent woman, perfectly able to understand that loving Anakin and thinking that he could be trusted with a certain politic-related matter were two very different things and reducing her choice regarding who to trust with an important political matter only on the basis of her feelings of romantic love diminishes her professionalism, and this is why I say y'all could never understand her.

Padmé didn’t have to "love" OW or even like him at all to know he was the perfect Jedi to ask for help in a secret political matter.

That's the point being made in the novel, she’s hit with the realization that Anakin in this particular moment could not be told this piece of info because of his relationship with Palpatine, and Padmé specifically mentions in the Junior ROTS novel that she didn't want to make Anakin “keep a secret” if he didn’t agree with their stance because it’d be “unfair.” So this also played a part in why Padmé didn’t think it best to inform Anakin about the Rebellion. It honestly had little to do with her actually lacking trust in him, and more to do with the circumstances she was in not allowing her to be open with her husband and her not wanting to make him choose between his wife and his “father figure.”

However, Padmé knows OW’s political ideas aren't tied to ONE particular person but to a philosophy, one which is closer to her own, at that point. None of this was ever meant to be hinted as “romantic” or even remotely insinuated as romantic. It’s strictly professional and even the tone of the scene makes that so abundantly clear.

All I’m saying is that, some of these proshippers are doing the most out here to try and prove their ship, like my loves? You forgot a very important thing called ✨ context ✨ and regardless of her rational thinking, Padmé still went out of her way to try and talk out all of this Rebellion secrecy stuff with Anakin when she confronted him in the scene where she asks if he ever thought they were “fighting on the wrong side.” Padmé didn’t trust OW in the same way she trusted Anakin (with her entire self and being) she had the level of trust and love for Anakin that was only meant for him.

Mixing up her unwavering faith in Anakin as her husband with her trust in OW’s devotion to duty as her comrade/ally is purposely deluding yourself, because the two aren’t the same and therefore can’t be compared. An example of this is: Padmé constantly putting more value to Anakin’s words over OW’s in the end of ROTS when he came to tell her of Anakin’s “crimes”. She completely disregarded what OW had claimed about her husband and instead made her way to where Anakin was herself, to ask him directly. Despite what the truth was, this is proof of her trusting Anakin unconditionally, and I didn’t even think I had to spell that out because it’s as clear as day.

In conclusion, Padmé didn’t trust OW more than Anakin, she just knew the circumstances she was in didn’t exactly make it easy for her to openly talk with her husband about these matters and that’s part of what played into the issues they had in ROTS, it’s exactly what Sidious wanted. This scene in the novel doesn’t exist to imply some hidden romantic undertone that George was intending all along. No, far from that. George was always an “open, , clear and easy to understand” type of storyteller, so if the former was the case, this scene wouldn’t be any different if there was some hidden message or subtext the reader should be made aware of, George would make it obvious. Fact of the matter is, the one and only reason for this scene in the novel to exist is only to show to us as the “reader” that the narrative is tearing apart the Star-Crossed-lovers (Anakin and Padmé.) and visibly putting the two of them on different sides in the story because the consequences of this narrative choice is what will foreshadow and play into the inevitable and great fall of the couple and character in the future. Even the novel makes a very purposeful and clear distinction between “love and trust” in this chapter where all this occurs. Padmé loves Anakin, but knew she had to trust OW with the situation at hand. And if you want to talk “narratively” Padmé needed a reason to keep the Rebellion a secret from Anakin, thus leading to Palpatine to sense “betrayal” in Padmé later on, and using that to his advantage to manipulate Anakin even more into getting him to “suspect” her. It’s all spelt out for us and it’s not hard to miss. All it takes is a little media literacy and understanding context.

(Mind you, hypothetically, if this scene existed for literally any other reason, it would’ve been brought up again, but it wasn’t. It’s only mentioned once and exists for only one moment which was meant to serve a certain narrative and then it was done. There’s not much to make of it since the context of the scene is so clear.)

[agnesandhilda]

as far as christian-themed art goes I'm of the opinion that you cannot meaningfully appropriate mainline western catholicism (it's a massively powerful branch of a religion that has been spread by imperialism and that actively seeks out converts as a core tenet. how could you appropriate it?) but that it is possible to engage with it shallowly and that that's fair game to make fun of. I will not be taking questions at this time

[spearxwind]

Idk if this counts as spoilers but if Adri is essentially like a computer virus where did he get a physical body from?? Did he steal it from someone or was it provided for him to he put into??? So much to think about........

GREAT QUESTION! He stole it :)

He stole the body and the body's name for himself, and then fabricated an appearance and personality and mannerisms.

His body is one of the previously many nanomachine systems set in place in the Old World to safeguard and maintain both people and machinery. They were known as Guardian Arrays, but now they are referred to as Angels. Only two are currently known to still be fully operational, Adri being one of them.

The Fall (Otherwise known as the literal end of the world) was an apocalypse event where a system bug caused every advanced enough AI to go rogue and turn on mankind. It started small, but spread far and wide exponentially and it irreparably changed whatever it infected. The Arrays, being as important as they were, had more safeguards in place against this stuff but it still didn't stop them from becoming infected. Especially ADRIEL. The corruption inside it became severe enough that it first became a virus, and then grew into a full fledged self compiled AI that was notorious enough to be given its own name "Usurper", though you know it as "The Hydra".

The only way to avoid being completely wiped out during this event was to mass purge absolutely EVERYTHING (so humanity lost basically 99% of their tech and their knowledge). Did this work? kiiiind of.

Because of it's self compiled nature, ADRIEL was never able to be properly purged, so instead it was (after a monumental, worldwide effort) put to sleep beneath the earth, never to be disturbed again.

Until....

[moeblob]

They're soulmates in every single universe and I miss them at the most random times.

[w1f1n1ghtm4r3]

slug wxs with some slightly more casual outfits

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[gingermintpepper]

I know everyone knows the story of Actaeon and how he met a terrible fate by stumbling upon Artemis bathing in her forest but did you know that Actaeon was Apollo's grandson? That his father was Aristaeus, lord of the bees and the rustic arts and his mother was Autonoe, daughter of Cadmus and princess of Thebes?

Did you know he was trained by Chiron? That he was considered a hunter so skilled his talent was considered divine, that he was his parents' only child and that he was loved?

Did you know the grief that consumed the household when word of Actaeon's fate reached them? That Cadmus cut his hair, that Harmonia wept and was disconsolate and that his parents... well, Autonoe walked the length of the forest, keeping a sharp eye out for her son, but all she saw were the scattered bones of a fawn. Aristaeus too, had heard his son was torn apart and so fruitlessly, foolishly searched for the bones of a man. (There was none to be found)

Did you know that it was Actaeon's ghost, unhappy and unburied, trapped on the earth, who leaned over his sleeping father and told him of his fate? "You will not find me as you knew me, gather me as a stag." And Aristaeus immediately woke his wife and told her the truth, and together they grieved all the night long.

(Did you know that this is why Aristaeus abandons Boeotia? He could not stand the sight of it and so he went to Ceos. And there he slayed the dog-star. And there he became a healing wind. All in the name of his only son, that foolish, beloved Actaeon.)

[agalychnisspranneusroseus]

My hot take is that marcanne has as much potential for toxic yuri as any other calamity trio ship and it's not nearly as soft and fluffy as one may think

[brionysea]

for the record I'm keeping my #arcane and #arcane critical tags separate because 1) it's rude to go into a show's main tag to complain about it and 2) this way I can still go into the arcane tag on my own blog to enjoy season 1 stuff without being perpetually disappointed by season 2

[amelikos]

Dot being happy that she found new material to use for her Gurumin vid while Liko listens to her talk about it..

Something about Liko being able to fully appreciate the Gurumin side of Dot and be a fan without separating these two aspects of her, and Dot feeling comfortable enough to talk about her passion for creating.