#sexuality is so interesting !

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[the-crooked-library]

Nosferatu (2024) is unquestionably a multifaceted work, but what I personally consider to be the unifying idea behind its facets is that, for Ellen, Orlok represents validation.

Her fears are dismissed and called childish?.. He's a nightmarish manifestation of them.

She is consistently disrespected by everyone around her?.. He considers her his only equal. She never uses his title, it's permitted.

She is told to fix herself, misunderstood, and always isolated?.. He knows all the darkest parts of her and is delighted by them. He wants her just as she is, so much that he will lie, kill, and cross the ocean to find her.

The scene in their death/wedding bed is a direct parallel to the scene of her waking in that bed at the beginning of the film. She complains to Thomas that the "honeymoon is yet too short" and tries to pull him down with a kiss - however, he is worried about being late for work, and so he extricates himself and leaves. Cut forward to her sharing the same bed with Orlok, similarly early in the morning; he is startled by cock-crow and begins to rise, but she guides his head back down - and, even though he knows that he will die, he stays. He is her sexual and emotional desire, realized.

Given that there is a plethora of emotions Ellen is forced to suppress on daily basis, there is no singular correct interpretation of her relationship with Orlok. To erase any one of them is to render it shallower than it actually is; but there is no doubt as to why their attachment is mutual. To each, the other is something they’ve never had before.

[genderkoolaid]

hiiii can we talk about the impact being aromantic has on your gender i'd like to talk about the impact being aromantic has on your gender. how much romantic attraction and relationships are essential in establishing yourself as a Real & Proper Wo/Man. like literally throughout my gender journey i would keep mentally updating the hypothetical narrative of my future marriage and it took YEARS until I realized I didn't even want to get married. but sexuality is so fundamental to gender and romance is so fundamental to sexuality. i cannot separate many of my struggles with gender from my inability to make mine coherent through my pursuit of socially acceptable romances

[cabinette]

[zellaspinna]

the cowboy hat rule:

wear the hat, ride the cowboy ;)

[kookoofufu]

[dreamerdrop]

My issue with writing Julian POV is that I don’t think Julian is actually self-aware enough to realise how mind-blowingly attracted to Garak he actually is, no.

I think he would be in denial about it conciously, because Garak is a dangerous Cardassian who may or may not be a spy. Julian would filter his attraction through whatever justifications he can for why he’s not ~really~ attracted to him. (While blushing and being flustered by Garak’s overt attraction and flirting back like his life depends on it for reasons he will conveniently brush over in his head.)

But you see, I cannot conceive that anyone could ever, ever look at Garak and not immediately be overcome with lust that makes them dizzy. I can’t imagine having someone who looks like that approach so blatantly flirty and not just immediately following them back to their store to do whatever the fuck they tell you for as long as they want.

So it’s very hard for me to write Julian not being immediately on his knees for Garak because it baffles me that he didn’t just throw himself at Garak over the table in that replimat to begin with.

Maybe it’s my bizarre taste in men talking but how did this scene not end with Julian following him back to his store and being like “Yes, sir, what do you want to do with me, sir”.

[raviollies]

I know it's been said but the changes to Maria really grate on me because....this doesn't even read as the same character anymore. Maria's design was purposeful, a very clear specific concept of a 'cool sexy girl who wears leopard print and crop tops, and have a belly button piercing and a tattoo' - it combines to a stand out character portrait of not just Maria but of James, because THATS what he finds sexy and was a stark contrast to modest, sickly Mary. The new design literally just looks like a teacher or a manager now, what the hell is that supposed to tell me about either of their sexualities.

And no this isn't a case of 'tHe cEnSorINg' - this is just misunderstanding the themes. Maria wasn't needlessly sexy, objectified for the viewer; her sex appeal was referenced in the story, and was an important part of it, one of the MAJOR themes.

[cosmicredcadet]

"This fandom is so queer friendly!" This fandom literally hates, bisexual, trans, nonbinary, and aspec people but ok.

[fuckyeahchinesefashion]

OP: Check out. The fully-sexual charged cinematic movement design.

Cnetizens: How did the director come up with the idea to have him kneel on a playing card, adding so much aesthetic energy, is that some kind of genius?

[flowersandfashion]

sorry let me rant about downton abbey 10 years later

Thomas's conversion therapy plot pisses me off so much. firstly, it's incredibly out of character. he never wanted to change to conform to society, he wanted the world to change to accomodate him. the man who said "it's not against the law to hope is it" and "I'm not foul, Mr Carson, I'm not like you, but I'm not foul" would NEVER

secondly, from a storytelling perspective, the only 'problem' is that he used infected needles. did we forget that Thomas was a sergeant in the RAMC? he knows how to sterilise needles and how to recognise and treat infection. this also shifts the blame to Thomas himself for getting sick and implies that the conversion therapy itself is harmless (Dr Clarkson says it's just saline solution)

thirdly, it's not historically accurate. I'm not an expert but conversion therapy was not at all common in the 1920s, even Sigmund Freud was against it. hormone therapy and chemical castration were barely developing let alone available to the public (I can't imagine what else the 'treatment' was supposed to be). the only practices that I can find evidence of were psychoanalysis and electric shock therapy

Thomas also mentions that he did electric shock treatment - if you really want to make a point about homophobia in the 1920s (and make Thomas suffer as much as possible), show that instead. watching him be literally tortured for his sexuality would have been far more impactful than him just... looking sweaty for a few episodes

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[cyanbeetle]

I love her for her nefarious and tragic demeanour

[kryptonbabe]

Alan Scott: The Green Lantern #6 "All that may become a man" by Tim Sheridan & Cian Tormey

It's over now and I'm going to miss this mini-series

[welcometogrouchland]

my Stephanie Brown hot take is that she should get mad bitches now that she's single in comics. Yes yes shipping BUT the one time she had sex she was punished by the narrative via teen pregnancy. I think she should be allowed to have as much sex as she wants with zero consequences. Could be a lot of sex, could be a little. Point is she should get to do it without getting narratively baby trapped this time. she should get them pregnant, actually.

[unrelatedsideblog]

Honestly it's kinda funny how big part of the fandom believes in loser Sanji and rizzer Zoro as if Sanji didn't pulled 2 girls in his introduction Arc (in front of their dates too lol) and Zoro pulled 1 girl in entirity of the canon if I remember correctly

In Zoro's defence may be that he doesn't exactly try + baths once a week but still, canon lol