#she’s a very complicated person
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splynter · 2 years ago
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alternate timeline where rules escapes with her baby and still has her hands
what changes?
Strict and paranoid because she’d have to run from her family. She wouldn’t be able to build all seven iterators. In fact, she might only build one: NRD. They wouldn’t have their red chest piece in this timeline
She’d try to find the Solution just so she could send it to her family in a “Fuck you, go ascend yourselves.” kind of way
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o-wise-corvid · 2 years ago
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I love that both Sith story arcs are the same despite being different. The Sith Warrior is supposed to come from a noble bloodline, the Sorcerer is a slave. And yet they’re both just being completely fought tooth and nail. It’s got nothing to do with bloodline or slavery, at the source. It’s all to do with power that someone else wants.
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shorthaltsjester · 1 year ago
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
#it’s just the. laura and travis’ characters always being supportive of one another when they’re facing hardship#taliesin and marisha consistently making characters who challenge one another and still protect each other relentlessly#all of them being so fond of ashley’s characters always and literally seeing them light up in c1 episodes when ash got to join in person#sam and liam always making characters who offer one another reprieves into kindness that they don’t always get in the campaign setting#liam making orym after falling in love with keyleth as vax#marisha making laudna after matt’s storytelling with delilah and choosing vex as her body double#ashley using ‘i would like to rage’ and matt having kord ask her where she finds her strength#laura and matt always weaving these deeply complicated and emotional interactions between a daughter and a father#the gasps and yells and clapping when matt makes cool sound effects or reveals a map or breaks/ends on a cliff hanger#them ending both campaign 1 and 2 with ‘what a great/nice story’ and travis saying ‘let’s do it again!’#and it’s like. yes yes i love the comics and i’m a fan of tlovm but . seeing this well produced thing that somehow mimics#the feeling i get sitting in my living room laughing with my roommates about my ranger’s giant rat failing to climb stairs#it’s very special it’s very sweet#critical role#sdcc 2023#taliesin jaffe#travis willingham#marisha ray#ashley johnson#liam o’brien#matthew mercer#laura bailey#sam riegel#cr cast#critical role cast#my posts
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bixels · 8 months ago
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Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.
Breathes in.
I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."
We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.
We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.
By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.
The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.
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There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.
I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.
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serpentface · 4 months ago
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Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.
This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).
The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.
While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).
The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.
A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.
#faiza haidamane#Not really relevant to the core post itself but I don't have anywhere to put this#Faiza is a pretty extreme cultural rarity in that she's something along the lines of agnostic (regardless of her priestesshood)#It's a culturally specific form of agnosticism where the notion that God continues to exist and interact with the world in spirit form is#questioned. She personally gets the distinct vibe that God truly and wholly died in the act of creation and is no longer present#This isn't just a Her Thing it's a concept that comes up in some strains of religious philosophy but it's pretty rare#Orthopraxy is SIGNIFICANTLY more important to the faith of the seven faced god than orthodoxy so her merely thinking this isn't#a fundamental issue as long as she performs all expected rites and behaviors and etc (which she does quite devotedly) but it would#definitely not be socially accepted to openly proclaim (least of all from a senior priestess devoted to maintaining the connection of God's#spirit to Its lands and people) and she keeps it to herself.#She is the only main character who WHOLLY doesn't expect the pilgrimage and rites to end the drought. She doesn't fully DISbelieve#either (kind of like 'well maybe?') but for her this is all a very pragmatic political maneuver to stabilize the crumbling empire and#regain the people's faith in its leadership. It's not fully cynical like it means a lot to her but in a sense of very practically protectin#her beloved empire rather than a more spiritual sentiment.#It's very complicated for her like she takes her role very seriously and cares deeply for her faith while not actually believing#in it in any personal sense. More about what it represents to her than what it's supposed to literally be.#the white calf
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kindred-spirit-93 · 12 days ago
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the peoples princess!
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@notsolonedesert ur lovely ctimene has graced my lecture notes <3!! no references we die like my final braincells lol
her sarcasm knows no bounds and odysseus' famous wits have ocassionally paled in comparison to his sisters many a time ;)
sassy lil sister ctimene please and thank you. also stubborn af. idk i need more of them being siblings and and how they grew alongside one another and now tease eachother over meals and reminisce during cold winter evenings childhood shenanigans and laugh boisterously together (they have the same laugh. and a dad sneeze TM) and how they reacted to each others firstborns and and and
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callixton · 5 months ago
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i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.
#MARTHA JONES’ TWISTED SENSE OF DUTY YOU WILL ALWAYS BE FAMOUS TO ME#there is soo much nuance to this. obviously. and it really varies depending on when exactly in his run we’re talking#but me personally. i don’t think that martha was ever satisfied with the way things ended between them. i think she made peace with it!#but i don’t think she was satisfied and i don’t think she ever could be#which is also why i have slowly come around to her and mickey. even tho i think it IS very pair the spares in a way i don’t like#i do think they make sense together. in a genuine way and also in a you’re the closest i’ll get to what i want. you’re good on your own but#- you’re also the next best thing. and we don’t need to say this out loud bc we both know and it wouldn’t ruin anything by admitting it but#- it sure as hell wouldn’t feel good either#it’s not even like. directly about the doctor/rose here is the thing. it’s about the life he let them lead with him#which i guess is the crux of this. i think martha is capable of moving on from her Feelings for the doctor. but never her feelings about him#yknow. does that make sense. if anyone knows that the doctor is a symbol it’s martha#i don’t think she’s always in love with him. i think she was. tho my opinions on that r complicated hashtag tenmartha qpr BUT#but the IDEA of him? the idea which shaped her into a completely different person? i don’t think she will ever not want that back @ her core#she’s just too loyal to everyone besides herself to admit that. 😐#ok it’s 4 am i have been rambling abt this for fifteen minutes so sorry if it doesn’t make sense but i have FEELINGS ABT HER !!#ted talks#martha jones#doctor who
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fallen-goldfishcracker · 2 months ago
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Love reminding myself of how actually pathetic Mizora was. You are a millennium old devil- a literal devil- and your greatest pride and joy and the highlight of your day in your 9-5 hellish grind is bullying a 24 year old with one eye and a 2010 YouTuber complex. Could you be any pettier?
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juniperhillpatient · 10 months ago
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coffin fans who recognize that ashley is so so so much more complicated than just a manipulative bitch my absolute beloved
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geospiral · 2 months ago
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Did you ever have that one person in your life when you were younger that was so unabashedly kind that even though you personally weren’t good at interacting with others or had a hard time understanding other people, that person never treated you any differently from the rest of the people around you? When you were mentally struggling, did thinking about how effortlessly nice and welcoming that person was make you feel better and even give you some hope for the world if it was able to make something—someone—this good? And maybe that person was actually your friend or someone that you wanted to consider your friend, but the point is that they were kind, and you were kind in turn for the moments you had with them, and that's all that matters.
Anyway, I wasn’t really sure how to get the feeling across any other way, but this is why understanding Sua, Till, and Ivan’s fondness toward Mizi is so easy to me personally; even if how they feel towards her doesn’t perfectly align with the feelings I had towards my person, I get why they care for her so much. Mizi’s a light in the dark.
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ferronickel · 3 months ago
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Thinking bout the time someone yelled at me because they didn't understand butches.
#feeling some kind of way about telling queer stories lately#and what makes something “queer enough”#which. in my opinion is that any story I tell is queer enough because I am a queer person telling stories about queer characters#but there are always going to be people who call that into question if boys arent kissing boys and girls arent kissing girls#in easy uncomplicated ways#looking glasses is meant to be messy#everyone is at turning points in their lives. they're young adults whose identities and relatio ships aren't fully formed yet#but those complications (in my opinion) are what make the story queer#what are dess's pronouns? she/her but only because she hasnt had a chance to think about anything else#when an overbearing mother got her daughter back after they were missing for years#she might have a hard time adjusting to her child maybe not being her “daughter”#which is queerer: two women getting together or breaking up?#i dont think it matters#but I find these in between spaces interesting to explore#and it's my story that I'm doing for free#so even if dess looks too much like a man#i dont owe it to anybody to conform my story to someone else's expectations#(long ramble that probably isnt very coherent)#(i've just been thinking about some of this stuff lately. and this is the funniest response I've ever gotten to the comic)#(like yeah. she is a girl. good job!)#(i dont often get hate on the comic (which I'm glad for) so whenever I do I find the types of hate really fascinating)#(and dont worry. I got this months ago. I've just been thinking about it again recently and laughing)#nickel for my thoughts
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galactic-rhea · 20 hours ago
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Thoughts on Padmé x Anakin x Rex?
Padmé and Anakin are so mutually obssesed they would first have to check into that before trying to bring another person to their carefully-balanced-kind-of-damage or something it's going to explode.
Honestly it's a fun ship! But I don't have too many thoughts about them because when I consider them is usually in very low-stakes-fun-AU-scenarios.
And I'm actually a bit of a fan of Rexwalker myself! Athough I tend to like them more as very good buddies, the covering-for-you-dynamic it's so funny for them, lol It's also angsty and complicated because, y'know, the power-imbalance and unchecked trauma? Is funny that the clone that's actually a slave for the republic is the most normal if you bring him into the anidala romance circus.
Also shout out to @phoenixyfriend , she has a lot of rexanidala fics and recs for anyone interested reading this!
#I have rexwalker wips somewhere in my endless wips folder although im generally very lazy to draw or care about ships unless i REALLY dig it#which is why you see me mostly drawing anidala despite the fact I do actually have lots of ships i like/consider#anakin is such a strange character he's hard to ship around bc look at him his social circle consists of 4 ppl#and padme's impressive social circle are her coworkers and her decoys#which is impressive bc SW has SO MANY characters lol#also sorry i ramble a lot just to answer 'it's a fun one'#thanks for the ask!#rexanidala#anakin is also such an anxious and intense guy he would need a LOT of talking and reassurance and stuff#bc otherwise he would feel guilty as hell like the three of them could have agreed to it and he probably would feel like he's cheating LOL#the thing with rexanidala which is the most interesting to me to wonder about is how padmé got into rex#she's actually a very closed person and part of the reason she fell for anakin that hard was over mutual trauma bonding#so i wonder i wonderrrr#but also generally the thing with me is that i tend to lean more into non-romantic dynamics and platonic stuff believe it or not#so if you see me doing lots of art for a ship (like anidala) it must be bc i really love them both otherwise i'm more into family or#complicated relationships stuff probably because i'm aroace and a ship must have some incredible complex thing going on for me to care#with rexanidala the biggest brownie points it gets to me is all the AU possibilities the ANGSTY AU possibilities bc it would change A LOT
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wonder-worker · 5 months ago
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During [the spring and summer of 1141], a number of contemporary narrative sources agreed that Matilda’s sudden and unexpected success went straight to her head. Matilda’s most renowned modern biographer has suggested that “conduct acceptable in a powerful king . . . was not acceptable in a ‘Lady of the English’. This line of reasoning can be taken quite a bit further. It is clear that contemporaries expected Matilda to emulate the behavior of those women who had previously held the rank of regina, and act like a queen consort while performing the office of king. Most queens consort, however, did not have to consolidate recognition of their position as Matilda was constrained to do. Nearly all the chroniclers who had marveled at her assumption of power turned on her immediately. Not surprisingly, the Gesta Stephani took the greatest exception:
She at once put on an extremely arrogant demeanor instead of the modest gait and bearing proper to the gentle sex, began to walk and speak and do all things more stiffly and more haughtily than she had been wont.
But other more sympathetic chroniclers also joined this chorus of disapproval: Henry of Huntington described her as “elated with insufferable pride” while the Worcester chronicler noted her “hard heart” as she strove to consolidate her position. Had she been a man, Matilda’s decidedly authoritarian style might have passed for a regal show of strength. Indeed, Matilda probably felt that if she was to hold on to her newly acquired status, she needed to behave like a king. Thus, Matilda’s forward movement from recognition of her status to the execution of her office was fraught with gendered difficulties concerning how a woman ought to conduct herself.
...As she anticipated her crowning, Matilda strove to consolidate her dynastic claims and establish her authority. It seems reasonable to suppose that Matilda looked to her father and her first husband for examples of successful kingship as she did for representational purposes. Both Emperor Henry V and King Henry I were suspicious, uncompromising, relentless, and ruthless in the pursuit of their aims. Probably both would have advised Matilda to follow their example. This was exactly what St. Bernard told Queen Melisende of Jerusalem following the death of her husband: “show the man in the woman; order all things . . . so that those who see you will judge your works to be those of a king rather than a queen.” Much of Matilda’s behavior during the spring and summer of 1141 can be explained as the emulation of male gendered kingship. But kings had the built-in advantage of female consorts to soften the more hardboiled aspects of their rule; Matilda had played that very role herself for her first husband. Nevertheless, in 1141, Matilda eschewed the feminine aspects of queenship completely, in effect negating what could have been useful symbolism to bolster the construction of her authority. But for Matilda to be perceived as a soft, forgiving, and gentle woman at the one moment she needed to consolidate her position at the top of a male dominant political society would not have been practical.
But by constructing herself as a female feudal lord, and emulating male gendered kingship, Matilda annoyed contemporary observers. The chroniclers’ hostility may have been due to the fact that Matilda was claiming kingly sovereignty for herself alone, and not in association with either her husband or her eldest son. The Gesta Stephani described Matilda as not only arrogant, but also spurning the advice of her chief advisors, the earl of Gloucester, her uncle King David of Scotland, and the “kingmaker” himself, the Bishop of Winchester. The Gesta implied that if Matilda had behaved as a deferential woman, and heeded the counsel of her male advisors, she could have devised a means to permanently depose Stephen, and be crowned and anointed in his place. The Gesta placed Matilda’s ultimate failure at her own door, blaming it on her arrogant reliance on her inferior, womanly intellect and emotions.
Matilda’s hard-line stance, acceptable in a male king, bothered the authors of the Worcester chronicle and the Gesta, suggesting that contemporaries were confused by what they wanted the “Lady of the English” to do, indicating that, as a woman and a domina, she should behave gently like a queen rather than forcefully like a king. Combined, all the chroniclers, with the exception of Malmesbury, suggested that Matilda should have used the intercessory powers of queenship to set Stephen free, moderated the harsher aspects of her father’s rule, and excused the Londoners from financial support. Although a more diplomatic approach might have helped, freeing Stephen at that moment in time would have realistically served no practical purpose in establishing Matilda’s authority. And, in denying Eustace his inheritance, Matilda was only imitating the efforts of her father, Henry I, who also dealt harshly with challengers to his throne. Henry I kept his elder brother Robert Curthose in prison until he died, and prevented his nephew, William Clito, Curthose’s heir, from gaining any aspect of the Anglo-Norman inheritance. Matilda wished to convince her contemporaries that she was quite capable of being a king, but their reactions betrayed hostility toward her as a woman presuming to establish kingly authority.
-Charles Beem, "Empress Matilda and Female Lordship", The Lioness Roared: The Problems of Female Rule in English History"
#i got an ask about this topic a few hours ago so here you go!#historicwomendaily#empress matilda#the anarchy#12th century#english history#queenship tag#my post#queue#I really dislike the way most general histories talk about Matilda and frame her actions#Even when they begin on a sympathetic note they still emphasize how she had a 'difficult personality' and sabotaged herself#...did she? because her father and her son behaved exactly the same and it worked out for them#'She should've just been more compliant and LISTENED to people' - and then she would have been viewed as weak and pliant.#There is very little compassion for her extremely complicated situation and how gendered expectations & misogyny were almost entirely#responsible for how contemporaries perceived and judged her#This pattern is also evident with historians' frustrating tendency to compare Matilda (a REGNANT) to Stephen's queen Mathilde (A CONSORT)#even though their roles and expectations were entirely different#Matilda is often compared to other English consorts (Isabella of France; Eleanor of Aquitaine; Margaret of Anjou) as well#which makes even less sense and is 10x frustrating#Matilda - as female king in her own right with a contested claim - was in a very unique and anomalous situation#and any attempt to compare her to consorts ends up downplaying and misunderstanding her situation#I've noticed a similar pattern with Jeanne de Penthievre (female claimant of Brittany) where her role and authority is often compared#to her rival claimant's consort Joanna of Flanders#Which – once again – is entirely illogical as both women had entirely different roles and expectations and authority
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wildstar25 · 7 months ago
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What physical part(s) of Arsay does her partners find the most attractive! Is it the same for all partners or does it differ between them?
(also optional bonus ask of what part(s) of/about Arsay generally do they love the most, physical or not!)
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Meanwhile, if you were to ask the same of Arsay:
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#ffxiv#wolship#g'raha tia#y'shtola rhul#wolgraha#wolshtola#y'shtola x wol#arsay nun#graharshtola#y'shtola calling arsay a pain in her side is very much an affectionate thing btw#and i couldnt pass up the joke of g'raha giving the sweet gentlemanly response only for yshtola to be like 'tits tbh'#her defaulting to an answer that would probably stop the conversation before she has to talk to much about her deeper feelings imo#i have. a lot of feelings about yshtola and arsay's friendship#someone who is constantly trying to build walls between herself and others vs someone who desperately wants to form real connections#its not a 'wearing that person down' type situation either#just one lonely person seeing another lonely person and hoping that they could be less lonely together#or that she could at least bring some cheer to#and idk yshtola strikes me as the type to have been like 'if they want to be my friend they have to work for it'#which arsay certainly did#i could ramble on and on how their friendship lines up so well with yshtolas character development but theres a limit to these tags#so just look at how cute shtola is with the slightest blush on her cheeks#graha is a much more complicated topic since he went from Extreme adoration to I want to be her friend but I dont think im good enough#to 100% Hero worship again to Shes my hero and I love her to Shes a person and I love her#to I love Arsay. Even the parts she can't love in herself. I will love all of her till my dying breath.#he thinks shes the most beautiful person in the world and the most important thing in his life#but he now knows how insane she's been about being everyone's hero and he really doesnt want to feed that beast#so hes trying to build her up in other ways#focusing more on the adventuring side than the saving the world side#and then there is arsay who loves so much about her partners and is in capable of narrowing it down to any one thing so its#'here let me list everything that comes to mind right now' with 0 shame or filter
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dnangelic · 14 days ago
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like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.
that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.
dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.
queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.
#*・゚⊰ 𝐎𝐔𝐓 𝐎𝐅 𝐂𝐀𝐑𝐃𝐒. ⊱ ✦ › OUT.#reference.#'tsun r u angry about homophobic dark again' u can't take the guy everybody loves and is supposed to actively admire in the series#then have him say all the time he hates gays. when he's gay#DN's mothers and grandfathers are all gay sakurai was smashing his head against that boundary even in the 90s ish#what's not clicking#this is not a particularly well thought out ramble btw#i just think it's important that dark as a character (mine i mean) has a particular kind of struggle that isn't often actively touched on#which is being strong but lonely. deeply independent but out of necessity. he doesn't need assurance per se; just acceptance#as yes. still a young child. /a teenager./ not an adult.#even though he's constantly putting his entirety into subtly. selflessly giving (just as shamelessly as he takes as a thief)#dark really. does not get a lot back. and it's even at the point where he doesn't want it either bc hes the 'responsible' one#it's often that people lose interest in him once this stuff comes into play because suddenly he's less attractive for being 'complicated'#and/or bc he's not a 'real' girl. or he's not 'fem' enough (again: strong personality. opposite of a waifish damsel)#nvm me getting followed once by an all fem muse blog that said no fem+fem shipping 😭😂 what the hell even was that#dark counts himself as 'male' he counts himself as 'female' he counts himself as 'other' he just doesn't want to connect with 'none'#because he and basically all the other arts also are all 'none' from the start. they're artworks. canonically their pronouns are all over#the place too. in dark's case he only uses he/him because he is. an ore-sama chara. but i hope#everybody who ever comes into my house (blog) knows him and mine very specifically#as an ore-sama ojou-sama. that's what Mine Is#the same way daisuke is christine. is sleeping beauty. is gerda from the snow queen. but also the cursed prince#ok? ok#ok. im going to cook now#like i love riku but we do not need to bash gay ppl to have a happy het shoujo romance#riku couldve had a cute gf if she wanted. the gf couldve been dai. couldve been dark. :/#'daisuke was originally to be a girl but there weren't a lot of romances from boys' perspectives' and he still can be both. this is how
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rearranging-deck-chairs · 11 months ago
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donna "it was never that far from the surface mate" noble not having a worry in the world leaving 14 and yaz alone in the living room at night to finish their movie while she goes to bed entirely unaware of the tragic lesbian romance of the century that those two concluded about an hour before donna re-met the doctor
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