#she wasn't even canon in the comics for another FIVE YEARS

[magicalgirlmindcrank]

Wild that Harley Quinn has always been this great of a character

[genericpuff]

The excessively passive voice when talking about Minthe being intended to have BPD is hilarious. "It was thought to have her written with BPD"? So weird

Honestly, once you start noticing this passive voice in how Rachel writes and talks, it's kind of hard to unsee.

Like, for starters, the BPD example. It's very non-committal, almost as if to sound like she never actually wrote her with BPD, it was just an 'idea' that she could neither confirm or deny as canon. But then you read the episode with the slap and-

It's- it's literally called "Splitting". It's about as subtle as a brick to the face. This entire episode showcases Minthe having an actual literal episode of splitting and it's plain as day to anyone who can read the title card and put two and two together. So for the wording to be so passive around her characterization... it wasn't "thought" to have her written with BPD, she was written with BPD.

Another example that sticks out in my mind of Rachel's passive writing is far later in Season 3, when Demeter reunites with Persephone and naturally expects her to come back home with her.

This line still fucking bothers me to this day. Besides the fact that it's just really poorly written dialogue, Persephone describes her being in love with Hades as if it's just some coincidental thing that happened to her that she can't avoid and not a deliberate choice she's making. "It would seem" my ass, Persephone is a coward for not being upfront and just talking to her mother like an adult by saying, "Mother, I love you, and I understand why you want me to come home, but I'm in love with Hades and want to stay in the Underworld with him." Instead the way it's worded is almost designed to absolve Persephone of any and all agency in her own decisions and active participation in her relationship with Hades by instead making it out to be just some circumstance that she can't get herself out of.

Again, this isn't quite as egregious as the aforementioned BPD scene, but it's still irritating because Rachel writes like this a lot throughout LO. And it's not just the dialogue either, entire decisions throughout the comic are flip-flopped and kept vague by Rachel so she can give herself plausible deniability over the narrative. I could come up with some of my own examples, but I think she managed to speak for herself just fine in the end-of-series Q&A that left both critics and fans of the series massively confused and disappointed:

LO is full of half-committed plotlines because Rachel herself can't commit to her own decisions. So the decisions she does make are left vague enough that hardcore fans are willing enough to fill in the blanks themselves, but anyone who asks her genuinely what her plan was, she just gives the same wordy "IDK it's up to your interpretation!" response. It's like she thinks people are asking her as just another reader who can only speculate, but she's literally the author, so why is she acting like her guess is as good as theirs?

Well, because that's how she wrote LO. That's how she's always written comics, with vague half-finished thoughts and just enough for readers to do the mental gymnastics of making sense of it all just to give her the credit for "smart writing" that she never actually did because she stopped paying attention after the first sentence. And that method of being vague for the sake of audience interpretation is fine for illustrations or anything that isn't trying to be a concise narrative, but LO did try to be that and it really shows how hard it failed in doing so when its own creator can't even come up with something slightly plausible to explain all the questions people had in the end. "There is some backstory there" but proceeds to not actually expand on said backstory. "I like to imply things without outright telling people", so do I, but the difference is that Rachel is using that as a crutch to not answer the questions she setup for her readers and then didn't resolve after five years. There's not wanting to spoon feed people the plot, and then there's literally refusing to explain your decisions when writing said plot, almost because you don't know any more than they do.

The entirety of LO is rooted in Rachel's passiveness, from her inability to answer questions concisely to every little plot point that was established and dropped throughout the comic's run. Writing a story is a series of decisions, deciding what to keep, deciding what not to keep, deciding what has to be changed, etc. and Rachel just... doesn't seem like someone who's ever been capable of making those decisions, especially when she's writing an actual long form story to the end and doesn't have the luxury of dropping it whenever it feels convenient for her like she did several times with The Doctor Pepper Show. Once she was actually held to a standard, once she was actually signed into a contract that expected her to make those decisions, she failed to and it culminated in one of the messiest conclusions to a story I've seen since Game of Thrones.

LO is kind of like Schrodinger's Cat - a plot point can be or not be whatever it needs to be so that Rachel can be either praised for smart writing she never did or absolved of bad writing that she did do. It's equally parts interesting and vague enough that whatever her readers give her credit for writing, she can give them a thumbs-up and go "you're totally right, champ!" and proceed to take all the credit of being a "good writer" from the efforts of her own audience who had to jump through a million hoops to make sense of her own messy writing.

But when she's put on the spot by those very same readers to answer for her own decisions, she can't.

Because she never made them.

Because there was never anything "deeper" going on, that's just what her style of "distraction writing" made you believe. The plot never lets you stop to think about what you just read long enough before zipping away to the next thing and distracting you with a new twist or a new character or a new plot point, and before you know it, you've gone weeks without reading about the last thing that was established you probably haven't even realized that those questions never got answered. Sometimes Rachel remembers to get back to those things and resolves them within a handful of panels, other times she forgets them entirely and just leaves them to rot in the hopes that no one ever calls her out on it. And when they do... she can just pull the get-out-of-jail-free "Welp, it's up to your interpretation!" card and get that credit all over again for being deep and insightful, meanwhile those who are rightfully dissatisfied with that answer are blanket-accused of "getting mad at Rachel for not writing the story they wanted".

To close out this ask that, per tradition, turned into an essay, I'd like to recall the famous words of fictional detective Benoit Blanc: "Look into the clear center of this glass onion... Miles Bron is an idiot!"

[v1trum]

I've been reading lots of whump stuff cus I love it (in a writer way I'm not a freak) and the only characters ik well enough to write this way are tua characters. Only characters I have truly analyzed for probably hundreds of hours. Can't figure out who I wanna write.......

Comic five and Netflix five are very different... There wasn't any crafting of five during his time at the commission in the show, so I assume he didn't go through like. A bunch of pain.

He's probably gotten hella hurt in his 45 years in the apocalypse like . Spraining his ankle a week after getting there and having to deal with that w no medical care (this is sparking it's own fic helpme I love writing ppl spraining their ankles ig???) . Also there's hargreeves' whole tattoo thing making it clear he would make them withstand pain even when they were young so they could withstand it as adults.

So clearly he (and everyone else) have high pain tolerances, but most of them haven't experienced like fully on torture.

Luther got his entire body changed after getting hella hurt in a mission but like he was asleep during a nerve crippling transformation so he'd probably be easy ASF to break, but also, sorry Luther, I don't really wanna write a fic abt him 😭

Diego got shot and didn't gaf, same with getting two fingers chopped off, so clearly his pain tolerance is one of the larger ones and again, LOVE Diego but I kind wanna write a fic abt five or Klaus not any of the others cus I'm BIASED 😭

Allison knows EMOTIONAL pain all too well, but I feel like she probably 'rumor'ed things into not hurting lots of times so she probably doesn't have a crazy high pain tolerance. There was her getting her throat slit but that whole ordeal with how she acted was more "I can't believe I just got my throat slit and I'm gonna die now, also I can't talk" ,not being in multiple different forms of pain all at once. (Not Including emotional pain. I mean like multiple wounds)

Klaus. KLAUS. I reallyyy wanna break him bc he got tortured by cha-cha and hazel and literally didn't give two shits. He also was at war for 10 months I imagine he got some pretty hefty injuries during that. He also has multiple tattoos.

But with cha-cha and hazel I don't feel like they were very creative?? Maybe I'm just a little excessive when it comes to thinking of dif torture methods for characters but like. A few cuts, punches, and waterboarding?? They were in a hotel room so they were limited but holy hell I wanna write him actually getting taken back to the commission and to the torture department (we all know its gotta exist. It's the fucking commision) and getting ACTUALLY dug into. Time doesn't exist at the commission so employees don't age -- but you can very well die there.(As we know from fives little killing sprees with grenades ♥️). Head canon the torture section has like specific rooms where time is so fucked you can be tortured past the point of death but instead of dying you stay in that pain until you heal. (Makes no sense, but plot purposes, ok? 😭). Imagine a character (Klaus in this instance) staying in that terrible amount of pain for days, weeks, months until they heal and they're fresh to be cut right back into. After a while (several months, years for the character [Klaus] bc he was shoved in that room to heal for periods of time every day [commission time, not in-the-room time] to heal until they dug back into him the next day) they realize he genuinely doesn't have the information they want so they throw him on the doorstep of the academy. They would have thrown him there on the brink of death and not given a damn if he died but they were only a teensy but into their torture session when they gave up after months and tossed him on those steps. (Again, plot purposes, I don't want him dying so let's just say he wasn't on the brink of death just mildly injured when they tossed him on the doorstep)

But also I propose another fic where they keep him and have him brainwashed kinda and is forced to be back around his siblings without them knowing anything that happened to him to get information for the commission. If he tells them he's immediately killed but if he even unintentionally says something wrong he's shot with pain through some device they have on/in him so they have control of him like a damn dog with a shock collar . Anyways

So I'm thinking abt writing one of those OR.

Five. Would love to break him as well.

Same circumstances (almost) as Klaus except this is before he ever got back to his family. I also present: this is before he's old. I mean he can be 13 or 25 idc just younger. I'd actually really love to write it as him but like 16. And the commission takes him and has him doing all these things(assassinations and such). But they also like. Experiment?? On him? Like incorporating the whole every assassins genes thing from the comics but more in depth and with my own twist(s). Lets say they have a device that erases what happened to someones body , or parts of it, however much they want (except, for plot purposes five still remembers cus he has time traveling powers that somehow collide with the device making him still remember, but his body is rewound. Makes absolutely no sense but again, plot purposes.) that way they can experiment as much as they'd like without him just being that way permanently or dying. Example; extremely exaggerated like. Body mods? Like seeing what chopping his damn limbs off and giving him crazy cyborg limbs would do. If he would be an even better assassin if he was that way (he would. Obviously)

But I really wanna write him like not breaking at all until they start pulling at the "just one more test and we'll let you see your family" but what he doesn't know (at the time) is that 90% of the time they don't and when they DO it's not him being let free it's them showing him his siblings during their worst moments and him thinking their lives are just terrible and it's his fault and he shouldn't even save them he should listen to the commission and let the apocalypse happen and and and yeah

Okay guys... Erm...h... Also hope I don't get into another car wreck for writing some fanfics (I love milking that LMAO)

[magnetothemagnificent]

Questions 3, 8, 16, 17, and 20 all for Magneto, your tumblr namesake. Wanna see your hot takes. (I paraphrased a bit for the questions) Wasn't sure the acceptable amount of questions to ask so I settled on five but totally understandable if you only ask a few.

3) Least favorite canon thing about this character?

8) What's something the fandom does when it comes to this character that you despise?

16) Least favorite ship for this character?

17) Ship that you don't hate but it's not your favorite/you're fine with it?

20) Which other character is the ideal best friend for Magneto?

3) Least favourite canon thing about Magneto:

It's gotta be the Marvel canon retcon that Pietro and Wanda aren't his biological children and aren't mutants. I think it's stupid and Marvel needs to stop retconning famous mutants as non-mutants. I guess another canon thing I don't like is. Well. Obviously the fact that he killed Pietro that one time lol.

8) Something the fandom does to Magneto that I despise:

I notice the fandom has this tendency to either woobify him and make him out to be this paragon of progressivism and leftism, the saviour of all minorities and oppressed people, incapable of any prejudice, etc etc.....or completely demonizing him and making him out to be an unredeemable monster. He is a very complicated character and so many people just are incapable of nuance.

16) Least favourite ship for Magneto:

I mean. There's a lot of canon pairings in the comics that are Questionable, just, the writers tacking on some female arm candy for him to have just to make him that much cooler, but honestly I don't consider them "ships" because they never went very far. My least favourite ship and canon (although alternate universe canon) pairing is Magneto and Rogue. It's just. Why. I think Magneto if anything would have a more paternal relationship with Rogue, seeing in her what he experienced as a child. But a romantic relationship that even culminated in having a child with her???? Yeah. No.

17) Ship that I don't hate but isn't my favourite and am fine with:

Magneto and Storm. I think they have a *super* compelling relationship and they are just *so* powerful together, it's like their powers were made for each other (Electromagnetism and meteorology? They are so intertwined). I see them more as having a very strong platonic relationship, maybe having dated once but deciding not to pursue it further. But if it was made canon of their relationship being romantic (which I honestly see as happening given recent comics), I would not be unhappy and honestly they are a literal power couple, whether it's platonic or romantic.

20) Which other character is the ideal best friend for Magneto:

I honestly really miss the dynamic Magneto and Kitty Pryde had under Claremont, I wish we could have seen more and had it developed more. Like. When Kitty died a couple years ago we barely got any mourning out of Magneto, and it was Kurt who gave Kitty her Magen David necklace back after she was resurrected, when I really think it should have been Magneto. They had such an awesome intergenerational friendship and I'm sad that it seems to have been forgotten by recent writers.

[fullscoreshenanigans]

I just think about it but the whole Ray's plan at the beginning would have failed in so many ways.

Connie could have wondered where was her plushie at the moment of crossing the door.

Imagine if Emma and Norman have run into Isabella on the way to the gate (because she would have heard them by exemple) and tell "mama, Connie forget her plushie" so Isabella would have took it and say "Connie meets her parents right now. It's better to not bother her. I'll put it with his baggage"

Can you imagine if they were come back to Ray, saying "don't worry, we meet Mum on the way and she took it"

Ray: *internal screaming*

I mean Connie was the LAST shipment before Ray. It was 3 months, more or less, before his own shipment. If he had failed, what could he have done? Said the truth? Would Emma and Norman believe THAT without seeing it? Well all the others escapees believed it. But Emma was deeply attached to Isabella, she had need to see the demons to believe it.

But i understand that making his plan tro motion when let's say Hao was shipped (i think it was him before Connie?) would have given more time, and mayvbe on security if his plan had failed to re-do it the next time, but then Emma would have to accept Connie's shippement if they were not ready. Sacrifie her to save all the others. Pretty sure that she wouldn't have, and i don't even speak about Don here.

(Continued)

It's kinda sad to think that, even if the escapees managed to run away from the farm, happy to be free, happy that Ray is alive and all, their survival wasn't assured until they got in the bunker and even before, until they meet Sonju and Mujika. I mean without Sonju and Mujika, Emma could have died of infection and Ray would have been killed by demons, few hours after have been saved by Emma and few MINUTES after have decided to live for his family. (Sonju saved him just in time) The escape would be over very quickly for them. Not sure that the other kids would have managed to survive alone, without their big siblings to guide them :/ (meaning they wouldn't have reached the bunker at all or at least a lot later) (meaning that Yuugo would have killed himself) (Goldy Pond wouldn't have succeeded as well that in canon, a lot more would be dead) (and can you imagine Norman's reaction after his escape TT)

The first thing I usually think of is what a crapshoot Ray's idea is to have Emma and Norman go to the gate with Little Bunny in the first place.

On the one hand, it's a testament to his faith in them.

On the other hand, he is so disproportionately lucky on his bet that the demons wouldn’t pick up on their scents right away. He had, at best, fragmentary knowledge of demon physiology from his earliest months where maaaybe he could remember how well their sense of smell worked?

(Chapter 28; we're not going to think how they were paying special attention to him as Isabella the youngest mom in the history of the Grace Field and who's off limits to eat's child, so he's the next best thing as her progeny if he ends up not being good enough of an offering for the demon god)

The only reasons the two lackey demons don’t come after Emma and Norman right away are they’re caught up in conversation and probably a bit intoxicated off the idea of being able to eat even "just a fingertip" of Conny (and being charitable to Isabella, she probably doesn’t notice them sneak away because she’s grappling internally over seeing the life of another child she raised for five years snuffed out and having to keep up an iron façade about it.)

I like to joke that Emma is integral to the escape plan for her sheer obstinate railroading of any hiccups of probability, most egregiously expressed in it securing someone with a Minerva pen who was willing to give it up for them so they weren’t left wandering aimlessly outside the walls of Grace Field, who only got the pen in the first place because she lit off a lantern as a child that a Minerva supporter happened to come across by coincidence,

(Comic of Krone's childhood earned from completing the aptitude test on the official site; reprinted in The Promised Neverland Art Book World)

and bringing two of the only few demons in the entire demon world who won’t eat them for different reasons to their aid when they most desperately needed it, and that only happened because Leuvis was bored one day 700 years ago and decided to help his brother and his brother's new girlfriend escape the imperial capital by bringing them his horse in the third light novel. I love TPN.

[chaos-era]

Moonflower [Deena/Selena]

So, I've been completely brain-rotting over these two for a while now (if it wasn't obvious given the sheer amount of art I've done and the fact that I plan on making a full fancomic off the premise). I was going to wait to implement and write all this out through the comic, but frankly, I'm a full-time student AND have a full-time retail job. Free time does not exist.

So, my solution is to word vomit all my ideas about these two, their story/relationship, etc. Things are subject to change as things progress but lord only knows I believe I will simply implode if I can't throw this all Somewhere.

So I present to the five of you active in the Nexomon fandom:

An ungodly long textpost about a relationship that an autistic 20 year old is very mentally ill about:

So, some basic questions out of the way:

Who the fuck is Selena?

Selena is the name I gave the female protagonist from the first Nexomon game. I've given her own character and backstory that follows the first game's plot and all that jazz with some added details relating to her family. Basically, I actually made the protagonist from the first game an actual character.

Why Deena/Selena?

This entire ship became an idea in my brain solely because of the canon appearance of Solus's human form. I saw blue hair and an unknown second parent, thought about the sheer angst of it all, and my brain went on a god damn spree. With some time, I thought even just first game Deena/Protag was cute, so thus, the brain rot continues.

Moonflower?

I think having ship names be something more than just smashing their names together is better. The name itself is from Deena's whole plant/flower/life thing and Selena is because, y'know. Selena. Name relating to the moon. Moonflower. I'm real creative.

Why the name Selena for the protagonist?

Similar to the whole Moonflower name I just based it off another thing, that other thing being Solus/Omnisun. Sun and moon. Once again, I'm super creative.

How close to the canon plot is this AU/story?

So for most of the plot of the first game, it's pretty close. Some scenes would be expanded on, developed relationships more, etc., but otherwise the plot was fine. Soon as we hit the complete ending? Take the previous plot and go ahead and chuck it out the window.

There are similar elements, of course. Raging tyrants, Vados and Amelie, Solus (obviously), but the timeline and characters present is completely different and thus relationships between characters is also very different. Characters like Metta (James) and Ellie are not only still around but are active parts of the story instead of being swept under a rug.

---

So, the way I explain things best is through a QnA sort of format, wherein someone asks a question and I answer it, and go from there. So that's how this is going to be formatted. You can skip around and stuff easier that way too :)

Plot holes that I filled:

Why was Deena a similar age to the main protagonist of the first game?

So, the main protagonist is canonically a child, around 15. They're called a child, act like a child, very clearly a child. The Nexolord (Metta/James) is very clearly an adult. All seems fine there. The problem is:

How is Deena so much younger than all her family?

Deena is canonically kid number 4 out of 7, yet she looks and acts the same age as the main protagonist. And it's not like she just looks young, we see her in Nexomon: Extinction as a whole ass adult, same with the protagonist.

My "fix" for this is to make it that she was not in a place where time ticked by the same way. That place being the Netherworld.

In canon, time doesn't move the same way in the Netherworld that it does in the real world. It seems to either put a complete pause on it, or it moves really, really, slow in comparison to the real world. Which, given it's the Nexomon equivalent of the afterlife (not sure if it's just Hell so I'm just gonna stick with it being the afterlife), makes at least some sense. Time doesn't matter once your dead, whomp whomp.

So how/when did Deena get to the Netherworld?

In my AU, she flees there after being disowned by Omnicron. More specifically, she flees at the beginning of Ulzar's crusade against Omnicron. She knows he's hunting down the children of Omnicron, and after all the damage her siblings and father have done to humanity, she knows he's not going to listen to reason. Not wanting to be found by either her family OR Ulzar, she takes her chances in the Netherworld, where she hides out for a very, very long time. She watches her father and siblings be defeated and their souls are locked away in the Netherworld, and believes all will be fine. All of them are in a place they can't just get out of and do more damage, and she's also safe from them - separated.

That is, until a certain bowling ball with ribbons starts resurrecting them.

Deena catches on to what the Nexolord is doing, and, realizing she can't sit idle as her family tries to destroy the world again, decides to return to the real world. But, because she's been separated from her family for so long and time just doesn't work the same, she looks and acts like a fifteen year old girl. She doesn't know how things in the modern era work, she knows plenty about history, and so hides her lack of knowledge under the guise of being an explorer.

---

Now, onto the more fun part:

How the hell did that relationship become a thing.

On Selena's side, it's real simple - human emotions and all that. There's a joke somewhere about how in my AU Ellie was her childhood crush and something something green hair, light eyes, etc. but that joke comic was made already and go find it on my page /lh /j. Selena's just a simple girl who thinks the green-haired ditz is cute and will follow her around like a sad, lost puppy.

For Deena, however, tis a bit more complicated, but it can be summarized akin to meeting someone who's as passionate as you are, someone who matches your passion and drive and energy.

Selena and Deena both want both monsters and humans to live together happily. The one thing that made Selena "different" in comparison to other people with those ideals is that instead of wishing and waiting, she actually went out to try and do it. She chased down the Nexolord, she fought Omnicron's children, and she never once turned back.

That bravery is something Deena aspires to have. She fled from her father's wrath before, but now, here, was this mortal girl with no special powers facing off against demi-gods without a second thought because she believes in her cause. That, to Deena, is worth so much. That's what makes Selena so special.

All that to say, their relationship is complicated. It's impossible for it not to be. But that whole "fighting for what she believes in" comes in again for Selena - she does really, truly love Deena. She did before and after finding out about her true identity - that didn't change anything for her. And it's through Selena that Deena can really see the best humanity has to offer, and she doesn't want to lose that. Selena has devoted herself entirely to Deena, not as some godly figure or because she's a scary monster, but because she's just Deena, and it's the first time she's been appreciated as herself and not as a title.

They're not perfect. Deena hides her problems and bottles up her emotions while Selena doesn't know when to sit down and stay down when it comes to fighting for what she believes in. They get frustrated with each other, they argue here and there, but they work on things.

And that progress definitely gets accelerated by Solus being born. Hard to argue with one another about how they shouldn't bottle up their problems or should stop letting comments get under their skin about a dumb plan if your trying to keep a small, helpless creature destined to become a literal God in your care.

That's all for now from me but I am ALWAYS open to questions. Anon or not I do not care I am ill about them :3

[beasanfi1997]

Maybe Darth Vader tries to warn Ezra Bridger that Thrawn, Arihnda Pryce and Palpatine are going to take over Lothal in the episode Siege of Lothal. Ahsoka Tano didn't knowed It because She wasn't there in Bad Batch. You know? The Bad Batch season One ended that the Empire destroy Kamino and before they went on Exegol to rebuild another clones. So if they will made Star Wars Rebels season five, i Hope that they will accurate the Darth Vader comics where Anakin Skywalker, Ezra, Ahsoka and Omega will find out about the Exegol when they will meets Ochi and Qi'ra too find out about It. After the Empire falls, Ezra, Ahsoka, Omega and Qi'ra didn't told nobody and even Luke Skywalker about Exegol. Then in the Canon novel Luke find out about Exegol before Force Awakens and After the Mandalorian. I Hope too that when they will made Star Wars Resistence season three set in the movie rise of Skywalker, Ezra and Ahsoka decide to reveals about Exegol's existence at the Rebellion and the Resistence when they sense Ben Solo find the Exegol before they team up for the Last Battle

Yes, Anakin in the episode Siege of Lothal tried to warn at the audience, six months before we will meets his grandson Ben. Grand Inquisitor too warn the audience Seven years before we see Obi-Wan Kenobi miniseries

[airasilver]

Yes! Thank you! It's weird and ugh.... He literally is in her life from when she was a little girl. If they hadn't been growing up together maybe it be different but this is not a good pairing. I just can't see it.

This Buffy Season 8 Romance Still Gives Fans the Major Ick

BY

CASEY CONNOR

PUBLISHED 5 HOURS AGO

The canonical comic series Buffy the Vampire Slayer contained a lot of controversial elements, but perhaps none more than this relationship pairing.

Feature Image: Left, Buffy looking shocked from Buffy the Vampire Slayer TV series; right, Xander embracing Dawn from Buffy Season Eight comic

Romance has always been a part of Buffy the Vampire Slayer, with fans approving and disapproving of different match-ups, while shipping different characters together. However, Buffy the Vampire Slayer Season Eight, Dark Horse Comics' canonical continuation of the iconic television series, featured an unexpected pairing that remains one of the franchise's controversial decisions.

✕

Buffy the Vampire Slayer Season Eight #28 – by TV series writer Jane Espenson, with art by Georges Jeanty – revealed the shocking romantic entanglement of Buffy's younger sister, Dawn Summers, and her close friend Xander Harris.

Dawn and Xander sit across the dining room table from each other in Buffy the Vampire Slayer

Dawn, introduced through mystical means in Season Five of the show, had a teenage crush on Xander, revealed in Season Five, Episode 2. Now both adults, Season Eight put them together as a couple, in a move many readers found controversial.

RELATED:

Spike's Best Endgame Romance Was [SPOILER], Not Buffy

A "Not Unweird" Love Story

Buffy the Vampire Slayer Season Eight, Buffy realizes she has feelings for Xander just as he starts dating her sister Dawn

Xander and Dawn first kiss in Buffy the Vampire Slayer Season Eight #28. While their friendship seemed to continue in the comic book continuation of the show, this reveal baffled fans. At the time they fell in love, Dawn was a legal adult and there's only a 5-6-year age difference between the two. However, Xander had always been portrayed as an older brother figure to Dawn; further, there was no buildup to their romance. Season Five of Buffy saw Dawn inserted into the Summers family in an iconic twist; the season would eventually reveal that she was in fact a mystical object, given human form, made precious to the Slayer, so Buffy would protect her at all costs.

As even Xander admits at the onset of their romance, it is "not unweird." Another reason for the weird fan feelings about this pairing is that it becomes an important part of the canon. The Buffy in-continuity comics concluded with Season Twelve; in those five seasons, creator Joss Whedon doubles down on the romance, perhaps to show that this wasn't a careless fling or that he really had an overarching plan. In Season Nine, because Buffy destroyed the seed of magic in the world, and Dawn was created from magic, Dawn starts to disappear. Xander betrays his friends to make a deal with the Big Bads to restore magic and save her.

This Controversial Pairing Still Upsets Fans

Buffy the Vampire Slayer canon comics, Xander and Dawn together

As it turns out, the return of magic "resets" Dawn's emotions, and she only feels a crush for Xander, not love. In Season Ten, the new Big Bads have opened a portal to a hell dimension that Dawn, as The Key, can close – but only from the other side. Xander goes with her during her sacrifice, and she falls in love with him again there. By Season Twelve, they live together and have a child named Joyce, named for Dawn and Buffy's deceased mom. Years later, this pairing is still very divisive in the fandom. Subsequent seasons added depth to the pairing, but it remained difficult for many readers to accept.

Xander was around for Dawn's (imagined) childhood and was that big brother figure, gives some fans – as Buffy might say – the wiggins. Xander also carried a torch for Buffy for years, and developing feelings for her younger sister is a messy situation; Buffy Season Eight, and subsequent seasons, rely on this for narrative tension. One of the reasons romances in Buffy the Vampire Slayer draw in so many people is that these characters feel real, and real relationships can be messy and nuanced. Feeling strongly about these characters reflects the writing and art that went into them over the past thirty-four years. Even an icky romance shows the deep love held by fans for this series.

[fandomshatewomen]

I'm sorry if this is kind of a stupid question, but what are the common ways that fandoms hate on women? Are anime fandoms also prone to such hatred towards women?

ok so one of the ways that fandoms hated women when I first started this blog is that frequently there was misogyny in the tags of canon female love interests.

here's an example: Skylar white from breaking bad was often hated in the fandom for opposing her criminal and abusive husband walter white even though he straight up rapes her in the first season when shes pregnant.

here's an article that has links to other articles https://www.looper.com/190240/the-reason-skyler-white-was-the-most-hated-character-on-breaking-bad/

so ok you might say well that's from a much older show but she was on our profile pic for years.

then there's misogynoir with a franchise that started much earlier (the sixties) but really came to a head in 2008-9

that's Uhura and her AOS romance with Spock. many sp1rk shippers were angry that their ship wasn't canonized in the reboot and took it out on Zoe and JJ Abrams for writing her as a love interest.

The problem is that Uhura's role in the original series was hardly ever what you'd call important to the plot. by elevating her to a love interest many started to hate her for existing as an obstacle between sp1rk.

Then there's Iris West-Allen in the show the flash played by Candice patton. in the tv show Iris was racebent from a redheaded white woman to a Black woman. this garnered her more misogynoir than even Uhura because at the very least Uhura had existed as a black woman since the sixties in the franchise.

So if you're not familiar with comics Iris west is the one true love of Barry Allen. White comic fans weren't ready to see a black woman loved dearly like Iris would be.

a more recent example is Yennefer from the witcher https://www.thegamer.com/the-witcher-yennefer-worst-things-done/

Now I haven't read the whole article but I would like to point out that in the beginning of this article they call Yen an antiheroine. which if you're familiar with antiheroes they're often complex morally and this is even more true with someone like Yen who was again racebent in the show being played by a biracial actress in the tv adaptation.

Idk about you but I've often seen that people want complicated women, women that are as well written as male leads. the thing is that with yen we get a woman of color who yields immense power but that is actually just in search of a family.

some people in the fandom (particularly white people) were insulted by a woman who just wanted a family. the thing is tho that for woc who throughout the last five hundred years of genocide on various peoples by white imperialists the matter of fertility and motherhood is fraught with the fact that many woc have been sterilized, had their children taken away and killed or just never seen again. I even saw lots of so called intersectional feminist white people say they hated her storyline and her quest to have a baby.

I hope that clarifies it for you. there's many different types of misogyny (misogynoir, racialized misogyny) and the hate against them is often hard to parse without looking at the shipping trends of fandom. here's another example: in order to understand why a woman is despised in fandom you first have to see if she stands in the way of a white dudeslash ship (Uhura in AOS, maria deluca in RNM, Yennefer in the witcher).

There's lots of ways that fandom displays their sexism.

mod laina

[ageless-aislynn]

For the writers emojis ❤ 💕 🎬 please?

Aw, thank you so much for sending me something! 😁

❤️ What is your favorite line that you’ve written in a fic?

Ooo, that's a tough one, kinda like trying to choose your favorite child, right? But I have to say that one line that I know for sure that got a lot of mentions is from "Side Effects" (John/Kai, Halo) NSFW chapter 2 . It's John's response to Cortana telling him to say something complimentary to Kai during a rather, ahem, intimate moment. I don't know why, but I can just HEAR him earnestly, sincerely saying what he then says to Kai. 😳😂 I had quite a few people respond with varying degrees of AISLYNN, ZOMG, to that one, lol!

(For those who haven't read it and don't want to jump into a very graphic fic, I'll summarize by saying that he tells her she has a very lovely body part that most people don't end up getting complimented on in polite company. But he's so SINCERE about it and they're so comfortable with each other that she's not insulted or offended or anything, and that it honestly makes it feel rather sweet to me. But I'm the weirdo writing this smut stuff so I don't know if my judgment is 100% correct here or not, lol!)

💕 What is your favorite fic that you’ve written?

Obviously, I love all of my bbs BUT... There are a few that are just a little nearer and dearer to my heart. So I won't feel so biased towards my latest works, here are ones from the couple of fandoms I've written in: (in alphabetical order😉)

Arrow: "Five Times Oliver Held Felicity (And The One Time She Held Him)" (Olicity) - This one just... I don't know. We were still pretty earlier in the show and I had NO idea if they would ever become canon or even get a kiss at this point. This was just all a bunch of my own wish fulfillment moments put together in a fic. I also could've mentioned a line from it for the above answer (if my brain hadn't immediately gone to the Naughty Place™😳😉):

He held her like she was spun-glass fragile and infinitely breakable, but he knew the truth. Between the two of them, she was far, far stronger in all the ways that really mattered. She always had been.

Doctor Who: "Balancing Act" (Ten/Donna) NSFW - My very first multi-chaptered fic (and for many years my only one). I learned so much writing this one and I had such an amazing time with all of the wonderful friends I gained from them interacting with it! Plus, I loved getting the chance to fix Donna's unfortunate fate in a bawdy yet romantic way. 😉

Halo: "15 Minutes" (John/Reader) - I was still feeling-out writing Reader fics when I did this one (which was originally just a one-shot) and... *beckons you closer* if it feels a little more like an unnamed OC instead of a reader insert, that's because that was what it was originally going to be. 😱😁 I made the decision to go as a Reader fic very late in the thought process and ultimately, I'm happy with the choice. However, yes, that does mean that the Reader, at one time, had a name. But no, I can't tell you what it was. 🤐😉

The Flash: "By Any Other" (Eobard/Frost) - I have a LOT of Flash fics and they all mean something to me for one reason or another but, looking back, this was the first one where I really FELT my own connection to the characters. This was written in season 1, we had no idea for sure if we would be getting Caitlin as Killer Frost, so I decided to make my own version. Her powers were obviously more inspired by her comic book version, then altered further by me. What I ended up loving about this particular pairing, though, was something that wasn't planned at all: Caitlin is by far the more broken of the two of them in this series. I don't have any plans to add any more fics to Partners In Crime but, at the same time, I don't want to mark it finished. I like to think that these two are still existing out there somewhere in the far fields of my imagination, getting into trouble and loving each other a lot. ❄⚡

🎬 If a movie or show were based on your fic, which fic would you choose and who would you fancast?

Ohhh, mannnn, the possibilities! 😂 I mean, some of my fics would have to go straight to, like, HBO Max or worse, lol! But, trying NOT to pick from my unrepentant smut-fest fics...

"The Thousandth and the First" (Eobard/Caitlin, The Flash) is definitely one I would've loved to have seen actually portrayed on screen. It's one of my most "complete" fics in many ways: it's not just all jokes and laughs but it does have humor, it's not all smexy tiems but it does have some R rated love scenes (not nearly as graphic as some of my rated E/NC17 fics, though), it has a bit of sadness, it has some hard decisions and, ultimately, it's the only "realistic" way I felt I could redeem Eobard within the constraints of this story for the evil he had done.

Secondly, because I'm ignoring the fact I was supposed to just pick ONE, lol... You might know it used to be common for shows to have, like, 24 eps in a season and have time to do things like what-ifs? I'd love to see an episode of Halo where "Trust" (Kai, Cortana) showed us how things could've played out if Kai would've been the Blessed One instead of John and thus ended up getting Cortana in his place.

I think they would be a formidable pair, lol! 😁

Since all of my work is based on shows, I'd just leave the casting as it is. 😉

Thanks again! 😎👍

Fanfic Writer Ask Game

[beautifulterriblequeen]

Trickster: an Ethari theory

I've had yea many Ethari headcanons, and I hope I live to have yea many more. Most of them are probably wrong, or incomplete at best. But boy are they fun.

I love to wonder what Ethari will really be like in canon when we get to know him for more than 3 minutes, but whoever he really is on his own, he will have an effect on Runaan , Rayla, and everyone who loves him, because they love him.

The first headcanon I can remember having for "Tinker" was that he could be like Leonardo da Vinci: a genius, creative, surrounded by beautiful ideas given shape by his hands, but also capable of creating deadly weapons, enchantments, and devices with equal beauty, and perhaps not really seeing where the line between them was. It was fun, but Ethari has ended up far softer than my headcanon, and I love and support him in his softness!

After a nice string of Ethari headcanons, this year I've started poking at the Trickster archetype and seeing if it applies to him. And I think it absolutely does!

Tricksters often seem like Chaos. But they're not. They're just Difference. "Chaos" is subjective. Like the "divergent" in "neurodivergent." Who says? Divergent from what, exactly? Perspective matters, and Tricksters have a very broad take on things which allows them to think outside any box people might try to invite them into.

My enjoyment of Loki has brought all kinds of ideas to my dash with the arrival of the Loki show. I've got a copy of the Edda, and I highlighted the hell out of it a couple of years ago as I searched for the roots of Loki's origin story. (It's truly fascinating reading and the symbolic language hidden inside their poetry is dazzlingly amazing and I'm super using it sometime just so you know)

Loki is a Trickster, and he's far from alone in myth and legend. Anansi, Coyote, and Sun Wukong are some you may have heard of. Aaravos is another, of course. Tricksters can be called upon to lend aid and wisdom when the rules don't have an answer for some extraordinary circumstance which the Trickster's people find themselves in. But that's not because they are truly outside the rule of order. They are actually a part of it. They are the catch-all for when the everyday ordinary rules fail people, and something "unthinkable"--in the literal sense--might just hold the answer.

This post crossed my dash today, and something finally clicked in my head, and all of this coalesced from what felt like separate places. But they're not separate, not anymore! Serotonin, baby. It's basically upped my headcanon to a full-blown theory.

What caught my eye was an answer to why Ethari's clothing is so determinedly asymmetrical, compared to Runaan's specifically, but Moonshadows in general. It's because of this:

Long protective sleeves below patterns on shoulders. A high collar paired with a bright and noticeable swoop around the neck. Fine detailing and graceful taste. Asymmetrical tunic point on the left, below broad strappy leather. Knee high boots with stylish protective gaiters.

And let's not forget the curling horns! In some comics, Loki has a broken horn. So does Ethari.

Yes, there is a lot of similarity here, but I'm not focused so much on the visuals as the reason they were chosen. Feel free to consider other aspects of Ethari's personality and how they might be similar to certain parts of Loki's. I did! But I wouldn't be me if I didn't go deeper than that.

My favorite book in the universe (so far) is Lois McMaster Bujold's The Curse of Chalion, and one of the many reasons why is because of her pantheon. It holds five gods, represented by a hand: Father, Mother, Son, Daughter, and Bastard. The first four all have their roles and places. The Bastard--the thumb--inherits everything else. He is the god of all things that do not belong to any other gods, and that includes self-sacrificing vengeance and queerness. He is a Trickster, and his influence on Cazaril's life is far deeper than at first glance. Chaos has its place. It belongs, and so do the Tricksters who engender it. God, I love this book. Please read it if you haven't. Bujold's work is amazing.

If you've seen or read any version of MDZS/Untamed, you know that Wei WuXian is a trickster. Competent and badass in battle, but playful and teasing to the point where sometimes even he isn't sure what he truly wants, he can bring a massive amount of power and focus when he wants to. It's always a matter of "but is it important to me?"

I love WWX so much. The Trickster vibe is very apparent in his character, and in a way you just don't get in Western media. We see him on his own, and we see him with family and loved ones. And he's always feeling something so intensely! He's driven by his emotions, for good or ill. He vibes with chaos, and he will create it if it doesn't exist yet. But he will also create family from nothing, and that's something you don't see enough of! WWX is a Trickster with an emotional preference for joy.

In TDP, Ethari doesn't have a lot of lore yet. It's being Moonshadowed because spoilers for future seasons, and I respect that. The longer the wait for S4, the more ideas I will just amuse myself with in the meantime--and yeah, this is one of them, so what? :))) But we do know a little about him.

He loves music. He loves to read. He leaves his mark on things in swirly form. He works very hard, even through headaches, because what he's doing is that important to him, even though he would much rather be making jewelry. He loves taking the time to polish rough stones into brilliant jewels, and he adores big pretty flowers and had them at his wedding.

Ethari has a temper, but he also loves puns. The weapons he crafts are exquisite: "light, elegant, strong, and clever." And he knew darn well that Runaan was trying to flirt with him, but why return a sentiment he may or may not feel yet when he can play with the overly earnest assassin just a little bit first?

Okay, just... A "simple craftsman" deciding that it's going to be fun to toy for a bit with a broody assassin's feelings? Would you risk that? Ethari got balls the size of the moon, and a brain to match. When he has to make weaponry, he does not half-ass it. Ethari's stabby creations nearly have a life of their own. His creations are literally called "trick weapons." This elf is a lot, okay. And it's possible that he doesn't even know how "a lot" he is. Yet.

We're meeting Ethari after he's found something that is, in fact, genuinely important to him: Runaan, and Rayla, and Laindrin too. Ethari has found a relatively stable place to settle and find a role to adopt. I say adopt, though, because making weaponry for his loved ones is not what he grew up wanting to do. It's what he had to do to keep them safe, once he found a place to bestow his heart.

But in the show, Ethari has lost his family, one by one. First Lain and Tiadrin, ghosted. Then Runaan, supposedly fallen on his mission. Then Rayla, ghosted for abandoning Runaan. He and Rayla have reconnected now, but the rest of his family is still out of his reach. If Rayla has indeed told him, by S4, what she learned at the Moonhenge in TTM, then Ethari may parallel Rayla's journey to seek answers. But even if he doesn't know yet, and gets pulled into some other story arc first, we will be seeing Ethari without his family.

Remember the ATLA episode "Zuko Alone"? Consider: "Ethari Alone."

Ethari has chosen, for love, to fit himself into a box that wasn't of his own making. And now that box has broken. His family doesn't need him to be their craftsman anymore. Perhaps others will need him to be other things to them. Or perhaps he will know that his family does need him, but to be far more than just a maker of pretty swords. A rescuer, perhaps. A healer, a guide? An avenger?

A trickster. Capable of taking many shapes, because he understands them all. Ethari works with form and function. If he needs to transform himself, he will.

That's what Tricksters do. It's delightfully queer and delightfully neurodivergent. Ancient peoples accepted and revered the different among them and actively sought their help with things they themselves struggled with.

Tricksters are Difference. Sometimes that manifests as chaos, sometimes as genius. But if you do not love and appreciate your chaos, it will absolutely turn on you. Wei Wuxian did. Loki certainly has, many times. Perhaps Aaravos is doing so as well.

I cannot wait to see what Ethari does with his difference. I have something very specific that I hope he goes and breaks.

All this from a picture of Tom Hiddleston in his Avengers 1 Loki costume? Yeah. Because Ethari was designed to wear asymmetrical clothing, in a Moonshadow culture that prides itself on balance. Sure, there are some other Moonshadows who wear this or that asymmetrical item, and I do love to see it. But Ethari has the most asymmetrical lines of them all. The meta glee I feel knowing that Moonshadow elves are designed to hold many layers of meaning in their appearances--that the writers, creators, and character designers just flexed with them--is truly a delight.

Ethari is asymmetrical. The full and practical application of that is a glass casket, and I hope it becomes a gift that keeps on giving, because boy do I want to keep receiving it. But right now, I'm genuinely seeing evidence of the Trickster archetype in him. And I really hope it gets to come out and play.

[doodleferp]

Finally got around to making a ref for Grace! (edited to add the format i came up with) Her backstory's under the cut!

Why'd You Make Her?: I like comics. I like Doctor Doom. And most importantly, if I ever end up in my dream job of making a comic series of my own, it's great to practice making characters to fit in a comic book setting. Grace is, in a way, a therapeutic oc for me and a way to help me grow as an author/artist.

What's Her Deal?: So Grace is a lot like Marceline the Vampire Queen in terms of personality -- she's slowly evolving from an ADHD memelord to what we'd call a "functioning adult", so she's still figuring a lot of stuff out for herself. Before she got pushed out of the country, she had a job at a publishing office. In terms of her powers, Grace is still figuring out all her limitations and what exactly she can do with a reality-warping supercube for a heart. She can fly and use energy beams and constructs and all that cool stuff that would otherwise be classified as "magic". But if the Cube is removed, she will definitely die if not put on life support like immediately.

Since there's already a crap-ton of stuff in the canon Marvel Comics universe (Earth-616), Grace and her story takes place in its own little universe, which I've dubbed Earth-71835. Feel free to figure out how I came to the designation!

Do I Ship Her?: Yes. As with a lot of my OCs, I am a serial shipper. Grace in particular is shipped with Doctor Doom, but in-universe she's had a girlfriend in the past.

What's Her Story?: So Grace is a Latin-American lady born and raised in Tampa, Florida. Her parents divorced when she was around eight-nine, and they both remarried by the time she was a sophomore in high school, with Grace getting a pair of older maternal stepsister and a younger paternal one. Her dad's new wife had a huge problem with her (due in large part to Grace's undiagnosed ADHD) and they still clash to this day -- but the biggest incident is that her stepmom convinced her father that Grace wasn't really his kid in part to her not having eyes like his or her bio mom (a side-effect of the cube), and this got Grace thrown out of the house. Grace lived with her mom and maternal stepfamily for the remainder of her childhood, and even though by now it's been proven through DNA tests that her dad is really her dad, there's till a big wedge between them thanks to her stepmom's histrionics.

When she was a baby, several AIM scientists took her from the maternity ward, mistaking her for another baby they had chosen for this very experiment, and removed her heart and replaced it with a Cosmic Cube to study the effects of such a thing. While they were busy watching their test baby, Grace grew up with wildly-fluctuating superpowers. One of these fluctuations, at age 31, teleported her to Latveria, where she met Doctor Doom. Grace offered herself up as a test subject to avoid being incarcerated, and what followed was a currently five-year entanglement that has ended with her dating the mad monarch. After their relationship was made public before they were ready, SHIELD did everything short of actually throwing Grace in prison until she cracked and made for outer space. Doom found out where she went, was able to find her and calm her down, and convinced her to come live in Latveria, which is where the Twitter posts start. If I ever get around to finishing the run-downs of their story, I'll be posting a bunch of stuff on Ao3.

[scifinal]

DW s12e10: It's Quite Unfortunate That This Child Keeps On Regenerating

It's only fitting that the first post on a blog called "SciFinal" should be about a season finale.

Not that fitting is the fact that in said post I'm going to begin where it all started for me.

Part One: How I Even Got into This Mess of a Show in the First Place

While I call myself a huge Doctor Who fan, even a – *gasp* – Whovian, I must admit I am not as familiar with the franchise as I would like to be; I've seen the new show, I've seen Torchwood (though, admittedly, I had to force myself to finish the fourth season – but that's a story for another day), I've listened to a handful of audio dramas (including Kaldor City, which I consider to be canon for both DW and Blake's 7) – mostly Torchwood audio dramas, but who cares, – I've read a couple of comics, I've got a novel or two somewhere on my bookshelf, I've seen the first couple of seasons of the classic show, but that's about it. I can't say I grew up with it – it wasn't on TV when I was a kid, there isn't an official Ukrainian dub, et cetera, et cetera. I first heard about it when I was about thirteen, when my classmate did a project about something they liked – and was pretty dismissive of my peers' hobbies at the time, believing myself to be somewhat above them, so I didn't pay much attention.

Then somebody finally pressured me into watching it (I believe I was fifteen or something back then) and I loved it. The first two episodes of the first season, I mean. I watched those, texted my friend something like "consider me a Whovian now!" and abandoned the show completely only to return to it maybe several years later.

I loved it. This time, for real.

Doctor Who has been with me ever since that time, it has a big soft spot reserved for each and every Doctor ever in my heart, and for each and every companion. I know full well it's cheesy, and it's stupid, and it's technobabble-y, and it's glorious in all of its cheesy technobabble-y stupidity.

And I hate this finale.

Part Two: Doctor, Why

I hate this finale – because I hate Chris Chibnall. Mind you, not the gentleman himself (I don't even know what he looks like, and I can't be bothered to Google), I hate what he did to Doctor Who.

Now, when it was revealed that the would replace Steven Moffat I felt... nothing. What did you expect? I had no idea who the man was. I know now he's made Broadchurch, and I know he wrote a bunch of stuff for Torchwood back in the day, including Cyberwoman. I had to drop Broadchurch because of how well-handled the depressing atmosphere was, and I love the flawed, dumb, sexy-cyber-bikinied, almost-fifteen-minutes-of-Ianto's-whining-including (I know because some time ago I literally cut almost every single moment of Gareth David-Lloyd whimpering, moaning, groaning, screaming, and mugging at the camera out of the episode and made those bits and pieces into a beautiful clip show called "I HATE THIS" to explain exactly why his face was and still is so punchable) mindless fun that is Cyberwoman (this is also one of the two episodes in which they actually do something fun with the pterodactyl living inside Torchwood's underground base). The latter also led to the creation of one amazing in how it develops Ianto's character audio drama entitled "Broken". I love Broken. I am now forcing you to look at its cover because of how much I love it.

Here we go. Now, back to the point of me rambling pointlessly

In his video "Sherlock Is Garbage, and Here's Why", a well-known YouTuber hbomberguy pointed out how Steven Moffat's problem is that he is more than capable of writing a good one-off episodes, but ultimately fails at managing multiple complex, overarching stories, as visible when you look at the difference between Moffat's individual episodes and his run on the show.

Now, I believe that Chris Chibnall suffers from the same affliction: he's a good screenwriter but a terrible, terrible showrunner. Sure, he's made Broadchurch, but Broadchurch, in its essence, was a complete singular story with a beginning, a middle, and an end. There were no bigger, incomplete arcs expanding at the expense of other episodes, and the show did exactly what it was originally designed to do: it told an uninterrupted story.

Here comes Chris Chibnall's run on Doctor Who.

Now, while Steven Moffat was ultimately not very good at managing overarching stories, he tried to do so nonetheless, and the fans seemed to like his attempts. And while I can't be sure as to whether it was Chris' original vision for the show or he and his co-writers were merely trying to emulate Moffat, he attempted the same. A friend of mine has even pointed out how, to her, it was painfully obvious how the writers of the finale were desperately trying to copy Moffat's style (to give you some context, she grasped it from a 30-second clip of the CyberMasters' reveal, and that clip basically consisted of me filming my laptop's screen and laughing at their design, making the video wobbly and the audio distorted). At the time of writing this post this friend hasn't seen a single episode of Chibnall's era and, as far as I know, has no wish to do so – mainly because of two reasons that both have something to do with the finale:

Somebody's already spoiled it for her, so who cares;

I ranted to her about how shit this finale is and now she hates everything about Chibnall era.

I am very sorry for the latter, since I genuinely believe there are some nice episodes in these seasons, and I especially like the "historical" ones, they really are quite a lot of fun, I like Nikola Tesla and Thomas Edison fighting badly CG-ed alien scorpions, I love Lord Byron and Mary Shelley running around a haunted house trying to escape from a Cyberman (even though it's all too similar to the Agatha Christie episode from Russel T Davies' run), I adore that episode about Rosa P–– oh, wait, no, that one was crap and ripped off Blake's 7... Anyway, I love Jodie Whittaker's Doctor, I am a big fan of Graham, I like Ryan just fine, and I can put up with Yaz, even though it's been two seasons and I've still got no idea what's her personality supposed to be, and I absolutely love the new Master (he reminds me of a cute little pug with a big Tommy gun). There is plenty of good stuff in these two seasons, they are lots of fun to watch, but this finale... Oh god, this finale.

Part Three: We Had All of Time and Space at Our Fingertips and We Ended Up with This

We are getting to the point of this whole thing. I would love to begin with the obvious, the twist, but there's so much wrong with this who-cares-how-many-parter than this one big thing.

It is inept. It is impotent. It is incompetent. It is bad at almost everything except its okay camera work, somewhat good (for a British TV show, I mean) effects, and its really solid performances.

Its editing is tone-deaf to the extreme. There is a moment in the final episode where Ko Sharmas asks who will be the first to cross the Boundary and step into the unknown, and immediately it cuts to Yaz walking towards it, all fast and silent. I would love to show you a clip of it, but I don't have one and I can't force myself to download the episode and sit through this shitshow again just to present you with a ten-second clip. Nonetheless, that part is not edited like a dramatic moment. You edit comedies this way. Bad comedies. Bad editors edit bad comedies this way.

Its plot is incoherent. There are several plot threads in this finale, and they're managed in a way that doesn't make the viewer care about all of them at the same time, rather the viewer goes "oh, I've completely forgotten this was happening" and then, before they can even begin to care, the show cuts to something else. It's all over the place and oh so annoying.

The plot armour is painfully obvious despite every attempt to disguise it. There wasn't a single, solitary second when I believed the Doctor was really going to sacrifice herself and, lo and behold, here comes the old guy ex machina to do it for her. The only questions I was asking at that moment were "How are the writers going to prevent the Doctor's death now that they've seemingly created themselves a way to go on forever?" and "How can Whittaker care so much about her performance in this scene she's literally almost crying?". I wholeheartedly related to the Master asking "So why are we still here?" and shout–– hiss–– mumbl–– whatever-ing "Come on, come on, come on!" – at that point I've suffered through at least forty-five minutes of utter nonsense, people going preachy, religious Cybermen with Dalek motivations, that absolutely ludicrous scene in the previous episode when the show was trying its worst to make me perceive autonomous flying Cyber-heads with laser eyes as a serious threat, a shit twist and... Oh.

I've got to finally touch on the shit twist, haven't I?

It doesn't make sense. No, I mean it. I guess it makes sense from the show's writers' standpoint to retcon everything in a way that would allow them to go on forever without having to come up with a way to circumvent limited regenerations, yes. And I won't be touching upon all the lore people say this twist has ruined. No. It doesn't make sense as it is.

The twist is revealed to us by a madman that claims to have hacked into a database, claims to possess control over the Doctor's mind, and gives the Doctor and the audience no actual solid proof that the Timeless Child is, indeed, the Doctor. We have Ruth, sure, and she's nice enough (damn, I want that vest), and she's a Timelord that happens to own a TARDIS that looks like a blue police telephone box, and she calls herself the Doctor. Here's Ruth:

I really like Ruth. She also makes no sense from the show's timeline standpoint, since the Doctor's Type 40 TARDIS only got stuck looking like a police box in 1963, so there's no reason for the Doctor to not remember being her.

We also know that the Judoon have identified Ruth as "the Fugitive"... except in one of their previous appearances in the show they weren't able to identify their targets exactly and thus were seeking out non-humans. There is a possibility that they were only looking for a Time Lord on Earth.

You know what? It's possible that Ruth is actually the Master messing with the Doctor. I have just as much proof of this as I have of the fact that the Doctor is some kind of an endlessly regenerating superbeing.

But this is not the most maddening thing here. I loathe it, but I don't loathe the twist itself: I loathe its lifelessness, I loathe how empty, how unemotional, almost robotic it feels. When somebody'd spoiled the finale for me, I got angry, and I started asking questions, and when later I saw the actual thing...

This gif. I can't even explain how accurate it is. I stood there, in the middle of my kitchen, episode paused, holding a cup of cold tea and desperately looking around as if in my surroundings I could somehow find that emotional reaction that this show failed to evoke. I was ready to burst into tears of how empty it felt, and how empty I felt, and how the same show that has Christopher Eccleston go from literally foaming at the mouth with pure hatred to shocked silence in a matter of second because of one sentence that you, a viewer, can't help but be astonished by failed to make me feel the tiniest speck of literally any emotion. And slowly, I felt that vast void in my chest fill with sheer, pure, flaming hatred for the person who made me feel nothing, for the story that left me not bored – but empty.

And the next moment, in its own unique way of being absolutely tone-deaf, the show introduces the CyberMasters, looking ridiculous, being asinine in concept, making me burst into laughter with their dumb design. Wow.

So.

Chris Chibnall's Doctor Who is no longer a show. Chris Chibnall's Doctor Who isn't even, as somebody on Stardust said, a fan fiction. It's a rollercoaster. A lackluster rollercoaster that lifts you from the vast caverns of frozen hell, devoid of any life whatsoever, soulless and abandoned, to the heavenly torture of being so bad, so utterly awful and ridiculous, that you can't help but laugh as you watch something you used to love be distorted and deformed to the point where you can't recognise it anymore nor really care. This is what Chris Chibnall's Doctor Who has become. And I'm going to continue my ride on that grotesque rollercoaster. I'm going to pirate that ride and get on it again. Because I'm a masochist. Because I want to feel something, even if it's hatred towards those that make me feel nothing.

Because some time ago my fifteen-year-old self watched the first season and learned a lesson that I hold dear after all these years – that I can't abandon hope, and that someday, somehow, things are going to get better. That the future is being written right now. That the future can change.

[kitashiwrites]

I'm sorry my post was really aggressive. I still stand by my point that it ISN'T fair to dismiss Mor's romantic feelings (or lack thereof) towards Az, but how I acted was really awful. You don't have to post this publicly, but I hope you know I'm very sorry. My intention wasn't to try to start drama, but just receive an explanation over WHY you still ship Moriel. My way of going about it was TERRIBLE. I know sorry is just a word, but I'M SORRY.

2/2 I didn’t send you three asks. I only sent you one? Just to clear that up.3/3 I also didn’t send more than one ask. :/ 

Okay Anon. While I find it extremely hard to believe because of the timing (especially because for as long as I have been on here, I have RARELY gotten asks, let alone 3 in such quick succession that are so similar), as well as the fact that you clearly don’t stand behind your words because you felt the need to do this all on anon/have to make sure we know that you still think we are wrong, I’m going to give you the benefit of the doubt & accept your apology.In regards to your question, why I still ship Moriel, @sarahviehmann honestly said it best in her original answer to you: “ACOMAF was written in a way that intended for them to be shipped. So those people spent a year building up their fanon and meta and so forth, only to have the rug pulled out from under them.”

(For the sake of everyone, I’m putting this under a cut. It got way long.)

I hated ACOWAR. I’ve made no secret of that. I’ve also made no secret as to WHY. I’ve been writing fic for this series for over a year, & heavily focused on ACOMAF. I started when there were literally 7 fics posted to Ao3. Basically all of my free time at home & all of my breaks at work were spent either writing fic, discussing the series/meta with people here/talking my poor friends’ ears off over dinner, or planning fic for characters I wanted to explore in POV fics like Rhys, Tamlin, & Tarquin. Hell, I still have a 10 chapter Amarantha POV pre-ACOTAR through ACOTAR fic that’s over half written at 16k that I originally wanted to try as a surprise for my readers. I read ACOMAF enough times that I honestly would have said that I knew those characters as well as my own family, knew exactly what happened in which chapters, & got many comments here & on Ao3 from people who felt I’d captured the characters correctly, so I felt pretty good about what to expect going forward.

When ACOWAR spoilers came out, absolutely nothing made sense with what we knew or had been prior established canon. Most of all in regards to Mor, Rhys, Feyre, & Lucien, but I’m going to specifically focus on Mor, since she’s at the crux of the issue at hand. In Mor’s case, we took a woman who is described in ACOMAF as “a queen who owned her body, her life, her destiny, and never apologized for it” & says to Feyre, “I once lived in a place where the opinion of others mattered. It suffocated me, nearly broke me. So you’ll understand me, Feyre, when I say that I know what you feel, and I know what they tried to do to you, and that with enough courage, you can say to hell with a reputation. You do what you love, what you need”, & in ACOWAR made her a victim in circumstances that make absolutely no sense for the character we had known up until that date. Queen of the Hewn City? She wasn’t even treated with enough respect to be prepared to go into a meeting with her abusers, let alone shown that she is in charge. The first real female friend Feyre has ever had? Regulated to acting like a jealous girlfriend around Cassian whenever Nesta got too close. And speaking of Cassian, it was pointed out in another post (I’m sorry I don’t have the link right now) that the Cassian & Mor moments read like they were originally Az & Mor moments & were hastily changed when suddenly they weren’t supposed to be even friends. Nothing in this book read like it had been edited for continuity.

There are many bloggers who are far more qualified than I am to speak on Mor’s coming out scene, & while there was a divide, there were quite a few I know & follow who felt it was poorly written/bad rep, & I agree with their reasoning. Besides the fact that I don’t believe for one dang second that no one in the Inner Circle at a minimum would have picked up on something bothering Mor in 500 years or that she wouldn’t have at least told them even if she hid everything from Keir, there is the fact of Azriel. Azriel is in love with her, no disputing it. But it is mentioned by Rhys that Az has always thought himself unworthy of her, & Mor says that she could take her clothes off in front of him & he wouldn’t do anything. Does that sound like someone who is trying to avoid him because she isn’t interested, or someone who is creepily stalking her? In the Nessian short Wings & Embers, Cassian speaks on their relationship as well: “He wasn’t stupid. He knew she and Azriel were … whatever they were. Knew Azriel had been in love with Mor from the moment she’d strutted into the war-camp five centuries ago. And Cassian had been jealous—of Mor’s shy glances at Azriel in those first few weeks, and the fact that his dearest friend and brother … was looking at someone else.”

I’m not going to rehash Wings & Embers or ACOMAF for you. But as Sarah said, it was clearly written with them as a ship in mind, & this is from the POV of a character that has known them since the beginning, not just a few months like Feyre.

Why I still ship Moriel at this point? Because I ship it in any form. I love her & Az together period, even as friends. This ship was one of the ways @illyriantremors & I bonded originally, before we found out how much else we had in common & she became as good as a biological sister to me (I call her my Threadsister for a reason), because we shipped it back in the beginning before there was really any fic for it because it was overshadowed by Feysand, Nessian, & Elucien. Moriel was our Nessian; the unconfirmed side-ship with so much potential & evidence to back it up. When Sierra met SJM at San Diego Comic Con last summer, SJM dedicated Sierra’s copy of ACOMAF to Moriel. Why the af would an author do that if they planned to destroy a ship in the next book from the beginning?

We still love Moriel because it is hard to let go of something you’ve loved that much after you’ve been strung along & then had the rug pulled out from under you with no actual basis in ACOMAF to say “oh, it was there all along”; like when rereading ACOTAR through the ACOMAF filter, as I like to say to people, & seeing the clues that were left to the deeper story for Rhys. For me, those were not in ACOMAF upon reading it again after ACOWAR. I noticed you using my tags in your defense of yourself to Sarah regarding why I wanted to ignore ACOWAR &, by your interpretation, erase Mor’s sexuality. If you had read any of my blog at all after ACOWAR, you would have read that isn’t true, but I’ll spell it out for you: I want to ignore ACOWAR & what it did to my favorite characters’ personalities/their interactions with each other. I want to forget that Mor’s agency was taken away from her & that she was regulated to a plot twist. I want to forget that Az has been made out to be a creepy stalker. I want to forget Rhys treating Mor like she would be too emotional to deal with the negotiations with Kier & Eris & so he & Az didn’t tell her. I want to forget Feyre using Lucien to make Tamlin jealous in the Spring Court while she dismantled it from within & putting him in danger. And so much more.

I personally hate the book for multiple reasons, ranging everywhere from inconsistent characterization to grammar/editing issues. But I’m stuck with the facts it gave us, which is why writing fic is so hard to even consider anymore. It made everything about the series, not just Mor & Az, something I no longer can love with the intensity I once did, & the fandom diminishes that love more & more everyday with their bullying of people for not believing exactly the way they do, which is exactly what you contributed to when you sent those asks to myself & Sierra. And honestly, I couldn’t care less what you think of me. But if you had even looked at one of Sierra’s actual written posts/answers to asks—just one—you would have seen how quiet she’s been about her love for them as a ship & how determined she’s been to not to offend people while she’s been trying to come to terms with losing something that has been a lifesaver for her, to the point she has mostly stopped contributing to the fandom at all. She posted two Moriel drabbles during her birthday week because she was inspired by the Azriel candle I got her for her birthday, & as she said to you in her response to your original message, they were her way of saying farewell to Moriel. And guess what: even though it isn’t canon, people liked them.

I view Mor as bi, & if she’s given a healthy, happy female love interest in a future installment, then awesome. I want Moriel at least as close friends because I genuinely don’t think Az (at least the one from ACOMAF that actually made sense) would begrudge her if he knew the truth. Would he be sad? Sure, but I think he would support her nonetheless, just as the rest of the Inner Circle would. But I have absolutely no faith that SJM will give Mor anything good because she can milk the drama and turmoil she’s created, & I have no desire to see the characters & ships (across the board) I have loved so much destroyed any further.

I think @my-name-is-fireheart put it perfectly in her chime in on Sarah’s post: “Also, we should keep in mind that Mor expresses sexual attraction to men, she just prefers women. How she feels about men romantically is also blurred, though it’s slightly more clear. She says she doesn’t think she loves Az romantically but she doesn’t want to try it just to see.” SJM didn’t even know how to break her own ship apart properly to fit what you suggested, which is a good chunk of why we are even having this discussion right now.

I know Moriel is no longer canon. Cazigan (Cassian/Azriel/Mor) isn’t canon either, but I still love that. I have enjoyed their interactions with each other more than anything else since they were introduced in ACOMAF. The entire Inner Circle made me so happy for their closeness & how much of a family they were. I feel for a plot twist & a couple extra Benjamin Franklins, SJM destroyed everything that made one of my favorite characters in the entire series who she was (a strong, independent woman who didn’t let her circumstances break her & showed Feyre how not to let hers break her) & made her a poor caricature of herself, & made Az something he never has been before either because SJM hastily had to make her new & poorly executed addition work.

I shouldn’t be surprised though. This is the woman who attempted to retcon Eris of all characters into a decent person. And also took away any modicum of being able to read Tamlin as the multifaceted antagonist he had been & just turned him into a completely hateful ass with no loyalty to anyone to further drive home how perfect Rhys is supposed to be (which he definitely is not in ACOWAR, & I say that as someone who loved the morally grey character of Rhys).

TL;DR I ship Mor with Az in any form, even as friends, Mor being bi is not an issue, & I have lost all respect for SJM as an author after ACOWAR for giving us a poorly written/poorly edited product after the anticipation/hype this book had. Make of that what you will; I don’t care. I’m out of effs to give, & your ask & the other Az one I received, no matter who it was from or what your intentions were, pretty much tipped the scale in favor of me wanting to step back even further & have nothing to do with this fandom ever again.

I would ask that next time you think you have a problem with someone (because I doubt Sierra & I will be the last people you do this to), please think about how it comes across & think about your target. Your original ask was terribly hateful, & there is no amount of apology that can take that hurt away. And you would be amazed how far a little kindness & grace when asking a question instead of an accusatory message can go.

This explanation is more than you probably bargained for when you started this yesterday, but that’s the last I’ll say on any of this.

[raining-v-coffee]

Harry Potter Crossover fic recs

*Multichapter    ~my notes

Sherlock

Whispers in Corners

Everything started with a stumble - his new life in a new world as well as his surprisingly successful career as a medium.

Business

The Dursleys didn't raise Harry Potter to be a very good boy.

Mildest of fusions with Sherlock Holmes

Patience Rewards Itself WIP

Sebastian Moran's job was simple this time; 'fix' Vernon Dursley. He was prepped to do it. He had no problem doing it. That is, until he sees an unidentified boy with no record of existence at the residence thrown out of the home. Thus, Harry Potter gains an (admittedly unconventional) family, Jim gets a protégé and Seb just hopes that Harry won't wind up quite as...off as his Dad.

Symphony WIP

Despite all the magic in the world, Harry had never encountered magic like that of a genius mind. A whole family of them was bit overwhelming really.

Naruto

Loyalty

Magic, wonderful, strange and unpredictable magic took note of him and instead of doing the logical thing, acknowledging what he is, carving out a place between all the other wondrous creatures in this world – magic lifted him up instead.And left him somewhere else.

~ I had this story under a different classification. Whoops! Many thanks to mori-esque for letting me know!

Growing Strong

A young Jasmine Potter escapes a terrible home situation by teleporting herself to the Elemental Nations. Against all odds, she will turn her life around, gain family and friends, and finally… Grow Strong. Warning: Abuse in first chapter, mentions of abuse in following ones.

And it’s sequel, Chasing Shadows WIP

~ I adore this series.

Gringotts Partnership Mature

Hermione never imagined the doors opened to her when she accepted a job as a Gringotts ward-creator. When she receives an opportunity to study she cannot pass up on it and is introduced to a young jounin Minato Namikaze. This changes everything.

Harry Potter and the Secrets of Konoha WIP

Instead of sending Harry back to Privet Drive to sit on his thumbs after Voldemort's rebirth, Dumbledore sends him, Ron, and Hermione to a village called Konohagakure to learn how to defend themselves.

Harry & Co are 14 (end of fourth year). Naruto & Co are 12-13 (beginning of canon). Pairings (if any) are undecided, but will not be central.

Beautiful Star (Or: Why Studying Equals Ramen) WIP

After an unfortunate incident with a compromised Portkey and some revenge-obsessed Death Munchers, a barely eighteen years old GWL must learn quickly to navigate the Elemental Countries, as well as to raise her baby godson, the only one who tagged along on her next great adventure. Heavily injured, starving herself to feed the little six-month-old and deathly afraid of the very real threat of death, Harry is ready to give up when an unexpected hand helped her out. Jiraiya - who only a few years prior suffered the loss of his most prized student - can't help himself when he finds the tiny girl trying to survive without a real understanding of the world around her. For her child. Somehow the Hokage thinks she's a perfect care-taker for her new neighbor, a five-year-old boy hated by nearly the whole village. Now what the hell did she get herself into this time?

Of Authors, Books and Fuinjutsu WIP Mature

After the war a bitter and disillusioned Hermione decides to move to the pocket dimension called Elemental countries. Watch how certain Konoha shinobi change the course of her life.

Deer tracks WIP Mature

Harriet Potter has to flee from England better yet, she has to vanish from this World. An acquaintance has a solution for the problem but is she really ready for what this entails? Fem Harry Potter

Doctor Who

Not Not-Human

Cold-case disappearances, gruesome murders, and unexplainable disasters, and a spate of terrorist attacks rocked the UK only to end with an explosion in a tiny village. The Doctor and Rose Tyler followed the trail of the invisible war for years, but never thought their search would lead to a baby with a lightning bolt scar.

The Littlest Time Lord

The Doctor answers a distress call and finds that he is not as alone in the universe as he suspected he was.

Just a Wrong Turn

All libraries are one, which is how one late night in the Hogwarts library, Harry Potter finds himself lost in the library on board the TARDIS...

The Rising Storm *

Harry Potter opens a fob watch, and his life and destiny is changed forever.

The Originals

Die Hoffnung stirbt zuletzt WIP Mature

After Voldemort returned in book 4, Prof. McGonagall decides to ask an old friend for help. 15 years have passed since Dahlia died, so when a owl reaches New Orleans, Elijah gladly comes to the rescue. And while Hermione tries to figure out the secrets of their new Defense Against the Dark Arts teacher, Voldemort is looking for an ally to make the fight even again.

Avatar The Last Airbender

Harry Potter and the Avatar's Return

After finding a torn comic in the trash when told to clean Dudley’s room, four year old Harry Potter puts it together with some odd things that have happened around him, and concludes that he’s the Avatar.

- Not a crossover so much as a fic in which Harry Potter is convinced that Avatar: The Last Airbender is a historical documentary.

Lord of the Rings/The Hobbit

The Dragon of Moria

After the Battle of Hogwarts, Harry Potter helped with the rebuilding and then went back to school, sitting his NEWTS and graduating with the rest of what The Daily Prophet called ‘The Disrupted Class.’ Following that, everyone expected him to become an auror. Harry himself expected it, right up until the moment came to apply to the academy.

He takes up a hobby instead, and it leads him to a whole new world.

This Dream's On Me * WIP

Fili has heard the whispers, between his uncle and his men. There's going to be a quest, a quest to reclaim Erebor and he wants in. The warrior witch he meets in his dreams doesn't seem to think it's a good idea for him to go though. At least, not alone. Eventual FilixFemHarry

The Avengers

Spellist

The new reality had no wizards or magical nations – but it had a whole boatload of powerful and occasionally inept sorcerers. Who were usually semi-public and sometimes very popular in social media. How it worked, Harry had no idea.

~ Harry/Coulson

Valiant *

When Loki's Staff spat out a girl with a lightning bolt scar, HYDRA were not expecting things to go downhill so fast.

They certainly weren't expecting their new unknown to run off with the Winter Soldier.

Real Enough

Harry Potter, JARVIS and whole lot of artificial existentialism.

where there are no keepsakes

She stalks into his office and throws the letter onto his desk. “Returned unopened, Headmaster,” she says.

There isn’t even an address, just the name Harry Potter. “Oh, dear,” Albus murmurs. Then, with barely a glance at her, “Thank you, Minerva. I’ll handle it from here.”

[AU where Harry Potter did not grow up with the Dursleys -- he was raised by Steve Rogers and Bucky Barnes]

Son Of The Champion WIP

Fury needs Coulson to do one quick side trip while passing through England, just a check in on a person of interest to S.H.I.E.L.D.

Daredevil

Wizarding 101: Murderous Megalomaniacs and Their Lasting Effects on Children WIP

Before Voldemort set foot inside Godric Hollow, Vernon Dursley died in a car crash. The shock of it sent Petunia into a catatonic state and, thus, into an institution--but once upon a time, Lily and Petunia Evans' mother was a Nelson, and so when Albus Dumbledore lays Harry Potter at the doorstep of Number Four, Privet Drive, it isn't Petunia Dursley that finds him.

It's Matt Murdock and Foggy Nelson.

Ten years later, Harry Jonathan Nelson, of Hell's Kitchen, New York, finds himself a part of a world neither he nor his guardians suspected he was ever a part of, having instead thought of himself as a metahuman with vaguely nebulous powers being trained by the Scarlet Witch, and along with discovery comes danger. It'd be a lot more terrifying, though, if his hometown didn't regularly have supervillains holding up banks and traffic, and if superheroes didn't swing past their apartment every day. And, of course, if one of his parents wasn't Daredevil.

(or: Matt and Foggy raise Harry Potter, with assistance from Karen and Kirsten and some others. things go from there.)

Full Metal Alchemist

The Path of Flame *

Roy Mustang is pretty sure Dumbledore is crazy. Who in their right mind would ask him to raise a newly-orphaned baby?

(Harry Potter's first year at Hogwarts, with changes courtesy of his being raised by the Flame Alchemist. I apologize for nothing.)

~ This whole series is golden. ❤

The Adams Family

Harveste Addams * WIP

Harveste began like this - another inconspicuous day in a slew of boring days, starting off with a perfunctory visit to the market, messing about with what could possibly be a very silly idea, and ending in a sense of accomplishment and the first installment. The day after that, buoyed into hitherto unfamiliar levels of ecstasy by readers’ comments (seriously, thank you so much to my first readers), the second installment. And then it just snowballed from there: the researching, the planning, watching and searching out all the little macabre details in a feverish giddy rush.

~ This is such a delightful concept. From the first time I read it many years ago, to every re-read I fall in love with this story over and over again.

Star Trek

Reaching for the Stars *

Hermione Granger is an Unspeakable on a solo mission tracking down escaped Death Eaters. Unfortunately she has to travel across dimensions in pursuit of her targets. After Gotham she ends up on a one way trip to the future and the stars.

Twilight

Aurora Explicit

Alice Lily Potter survived the war, but not unchanged. Pursued by those who regard her new prophetic ability as a valuable resource, and aren’t willing to take ‘no’ for an answer, Alice makes a difficult choice which sends her tumbling into the unknown. There, she finds a whole new world to explore… and love just waiting to be found.

X-Men

Harry Potter and the March of the Sentinels WIP

Harry has never been what you'd call normal, and he generally expects the unexpected to happen all the time when he's concerned. But what's a guy to think when, barely an hour after he saves his cousin from Dementors, the two of them are attacked by Sentinels? Luckily, the X-Men arrive in time to pull them to safety. But what will the Order of the Phoenix say?

Bleach

Lost Boys

After the Triwizard fiasco, Harry leaves Britain behind for a new life. Uryuu befriends Ichigo at a much younger age. Sirius escapes. Points converge and lost boys find a family. Isshin fails. So does Ryuuken. Kisuke finds a friend. Ukitake covers and cleans up. Fate changes.

Multi

Tumbling HP Crossovers WIP Mature

Crossover snippets done to prompts from Tumblr. Harry Potter centric. Slash, crack, au, etc.

Stargate

D.S.S. Requirement *

The Dumbledore's Army use the Room of the Requirement to get themselves a spaceship.

(Knowledge about Stargate is not necessary to read this story)

Yu-Gi-Oh

King's Jackal WIP

Wrecking all of Dumbledore's plans, the Power Dark Lord Knows Not walks up to Harry in the summer before his fifth year, and asks for directions.

To my Masterpost of Harry Potter Recs <3

I also have rec lists for Naruto and Doctor who.