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lisafication · 1 year ago

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This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game.

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her!

But that’s enough about the more normal, straightforward and understandable sibling.

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?!

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle!

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to.

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him.

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

#the coffin of andy and leyley #tcoaal #andrew graves #ashley graves #spoilers #multipost

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antivivziepopparade · 5 months ago

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All of the proof that we have that Vivziepop is abusive. (So far....)

While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!

1. She rushes her employees.

Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.

That's-

INSANE!

-and im about to tell you why:

The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.

Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.

You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...

Is being ABUSED.

And I have the proof to show.

2. The pay controversy.

Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.

One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:

This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"

LOOK.

The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.

Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!

People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:

So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!

Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:

Also this:

This is how she speaks about her own employees:

"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"

Straight up abuse.

Also, wasn't Walt Disney known for abusing his employees?

To the point where people had an entire protest in 1914 about it?

Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s

3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.

For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)

Secondly, one of her friends sexually harassed a minor.

And instead of acknowledging the sa, Vivziepop wrote this:

She ended up calling it a "joke" and made fun of the victim involved.

This is outright abusive behavior that should not be tolerated.

Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.

More on this in this video made by Gummypop:

AAAAAAAAAAAAAAAAAAAAAAAAAAND-

That's all that I have for now!

Will likely be updating this post in the future. Goodbye!

EDIT:

More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. 💀

More evidence of Vivziepop harassing a kid:

ANOTHER edit:

More evidence, she's burning them the HELL out!

Yet ANOTHER edit:

More evidence of Spindlehorse being abusive:

EDIT:

Even MORE evidence:

The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!

EDIT:

Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.

#anti vivziepop #helluva boss critical

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satorugu · 1 year ago

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In Every Era Part 2 (Sukuna x f!reader)

She is the reincarnation of his love, and he plans to be with her in every era.

PART 1 HERE

Warnings: Blood, violence, fighting, angst, lots of fluff

Note: The readers technique relates to ice and being able to lower the temperatures around her enough to create it. If the text is italicized it is one of the dreams she had. All take place during the Heian era, both Heian era and the version of Sukuna in Itadori's body is included. Takes place during the Shibuya Incident, and quotes the episode's sub at times.

The dreams hadn't stopped.

First, it was that night, the night she fell asleep in his arms.

Then she had another one following it.

Then a third.

It was always a memory from her point of view, so vivid she felt she could still feel his touch when she woke up. They were small, but they got her through the night, always sleeping straight through it.

That kiss was imbued with cursed energy. She didn't know how, but she knew that had something to do with it.

She couldn't take her mind off of it.

Every single night.

"Curses and mutations are mindless, you don't need to harness much cursed energy to exorcise them, although it is made out to be that way," Sukuna said. "If you make a hit on them before they can attack you, you have a better chance at survival."

She was sitting on his lap, up upon his throne. His body heat radiated onto her shoulders, his strong abdomen pressed against her back.

"Is there a reason you're sharing this with me?" (Y/N) asked curiously.

"So you will utilize this information when the time may come my dear," he told her. "Aim for the head."

"I don't think it will ever come," she laughed.

"You are correct to assume that," Sukuna said, putting a hand on her waist and pulling her closer to him. "I won't allow for anyone to harm you."

This was a trick.

The King of Curses wouldn't and couldn't possess emotions like these. He murdered hundreds of thousands, known to be the most powerful sorcerer in history. He needed something from her, to get her to trust him so he could use her and kill her afterward.

These memories were false, she was sure of it.

So she began avoiding Itadori, training after hours and for longer durations to be able to both strengthen herself and not be confronted by the eyes below his. In the end she would return to her dorm exhausted, forgetting that when she fell asleep she would be greeted by what she fled most.

Then a week had turned into a month.

"Master Sukuna had a gift delivered to your dressing room," the maid said almost timidly to (Y/N), as she bowed her head.

She made an emphasis on the fact it was in her dressing room rather than her bedroom. Being that her quarters were Sukuna's, the only part of the palace that was officially hers was her dressing room, which translated to a massive closet. It was filled to the brim with the nicest jewelry available in the lands, along with dresses he had especially picked out for her. It was also a known fact that the garden belonged to (Y/N), although it wasn't claimed by her. She fell in love with the area, so he made it off limits to others.

Unfortunately for her, he was away, handling a nearby village.

Two more servants gathered at the large double doors that led to the dressing room, opening them for her.

Inside was a large bouquet of flowers, white at the tips that slowly faded into a reddish-purple. It was as if they were glowing, vibrant and perky underneath the lighting. The vase was a piece within itself, like clear vines that curled around the stems of the flowers and bunched them all together.

Next to it sat a scroll, bound together by a cursed energy imbued seal. She was quick to unravel it, reading the hand-written, inked message.

'Although I am far away, I will remind you of my love.'

'These flowers are eternal, they will forever stay by your side, just as I will.'

'Sincerely, Ryo.'

She didn't think much of the dream, assuming it was some way of trying to make her think he actually loved her. Instead, she lingered around the campus after hours, honing a new ability with her ice technique. Once she grew sleepy, she returned to her dorm, entering the dark room to see something glowing on her desk.

It was a vibrant and perky flower, with white at the tips that slowly faded into a reddish-purple. While it didn't sit in a vase, it was unnaturally filled with life, acting as a light in pitch black atmosphere.

She thought she was hallucinating, reaching out a hand to pick it up, hoping it would dissolve as soon as she touched it.

The flower sat in her room for a week after that, as she continued to deny the significance behind it.

(Y/N) thought she could get out of having to see Itadori, but it seemed otherwise when another crisis hit.

A large curtain was cast around Shibuya, along with one at Meiji-Jingumae Station. Reports that mutated humans were attacking civillians inside were quick to spread, and both (Y/N) and Itadori were sent to handle it.

"I'll deal with the mutated ones, you search through the station for anymore hostages," she told him quickly, hoping they wouldn't have to interact much.

As soon as the two had met up inside the city, the eyes underneath his own appeared. They felt familiar now, a burning reminder of the dream she had the previous night.

They were in his bedroom, if it even could be called that.

It was larger than the average, with a desk that sat by an extravagant stained glass window, and a large table towards the center. The bed for the two of them sat against the wall, both of them already out of it, yet choosing to stay in one another's company.

Sukuna stood around the table, eyeing a set of scrolls as his wife sat at his desk. The chair was far too big for someone of her size, which he grew to love.

“I want to perform a binding vow between you and I,” he started.

“A binding vow?” (Y/N) asked, having yet to take her eyes off what she was reading.

“A pact bound through Jujutsu, except this one has specific terms accounted with it.”

As the words left his mouth he slipped his hand around her jaw, taking her by surprised as she looked up at him.

"I want to be with you in every era, as you pass, and once you are reincarnated. We will be bound together, it will be destined for you to wed me."

"And it's consequences?" she wondered.

"There are none, this vow is unable to be broken, it will see through that we are meant to be," Sukuna said. "And that you will remain mine."

She wasn't that knowledgeable on binding vows like the one he described, except for the fact it was supposed to leave a mark on your wrist. (Y/N) didn't have one though, so she assumed it was false.

A mutated curse barreled towards her, shards if ice being driven through it's skull as her pink haired friend ran down the hall. She flipped over it's corpse as it fell to the ground, attacking the others before they could make a move on her, and aiming for their heads.

The efficiency behind it was impressive, as she scolded herself internally for doing as the King of Curses had once advised.

And yet she continued for what felt like an hour, going through the motions up until the lights flickered off and she could hear fighting in the lower levels of the station.

Something was off.

(Y/N) jumped down the set of escalators and began running through the station that was almost unrecognizable. She could tell Itadori had fought here, as the remains of his strength imprinted different surfaces.

She was following her gut at that moment, turning down a set of halls until she saw a light bloom at the end of one. She could feel the heat as she got closer, as it formed an orange and yellow blur.

Screams came after the flames.

Two girls who had somehow survived being burnt alive, each coughing and holding onto one another.

As she turned the corner she saw him, Itadori, laying against the wall unconscious. He was littered in cuts, specifically his shoulder which was bleeding out. A special grade curse, Jogo, stood over him, a finger in his hand as he slipped it down the pink haired boy's throat and tilted his head back. She recognized him from the time he fought Gojo, as her eyes lingered over Itadori's figure.

(Y/N) could see the markings on his face.

She thought she might throw up.

"Don't waste my time," the special grade squinted is eyes at the three of them.

He went to lift up his arm and attack, only for it to begin bleeding out in front of him.

"I'll give you one second."

It felt like everything had frozen in place.

Silence in the dark hallway.

"Move."

The special grade fearfully jumped back, now a line of four.

(Y/N) felt her hands tremble, as sweat formed across her forehead and her heartbeat picked up in her ears. They were all that way, as the figure slowly stood up and brushed himself off.

Strength of a different kind than Satoru Gojo.

Overwhelmingly evil.

Fear that even the slightest move could lead to death.

He began to come towards them, as the wounds across his body healed themselves.

As his footsteps grew louder, she felt as if she might pass out.

Then they stopped, and he brushed his hair back in orderly fashion.

"You hold your heads quite high."

That voice.

It felt like there were invisible hands that wrapped around her back, guiding her down to a bowing position without control over her own body. She ended up in the same formation as the other two girls, as a wave brushed over top of the four that would have killed them.

"Did you believe taking one knee was enough?" Sukuna questioned.

The top of Jogo's head was cut off, considering he only kneeled. It was similar to a volcano, purple blood spewing out the top as he bled out.

"The greatest men bow the lowest, or so it goes. I see you value your heads quite lightly."

She could feel him looking down at her, as she stared at the cold floor and begged that whatever this was wasn't real.

She was terrified.

"You brats, I'll start with you," he said. "You wished to speak to me, yes?"

The girl nodded, tears staining the concrete surface below her.

"I'll grant you a fingers worth of audience. Now speak."

"Below us there's a man in monk's robes with a suture across his forehead," the dirty blonde began to say. "Please kill him, please free Geto-sama."

(Y/N) recognized that name, although she thought the man who had it was dead.

"We know the location of one more finger," the girl added. "If you'll kill that man for us, we'll tell you where it is."

"Raise your heads."

(Y/N) still kept hers down, although she could see the two girls raise theirs through her peripheral. It was a moment of relief, as he seemed to have agreed to their terms.

Red.

The head of the brown haired one next to her burst into nothingness, blood coating the other girls face as her corpse fell backward.

(Y/N) felt it splatter onto her uniform, shock pulsating through her veins as terror overrided her senses.

"MIMIKO!" the blonde screamed, shaking the lifeless body next to her.

"Did you think a measly one or two fingers would grant you the right to order me around?" Sukuna asked with amusement in his voice.

It seemed the girl couldn't care less, continuing to scream out her friends name.

"How offensive."

"SUKUNA!" she cried out in anger, slipping out her phone. "DIE!"

As soon as the words left her mouth, it sounded like a blade had cut through something. Similar to the one she heard months ago, when he had saved her.

Then, it sounded like several cuts going at someone at once.

One corpse turned into two, except the blonde had no remains. He killed the both of them without lifting a finger, a copious amount of blood being the only proof.

"You all are desperate," Sukuna turned to Jogo almost knowingly.

(Y/N) felt the invisible hands that once held onto her gently guide her to sit up again, looking at the King of Curses.

"This is the reward for the cursed fingers, come at her," he said, making eye contact with her. "If you manage to land even a single blow on her, I'll work under you all."

"What?" (Y/N) said under her breath, she felt like she couldn't breath.

Jogo slowly looked at her, as if he was making up his mind.

There was no way he was considering this.

"You're true to your word, yes?" he asked Sukuna.

No.

(Y/N) stepped back, like her legs were going to come out from under her at any second.

This was suicide, she couldn't fight him.

"Yes."

Jogos demeaner changed, as Sukuna's hands remained on his pockets and the curse went to face her. He held out his hand, a ball of fire forming within it, as (Y/N) tried to conjure ice in her own.

Again she was airborne.

Too quick for her to react as it all happened at once.

A familiar pair of arms held her bridal style, as she felt herself rest on his chest. It was cold, the fall wind curling around the two as they had fled the building.

He casually dodged them vast amount of fire-charged bullets being sent at him, as he looked down at her.

"Your avoidance has been quite amusing, I see you don't understand yet," Sukuna said, his tone changing into a softer one.

"What have you been doing to me?" she spoke boldly, like a wife would to her husband.

It made him smile, as he leaned on the edge of a building that Jogo shot more bullets at. Soon enough they were inside of it, Sukuna casually walking through a corridor as fire burned around them.

"That's my thank you for ensuring you sleep well?" he spoke teasingly. "I've been restoring your memories, although I knew you would doubt them to the best of your ability."

"They're not real," she mumbled, forgetting what he was capable of.

"And yet how relaxed you are in my hold says otherwise, little one," he said. "Your body reacts naturally to my touch."

(Y/N) opened her mouth to reply but the words never came out, as he jumped through the window of the building and met Jogo's fist. Sukuna was currently holding her securely with one arm, taking up the curse in hand to hand combat. He was quick, catching every single one of Jogo's attempts before holding onto his hand and slicing through his arms with his cleave technique.

The Special Grade was sent flying back, as he shot another beam of fire energy out of his head and (Y/N) watched it blow a whole through a building.

She had never seen a fight like this before.

Sukuna caught up with Jogo, taking his free hand that wasn't carrying her and wrapping it around his cape, throwing him down towards the streets. Smoke emitted from the area that he hit, as he continued to bounce off of it from the force before Sukuna came at him again. This time, he bashed his head into the ground, taking them below the level of the city floor.

She felt the King of Curses abdomen tighten against her side, as he laughed to himself. (Y/N) wasn't looking at him though, as her eyes were on the curse that hadn't landed even a single speck of dust on her.

His free hand slipped underneath her jaw, turning her head to face him.

"Impressed are we?"

Suddenly everything around the two seemed to burst into flames, as the blue skinned curse screamed out and flooded the street with Lava.

This was hell.

Sukuna didn't even react, as a wave of it blanketed over them, yet never touching their skin. He jumped up onto a building that was soon crumbling underneath the hot liquid as well, continuing to dodge without question.

The entire city was on fire, as hands made out of lava held onto two office buildings and lifted them up out of the ground. They surrounded the both of them, Jogo standing on a rooftop in front.

(Y/N) thought she was dead.

Out of pure instinct she took her arm around Sukuna's neck, burying her head into his chest and squinting her eyes closed.

It was only when she heard the sound of the buildings being bashed together, that she realized what she had done. Instead of feeling the impact of her skull being crushed, she felt a delicate kiss be pressed to the top of her head. A large hand then held her hair in a comforting manner, keeping her against him.

"Do you trust me, little one?" he asked her softly, low enough that Jogo couldn't hear.

"Yes."

(Y/N) felt weightless, like she was on one of those amusement park rides that threw you up into the air. Except for the fact that there was no harness, and nothing holding her anymore. Sukuna had thrown her up so far she felt she might touch the clouds, watching his figure dart towards the curse and throw him into a sky scraper.

She could see Jogo come out the other end of it, soaring through the air as Sukuna stood above him. The King of Curses drove his hand into the Special Grades head, sending the two through a roof of another office structure.

Meanwhile (Y/N) began to descend, screaming out and watching as the windows on each level shattered with each level Sukuna shoved him through. She grew anxious as time passed and nothing happened, until the bottom of the building burst out into flames and traveled upwards. She could make out the smaller details of the city now, as she picked up speed in falling and felt the wind course through her clothes. Her best bet was trying to use her ice to impact the fall, although she became distracted by what happened before her.

The building that Jogo had blown up began to form into a ball of fire, and Sukuna was nowhere to be seen.

Or so she thought.

She was trying to conjure up enough cold air around her to form the ice needed to brace her, but knocked into something else, throwing her off guard.

She wasn't surprised when she felt his heartbeat against her side again, but he moved at unregistrable speeds.

Suddenly they were on the ground, in the middle of the street, underneath the meteor Jogo was creating. All of the people around Sukuna froze in place, fear evident in their eyes.

Everyone knew who he was.

"I hereby forbid every person in a 100-meter radius from moving until I say 'now," he started. "And of course, I'll kill anyone who violates that rule."

The silence was horrifying, no one daring to take a step.

"Not yet," he teased.

(Y/N) could feel his hands underneath her weight doing something, as if he was now controlling the ball of fire above them.

"Still not yet."

The ground began to tremble, as it came closer.

"Now."

The sound was overwhelming, as Sukuna brought himself up above it as it crushed everything beneath. He sat down on the meteor, adjusting (Y/N) so she was sitting in his lap, his hands around her waist. Jogo was in front of the two, having yet to turn his back around.

The atmosphere around them was a swirl of orange smoke and broken glass that looked like stars. It floated gently in the air, as more debris from the architecture around them crumbled.

"I've grown tired of this, so I will fight you with your own specialty," he said, allowing for (Y/N) to get up as he stood and faced the Special Grade.

She stepped back, quick to cool the temperatures underneath her feet so she wouldn't burn.

Fire began to emit from his fist, beginning to curl around his figure.

"Arm yourself."

Jogo formed a small sphere of fire in his hand, as Sukuna stretched his own out to form an arrow.

The Special Grade burnt to ashes within a moments notice, while the King of Curses turned around to face the woman behind him.

"Your denial is in vain," he said. "There is nothing I am not capable of, and your death would have already occurred if i wished for it. In your moments of fear you trusted me by instinct, the vow formed between us guiding you to me."

"I don't understand."

"Because you don't want to," he corrected, coming closer to her. "Allow me to show you."

The king lifted her jaw up, taking his hand around the side of her face and kissing her lips.

It felt unworldly, as she slowly returned it and could feel him smiling. Her wrist suddenly tingled, making her to break away to see what caused the sensation.

It was a mark on her wrist, the same one that was on Sukuna's forehead.

"I will love you in every era," he said, taking a step back.

The markings on his face faded, his hair returning to hanging down.

"What happened?" Itadori asked.

She looked into the eyes underneath the original pair, not knowing what to say.

But she understood now.

A/N: I have a part 3 in mind. If you're interested let me know!

Tag List: @daydreamshenanigans @witchmoon10 @@spiderlilytengu @sircatchungus @sunshine7queen @yandere-consumer @emryb @96jnie @frogzxch @toshirolovebot @rottinginvelvet @rorel1a @cax-per @butteredwalnut @sweetcoorpse @mynewblackdress @serafina-nyx @karmazwrld @gambighoul @honestlysublimecherryblossom @sy557 @mag-chan

#sukuna x reader #ryomen sukuna #sukuna #sukuna ryomen #sukuna x you #ryomen sukuna x y/n #ryomen sukuna x reader #sukuna ryomen x reader #sukuna x y/n #jujutsu kaisen x reader #jjk x reader #sukuna fluff #sukuna imagine

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the-eeveekins · 4 months ago

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Suletta is an Amazing Pilot

I still see this idea floating around that Suletta is NOT a good pilot. That this is even a somewhat accepted opinion is WILD to me, because the show makes it clear she is a fantastic pilot. I shouldn't even have to write this article, because one can simply see it by watching the series with their eyes open. To claim Suletta is not a good pilot is to jump through way more mental gymnastics to make that claim than to simply accept what G-Witch is literally showing you.

1) Cradle Planet

At age 6, Suletta has already been training to fly mobile suits. By age 11, she's the best pilot on Mercury. Eri states that Suletta handles her beam sabers with surgical precision and calmly pilots her mobile suit through dangerous terrain that would terrify any normal person. Prospera raised Suletta with the purpose of her piloting the Aerial in mind. She raised her to be the best.

2) Episode 3

So, I'll give reigning Holder Guel the benefit of the doubt and say he only lost the first duel because he dicked around and then got caught with his pants completely down. Surely he'll do better in round 2. Except, even though Guel knows what's coming AND he's in a better suit, Suletta would have ended this duel in about 20 seconds were it not for the Darilbalde's AI saving Guel from a head shot. That this 2nd duel lasts as long as it does is only due to Vim's interference, and even with that Guel couldn't win. Suletta doesn't even use the Gundbits for the final strike of the match, the decisive blow she scored against Guel was all her own piloting.

3) Episode 4

This is the episode most people continue to cite as evidence that Suletta is a bad pilot. But the facts are clear: Suletta was doing just fine in that test and would have passed with flying colors of not for bullies blinding her mobile suit. At that point she was piloting an unfamiliar MS, not allowed to use backup cameras, and needing to navigate using only someone else's word. Anyone would struggle. Imagine trying to drive a car through an obstacle course at full speed while blind with only an outside spotter. And that completely ignores that she was having an emotional breakdown the entire time because she was being bullied. And even then, with each successive attempt, she was improving! Would a "better" pilot have adjusted faster? Sure, maybe, but this wasn't the heat of battle; this was a high school test, and Suletta is using an unfamiliar machine. And Suletta's emotional state was compromised, leading to her struggles. Because that was what this scene was about: Suletta's emotional state, not her piloting skills.

4) Episode 6

Suletta holds up incredibly well considering she's using a cobbled-together-in-a-week thruster pack and still at a heavy disadvantage against the Pharact. Not to mention this time her pilot also has a Gundam with the benefit of the Gund Format. And while Eri's data storm resonance may have opened up the final blow for her, it was Suletta’s piloting that pushed Elan to go to Permet Score 4 despite his advantage. And even at Score 4, Suletta was pushing Elan into a corner.

5) Episode 9

This pretty much speaks for itself. Suletta holds off multiple mobile suits at once, eventually finding herself alone against 6 of the best pilots at Asticassia and none of them can take her down. She survives even through her self doubt, even through the GUND format being disabled and having to pilot normally. And then she activates Score 6 and it's all Suletta. Suletta was the one completely outmaneuvering the entire Grassley team, piloting the Aerial AND manually controlling the Gundbits the entire time. While also processing all the information the Gundbits were feeding her about the battlefield. Suletta survived that 1v6 and may have even won it if she was forced to. We'll never know because ultimately Shaddiq fell into Miorine's trap.

6) Episode 12

Gundam vs Two Gundams! Suletta has a new ride and it's arguably the strongest MS in Ad Stella. Still the best mobile suit means little without a good pilot. And Suletta takes on two Gundam pilots actively trying to kill her. Two Gundam pilots that just wiped the floor with Plant Quetta's professional security forces and also have the Gund Format. And yet Suletta fights them both off.

7) Episode 13

Okay, this isn't really fair. Suletta and the Rebuild are far and away superior to anything the lesser Benerit companies can throw at them. But it's still impressive she went through a gauntlet of what presumably the best of the rest could throw at her w/o breaking a sweat.

8) Episode 14

Sophie is ultimately killed by the Gund Format before there could be a conclusive resolution to their fight, but again, Suletta did not struggle against a trained child soldier using a Gundam trying to kill her.

9) Episode 17

Suletta does not lose this duel unless Miorine and Ericht betray her. In fact, it's not even a contest if Guel doesn't use the Darilbalde's AI. He even admits he's not a match for her without it. And to top it all off, the Aerial starts this duel still damaged from it’s battle against Sophie. Guel has some success this duel, and thanks to the AI piloting is able to put Suletta on the defensive, but despite having multiple shots at taking her antenna, he still couldn't close the deal, and once Suletta got serious, it was over. It took one of the best pilots in Asticassia piloting a top of the line new model MS using a top of the line learning and piloting AI just to get a solid shot at defeating Suletta 1-on-1 and he still couldn't beat her.

10) Episode 18

A short scene of Suletta easily passing one of her Demi Trainer tests. All while she's suffering from severe depression due to the divorce.

Calibarn

Her piloting the Calibarn as a whole is a testament to Suletta’s superb piloting skills. Suletta takes on Quiet Zero and Aerial all by herself, and she comes out of the battle with only some superficial damage. Before this battle, Ericht took on an entire SAL fleet of professional soldiers and was wiping the floor with them using her Gundnodes, before even engaging the override. The story establishes that Ericht + Quiet Zero > A fleet of trained soldiers. And Suletta takes her on all by herself and comes out on top. You can't even use the excuse that she benefited from an advantage with the Gund format and piloting a Gundam because so is Eri. And Ericht is perfectly synchronized with the data storm.

And yes, they weren't trying to kill each other, but that is actually more difficult in the heat of battle. In fact, you can see Suletta making the fight more difficult for herself by punching and kicking away the Aerial’s Gundbits instead of simply destroying them because she doesn't want to kill the coven. It's a testament to Suletta incredible skills that she's able to dodge all the incoming fire without accidentally dodging into it, all while dueling her sister without killing her.

And of course, she's doing this all while the Calibarn is trying to kill her. Even with her permet resistance, she is still under constant strain while piloting the Calibarn, you can hear it in her voice the entire time.

The only other argument I see made against Suletta’s skill as a pilot that isn't a double standard rooted in sexism is that the Gund Format elevates her from a terrible pilot to a good one. Which is pretty ridiculous because we don't see that with any other Gundam pilot in the show. Yes, they have a tech advantage being in a Gundam, but the format is not enough to turn a terrible pilot into a one-woman army. Otherwise Suletta would have been easily overwhelmed by Sophie and Norea at Plant Quetta. Would Lauda struggle against an AI-less Guel in a Dilanza, needing Guel to let Lauda score the finishing blow to win, if the Gund Format made every pilot as good as Suletta?

If your only other arguments are that Suletta isn't a good pilot because she pilots a Gundam, she's some form of enhanced human and/or she doesn't directly control the bits for most of the series, those can all be dismissed. Every Gundam MC pilots a Gundam, usually carrying with them a significant tech advantage over their opponents, does that make every Gundam pilot less skilled by virtue of piloting a Gundam? Nearly every well regarded pilot in the series is some sort of enhanced human depending on the setting. Newtypes, Coordinators, Innovators, X-Rounders, etc. Nearly every main series MC has some sort of supernatural and/or super human ability. Are you going to argue that Amuro, Char, Kamille, Judau, etc are all bad pilots being carried by Newtype powers alone? And regarding the bits, not every Gundam series has telepathically or directly controlled bits. Many are controlled by advanced onboard quantum computing systems. Suletta’s situation with Aerial is no different than many famous pilots over the years. No one argues that Lockon is a bad pilot because he's assisted by a Haro.

Every single one of the above arguments is rooted in misogynistic double standards. The things that people argue that prove Suletta must not be a good pilot are things virtually every male Gundam MC has, but are basically never used as an argument against their skills: it's just part of their skill set.

Ultimately you have to jump through more mental gymnastics to argue that Suletta is a bad pilot than simply watching the show and seeing what it's showing you: that Suletta is a tremendously skilled pilot with no peer except Ericht herself and maybe Shaddiq. Someone in Discord mentioned that Suletta as a pilot is very much the equivalent to an endgame Amuro or Kira. She was already raised to be an elite pilot before setting foot in Asticassia, and her only defeat in the entire show was not to another pilot with better skills or a better mobile suit. It was to Miorine, who attacked her heart and betrayed her at a critical moment. The show was not about her growth as a pilot because unlike a lot of young Gundam protagonists, she's already starting with elite piloting skills because she's been training in harsh environments since she was a child. Her only struggles piloting in the show are entirely due to people attacking her emotionally, something she was not equipped to handle due to her upbringing on Mercury. And that is where Suletta’s character growth lies.

I don't like comparing pilots across the different Gundam universes because there are way too many different variables to take into account. But I think the only reason the fandom in general doesn't consider Suletta among the elite pilots of the franchise is because she's a woman. Instead, I see her compared against other female pilots that fans will say are "average-to-bad" and then make the claim Suletta is worse because of some of the above arguments that they don't make for male pilots.

#suletta mercury #g witch #the witch from mercury #I know I'm mostly preaching to the choir here #But I have to call out what is IMO a clear case of fandom misogyny

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glitter-stained · 4 months ago

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I keep seeing posts about how Jason should have chara development that makes sense regarding his morals and stop killing because of that rather than because Bruce told him to stop and like - it's not like I disagree. Of course, that would be great. Of course I want him to be written his age by writers that like him and have development that makes sense and work with Bruce and Dick and evolve on his own as a person.

But the thing is.

A few weeks ago I saw a critique of His Dark Materials that was so absurdly daft it made me want to peel my skin off. For context, His Dark Materials by Philip Pullman is a children/young adult book set in fantasy worlds that doubles as a retelling of Paradise Lost in which Lucifer wins, and criticism of christianism is preponderant in it. (This will spoil a good part of book 1 of HDM btw). I'm far from a HDM fan, I saw a few episodes of the adaptation and read it once when I was ten and thought the characters and world was fun but the rhythm in the 2nd and 3rd books was off and I didn't like the ending, so like it was fun but I definitely not a re-read for me. But the point is, this critique clearly had a degree in not getting the fucking point, because his arguments against the books clearly stemmed from an inability to shift his viewpoint out of the christian framework (I promise this is still a Jason post). One of his most ludicrous argument was the lack of character depth in HDM. This is particularly silly because one of the main characters, Mrs Coulters, is one of the most interesting complex characters I've ever seen in fiction. Now Mrs Coulters is interesting because she is a bad guy. Like, tortures and kills children level of bad guy. She doesn't magically grow to sacrifice herself in the name of martyrdom to repent for her sins or something silly like that; but still, she sometimes does very good, helpful things for the characters, because the tension between her character is between her ambition (and her faith though that's more questionable) and her motherhood, as she truly loves and cares for her daughter, one of the protagonists, and wants a better, safer world for her. Now the critique claimed that there was no character depth because there was no concept of sin and no redemption arcs in the books- but those are utterly Christian concepts, so of course they wouldn't be endorsed by a book that challenges their validity. Just because Mrs Coulters doesn't have a redemption arc doesn't mean she isn't deep; and the fact that she does good things not out of morality but out of love is what makes her a fascinating character.

So, thinking about that asinine critique, I was suddenly struck with the realization that Jason is somehow similar to Mrs Coulters in that he is a very loving person who tends to put his personal connexions above everything else (of course, he doesn't experiment on and torture children, that's not what I'm saying). My point is, I don't think why we shouldn't have a Jason who evolves not moved by his morals (though he has them and they matter) but by his love. The point of Death in the Family is Jason wanted to be loved and have a family and trying to shield Sheila's body with his and telling her he loved her. The point of UTRH is Jason doing horrible things in the most theatrical, strategically planned mental breakdown as begging for proof of love because he can't reconcile being loved in a different way that he loves and because he can't understand someone putting their moral code over love. And as much as RHATO #25 fills me up with dread, I have to say I love Jason's behaviour in that final stint. "I am my father's son" holy shit what a line. Jason is Willis' son and because of his filial love, his loyalty demands he avenges him. Jason is Bruce's son and because of his filial love, his loyalty demands that he does not kill. Jason almost murders Willis' murderer with a blank bullet and then when Bruce beats hims halfway to death he doesn't defend himself, doesn't fight back (like, one punch but come on, we've seen him fight, he just gives up). That right there? Hate to say it with how questionable RHATO's Jason is in general, but that's peak characterization. The conflict is entirely about Jason's conception of love, family and worldview, and it's deep and interesting and has nothing to do with morality. I want Jason storylines that explore that. I want Jason to work with the batfam in stories that make sense, I want the writers to acknowledge him as a victim and trauma survivor and allow him to grow from there instead of demonizing his mental illness, I want him to stop killing out of love and I want him to allow himself to love in healthier ways and for the width of his love to spread exponentially and for that to affect his behaviour and worldview.

And that's not just because I like Mrs Coulters and dislike the idea of holier than though moral characters! The christic symbolism Jason is crystal clear (especially in Lost Days), but it's not just about Jason: Talia is associated with Mary (which makes sleeping with him that much more obviously incestuous and horrible and ooc), Joker is the Devil and Bruce, of course, is God (which begs such interesting questions about the Holy Spirit - Robin maybe? To explore at a later date). Now, everybody's experience with Christianity differs wildly, but the way I learnt it growing up in catholic culture was basically God being an Authority of Judgement and Law, strict and all about morality; while Jesus is about love, unconditional love, even and especially the sinners and the damned (and as for the devil Lucifer is a fallen angel who fell after losing to God, and Satan is the demonic incarnation of temptation ain't that interesting). So I would argue that by having Jason kill or not kill out of love for his family, Jason is already his own character with autonomous thought process, independent morals and original interesting values that are a breath of fresh air in the world of superhero which is all about moral codes. Additionally, I think it's interesting and full of potential (and hope) that that very thing is why Jason and Bruce are held in opposition so often when in christianism they are two sides of the same coin.

TLDR: Jason going through character development that doesn't involve an evolution of his moral code is a great idea and if executed properly should give us fascinating stories with one of the most interesting characters in the DC universe, I used to think he should get a sort of "redemption arc" after UTRH where he questions his moral code but now I feel like I'm stuck in the same Christian/superhero framework as the pedantic guy who didn't understand His Dark Materials and I refuse to agree with them about anything so now I'm a hardcore "love over morals" Jason girlie. Obviously I still think moral code development would be a good and interesting storyline and better than anything DC is giving us rn, but I think we could do even better without it.

(also Star Sapphire Jason ftw)

#jason todd #red hood #jason todd meta #rhato 25 #under the red hood #red hood and the outlaws #red hood lost days #batman #dc #batman and robin #his dark materials #star sapphire jason todd

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genericpuff · 6 months ago

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hey gen p! i was reading a post of yours where you mentioned LO's age rating and briefly mentioned that minthe was verbally abusive during sex which surprised me bc i didnt really remember her being accused of doing so outside of the slap/havent come across any other accusation since, so i've been defending her against abuse allegations, maybe mistakenly, bc i stopped reading the comic at some point. is it too much to ask for some instances where she *was* abusive so i can correct my outlook?? thx! :3

oh so it's really just one scene and it's waaay back in Episode 8-

like i'm gonna assume this isn't a consensual kink play thing LOL but also like. I wanna make it clear also that people don't necessarily defend Minthe as not being abusive, many people who defend her are well aware that she's done abusive shit. They defend Minthe because 1.) she has a lot more potential for well-written character development than Hades and Persephone (as she's actually genuinely flawed as per the narrative vs. Hades and Persephone who are flawed but we're still expected to believe they're perfect, so unlike H x P Minthe actually has potential to do better and grow like characters should!) and 2.) a lot of Minthe's abuse towards Hades isn't necessarily justified but is a lot more understandable when you really analyze Hades and realize that he is, in fact, a piece of shit LOL

like don't get me wrong, I don't think Minthe was in the right by treating Hades like shit and escalating it to the slap, there are FAR better things she should have done... but I and many others defend her on the basis that she doesn't have the self-respect or resources necessary to look out for herself in a more productive way, much of which was facilitated by Hades trapping her in a financially abusive relationship. When you're worried not only about losing your partner, but also your house and your job with it, that's gonna turn into some unhealthy coping mechanisms and responses like physical and verbal abuse as we see in Minthe. She's someone who's not in control of her situation but is trying to maintain her control through unhealthy means.

Hades, on the flipside, has no excuse when he assaults people or acts like an asshole - he's just able to get away with it through the narrative, its characters, and the readers, because he's the rich and powerful main protagonist.

Minthe is an incredibly flawed person who was self-aware enough to understand what she was doing wasn't right but not equipped enough to do better. She's lower class (according to Rachel, all the nymphs are considered lower class compared to the gods) and was originally written as someone with untreated BPD, which Rachel later retconned (note: the episode where Minthe slaps Hades is literally called Splitting, which is a symptom of BPD, like it's not some assumption or misinterpretation, Rachel literally wrote BPD into the script and then tried to quietly backpedal on it later through Discord.) Hades is an incredibly flawed person who is self-aware of what he's doing, but doesn't see it as wrong and therefore doesn't see any reason to do better. But we're expected to root against the former as an irredeemable villain who can't do better and root for the latter who is an actual monster whose actions are justified and excused by the narrative and its creator.

So yeah, that's why a lot of us defend Minthe. She's not perfect, she's done abusive shit, but unlike Hades and Persephone, she has the capacity to grow and change for the better.

#ask me anything #ama #anon ama #anon ask me anything #anti lore olympus #lore olympus critical #lo critical

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le-fruit-de-la-passion · 7 days ago

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Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

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0daylighthours0 · 8 months ago

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A Deep Dive into Milkvan and Byler's Development: If Milkvan Was Endgame All Along, Why Was it Written Like This???

SO. I've been rewatching st with my mother, who's never seen it before. And she was a fan of milkvan throughout seasons 1 and 2. Viewing those seasons again I could see why, they're cute. However, come season 3 and INSTANT distaste. And, listen, my mother is not the consciously shipping gal. She simply routes for main character pairings as writers intend, doesn't read between the lines, doesn't nothing. And she does NOT know my own opinions on the pairing. In other words, completely unbiased, uninternet drama influenced eyes. We've now reached season 3 and, after getting through a chunk of it, I asked her,

"so what do you think of Mike and El?"

and she expressed to me that they seem to be, quote:

"not very good together."

She said El's character doesn't suit the way she's acting now (in the first few episodes, concerning Mike), that Mike is more likeable and interesting when he's away from her. She doesn't like the way they ditched the party, and when it comes to their 'making out' the scenes are seen by her from Hopper's perspective (in other words, distasteful). She claimed that they'd be much better characters as friends.

And ya know what, she's right. And I mean like - duh, that's what we've been saying all this time, I'm not stating anything new here. But guys, wouldn't it be strange if the central couple of the show, pivotal that it is liked by audiences and is rooted for by them as they are THE pair, would be so dislikable like this? So uninteresting, so cliche.

I mean, okay, let's do a little mental experiment I like to do to test if I'm not just acting delulu. Let's play a game. In this game, milkvan ARE meant to be endgame. They are in love, they were all along, and they're here to draw in viewers and appease all El stans. Now, seasons 1 and 2 their relationship is honestly fine. Surface level, yeah, people will watch and appreciate them. They perfectly blend in with all the other neat pairings of the seasons, and have their own unique character traits to stand out as a main couple.

Just pretending our mate Will doesn't exist, we now get into season 3. Now, writers have nothing to lose here. If you've finished season 2, you probably like milkvan already. The issue is that they're already together now, so what's the conflict going to be? The arc? And every central couple needs that conflict to stay juicy.

Just take a look:

Jancy: quarrels, struggle to understand one another

Jopper: not yet together, one sided? will they won't they

Lumax: ...

Lumax? Lumax. Huh, guess they were simply together. Some loveable bickering, maintained a friendly dynamic while clearly in closer proximity. Well then, writers can do the same for milkvan right? Well, yes easily. But one might argue that since they are supposed to be THE pairing they need more going on between them than that. So what'll it be? Well, it seems that writers thought,

"hey, why not break them up?"

ok so.. that's a bit risky. I mean you want people to like this ship, if you break them up then that threats: 1. there being a disliking to one or both characters, 2. coming off generic if done incorrectly, 3. the break up might make no sense considering how in love they came off as just a season ago. But hey.. it could work, if done right. Some kind of misunderstanding, similar to Jancy. Maybe an argument leading to a sudden parting. I mean, yeah, Yeah! I can see that. Perhaps Mike is being too overprotective whilst El's trying to sacrifice herself for something, so she NEEDS to separate herself from him attempting to hurt him less. Or, I dunno, something akin. What's crucial is that us, AS THE AUDIENCE, still know them to be deeply in love. I mean, we have to still want them to be together. And we've seen couple trouble before. Just take a look at Lumax season 4 - did you or did you not want the best for both of them as a pair? You most likely did. See, it's doable. So did people like milkvan season 3 the same way, even after a separation plot? No.

Okay well, there are obviously those who'll always love milkvan no matter but, see, season 3 tainted it. "We need to write them like this cause it's more realistic to teenager behavior" my ars. You can make it messy without making it icky. Not only did it sour their unique dynamic, it flabbergastingly stomped on Mike as a character.

Honestly, I feel Mike has always been a mild struggle to write. Season 1 his motivations were 'find Will' (who still doesn't exist in our mind game yet shh) and 'protect El'. This worked well for him. Afterwards though, El and Will became more separate plots to him. But as a main character it remained integral that he be closely linked to them somehow. This sets him apart from Lucas and Dustin, who can easily be given any arc any season as their plots have the flexibility of a side quest nature. Since what Mike does is meant to matter more - with there probably being a better way of phrasing that but you know what I mean - it's harder knowing what he'll do when El and Will (who we'll GET to sh.) are their own separate people. And Mike is just a boy, he doesn't have super powers and he isn't a cop, which leaves there even less for him to do which is of significance. Season 2 writers decided upon having him support Will's arc, making himself of enough relevance by being able to take credit for some Will development in the story, and the plots that surrounded that, and then Mike was thrown a little bone by being the one to come up with the idea of burning those vines in the finale.

Truthfully, you don't really remember Mike's deeds much when reminiscing the series. It isn't like Dustin who's bond with Dart sticks to everyone, or Nancy and Jonathan responsible for kicking out Hawkins Lab. This is due to them, again, being able to traverse all sorts of adventures without limits. But my guy Mike can't do dat. Sadly, this kind of leads to him coming of as a little.. well... insignificant. And I know I know, the Mike truthers are gonna come at my throat. And hey! I love him too. I only want the best for my boy.

This makes season 3 a unique case cause it seems that, for the plot they decided they wanted, writers actually had to almost entirely change his character. I mean mate s2 Mike and s3 Mike are two different peoples, don't even. And I don't believe that the Duffers had their story and character turnouts completely drawn out from the very start at all. If I was to guess, I'd assume they have vague ideas of little plots they plan to include in future, but there is definitely a lot that has come unpredicted or changed throughout st's runtime. And one of those phenomenons are Michael Wheeler. So they decided to make this guy a di-

So they decided to make him more douchy, more movie typical teenage guy. It's not as if he wholly sucked, he didn't, but he didn't really do much. Whined about his girlfriend, separated the party. I mean what even was his arc? (UnLESS–)

You see, if milkvan is written to be loved, then season 3 was strike one. All of its charm was stripped away. It seems they had some cute scenes after their reconciliation, but it's not enough. It's just sort of

"oh, ok, so they're happy with eachother now. yayy."

and Stranger Things should want to be anything but boring. Sure they often enjoy indulging in tropes, but they always do something different with them. Something standoutish. And from this point on milkvan just got dull. Either writers ran out of ideas or lost interest, honestly (still with our mind game of telling ourselves they're meant to be).

But it's okay. Look, so season 3 was a bit rocky, maybe lost a couple of fans for the guys, but it is salvageable. Easily, easily. Looks like we want a plot of Mike struggling to tell El he loves her. Great! Much to work with.

So let's get into it. Season 4! Choices were... made. And, okay, now we can't go any further without bringing in our boy Will.

Mike is intrinsically tied to Will and El and has been from the start. Maybe Will was more of an accident. Maybe s1 Will was just a plot device for Mike, then s2 Will was a plot device again and Mike needed to be there as the main boy character. Come season 3 and it seems their relationship still matters. Will was sidelined - hard - so most of Mike's moments revolved around El. But as his bond with Mike is the only that's been properly built up, that's the only friend we'll get him interacting with in a way that matters. So the Mike and Will tie continues!

But that does not have to be the case for season 4. Now the writers have a chance.

They made Will gay.

Ok so.. ok so yeah that's fine. Yeah! I mean they didn't have to do that, might put them in hot water with the bylers since milkvan is their golden beauty but.. you know what no no that's okay. He's been hinted at being queer since episode 1, why not make it canon! Cool that works. Explore that, especially since we now have Vecna who can easily target Will for this. Give him a boyfriend! Or a guy crush. He's at a new school now? That's cool. Maybe we can explore some new male character Will's taken interest in. Hey maybe he meets someone who interests him which rises to surface his whole sexuality plot and-

he's in love with Mike.

Ok. No. No. What are you doing? What do you mean?? You didn't have to do that. Strike- strike EFING TWO mates! Strike. 👏 efing. 👏 2!

This was part 1. I am tired and gots to get my ars in bed. But ohohoh, do not worry. I am just getting started.

#anti milkvan #anti mileven #byler #byeler #stranger things #mike wheeler #will byers #byler is real #byler is endgame #byler analysis #byler nation #byler proof #byler is canon #byler endgame #byler tumblr #stranger things 4

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ro-is-struggling · 1 year ago

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The Princess and The Wolf || PART 2 || Geralt of Rivia x Reader

Summary: All she wanted was to show Geralt that she could be part of his world, that it was worth putting in the effort to build a future together. He was her true home, the person she belonged to, the one who gave her life purpose, and all she wanted was to share the rest of her life with him. But things were not so simple and the differences that separated them were far too many.

Warnings: fem!reader, fluff, a bit of jealousy and sexual tension, banter, mentions of blood and canon typical violence, angst at the end, my poor knowledge of the saga probably

English is not my first language

Word count: 15.500

Notes: the part with the hirikka is definitely not there just cause I thought it was cute and I got pissed off when the dude killed it in that episode of season 1, nope, not at all…ALSO the show is not very clear with the whole signs thing so everything that I wrote about them is based off things I read about the games and my own imagination, so sorry if it’s wrong/not true to the story

PART 1 || PART 3

"I want to go with you."

The words escaped so casually from the young woman's lips that Geralt had to ask her to repeat them to make sure he had heard correctly. It was the middle of the night and he was drifting between consciousness and unconsciousness, feeling the exhaustion of the day weighing on his eyelids, but refusing to give in for some reason. He wasn't expecting to hear those words. In fact, he wasn't expecting to hear her speak at all since he thought she was still asleep, so her voice alarmed him.

"Go with me where?" The witcher mumbled his voice hoarse from sleep. His eyes opened to look at the princess resting beside him, tucked into his chest as her fingers nervously traced the lines of the scars on his chest.

"I don't know," she shrugged, still not returning his gaze. "Wherever you're heading next."

Geralt frowned slightly. They had known each other for quite some time. Since he had helped her escape from her family he had shown up countless times at her door, seeking the aid of her healing powers and, more importantly, her company. And in all that time she had never shown any kind of interest in what he did outside the walls of her home. She asked him questions, sure, and constantly scolded him for being "too irresponsible" —her words, not his—, but she had never expressed an interest in joining him on his travels.

That was kind of the point of their implicit agreement, so he didn't really mind that much. She was his secret helper, the motivation that drove him to do his job better. It was all worth it if at the end of a contract he was compensated according to his work and effort and, most importantly, if he had the chance to stop by her house to restore his energy. Geralt had always seen their relationship as sacred, a parallel world in which he could take refuge when things became too complicated or overwhelming. It was why he had never thought of taking her along on one of his trips. And it was also the reason for his surprise at that request.

"Why do you want to come with me?"

The young woman shrugged again and was silent for a moment as she tried to decide on what to answer. It wasn't that she didn't know —she was well aware of the motivations behind her words—, but rather that she wasn't sure if she should express them so openly out loud.

"That's not an answer, sunshine." Geralt pressed her and she let out a quiet snort.

"I want to explore the world, see what other options I have. I thought that this place was all I needed, but lately I've been questioning it." She finally said, glancing up to meet Geralt's eyes.

It wasn't a lie, but it wasn't the whole truth either. Yes, in the last few months she had found herself questioning her decisions, wondering if perhaps the world had more to offer her. She was happy in her hut, living among nature, away from her family that had hurt her so much. And yet, she couldn't help but feel that she still hadn't found the true purpose of her life. She had managed to free herself from the oppressive clutches of her parents who wanted to impose on her a future she hated, and while that was an achievement in itself, she still couldn't imagine a clear future for herself. Well, actually she could, it just wasn't a very realistic future.

All she wanted was to be with Geralt.

It was something that took her time to accept, partly because she knew it wasn't a good idea. She knew that Geralt was a... complicated man, with an unconventional lifestyle. She also knew that they were almost complete opposites. He was a man of great experience, gained after living years on the continent, and she was a young runaway princess who had lived her entire life controlled by the desires and expectations of others, and only now had the ability to choose and control her destiny. He was cold, calculating, capable of remaining calm even when faced with the worst of dangers, and she was impulsive and sentimental, often feeling things ten times as strongly as the common person. He was quiet and reserved, and used to living a wandering life, while she was cheerful and sociable, and desperate to find a place to belong.

But despite all the things that set them apart, she couldn't help but feel a deep connection to him. And she couldn't ignore the happiness that came over her every time he showed up at her door or the loneliness that haunted her when he left. Her days were miserable when she was alone, her mind always finding a way to focus on him again. She spent her time wondering where he was and what he was doing, worrying about his safety and health. She often wondered if he was also thinking about her and if he missed her as much as she missed him.

Waiting for his return was an agony that became more difficult the more time they spent together. The more she got to know Geralt, the more she fell in love and the more it pained her to see him go. The few days he used to spend at her home were no longer enough for her. She wanted to be with him at all times, to learn more about his world, to join him in his adventures, to be more than a refuge away from his daily reality. She wanted to share her life with him, and for him to share his life with her.

"I thought you liked it here." Geralt's voice brought her out of her thoughts.

"I do!" She was quick to reply. "I just... I'm not sure this is what I want for my future. I feel like there's a lot more out there for me to explore..." She trailed off, struggling to find the words to explain her feelings without revealing too much.

"And what makes you think that coming with me will help you find what you're looking for?" Geralt asked her and she shrugged again.

"It's a start. You travel all over the continent, what better way to explore the world than by being by your side?"

"I don't think it's a good idea, sunshine." The witcher sighed. Her eyes reflected the pain those words awakened in her and he felt horrible for saying them, but he knew it was for the best. The road, his way of life, was not meant for someone like her.

"Why not?" she murmured, barely containing the pout that was trying to form in her sad expression.

"Because it's too dangerous. I don't just travel the continent, I fight evil, dangerous creatures. I cant do my job if I'm worried about your safety."

"I'm not asking you to let me fight with you, I'm asking you to let me tag along and explore the world with you. I don't have to be near any kind of danger."

"Well, that's what Jaskier always says and he always gets dragged into danger."

"Would it help if I promised to keep my distance and always listen to you and follow your orders?" She looked at Geralt with an innocent face, batting her eyelashes and pouting to try to convince him. She looked so adorable that it was honestly hard for him to refuse her.

"He always says that too." He countered with a half smile that widened slightly at the sight of her annoyed frown. She always looked pretty when she was angry, that was the reason why most of the time he didn't listen to her scolding —he always got lost in her beauty.

"Why are you being so mean?" She accused him, sitting on the bed with her arms folded and a look of dismay.

"I'm not being mean, I'm being careful and protecting you."

"Well, did it ever occur to you that maybe I don’t need your protection?"

Geralt was silent for a moment, admiring her face in the dim light. He knew he was exaggerating, that it was entirely possible for her to travel with him without anything bad happening to her. But it was also possible that things could go wrong and that alone was enough to bring up his fear of losing her. His work —and his life itself— was somewhat unpredictable at times. He didn't always choose when to confront evil creatures. Sometimes he crossed paths with one by pure coincidence and there was nothing he could have done to avoid it. He had a moral obligation to act in such situations, so danger always lurked, following in his footsteps closely, waiting for the most opportune moment to attack. Geralt was used to it, it was his daily reality, the only one he had ever known - since his life before his transformation was not even a distant memory in his mind.

But it was not her reality. She had lived in a castle for most of her life and was only now beginning to be completely independent. She was not prepared for the kind of danger that a witcher's life entailed. Her little knowledge of medicinal and healing magic could not protect her. And if he failed at that too... Geralt didn't even want to think about it.

"Maybe," he said, in a calm voice, "but I need to protect you... I need to know that you're alright."

Her gaze softened as a warm sensation ran through her body. The sincerity in his voice made her want to smile. He cared about her, about her safety and well-being. He needed her. He sought to protect her because he didn't want to lose her and that was reason enough for her heart to race and her eyes to fill with illusion.

"I know you do and I appreciate it." She spoke, voice soft and posture relaxed. She reached up to stroke his cheek, gently moving a lock of hair from his face so she could look into his eyes. Geralt leaned into her touch in an almost imperceptible movement, unable to resist the warm caress of her fingers. "Everything that I have, I owe it to you. You helped me be free and I trust you with my life, not just to protect me but to guide me... to help me find my way. There is really no other person I could ask for something like this... there is no one I trust more than I trust you."

And just like that, the discussion was over. All Geralt had to do was look into her eyes —those beautiful warm eyes that brought him so much comfort and happiness— and he lost all ability to fight. His own thoughts and worries were replaced by the need to make her happy. All he wanted was to see that sparkle in her eyes and know that he was the cause of it, the reason she was smiling. How could he refuse her requests when she looked at him with such illusion as she spoke those sweet words to him? He was willing to do anything to make her happy, even if it meant throwing caution to the wind.

"You have to promise that you will never leave my sight and that you will do what I say without question."

The young woman's face lit up immediately, a big smile playing across her lips as she looked at the witcher with wide open eyes. She looked like a child who had gotten her wish fulfilled. "Is that a yes?"

Geralt sighed with resignation and nodded his head. She let out a squeal of delight and rushed over to hug him as she repeated over and over how grateful and happy she was with his decision. A small, subtle smile tugged at his lips, feeling that comforting warmth run through his body as he breathed in the scent of her hair. He was worried about what might happen, but for the moment that didn't matter. All that mattered was the warmth of her body against his and the kiss she planted on his cheek as a thank you. She was happy and that made it all worth it.

"Just don't make me regret it." He warned her and she shook her head.

"I promise I'll be good. You won't regret this, Geralt."

Geralt wouldn't say he regretted his decision completely, but he couldn't say he was happy either. He had greatly underestimated how difficult it would be to travel with her getting distracted every time she saw a pretty bird fly overhead and complaining about the long journey that never seemed to end —she didn't seem to realize that her presence had a lot to do with the slowness of their journey. She wasn't holding up her end of the bargain completely either, which made Geralt worry more than usual about every step he took. While she listened to his directions and stayed in place when he instructed her to, she also took advantage of any moments of distraction —usually when he slept— to wander around the forest alone and without carrying a weapon to protect herself.

It wasn't all bad, though. Yes, she drove him mad with her songs to nature and her need to stop every time they came across a wounded animal, but Geralt couldn't deny that a part of him loved that about her. He loved seeing the smile that appeared on her face when a deer crossed her path or the sparkle in her eyes as she admired the sun setting over the river. There was an innocence in her attitude that captivated him. An amazement at the world around her that was so foreign to him, and yet so charming. After living so many years on the continent, he could not imagine experiencing such a fascination with the world. He admired it in a way, it reminded him of a time long ago, of a life he thought was buried in the darkness of his memory. It was part of her charm, part of the reason he couldn't seem to get away from her. She awakened the good in him, a light he thought he had lost after undergoing the mutations that turned him into the witcher he was today.

So, as much as he panicked every time she got too far away from him, he still wouldn't change a thing. Everything that made him groan in the daytime was worth it when she would curl up against him in front of the campfire at night, resting her head on his shoulder as she let the calm of the forest soothe her to sleep. It was actually embarrassing how much time Geralt spent admiring her beauty under the moonlight, watching her sleep peacefully curled up next to him as if she were the most beautiful piece of art he had ever seen. There was something about nature and the outdoors that awakened a special glow in her, a magnetic aura that kept him from taking his eyes off her. So he stayed awake at night longer than he should, watching her sleep while his mind was lost in thought.

She was the last thing he saw before falling asleep, the last thing he thought about and dreamed about. Every night Geralt would give her a kiss on the forehead before settling down beside her. It was quick and soft so as not to disturb her sleep, but he needed it to know that she was real, that someone so wonderful had decided to follow him in his dark and tumultuous life. Every night, the witcher went to sleep thinking about her, how lucky he was to have her by his side and how important she was to him. He thought of the dangers that surrounded him and silently wished that nothing bad would ever happen to her. That was one of the recurring nightmares he had, returning one night to her hut and not finding her there. The idea of her relationship with him being what would ultimately lead to her demise haunted him.

Not being there to protect her from the evils of the continent was one of his greatest worries. Losing her was his greatest fear. So when he opened his eyes in the morning and did not find her by his side he jumped up as panic began to take over his body. He called her name several times, his voice echoing in the emptiness of the forest, but he got no response other than the sound of fluttering birds fleeing in fear of the disturbance. Geralt was preparing to set out to hunt whatever it was that had taken her, when the wind brought the melodious sound of her voice to his ears. He followed it through the trees and bushes, feeling his nerves calm as he listened to her laughter. She wasn't in danger, she was just being careless, as usual.

"Geralt!" she exclaimed with a smile as she looked up to meet her companion's white hair sticking out among the green bushes. "Thank the gods that you are here, I need you to help me move him."

The witcher looked at her in confusion for a moment, until he looked down at her lap where a badly wounded creature rested. But it wasn't just any creature, it was a hirikka that looked at him with big yellow eyes full of terror. From the size of the beast, Geralt guessed it was just a puppy, and since it wasn't attacking anyone he assumed it was well fed —though his benevolence could very well be just the effect of the young princess on the creature since she tended to have a special relationship with animals. Still, it had been careless of her to approach the animal, especially while he slept. If the creature had been adult and hungry, it could have been very dangerous for her.

"Don't look at me like that," she said before Geralt could open his mouth. He didn't need to speak to let her know what he thought of her actions, she could read it in his face. "His cries of pain woke me up and I just couldn't leave him to suffer."

"So you walked away from the camp and tended to the wounds of a dangerous creature without bothering to even wake me up?"

"Oh he could never hurt me! Look at those big, adorable eyes! He wouldn't hurt a fly, would you baby?" she excused herself, petting the hirikka's head as if it were a dog.

"He could have hurt you if he was hungry." the witcher huffed, unable to believe he was having such a conversation.

"He's a baby, Geralt, and it's wounded. I'm pretty sure I can defend myself from a wounded animal."

"That's not the point. You risked your life wandering into the woods like that!"

"I'm fine!" She dismissed his concerns, completely oblivious to the panic that swept through him when he woke up without her by his side. "Now help me move him, we need to get him to the mountain."

"What?"

"Correct me if I'm wrong, but hirikkas usually live around the mountains, right?" Geralt nodded, already guessing where the young woman's argument was headed. "That means that this poor little thing is far from home. He probably came here for food and then got lost and wounded. We need to find his family so they can protect him."

"Hirikkas are a really rare species, what makes you think he even has a family in the first place?"

"Well, he's young he has to have someone taking care of him." She said as it was obvious causing Geralt to roll his eyes.

"We passed the mountains two days ago, we can't just go back to search for a group of creatures that may not even be there in the first place."

"We can't leave him here alone either, he will die! You said it yourself, hirikkas are a rare species, if someone finds him they're definitely going to kill him!"

"Sunshine, we can't…"

"Please! We don't even have to get him to the mountains, just close enough for his family to hear his cries." She looked up at him with glassy eyes and a pout on her lips. How could he refuse her wishes when she looked so adorable and vulnerable? It was a waste of time, but he didn't have the heart to tell her that. She was too pure, too good for this world.

He knew how much she cared for the animals, the urge she felt to help them. According to the things she had told him about her life, the woods surrounding her old home had been her refuge. She hid there to escape the orders and hurtful comments of her family, finding more support in the wild rabbits and deers than in the people who lived in her castle. It was also the place where she had discovered her magical healing skills and the only place where she tended to use them. She had a deep connection with nature and Geralt knew there would be no convincing her to leave the animal alone to its fate.

"We'd have to backtrack two days of travel." He tried to reason with her, a last resort to see if he could get her to change her mind.

"You don't have to come if you don't want to, just help me load him on the horse and I'll go by myself. You can go to the village and wait for me there."

"I'm not leaving you out here alone!" Geralt firmly stated. Then he let out a sigh of defeat. "You stay here, I'll go find Roach."

He made his way back to Roach mumbling to himself, unable to believe he had agreed to waste time backtracking his steps to help an injured animal. It was sad, yes, but normally he wouldn't stop for it. It's the law of nature. You are born, you grow, you reproduce and eventually you die. There was no point in worrying about things that were out of one's control.

But she cared. Even if it was an animal that inspired terror in most people. Even if it was a small, insignificant creature that no one would miss, she would. She still talked about the rodent she once rescued from the clutches of a hungry owl as if it was one of the greatest accomplishments of her life. She cared about everyone, even when no one seemed to care about her —her family had stopped looking for her long ago and her subjects had not been saddened by the news. She cared, and that was enough for him to care too.

"What am I doing?" muttered Geralt to himself as he adjusted the horse's saddle. "Wasting days of travel just for a wounded animal." Roach snorted, shaking her head and tugging at the reins in the witcher's hands. He took a moment to pet the animal, letting out an airy chuckle. "I know, I know, she's worth it." He added before setting off down the path to where she stood waiting for him. She had won yet again.

“Oh stop being so grumpy! It wasn’t that bad.” She exclaimed, playfully nudging at his shoulder in an attempt to get a smile out of the witcher. He had been silent for hours now, communicating with her through grunts and frowns. Sure, the rain that had caught them in the middle of their journey wasn't ideal, but at least they were close to town when the first drops began to fall from the sky. "For a person who lives on the road, you don't seem too used to riding in a little rain."

"I am, I just find it annoying when we weren't supposed to be out in the rain in the first place." Geralt grumbled and she smiled, happy that he was back to communicating verbally.

"You don't know that, something else could have slowed us down along the way."

"Yes, probably another wounded animal." he mumbled to himself, though she heard him anyway and gave him a punch in the shoulder that probably hurt her more than it hurt him.

"We saved a vulnerable creature from a terrible fate, you should be proud of that!" She insisted, pushing open the doors of the inn where they had stopped for shelter.

The warmth from the interior suddenly hit her, embracing her wet skin and making her realize how cold she really was. The cloak she'd worn to protect herself from the water didn't do much given the force of the storm, but she would never admit that to Geralt - to do so would mean agreeing with him and she wasn't about to do that, not in that at least. The inn's common room was full of people, some wet and tired like them, others dancing and singing, no doubt after having had a few too many drinks. There was a fireplace in the center of the room that provided warmth and illumination. Her eyes were lost in the glowing flames for a moment, wishing she could get closer to the fire to keep the cold from chilling her bones. But she gave Geralt a quick glance and knew she couldn't do that, not without him smiling victoriously at her. So instead she decided to approach who seemed to be the owner of the place to get a room.

"You stay here, he's not going to give us a room if he sees that look on your face." she said, disappearing into the sea of people before Geralt could defend himself against her comment —although he was fairly certain she had a point.

The inn owner seemed to be a kind man, though he looked overwhelmed with the number of visitors he was receiving. Apparently the storm had brought with it more people than usually passed through those roads and the man and his helpers struggled to accommodate them all. He was running from place to place, checking the available rooms at every turn and chasing after his workers to escort people to their quarters. The waitresses were also overworked, navigating the crowds of people to bring jars of beer and plates of warm food to the tables full of cold people. Taking a closer look at the state of the place made her begin to fear that she might not find an available room. She had no idea how far it would be to the next inn, but even if it was a couple of feet away, it would be too far for the heavy rain falling from the sky. If they had to go out and get wet again, she would have to put up with Geralt's scowl for the rest of the night and as cute as he looked when he was angry, she didn't feel like listening to his complaints.

“Letha! Could you please check if room ten is still available?” The man shouted, calling out to his maid, when she asked if they still had any rooms available. "I'm sorry, it'll just be a moment."

"Busy night, huh?" She tried to make small talk, finding the silence too uncomfortable to bear.

"Yeah, it's a miracle! I haven't had the place this crowded in a long time."

"Why not? It's a beautiful place."

"There have been strange happenings going on in this part of town that affected businesses like mine." The man explained with some sadness and insecurity in his voice. It was subtle, but enough to peak his curiosity. So she continued to question him in hopes that he would share more of that mystery with her.

"There have been strange disappearances, people vanishing into thin air leaving almost no trace of their passage through these lands. At first they were just travelers, so no one really noticed or cared, myself included. Until it started to happen a lot more frequently. Every couple of days someone would find some traveler's belongings scattered along the road leading out of town, but no trace of the person. Eventually word spread and travelers stopped using this road to come into town and both my business and neighboring ones were severely affected."

"Do you know what it is that is causing these disappearances? Do you have any theories?"

"People say the road is cursed, I've heard people talk about an evil witch and others claim it's a punishment from the gods, but no one knows what's really going on. The rest of the town doesn't believe us much either, so the mayor doesn't do anything about it."

"He's going to pay for that mistake," a waitress interrupted the conversation, leaving the empty tray on the counter as she leaned over the wood to join the conversation. "It's getting worse. Now that there's no more travelers, people from the town are starting to disappear. If he doesn't believe us now, he will soon."

The young princess wanted to continue investigating, but before she could ask about the recent disappearances, the maid returned to tell her that room ten was ready for use. She thanked her and paid for the night using the money she had earned selling her goods at the fair in the village where she lived. It was her way of compensating Geralt for the inconvenience caused without having to admit to his face that he was right.

"We have a room for the night, can you please change your attitude now?" She announced when she returned to him.

Despite her request, Geralt's frown became more prominent. Only this time his eyes were not on her, but on something that had caught his attention over her shoulder. She looked at him with a strange look on her eyes, but before she could ask him what it was that was bothering him now, she felt the weight of a hand on her shoulder. Turning, she met the face of a curly-haired man that had the most beautiful hazel eyes she had ever seen. He was cute, she thought, so she offered him a smile.

He introduced himself as Arlan, not wasting a second before showing his true intentions as he made a subtle bow while kissing the back of her hand in a flirtatious manner. He mentioned something about her beauty - how he had noticed her as soon as she walked through the doors since she lit up the room with her smile or something like that - a corny line, but one that could have been effective were it not for the fact that her heart already belonged to someone else. The man invited her to dine with him in a very respectful manner, and a part of her was tempted to accept his offer. After all, she wasn't used to receiving that kind of attention. But before she could utter a sound, Geralt cleared his throat behind her back to make himself noticed.

"She can't, she's busy. Goodbye." He answered for her in a much more serious and intimidating tone than usual. He fixed his gaze on the man, looking at him with that intimidating look he gave when he wanted to make sure no one bothered him. His yellow eyes flared with anger, his brow furrowed in annoyance. It didn't take long before the man fled in fright, muttering something about rescheduling for another time with no real conviction in his voice.

"Geralt!" the young woman turned to deliver a punch on his shoulder. "That wasn't very nice of you! Why did you do that?"

"He was being annoying, so I made him leave."

"No he wasn't, he was being nice and polite." She crossed her arms, looking at the witcher with confusion. She had never seen him act like this before. Grumpy and bitter, sure, hundreds of times, but there was something different about the way he reacted. He had been too quick to dismiss the man, speaking through gritted teeth as if he was holding back the urge to separate his head from his neck. It made no sense, the poor guy was just flirting with her, no reason to spark such a reaction from Geralt.

Unless...

"Is that jealousy I detect in those intimidating yellow eyes?" She laughed and Geralt let out a snort. "Are you jealous? Were you afraid I was going to leave you for him?" She was partially joking, taking the opportunity to tease him and see if she could get a smile out of him, but she couldn't deny that the mere possibility of that being true made her heart beat rapidly in her chest.

"I'm not jealous, I'm protecting you from a bastard that wants nothing more than to defile your honor."

"He didn't seem like a bastard to me."

"We were outside in the pouring rain, sunshine. You're soaking wet and your clothes stick to your body leaving nothing to the imagination. That's all he saw when you walked into the room, not your smile or whatever lie he told."

Geralt didn't want to sound mean, but the truth was that she could be very innocent at times. She was unaware of the effect she had on others, especially when it came to physical attraction. Geralt saw the way men looked at her and didn't like it one bit. But she didn't usually notice those details, which made him want to protect her even more.

She wanted to scold him, but he gave her no chance as he took her by the arm and dragged her through the crowd to their room. The moment the door closed behind them, Geralt instructed her to take off her wet clothes before she got sick. She let out a giggle as she took off her wet cloak, telling him that he should at least invite her to eat before asking her to do something like that.

"I mean, at least Arlan was willing to do that." She joked and Geralt gave her an unamused look.

"You know what I meant."

"Yes, and I just made a joke. Lighten up a bit! You know it won't kill you to smile, right?" The witcher replied by tossing her the bag with the extra clothes she had brought, giving her a last glance before starting to change himself.

The young princess's eyes admired his naked torso for longer than was appropriate. She was used to seeing him like this, but she could never get used to the tingling in her stomach when she noticed the way the muscles in his back and arms flexed when he moved. It left her completely stupid for a few seconds, mind malfunctioning as the images of his body occupied the full capacity of her thoughts. She noticed the water droplets sliding down his skin, traveling down his scars until they disappeared at the line of his pants. That gave her the urge to reach out to touch him, to trace those lines with her own fingers, but the sound of Geralt clearing his throat brought her out of her trance.

With her face burning with embarrassment, the young woman blurted out a quick comment about how well the last wound she had treated was healing. It was a stupid excuse and not at all believable, but it was better than admitting that she lost her mind every time he took off his shirt. He knew she was lying. She knew he knew she was lying. But she didn't give him time to react, grabbing her clothes and disappearing for a much needed bath.

Geralt stood alone in the room, staring at the wood of the door with a small smile plastered on his face. She looked adorable when she was flustered and he was proud to be the reason behind it. It was a kind of vindication that put his jealousy to rest after having to endure the audacity of that man and her teasing in response. The unspoken thing they shared wasn't just in his head. She only had eyes for him, just as he only had eyes for her.

It was rather twisted of him to want her so much when he knew he couldn't –or rather, shouldn't— have her. Geralt knew that nothing good could come from him following his feelings. They were not meant to be together, they were far too different, with far too opposite lives. He would only end up hurting her either physically, putting her life at risk because of his profession, or emotionally, when reality would explode the fantasy bubble and force them to face it. He was not meant to settle down in one place and live a calm and happy life. Maybe at some point in the distant past he was, long before he went through the mutation process that had turned him into the witcher he was now. But he had accepted long ago that that life, the possibilities and paths he could have taken, had died the moment the mutations began to change his body. It made no sense to duel in the past, to fight against nature to force something that was impossible. It was a waste of time and energy.

Geralt had lived by that principle most of his life. However, when it came to her he couldn't help but wonder what would happen if he decided to stay, if he left everything behind to follow his heart. Intoxicated by the scent of her hair and enraptured by the sound of her laughter it was easy to lose himself in the fantasy that they had a future together, that their relationship could be more than fleeting visits and late night escapes to avoid facing the reality of the mornings. He would have to be extra careful on this trip, control his emotions so as not to give in to the fantasy.

By the time she returned, Geralt was waiting for her with a tray of food resting on the small table in the center of the room. There were two plates of steaming stew, some bread, and two jars of ale. She smiled at the gesture, feeling warmth spreading through her body from her stomach as she approached Geralt.

"What is this?" She asked him, sitting down in the free chair to better inspect the food.

"I thought we'd be more comfortable eating here, away from all the noise and the people walking around." He explained as he brought the jar of beer to his mouth. She looked at him for a moment, studying his face with her eyes before letting out a chuckle. "What?"

"You really don't want me around that man, huh?" He looked at her, but didn't answer, though she didn't need him to know the answer to her question. "It's a shame because now we won't get to hear the stories about this place and the details about the job I found for you."

"What job?"

She smiled at his curiosity and proceeded to tell him what little she had managed to get out of the inn owner about the strange disappearances threatening the village. They discussed the details as they ate, debating whether there would be any veracity to the man's claims or if they were all bullshit. She felt proud of herself for having been the one to discover the problem, happy to be able to show Geralt that her presence was not completely useless.

She could get used to his life, be more than his healer. She needed some time to get used to his rhythms, but she could be useful. She could get used to anything to be by his side, to share more than a couple of days with him and then miss him for months. If this trip had proven anything, it was that no matter where they were, she would always feel at home if Geralt was by her side. He was her true home, the place where she belonged. She had been going mad looking for her purpose, her place in the world, when in reality she had already found it. It was to be by Geralt's side, to heal him and protect him from all evil. He was the piece she was missing, the only one capable of filling the emptiness that weighed her down. She wanted to be with him, she needed him to feel complete, and she was willing to do anything to show Geralt that a future together was possible, that she could adapt to live in his world.

Another disappearance occurred that same night while the town slept, but no one heard about it until the next morning, after the storm had passed. Geralt spent the day listening to the stories and opinions of anyone willing to speak on the subject, which, honestly, were more than he expected. Having his sweet princess by his side helped people open up to him. Normally he used to appear too intimidating, but with her by his side everything was easier. She was so kind and caring when talking to people that no one could refuse to answer her questions. Geralt found it comforting to know that he was not the only one unable to resist her charms.

They were talking to a waitress about the rumors she had heard when a woman entered the inn. She immediately caught Geralt's attention because she looked visibly distressed. Her voice was muffled and in her trembling hands she held a cloth handkerchief that she used to wipe away the tears that streamed down her cheeks. Apparently she knew the owner of the inn because she asked to speak to him personally and burst into tears in his arms when the answer to her question was negative. Geralt gestured to the young princess and they approached them to find out if the woman's grief had anything to do with their little investigation.

"Is there anything we can do to help?" She said in a soft tone so as not to upset the poor woman even more.

"Her son is missing." The innkeeper explained to them as he tried to calm the woman's desperate crying with gentle caresses on her back. "He went out last night and never came back home. She's been asking around town and nobody has seen him."

"Is it possible that he got lost in the storm?" Geralt asked and the man shook his head, assuring him that the young man was a skilled traveler and tracker who knew the town like the back of his hand.

"It was her! I told him it wasn't wise to go out... let someone else take care of her... but he didn't listen." The woman spoke between sobs emerging from the innkeeper's arms to wipe her tears with her handkerchief.

"I'm sorry, her? There was a woman?" The princess asked and the woman nodded her head. She then proceeded to tell them about her son's last moments.

Apparently he was sheltering their farm animals from the storm when he noticed a young woman standing in the rain. She had long, jet black hair that clung to her pale skin from the water. Her dress was dirty and had the edges of the skirt in shreds, as if she had been running through the forest and the fabric had been torn by branches and bushes. She looked lost and out of place, so the young man felt the need to help her. Her mother had objected to him inviting her to spend the night at their house, acting cautiously since rumors of the mysterious disappearances had only grown in recent months. So the young man told her that he would just make sure she was all right and accompany her to an inn for the night. She watched them disappear into the darkness from her kitchen window and that was the last contact she had with her son.

"I knew something was wrong." The woman sobbed. "She was just standing there in the rain, like she was waiting for someone to pass by and fall for her trap. I should have stopped him, I should have done more." The princess patted her shoulder in support, trying to do something to make the woman feel better —even though she knew nothing she could do or say would ease the pain of a mother worried about her child.

"You are a witcher, isn't there something that you can do?" The innkeeper asked and the woman looked at him with a glimmer of hope in her eyes. It was clear that she was so distressed that she had not been able to recognize the clear details that indicated that the big, strong man in front of her was not an ordinary human.

"I don't have much, but I can talk to my neighbors, the other people affected by this creature, everybody who believes it's a threat to the town and find a way to pay for your service... anything to find my boy and make sure this doesn't happen again."

Geralt named his price before the woman ran out of there to round up her neighbors, though he would have taken care of the problem even if they didn't pay him for his services. He then set out to walk through the town, visiting some of the places that had been mentioned by the locals in search of evidence, though he had a good idea what it was that was haunting the locals. The princess followed him closely, remaining surprisingly silent for a long time. She wanted to give him space to work, to let him concentrate and do whatever it was he needed to do to help the villagers. But after spending several minutes in silence, she could no longer contain her curiosity.

"So, what do you think?" She eventually asked him as they walked down the road where most of the disappearances had occurred, just outside of town. "Any theories about what this thing is?"

"For what they describe, I'm almost certain it is a Bruxa." The witcher replied, leaning over the ground to inspect possible footprints. "And it has to have a refugee nearby."

"A Bruxa?" She repeated with a slight frown of confusion. She had never heard that term before. Truth be told, she had never heard of most of the creatures Geralt told her about. Her kingdom was small, quiet, they didn't usually have attacks from beasts of that nature. And if they did, her parents didn't tell her about it. In her kingdom magic and everything related to it were frowned upon, hence she had learned about her abilities from a servant girl who taught her in secret from everyone. From what she understood, magic ran in the family's blood —although it tended to skip generations—, but it had always brought trouble and misfortune, so it had been forbidden in the kingdom, leaving her completely alienated and unaware of the best stories and legends the continent had to offer.

"It's a type of vampire, very powerful, that usually takes the form of a dark haired young woman to lure people into its trap."

"So you know how to kill it? I mean, of course you know how to kill it, what am I saying!"

Geralt bit back a smile. "Silver does the trick, but we need to find it first."

He explained that they usually lived away from large conglomerations of people as a form of protection, but the fact that she always attacked on the same road made him think that she must be taking refuge nearby. So they wandered through the forest surrounding the road to the village, looking for any sign that might indicate the bruxa's whereabouts. But the creature was clever, it knew how to cover its tracks, so they spent most of the day walking around and only found a couple of drops of blood and drag marks that led them nowhere. Suddenly, the princess understood how she had managed to go unnoticed for so long. If she hadn't talked to the locals and listened to the sobs of that desperate mother, she wouldn't believe that anything out of the ordinary was going on there.

"I think we are not being smart about this." She broke the silence as her patience began to wear thin. "We are never going to find her like this."

"What do you suggest we do?" Geralt inquired, partially intrigued by whatever it was she had in mind. It was interesting for him to work with her. Usually he did things alone, but her naive curiosity and sweet kindness provided a different look that changed his usual patterns.

"We know she's going to attack again, right? So we just have to make sure we are there next time to stop her."

"We can't predict who she will stack next."

"No, but we can lure her out of hiding... bring the food out here to her to tempt her and hopefully force her to make a mistake."

"So, you're saying we should use someone as bait?" Geralt looked at her with a raised eyebrow. He'd be lying if he said he wasn't surprised by her words, she didn't seem like the type of person who was willing to put others at risk for a greater good. Granted, he was going to be there the whole time and wouldn't let anything bad happen, but still, he couldn't believe that idea had come from the same young woman who had made him backtrack days of travel to help an injured animal find his family.

"Not someone. Me." She said almost casually, preparing to meet the witcher's firm refusal. He looked at her for a moment, thinking she was playing some kind of joke on him that he didn't find funny. But when he saw the determination in her eyes he had to intervene.

"Absolutely not! It's too dangerous." His tone was serious as was his gaze, a way of letting her know that this time he would not give in.

"What other choice do we have? Wait for it to kill someone else? Wander aimlessly around the woods for eternity?" She tried to reason with him. They had been walking around there for hours without much success and, while this was not something she did often, she suspected that things would not improve even if they kept looking. The bruxa was smart and wasn't going to let herself be found easily. Waiting for her to attack again was not an option either. Geralt was just one man and there was too much ground to cover. And there was no way to predict who her next victim would be. If they wanted to end this quickly they would have to force her out of hiding.

"I'm not using you as bait, sunshine." Geralt growled.

"Well, we can't risk the lives of the people in town and you can't be the bait either because she will know what you are. I don't see any other option, Geralt."

"I'm not going to risk your life for this, forget it."

"My life would not be at risk, not with you there. I trust you, probably more than I should." She tried to joke to ease the tension in the air, but Geralt did not laugh. His eyes softened, however, touched by her faith in him. It warmed his heart to notice the admiration in her eyes, the way she looked at him as if she was sure he could handle anything. It meant a lot to him that she trusted him with her life, but he couldn't help thinking that part of her did it because she was too innocent and unaware of the real risks his profession entailed. That was the only way she could be volunteering for such a task.

"Sunshine..." Geralt's voice became softer, a subtle plea for her to reconsider her stance.

"I want to do it. I want to help you... I want to help the people in town." She bit her tongue to keep from blurting out what she really wanted to say. More than anything else, she wanted to prove herself and show Geralt that his life was not incompatible with hers. Maybe she would need some training, but there was a place for her in Geralt's world. She knew it now and hoped she could prove it to him.

Geralt looked at her and once again knew he couldn't refuse her. He hated the way she was able to convince him of anything with a simple look. All she had to do was bat her eyelashes and he would fall surrendered at her feet, willing to do anything she wanted.

"If we're going to do this, I need you to promise me that you'll listen to everything I say." the witcher sighed, defeated. "And I mean it this time. If I tell you to run, you run. If I tell you to hide, you hide. Is that clear?" She nodded, but that wasn't enough for him. Several times in the past she had promised the same thing and failed to deliver. He needed to make sure she understood the gravity of the situation. "I mean it, sunshine, there is no room for error in this."

The young princess then took one of Geralt's hands between her own. He was much larger than she was so that she had to use both of her hands in order to completely envelop one of his. She gave it a light squeeze and looking into his eyes as she said, "I promise to follow your every order this time."

It wasn't enough to loosen the knot that had formed in the witcher's stomach, but it was a start.

She lost count of how many times she had tossed and turned in bed since she went to sleep. They had a long day ahead of them tomorrow, so Geralt decided it would be best to get a good night's sleep. She had agreed with him, especially since she felt tired after the long walk through the forest they had taken. But the moment her head hit the pillow, sleep disappeared from her body. She still felt tired —the muscles in her legs complained from the exercise and her eyelids were heavy as if she hadn't blinked for hours—, yet she was unable to fall asleep. It was as if her own mind was refusing to rest, seeking to punish her for who knows what.

She was surprised that Geralt hadn't complained about her restlessness already. He was a light sleeper and usually the slightest movement would wake him up. Several times in the past she had earned grunts of annoyance and even forced hugs for her inability to sit still, but when she turned once more to look at him she noticed that he had his eyes closed and his breathing was relaxed. She could see half of his face thanks to the moonlight coming through the window, illuminating his features and making him look softer than usual. She always loved to watch him sleep. There were not many occasions when she had the opportunity to do so since she was always the one who fell asleep first. But on the rare occasions when he did fall asleep first, she loved to admire him in silence as he rested. There was something so special and intimate about it-the way his chest moved up and down with his soft breathing, how his features relaxed completely beneath the unruly strands of white hair that clung to his face-she simply couldn't take her eyes off him.

It usually brought her peace to see him sleeping so peacefully. She fought the heaviness of her eyelids as much as she could, wanting to take advantage of every second of those moments to admire his beauty in a way she couldn't when he was awake, but eventually sleep always got the better of her. Just looking at him being so comfortable and relaxed next to her was enough to silence any voice in her mind that deprived her of her sleep. So she turned her attention back to the man lying to her left in the hope that it would help her sleep as it always did. She ran her eyes over his face, admiring the way his eyelashes almost caressed his cheeks, tracing the shape of his nose and cheek bone. Down his defined jawline to his neck and then she became distracted by the scars that adorned his body. She had them memorized after healing his wounds for so long, to the point that she didn't need the moonlight to fully shine on his chest to locate them on his skin. Even in the dark she could visualize them in her mind.

Her eyes focused on the scar that adorned his collarbone. A long, thin line was all that remained of the deep cut she had had to heal. Her finger traced the textured skin as her mind was lost in the memories of that night. It wasn't the worst state he had been in when he had shown up at her door, but still his wounds were quite deep. She had first had to clean the blood that covered his chest in order to find them all.

She liked Geralt's scars. Not only were they a part of him that she couldn't picture him without, but they were also a physical representation of his history. He carried imprinted on his skin the moments they had shared together, an indelible sign that marked her passage through the witcher's life. And every time she saw them, she couldn't help but remember those moments.

“You can't sleep either, huh?” Geralt's hoarse voice took her by surprise, snapping her out of her thoughts. When she looked up she met the witcher's amber eyes watching her curiously. A cheeky smile formed on his lips as he noticed her embarrassment at being caught in that position. She removed her hand from his chest as if his skin was burning her fingers, feeling the blood from his body travel up to pool in her cheeks. Geralt had to restrain the urge to put her hand back where it was, already missing the gentle caress of her fingers on his skin.

"No." She replied in a small voice, refusing to look up to meet his face.

There were a few seconds of silence before Geralt spoke again. "Are you scared for tomorrow?"

"I don't know if scared would be exactly the word I would use, but certainly nervous. I guess, I don't really know what to expect and that makes me feel weird... but I want to do it, so you can't convince me otherwise." she hurried to say to make sure Geralt knew she was strong and determined.

The witcher sighed and there was another moment of silence before she worked up the courage to speak again, this time looking up to meet his eyes. "Are you? Scared, I mean."

“I suppose it worries me that you may get hurt in the fight.”

"Well, don't be. Everything will be fine, you are going to kill the bruxa and nothing bad will happen to me or the people in town." She tried to reassure him, giving him a small smile. Geralt appreciated the gesture, but wished things were that simple.

"It's not as simple as that." He sighed, reaching up to brush a strand of her hair away from her face so he could get a good look at her in the dim moonlight. "Things can escalate really quickly and go wrong... I'm not invincible, sunshine. It happened to me before and it cost the life of a princess too."

A sudden sadness came into Geralt's eyes. He was looking at her, but it was as if he was looking right through her as he got lost in thought. She wondered what kind of memories were flooding his mind. He never told her about that story and she couldn't help but be curious. She wanted to ask him if he wanted to talk about it, but regretted it at the last minute, choosing to comfort him rather than question him.

"I'm not completely useless, you know? Back at the castle they taught me to defend myself."

"Not from these creatures, sunshine." She could sense the concern in his voice. It warmed her heart to know that he cared so much about her. It almost made her want to give up, just to bring some peace to his troubled mind. But she couldn't, she had to prove herself, prove she could do it.

Reaching out, she let her fingers trace the line of his cheek bone. Geralt closed his eyes momentarily, enjoying the warmth of her caress. Then he rested his own hand on top of hers, trapping it in place so she couldn't pull it away. He needed that. He needed to feel her, her warmth, her affection, it helped him silence his thoughts.

"Would it help quiet your mind if you taught me some tricks to protect myself?" She asked him in a soft voice. "I'm a fast learner."

"Well, I suppose I could teach you about the signs. You have an aptitude for magic, so I'm certain that you will be able to conjure them."

Geralt slipped her hand from his cheek, but kept his hand on hers at all times as he briefly explained what the signs were and the uses they had. She listened carefully to every word, admiring the way his lips moved as he spoke. She loved when he told her stories of his adventures or explained details about his world, not only because she found his deep, monotone voice incredibly soothing, but also because it made her feel closer to him.

"I think the best ones to teach you right now are Aard and Quen. They are probably the most useful ones for protecting you from this particular creature." He explained, raising the young woman's hand in the air. "The form and position of your hand is very important when casting a sign. For Aard you have to have your fingers like this."

He pressed his palm against the back of her hand, positioning his fingers over hers. Slowly he bent her middle finger downward, leaving the other four aligned upward. The young woman couldn't help but notice the way Geralt's hand completely covered hers, making her feel smaller than normal next to him. The warmth of his skin felt good, comforting, it made her wish he would never move his hand away from her. She would live holding his hand if that were humanly possible. There was something about feeling his skin against hers that awakened a comforting warmth that spread throughout her entire body. It made her feel comfortable, at peace.

When she looked up, she found that Geralt's eyes were fixed on her face. The blood rushed to her cheeks once again, somehow feeling vulnerable under his watchful gaze. But she detected in them a special glow that let her know he felt the same peace in having their hands intertwined. And that put a small smile on her lips.

"This sign channels the energy of the air, so when you cast it you should focus on that... feel the air around you, how it flows, the way it makes the tree tops shake and your hair dance around you..." Geralt's voice gradually faded to a hoarse whisper. Instinctively he moved a little closer to her, their faces mere inches apart as he lost himself in images of her walking through the forest with a smile as her hair danced in the wind. His eyes fell to her lips and he felt the urge to kiss her. They looked so soft and inviting, so appetizing, as if they had been created just for him to kiss. But before he could act on his urges, her voice snapped him out of his trance, bringing him suddenly back to reality.

"What's the next one like?" She asked, her voice barely a whisper. It was as if she felt sorry for ruining the moment, as if she felt compelled by the tension in the air to say something, but she really didn't want him to hear her.

Geralt cleared his throat before replying. "Quen is a protective sign, it can create a protective shield around you so I'd suggest you learn this one well. To cast it you need to bend your pinky finger, like this." He changed the position of his hand along with hers, helping her with his finger to bend her pinky.

"Can I try?" She sat on the bed to make herself more comfortable and Geralt followed. He placed his hand back on hers and guided her through the summoning process.

"Focus on your surroundings." He whispered in her ear, making her shiver.

Concentrating was harder than it seemed when she could feel the heat his body emanated and every breath he took. It collided against the sensitive skin of her neck, making the baby hairs on the back of her head stand up. Geralt had to know the effect his closeness had on her. She was pretty sure the entire inn could hear the way her heart was pounding rapidly, crashing violently against her chest. He knew and he was doing it on purpose, she was convinced of that.

"Close your eyes and visualize a shield of energy around you." He continued speaking as if nothing was happening. She listened to him, trying to ignore the butterflies fluttering in her stomach, but it was almost impossible. Especially when she could feel Geralt's lips brushing against her ear as he spoke.

Then she felt a spark, a current of energy shooting from the joining of their hands. She flinched and opened her eyes, taking a moment to admire their hands before looking at Geralt to see if he had felt the same thing she had.

"You almost got it." He encouraged her. "Focus, sunshine, come on."

She took a deep breath, relaxing her shoulders before trying the conjuring again. This time she didn't seek to push the feelings that Geralt's proximity aroused in her. On the contrary, she used them. He was the only thing that mattered to her in that room, the only thing that existed besides her. He was her world, so why not concentrate on him? She let the warmth of his body envelop her, let the scent of leather and wet dirt that was characteristic of him assault her nostrils. She concentrated on the harmonious depth of his voice, letting the baritone sound travel through her ears and through her body.

She felt the spark once again, only it was much stronger this time. Her hand tingled and then she felt a rush of warmth shoot out of her. When she opened her eyes she found a layer of translucent white energy enveloping her and Geralt. It lasted only a few seconds because she broke her concentration, feeling incredibly proud of herself for successfully summoning the signal on her second attempt. It wasn't necessarily a big deal, but ever since she was a child she had grown accustomed to hearing that she was clumsy and useless and couldn't do anything right, so she had gotten into the habit of celebrating even her smallest accomplishments.

"I did it!" The princess exclaimed with a smile, throwing herself into Geralt's arms. Her embrace took him by surprise, but he didn't hesitate to wrap his arms around her waist, pulling her tightly against his chest. He allowed himself to get lost in the warmth of her body for a moment, enjoying the floral scent of her hair as he tried to burn every detail of that moment into his memory.

"Give me a couple of training sessions and I could take your job." She joked, exaggerating her merit, and earning a small smile from Geralt.

The plan was simple. The princess would pose as a lost traveler looking for directions in the hopes that her apparent vulnerability would force the bruxa to come out of hiding. Geralt would be following her closely, hiding among the trees and bushes so as not to draw attention to himself. Once the fight broke out, she was under strict orders to run to Roach and take cover in a safe area where he had marked the Yrden sign on a tree. If they were lucky he would manage to draw the creature's attention to him long enough for her to escape. He doubted it would follow her after that, the bruxa seemed to be too clever to risk entering an area protected by Yrden just to catch a girl.

Even though the creature usually preferred to hunt men —probably because they were easier to trick—, it didn't take long for it to appear on the trail just where the villagers said it would. It happened in the blink of an eye, and without much sign of its presence other than the sound of branches and leaves rustling near them. The princess was on edge, hyper-aware of every little noise she heard and every movement her eyes could see in the dim moonlight. She jumped in place when she heard the sound of a branch snapping, and turned to look for the source of the sound. She scanned the darkness with her eyes as best she could, but found nothing suspicious, so she returned her gaze to the front.

That's when she saw her.

She was tall and slender, with skin that looked like porcelain. Her long black hair hid her face, though she could feel her intense gaze locked on her. She was standing in front of her, separated by just a couple of inches, and the princess had no idea where she had come from.

She struggled to keep her breathing at a normal level as she spoke explaining her situation to it, hoping it wouldn't be able to hear the rapid beating of her heart or detect the adrenaline coursing through her veins. The last thing she wanted was for the bruxa to discover the trap because of her poor acting skills.

"Oh, I'm sorry that happened to you." The creature said with faked empathy, taking the princess by the hand. She thought about pulling free from its grip, but decided against it at the last moment, thinking it would be too obvious. Geralt was close by and she trusted him completely. "The village is far, you are not going to get there by foot until tomorrow morning."

The bruxa was lying. Her favorite place to hunt wasn't that far from the village and while it might be annoying to walk the distance, it was probably a two hour walk at most. The princess wondered how many poor travelers would have fallen into that trap, believing her words without knowing that in reality salvation was much closer.

"You look tired." The bruxa affirmed and to the princess's surprise, she began to feel the weight on her eyelids and tired body. "I have a place nearby, you can spend the night there and tomorrow you can continue your travel. There's food and a warm bed for you to sleep in."

She was neither tired nor hungry, but the black-haired woman's words sounded tempting. She almost had to fight the urge to accept her proposal, even though she knew that nothing but death awaited her there. The creature was probably using its charms on her, enchanting her into agreeing to go with it without making a scene and attracting the attention of the villagers. She knew it and yet she couldn't resist. If it wasn't for Geralt appearing at that precise moment, she didn't know what would have become of her.

"Run!" was all the witcher said to her as he separated her from the bruxa. His eyes were completely black and his skin was much paler than usual. She had seen him fight before, but never while in his full witcher form. It caught her off guard but she managed to pull herself together quickly enough to get away from the area before the fight really started.

She heard the echoes of the bruxa's screams as she ran. They were deafening and she honestly couldn't believe how Geralt managed to endure them at such close proximity. She had to make the effort not to look back, knowing that if she saw what was happening she wouldn't be able to resist the urge to go over and help him. When she reached Roach she noticed the mare was upset, neighing and whinnying as if she could feel the tension in the air and the fear the princess felt.

"Shh, shh, it's fine! Everything is going to be okay." She tried to calm her down, stroking her soft fur as she watched the fight unfold a few feet away. "Geralt has it under control."

Every word of encouragement she blurted out for Roach, was a word of encouragement for her as well. She knew that Geralt was a very experienced witcher who had probably fought and killed many beasts equally or more dangerous than that bruxa even before she was born, but she couldn't help but worry for his life as she watched the battle. The creature was fast and precise with its attacks, using its scream to stun Geralt whenever it was at a disadvantage. He was able to hurt her a couple of times, but it was nothing lethal so he only managed to infuriate her. And even though she was bleeding even more than he was, that didn't make it any easier to see him get thrown into the air by the bruxa's deafening scream.

In the midst of the battle, the bruxa tried to flee. It changed its human form, transforming into something that the princess could only describe as a bat, only much larger and more horrifying. It spread its long wings and lifted off, escaping from Geralt's clutches just in time. But it didn't disappear for long, as a few seconds later it flew towards him once again, swooping down like a bird determined to catch its prey. Geralt braced himself for the attack and almost succeeded in striking it in the torso with the silver sword. But at the last moment the creature flew up, circled in the air and descended again on the witcher. Only this time it used its scream to launch him a couple of feet away.

Geralt's sword fell to the ground away from his hand at the same time as his head hit a rock. The princess held her breath as she watched the scene unfold in front of her eyes, unconsciously taking a few steps to get closer to him. He was moving, so at least she knew he wasn't dead, but he looked really dazed. The bruxa was flying high circling him like a crow, preparing to attack.

"Come on, Geralt, come on!" She muttered in the darkness, taking a couple more steps. Her eyes went from him to the bruxa, watching its movements, and back to him. He was beginning to regain his abilities, but unfortunately the bruxa had decided it was time to finish him off. Even though Geralt was getting back up, there was no way he could get to his sword in time, and she didn't see anything else he could use to defend himself. So she did the only thing she could do at that moment. She ran at him, breaking the one rule Geralt had imposed on her.

She knew it was stupid and risky, but the adrenaline in her veins and the fear of losing Geralt clouded her thinking. She ran to him ready to assist him because she refused to stand still a second longer, watching helplessly as that creature finished him off. It was reckless and dangerous as hell, but what else could she do when the man she loved was in mortal danger? She would never forgive herself if something happened to him that night because she did nothing to help him.

She couldn't lose him, not like this, not now that they were so close to starting to think about a future together. So she ran as fast as she could, reaching the center of the battle before the bruxa managed to get her claws on her beloved. She then cast an Aard signal, Geralt's words echoing in her mind as a wave of energy was expelled from her hand. She managed to knock the bruxa down a couple of feet away, probably because it wasn't expecting her to join the fight. However, the victory didn't last long as the creature got up and rose into the air, only this time she was its target.

She could hear Geralt's voice shouting her name in the distance, urging her to run for cover, but seeing the speed of the bruxa's flight she knew she wouldn't get very far if she tried to run. So she planted herself in place and cast the Quen signal, creating a protective field around her that she hoped would hold until Geralt could reach her. She struggled to maintain her concentration, pushing aside her fear of facing this beast. But even her best effort could not stand against the bruxa's powerful scream. The moment she opened her mouth, the young woman's shield shattered and she was thrown into the air.

She felt the way her body cut through the wind as she flew. The world around her became a blur as she moved at a speed unnatural for a human being. And then her body hit a tree and she fell to the ground. She felt a sharp pain in the back of her head that left her dazed and disoriented. She could hear Geralt's voice calling her name, but it sounded far away. She tried to get up, but her surroundings began to spin as soon as she moved. She felt a warm, sticky liquid coating her hair, but she didn't have the mental capacity to recognize that it was blood gushing from a wound on her head. She was too disoriented to recognize her own surroundings.

In the midst of the confusion, she was able to feel the bruxa's claws digging into her shoulders. As blurry as her vision was, she could make out the beast's face hanging over hers. She thought that this was going to be the end of her, that horrible image being the last thing she would see before she died. She thought of all the things she regretted, of all the experiences she had missed. And she thought of Geralt too. She thought about how much she loved him and how sorry she was that she hadn't been up front with him about how she felt. Maybe things could have been different if she had told him how much she loved him, but now it was too late.

The bruxa brought her face closer to her and the princess closed her eyes, ready to accept her fate. But instead of feeling her teeth clinging to his neck, she heard it let out a pained whimper. Suddenly, she stopped feeling the weight of its body on hers or the sharpness of its claws on her shoulders. And when she opened her eyes she was met with Geralt's face, who was kneeling beside her.

She felt the warmth of his hands on her cheeks and heard the distant, muffled sound of his voice calling her name and asking her to stay with him. She tried to answer him, but her dazed mind was unable to utter coherent words. She felt cold and tired, the urge to close her eyes growing stronger with each passing second.

"Geralt..." was all she was able to utter before everything went black.

When she opened her eyes again it was already morning, she could tell by the sunlight streaming through the window. It took her a few seconds to understand where she was. Her head was throbbing and her vision was still a little blurry, although she didn't know if it was because of the sleep or her injuries. She tried to move, but regretted it almost immediately when she felt the muscles in her body twitch in pain. She let out a hoarse grunt in protest and felt the sound of someone approaching her. It was then that she realized she was back in her room at the inn and that the man next to her was Geralt.

"You're back." he murmured, sitting down next to her on the bed. "How are you feeling?"

"Like absolute shit, but I'll live." she answered with honesty, making an effort to sit up in bed. Geral helped her, reminding her to take it easy as he arranged the pillow to help support her back more comfortably. "What happened exactly?"

"What do you remember?"

She took a moment to think. She remembered being thrown into the air by the bruxa's scream. She remembered the hard impact of her body against a tree trunk and falling to the cold damp ground of the forest, but it was all a blur after that. She knew she had been scared, that she thought she would die and that one of her last thoughts had been Geralt, but she was missing a few key points that would help her connect it all into a coherent line of events.

"I remember being thrown around and hitting a tree, but not much after that." she finally said, skipping the part where she vividly remembered thinking about how much she loved him.

"That's because you hit your head," he explained. "You were bleeding a lot. I barely got to you before you passed out."

There was a hint of sadness and concern in his voice that made her feel bad for taking such a risk. She could almost feel the despair he had felt at that moment just by looking into his eyes. It made her want to apologize, though she regretted it at the last second. Why would she apologize to him? For risking her life? It was her life, so his opinion shouldn't matter. For hurting herself? It wasn't as if she had done it on purpose. Besides, she wasn't sorry for what she had done. He was in trouble and she stepped in to help him. Even if she had ended up with more serious injuries —or even died— she wouldn't have cared as long as she knew he was okay because of it. His safety was always her top priority, whether it was when he arrived at her front door injured, or when they were in the middle of a battlefield. Her purpose in life was to be by his side to take care of him, so she couldn't let him die at the hands of that bruxa.

"Thank you." She spoke after a long silence. She decided to thank him instead of apologizing, it was more honest to what she really felt and not what she thought she had to say based on the expression on Geralt's face. "I'm guessing you are the one who saved me, so thank you for saving my life."

Geralt let out a long sigh. "I shouldn't have had to. You were supposed to stay behind, out of harm's way."

His intention was not to scold her so quickly. She had barely regained consciousness and he was already complaining about her actions and lack of care. He had spent the entire night awake beside her, watching her sleep in the hopes of seeing her open her eyes again. He imagined that when she did, he would hold her in his arms and tell her how much he loved her, how terrified he had been of losing her and how happy he was to have her back. His intention was to take care of her and make her feel supported and loved. But for some reason seeing her in that weakened state had once again brought out in him that horrible terror he felt when he saw her approach the bruxa.

If the circumstances were different, or if she were someone else, he could probably tell her openly how proud he was of the way she had handled the situation. She had been able to cast the signs without any trouble and for her first time in a battle situation with such a creature, she had been very brave and had put up a good fight. In the future, with more training, he could come to see her as a good ally on the battlefield. The problem was that her life was too important to him to risk it that way. He was used to injuries and being tossed around by the monsters he fought. Hell, he had been created specifically to endure it! But she wasn't. She was a human, fragile and delicate, not made to withstand that kind of combat.

Geralt could not remember a time in his recent past when he had felt the fear that swept over him the moment he saw her challenge the bruxa. And when she fell to the ground after being thrown several feet into the air, he felt the world around him stop for a second, stomach dropping as he waited and prayed to the gods above that she wasn't dead. The pool of blood under her head, the way her eyes slowly closed after whispering his name, it had all been too much for him. Carrying her fainted and bloodied body in his arms back to the village not knowing if she would ever wake up again filled him with a terror he never wanted to feel again in his life.

"Why did you do it?" he asked her after getting no answer from her other than a guilty look, like that of a child caught by his parents doing something mischievous.

"You were in danger," she muttered, lowering her gaze. "She was going to hurt you."

"I had it under control!"

She let out a snort of disbelief. "It didn't look like it."

"It doesn't matter what it looked like, you were supposed to stay behind! You promised you were going to listen to me this time!" Geralt raised his voice, making the princess flinch. She hated it when people yelled, especially men. It brought back bad memories of the life she had left behind. "What were you thinking? You could have been killed!"

"I wasn't thinking! Is that what you want to hear?" She raised the pitch of her voice to match his. "I saw you on the floor and that thing flying at you and I just acted. I'm sorry, but I couldn't stay behind while the man I... care so much about got killed right in front of me." Tears burned in her eyes, but she refused to blink to let them fall. She was determined not to show weakness at that moment, even though she was pretty sure Geralt could read the pain in her expression.

The witcher's cold yellow eyes softened slightly, recognizing in her the same terror he had felt. But the fact that he could understand what had been going through her head at that moment did not change the fact that her actions had been reckless and unacceptable. That was the problem with them, they cared so much about each other to the point that they would not hesitate to put their own lives at risk to save the other. If he didn't have the profession he had, maybe that wouldn't be an obstacle to their happiness. But the reality was that she could not be by his side, accompanying him in his life at all times, without being exposed to danger.

Being a witcher meant looking danger in the face, and while he found it sweet that she cared as much for his safety and well-being as he did for hers, traveling with her would only give her more opportunities to hurt herself in order to save him. Being with him put her at risk not only because of the potential dangers they might encounter along the way, but also because of the strength of the connection they shared. She loved him so much that she was willing to sacrifice her life to save his and if he agreed to take her with him on his travels he would be consciously putting her at risk. She was a stubborn and determined woman, so Geralt could be sure that her behavior would not change no matter how many times she told him otherwise. And he loved her too much to risk losing her.

"I don't think this is going to work." Geralt said, standing up from the bed. "This was a mistake, I never should have taken you with me."

Oh.

She hadn't expected those words. She imagined he would be upset with her for disobeying him. She even expected him not to speak to her for the time it would take him to process the situation. But she didn't think he would ever regret her presence there. She thought she had done enough to prove her worth. Sure, things hadn't gone quite right, but she had proven that her skills —magical and non-magical— were of use to him. Perhaps she needed some more training, but she was very good at dealing with people and her vulnerable appearance made her the perfect bait for traps like the one they had set for the bruxa. She didn't expect Geralt to throw all that aside just because of a stupid wound.

"What is that supposed to mean?" she asked him, trying hard not to let her voice crack as she spoke.

"It means I'm taking you back home as soon as you are ready to travel." Geralt announced in a firm voice before leaving the room with a slam of the door. And just like that, she was left alone, staring at the wood as tears rolled down her cheeks.

She did not speak on the way back any more than was strictly necessary. She did not smile or comment on the beauty of the scenery around her. She didn't chat with Roach in the mornings or stop to play with or heal any of the animals along the way. She didn't even take the time to smell the flowers or listen to the birds sing. It was as if she was a completely different person. It reminded Geralt of how she was when he first met her, quiet, shy and frightened, always scared to say the wrong thing. Her usual sweet and cheerful glow was absent and he couldn't help but feel guilty about it.

He recognized that he had not treated the situation with the care he should have, but he also knew he was doing the right thing. He should never have agreed to take her on one of his trips in the first place, so everything that had happened was his fault. He had been led astray by her charms, by the fantasy of believing that their lives were compatible. He wanted it to be true so badly that he had acted without thinking and as a result had hurt the woman he loved most. He had to fix his mistake and to do so he had to start by recognizing that his dreams were just that, dreams. A future together was not possible because he had not been made to settle down and start a family and she would always be in danger if she joined his travels. So, as much as it pained him, it was best for both of them to keep their lives separate and enjoy the fleeting moments of happiness they had when their paths crossed.

Her usual attitude returned to her when they arrived at her house and it was time to say goodbye. No matter how hurt she was, she couldn't bring herself to ignore Geralt knowing that this could be the last time she would see him for a long time. She gave him a hug that was tighter and lasted longer than it probably should have. But it was what they both needed, a moment to appreciate the comforting warmth of each other's bodies, to feel the spark of love they had for each other floating in the air after days of cold silence. They both needed to tell the other that everything they felt was still there in spite of everything. And both needed to recognize it in the other to know that all was not lost.

As they parted, the princess asked Geralt to be careful, just as she always did when she said her goodbyes to him. She then entered her home and sat in the chair near the door, starting the cycle of worry and uncertainty she found herself in whenever he was away from her home. Once again, her eyes were once again fixed on the dark wood, only this time her chest was heavy with the anguish of not knowing if she would ever see Geralt walk through that door again.

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