#she was obsessed with… madoka magica….

[junglejim4322]

I was in a friend group with this girl as a teenager that was the “lesbians are fine but gay men gross me out” type which I feel is an outlier I never met many girls like that mostly guys so #diversity win representation in homophobia matters but she openly was uncomfortable with me and would like repeatedly unfollow me and refollow me on social media admittedly just cuz I was gay and she said she didn’t want to see it and what’s amazing is she was mostly friends with lesbians and her gaggle of lesbians would be like yah that’s just how she is lol. Looking back on it I think she was a deeply closeted lesbian and all her friends were sitting at the edge of their seat waiting for her to come out while she hate crimed me

[st2r-b0y]

I don’t see Homura’s love is obsessive. I think viewing it as such completely oversimplifies it.

When something is viewed as obsessive, it is also seen as irrational or unhealthy.

I don’t view madohomu’s relationship as toxic or unhealthy, nor do I view it as one-sided obsession.

Homura isn’t obsessed with Madoka as a person. She doesn’t want to keep her to herself, she doesn’t want to be the only person around her, she doesn’t want to hurt her, and her actions are never selfish.

Obsession can sometimes birth selfishness and jealousy, Homura doesn’t really possess those qualities. Yes, Homura rewrote the universe and overruled Madoka’s wish, but it was never for selfish intentions. Whether it was a good decision is up for interpretation but it’s clear that was not seeking selfish gains in doing so.

“But she wanted to keep Madoka for herself!!” No she didn’t. She wanted to keep her safe. That’s her ultimate goal. If that meant she would be miserable or unable to ever see her again that would be fine with her.

I feel like we forget that she was going to let herself die in her labyrinth in order to avoid Madoka being discovered.

Sorry for yapping gang I need to get these thoughts out one way or another :b

[kinuhanino]

Homura is so silly

She really went "wait... I'm happy. Something is very wrong here."

love her honestly.

*side note: i also love the fact that Homura knows Madoka so well that hearing Madoka say that she'd never leave them even if she had to only confirmed her suspicion that the Madoka she was talking to was influenced by her delulu headspace

[noscomnias]

"even though we may take different paths, i am... still his little sister."

[hecksupremechips]

My madoka magica hot take is I like sayaka/kyoko as a ship more than madoka/homura

[magical-girl-polaris]

I love the resurgence of the Madoka Magica fandom with the anniversary of Magia Record and the upcoming news of the newest movie! The tags are filled with beautiful art and ideas.

To celebrate my magical girl brain rot coming back, I organized a shelf for some of my PMMM merch.

These certainly aren’t all my items. I also have a pmmm purse collection and paintings around my home. This series fills me with endless love, and it makes me so happy to see others also love it!

[lavenderr-starrs]

I’m not obsessed with them

*she says.. y’know.. like a liar*

Anyways I’m making playlists of my magical girl daughters

I will be making the other quintet girls soon

[clover-46]

NOW THAT ITS OUT FOR EVERYONE—

BLAKE BEING A SEER THEORIES WERE RIGHT OMG 😭😭. AND HE DOESNT GIVE A SHIT ABOUT THE CULT THE DUDE IS JUST USING THEM I WOULDNT HAVE SEEN THIS COMING FROM A MILE AWAY. I JUST THOUGHT HE WAS STUPID AND CRAZY NOT SMART AND CRAZY?? also him going bonkers over trying to save his friend but no matter what he does it’s always the same outcome makes sense on why he’s so obsessive. i mean he’s probably always been obsessive but i feel like bestie dying in every timeline made it worse? also we don’t know how long he’s been trying to save them sooooo… btw isn’t it so obvious he’s the reason they’ll die like it’s staring at him right in the face. my theory is that he makes this deal (?) with the sovereigns and the price brachium was talking about will get bestie killed.

[kiwisandpearls]

Honestly, when it comes to Homura, my opinion is the statements, “Homura genuinely loves Madoka,” “Homura does have a bit of an obsession for Madoka,” “Homura did do bad things and did hurt the one (Madoka) she wanted to protect,” and “Homura is a 14 year old who just wants to protect the one she loves the best way she can” aren’t mutually exclusive and can all coexist.

[shoechoe]

On a more serious note this is also why I find it odd when people defend Rebellion's choice for Homura by going the route of "well, she was never a good person"- sure I Guess if she was an adult I couldn't call her a "good person" either but she's yknow... a child being put through all of that. (Hell even if she was an adult I don't think I could blame her really.)

rebellion was really funny in a sense because homura at the end is all "ooh im EVIL im the DEVIL 😈😈😈" and she's 14 years old. Yeah average 14 year old behavior

[theirisianprincess]

Something that really annoys me is that whenever there's an ambiguous depiction of queerness in fiction is that whenever an alternative explanation is given, certain people will assume the alternative to be true despite queerness being just as likely. These explanations aren't even necessarily wrong, it's just that people will run with those if it means not acknowledging that characters might be gay.

Like, for example, they never outright say that Marcille loves Falin, but a lot of people (myself included) believe this to be the case. But the fact that an alternative explanation for their closeness is provided is often used as a reason why it couldn't possibly be romantic. The alternative explanation in this case is that learning that her best friend got eaten forces her to confront her fear of outliving her friends. And that motivates her to try to save her. The problem with this is that it doesn't actually disprove the idea that Marcille loves Falin. Marcille loving Falin is just more motivation for Marcille. And sure, Marcille could be just as motivated if she thought of Falin as her platonic bestie, but why do people use the possibility of that as a reason to discount romance as a possible motivation for her?

Anime fans did the exact same thing with Madoka Magica. They cite Homura's solitude as the reason for her obsession with saving Madoka. But once again, that doesn't contradict romantic attraction. And when it gets confirmed that Homura loves Madoka (and that Sayaka and Kyoko love each other) in Rebellion, people just claimed "fan pandering" and "translation error".

And when an alternative explanation isn't provided, some anime fans will provide one for them. Like, in Watamote, Asuka constantly tries to get closer and closer with Tomoko. Some people suspect that this means she has romantic interest in Tomoko, but others choose to interpret her interest as curiosity and intrigue. Except curiosity doesn't explain the lap pillows or the nude FaceTime or offering her boobs to her or wanting to go to the same college or saying she spends most of her time thinking about Tomoko.

Would this problem be fixed if characters just said they were queer? No.

Dungeon Meshi is complete, so they won't confirm or deny Marcille's feelings. And Homura, Sayaka, and Kyoko had all been confirmed queer, but people still denied it. And Asuka has good reasons not to admit her feelings for Tomoko. Most notably, the world of Watamote is incredibly heteronormative, so people generally won't admit to being queer. And despite Tomoko being in a glass closet, she still doesn't even admit her bisexuality to herself, so it makes sense for Asuka to hold off on telling her anything. I would like Asuka to admit her feelings by the end, but as we are right now, it's better that she doesn't.

Insisting that we must always immediately confirm queerness and that it can never be ambiguous because some people will run with any chance to deny it will greatly limit the kinds of stories that can be told.

[thewadapan]

Spent today checking out The Amazing Digital Circus and Murder Drones, and god, the kids today have it so good when it comes to this sort of content. When I was a teen, I was obsessed with Red vs. Blue and RWBY, which I think it's fair to say are the equivalents of the time, and the sheer gulf in terms of writing quality and production value is stunning. I hear there were some rumblings of unprofessional conduct from the production company, which would hardly be surprising considering this is yet another guys-working-from-their-basement success story, but much bigger companies with much shittier business practises consistently put out much worse content than this.

The Amazing Digital Circus is definitely the better show of the two, thanks to its slam-dunk premise and some great writing from Gooseworx. The producers have talked about aiming to fill a perceived gap in the market between kids' cartoons (The Boss Baby) and adult animation (Bojack Horseman), and I think they have successfully threaded the needle to create a very unique tone. There's a sense of these works existing totally outside the mainstream media machine; they're not getting BBFC rated, but you just know millions of kids are watching them. It's on YouTube and the fact that it looks like some Frozen Spider-Man kids' slop just means da parents won't question what their kids are watching.

But truth be told, there's nothing objectionable about the content of The Amazing Digital Circus whatsoever. It's unusually metatextual and loosely apes the aesthetics of much darker media, touching on slightly more existential themes than your typical kids' cartoon, but it still has a lot in common with those same cartoons. The zany characters are all fairly one-note, and the emotional arcs of the episodes are honestly quite straightforward. The second episode in particular has an absolutely textbook plot structure to it. It's a far more self-assured and traditional style of writing than you ever see in this kind of independent work—certainly far more so than Murder Drones, which is written by an insane person.

More than anything, I'm reminded of how I felt watching Puella Magi Madoka Magica: that it's a very solid work of fiction, but that the people who'd get the most out of the work are isolated teens struggling to make the transition into adulthood. Certainly if nothing else, the fandoms of these shows must be bringing a lot of kids together around the world. I adore this soundbite from Goose: "Above anything else, I just wanted it to feel kind of lonely." You see Pomni's worldview shatter, she suddenly finds herself in a body that feels completely wrong, and she has to construct a new kind of belonging for herself.

As for Murder Drones, that show's absolutely fucking nuts, yo. The writing is at once painfully basic and utterly incomprehensible. If someone just sat down and explained the plot straightforwardly, it would be fantastically boring. But man, the presentation, the sheer delight the animators seem to approach every scene with...! I'd say it's clearly trying to use "the characters are robots" as an excuse to expose da kids to some absolutely shocking levels of gore, much like the Transformers movies, but midway through the series it starts straightup swapping the oil and wires for blood and bones and you've got to respect that.

The writing itself is so excruciatingly irony-poisoned that it goes beyond cringe and somehow wraps back around again to being sincerely funny. The show kind of wants to have its cake and eat it in terms of constantly lampshading how flat and cliché the emotional plotting is, but also clearly aiming to genuinely tug at the heartstrings and whip fans into a frenzy. And it kind of succeeds, I think! The way it veers between bizarrely high-effort implementations of memes, seriously cool fight scenes and horror visuals, and big emotional moments is very disarming. If The Amazing Digital Circus is an attempt to faithfully rework the American-cartoon formula for a slightly older audience, Murder Drones aims to crib the aesthetics of high-school cartoons while actively rejecting every traditional narrative technique used in those stories. Which means it's kind of bad, which means it's also kind of great.

If it's not already, then within a couple of years it will be deeply cringe to have ever been into Murder Drones in particular or (to a slightly lesser extent) The Amazing Digital Circus, in much the same way that everyone seems embarrassed to admit they were ever a Homestuck fan. But like with Homestuck, I feel like these series are genuinely pushing at the frontiers of storytelling in a way that's commendable and might inspire new kinds of writing once the fans grow up.

ENA is also pretty good, for the record.

[ceasarslegion]

I am aware of the irony of soap boxing about this but it's entirely possible to soap box too much, and lean into buzzkill territory where it becomes very hard to talk to you and therefore very hard to want to talk to you at all. I saw this happen a few times when I went to a con recently, which turned me off of wanting to go up and ask for the exhibitors tumblr URLs to see if they wanted to hang out more.

Specifically, I went to an anime trivia panel that included a bunch of classics like Cardcaptor Sakura, Ouran High School, Berserk, etc. Whenever one of these shows were mentioned the exhibitors went off on weird tangents to make absolutely sure everybody in the room knew how problematic they thought they were and how they don't support anything that the shows obviously (/s) did, in case you were wondering. They also made weird comments about a lovely artist who had a sign saying she had an nsfw flipbook and had no real limits for commission orders because "what if the kids here saw that??" I was thinking of going to anime karaoke until they said they were hosting that one, and I decided not to because I was put off by the possibility that they would take some kind of moral issue with whatever anime op I tried to sing.

Another one I went to, someone shared that the nanowrimo website had tons of worldbuilding and character resources and one of them INTERRUPTED HER to lean into the mic and make sure everyone in the room knew they didn't support nanowrimo and thought they were really bad and awful and that no one should use them, and the whole room felt really awkward because we were like dude??

And recently I stopped talking to one of my coworkers because he takes some kind of moral issue in every little thing I show him. I told him to watch Madoka Magica and he made it all the way to the op before slamming me about how he thought it was pedophilic and a slippery slope and "how could you watch something like that???" and refused to hear anything about how not all nudity is sexual and human bodies are just human bodies sometimes.

This makes you so freaking hard to talk to man, sometimes I think people should stop being so obsessed with if other people will think they support the worst possible interpretation of something and just chill the fuck out. It's not that deep if someone has fond memories of Ouran High School, it's just an anime. It's not that deep if someone remembers a place to get resources, it's just a website. It's not that deep if a show shows actual human bodies in non-sexual settings. Calm the fuck down.

[funnycreatortimetravel]

So the Madoka Magica movie is coming out and there's a lot of speculation about how it's going to end (or rather, be the start of a new series of movies/a show? Idk, it was extremely vague.)

And while I love the idea of Homura and Madoka ending up together because they both deserve some happiness, I can't help but feel like the best ending for Homura at this point is letting Madoka go so she can become a healthy adult (which, let's be real, that's not possible in this world.)

And by "letting go," I don't mean cutting contact or abandoning her, I mean they can still be friends while Homura can become a person who sees herself worthy of living with or without Madoka. Because as much as I love my favorite tragic lesbians, Homura isn't her own person in the relationship with Madoka.

Like, Madoka has a loving family, loving friends, and people cheering her on. And even if she doesn't believe she's good enough to do anything, she still objectively has things going for her, a safety net if you will. And she still has a goal in mind that doesn't involve one specific person, but rather she wants to become someone that people can depend on/wants to help other people (regardless if this is at the cost of herself.) I'm not saying it's a good or even a healthy goal but with some tweaks, I could see the goal becoming something she could work toward as a means of personal growth and not just because she thinks she's useless.

Meanwhile, Homura doesn't even have parents as far as we're concerned.

The only ties she has that we're told about are the catholic school she attended and the hospital she pretty much lives in. No friends, no family, and no aspirations of her own. And because of her circumstances, she really wouldn't be able to. It's no fault of her own. I get why, then, she attaches herself to someone like Madoka. I'm sure ANYONE would attach themselves to Madoka if they were in the position Homura was in.

And then that starts the obsession. A long, tiring journey in which this poor girl sacrifices her mental health, her youth, countless years spent trying to save this doom girl and her doomed friends while she herself is also doomed. She's pretty much made herself Madoka's sole protector while also not allowing herself to even do or enjoy the one thing she wanted in the first place; being Madoka's friend.

It's all but confirmed that Homura hates everything about herself as seen in her backstory and rebellion when she was destroying her labyrinth. Her saving Madoka is the one good thing she thinks she's associated with, so much so that she's OK with dying either to protect Madoka or in a world without her.

Like, the concept of one person being the only reason you continue existing is so unhealthy (note that I'm not saying their relationship itself is, it's just her mindset.) I completely understand wanting to help your friend you know...not die a terrible death, but Homura doesn't think she has anything going for her outside of protecting someone else and that's such a sad thought to me. She thinks of all her past friends as enemies now, and she alienated herself from everyone. She thinks, now, that it's her versus Kyubey, the other magical girls, and Madoka herself. The girl is borderline, if not entirely, suicidal.

I'm hoping so badly that in the next movie, this is the start of healing for Homura (though it probably won't be because Mr. Uro loves his sad/bitter-sweet endings.) I hope this is the start where she's able to piece together who she is outside of wanting Madoka, who she could've been had Kyubey not manipulated her and the other girls into making contracts, had her parents not died, had her body not been as fragile as it was, had her confidence been strong, had she felt she was good enough to befriend and get close to other people without fearing her hurting them or them hurting her.

Sayaka was able to let the bitterness of not being with Kyosuke go, accepting that even though she wanted him, she couldn't be with him and even if she was, she never would've been happy. She was able to realize the flaws in her "ideal magical girl" concept and accept the fact that she's just one person and even though she's not perfect and didn't get the thing she wanted, she's still able to be a hero in her own right in the company of people who actually love and support her because she's Sayaka Miki, not because she's a heroic magical girl.

Mami was able to be honest with herself, similar to Sayaka, that she's not a perfect person, that the perfect magical girl illusion was never her. She's able to admit to herself that she was inherently selfish that all she wanted was friends and family, and that there's nothing wrong with that. She doesn't have to keep up the pressures of being perfect and mature and all-knowing because, at the end of the day, she is still that little girl who almost died in a car crash that claimed her parents' lives, and she has to live with the fact that she didn't and wasn't able to save them even when she had the chance to. And she's able to come to terms with the fact that though she was alone, she didn't have to be lonely. She's able to realize that it's not too late for her and she can make her own family that will stick around with her, flaws and all. And she can be a good role model for her little sister surrogate and also orphan Nagisa, but this time, she can be a realistic big sister rather than an idealistic one.

Kyoko can move past the pain of her family's demise, and unlike Mami, feels as though she is directly responsible for it. She was a naive kid who only wanted the best for her family and yet, by doing the "right thing" her father goes on a massive suicide-homicide rampage and she's left to think that her naivety, that her wanting to do the right thing, was what killed them. But no, it wasn't. It's ok to have hope and to have the desire to help others and do the right thing. While the actions of the wish were undesirable, it didn't change the fact that Kyoko's heart was in the right place and that she could continue to try to help others without fear of it coming back to haunt her. She can let the tense guard she's had up since her family's death and enjoy the little things in life she never got to when she was too poor; food, drink, comfort, and having others around that care about you. While she thought that it was her wish and her misunderstanding of what her father wanted that ultimately killed her family, it's the same desire and intentions that push her to save Sayaka and befriend her and the other girls later on.

Now Madoka is an interesting case because she, like Homura, is sort of trapped in being who they were before they gained powers.

Now that Madoka is essentially back to where she started (unlike everyone else who at least has something/someone in their lives now in Rebellion compared to the OG series where they were missing those intimate connections) again,

she's left to feel like she's missing a key part of herself (only in the OG series, she was missing the confidence she had the in OG timeline as a magical girl whereas, in Rebellion, she's literally the missing part of the Law of Cycles) and you're left to wonder if she'll be satisfied, or will she challenge this new world that seems too good to be true, a world that was made just for her and only her?

And Homura?

Poor Homura.

Being an orphan and having no one, not even doctors or nurses it looks like, be close to you? Being unable to live comfortably due to a physical condition you had no say in? Having to be behind because of said physical condition and then having an inferiority complex WHILE teachers belittle you for things out of your control? So then you consider yourself a burden and truly believe only death and loneliness await you? AND YOU’RE ONLY 14???

And then you think you've met this amazing person, this girl who thinks you're interesting and cool with no ulterior notices, a girl with amazing powers that are as wonderful as her only to have the rug pulled under you and realize that the cost of those powers and your protection is her's and others like her inevitable demise.

So then you attempt to right that wrong because even further than your want to save your friends, you know the system that they're in is objectively terrible and needs to be torn down.

But then you try to warn said friends about the system and all they do is belittle you and admit they're comfortable in something that's designed to kill them before they turn twenty, and when (or even if) they're finally aware of the system and the terrible reality of it, they STILL blame you for not telling them sooner even though you tried your damn hardest? Or even worse, try to KILL you after they find out for themselves?

And then top that off with an oppressive alien race trying to control you and pretty much end your life prematurely or turn you into an immortal Lovecraftian Paper mache creature that looks like it was created by five-year-olds should you fall into despair at the hands of this default depressive system and you'll have to remain like that, killing and trapping people while you have no memories of your life as a human and have to live as an animal of pure instinct and evilnesses until some unknowing other magical girl puts you out of your misery, and the cycle will rise and repeat eternally.

Then not to mention other magical girls who try to "game the system" (which only leads to them dying/witching out even earlier, indirectly harming the girl you're trying to protect) or even worse, the girls see you as competition because they're insecure/power hungry instead of joining you in taking down the system set up so where death is an inevitable thing regardless, indirectly siding with the species that are literally killing them slowly but surely (and yet you're somehow still the problem in their eyes.) And then to add the shit sprinkles to this shit show of life, you have to battle this biblically accurate German clown of a witch that's a bunch of witched-out magical girls mashed together like a Cthulu-esque Ren and Stimpy-type creation (that's also pretty much invincible to everything that you and all of the nukes and missiles you store in a tiny, rinky-dink space-time shield you were pretty much cursed with while everyone else gets a built-in weapon.)

Not to mention the PTSD of having everyone and everything around you die and crumple to bits for 12 years over and over again, failing at every turn to complete the only goal you have for yourself (which isn't even for you, it's just saving another person because you believe you're extensible at that point) and at every twist and turn, you're beaten, bruised, belittled, scared, tired, pushed to the brink and all alone with no one to depend on because you're the ONLY one who can and will remember anything once you have to go back in time.

And then you learn the more you go back in time, the more fate and karma you're attaching to this girl which makes the aliens target her even more because of the level of potential she has. And even worse, you find out that the girl you've been fighting so hard to protect is now an entirely different person, lacking the confidence and outgoingness that made you fall in love in the first place, her desire to become a confident magical girl being unfulfilled because of you.

But you have to play the smaller evil. You have to deter her from making a wish, even if it means inadvertently scaring her away from the idea, even if it means being cold and calculated and harsh because she won't listen otherwise.

You have to crush that confidence because that desire will only lead to her death, but she can't know that because well, you still want her to trust you.

But because you've been trying so hard to scare her away from the idea of becoming a magical girl, she ends up becoming scared anyway and distancing herself from you, meaning you don't even have the comfort of knowing you two are friends anymore.

And even still, all of the other magical girls, including her, always end up dead or turning into witches no matter what you do, leaving you to fight the final boss witch alone and failing every single time because it's just too powerful.

But you can't stop. No matter what, you can't stop. Because stopping means death for you, the girl you love, and the entire world, whether it be because of Walpurgis or Madoka's witch which is only so powerful because of you and your time-traveling shenanigans.

So you do another timeline, and things go wrong like they have for the past 100 timelines so you're just numb to it now, and while you're fighting the boss witch, you get critically injured. And now armed with the knowledge that you'd just be putting an even bigger target on your friend's back, you resolve that your efforts were all in vain and useless and decide to just let yourself witch out because you have no other choice.

Only, you're interrupted by your friend, who's finally ready to put her fears aside and make a wish.

Your biggest fear is coming true and you're powerless to stop it.

So she makes her wish and becomes a magical girl Jesus pretty much and restores hope to every magical girl.

Every magical girl except for you.

She says your efforts are the reason why she was able to make such a powerful wish and thanks you for your service, as if you're an old veteran about to retire, and then she ejects you to a remade world, a world without her.

And you're doomed to fight in this world, the world she gave her life to protect, a world in which only you remember her. You don't let yourself become too close to the other magical girls for fear of losing that connection once the Law of Cycles takes them away.

So you're doomed, essentially. The one thing you've fought to protect is gone forever and there's no one but you left to grieve for her, and you start an endless fight against the new evil creatures in place of witches until you're about to disappear yourself.

But you don't even have the comfort of peaceful passing on because AHA!, that evil alien race wants to you use as a sadistic experiment to inflict suffering on you and the other magical girls while controlling the one saving grace you all had, to restart the terrible system you were trying to run away from in the original world.

So they place you in this fake simulation of happiness and fun and magical girl transformations all for the sake of controlling you and the girl you fought for and thought was safe.

So you take matters into your own hands and resign to destroy the labyrinth, even if it means your death, hoping the other magical girls put you out of your misery once and for all.

But if you die, then who would be left to protect that girl you love so much?

So you take matters into your own hands and override her power, creating an idealized world in which everyone can be happy at the cost of making all of your past friends your enemies later.

Even the girl you love and gave your life for time and time again.

All for the sake of keeping her safe once more from not only herself since you pulled a piece of her from the Law of Cycles, but also those terrible aliens who can only think about themselves and their sick curiosity.

I so badly want a happy ending for Homura, and I'm so hoping that that happy ending is one without magic or Karmaic fate or the weight of 26 years of repeated time travel or having to save her girlfriend from a terrible demise or dooming herself to magical Jesus type limbo for eternity all while she's the only one who can remember.

Outside of Madoka, what does Homura enjoy now in Rebellion? What were her dreams, if she had any? Her aspirations? What was her childhood like (even though we know it was lonely) was there anything in her life that even remotely made her feel that living was worth it?

If and when she becomes an adult, what will she be like? What career what she want to pursue? What interests her? What does she want the most for herself? Power? Fame? Company? Comfort?

And will it even be possible for her to enjoy anything outside of Madoka so long as she attaches her self worth to this one, ordinary girl?

Will she succeed in protecting her at the cost of herself? At the cost of anyone else excluding the kyubey?

Will she give up ultimate control over the world, or will she double down; ok with challenging her friends-turned-enemies all for the sake of her love?

And if so, will she succeed as Madoka's sole, eternal protector forevermore, or she be dethroned and killed, left to rot in a labyrinth of her self-hatred and mistakes? (God, I hope not.)

Or...will she finally be saved and released from the shackles of fate, time, and space so she can live her life as a normal girl, a life she wasn't granted even before she made her wish?

My excitement for this movie is beyond real.

[br0-k3n-sch00lb01]

random Omori headcanons

Aubrey has been to a Lovejoy concert.

Basil plays Pokémon.

Sunny listens to Will Wood and Bo Burnham.

Hero enjoys reading magical girl mangas (Madoka Magica, Sailor Moon, Tokyo MewMew, etc.)

Mari likes Sanrio.

Kel reads Warrior Cats.

Sunny has rage quit at PAC-Man before.

Basil enjoys playing rhythm games such as Dance Dance Revolution, FNF, Colorful Stage, Project Diva (X), Guitar Hero, Sonolus, etc.

Kel plays Zelda.

Aubrey has cosplayed before, but ONLY as characters with pink hair. (Ex: Saiki K (she doesn’t care abt gender), Chibi-Usa, Yae Miko, Sakura Miku, Luka, Mitsuri Kanroji, etc.)

Hero likes Littlest Pet Shop.

Mari played Undertale.

Sunny is a therian.

Basil has an obsession with BIG platformed shoes and Hot Topic.

Hero plays Ori and the Will of the Wisps.

[wyfy-meltdown]

I FINALLY DID IT!!! SHE IS DONE!!! Meet my first Madoka Magica OC: Komoe Mimura!!!

Below the cut is more info about her ♡✧⁠*⁠。

Bio / Base Information

Name: Komoe Mimura

Wish: "I wish I could grant wishes!"

Age: 16

Height: 5'2

Weapon: Magic Wand

Power: Grant Wishes*

Soul Gem: Purple, Rabbit Head Shaped

Witch Name: Velveteen

*Her ability to grant wishes is limited to things that can be created or destroyed.

Ex: she can grant the wish "I wish I had lots of money" but she cannot grant the wish "I wish I was rich" (one implies gaining something while the other implies altering the current reality).

Ex2: she can grant the wish "I wish [Name] would break up with his girlfriend" and/or "I wish [Name]'s girlfriend died" but she cannot grant the wish "I wish [Name] broke up with his girlfriend" and/or "I wish [Name]'s girlfriend didn't exist". (1&2 implies events that can occur in the future, 3 is past tense [meaning it would have already had to happen, thus altering the reality], and 4 would alter reality).

Personality

Design Breakdown

She has a very optimistic outlook and determined personality. She tries her best to get to know everyone, and her soft voice contradicts her upbeat personality. She absolutely loves magical girls to a stalkerish extent: she's willingly gone into witches labyrinths with hopes of meeting magical girls, and has a diary where she keeps all her information on the "magical girl secret world". She's very girly, and loves feminine things: dresses, long hair, and cuteness are all things she adores. Her favorite pastimes are watching tv, sketching, and hanging out with friends. Often times she can come off as pushy or intimidating (especially to girls she scouts to be magical girls) but she genuinely means no harm, and doesn't ever realise she's acting poorly. She takes great pride in being a magical girl, and her current goal is to thank the magical girl that saved her.

Trivia

I'm not sure if I fully like the design (mainly the waistcoat thing, and I should've given her gloves) but I'm happy I managed to actually draw her. This was a very self-indulgent design (not a sona though) and so I included ungodly amounts of ruffles and pastel pink!

Underneath her skirt is layers and layers of ruffles to the point her legs are not visible, and she has a double sleeve situation (also with ruffles underneath). The teacup & saucer hat is... rough, but I loved the concept and wanted to include it! Her rabbit ears are attached to a headband which has a ribbon on it. Her soul gem is located on her monocle chain; the alternate locations were the rabbit ear headband, one of the hairtie ribbons, and an anklet. I went with heterochromia because I could not decide whether I liked the pink or purple more (I also debated on mint, but I wanted to keep the colour palette analogous), I also struggled with very light purple vs very light pink for the hair; and went with very light pink (but I'm not sure how I feel about it). Those hair flicks near the top of her head aren't real rabbit ears, but are meant to resemble floppy rabbit ears. I wanted her overall design to invoke the feeling of "magical girl" strongly, and I hope I succeeded in that!

Her magic wand shots a magic beam(?) thing from the top (between the ears) and functions like a whip; the hand-guard is based off a rapier's, and the bottom has a sphere that looks like a rabbit tail. Her soul gem features a rabbit head on top, and a clock face (sorta) as the bottom symbol. ALSO! I promise her purple eye is the same colour as the soul gem, the glass shading from the monocle makes the eye look lighter!

Her original wish was "I wish to be a magical girl!" but Inkyuu (the resident incubator) told her to pick a different wish since she'd become a magical girl regardless

She was aware of magical girls before being approached by Inkyuu due to being saved from a witch by a magical girl; she has gained an obsession with magical girls as a result

She uses her power of granting wishes to scout potential magical girls for Inkyuu

Her white rabbit theming is because she leads girls down the rabbit hole of becoming magical girls (the day I stop using metaphors and symbolism for everything is the day I die)

[Adding onto above] She has no particular love of rabbits or Alice in Wonderland, but thinks her theming is cute and so plays into it

She'd either be a mentor figure or an antagonist or possibly both

She either knows the secret of witches or if she found out about the secret of witches she'd probably be supportive of incubators (maybe even intentionally becoming a witch[?])

She hasn't been a magical girl for very long, but is very enthusiastic about it so she's fought many witches

She's very close with Inkyuu and carries him(?) around with her