#she has a thesaurus

[scattergoriesofevil]

Burrow’s End party names

Episode 1: Stupendous Stoats

Episode 2: Mystical Mustelids

Episode 3: Excellent Ermines

Episode 4: Wondrous Weasels

Episode 5: Vicious Varmits

Episode 6: Preternatural Predators

Episode 7: Invasive Investigators

Episode 8: UnCommon Carnivores

Episode 9: Little Guys

Episode 10: Stupendous Stoats

Aabria you did such a good job!

[blackswallowtailbutterfly]

Someone insisting we don't learn language intuitively unless homeschooled...Did...did your parents put in you in school at 18 months of age? Did a teacher go around a room of toddlers with a dictionary saying, "This is what 'mama' means"? Because if the answer to that is no--and it is definitely no--you learned language intuitively, like everyone else. The finer points you learn in school, and later on your own, but even as you're doing that, you're still picking up words and phrases just by talking to people and reading.

[fortifice]

i think everyone already said everything perfectly <3 but i wanna add some to it too. not only about gepp's portray, but every other muse you write as well - we're been writing for many years together and i absolutly love interacting with you rayray, your portray is so beautiful you don't even need the use of icons to let me hear your muses talking when i read your writing. your vocabulary is amazing, i love finding new words i didn't think of using and learning from your writing. our interactions affected me sm i always miss old muses we were writing together (I KNOW YOUD WRITE THEM FOR ME IF I ASK but it's just the nostalgia ok. my baby aku.). you put a lot of love and care to the portray of geppie, his story and past, headcanons, even to the point of replaying the game to understand him better. your determination around portraying the chars that are the closest to ur heart is really amazing and i admire that a lot in you. stay amazing.

i go back and fondly look at our atsushi and akutagawa threads often okay i think we really should write them again sometime because i adore them sm and i adore you ??? our times writing together have always made me so happy !! haha pun awful asldkjasd

[deva-arts]

She's corrupting him with brushed hair, skincare and head scratches. Soon he might actually be tolerable.

On a side note who gave him that smarmy shirt. Someone, anyone. Go compost it.

Bonus scribble and speedpaint under cut!

Making the ratman want to go back to the sewers

Video!!! A video!!! I love ibispaint's niche little features <3

[teaandspite]

The Great Goodreads Diss List (Part 1)

Context: For many years now, I have been collecting funny lines from Goodreads reviews to share with my coworkers. (I do collection development, reader's advisory, and weeding at a public library, so I read a LOT of reviews)

Are some of these, perhaps, rather mean? Yes, but they are also very funny, and come from a place of honest frustration. In the tradition of Bargepole threads and lists everywhere, names and titles have been censored.

"First, I want to say that I understand how hard it is to write a book and how amazing it is when it is actually published. Congrats to the author for that accomplishment. That said--"

"Warning: This review will be lengthy due to pure hatred."

"I found myself feeling really, really annoyed with the world that this book is allowed to exist. We live in a universe where the passenger pigeon is extinct but this book goes along merrily being read by unsuspecting lovers of words and ideas and stories? It just seems like too much, you know?"

"Don't do it. Don't spring the cash for the hardcover. Instead, eat an entire bag of Twizzlers, spend some money you don't have at a high-end department store, look up on Facebook the shady college boyfriend that made you cry, research the current value of your home or 401K and then read all about how the big hedge fund managers are faring during the economic crisis. You'll feel about the same stomach pain if you waste your time reading this book."

"This wretched novel begins with the mugging of an old lady and it appears I may be in the process of repeating that loathsome crime as [author] was 78 when she wrote it. It is not nice to put the boot into such a poor defenseless old creature lying there with only a damehood, a Booker Prize and a few million quid. It’s a nasty job but somebody has to do it."

"I think this is the way dead people would write, if they could."

"I am considering setting up SPABB: Society for the Protection of Accurate Book Blurb. This blurb appears to have been written by someone from the publishers who met [the author] the night before, got very drunk, lost his notes and then constructed something in a fug of hangover the next morning."

"I congratulate [the author] on the early half of his book, which was thoroughly fun and made me laugh and think. I congratulate [the author] on the second half of his book, for finishing it. It reads like that was difficult."

"…a woman whose taste in contemporary literature has roughly the same batting average as a pitcher in the National League."

"The author is a pompous windbag."

"Recommends it for: No one. Recommended to me by: A friend who apparently wished to cause me great suffering."

"Makes me wonder: is it possible to obtain similes at a volume discount?"

"The repeated phrases made me want to mail a thesaurus to the author."

"I'm disappointed in myself for finishing this book."

"if the author described [character's] eyes as "obsidian" one more time I was tempted to write her and ask if her thesaurus broke."

"They say that an infinite number of monkeys with an infinite number of typewriters would, if given infinite time, eventually produce the complete works of William Shakespeare. [This book], on the other hand, would probably take the average monkey just under two hours."

"I can't imagine what the author had to do to get this nadir of Western literature printed on innocent trees, but he does seem to know a LOT about being well-connected in New York."

"This book is so bad it is almost worth reading just to make you appreciate the other books you are reading."

"Reads like it was written by a brilliant author, the night before it was due."

"raises interesting questions, like: can a book be so bad as to constitute an act of terrorism"

"has this author ever spoken to a human woman"

"This acorn has fallen so far from the tree that it can’t even see the forest."

"I’m guessing they are touted as ‘beach reads’ because no one will care if they get dropped into the ocean."

"This book begins with all the energy of a hand vacuum near the end of its battery life, and the pace doesn't quicken much from there."

"At least everybody’s eyes stayed the same color this time around.”

Part 2

Part 3

[lactoseintolerentswag]

Big Mama's Dialogue

I've heard a few people lament on how Big Mama is difficult to write because of how she speaks, so I thought I'd share my tips and tricks.

I start out by writing what I intend for her to say without the flowery language added on. For example:

"I look nice in the new jacket I bought."

Doesn't sound like Big Mama at all, but it'll help you have a place to start so you don't have to be intimidated by scrolling through thesaurus.

Now, Big M has a tendency to do the following:

Use outdated American slang (anywhere from the 1920's to the 60's)

Apply alliterations (using the same letter at the beginning of a word to the adjacent/close word)

Use adverbs, so describing words with the end suffix -ly (i.e. softly, mysteriously, quickly)

Sprinkle in a few made-up words

So let's take the base sentence I provided an shape it to Big M's standards.

Resources for American slang:

Instead of word vomiting out all the outdated American slang I know, I'm going to link some resources/websites you all can look at and come back to. She mostly uses 20's slang, so the links are centered around that.

1920's slang PDF, alphabetically organized!!!

List of slang phrases originating from the 1920's to the 2010's

Short list of slang flapper's from the 1920's used

So let's edit our base sentence a little, now it's:

"This new jacket I bought is the cat's meow."

Adding the next layer:

I did mention that Big Mama tended to use both alliterations and adverbs in copious amounts, but don't feel pressured to use both at once in a sentence. If it fits, it fits. If it doesn't, some trimming might be useful. This is why having a base sentence is important, so the intention behind the dialogue isn't lost under all the additions you're adding. So with that in mind, I'm going to alter our example:

"This new jazzy jacket I just bought is the cat's meow."

The last part:

I save the "fake words" part for last, because beginning with them can make your sentences clunky or not make sense. This part really relies on your personal touch or the context and tone of the situation at hand. The example I gave make Big Mama sound like she's preening about her looks, so I'm going to lean into that.

"This newsie-woozie jazzy jackety I just bought is the cat's meow! Grr!"

And for comparison, here's where we started.

"I look nice in the new jacket I bought."

And well, that's it!!! Hope it was helpful to those that needed it!!!

[yamujiburo]

At some point, I think someone has to ask if Jessie knows any other descriptor for kids besides twerp, because it really seems like she only knows the one word. Like, girl… do you need a thesaurus or something?? Is twerp just a good mouthfeel, why do you only call kids twerp? (Oh no now I’ve written it too many times and the word no longer makes sense anymore, I don’t know how she does it)

have you seen this page? it's so fucking funny

[mauvecherie-writes]

be mine this christmas: l.hamilton.

pairing: lewis hamilton x back oc!xenia richards

trope: grumpy billionaire x personal assistant au

ru’s 💌 : Please keep in mind that the Lewis in this story is not the IRL Lewis or the Lewis I typically write about. He’s a bit more of an asshole, he’s a bit more controlling. You’ll love him the same. This story is fast paced because it takes place in just about one night.

chapter: ONE

chapter warning: n/a

chapter w.c: 3.44K

𝐎𝐍𝐄:𝐗𝐄𝐍𝐈𝐀

Lewis Hamilton was an arsehole.

No, arsehole was not strong enough of a word to describe the depths of her hatred. She utterly loathed the man and there were not enough words in the a thesaurus that could describe the thoughts that plagued her mind. The thought of him on fire and she still wouldn’t throw water on him to save him. In fact, Xenia would throw the continuous stack of files that sat on her desk into the fire to stock the flames.

There was so much more that she could say but there was not enough space within her mind to keep thinking about that man.

Ugh, that man.

Xenia rolled her eyes at the phrase. Lewis Hamilton was the definition of being ‘the man’. To the modern man, he was the quintessential ‘alpha’ as they called them these days. A term that equally irked her.

An egotistical twat is what she felt was better suited for the type of man that Lewis Hamilton actually was. The type of man that made an obscene amount of money just by breathing and made it known that he had no qualms flaunting it. ’Who the fuck has a designer customised pen?!’

He was the type of man who walked with his head held high, shoulders square - demanding the attention through the sea of desks to the elevator that was constructed for his private use. The peasants were to use the smaller elevator further down the corridor.

Lewis Hamilton was considered a god to the board as his legacy in motorsport alone brought the investors, begging to give the company their money. Every man wanted to be him, willing to accept being his doormat if he allowed it. Every woman wanted to be in his bed if he spared them a glance. Equally pathetic.

Xenia wanted him to disappear. Then she would know peace.

She never understood how people could see the sun that seemed to be shining out of his arsehole. He had no redeeming qualities that she could think of and she’d been his personal assistant for three years.

He was a dominating whirlwind of force that blew everything that stood in his way and he would never look back to witness the havoc that he wreaked.

Xenia was not blind - she knew that he was an attractive man. It was in her face every day, confronted by it and that drove her hatred even deeper. He had her occupying the building that held her captive for sixty hours a week.

Yes, SIXTY!

In heels on top of it! Something about looking professional at all times that was written within the office’s code of conduct. Why she could not answer the emails at home (she was already doing that anyway) as she ran around the city of London doing errands off the clock was beyond her.

There were a lot of things that Hamilton did that would qualify enough as a form of harassment for a lawsuit.

But she was still here. Why?

Well, for one, her salary was amazing and helped her afford her obsession with fashion. It also helped that the VP of Sales, Rebecca Bailey was a sweetheart who loved asking her fashion tips. Xenia had cultivated a special relationship over the years with the older woman. They got along so well most likely due to the fact that she was one of the very few women in the building who did not want to cut off Xenia’s head because of her proximity to the boss.

Another reason why Xenia loved Rebecca was because of her encouragement for her to delve deeper into her fashion interest. Which was something Xenia was craving to do. She had gone so far as to create a website that she had intended to be her homage to fashion. Granted the only thing on the homepage was a white screen with the words ‘under construction’ flashing on the page. But it was a starting point.

“What are you so focused on?” The resident gossip, Lola Braun, stood at the edge of Xenia’s desk as she eyed the article that she had been working on. Xenia quickly shut her laptop screen down before Lola could read any further. She scrunched up her recently sculpted nose up when Xenia quietly pulled her screen close.

“It’s none of your business what I’m focused on actually.” Xenia replied . If she had to be honest with herself, she was not the biggest fan of Lola, matter of fact, she hated Lola at about the same level that she hated Lewis. Lola was the personal assistant of Rebecca which angered her even more due to how close they were forced to work with each other.

Lola loved herself in a way that was deplorable. Her high arched and pulled back eyebrows , hazel green eyes and a body every model aspired to have. With hair and flawless toffee-toned skin, magazines would say that you can get from rosemary water and witch hazel. However, because of this perceived perfection, Lola had made it her mission to force everyone around her to be miserable. She despised any food that contained more than 300 calories around her. God forbid, Xenia ate a lemon and poppyseed muffin with her caramel latte.

Everyone (mostly the women) wanted to look like Lola and they all seemed to hate the way Xenia looked. She was 5’9”, body full of curves, kinky coils that defied gravity with skin tone deep and rich as the juices of blackberries. Xenia loved the way that she looked. Lola could shove a chocolate chip cookie down her throat if she didn’t.

Xenia also hated the fact that she was a blubber mouth. You only ever told her anything when you wanted the entire office building to know. Xenia learned that little tidbit the hard way when she confided in her that she thought that the boss was a dick during her first month of employment. It was a very awkward staff general meeting when Lewis reprimanded ‘staff’ for inappropriate comments about higher administration.

Yes, Xenia hated Lola a great deal.

Lola cleared her throat, as if to remind her of her presence. Like Xenia could forget that she was standing there, not when her pungent fragrance was itching her nose.

“What do you want, Lola?”Xenia asked. She then dropped a stack of files onto her desk.

“Well, from the looks of it, it seems that you don’t have much work to do so here are the sales quarter files that Mr Hamilton asked for. Should keep you occupied until late. I can bet that you don’t even have an outfit for the Christmas party tonight.”

Xenia finally glared up at her. Meeting the woman’s snarky expression through her lashes.

“You’re right.” Xenia offered her a fake smile. “How about I start on these whilst you go and get those nails filled in. They look overdue.” Lola gasped as she pulled her emerald green manicured nails towards her chest before she moved to inspect them. Before Xenia could bask in the afterglow of Lola's stunned silence, a large and tasted hand dropped a note onto the stack of files in front of Xenia.

“Okay, this sparring round is over ladies.” Her eyes rolled before they landed on Miles. Miles Chamley-Watson was the Chief Marketing Officer of Hamilton Enterprises and also Lewis’s best friend. Only four years younger than the boss, Miles still knew him the longest and was there at the inception of the company - playing a massive role in its growth with his sharp eye on marketing the brand to a more generation.

Miles was also someone Xenia considered a friend and an ally. Their first meeting happened when he had walked in as she was getting a verbal lashing from the boss man. All she had done was pour oat milk into his coffee instead of almond. As the tears brimmed in her eyes, Miles was able to de-escalate the situation and since then, he had been a shoulder to lean on when the brunt force that was Lewis Hamilton was too much for her to bear.

“I just wanted to make sure that she got the files that were being asked for, Mr Chamley. We all know she seems to let her little fashion hobby get in the way of her actual job here.” Lola smirked as she tucked her bleached strands behind her ear with a smirk.

Xenia chewed the inside of her cheek to simmer the twitch of her palm to reach over and slap her. There were a lot of things to be said about Xenia and the disdain of her current job occupation but to try and imply that she was any less but good at her job was deeply insulting. Lola, pruny and loudly made it known that it should have been her in the position that Xenia was in. And if she could switch their places, she would. But Mr Hamilton had made it clear that he only wanted Xenia, even though they seemed to have each other.

Miles sighed as he awkwardly scratched the back of his neck. “I’m sure that Miss Richards is more than capable of her job and has everything under control. Thank you, Lola.”

Lola huffed as she brushed her bleached strands from her shoulder and scattered away from Xenia’s desk. A sigh of relief left her lungs.

“Thank you, Miles.”

“Don’t thank me yet. What was that I heard about you not having a dress for tonight?”

A noise that sounded like a disgruntled groan left her mouth. She knew what he was going to say as she conjured up her excuse.

“I’m not going.”

“Come on Nia! You always say that!” Miles exclaimed with a hint of annoyance. His animated expression almost caused a smile to break out on her face.

”Listen. I’m always here as it is and I don’t want to stay here any longer than I need to. The party is in this building where I already feel suffocated and I won’t even be comfortable enough to drink. My enemies are everywhere and a drunken Xenia would be like food for fodder to the people.” Her last statement caused Miles to chuckle.

“I would much rather spend my night at home, take a nice and long bath then watch both versions of Black Christmas.” Her preferred plans sounded boring but they were honest. Xenia would rather enjoy her solitude than be surrounded by people who did not like her.

The annual Christmas party was the one thing that Xenia never had to set up; however, it was still her who ordered the decorations, figured out the catering and then the entertainment. Xenia was the unofficial party planner - another title under her hat that she was not getting paid for.

She was exhausted beyond belief.

Besides, she had too much to figure out before they broke for Christmas - Xenia wouldn’t be missed at the party.

“You can’t not go Nia.”

“Miles -.”

“Of course, she’s going. Why wouldn’t my assistant and the planner of the party be there?”

The deep voice of Satan bellowed through the air and almost forced Xenia to flee for her life. She had not seen him all day and now as she turned in her chair, she came face to face with her boss.

Lewis Hamilton. A brooding, muscled machine covered in a tailored suit and a million dollar Richard Mille watch on his wrist. Her eyes trailed down the thickness of his tattooed neck, broad shoulders and back up to his sharp jawline covered by his beard. Then her eyes settled on his soft and full lips that were tinted a soft pink. She hated to admit it but she loved his hair. He kept it in either braids or twisted plaits tied in a low bun. This time, two braided strands hung on either side of his face with the rest tied back which seemed to bring a softness to him that he did not deserve.

He was too handsome and ugly souls like him should not be handsome.

“I’m pretty tired sir. With everything that you’re having me do, I’m pretty worn out. I think I’ll sit this one out. Maybe next year?” Xenia let the sarcasm drip into her words and revelled in the way that he rolled his eyes.

“Not this time, Miss Richards.” Lewis spoke as he placed his hands into his pockets. The side of his face twitched in a way that showed that her tone had bothered him. He looked at Miles for a brief moment before turning his attention back to Xenia.

“Have you completed the list Mr Chamley gave you?”

Xenia frowned in confusion and slight annoyance. “You mean the list that he just gave me two seconds ago?”

“Watch that tone with me Richards. Get it done and then figure out your outfit situation for tonight.” His eyes dropped down the length of her frame, the heat of his stare forced her back straighter. “I’m sure because of your little hobby, you’ll be able to figure out something in such short notice.’

Without another word, he indicated for Miles to follow him before he turned and disappeared back into his office. That was it, a demand that he expected to be followed. No please. No thank you.

Dickhead.

Miles offered her an apologetic smile before he followed behind Lewis towards the office. Then she looked down at the list that had been placed in front of her.

Lunch from Bubala: Tuna Nicoise on toasted focaccia with the soup of the day.

Coffee order from Blank Street.

Dry cleaning from Nova’s (Need the shirt for tonight.)

She stared at the list, seemingly remembering the words from her interview. How she was supposed to his right hand and right hand only. Now she was doing that and somehow also finding the time to pick up his fucking laundry. Xenia looked around her surroundings before her moving eyes settled on the falling snow through the floor-to-ceiling windows.

The slow and steadiness at which the snowflakes seemed to fall was a drastic contrast to the fast pace that her mind was running. Maybe if she was lucky, Santa’s reindeer’s would run her over with his dry cleaning getting trampled on.

Xenia was surrounded by the settling blankets of picture perfect snow as she walked down the Main Street in her FENDI vintage boots. Christmas lights decorated the buildings with wreaths hanging on each lamp post. Everything around her was perfect and yet, Xenia still felt like the Grinch but who’s Christmas was being stolen from her.

Everything about the festive holiday that should give her all the joy was not giving her the warm and fuzzy feeling that it used to. This had been the feeling that had been sentiment since the first year at Hamilton Enterprises. Lewis seemed to have sucked the life out of her. However, Xenia had to take a deep breath and remind herself that she won't be a personal assistant forever.

Her fashion content was rising in popularity and it was only a matter of time before the vitality would turn into constant income then she would be able to leave. For good.

She sighed to herself once more as she hauled the dry cleaning over her shoulder as she entered into Bubala. The low lights, exposed brick and the flush of the Christmas colours added to the things that she adored about the shop. The queue to the counter was atrocious but it didn’t bother Xenia at all. It only prolonged her time away from the office. The smell of freshly baked goods, warm soup and the sounds of cheery, festive music was far more appealing to her than the four corners of her small cubicle.

As she waited in line, she scrolled through her emails, grinning at a report from Rebecca. She had already sorted through the first predicted quarter of the merchandise branch. She was a stickler for deadlines, often completing the work before the imposed time. How Rebecca was able to find the time to do it all? Xenia would never know.

“That smile will always outshine the brightest star.” A soft voice cut through the chatter of the restaurant and nestled within her ears. Her shoulder relaxed as she peered at the owner of the voice.

Nathan Fieldman.

Modality manager of the radiology department at the Great Ormond Street Children’s Hospital. A Marvel enthusiast and the owner of the cutest golden daschund she’d ever seen.

Also, her ex-boyfriend.

Xenia offered him a platonic embrace, his Sauvage cologne causing her eye to water. She almost wanted to sneeze in repulsion. As they pulled apart, upon instinct, he reached out to touch her standing Afro. Yes, he was one of those men. But that wasn’t the reason that they had broken up. (even though in the long-run, it should have been a reason.)

No, they broke up because the leader of the Legion army of hell demanded so much of her time that it cut into the spending time that she had with Nathan. Their schedules did not align any more and she felt sorry for always leaving him hanging and cancelling plans last minute.

The guilt was heavy within her as she often left him to fend for himself. When she had suggested however, to quit her job and focus on being a fashion content creator, he thought that it wasn’t wise nor a sustainable career. That had been the last wedge in the relationship. So by the time that Xenia had asked for the break up, Nathan did not put up any type of fight. He was complacent in almost everything including the bedroom.

Now that she thought about it, there were a lot of things outside of her job that had resulted in the termination of their relationship.

“So what has you smiling like that Nini?” The cringey nickname made her want to vomit. Xenia did not miss that at all.

“Nothing in particular. I was just reading a report.” She kept her answer vague. Nathan’s eyes narrowed, pulling the rich brown skin at the corners of his eyes together.

“You still haven’t found your footing huh?”

“Not quite.” She answered with a smile that did not touch her eyes. She tried to ignore the rising insecurity within her at the tone of condescension in his words. He didn’t need to know that her lack of growth in the field of her passion was a soft spot for her and constantly had her worried that she would fail. The last person that she needed to confine in was her ex-boyfriend.

Clearing her throat as she shuffled forward in the queue. “So how is everything with you?”

Nathan’s eyes beamed, the skin of his cheeks spreading his five o’clock fuzz as he delved into the details of his past year in about the twenty minutes as they waited. She learned about all of the unique patients that he had come across and the department drama amongst his plans to expand into teaching university students. Along his retelling, he had mentioned that he had started dating again.

“So how’s everything with you? How are things for you these days?” Nathan finally asked Xenia as the both of them paid the cashier for their individual orders.

She shrugged her shoulders. What was there to say? Nothing had changed in the last year she had spoken to him. She was still stuck in the same job that she hated, doing things for a man she’d rather watch eat shit for pay as she struggled to produce any consistent content for her website.

“Nothing much. Just learning from the best around me, really.”

“That’s good to hear. Did you finally give up on the fashion stuff then?”

It took all of her strength to not tell him that it took an entire weekend in the Cotswolds to find the vintage Tory Burch blazer that she was wearing but the ping of her phone stopped her. As Xenia was about to offer an apology, Nathan placed a kiss on her cheek and picked his order from the counter.

“Duty calls, I know. It was nice seeing you, Nini. Take care.” A deep breath exhaled through her nose as she nodded. Xenia then grabbed her own bag from the counter as she looked down at her phone.

Arsehole: Coffee from MonMouth instead. Get one for yourself - I can’t have you sleeping before your duties are done. And sushi from Atelier for Mile.

Where were those fucking reindeers? She thought.

reading list: @queenshikongo3 @dhlfastestlap @saintslewis @serpenttines-library @saturnville @hopefulromantic1 @lettersofgold @cocobutterqwueen @melodichaeuxx-lacritquexx @sapphireheaven @olyvoyl @lewisroscoelove @lh44adore @hellomadamebutterfly @scorpiobleue @laneywrld @qveenmelanink @tremendousstarlighttragedy @bekindbecoolbeyou @greedyjudge2 @itsapurrfectstorm @createdbylivingclocks @omgsuperstarg @peyiswriting @miyuhpapayuh @blowmymbackout @purplelewlew @henneseyhoe @perfecttrashface @alianovnaromanovanatalia @leilaxaliel @hotfudgeslug @iamryanl @pickingupmymercedes @eleetalks @ambs-06 @annisassintchaska @boujiestpoet @nayaesworld @nat-lh-44 @mochachocolatteyaya @melaninpov @kindan3rdy951 @elyseesarchive @sl33p-deprived-princess @soiguessimtheshit @acidlv @trinitoldyouso @gwenda-fav @f1-football-fiend

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[captainuranium543]

I always find it really confusing whenever I see a fairy tail post about mental illnesses they have and they list erza as having "mommy issues". Dude. You could fill a fucking thesaurus with the issues erza has and mommy issues are a foot note on the very last page. Erza barely knows her mother she's basically a stranger to her. erza looked her mother dead in the eyes and said "thank you for abandoning me so I could find my real family" ERZA DOES NOT GAF ABOUT HER😭. Erza has endured neglect, abandonment, child abuse, torture, emotional manipulation and extreme ptsd almost her entire life mommy issues are not even on the RADAR of the worst of her problems

Gray however...

[lenoraslament]

Tom Riddle x Y/N

Hot Mess Part 2

Humor/smut/angst 2.2k words

Tom leaves you at the party, but he isn’t going to leave you wanting more for long. Still mad about you beating him at a duel, the prince of darkness just can’t leave you alone.

Warnings: smut, spanking, teasing, degradation.

Read Part 1 here.

You watched Tom disappear around the corner, and for a moment a rogue thought appeared in your head

Stop Him

Time slipped away as quickly as he had. You were dancing alone for so long.

The bass pounding only disoriented you more. Too many drinks, too much to smoke.

But you didn’t. You leaned your head back as you swayed to the ever present beat of the music. You felt a hand snake around your waist from behind and pull you in. Enzo? Theo? No, if was unfamiliar with a pair of lips that started kissing your neck.

You took a sharp breath in and realized familiar cologne was pouring over you. Teeth softly met your shoulder blade and began to nip at the spot that made your eyes roll back. Your lips part into a gasp as the hand traces along the line of your hips, dipping down to stroke your thighs.

“The whole wizarding race depends on us ,”you hear his voice teasing you.

“Hello Satan,” you slur out in response,”what happened to the girl you were with? Did she take one look at your little basilisk and die of disappointment?”

You’re about to laugh at your own joke but his hand comes down smacking you firmly on your left asscheek. You let out a strangled moan.

“You are so tawdry Y/N, you know that?” He growled in your ear.

“Maybe you should be reading up on Legilimens instead of studying the thesaurus” you tease but his hand comes down on you hard again making a gaspy scream escape your smart mouth.

“Do you ever shut up, you whore?” He asked, one hand has a vice grip on your hip bone the other one drawn back ready to meet your quip. His hips are pushing into your back

You lean your head back so it rests on his chest, looking up at him daringly.

“Not unless you make me”’you say giggling. This time he doesn’t spank you, he only tightens the hold on your hips.

“Come with me. Now.”he said whirling you away before you argue.

He whisked you down the hall, his hand intertwined in yours. You stumble after him taking in his dark hair, his broad shoulders, the musculature of his arms. Every substance you stockpiled in your system seems to fuel the burning heat of arousal coursing through you,

He unlocks the door to his private headboy dorm, before you can register the change in atmosphere he’s pushing you against the closed door.

One hand in his waist and the has a tight grip on your jaw. His eyes burn fire into yours, heavy with need. Tom’s lips part and inch closer to yours.

Your eyes flutter closed and you breath in the anticipation.

“How did you do it?” His low grumbly voice surprises you.

Your eyes snap open,” what?” You look at him honestly confused,”do… do what?”

“Beat me at the duel?” He growls.

Your mouth drops open into a scoff and you shove his chest away as roughly as you can,

“Seriously!?” You yell,”you’re asking me about the fucking duel!?”

Tom narrows his eyes as he uses his hands to push your hips back into the door. He crushed his lips into your neck, nuzzling and biting as he groped you

“How!?” He lets out a frustrated groan into your neck

“Oh and you’re going to fuck the answer out of me!?” You cry out and shove him again,”just get off of me Riddle for the love of Merlin!”.

He pulls away and picks his hands up, not because he wants to stop but because you’re screaming too loudly. He doesn’t want anyone to hear.

“Get out” he snaps and you gladly open the door behind you and stomp down the hall.

Someone has laid an anchor on your head and a snake in your belly. Those are the thoughts that come to you as you sit up the next day at nearly 1pm.

“Accio water” you mumble and the glass of water on your desk flies towards you. You barely catch it, it lands mostly on your face and lap as you groan. The couple of sips you manage to get feel like rain hitting hot asphalt.

You stumble into the bathroom, garnering a couple of stares from girls who looked fresh and pretty. Pretty girls, who and been up drinking coffee and gallivanting this beautiful Sunday morning. These girls giggle in the library, and share chocolate frogs. These girls never throw up in the shower.

Thank Merlin for magic. You think as you make it disappear with a spell. You’re determined to stand under that shower until the hot water boils off all your sins. Or at least all your thoughts about that dark haired psychopath, who keeps slipping in between the pounding in your head.

You scrub your skin until it shines. You brush your teeth with a vengeance. You put on lotion and perfume, even blow dry your hair. You wear lipgloss and mascara. You’re only 65% sure you’re not dying.

For hours you wander, into the Great Hall, into the Slytherin common room. Mumbling to your friends to shut up. Hiding behind your sunglasses again. But you can’t hide from Tom who lurked in the shadows like a lion hunting his prey.

Tom had been watching you since he saw you stumble into the Great Hall. Your little sundress and sandals, your perfect hair and those giant fucking sunglasses. His eyes wander over your body, your legs, your hips your breasts. He almost had you last night. After you left he was furious, not only because he didn’t get the answers he wanted. He didn’t get you either.

You fluttered around the castle as if the constant movement could hide the pain you were in. He fingered the potion in his pocket, he had brewed early this morning. A hangover potion, trying to decide when to make his move.

Finally you landed in the Slytherin common room, stretching into the couch like a cat. The hem of dress flirting with the top of your thighs. The sight pained him so badly he bit his own lip.

Your head was tipped to the side as you laid on the luxe green couch. He couldn’t tell if you were asleep .Those giant sunglasses he wished he could confringo were covering your eyes too well. He put his tongue in his cheek trying to decide if he should take the chance and Legilimens you or if he should give you the hangover potion.

Of course, he didn’t know that you had been watching him contemplate the two options as he stood over you. You tip your sunglasses down and glare at him.

“Did you ever consider that I beat you at the duel because I’m simply that good.” You say not hiding your annoyance.

Tom nearly jumped when you spoke, his look of surprise quickly turned into a grimace.

“Impossible. You’re a vapid whore” he spat angrily.

You pushed yourself up on your forearms, finally fed up with him.

“And you are a pretentious little know it all, who is not nearly as smart as he thinks he is!”’you rant chest practically heaving in anger,”you’re arrogant, only leaning on your fathers name and status, the dark lord should be ashamed to see you resting on your laurels. I could occlude you in my fucking sleep!” You snap, cheeks flushed in pure rage.

Tom looks peaked by your words. His mouth drops open and closes. He is…impressed. By your anger and confidence. You insulted him the same way you duel, with fire and passion. He says nothing, he only shoved your legs over so he can sit down next to you. You sit up. He takes the small vial of hangover potion out of his pocket and hands it to you.

You give him a side eye, and open to smelling it. You recognize its scent immediately and take it. You play with the empty vial in your hands.

“I still hate you,”you grumble at him.

He looks at you sidelong and pushed a loose strand of hair behind your ear,”I hate you too. Slut.”

“Sociopathic fuck”

“Superficial bitch”

“Brown nosing-“

You get cut off as he grabs your face, he tips your head back softly. Your lips brush against eachother making you gasp as you part them further. Your tongues touch with voltage, they dance against eachother and your eyes nearly roll back. Your arms are around his shoulders as his hands tangle into your hair.

Silence follows you both down the hall. Into his room. Before the door is closed his lips are on your neck, sucking and biting as you make quick work of the buttons on his shirt.

His hands nearly claw up your thighs to take two handfuls of your ass as his lips roughly crash onto yours again. Your teeth scrape together, tongues fighting for dominance. He pulls back panting, taking the straps of your dress and pulling them down your shoulder as you tug his hair needily.

Zip. The sound of his slacks falling in time with your dress. Nearly tripping over his pants, he shoves on the bed. Nothing about your movements are sensual. They are furious with hunger. He bites your neck as you claw his back, your flurry of breaths and whines are silenced as he pulls back.

You lay beneath him as the starkness of both of your expose bodies hits you. He lays kneeled between your legs, one hand gripping your waist. Both of your eyes survey eachother, mouths open in lust.

Finally they draw together, a gaze that only deepens the fire that is threatening to set the bed ablaze. He pushes into you making you gasp and arch your back. His thumb traces over your lip as he moves slowly, teasingly. His eyes never leaving yours.

Drawing breaths and gasps from your mouth as you feel yourself being stretched and released. His hand drops down slowly to wrap around your throat. His deep controlled pace never faltering, you expected fast and hard. Somehow the smooth, painfully slow and measured pace is maddening to you.

Your eyes roll back as you moan loudly, the heat coiling inside you threatening to snap as he draws out your orgasm. His hand squeezes as you scrunch your face, teetering onto the edge of your climax.

Right as the heady feeling rips through your body, he picks up his pace. It earns a breathy scream from your lips, he fucks you right through your peak. Hard. Making you writhe your hips and grasp at the hand still around your throat. White hot pleasure blinding out all of your other senses.

He smirks at you only making your hatred and desire intensify.

“You even fuck like a deranged-“ you start but he cuts you off by flipping you around. His hand clamping against your mouth as he takes you from behind.

“Shut up for the love of-“ he mumbles between thrusts and moans. He bites your shoulder softly as his free hand reaches between your legs to stroke your swollen clit.

You begin to come undone, making his excitement grow. Your legs give out from the intensity, as your stomach hits the bed he continues to fuck you into the mattress, the hand that held your mouth now softly tugging at your hair. He leans closer and you feel his breath tickling your shoulder blade, his moan near your ear nearly has you close again. Is this why all those girls are so obsessed with him? You wonder

“Get off” you mumble suddenly surprising him. He slowly pulls his hips away and you turn to look at him.

“Lay back” you tell him, he only raises his eyebrow in amusement.

“No” he says plainly as he moves to kiss you again.

You draw your lips away and smile, “Lay back or I leave”. He glares at you before letting himself lay back on the bed. You crawl over and straddle him, sinking your hips down onto him slowly as payback. He immediately grips your hips to move you but you surprise him by slapping him across the face softly.

“Patience” you whisper. He can’t help but smirk and loosen his grip. Your hips roll like waves in the ocean, his eyes shut and his head falls back as you ride him with the same intensity as he tortured you with.

“Fuck…” he mutters as you squeeze your kegel muscles and begin to snap your hips forward faster. His fingers dig into your waist as you both pant and moan.

“You really are a good little slut” he mutters and you draw your hand back again to strike but he catches your wrist and pulls you towards him.

You fall forward on his chest and he holds you there; bringing up his hips to take control and fuck you at a faster pace. Another sweet burn makes you whine into his chest as his arms interlock around the small of your back. His movements are getting sloppy and slower and he mumbles your name breathlessly.

“Oh fuck Y/N…oh “

Hearing your name escape his lips, is enough to throw you over the edge as you both buck and gasp into your shared climax.

A chorus of breaths overtake both of you, as you collapse onto him covered in sweat. You feel his arms ease up on you, his hand strokes your back softly. His lips nestling against your forehead.

“I want a rematch” he says as he pants,”to the duel. I need a rematch”.

You roll your eyes as you breathe into his chest.

“You’re impossible.”

Taglist: @abbiesxox

[writingquestionsanswered]

how do i make my writing more ‘mature’? i always feel like no matter how sophisticated i write and no matter every which way i change it up it always has a sense of being childish or juvenile.

Making Writing Sound More Mature

1 - Better Plot and Story Structure - One of the telltale signs of juvenile writing is a story that meanders, has no obvious plot or structure, has no conflict or has a protagonist with no goal. So, make sure you have a well fleshed out plot, with a conflict, protagonist goal, and which hits the beats specific to your story's genre.

2 - Three-Dimensional Characters - If you're writing plot-driven fiction, make sure your main characters have a fleshed out personality, stakes, motivation, goal, and compelling relationships with other characters. If you're writing fully or partially character-driven fiction, do all of the above, but also make sure your main characters have a relevant internal conflict and a thoughtful character arc.

3 - Well-Developed Setting and World - One common hallmark of juvenile writing is a lack of "sense of place" and under-developed world building. So, make sure you put a lot of thought into where your story takes place... not just the immediate setting of each scene, but the overall world of the story, or at least the parts of it that are relevant.

4 - Incorporate Literary Devices - Juvenile writing tends to be lacking in the use of metaphor, simile, symbolism, irony, themes, and motifs. So, make sure to include those, but also take the time to make them relevant to your story.

5 - Include a Broad Range of Vocabulary - One common element of juvenile writing is a reliance on limited, simple vocabulary. Don't be afraid to use a thesaurus to find more interesting word choices--just be absolutely certain to crosscheck your choices with a dictionary to make sure they are the right choice. Online thesauruses in particular are bad about offering up bad suggestions. Also, make sure to learn and use special vocabulary that is relevant to your story, genre, or setting. For example, if your character is a retired police detective trying to solve a murder on his stalled cruise to Alaska, you need to make sure you know the proper investigative terminology, because he will definitely use it. And, by that same token, you'd want to make sure you know cruise ship lingo as well. And, part of this, too, is getting better at description and the inclusion of emotional and sensory detail.

6 - Use Varied Sentence Structure - This is a big one... juvenile writing tends to use repetitive sentence structure, such as simple sentences (she stood up, she went to the window, she waved at the man), lack of subordinate clauses (Tad Smith, who was a seasoned and retired investigator, had looked forward to this cruise his whole life...), repetitive starts (every sentence begins with a pronoun, for example), uniform length (all short sentences, for example.) So, make sure your sentences are varied. If you read them out loud, you don't want it to sound rhythmic, but more like a complex melody.

7 - Show, Don't Tell... Most of the Time - Telling definitely has its place, but most of the time you want to show rather than tell, meaning that instead of stating things simply and directly (the sun was shining) you want to paint a clear but indirect image (dappled sunlight shone through the trees.)

8 - Avoid Cliche Phrases - Human language is littered with everyday phrases like "to each their own" or "better late than never." Generally-speaking, you want to avoid these phrases in your story, especially in exposition. If you include them anywhere, they're best spoken as dialogue by a character who it makes sense would say something like that. Likewise, be careful of cliche genre or character-type phrases. For example, villains who say things like "we're not so different, you and I..." or "I finally have you right where I want you!" These overused phrases tend to make stories sound juvenile and unpolished.

9 - Avoid Cliche Tropes - Another type of cliche to avoid if you want more mature-sounding writing is cliches of various tropes. Tropes on their own are a good thing, but when tropes are used the same way over and over again in a genre or type of story, they become predictable. For example, the super gorgeous protagonist who everyone is in love with, but they view themselves as plain and not special. Or the broken/hopeless/addict mentor character. It's not that you can't use any cliche tropes at all, just make sure your story isn't riddled with them, and do what you can to put your own spin on the ones you do use.

10 - Read, Read, Read - And I can't stress this enough... the absolute best way to improve your writing style and take your writing from juvenile to polished is to make sure you're reading a lot of fiction, in a lot of genres, by a lot of authors. Audio books, short stories, and poetry count, too. The more you read, the more you begin to: understand plot and story structure, recognize well-developed characters, easily envision complex settings and worlds, learn vocabulary and literary devices, become attuned to varied sentence structure, and learn to recognize cliche phrases and tropes.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[venuzasmuse]

𝐁𝐀𝐁𝐘 𝐂𝐀𝐌𝐄 𝐇𝐎𝐌𝐄, 𝐞. 𝐰𝐢𝐥𝐥𝐢𝐚𝐦𝐬

— the holidays are meant to be festive, free of heartache and solemnity, but odds are forever not in your favor as you spend the holidays with your best friend alongside her sister, that broke your heart.

[rockstar!ellie au, best friend’s sister!ellie, kinda mean!ellie (for a few parts of the story)]

warnings: reader is afab, not proofread, ANGST, ANGST, AND MORE ANGST, mentions of heavy themes of substance abuse (drugs), ellie is lowkey a dick in this story lol, smut & fluff in later parts, SLOW BURN. POC FRIENDLY! minors & men don’t interact.

parts:

prologue: read this

one: click here

the holidays were supposed to be festive—full of cheesy tearjerker hallmark movies, a hot chocolate filled aroma, gingerbread houses that took up too much of your time to make, and an obnoxious amount of "holy nights" being sung in the pews of a church.

or even emotional long hauls back home if you were blessed enough to have one to go back to.

the holidays- especially christmas- is a time where even the moviegoers were granted 'awes' as families reconciled on a big screen.

yet, you haven't celebrated a christmas in the span of 2 years ever since you drafted yourself away for college.

it wasn't because you were deadbeat or were escaping for any given reason. no, you still regularly keep in touch with your parents but after you left for college, they decided to leave behind the mundane lifestyle they've had since moving to the middle of bumbfuck nowhere.

your hometown is just below austin, texas, but still far enough where the only things you saw to even get to the nearest walmart, were "has anyone else died for you?" billboards and a plethora of dollar generals at the end of every street.

it was reasonable for them to leave given there wasn't much keeping them in the first place but unluckily for you, it led you to every christmas since then spent alone in your dorm room.

you never really minded.

it ate away at you for the first few days during your first holiday away from home but eventually you grew accustomed to sitting with your solitude.

it also helped that you were rooming with a random who never was home enough to question why you were still on campus when she arrived after the break.

but once you began rooming with sarah, spending another "blue christmas", as she calls it, by yourself was nowhere in alignment in her thesaurus of plans.

she left no room for debate as she coerced you into going back home with her for the holidays.

you were completely against it at first and as you sat passenger seat of her handed down ford bronco, you still wondered if you'd be able to escape at all.

the idea of stop, drop, and rolling out the door tempting you with every passing entrance sign.

you weren't opposed to the idea because you just simply didn't want to go. in fact, if the circumstances were different, it would've appealed to you in every which way because the two of you grew up together: two blocks away from each other's houses.

ever since the two of you met in eighth grade when she had just moved due to her dad, joel's nasty divorce, y'all were practically joined at the hip. ya'll navigated through the most angsty parts of an all girl’s catholic school together and that included the insufferable amount of times spent at each other's houses.

you were around so much, joel even started to question if you had a house to go home to.

so, it wasn't the fear of overstaying your welcome during the break that made you resistant to the invitation. life simply didn't come that easy for you.

it was because of her sister, ellie.

where there was a sarah, resided an ellie and there was no duo without a trio first.

you could almost recount the day you first met ellie. every minuscule detail still etched into the surface of your mind. she had long, uneven auburn hair that she ended up cutting herself.

it sat funny on her shoulders and she shot you a toothy, power chained grin every time the two of you made eye contact because she just so happened to do something that once again, perpetually got her another weekly.

she had a tomboyish charm and you knew then at the brutal age of 14, you were in for it. your crush worsened when you found out sarah was her sister. they looked nothing alike so it caught you off guard completely.

you were spending the night for the first time and y’all talked for hours the moment sarah fell asleep. ellie took the chance to sneak up on you, due to sarah’s inability to shoo her away from her best friend because she hated sharing you.

you learned that her favorite dinosaur was the dimetrodon and she wanted to play the electric guitarist in a band whenever the stars aligned her to.

ellie stuck around and the friendship between the two of you inevitably brew leading to a puppy love, slow burn relationship that flowed into your senior year.

but good things never lasted because every high has its lows and with ellie, the lows seemed to outweigh the good.

the two of you were going strong for a while. ya’ll were as in love as two clueless kids could be and your thoughts were set in stone that nobody or nothing could’ve taken ellie away from you. your ellie.

you were so sure that the two of you even planned to move out together after graduation. ya’ll didn’t have the slightest clue what ya’ll were going to do.

maybe ride up to seattle and get a cozy studio apartment that fit the two of you just right and maybe even get a cat too. a ragdoll cat, specifically.

being two broke teens with big dreams, ellie ended up snagging a job at the local vinyl shop. everything was perfect. ya’ll were perfect.

then, just as you reached the highest peak, you felt the firmament above your head shatter, shooting you down back into the earth’s core.

2 months into her seemingly great job, she met catherine- or cat, as the two of you called her. cat was the ideal cool girl. she was littered with tattoos she did herself and played in a garage band with her friends every saturday.

she seemed so… ellie. at first, you brushed it all off. you met cat when you attended an underground show her band hosted, because she invited the two of you come watch them perform.

it was a no doubt that they were amazing. the crowd went wild for them and for the first time when you looked at ellie, you witnessed a sense of sureness written over her features. she wanted to be on that stage with them. it was everything she ever dreamed of.

the crowds, the sense of belonging, everything about it was just so ellie.

but then as time passed, ellie began spending more time with cat. you wanted to be a cool girl about it and not come off too strong, or insecure. so you let it go. that was until you barely began to even see your girlfriend because she was spending time with cat and her band.

some days, you wouldn’t even find out why she wasn’t returning your texts, until after she got home from being with them.

you grew tired and fights began to subdue. eventually, ellie grew mean and you grew passive and angry. unheard.

but it was only because you were afraid of losing her. she was your ellie and the thought of that ever changing set a flame in the pit of your stomach like nothing ever did.

because of a lack of reassurance the flame didn’t wane down. it grew and grew, shooting embers until everything the two of you built went crashing down into a pile of ash.

you knew that your ellie, held no recognition in your heart anymore. the ellie you grew to know was cruel and left without a trace led back to her.

tags: @bready101

[yannaryartside]

CARMY NEVER WANTED TO CREATE A MENU WITH SYD.

AND WHY THAT IS THE CORE THEME OF THE SHOW

PART 1: THE LIE THAT CARMY BELIEVES

So, one of the bases of creating an efficient character arc is to give the character something they want, and something they need. In the pursuit of getting what they want, the theme of the show and obstacles will show them what they need. Most of the time, they need healing from an emotional wound that prevents them from growing into the ultimate version of themselves, capable of winning the challenges of the story. I will try to explore Carmy's wound and, more importantly, the lie that created that wound.

In 'The negative trait thesaurus" by Angela Ackerman and Becca Puglisi, it reads:

"Wounds are often kept secret from others because embedded within them is the lie-an untruth that the character believes about himself."

When I started therapy (disclaimer: this is not professional advice; I am just talking from how I interpreted all of this), I was introduced to the concept of "limiting beliefs:" lies we have told ourselves about our own nature or the nature of the world. The most difficult beliefs to leave behind are those established in our early childhoods, and we told ourselves those lies to make sense of the world, to make peace with realities we were not equipped to comprehend yet. 

Some examples of lies people belive:

"I am too stupid to learn anything; my teacher said so" "It was my fault that I was molested." "I am a bad person for wanting a different life."

When people believe these lies, they will act accordingly, maybe attracting situations that hurt them but keeping the lie active in their lives. They may self-sabotage or create bonds with people who also believe the lie, even if it doesn't seem this way. 

In some cases, people may develop complete personalities or behaviors to prove the lie wrong, but deep down, they still believe in the lie. Carmy falls into this last category. This is where we find the most contradictory parts of his personality, how he can act shy and insecure in some instances and appear confident and even aggressive in others. 

Long post underneath.

THE RESENT OF A MOTHER:

We can only assume here because I think Storer is gonna let us know more about this soon, but I think I got an idea of this wound when I saw the only moment Carmy was alone with Donna on "Fishes."

I have a lot of things to say about Donna herself, but let's begin with the obvious: the conversation in this scene had little to do with the dinner itself. This was a woman stating that she felt alone and not valued, probably due to being abandoned by her husband and having to overwork herself at the beef to support her 3 kids, all while being a single mother. We don't know if this feeling of abandonment is something she has carried since childhood, but in the state of current womanhood, it wouldn't be uncommon. The work of women (especially mothers), particularly the emotional labor, is rather invisible and not valued at all.

But again, this is something she has used as fuel to resent her kids, who, at the end of the day, didn't ask to be here. Her anger has to go somewhere since she cannot direct it toward the people that ctually caused it. To get to the point:

THE BEARZATTO SYBLING DYNAMIC

Carmy said, "You are not alone; I am here with you." (This kind of comes back to telling Syd she was not alone at the end of the season.) This scene is about a kid trying to communicate to his mother that he loves her and trying desperately to connect with her, to get her to express her affection for him as well.

It tells me that growing up, he felt like he had to "earn" her affection. Donna likes to make her kids feel guilty about her unhappiness, so the kids feel that they are constantly walking on shells because they think their mother hates them, or at least that she resents them and that it is their responsibility to fix it.

In the scene, Carmy asked,

"What is so hard, Mom?"

I think what he was actually asking is, "What is so hard about being with us, to love us? What did we do to you that made you resent us this way?" He is asking because he wants to know, to finally understand. Why do you drink, Mom? Why do you yell? Why do you say such hurtful things?

When she answers, "Nobody makes things beautiful for me," you can see in his face the disconnection. He knows he can't do anything about that.

Then, a crucial part in the scene occurs when Donna calls him "Michael, " which indicates that the only one of her children who could make her feel happy was Michael, or at least that is how the other two kids felt. You can see the hurt in Carmy's eyes in the scene because this answer dismisses his effort to connect to his mother in his own right. She asks him to just leave. He offers to wait to connect with her. Then, it comes to the most chilling moment on the scene, the "we have a problem" using his full name, with resentment in every word. She hugs him while crying, kisses him, and then slaps him.

This is rejection. There is a book called "The Five Wounds of the Soul": wich are Rejection, Abandonment, Humiliation, Betrayal, and Injustice. I think Carmy's wound is rejection, for never earning his mother's love, particularly comparing himself to Michael.

Michael took responsibility for the Beef, finally giving their mom a break. It was Michael's job to make sure everyone was having a good time, to compensate for the discomfort that caused being in Donna's presence, to make sure all of them stayed as a family, which was Donna's intention, so Michael thought he had to make that happen for her. Therefore, Michael is the only one of her kids who succeeds and makes her happy. We know Donna rejects Natalie and Carmy. About Natalie, we can write another whole essay.

THE LIE THAT CARMY BELIVES

According to this scene, I think Carmy thinks that her mother didn't love him because he is not Michael; in fact, he is the most "not like Michael" someone could be. He was shy and stuttered and didn't have friends or girlfriends, comparable to Michael's ability to control every room he was in. Carmy was sensible and no macho alfa as Michael presented himself to be. Carmy left home and the family business, and both Michael and Donna expressed that they feel like he thinks he is better than them. Michael admitted later to admiring Carmy's work in Copenhagen, but Donna never did. carmy grew up having to live with the crumbles of Donna's attention that Michael left behind, wondering every day what was so wrong with him that made her reject him, and wondering what he could do to change that.

The lie that Carmy belives, could be sumarize this way:

I need to earn people's love. I need to always go the extra mile, doing the most possible at all times to earn people's love.

This all goes back to his trauma with Michael. It goes back to his career as a chef and how he became the best. He didn't need to succeed on a larger scale in the culinary industry to earn Michael's respect and love; he needed to be the best in the world, so he did that. He judges his own social abilities, comparing them to Miachae's. He left that promising career only because of Michae's death. He got the girlfriend Michael wanted for him (not saying it was the only reason, but it was there).

PART 2: WHAT DOES ALL OF THIS HAD TO DO WITH SYDNEY?

Well, what does a person who feels they always need to do the most? They do the most. I want to bring you back to the moments Carmy had to develop menu ideas with Syd on s1 and s2.

When Syd suggested items for the menu in s1, he gave her an inconclusive, not enthusiastic "maybe."

When she had to actually cook the thing for him to approve, he tried to make her feel small about it. He felt the need to remind her that she was "impatient and green," according to her previous bosses. He commented about her possibly ruining the flow by using time to cook her recipe. Yikes all around, but the core here is that he was treating her like an enemy, like competition, while she was trying to save the restaurant with what they had on hand to use the most efficient solution.

Then, when Carmy tries the dish and feels stunned by it, he has to make an ambiguous excuse on the fly and just finishes every chance of them using the recipe by saying, "is not ready yet"

And what does he do next? He goes to show the crew a recipe that is extremely complicated for the level they are operating at currently—they said so themselves. I think the recipe is a variation of Donna's butter chicken recipe. To put a nail on that coffin of his intentions to earn her love and approval at the end of it all.

But why does he do all this? Because he needs to be the hero, subconsciously, he is still that small kid begging for acceptance and love; he must go the extra mile. He cannot accept Sydney's help and partnership, because that will take away from him earning what he wants on his own merit.

In S2, he seems unenthusiastic about starting the menu in the first place. Then Claire comes along, and he tries to make it work with Syd and the menu, but I think he subconsciously thanks the universe for not having to go to his core wound. That is what self-sabotage is. That is why he bailed on the food tour with Syd, using such a stupid excuse as helping somebody else move out and never mentioning it again. He never asked her what she liked or what ideas she thought of. For most of the creative process, Syd is alone, working on her own creative crisis. The menu ends up being like two recipes they made in collaboration and then all of his family's traditional recipes. It is two of Syd's recipes and the rest of Carmy's. Then, desserts Marcus did on his own. The collaboration was superficial at best.

All of this creates the core theme of the show. The Bear was once a chaotic place (like their childhood home) that needs to evolve into an efficient, peaceful place built on love, support, and mutual collaboration like a functional family should be. Sydney is the member of this found family that forces Carmy to confront his core wound and learn he can actually be good enough while still accepting help. Therapy probably will play an important part in this theme, alongside with Carmy learning there was nothing wrong with him in the first place, that earning your parent's love is not something a kid can do.

Thankyou for reading. Gif and images are not mine.

[literaryvein-reblogs]

Writing Basics: Antonyms

Antonym - a word that has an opposite meaning to another word.

Also known as a counterterm, the word “antonym” comes from a combination of two Greek terms: “anti,” which means “opposite,” and “-onym,” which comes from “onoma,” meaning “name.”

The word “antonym” is, in and of itself, an antonym: it is the opposite of a synonym, which is a word that has the same meaning as another word.

Antonyms are frequently adjectives like “hot” and “cold,” but they can also be nouns, adverbs, and prepositions. You can use a thesaurus or American English dictionary to find the counterterms for certain words.

Types of Antonyms

The main types of antonyms in the English language are:

Auto-antonym: An auto-antonym is a word that has two meanings, including one with an opposite meaning. It has several different names, including “contronym” and “Janus word.” Examples of auto-antonyms include “bound,” “dust,” “consult,” and “fast.”

Complementary antonyms: Also known as direct antonyms or contradictory antonyms, complementary antonyms are related words that are absolute opposites. They exist independently from one another and do not need the other term to exist. Examples of complementary antonyms include “night and day” and “inhale and exhale.”

Converse antonyms: Converse antonyms, or relational antonyms, are closely related words that can’t exist without each other. For example, “near” and “far” are converse antonyms because an object can’t be near without measuring it with something far away.

Graded: Graded antonyms show variations or grades between words with similar meanings. While “pleased,” “gratified,” “overjoyed,” and “content” all have a relational connection to “happy,” each has a different definition.

Antonym Examples

There are countless examples of the different types of antonyms.

Auto-antonym: “Dust,” when used as a verb, is an example of an auto-antonym. One definition means “to lightly cover with fine particles,” while the other means “to clean away light debris.” Here are two sentences that illustrate this difference: “He dusted the cookie with a fine layer of powdered sugar,” and “She dusted the fireplace mantle.”

Complementary antonyms: “The boy crossed the street” and “The girl walked to the curb” are examples of sentences with complementary antonyms. The subjects of both sentences are independent: The boy doesn’t exist as a condition of the girl.

Converse antonyms: “The pan was warm” and “The pan was cool to the touch” show how converse antonyms are relational opposites. The pan can’t be cool unless it’s first hot and then warm.

Graded antonyms: Graded antonyms are variations of a word with different meanings. An example is, “The results varied from pleasant and upbeat to joyous and remarkable.” These terms mean “good” but differ in scale: “pleasant” is not the same as “remarkable,” though both are positive words.

Using Prefixes to Create Antonyms

Adding certain prefixes can also reveal antonymous relationships between words:

Dis-: Examples of antonyms that use the prefix “dis-” include “dislike (like),” “disappear (appear),” “disobedient (obedient),” and “discomfort (comfort).”

Im- and In-: Adding the prefixes “im-” or “in-” will create new words that are antonyms. Examples include “injustice (justice),” “intolerance (tolerance),” “impossible (possible),” and “impatient (patient).”

Mis-: By adding the prefix “mis-,” you can create such antonyms as “misinformation (information),” “misconduct (conduct),” “mislead (lead),” and “misunderstand (understand).”

Non- and un-: The prefixes “non-” and “un-” will create antonymy with certain words. Examples include “uncertain (certain),” “non-compliant (compliant),” “unease (ease),” and “nonverbal (verbal).”

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[teaandspite]

The Great Goodreads Diss List (Part 2)

[part 1]

[part 3]

"I've read a few books where the authors should have quit while they were ahead. Occasionally that spot is after they've written down the title."

"As boring as watching my grandma knit"

"if I hear the word 'countless' used to describe what we were repeatedly told were exactly one million ships ever again, I think I'll find something to throw myself off."

"The only crime in this novel worth investigating is the one the author has committed against the English language."

"The breasts of every woman that appeared in this book were described."

"The best thing I can say about this book is that it's diverting. The worst thing I can say is not printable."

"This book could have been an email."

"Someone take the damned thesaurus away from [author]."

"This book is so bad that I literally joined Goodreads just so I could vent about it."

"Why does everybody keep falling for him? He has the emotional range of a potholder."

"as if a spavined mule was trying to do the tango to the music of Iron Maiden."

"too much wrapping and not enough content."

"Can I get a horror comic with real monsters and not a metaphorical one please."

"OH MY GOD WHEN WILL SOMEONE GET MURDERED ALREADY?"

"I did not read this I’m just a hater." 

"Sometimes, if it takes you 10 years to write a book, you just shouldn't." 

"I'd recommend vcr manuals over this."

"She actually wrote 'molten gaze'! Ack!"

"Those poor, tortured metaphors."

"This book only gets a star because the fact that I like words coincides with the fact that it contained words."

"I will proceed to chronicle my transition from literature enthusiast to broken shell of a woman"

"A shortbread tin Brigadoon piece of nonsense"

"It pains me to write this review, almost as much as it pained me to finish this book."

"'Empurpled' is a word that should never be used to describe genitalia. It should, however, be used to describe your prose."

"Well I mean, at least I'll have a new joke to tell my therapist this week."