#she doesn’t get asked about it a lot

[whatsfourteenupto]

Fourteen has taken up watercolour painting again. They really like painting little scenes from town

[o-vera-nalyzing]

look i totally get it’s all love now but genuinely every kipperlilly sympathizer that only talks about how it’s so valid she hates the bad kids and how she’s a side character getting fucked by the main characters simply just feels like they themselves have hella side character syndrome and are relating to kipperlilly a bit too hard and might need to consider that they’re only a side character if they convince themselves they are

(my tags explain it a bit better but i was too lazy to copy them up here)

[kabutoden]

i look at you and my eyes are so so so wet like with tears tears of pure emotion and extend out my closed fist and then I open up my hand and you see her. my troll oc. the greatest oc. from 2013. I brought her back and redesigned her and im insane about her again. i begin sobbing on the ground. she’s so small. itty bitty……….

[sincerely-sofie]

Was bored and rereading TPiaG as I sometimes do

And I read a line about the librarian Swadloon in Verdant village having a crush on Kip, and since I don't Think you have any art of that yet, it was too enticing for me to not ask you to please draw something of them. Please?

You’re right that I haven’t drawn anything of her! Everybody meet Elwood! :>

[blaithnne]

I’ve put off posting this for months because I wanted to find my comics so I could talk about how she fits into this one story wise, but I’ve officially given up on that so AT LONG LAST here’s Lauren in The Midnight Giant!

Comic Lauren is younger and a little less mature than her show counterpart, she has less of a parental role towards Hilda and enjoys messing with her. She’s considered a lot less…reliable by her mother. But she genuinely tries, she does everything she can to help her family and prove to her Mum that she’s capable, but that’s a little hard when Johanna’s focus is on Hilda’s shenanigans so often…

Some individual drawings!

[acediaedeus]

petition for ppl to stop trying to deny Ichigo’s title as a delinquent on the grounds of him being a good student. you know delinquency and good grades aren’t mutually exclusive, right? you want to tell me Kurosaki Ichigo, THE Kurosaki Ichigo, a mix of 4 different races, can’t be a delinquent AND 11th in his school? yeah, you’re delusional.

no one’s gonna call you a delinquent just bc you have bad grades. a bad student? yes. but a delinquent? no, bc the definition of the word is “someone who tends to commit crime, particularly minor crime”, and as far as I’m aware beating up ppl is a crime, even if they start it and even if they’re bad.

embrace the reality of Kurosaki Ichigo, saviour of all three worlds, being a dumbass teenager who’s face is known to every cop in the area. the responders for 119 calls know Ichigo’s voice by heart, he says “hi” and they just sigh and ask “how many?”.

this is also a kind of continuation to my post about Grimmjow being in shock when seeing Ichigo out of Shinigami robes, bc we all know he likely thinks of Ichigo as a do-gooder and a law-abiding human (derogatory) and so he’s not surprised when he comes to the Human World and fucking everyone from officers to doctors smile at the guy with exclamations of “Oh, it’s Kurosaki!”. he is significantly more surprised when Tatsuki tells him exactly why they react like that. he loves it and Kurosaki gains two points of respect from him, but he’ll never know.

[mixelation]

One thing that really gets my goat about how Sakura is written is that she does occasionally start to do something, but the narrative shuts her down. Like this:

Sakura goes to leap into the arena to see Lee after his fight with Gaara. Kakashi shuts her down. Contrast this to the panels that immediately follow this one:

Naruto does the exact same thing and no one bats an eye!

It’s not that I think characters shouldn’t be stopped from doing what they want— it’s just that when it’s a consistent pattern it makes reading about the character really frustrating. When Haku traps Sasuke in his mirror prison thing, Sakura hurls a kunai to help… and Kakashi tells her to guard Tazuna. She does this obediently for the rest of the fight, INCLUDING when she literally thinks Sasuke is dead (Tazuna has to offer to go to Sasuke with her to get her to move). Sakura’s willingness to do this is actually an interesting character trait, but because it’s couched in this weird lack of agency, it makes her seem complacent and cowardly, especially when the take away of a lot of fights seems to be “try no matter what.”

Here’s another example: in the first part of the chunin exam, they’re all told they can pick to answer a final question and risk being banned from promotion, OR they can back out now and take the exam again later. If Sakura were alone, she’d take the question because she’s confident in her abilities.

However, she starts to raise her hand to back out because she wants to protect Naruto.

She backs off when Naruto gives a speech about never giving up, even though her making them all back out is arguably the more mature choice (why would you drag a teammate along on a mission you know they’ll fail?). She also tries to pull them out of the prelim tournament because Sasuke needs urgent medical attention, and he shuts her down AGAIN. Like, looking at this with the wisdom of an adult, Sakura was definitely in the right there.

To be clear, I don’t mind Sakura being a cautious killjoy to Naruto’s “Believe it!” Shonen protag energy. It’s just that whenever she tries to exercise that caution, it gets shut down and that makes it seem like a negative trait to have. (Also: contrast this to Shikamaru being REWARDED for exercising caution and knowing when to back out). I’m not even arguing that the scenes I cited need to be changed, because they do character work for Naruto and Sasuke. I’m just saying that Sakura could have gotten a few more scenes where her choices were plot relevant, and she’d be a more fleshed out character.

[lynxfrost13]

Maybe I’ll finally Wanze post soon

[lesbiansanemi]

Remind me to never live with neurotypical ppl who have never had money issues in their life/have families who are willing to give them however much money they want whenever they ask. Genuinely infuriating ppl to live with who do not consider how their actions affect others ever. How am I on round 2 of this

[lavampira]

hoo boy I’m having a real one with alia’s canon lol

[carefulfears]

what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)

yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”

like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.

she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.

one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)

and she tells him that she knows he knows. but that he also knows that she loves him.

and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.

scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.

diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.

i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.

don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.

mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”

learning who she really is, it’s easier not to crave her approval so badly.

(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)

(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)

and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)

if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj

when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.

in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.

that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.

[rurinnfane]

Spontaneous reminder to save the kind comments and thank you emails/DMs that you receive in your life, even if it seems small in the moment… you’ll happen to have that printout of that nice email on your wall on the day when you need it the most, and you’ll be glad you did it.

Also: if you can, try to be the reason someone prints out an email to save for a bad day

[cetoddle]

i love my new therapist so much cause she’s the first person i’ve ever met who takes me seriously when i talk about suicide even though i don’t have a concrete plan and haven’t actually made any attempts yet

[milflewis]

.

[boisei]

something so nefarious about not being able to be yourself (being a lesbian) around your family (ESPECIALLY relatives in taiwan/china and family friends here/taiwan) because you’d be ostracized like crazy and potentially lose out on your cultural ties that you spent your whole life building and maintaining

[daisyachain]

There are places where I think a sex scene can dramatically impact a story in a way that enriched the viewing experience and conveys important information. There are movies and/or tv shows in which this happens. I haven’t seen any of them. So much of the time it’s there to do exactly what it says on the tin. A woman and a man are banging. Sure. Fine. Happy for them. It’s just a literal scene used to pull a bit of a ‘well you didn’t think THEY would be involved’ plot twist or a ‘we’re so edgy’ signal. The only show so far that I’ve seen that uses sex scenes as an actual tool of storytelling is Black Sails, and the reason it works in Black Sails is that the sex is Bad. People are bored. People are distracted. The characters are so bound up with the plot that it’s physically prevented them from fucking like normal human beings. That works. The rest doesn’t