#she just would be. and find it very overwhelming.

[barcaatthemoon]

respect || alexia putellas x reader ||

You go back to Alexia after taking some space with the hope to reconcile.

You were absolutely fuming. Alexia had a way of acting like a complete dumbass sometimes. What should have been a nice night out with the team turned into something much more complicated. You wanted to have a good time and enjoy yourself, but then Alexia got jealous. She had a bad habit of getting jealous, and you had finally reached your limit.

It had been over a week and a half since the incident, and you were still pissed. You had seen Alexia since then, but you were wildly good at ignoring her at practice. The two of you lived together, but you hadn't been home since that night. Alexia was hurting, and you were also struggling, but you needed to prove your point.

In the time that you'd been away, you had practically flocked to your older sister. Marta loved you, and she would always take care of you, even if it strained her own relationship a little. You and Caroline were pretty close friends, but it was a little overwhelming for her to live with two very outgoing Spanish women. You knew that you were getting close to the end of your stay, even if you weren't quite ready to face Alexia again.

"Nena, I think that it is time you go back home for a bit. Not a single thing you're wearing right now actually belongs to you." There was a teasing lilt to your sister's voice, but you knew that she was serious. Behind her, you could see Caro standing in the hallway. She seemed a bit more anxious than normal, the kind that came with a certain air of guilt. "I can take you back in a bit."

"It's fine, I'll call a cab," you told her. Marta frowned as she watched you pack up your things. She hadn't meant that you had to leave immediately, but you definitely seemed to take it that way. You weren't mad at her, not really, but Marta knew that it would be a good idea to steer clear of you for the rest of the week.

You had always been very passionate, and with that came a lot of different feelings. Marta knew how hard it could be for you to calm down. Something seemingly small would stay with you for so long, and despite all of the work you had done to stop that habit, you could never quite shake it.

Marta sighed as you seemed to be gone before she could really stop you. A part of her wondered if she had made the right decision sending you away so early. She knew that things with Alexia could potentially get much worse, especially if Alexia was mad at you for stepping away for so long. Marta hadn't ever seen the two of you fight, but she had been there to pick up some of the pieces in the aftermath. Things between you and Alexia were generally pretty good, even if both of you were beyond stubborn.

Alexia's car was gone when your ride dropped you off. Your car was in the garage, so Alexia always parked hers outside, despite it being the nicer vehicle. It was just one of the many things that Alexia did to take care of you. You could be a bit tempermental, but Alexia always tried her hardest to take care of you. It wasn't a good thought, but slowly, you began to wonder if you'd be able to find someone else who was willing to do that.

"Why are you sitting outside? You're getting burned," Alexia said as she ran over towards you. For a moment, you thought she was going to pull you out of the chair, but she skidded to a stop before she could touch you.

"I've been gone for a while, and I wasn't really sure whether you'd want me to come inside after everything," you told her. Alexia scoffed at that as she pulled you into a hug. "I'm sorry that I ran away, I just didn't want the fight to get worse. Please forgive me."

"You did the right thing. I was mad at first, but sometimes I forget how we go back and forth. You'd give me space if I wanted it, and sometimes, I need to remember to give it to you too. I was completely out of line for how I acted that night, and I am sorry, so please forgive me," Alexia pleaded with you. She held you in the hug to keep you from seeing her cry, but you could feel the tears begin to soak through the collar of the shirt you were wearing.

"Of course I forgive you, Ale," you told her. Alexia's body sagged down a bit as she relaxed in your arms. "Can we go inside now please?"

Alexia nodded as she wrapped her arm around your waist. You let her stay tucked against you as the two of you went inside. Alexia only let go of you once you were inside to go back out and grab your bag for you. You went straight into the bedroom to shower and change into clothes that were actually yours as Alexia started a load of laundry and called to order lunch for the two of you.

"I know that we kind of made up already, and I do not want to upset you, but I think we need to talk about what happened. Could we try to do that in a calm manner?" Alexia asked you. You nodded as you made room for her to sit with you on the bed. You knew that Alexia really didn't want to fight because she had brought the takeout to you instead of leaving it in the living room for later. "Will you please go first? I'd like to know what exactly happened that upset you so much."

"You embarrassed me in front of everybody. It's hard enough for the team to see me as my own person. I've been Marta's baby sister, then I was your girlfriend, and right when I started to feel like me, you showed everybody different," you told her. Alexia's face softened as she listened to you explain your feelings. She had never really thought about things like that before. You had always just been (Y/n) to her, but as she thought about it, the more she realized that she saw many people refer to you in regards to someone else.

"Yes, you're Marta's sister and my girlfriend, but that's not all you are. It isn't anybody else's fault that the world doesn't understand your value. I forget that not everybody knows you like I do, so I am sorry for stepping in the way I did. You know how I get, but if you're willing to be patient, I will work on being better," Alexia promised you. There was never going to be a world where you wouldn't give Alexia a second chance.

[rafeskai]

Life as We Know It — Rafe Cameron

Chapter Five

Two opposites must navigate love, loss, and unexpected parenthood to discover the meaning of family.

Summary: When tragedy strikes, two very different individuals find their lives unexpectedly intertwined as they become the guardians of an orphaned child. As they navigate the challenges of co-parenting, balancing careers, and confronting their pasts, they discover that family can form in the most surprising ways. Through heartfelt moments and unexpected humor, they explore what it means to build a life together—one step at a time.

Pairings: Rafe Cameron x Reader

Warnings: Character deaths & angst.

Author's Notes: 2 more chapters to go!

Masterlist: Here

The courthouse doors slammed behind you as you stepped into the empty hallway, your chest heavy with grief. The weight of the decision still hung in the air, pressing down on you like an unbearable burden. Ward had won. He had won Willa.

Your heart was a storm of emotions: fury, betrayal, hopelessness. You had tried so hard. You had fought for Willa, for Sarah and John B., to give her the life they would’ve wanted. But it wasn’t enough. In the end, the system didn’t care. The judge didn’t care. No one cared.

You found yourself sinking against the cold marble wall, your body trembling with the overwhelming sense of failure. You had promised Sarah you would look after Willa, that you would protect her. And now, in a single blow, it felt like you’d lost her.

You felt a tear slip down your cheek, and before you knew it, a sob broke free. The grief, the exhaustion, the helplessness—all of it hit you like a tidal wave. You buried your face in your hands, trying to steady yourself, but it felt like everything was slipping through your fingers.

And then you heard him.

Rafe’s footsteps echoed in the hallway, and you didn’t even have to look up to know it was him. He didn’t need to say anything at first—he simply crouched beside you, his hand reaching out to gently pull yours away from your face. His eyes, red-rimmed and brimming with pain, met yours.

“I... I don’t know what to do, Rafe,” you whispered, your voice thick with emotion. “I promised Sarah and John B. that I would protect her, that I would keep her safe. And I failed them. I failed her.”

Rafe’s jaw tightened, his own pain etched across his face, but he didn’t say anything. Instead, he reached over, pulling you into his arms, holding you tightly as if he could shield you from the storm of grief swirling around you both.

He didn’t say anything for a long while. The only sound between you was the occasional shaky breath, the quiet sobs that escaped without warning. But then, Rafe spoke in a voice that barely reached above a whisper.

“You didn’t fail her,” he said, his voice raw. “You fought like hell for her. We both did. We’ve still got a chance to fix this. We’re not done yet.”

You pulled away slightly, looking up at him, trying to see some trace of hope in his eyes, but all you saw was the same frustration, the same loss that mirrored your own.

“I don’t know how we can fight this anymore. Ward’s got everything on his side. He’s won... and I don’t know what to do, Rafe.” You shook your head, feeling the tears come again. “I just want her back. I want to make sure she’s okay.”

Rafe’s hand cupped your cheek, his touch gentle despite the storm brewing inside of him. His eyes softened as he gazed at you, and you saw something there—a kind of resolve you hadn’t noticed before.

“I’m not letting her go, [Y/N]. I’m not,” he said fiercely, his voice trembling. “I’m not giving up on her.”

You nodded slowly, letting his words sink in. You needed to hear that. You needed to believe it.

“Okay,” you whispered, your voice cracking with emotion. “But how? How do we stop Ward?”

Rafe was quiet for a moment, his eyes drifting away as if he was piecing together a plan in his head. His brow furrowed, and you could almost see the wheels turning. Then, his gaze locked onto yours once more, filled with an intensity that made your heart race.

“We take it back to court,” Rafe said, his voice steadying with determination. “We find a way to show that Ward’s not fit to raise her. That we are the ones who should be raising her, not him.”

“Rafe,” you said slowly, your mind racing. “How do we do that? We can’t just... ask for a new judge or something.”

Rafe stood up, pacing back and forth as he thought. You watched him, waiting for him to finish putting the pieces together. He was quiet for a moment, then stopped in front of you, a glint of determination flashing in his eyes.

“We need evidence,” he said, his voice hardening with resolve. “We need proof of what he’s done. All the times he’s hurt us, hurt Sarah, hurt me. All of it. If we can show the court that he’s dangerous, that he’s unfit to care for Willa, we have a shot at getting her back.”

Your heart skipped a beat as Rafe’s words settled in. You knew what this meant. You knew the kind of things Ward had done. The abuse. The manipulation. But it had always been buried under layers of lies and secrecy. It was the one thing that had kept Ward in power for so long.

“You really think we can do that?” you asked, your voice barely above a whisper.

Rafe’s gaze softened, but the fire in his eyes didn’t flicker. “I know we can. We’ve got to fight for her. We’ve got to fight for Sarah and John B. We owe it to them.”

You stood up, wiping your eyes, feeling a spark of something in your chest—a glimmer of hope, the first you’d felt in weeks.

“Okay,” you said, your voice steadier now. “Let’s do it. We’re not giving up. We’ll fight him.”

Rafe smiled slightly, though it was tinged with sadness. He reached out, pulling you into a tight hug, and for a moment, neither of you spoke. There was only the quiet comfort of each other’s presence. The grief was still there, weighing heavily on both of you, but now, there was a plan. A way forward.

“We’ll get her back, [Y/N]. I promise.”

And for the first time since the hearing, you believed him.

Together, you’d fight for Willa. You’d fight for Sarah and John B. And this time, you wouldn’t lose.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

It was late into the night when you and Rafe began mapping out your plan. The house was eerily quiet, the silence only broken by the occasional murmur of Willa's soft breaths from her room. Rafe sat across from you at the kitchen table, the dim light above casting shadows across his face as he tapped his fingers on the surface, his thoughts clearly miles away.

You, too, were deep in thought, mentally piecing together everything you knew about Ward, everything you had endured growing up in the Cameron household. The years of his emotional and physical abuse. The fights. The silence that followed each blow.

You felt sick just thinking about it, but you couldn’t stop. You had to. This was the only way forward. If you were going to keep Willa safe, you had to make Ward’s past a part of the case, even if it meant digging into old wounds.

“I can’t believe we’re doing this,” you muttered, staring at the open folder on the table in front of you. It was filled with legal documents and notes from your lawyer, a roadmap for how to fight back. But it felt impossible—too big a task, too much to uncover.

Rafe leaned forward, his face tense, but his eyes were determined. “We have to, [Y/N]. We can’t let him get away with it anymore. For Willa. For Sarah.”

His words hung heavy in the air, and you knew he meant it with every fiber of his being. The weight of Sarah’s death had been unbearable for both of you. But now it was more than just grief. It was about keeping Willa safe, keeping her away from the monster that had shaped so much of their lives.

“We need proof,” Rafe continued, glancing at the stack of papers. “We need to find something. Anything.”

You nodded, your mind already racing. You knew that Ward’s past was buried in the same place as all his lies and manipulations. His anger had always been a weapon—aimed at Sarah, at Rafe, and even at you when you had been younger. There had to be something—some record, some shred of truth that you could use to show the world just who Ward really was.

“Do you have anything?” you asked, looking at Rafe.

He exhaled slowly, his gaze distant. “I know a few things,” he admitted quietly. “But they’re not enough. Not on their own.”

You sat back in your chair, trying to calm the nervous fluttering in your chest. “What do you mean?”

Rafe leaned back, rubbing his hands over his face. “I remember... there were moments. When I was a kid. I overheard things. Conversations. There were times when Sarah would—she’d try to protect me, try to shield me from Ward’s anger. But there were... documents. Letters. Things that could prove how he manipulated everything.”

You felt a chill spread over you, a sense of urgency taking over. “Where are they? Can we find them?”

Rafe’s eyes narrowed, and he looked down at his hands. “They’re in the attic. A box of stuff that Sarah and I hid. I don’t know exactly what’s in it, but I remember Sarah saying she didn’t want Ward ever getting his hands on them.”

Your heart raced as a plan started to form in your mind. "We need to go through it, Rafe. Everything we can find. We need to dig through all of it."

He nodded, his jaw tight with determination. “I’ll go through it. I’ll find it.”

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

The following morning, Rafe and you set out for the attic. It felt surreal as you made your way up the stairs to the small, cluttered space that held so many memories—memories of a past neither you nor Rafe had wanted to confront, but knew you had no choice but to face now.

Dust filled the air as Rafe opened the attic door, the wooden steps creaking under your weight as you followed him up. The space was cramped, boxes piled high, old furniture tucked away, things discarded and forgotten. You could smell the mustiness of years gone by, but there was no time to linger. No time to let the memories flood you.

Rafe began to dig through the boxes, pulling out old papers, photos, and forgotten trinkets that had once meant something to Sarah and him. You watched him closely, the tension in his shoulders unmistakable. He was doing this for her—doing this for Willa.

After a few moments, Rafe paused, his fingers brushing against something wedged behind a dusty old coat. He pulled out a small, weathered cardboard box, the tape on the sides barely holding it together.

“This is it,” Rafe murmured. He opened it cautiously, as if he expected something to jump out at him. You peered over his shoulder, trying to calm the pounding in your chest. Inside, you saw a tangle of old photographs and folders—records from the past that, hopefully, would be the key to winning Willa’s custody.

Rafe pulled out a folder first, his fingers trembling as he flipped it open. Inside, there were handwritten letters—letters that Rafe had clearly never meant to read, written in Sarah’s handwriting, detailing arguments, moments of fear, and Sarah’s attempts to escape their father’s control.

“I knew it,” Rafe muttered, his eyes scanning the pages. “Sarah... she tried so hard to protect us from him.”

You felt a lump in your throat as you read over his shoulder. The letters were raw, emotional, detailing Ward’s abusive behavior—his temper, his verbal cruelty, his violence. There were accounts of physical injuries Sarah had tried to hide from the world, and she’d written about the times Ward had hurt both of them, though she never named it outright. She’d tried to find ways to escape him, even at a young age.

“This is what we needed,” you said softly, a feeling of relief flooding through you. “This is it, Rafe. This is proof. We can use this.”

Rafe stared down at the letters, his eyes glossy. He didn’t speak for a moment, and the weight of everything he had lived through—everything you were now uncovering—seemed to press down on him.

“I never wanted her to know,” Rafe whispered, his voice thick with emotion. “I never wanted Willa to go through what we went through. I thought I was protecting her by keeping her away from all this.” He swallowed hard, his voice barely audible. “But we can’t keep running from it. If we want to win this, we need the truth.”

You nodded, reaching out and placing a hand on his. “You didn’t fail, Rafe. You’re doing everything you can for her. We’ll make sure she’s safe. We’ll make sure Ward doesn’t win.”

Rafe exhaled deeply, looking at the papers in his hands. “We’ll do whatever it takes. We’re not losing her.”

And for the first time in a long time, you believed him.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

The attic felt smaller as the hours passed, the musty air thick with the weight of the secrets it held. You sat beside Rafe on the dusty floor, the pile of evidence between you growing larger. Letters. Photographs. Police reports. Even old school records. It was all beginning to paint a picture of a man no one ever truly understood—the man who had shaped Sarah, Rafe, and their entire childhood.

You flipped through a few more papers, the words on the pages starting to blur as your emotions overwhelmed you. There were times Sarah had begged to be seen, to be heard, and each word you read was like another stab to your heart.

“God…” you whispered, your hand trembling as you gripped the edge of a photo. It was one of Sarah, just a child, smiling in a way that didn’t quite reach her eyes. The darkness that had been lurking in the background of their lives, the abuse they had endured, was so clear now. It wasn’t something you’d seen before—perhaps because you hadn’t wanted to see it. But now, as the layers were peeled back, the reality hit you like a flood.

You didn’t realize you were crying until Rafe’s voice cut through the silence, soft and gentle. “Hey, you okay?”

You blinked and wiped at your eyes, trying to keep it together. But the tears didn’t stop. “How could he do this to her?” Your voice cracked as you looked down at the photograph. “How could he hurt them like this? How could he… do this to you?”

Rafe was silent for a long moment, and you felt him shift beside you. You could feel the heat of his body, the tension in his muscles, the quiet grief that hung in the air like a thick fog.

You turned to look at him, catching him staring at you, his eyes shadowed with pain. The walls he had built around himself were always so thick—so hard to penetrate. But now, in this moment, with all the pieces of the past laid bare, the mask he wore seemed to crack just enough to let you see the real him.

“I’m sorry you had to see all this,” he said quietly, his voice heavy. “You didn’t deserve to know the ugliness of it.”

Your chest tightened. “No, I needed to know. I need to understand.”

Rafe took a deep breath, rubbing his hand across his face. His shoulders slumped, and for the first time since you’d met him, you saw a man who wasn’t just the spoiled, angry son of a cruel father. You saw a man who had been broken by his past, a man who had been fighting every day to prove he wasn’t his father. But in his search for redemption, he’d never realized that the hardest thing to do was forgive himself.

“I know I’ve done a lot of things I’m not proud of,” Rafe muttered, his voice barely above a whisper. “But I didn’t... I didn’t want to be like him. I never wanted to be like him. I was just... trying to survive. Trying to protect Sarah, protect myself.”

You swallowed hard, your heart aching for him. You had always seen the worst in him, the ways he lashed out, the cruelty that sometimes bled through. But now, as you sat there with him, you understood. You understood that his anger, his rebellion, was just a defense mechanism. A mask for the hurt he carried, the fear that had been instilled in him from a young age.

“Rafe…” Your voice trembled as you reached out, placing a hand over his. “You’ve done so much for her. For Willa. You’re not like him. Not in any way. You’re more than what he said you were. More than anyone ever saw.”

The words were barely out of your mouth when you saw something flicker in his eyes. Vulnerability. Pain. A need for validation. For the first time, you realized just how much he needed to hear that. Needed someone to see him for who he truly was.

Rafe leaned forward, his forehead coming to rest against yours, his breath shallow and uneven. For a moment, neither of you spoke, the weight of everything hanging between you. His hand, warm and slightly trembling, cupped the back of your neck, his thumb brushing the sensitive skin there. You could feel the electricity between you, the way his body tensed, the way you both seemed to exist in this moment where everything else faded away.

And then, as if something snapped, you moved without thinking. Your lips found his in a soft, tentative kiss—a kiss that was born from shared grief, from the fragile hope that had flickered between the two of you ever since you had started this journey together. It was a kiss full of longing, of understanding, of something neither of you had been ready to admit until now.

Rafe kissed you back, slowly, as though he was testing the waters. His hand slid to your jaw, holding you gently as his lips pressed against yours with a tenderness that surprised you both. There was nothing frantic about it, no rush. Just the simple, raw need to connect, to feel something good after all the loss.

When you finally pulled away, your breaths came in shaky bursts. Rafe’s eyes were wide, his lips slightly parted, as if he couldn’t believe what had just happened. You didn’t know what to say. Words didn’t seem to matter in that moment.

But then you both spoke at once, as if trying to make sense of the overwhelming emotions swirling between you.

“I… I didn’t mean to—”

“Wait, that was… I shouldn’t have—”

You both fell silent, the awkwardness creeping in. But something had shifted. The tension between you had transformed into something else—something deep, something unspoken. You realized, maybe for the first time, that the lines you had drawn between each other were no longer so clear. The walls were crumbling, and in their place was a fragile, but undeniable connection.

“I just…” you started, your heart racing. “I just needed to tell you that you’re not your father, Rafe. You never were. And I... I see you. I see all of you.”

He exhaled sharply, his thumb gently caressing your cheek, his gaze intense. “And I see you too. I don’t know what this means, but I—”

Before he could finish, you pressed your forehead against his, closing your eyes. “We’ll figure it out. We’ll figure everything out. For Willa. For us.”

Rafe nodded, his hands still resting on your face. You both knew that the road ahead was going to be hard—there was no easy way forward. But for the first time, you felt like maybe, just maybe, you weren’t alone in it anymore.

© 2024 rafeskai | All rights reserved. This fanfiction is a work of fiction inspired by characters from Outer Banks, and no part of it may be reproduced or distributed without permission.

[sapphiresaphics]

Here’s the thing. Arcane season 2 was finished being written back in 2020. It was completed before the first season of Arcane even aired on Netflix in the first place. Before they even knew if it was going to be a hit or not. Before any of the fans had hot takes about the characters.

Which means that all of these “new subplots” (such as the black rose) weren’t just added in on a whim. They have an intentional purpose in the story they’re trying to tell.

It also means that the pacing was always going to increase and become faster as the two seasons went on.

I think a lot of fans are coming at this show from the perspective of a lot of live action shows where the writers see how fans respond to certain things so they add them into the story or focus on fan favorites to grab your attention and keep you engaged. And live action shows can do this because they’re filmed relatively close to when the series airs and so they’re aware of what the reactions are on social media (for good or ill).

But this is animation. Very TIME CONSUMING animation at that. It took 4 years to finish animating the 9 episodes of Season 2. If you include the 6 years of development and production of Season 1, that’s almost a full DECADE of working on this show.

My point is that they literally (and logistically) can’t respond to fan input and make changes in the show based on the way it was received on social media. Like it or not, these specific characters beats and storylines were always the plan from the start.

This is a long winded way of trying to say… if you have problems with the way certain characters are behaving, or certain plot points feeling rushed, or feel overwhelmed by the number of added subplots that need to get resolved before the end of the show… I strongly suggest rather than saying the writing is “bad” or that the writers “don’t know what they’re doing” or just complain about anything really… I suggest you take a step back and ask yourself “why are these the stories and actions they chose for this 2 season arc?”

I think that’s a far more productive thing to do than to go online and whine about things you didn’t like. I find it’s better to try and understand WHY they chose to do these things rather than write them off. More often than not when you look into the why, or try to come up with reasons why the writers would take certain characters down the paths they do, you end up coming out appreciating the media more. Even if you still don’t were with their narrative choices, learning and understanding the WHY is far more rewarding I think.

I’ll give you an example of something I don’t like, but that I understand why. Isha. I don’t like that Isha was introduced and then killed off in the latest episode. If I were to look at it just from a surface level reading, it seems pointless to add this cute mute kid character only to take her away a few episodes later. But NARRATIVELY she’s extraordinarily important. She is what Jinx needed to become more empathetic to her sister and reach out to fix their family. She helps push Jinx into the role of Vander for season 2. And her heroically framed sacrifice is probably going to be the push Jinx needs to stop trying to commit suicide.

Would I have liked to see more of her and Jinx’s relationship? Yes. Would I liked to have learned more about where she came from and why she’s mute? Yes. But at the end of the day, this is not a show about Isha. Isha is a narrative device to help forward the character development of Jinx. And so, while I do not like that she sacrificed herself… I understand it. And that understanding helps me appreciate the writing and the level of depth the writers are willing to go to push their characters around where they need to be by the end of the series.

At the end of the day, Arcane is just another show on Netflix. It is not beyond criticism. There are a lot of legitimate criticisms you can have against the show. But I’ve found that recently the number of bad takes and people refusing to engage with the narrative has resulted in a bit of a backlash against the show and I do not think that’s ultimately very productive. Please… if you’re going to criticize the show, please try to do better than just write off anything you don’t like as “the writers just suck” or “they changed X character for no reason!”

Because I guarantee you, there IS a reason for everything in this show. No matter how small and trivial it might be, this show was put together with love and an extraordinary attention to detail. There are reasons for why characters do and say the things they say. The writers often make these into intentional parallels, foreshadowing, and callbacks.

Please… take the time to actually stop and dissect what you see. Even something upsets you. I implore you… try to understand why. Try to understand what the writers are saying. Try to understand how certain plot points and events could have a bearing on different characters.

Please just…. Try?

[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[skyloftian-nutcase]

Relationship Snapshot: Miphlink

(I wanted to get into the characters and how their relationship would work, so that’s this lol)

Mipha

Dedicated, compassionate, kind, nurturing, gentle, graceful, an excellent fighter and healer - these are all ways people would describe the Princess of the Zora. Ever the perfect and noble young woman, Mipha is quiet and elegant. She puts on an excellent facade for the people, as their princess, and knows to do her duty. In reality, Mipha does truly love to help others and finds joy in it, but she also desperately suppresses her own wants and desires in the name of both duty and trying to satisfy that need to help others. As she is the golden child, she also rarely—if ever—gets criticism, and therefore is not used to taking any at all. She’ll overthink any critique, stressing and resenting it. She’ll push herself beyond her breaking point for others, defining herself and her worth in her ability to help. She doesn’t have as much confidence in her own abilities as others seem to, and she resigns herself to knowing that she’s the weakest link in the chain of warriors around her. While she’ll do everything in her power to improve herself so that she can better help others, Mipha is also pessimistic in her own outcomes in life. She doesn’t really expect to be happy, doesn’t expect to survive a fight with Ganon, doesn’t expect to live a life that feels truly her own. She’s a servant of her people and that honestly seems like enough for her. She’s very shy about expressing her own needs and desires, rarely talking about what she wants. She’s emotionally overwhelmed easily, and despite pushing for intimacy with others in order to help them, she’s hardly ever intimate about herself and her own needs. Mipha will be everyone’s best friend and know all their hurts and loves but hardly anyone will know anything about her. She was far more adventurous as a child, though a worrier for others and much preferred tending to friends than seeking excitement. Still has a small spark of adventure in her, loves to explore and see new things, but spends most of her time attending to others so she just represses any desire for it. When she does finally get to be in an intimate relationship, she goes above and beyond in trying to show her love and feel loved in return initially, insecure on the matter. This can make her burn herself out or annoy whoever the other party is by overstepping. Overall, Mipha is very kindhearted and gentle, pushes herself to be the best she can be in her gifts and abilities, constantly involved in the lives of her subjects and tries to be a role model for those around her, and she wants to help everyone to the point of completely disregarding herself.

Link

As a child prodigy, Link is used to having a lot of expectations on his shoulders. He was raised to put duty first, and he takes his duty very seriously as a result, constantly pushing himself to improve and be the best knight he can be. Link has confidence in his abilities and plenty of courage, but reckless abandon are also often reasons he simply throws himself into battle with little strategy involved. He has a lot of anxiety about the pressure he’s under and desperately seeks security, even if it’s just form himself, or from praying to Hylia as often as possible. Got pushed out of the nest a little too soon due to his abilities, and tends to feel very alone and scared as a result, trying to steady himself in a chaotic world that keeps pushing him around. Very aware of how perceived he is and not sure how to handle it, but doesn’t want to mess it up. Adventurous and curious, Link will explore everything and break every bone in his body doing it and not regret it one bit. And he’ll do it without a single plan in his head. He’s not incapable of strategy, of course, but he hardly uses it. However, his strong sense of duty and recognition that the world is watching him and has expectations often keeps this wilder side of him in line. He has a kind heart under the stoic exterior, which can be confusing to those around him as he comes across as ambivalent but actually cares very deeply. Loves being around children as there is little pressure, they’re brutally honest about their opinions, and their innocence is endearing, and he loves to protect them. Finds peace in nature, and may go out to be alone to center himself, but honestly prefers the company of a few close friends/family over being alone in the wilds all the time. Quite independent, almost fiercely so - he follows orders and all that, but left to his own devices he would rather just do what he wants. He’s used to taking care of himself from a fairly young age, and while sometimes guidance in how to do things is greatly appreciated and gives him a break, sometimes he’ll balk at it and want to go his own way. With all the pressure he’s gotten throughout his life, Link places even more pressure on himself. He has to get it right every time. He has to win every time. If anything goes wrong it’s his fault, no matter what. He has to protect everyone. Between this internalized stress and his silence, Link hardly knows how to connect with others and rarely, if ever, is the first to reach out. This can definitely make him seem aloof when he truly does care, he just doesn’t know how to show it. Link is a doer far more than a talker, and will show he cares through actions, especially through cooking.

Miphlink

Mipha and Link complement each other well. Mipha’s kindness, gentleness, and nurturing nature soothe Link’s anxieties. Link’s confidence and strength and steadfastness give Mipha stability in a world where everyone else relies on her. Both love each other quietly - Mipha’s shyness is a hurdle she works to get over as their relationship develops into something romantic, and Link of course has no idea how to communicate his feelings. When they were children they were good friends, exploring together and teaching each other, whether it was Link showing Mipha how to fight or Mipha showing Link how to fish and swim. As young aduts, as they grow comfortable with each other once more after years apart and baggage and worries have piled up, they regain some of that spark for adventure, especially Link, who feels safe around Mipha, and he pushes her to be open about what she wants and needs and enjoys, forcing her out of her perfect facade and making her have fun with him.

[vevobly]

Yellowjackets Reactions To Clingy Reader!

Jackie Taylor:

Jackie would be flattered at first, just absolutely enjoying the attention you're giving her and basking in the idea that someone values her that much. She'd just casually lean into it, and be all playful with you.

“Wow, you really missed me even though I was only gone for five minutes?”

But if your clinginess ever became too much, she'd lowkey try creating space from you; using excuses like needing to focus on something else. She wouldn't want to hurt your feelings and would try hard to soften any pushback with reassurance.

“You're sweet, really. Just, like, give me a little room to breathe, okay?”

Shauna Shipman:

Shauna would be a little awkward about it, unsure how to handle someone being so attached to her. But she'd tolerate it to an extent, especially if it seemed like genuine affection to her; making jokes about it eventually and easing tension.

“You really don't have to follow me everywhere, you know”

She'd say that with a small laugh. Despite her discomfort, she wouldn't be that harsh. And if you just happened to be one of the lucky people, she might secretly find it endearing that someone values her that much.

Taissa Turner:

Taissa would definetely take it in stride, appreciating you being loyal and close to her that way. She's naturally protective, so she might view your clinginess in a way as you trusting and feeling safe around her.

However, if it started interfering with her personal space or responsibilities, Tai would address it immediately and directly but kindly with you. She'd be firm, and understanding!

“Hey, I love hanging out with you, but I need to focus on this right now, okay? We can catch up later.”

Van Palmer:

Van would be amused by your clinginess, she wouldn't take it too serious and would probably even tease you with a grin about it every once in a while. She wouldn't mind the extra attention as long as it isn't constant.

“Wow, didn't know I was that amazing”

She'd probably find it cute that someone cares that much. But if it ever became too much? she'd probably nudge you gently toward independence like a mother would with her own clingy child.

“You know, I'm not going anywhere. You can chill for a bit.”

Natalie Scatorrcio:

Natalie definitely might have been caught off guard by your clinginess at first because she's not used to people being so openly attached to her that way, but she would just brush it off.

Over time, she would eventually warm up to it, seeing it as your way of showing affection to her. Of course, if it ever crossed a line, Nat would be straightforward about it with you. It'll be short and cool.

“Hey, I need some space right now, okay? Nothing personal.”

Lottie Matthews:

Lottie would handle your clinginess with an odd calmness and grace. Similarly to Tai, she'd see this as a sign of you trusting and valuing her. This would mean a lot to her despite what you think, and she'd hold it on a very high careful pedestal.

Lottie might even encourage your clinginess to some degree, just offering reassurance whenever you seem worried or needy. But if it starts to overwhelm her, expect her to guide you on being more self-reliant and practicing boundaries!

“It's okay, I'm here.”

Laura Lee:

Laura Lee would see your clinginess as a sign of you seeing her as someone comforting, which she'd take as a compliment. She'd be patient and kind with you, being very understanding and even encouraging a bit.

If it started becoming too much, she's addressing it like a therapist would with their patient. She'll suggest much "healthier" ways to spend time together without you being overly attached to her.

“I'm glad you feel comfortable with me, but..”

Misty Quigley:

Misty would absolutely just love your clinginess. Considering she thrives on attention and validation, having you attached to her makes her feel pretty special and valued.

“Oh, you don't have to apologize for wanting to be around me all the time!”

Out of all the girls, she would be the one to encourage it fully more. But her enthusiasm might turn possessive if she even slightly felt like you weren't as clingy to her anymore. So, expect the girl to work harder to keep your attention on her!

[arcane-ish]

I feel like the negative judgements about Vi's intelligence are heavily tied into:

1.) People only respecting two kinds of intelligence, either inventing (like Jayce, Viktor, Jinx and Ekko) or scheming (like Mel and Silco). Which is an incredibly reductive view on intelligence.

2.) People being upset that Vi doesn't do what they want her to do. I think there are a lot of people on various sides who consumed Arcane as a media and wanted Vi to become leader of the underground or become head of the Firelights for example. They have a certain view on the Zaun versus Piltover conflict and might lean towards thinking it is dumb of Vi not to share their analysis of the situation.

And that I just disagree with. It's not that Vi is too dumb to become leader of Underground, it's that she genuinely isn't interested. It's possible that she doesn't "understand" the complexities of power relationships between Piltover and Zaun (we can't see into her head), but maybe she just generally has a different moral outlook on life. (whether it is "prioritizing your family and loved ones over larger society is a good idea" or "all people have value and are a mixture between good and bad, regardless where they come from").

People, especially in certain online spaces act like these are "solved" problems (ie "well obviously thinking systemically is superior" and "well, obviously, people who are part of an oppressing system should be treated differently"), when in reality for a lot of people they aren't. And they aren't because those people are too dumb to understand the "correct" choice, they just have different values.

"I prioritize my immediate surroundings" could genuinely be for "I'm overwhelmed and scared by complex systems and withdraw towards simple things I understand" or it could for example be deeply cynical "I have a pessimistic outlook on what effect my contribution will have on a systemic level and/or I have made the experience that people who go on about the systemic level don't achieve anything or make the lived reality of people worse".

For Vi specifically I think the show does portray her as somebody straight laced and stubborn (but not incapable of adapting her world view). And somebody who generally has very good instincts about people or who heavily relies on her instincts on people.

IMO in season 2 we have seen Vi do her cop-like tracking of people twice. First at the memorial attack where she spotted the the chem goon and quickly understood the situation and who was involved in the attack. (even her fighting style against stronger opponents like the chem goons shows a complexity about finding weak points, like tearing off the chem baron's valve) Second when she tracks Singed. (and I would argue we have also seen her be suspicious of Ambessa after the Memorial Attack)

And her being willing to change her mind on disliking/distrusting Jinx and letting Jinx's words lead her to change her mind on seeing Warwick as a threat again is an example imo both on her trusting her instincts but also adapting. Vi's judgments about people isn't just "I see or smell you and I make my judgement", imo she watches people and adapts her judgement accordingly. IMO she adapated her judgement of Jinx because she saw how Jinx interacted with Isha. Just like she was initially suspicious of Caitlyn, but opened up to her when she saw how Caitlyn acted in a variety of situations.

IMO the idea that Vi has good instincts on characters isn't very pleasant, because she makes value judgements about people (such as she likes Caitlyn, but she does not like Silco) that might not match everybody's preference. Again, some people might want to turn this into a question of intelligence. Such as thinking Vi is "dumb" of liking Caitlyn more than Silco, when to them clearly Caitlyn is more immoral than Silco because she is part of an oppressive system or because Silco is more honest or more powerful or more smart. Rather than "year, but what if Vi has just has different priorities or a different value system". (like "will this person attack me" or "will this person be nice to me" or "will this person betray me" or "will this person be open to reason" or "does this person have straight laced goals")

When I look at season 1, Act 2 and 3, I see Vi as somebody with a clear goal (find and retrieve Powder). She has her goal, she identifies what she perceives to be threats to this goal (Silco), she is aware she is not strong enough to bring him down on her own, she identifies Shimmer as a source of his power, she makes allies and then attacks what she sees at the source of his power.

Vi has her goals and she has her tools and strategies (ie find allies, get more firepower, attack). [another good example being when during the Memorial Attack, Vi withdraws to retrieve the Hextech Hammer, because her analysis of the situation is that without it the fight might not be winnable]

Again, people might be looking at Vi's process and disagree on various steps (what she identifies as a threat, why she chooses one method and not another (ie choose violence rather than negotiation or subterfuge)), but imo it's pretty clear that Vi has multi step approaches and her choosing one methods might just be a question of personal preference.

one of the saddest things to me abt vi that i haven’t rly seen anyone talk abt is the fact that she never rly got the ability or privilege of learning how to do much else other than to be mainly good at fighting.

she’s learned that fighting is how you protect yourself and others, and protection is how you show love.

not to mention, she ended up getting unfairly sent to stillwater for years, and if caitlyn hadn’t broken her out, it would have most likely been forever.

she’s just never rly had the time to learn smth else to excel at.

[pauleentology]

lets talk about...

Ashlyn Banner 💚

Ashlyn Banner's character isn't limited to a typical antisocial introvert who hates people. She's so much more than that. She, like everyone else in the SBG group, has trauma and pain of her own, that wasn't brought about by the phantom realm.

Let's firstly talk about her introversion. Ashlyn has built walls and defenses around herself that have gotten so high nobody even dared to climb them. She didn't do this just because she didn't like people and having to interact with them, because deep down, she takes shame in her sensitivity. Her tinnitus and hyperacusis aren't just physical conditions for her, but a reminder of her fragility. The world is a cacophony of sounds that continue to overwhelm her senses, highlighting her internal chaos. She longs for peace but finds herself in an endless battle against the very sounds of life. She didn't want people to portray her as weak or sensitive, so she's built this entire cold front to distract everybody from the fact that she's just like everybody else. The irony in that though is that her very defenses end up pushing away the people that might understand her pain.

She's a clueless, troubled, socially-deprived teenager. It's only natural we expect her to not know what to say every time she speaks with someone, which sometimes ends up in her just blurting out whatever comes to her mind, often having her come off as abrasive and painfully straightforward. But she never means to be rude, she just doesn't know how to sugarcoat her words or soften her sharp tongue.

Despite her introversion, Ashlyn is more than capable of asserting herself when needed, and her bluntness is merely a defense mechanism for her to navigate her complex emotions even she herself doesn't completely understand. She's unfamiliar to the social construct of friendship, and avoids it as much as she can.

So when Ben and Aiden come into her life all the sudden, she's prompted to confront her fears of social interaction. After getting entangled in the supernatural events of the phantom realm with the others, she began to slowly soften and get attached to them, eventually trusting them with her life, and they begin to trust her with theirs. This puts her under the impression that she's responsible for their safety, and is obligated to protect them. She takes the lead, and protects them all with her life, just like she would her family.

Everytime they were together, she always felt some underlying guilt for their predicament. She always felt responsible in some way, and she vowed to take the lead from there. If she felt responsible, she thought it best she would take responsibility, and be the reason they were safe. She was the only one who didn't understand that she was allowed to show them her own vulnerabilities and hurt. She thought nobody else would understand if she just broke down into tears, that everybody expected her to be perfect as the leader. If there was anything she was scared to death of, it would be fucking everything up.

Her guilt that was already eating her up inside only got worse when Tyler died. She hated seeing her friends like that, seeing Taylor absolutely inconsolable for Tyler's state in the hospital, to see everybody else worried and shaking, she thought everybody blamed her, and even she blamed herself. To think that if she'd just taken a safer route, or driven a bit more carefully, or if she'd just listened to Taylor's pleas, none of this would've happened. She saw everything as her fault. If she had just been better, Tyler wouldn't have died.

Imagine how strong she must've been to be the one to get Tyler off that tree that night. To inject into him the sedative, having to use all her strength to stop herself from trembling in those moments— the slightest slip-up could compromise any chance they had of saving Tyler.

In the hospital, all she needed was comfort, which Aiden unexpectedly provided her. It wasn't meant as a romantic act, it was just basic human decency. A tap on the hand and the light squeeze of her palm was enough to break her. She never expected that of Aiden, and Aiden never expected that of himself. They only reacted like that because— well, what could you expect from two clueless teenagers? Their development is amazing excluding romantic interests, and they aged beautifully as characters.

Having to drag Aiden's limp body to safety at the school, after witnessing him die just after Tyler— under your care, that was already too much to bare. Seeing Aiden look like that just before waking back up to his seizing body, she was completely frozen. Overwhelmed. If she had just reacted faster, or had kept them closer, maybe she would've been able to save Aiden in time. But no. She fucked up, again, and the guilt she felt for it crushed her. If she had just been better, none of this would have happened.

She always felt responsible for their safety, and always blamed herself for things even she had no control over. She thought everybody expected the best of her at all times, and she'd be letting them down if she were to just cry or crumble where she stood. She's a character who'd choose to go back to the past and fix all her mistakes. The new her wouldn't have traded them for the world, and if she were given the chance to go back, she wouldn't even dare to change being friends with them, she'd just keep them even closer, and make sure none of those bad things happened again. She would do it all again if it meant they'd be safer.

[haveyouseenthisskeleton]

Skeleton brothers swap bodies for a day.

Undertale Sans - Uh. He's not used to the floor being so far away. Anyway, he's going to sleep. He can tell Papyrus didn't sleep for a few days because he's exhausted. So he's going to do that for him. Hopefully, everything will be normal again when he wakes up from his 18 hours of comatose.

Undertale Papyrus - He got jumpscared by Toriel because he didn't expect her to be so damn tall. And after that, he picked up the sock in the living room. It still counts as Sans doing it, which means he won the sock war. He didn't expect picking the sock to be so intense though. He's already exhausted??? The hell? He did nothing of his day? He tries to drink coffee but somehow it makes it worse. After 10 minutes, Papyrus experiences Sans' narcolepsy and falls asleep on the table lol. Well, that was something.

Underswap Sans - He's so frustrated! He can't properly control those two long legs and keeps tripping on everything. No wonder why his brother can't stand up for long. He is then very quickly overwhelmed by everyone's feelings around him as Honey is born with a rare skill that makes him sense what people are feeling around him. But Blue can't deal with that, there's noise everywhere and it's starting to make him a bit anxious. ... Oh wait. Is this why Honey is so anxious all the time???

Underswap Papyrus - He didn't realize until he went to the bathroom and couldn't reach the mirror. Once he sees he's in Blue's body, Honey freaks out completely. He has no idea what to do about this? How did that even happen? He calls Undyne in utter panic and she manages to understand what the problem is between two sobbing sessions. Except when he went to find his brother... His brother decided to go to work anyway with his body. Honey is having a mental breakdown. He just wants to go back to his own body ;w;

Underfell Sans - .... Oh. He got awaken by his brother, well, himself, and got really confused until he realized he is now big, scary and powerful. A dark evil laugh escapes his throat as he slowly turns towards his brother. Oh boy, he can finally have a little fun.

Underfell Papyrus - Ok, he wanted his brother to help, but Red will obviously not. So Edge gets mad and tries to impress him before he remembers he's not in his body and that he actually looks pathetic and weak. But at least he's short enough to headbutt his brother's pelvis with his now prominent forehead. Red is for sure surprised by this. You think that just because he is small he can't defend himself? Just because you don't know how to use your own body doesn't mean he forgot instantly he's captain of the royal guard dumbass!

Horrortale Sans - He feels dizzy because of his height and his legs and back are making weird creaking noises when he's walking. Oak prefers to stay still, he's a bit worried he's going to break his brother's body at the moment. He's fine just standing there. Except after ten minutes he's not fine standing there anymore because it hurts, but he knows that if he sits down he's not sure he's getting back up. Oak is in distress. Please help ;w;

Horrortale Papyrus - He's so confused about what's going on. It's like his head is evolving in a fog. He can tell he's in his brother's body, but somehow he keeps forgetting it every few minutes or so, and when he tries to talk to his own body, he's even doubting if it's his body or not??? Is this how Oak lives constantly? He has no idea how he does this. That's only an hour and he feels like his head will explode. ... Well, technically it already exploded, but still!

Swapfell Sans - As soon as he sees himself in a mirror, he screams, horrified. OMG he's going to be sick. He gags. He can't be in Rus' body! He did nothing wrong! Why would you hate him that much? He feels so dirty and he smells like trash. And... Is that a 3 years expired opened bag of mustard in his pocket? Nox runs to the bathroom. He needs to take a bath. Oh god, he needs to take at least a 24-hour bath. He's having a mental breakdown lmao.

Swapfell Papyrus - Uh. He doesn't know what he drank last night, but it had to be strong. Oh well. He doesn't care and goes back to sleep. It's nice to have clean sheets in his bed for once. He's hungry though. He searches his pocket and gasps in horror. His limited edition of 3-year-old expired mustard D: Oh no. He jumps out of bed and runs to bang on the bathroom door, begging his brother to not touch his pockets. That's too late lmao. Rus is devastated. That's 3 years of hard work you destroyed your monster! He hates you so much! How could you do that to him! Welll you know what? He's going to his brother's work naked! Yep, he doesn't care anymore. No one can stop him!

Fellswap Gold Sans - ... A closet. He woke up in a closet. What? Wine is so confused, even more because the closet is closed. He starts to think he got kidnapped until he realizes he's a lot more sweaty than usual. ... Oh. Oh! Wait, he has to teleport out? His brother doesn't even open the closet to go in it? That's so lazy! ... Wait, he doesn't know how to teleport? Huh??? Why this thought make him cry? Does he have the emotional stability of a 3-year-old now? Wait, why is he panicking? It's just a closet, it's not a big deal??? Wine is having his first ever panic attack and he doesn't even know why lmao. Please, someone help him, he wants his old cold heartless body back this instant! He bangs on the closet, freaking out, until Coffee, well, himself, opens to him. Wine jumps at his brother's neck and hugs him tight, not sure why he's even doing that. He hates it so much. Please, he needs his body back before he has a second panic attack now.

Fellswap Gold Papyrus - He was completely freaking out in bed until he realized he could finally wear Wine's dresses without Wine noticing and then he completely forgot he was not in his body. Coffee... might have made a huge mess in Wine's immaculately clean closet. So worth it though, he's hot now. ... Oh wait, Wine! He remembered his brother was locked in his closet and ran to save him. Wine is traumatized because of him. ... Oh wait, did he get his anxiety? Oh yeah, he thought it was weird his mind was so clear this morning. That's not that bad. That's actually cool to have a break from this. He pats his brother's head and tells him that's ok. He can freak out in his closet while he goes out to have some fun with his pretty dress. Coffee is actually so happy of that switch of bodies. He's finally free to do the hell he wants!

[quietwingsinthesky]

thinking about jack "i just met her but im 99% sure she's in love with me and we're going to have sex" and marie "if u even look at jack i hate u i hate u i hate u i hate u i ha-"

[jalboyhenthusiast]

-

[anthromimicry]

jandy nelson, i'll give you the sun | jean anouilh tr, by lewis galantière | @soulinkpoetry | trista mateer, the dogs i have kissed | the bible

[carnivalls]

good morning. thinking again of juve and her dog

[blackswallowtailbutterfly]

Still haven't messaged my mom back. And I don't think I'm going to.

[aeolianblues]

ever so slightly worried I’ll be insufferable next week, I’m going to Cardiff and I’ll try not to be the Leo pointing meme everywhere

I was already so bad in London, I’d point out show promo ads on the tube to my cousin and start telling her all about bands I think she could live without hearing about, and we’d look at a poster advertising a show at another venue and I’d tell her about some historic show that happened there in like 1977 and then we’d see some big tour announcement on the side of a wall and I’d be all like do you want an unsolicited ten-minute long history of this artist’s successes in the charts

I’m terrible about it, I have to try not to wear down my best friend next week, who is doing Cardiff with me very graciously, knowing what fresh hell that might entail for her

[dutybcrne]

From a very young age, Kaeya held such a fondness for handholding. Whether it was his father clinging tightly to him to make sure he didn’t get lost, Adelinde’s gentle, grounding hand closed over his to comfort him whenever his nerves got the better of him, Crepus’s rough-palmed, firm yet comforting grip as he brought him back home, or, as it was most often of all, Diluc’s warm, yet at times uncomfortably tight hold as he dragged him anywhere, everywhere, determined to always keep Kaeya close and eagerly show him all there was to see, Kaeya treasured the gesture greatly.

Of course, being as shy as he was, initiating it himself was always the harder part. So much so, he would tend to hold pinkies, rather than outright take a person’s hand in his own. Eventually, it would become his most common way to go about the gesture of affection.