#she had like. a purpose in the story.

[menstits]

fontaines archon quest is probably the first time in genshin that replaying it gives you a new context of how furina acts like its crazy...watching my oomf play when i finished and seeing furina almost on the verge on a breakdown even on the first acts when most people thought she was just the typical chuniibyou ojousama in charge...crazy.

YEAH like... god it's really crazy especially with furina's initial approach at trying to be the archon like... What could have been her own way of doing it if the crowd hadn't immediately shot down her attempt at being genuine . Like how different that was from the way she had to act for the following 500 years... Man.🧍‍♂️

[mayasaura]

Hey, anyone else think it's super duper suspicious that the Reverend Parents kicked off their abominable baby scheme pretty much simultaneously to Gideon Nav, key to the Tomb, landing on the Ninth? Gideon's more than a year but less than two years older than Harrow. So give it nine months gestation, a few months for prep and planning, and Gideon's arrival lands at exactly the place on the timeline you'd look for an inciting event to the creche massacre

And like, the Revs didn't seem shocked when they heard Harrow had opened the Tomb. They listened solemnly to Gideon spill the beans and then quietly shuffled themselves off the mortal coil, intending to take their pint sized single-serving generation with them. As far as we know they never pressured Harrow to continue the Ninth, either. They checked to make sure she was a powerful necromancer, and that was it. It's almost like they'd been waiting for this.

It's just a hell of a lot of coincidences piling up. Makes me wonder what they knew, who they'd been talking to. How much didn't they tell Harrow?

[lilianade-comics]

My brain gaslit me into believing that Valerie got her outfit upgrade in D-Stabilized because she was the only remotely acceptable thing about that episode, so imagine my surprise upon watching Flirting With Disaster again and Technus, Lord of Drip and Shipping Gray Ghost, shoots her with the drip-upgrade beam and she (and everyone else standing around her) doesn't even question it.

[roseworth]

grabs you by the shoulders and screams alex's death WAS misogynistic!!!! comparing it to uncle ben's death doesnt change that!!!!!!! the intention was for it to be an uncle ben death but the execution of it made it misogynistic because it was cruel and unnecessary!!!!!!!!!!

[petite-phthora]

This yours?

[DP x DC fic]

[Love at first... murder? - part 12]

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Part 1

Ao3

---

Somewhere else, in a seemingly abandoned building on the outskirts of the city, a figure shrouded in darkness and wearing a dark cloak plots.

In front of them is a whiteboard. It’s covered in pictures, sticky notes, and illegible texts. Some of the notes thrown about that are legible are ‘fight…’, ‘draw blood.’, and ‘DEATH!!!’.

There’s a crude stick figure drawn in the corner of the board, it’s impaled. Other small doodles can also be found all around the board.

Most of the information and pictures are connected by red strings, like you see in movies.

In the middle is a picture of 2 people sitting on a motorcycle, the arms of the person sitting in the back are around the waist of the person sitting in the front. The picture has some arrows pointing towards it and the people in the picture are very obviously circled.

Though the face of the person driving the motorcycle is obscured by their helmet, the other person seems to be heavily blushing and grinning broadly.

“Yes… yes! That’s it! I know what to do…” They seem to be speaking to themselves.

Quickly, the person scribbles down a barely legible ‘sacrifice!!‘.

They start cackling.

“Mwuahaha!”

It’s an evil laugh they’ve been working on for quite a while now, and they’re pretty proud of it.

However, the effect is slightly ruined when a fly enters their mouth, cutting off their cackling with choking as they gasp for air, grasping at their throat.

A few good thumps against their chest, with some coughing out their lungs, helps them dislodge the fly from their throat and they spit it out on the ground. They take a few deep breaths before straightening up again.

“Curse you” the person exclaims, angrily waving their fist at the fly as it flies away.

---

Bruce’s face gives off nothing as he stares at the streets down below. He’s dressed as Batman, crouched at the edge of a building with Damian by his side as Robin. Spoiler, Black Bat, Nightwing, and Red Robin are further back on the rooftop.

They watch in silence as another group of the Joker’s goons passes by. They’ve been all over the city, wandering around, not doing anything obviously illegal.

They don’t stay in one place and they don’t seem to have much of a purpose. No attacks… No stealing… No smuggling or transport of goods… No, instead they’re inspecting every single inch of the city.

They don’t seem to have any weapons on them. All they’re carrying on them are some flashlights. While most don’t give anything away with their body language or expressions, some seem to give off a bit of anxious energy.

Spoiler claimed she even saw some of them climb down into the sewers earlier and then climbing out again sometime later somewhere else, but this time ‘dejected and stinky’.

One thing seems clear to the Bats.

They’re searching for something… or someone.

“This basically confirms that not even the Joker’s henchmen know where he is. He’s missing.”

“I’m not sure if this is a good thing or a bad thing”

“Good… thing?”

“It’s… something. That’s for sure.”

“We don’t know if he’s really missing. For all we know it could be a trap. What if the Joker is hiding, pretending to be missing to have us bring our guard down? Besides, how could he be missing? He’s the Joker. No one’s just gonna kidnap him”

“For all we know he could be lying dead in a ditch somewhere”

“I highly doubt that”

“Everyone, focus” Bruce speaks up, having them draw their attention to him.

“It’s unclear whether the Joker is simply hiding away or missing. Instead of focusing on the why, we need to focus on the where. Missing or not, we need to find him and get him back to Arkham. Oracle, have you managed to find out anything from the footage yet?”

“Nope, still nothing. All the files from the moment he enters Crime Alley are wiped and any attempt at recovering them only brings back corrupted files.”

 “We need Red Hood. Where is he?” Bruce asks.

“He still has his phone on silent and he has removed the trackers and cams. We haven’t placed any new ones on him yet”

“Let’s visit him on his turf then. And keep an eye out for anything suspicious in the meantime. Oracle, try recovering the missing files. If that doesn’t work, go back to the breakout footage. Perhaps he left some kind of clues about his plans or whereabouts behind there.” Bruce states.

“Roger that.”

---

Red Hood has his arms by his sides as he gazes down upon the street below from the rooftop of a random apartment building in Crime Alley.

He’s lucky to have avoided the Bats so far. But he doubts his luck will last for long.

Red Hood stiffens as he suddenly feels something clamp down on his arm. As a reflex, his other hand has already drawn his gun.

He slowly raises the arm he felt something clamp down on and looks at it, only to make eye contact with a girl with black hair and blue eyes who has sunk her teeth into his arm and is now hanging off of it.

The teeth are sharp, as the girl seems to have some small fangs. They’ve gone through his jacket and sunken into his skin.

It doesn’t really hurt all that badly though, probably hasn’t even drawn much blood, and that’s one of the only reasons Jason hasn’t flung the kid off of him yet. Another reason is the fact that it’s a kid.

They both stare at each other for several seconds.

As Jason takes her appearance in, he notices that she seems rather familiar. In fact, she looks like a more feminine version of Danny, or if Danny had a twin.

The person hanging off of his arm looks younger than Danny though, probably a teenager around 13 or 14, if he had to make a guess.

Slowly, he puts his gun away and takes out his phone with his other hand, watching the random girl’s eyes follow his movements. He raises it level with her face and snaps a picture, quickly sending it to Danny and ignoring the girl’s curious gaze while she’s still hanging onto his arm by her fucking teeth.

---

Meanwhile, Danny checks his phone to see Red Hood sent him a message. He opens it and is greeted by a picture of Ellie in human form biting down on Red Hood’s arm with the caption ‘this yours???’

---

Taglist:

@i-always-say-yea   @uraniumwizard    @why-must-i-be-like-this   @griffinthing

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

[ef-1]

A day after Daniel fucks over Yuki, you post a photo of yourself wearing enchante,, you're not slick

Skinny white girl like Ricciardo? Ground breaking lol

it's so tragic how you're just gonna have to die mad about it 💋

[blaithnne]

Anders has inordinate amounts of annoying little brother energy, which is ironic considering the main person you see that dynamic unfold with is his ex-wife.

[martyrbat]

a female character isn't allowed to be a character that is also female. she isn't allowed her own agency and complex motives nor any deeper emotions without it being centered around the male cast around her or a child. even if she's not a mother, she remains one because she could always potentially become a mother or she is the ‘mom character’ to the men/children around her and her actions MUST reflect that. if they don't, she's labeled a selfish bitch. if she is an (actual) mother than that's all she is—she isnt allowed deeper characterization or discussion because thats all she'll ever be, that's all she was made to be. male characters are allowed to be fathers (lireral or in the sense of providing for the people around them) with deeper feelings but a mother? never a mother.

[uniquezombiedestiny]

disease of the body, disease of the mind

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[shesalittlelost]

Nesta Archeron deserves so much better than to be used as a constant vessel for the author and a bunch of bat boy 🍆 obsessed crazies to live their shallow self insert fantasies. Like as an older sister who gets told all the time to be nicer, smile more and control that temper i get her so much and I will forever hate how her most major character traits are completely disregarded and erased both by the author and her stans [derogatory]. Honestly all three of the sisters deserve so much better than having an author and a fandom that's so male centric and is ready to morph them into people they are not and shit on them for male characters who are either objectively worse or just the most BORING.

[fragmentedblade]

The "Dan Heng is Dan Feng" dogmatics annoy me a lot. It entirely brushes off one of the most interesting and prevalent questions posed by the game, incarnated by several characters and stories that give the question different hues with different potential answers, and a constant also in HI3, like a thread waving the two games together

[trickerys-domain]

I was tagged by @contrivedcoincidences6 to make my OCs this picrew!! Thank you for tagging me, I finally got it done lol!!!

Iseya Tabris: A headstrong and compassionate duelist/assassin rogue. Blunt, and sometimes vengeful, to those who show corruption, incompetence, or cross her; but endlessly kind to those in need. Absolutely did not want to get married, but always wore Nelaros's ring to honor his sacrifice and as a reminder (yes, I did full ass sacrifice a whole item spot for this in game the whole game). Iseya thought she would always sacrifice anything for her family and people, including her found family and her lover Alistair. She was prepared to die to stop the blight, and would have if not for Morrigan's offer.

*Hilariously I named my Warden years prior to the release of The Last Flight novel, but it really added a great element to her character.

Marian Hawke: A two-handy Reaver Purple Hawke who loves her family especially her sister. Even Gamlen grows on her after the death of her monther as she finally is worn down enough to see him better. Marian starts off as a confident sassy jokster who tries her best to make a new life, but as the years go on and she loses and lose and loses, her jokes become a coping mechanism. A mean streak also appears. By the end she's so tired and depressed that she doesn't even notice Anders pulling away from her. She spares and stands by him anyway because she needs this one thing to stay in her life.

*I just really like the default Hawke Names, I think they fit Hawke really well.

Shiren'ne Lavellen: A compassionate, kind, yet firm and decisive person, Shiren'ne prepared her whole life to become a worthy Keeper for her clan. Yet after she ends up with a new calling she takes it with stride, understanding her role in the world is now beyond just her people, but she always rebuffs being sent by Andraste and stands by her gods. Shiren'ne's favourite thing about the Inquisition was getting to know everyone and learn so much about other cultures and customs, and was always happy to share and demonstrate her Dalish culture (within reason). And although she had been so ready to be Keeper and she is Dalish to her core, after everything she knew she could never return and instead found a new quiet life with Cullen. Shiren'ne prefers slower ritual and practical magics and leans towards old nature and healing (I wish spirit healer had been a subclass), but is eager to learn about the fade, spirits, and the journey of ones soul after death, showing this by choosing vallaslin for Falon'Din.

*Took some research, but her name essentially means Voice of the Journey. She chose the name herself for her Valleslin ceremony as part of accepting and stepping into her role as First.

No pressure tag to @wolfwhisperertf, @the-nameless-nerd, and anyone else who wants to ❤️

[stargarland]

guys want to know some drama in my life rn

[catvids]

in zeros first appearances she is just the zenos avatar. no name no identity no agency. forced to do his bidding against her will. we dont even know shes gonna be a character until later. and when we do finally meet her as a character she is literally in prison. but then our crystal resonates with her and gives her back her former appearance. and y'shtola gives her a name. a modicum of identity and agency. and more than just that. the scions dont ever force or pressure her to help them without it being an exchange. they abide by her terms. and go out of their way to look after her. and when she is dying on the ground overwhelmed by enemy voidsent. we are shown another time when she was helpless and dying in the snow. brutalized for holding her ground against violence and cruelty. and no one came to help her. but this time. they do. and it was too late to save her then. but. she is not beyond saving now. just like the thirteenth itself is not beyond saving. even though it was too late to save it so long ago. when we first meet her she stands for nothing but her own survival as far as shes concerned. but once she barred the path of those who sought to hurt others alone and fell. which she may yet do again. and it neednt be alone this time. she may not be able to taste food in the same way. but she can feel the way it burns in her mouth. and in her chest. and so even though she does not understand it fully. she chooses to fight for it.

i also . really like. her interactions with alisaie. and in general how she interacts with the source and its people . it is very emblematic of how her hard and uncompromising nature is a survival tactic. back on the thirteenth. her domain is a haven for outcast voidsent whom she knows by name. even in a world where anything but ruthless practicality gets you killed. she wants for meaning. even corrupted and imprisoned and stripped of self. the first thing she asks wol when she meets them. is. are you the friend. and in the source. when shown kindness and warmth and light. she wants to understand. and is fascinated by it. she gazes at the sky as it changes colors. she cannot stop asking questions. she is gruff and terse. but she sincerely wants to know . what is a friend. and why do you fight for others even though you have no obligation to. and they tell her. to the best of their abilities. their answers confound her. but. they do not go over her head. survival is all the meaning she has been allowed for a very very long time. but through the kindness and genuine care and attention of others. she is given the chance to live for more than just that. and perhaps. that is what the dormant part of her has wanted all along. and has always strived for subconsciously. amidst the pitch darkness of the void.

i like also . that she is tainted. she may be indistinguishable from a living person in appearance. and the crystal restored her former appearance. but she is a voidsent. on the thirteenth she is undying. she needs to eat aether to live. her body lacks a large degree of sensation. including taste. but. the others treat her like a person anyway. when she is depleted of aether on the thirteenth. the others carry her back in their arms. they feed her. they talk with her. and she cannot say whether the food they give her tastes like much. but a spicy enough dumpling still burns her mouth. being treated like a person will not undo the damage of all that happened to her. but. it can rekindle the flames. and lead her to choose to fight for more than just her own survival. she is a voidsent. and she is also. a person. even overcome by darkness. her star is not beyond hope. and neither is she.

zeros life always meant something. the thirteenths existence always meant something. even when it seems like there is nothing but strife and pain. when you hurt others and yourself. when you are not given the choice to do anything but drag yourself along numbly. even then. you are still a person. a person worth saving. and loving.