#setting it up is how you play with it

[theresthesnitch]

Toy store gift wrapping is great, but you know what would be even better? Putting together the toy after bedtime the night before to avoid, "is it ready yet? Is it ready now?"

[maythedreadwolftakeyou]

i know i’m the one who keeps making jokes about Lucanis being financially savvy and wealthy but you have to understand. he is also IN TOUCH with reality. you can’t make the “One banana? How much could it cost, 10 gold?” joke about him because HE IS THE ONE DOING THE GROCERY SHOPPING. that joke is for rich people who have no clue how everyone else lives. If Illario asked Lucanis how expensive bananas could possibly be, Lucanis would say "well if you want the best bananas imported from Par Vollen those are quite pricy these days because of the blockades, but you can still get ones grown in Rivain more reasonably[1]”. But, crucially, he would still buy the expensive fancy bananas anyway because he knows Emmrich likes them[2] and he wants the team to eat well. And that’s what makes him mr fantasy heartthrob in addition to being a pathetic wet beast of a man[3]

[1] The World of Thedas has a surprising amount of banana lore [2] Groceries codex in DAV [3] My heart tells me this is true

[shirozora-draws]

mustard on the beat, ho- MUSTAAAAAAAAAAAAARD Someone make it stop, make it fucking stop. I spent all week hyping myself up to gather up all my work sketches like a scrapbook and clean it all up to post here, and then Kendrick had to surprise drop on a Friday morning and ruin my work day and my headspace all weekend long.

Anyway, here's a dangerous dreams sketch dump.

It's been a long quiet, but RL had taken such a fucking toll that I had a real hard time finding the fucks to get creative. Who knows how much this past US presidential election will fuck up the entire rest of my life, but I'll take solace in finding community and in the little things and in Andor Season 2 and in the telling of The Stars.

Now that I got this out of the way, guess it's time to go fucking write some fucking words.

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[trensu]

Steve had always wanted to be a skilled fighter. The schools that churned out the best fighters all happened to be schools for holy warriors. It was possible that Steve maybe sort of lied a little (with the help of his friends Robin and Dustin) to get into this school by claiming he was full to the brim of religious fervor but hadn’t decided who to pledge his sword to yet. It shouldn’t have worked, if he were honest with himself, but by some stroke of luck it did, and he finished his training as one of the top combatants. 

The issue now was that he had to pick a god whose crest to carry. There were all sorts of gods. Gods of water, gods of air, gods of agriculture, war gods, cat gods, plant gods...the list was endless. And while Steve was one of the best fighters around, he was most definitely not one of the best researchers. Thankfully Dustin and Robin were very clever and knew where to find details about the many gods in existence.

“So what kind of god do you want to follow? Maybe we can start there,” Robin asked.

“Uh…a good one?”

“You’re no help at all, you know that?” Dustin grumbled.

They suggested a local god known as Carver who stood for righteousness, but Steve turned that down. It didn't feel like a good fit. They suggested a love god by the name of Chrissy, who valued love of all kinds, romantic, platonic, familial...Steve had been tempted, very tempted, because Steve had always carried an excess of love in his heart. Robin had vetoed that one stating that Steve was already too reckless with his love and she wouldn't stand by and watch him break his own heart over and over again.

Dustin suggested a god of knowledge, Clarke, who blessed and guided those with curiosity, imagination, and a knack for invention. Steve shot that one down immediately. He was never one to be overly imaginative or curious; he preferred to deal with concrete things. Out of their quickly dwindling list, Robin reluctantly suggested Hargrove, a war god favored by a nearby kingdom, but if Carver was ill-fitting, then Hargrove was outright repellent to Steve.

"C'mon, Steve, you gotta pick someone!" Dustin huffed in frustration. 

Robin thunked her head against the table in the library where they were looking up deities. She was obviously at her wit's end too. Steve, however, just dug his heels in with a particularly stubborn scowl.

"I can't just pick anyone!" Steve said. "If I'm going to pledge my sword to someone, it has to be someone...someone good. Someone that, I don't know, someone I can believe in, even when--no especially when things go wrong. That’s the whole point!"

"Yeah, I get that," Robin sighed, a mix of fond and annoyed, "but this is the eighth book we've gone through and the only one left here is called the King of Darkness which is hardly going to--huh."

Robin paused mid-rant to look at the page more closely. Steve and Dustin both huddled around her to peek into the book as well. Dustin also made a sound of curiosity.

"That's weird," Dustin said.

"Right?" Robin asked enthusiastically.

"What? What's weird?" Steve didn't get what caught their attention.

"This god only has a couple of sentences," Dustin explained, "And they don't really make sense. Something about dark creatures and the undeserving? The grammar and structure is all weird though."

"It looks like a half-assed translation," Robin added with a nod. "We should find the original text."

"Yeah! And if we can make a better translation, we could get it added to the next edition and they'd have to put our names on the book," Dustin said excitedly. Robin's eyes lit up at the thought and they both rushed off to the stacks to track down any original sources.

"Guys! Guys, what about my..."

The librarian hushed Steve, irritated. Steve groaned in defeat.

"...godly choices. Yeah, fine," Steve slumped back on his seat. "I need to find non-nerd friends."

Two days later, Robin and Dustin finished translating a slim, dusty book. They were nearly vibrating in their seats as Steve reviewed their notes on what they found. Dustin gripped his arm and gave him a shake.

"So? What do you think?" he asked excitedly.

Robin slung her arm across Steve's shoulders. With more tenderness than Steve expected, she said, "I know it doesn't seem like it, he doesn't really fit with your whole style, but it could work."

"Yeah," Steve said with a hopeful smile. "Yeah, this feels right."

--

It took longer than Steve would've liked, but eventually he managed to track down a small, crumbling shrine. It was an alcove carved near the entrance--no more than a crack in the stone really--of a cave at the edge of a lush forest. He almost missed it, it was so drowned in overgrown crawling vines and weeds. It bore a modest statue, no bigger than Steve, standing atop an equally modest plinth. There was a spot that obviously held a plaque once, but it must’ve been dug out by thieves at some point.

The sight of it made something in Steve's chest twinge; a strange pang of melancholy at seeing a god so forgotten and abandoned. It surprised him as he had never been particularly religious, but there was just something about this one that drew him in.

It was the middle of the day, so Steve quickly made camp and took advantage of the light to begin clearing the shrine. He started where the plaque had been, scrubbing off the dirt and moss that had filled the indentation. He knew a good smith; he could commission a new plaque to be made. After that, he weeded the immediate area around the plinth where worshipers would typically lay their offerings and pray.

By the time he finished that, it was late afternoon and he decided that was good enough for today. He had to eat and get a few hours of sleep so he could be alert once night fell. When he curled up on his bedroll, he couldn't help the grin that spread on his face. He was going to offer himself to his god tonight, and with any luck, his god would accept him.

--

He woke to a multitude of high pitched squeaks and the sound of many, many flapping wings. The sun had just fully set, and the stars that could be seen through the canopy burned brightly. Steve took his time to fasten on his armor and scabbard properly, and fixed his hair so not a strand was out of place. He took a few deep breaths to calm an unexpected bout of nerves before going to the shrine and kneeling.

His god had no official prayers. Or rather, the prayers for his god were forgotten. Robin and Dustin did their best to find anything prayer-like but it had been in vain. They suspected that most of the god's holy items and lore were purposely lost. Lacking that, Steve decided it was best that he introduce himself.

"Um, hi," he started and immediately winced. "Sorry. I'm not used to...this. I couldn't find any of your…holy words? Prayers? The right ways to speak to you, I guess.

"I'm Steve. Steve Harrington. I'm a fighter. I finished my training a few weeks back. I was the top of my cohort when it came to combat. I'm good with my sword and I know how to take a hit. I can turn just about anything into a weapon if it's needed."

Here Steve paused for a moment, straining to hear but there was nothing other than the typical sounds of a night out in the woods. Steve took a breath and plowed forward.

"I want to be more than a fighter, though. I don't want to just wave a sword around for nothing. I want it to...to matter. So I spent a lot of time trying to decide who to wield my sword for. It took me a while, but I found you. I want to be your shield and sword, if you'll have me."

Steve stopped again to listen. Nothing. Robin warned him this might happen. Gods didn't always accept warriors who offered themselves to them, and forgotten gods weren't always reachable. It was fine, though; he’d try again tomorrow night. Steve turned in just before dawn, eager for night again.

--

Steve worked on clearing the vines tangled around the statue's legs and feet. He yanked out the thick, scraggly vines, and carefully picked apart the prickling thorny ones. There was a particular gnarl of vines that didn't seem like they had a stranglehold on his god's statue. They were healthy and strong, and the way they curled and grew looked more like a caress than an invasion. He decided to leave those on, though he gently rearranged them while removing the more invasive vines so they looked more decorative.

When night arrived with the sound of squeaks and wings, Steve went to kneel at the shrine. He introduced himself again, gave the same spiel as the night before. Still he heard nothing. He scratched the back of his neck in mild insecurity.

“I guess I should tell you I didn’t find you on my own. My friends Robin and Dustin helped me. They’re way smarter than me, you know? Total nerds. I can swing a sword like nothing, but books and research? Yeah, that never works out for me, so they helped me look up all sorts of gods.

“There’s a lot of them. Way more than I thought. Dustin and Robin both recommended me ones or vetoed others. They were getting frustrated with me because I kept rejecting the ones they gave me. 

“Then Robin found you. Kind of by accident, to be honest. But she did her research thing and I knew that I wanted to carry your symbol. It took me forever to find this shrine. Robin said this was probably the only shrine you had left, so I had to find it. 

“Dustin kept saying it was on the other side of the forest, but obviously he was wrong. Not that he’ll ever admit it, the little shit, but whatever. I’m sorry your shrine was abandoned like this, but I promise I’ll fix it up. I’m good with my hands, I can do it.”

There was no response to his admittedly disorganized ramble. It was fine, he told himself. He needed to be patient. He’d come back the next night.

–

Around the statue’s waist there was another tangled mess of vines, except these vines had died and rotted to dark sludge. There was fungus growing on it, and it reeked. It was gross. Steve scrubbed at it for hours because the rot had stained the stone. He was able to get rid of the rot and most of the stains before going to catch a few hours of sleep in the afternoon.

Night fell and Steve was kneeling for the third time. He repeated most of what he said the previous two nights. There was still no response. He thought maybe he was pushing too hard. He’d never been the super talkative type anyway. He could share the quiet night with his god, if that was what his god wanted.

A few hours passed when he was startled out of his near meditative state by the sound of snapping twigs. He leapt to his feet, hand on his scabbard. Someone–a man by the look of it–stumbled out of the woods. He was pale and dark haired, dressed in ragged clothes that were probably awful even when they were new. He looked like a vagabond. 

Steve stepped in front of the shrine, protectively. The stranger grinned at him and Steve could already tell he was not going to enjoy the conversation that was about to happen.

“Who are you and what are you doing here?” Steve asked firmly, cutting the man off before he could speak. The smile only grew wider.

“I could ask you the same thing, sir,” the man said, adopting the annoyed huff of a wealthy lord. Steve scowled.

“I asked first.”

“I asked second!”

“You didn’t ask me anything,” Steve responded, somewhat smug. The man paused and then snorted a laugh.

“Yeah, okay.” He raised his hands in mock surrender. “You got me.”

“So?”

“So what?”

“What are you doing here? Who are you?” Steve repeated shortly. The teasing grin was back, and Steve felt his scowl deepen.

“Nothing and no one, m’lord,” the man bows mockingly.

“I’m not a lord.”

“Huh. Could’ve fooled me. You’re certainly as demanding as any lord I’ve ever met.”

“Oh fuck you,” Steve snapped. “I’m a holy warrior.”

The man laughed at him outright.

“Well that doesn’t sound very holy warrior-ish. Are your type allowed to swear?”

Steve grinded his teeth and decided it was not worth it to continue this conversation for much longer.

“Look, if you’re here to steal, I’ve got nothing on me.”

“That’s exactly what someone with something to steal would say.”

“Well, I don’t! I’m on a pilgrimage and I don’t want to spill blood on holy ground. So.” Steve wrapped a hand around the hilt of his sword. “Leave. Please.”

“Holy ground? Here?” the man barks out a laugh. “Don’t you know what this place is?”

“Yes,” Steve says shortly, placing himself more firmly between the shrine and the man. “Please leave. There shouldn’t be violence done here.”

“Oh, it’s far too late for that. This place used to belong to the King of Darkness. It’s said he was so evil that nothing grew here until he was run out and defeated by the god of righteousness. You know the one. Really plays up the holier than thou thing by making his hair all gold and glowy? Gotta say, you could give him a run for his money though.”

“You’re wrong.”

“No really! Your hair is great. Way better than Carver, even with the glowy thing.” 

“Not that!” Steve said in frustration. This guy really liked the sound of his own voice and Steve was starting to get a headache. It was near dawn and all he wanted was to spend the last hour or so in the quiet night with his god.

“So you agree your hair is better than a god’s?” The man tsks at him. “That’s pretty blasphemous. Are you sure you’re a holy warrior?”

“No! I mean, yes. Wait,” Steve growls at his own bumbling. “No, I’m not better than any god. But I am a holy warrior. Kind of.”

“Kind of.”

“Look, I’m working on it so I need you to leave. You’ve insulted him enough already.”

“Your god is the King of Dark–”

“Call him that again, and I will draw my sword,” Steve said, voice steely. “He’s the Lord of Night, and I won’t let you insult him at his own shrine.”

The man goes quiet for the first time since he showed up. He looked almost surprised, his mocking grin gone. His eyes flicked over to the dilapidated statue and then back at Steve.

“Lord of Night doesn’t sound much different than what I called him,” the man said lightly.

“Well, it is,” Steve told him. “Now, will you please leave?”

The man stared at him for a moment before shrugging. “Yeah, alright.” And then he left as suddenly as he had arrived.

The tension that had built up in Steve’s shoulders drained away. He went back to kneel in front of the shrine again when he noticed the barest hint of sunrise on the horizon. He cursed under his breath then was hit with a wave of embarrassment at cursing in front of the shrine and the whole situation that had transpired.

“I’m sorry about that,” Steve said, abashed. “It won’t happen again, I promise.”

–

It happened again.

now with an additional snippet here and here

ps: i do not do those reader tag list things. if you'd like to keep up with my stuff, follow my writing tag: trensu tells stories

[wasyago]

not drawing for others. not drawing for myself either. playing video games. okay? yay

[the-witchhunter]

DP x DC: Puppy Love

Waiting for my friend in the emergency room(they’re fine, we’ll not fine obviously but not actively dying) so might as well write on my phone

So if there are two things I’m adamant about it’s that Alfred should still be alive and that DC SHOULD GIVE JASON BACK HIS DOG

For those poor souls that do not know, Jason had a dog name, and this is 100% true, Dog. Jason is canonically bad at naming things so he named his dog Dog. And the storyline between him and her is actually really touching. He rescued her from a dog fighting ring where she was used to bait dogs. Jason earned her trust showed her kindness and she loves him for it and it makes me emotional. GIVE JASON BACK HIS DOG YOU MONSTERS

She’s not dead just got written out by giving her to someone, but still, that man loves and pampers Dog, gave her an engraved nameplate and everything

But consider Cujo, the ghost of a dog being trained to be a guard dog, put to death long before his time wanting the thing that made him happy in life: his toy. Danny finds him, bonds with him and helps him get back the thing he loves most, and Cujo loves Danny for it.

A story as old as time, a boy and his dog, or in Danny’s case a boy and his ghost dog.

So imagine this: Danny moved to Gotham with Cujo and things are going great, except for one thing.

Cujo has a little crush

Now normally this wouldn’t be a problem, but Cujo is a ghost. Aka he can walk through walls. So when Cujo wants to visit his lady friend, he just bolts right through the wall, and leads Danny on a merry chase.

Meanwhile Jason is confused to come home to his penthouse only to find Dog cuddled up with a smaller green dog that isn’t Beast Boy. The other dog is friendly and gets along with Dog, but it’s driving him crazy wondering how he got in without tripping an alarm. Then there’s a knock on the door

Jason opens the door to find an out of breath guy about his age with black hair, blue eyes and windswept hair that might have been intentional if it hadn’t been for a few leaves stuck in it.

And that’s how Jason met Danny

Cut to this happening a few more times and then turns into organizing little “dates” for their dogs and the while falling slowly in love with each other romcom style

That’s right, this has been a romcom about two dog owners falling in love because their dogs are literally obsessed with each other

Bonus: Danny giving Cujo “the Talk”

Danny, wagging his finger: Don’t make a rosemary’s baby, understand?

Cujo: Bark

Danny: ... good.

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[sparring-spirals]

Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.

Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.

So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).

and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.

and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.

If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.

There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.

And Fy'ra Rai said: no.

I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.

Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.

And in some, sideways way, this saves you both, at least for a little while.

Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.

And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.

This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.

Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[ph-cutie]

the dialogue abt evrart repeatedly personally visiting roy still mystifies me. from the moment you meet ev he starts building this narrative: he doesn't get out much because they move him with the crane, he knows everything because hes got eyes and ears feeding it to him, if the negotiators can't get into the harbor thats their problem, but you need to be helping him send Messages, to be carrying his tasks OUT of it, outside of his "fortress", as he calls it. Except that's evidently not fucking true because the month ago (or whenever) he was personally showing up to the pawnshop to be a bother. It contradicts so much of what we've been told about him but it doesn't really matter, because roy wasn't having it and doesn't want to talk about it. Evrart apparently just does that sometimes

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[poorly-drawn-mdzs]

I know what you are.

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[katagawajr]

BORDERLANDS 4- the lore so far

a post compiling all the tidbits from the trailers/descriptions, about everything we know about the story (so far).

wanted to make this post because i may be borderlands' biggest hater, but this new stuff looks really intriguing so far! call me optimistic but i'm definitely interested for now...

(speculation/theorizing involved here. i'm not actually 100% knowledgeable on all the lore but this is just what i'm gathering from it. if it turns out to be true then i called it here first <3)

so here's the timeline we know so far:

-> At the end of Borderlands 3, Elpis is crashing into Pandora. To save everyone (on both places), Lilith flies up and teleports Elpis away. Presumably, just like Sanctuary in BL2, she can't exactly control where it goes.

-> Where it happens to go is the planet of Kairos: a planet hidden in space- it's insinuated that the "protective barrier" surrounding the planet (made of glass?) turned it invisible. Or at least undetectable.

-> This "revealed" Kairos to the universe. Elpis presumably has been pulled in and is now orbiting Kairos.

-> Kairos is currently being controlled by "The Timekeeper." The Timekeeper is not a PERSON, but rather an Eridian Guardian. AKA... A Vault Monster.

-> This is explicitly stated in one of Nyriad's diary entries from BL3. She mentions the Timekeeper by name as an "Eridian Creation," in the likes of Graveward (BL3) and the Traveller (TFTBL). It's also obvious by the images above that it isn't Human- it has robotic limbs, floats, and seemingly harnesses/is connected to the Vault Gate behind it.

-> The Timekeeper is described as a dictator obsessed with Perfect Order, furthering the idea that this hidden planet was in a perfect state of "Order," with only the Timekeeper + its "synthetic" army. Remnants of whatever Eridian Society created it, and hid it away, for whatever reason.

-> Elpis crashing into Kairos, and breaking the barrier, has enraged the Timekeeper, who's planet is now visible to the galaxy. And a big hole in the ceiling of it's house. Damn.

-> It's confirmed there's a few years' time-skip between the crashing of Elpis and the start of the game. The SCAVS of Elpis (and bandits of Pandora most likely, however they hitched a ride) have now made their way to the surface of Kairos and are causing mayhem. They seem way more mechanical in nature than the last time we saw Elpis, but similar vibes. Very tech-y, robotic, etc. -> These bandits become their own faction known as "The Rippers," and their leader is a robot lady named Callis.

-> Queen Callis is shown in the trailer to ALSO be not human (robot? something else? Kairos's influence, or Elpis tech? who knows.) But apparently she also has the power to control the bandits, through their masks. She puts the masks on them and their eyes turn red, matching hers. So it's possible she's just mind controlling every bandit.

-> Anyways, it's a "robo-bandit" VS. "synthetic Eridian" civil war deal. The Timekeeper appears to be attempting to subjugate the entire planet again, especially based on all the "break free" wording of the teaser descriptions. Whether you're fighting WITH Callis's army or just as a third party, it appears the Vault Hunters are from Elpis (or, were on Elpis when it got yoinked at the very least). And they're trying to escape this planet. -> The last description does mention "cast of characters, new AND old," so it remains to be seen in what capacity old characters are involved. It IS a time-skip, so maybe Sanctuary finally tracked down Lilith's whereabouts and she's stranded on Elpis. Maybe Ava is an adult now and leading the Crimson Raiders. Maybe the whole "Timekeeper" business means there will be timeline fuckery- pulling alternate timeline versions of old characters, bringing back dead ones, who knows.

-> (I'M PERSONALLY INCLINED TO BELIEVE that Sasha and Fiona will also play a role in this game? Because New Tales called specific attention to Sasha being in a different part of the galaxy unable to be found (hidden planet? wink wink?), and Fiona's talk of Sasha's anahatium pocketwatch, with the etched phrase "TIME HEALS ALL WOUNDS.")

-> (Who knows if that is true, or what that really means. Just speculation here. I miss Sasha and Fiona, and they've been hyped up with BL3 Echoes, New Tales stuff, and even their own book. Give us the two best Borderlands characters back please.)

-> Last thing as an aside, it DOES show that we will be getting a Siren VH again. So she either needs to have Steele's unknown power, the Leech power, or some secret third thing. Maybe she isn't a real siren at all. The device on her arm could either be a way to REPLICATE a siren's power (like Anu, making her a "fake siren") or possibly as a way to enhance/contain the Leech power, like Tyreen alludes to in BL3. Interested to find out.

TLDR: we're finally getting the Eridian War plotline! They didn't forget guys! AND it directly involves Elpis, like the game where we first learned about the Eridian War!

Synthetic "Eridian" army led by a Vault Guardian/Monster, THE TIMEKEEPER, vs. the robotic bandit army, the Rippers, led by QUEEN CALLIS. Time-skip again (intrigued to see how long this time. It's canonically been at LEAST two years since BL3.) New + Old characters. New Eridian planet, like Nekrotafeyo. 4 New VH's, either FROM Elpis, or wayward travelers who accidentally crashed onto Kairos.

“Early 2025” gameplay reveal, unspecified 2025 release date.

[vaguely-concerned]

I hope this game knows that I have never blocked or deflected a single attack in my entire life and by god I don't intend to start now. I'm running this shit in my usual fromsoftware style (I dodge or I die I will not sit meekly cowering behind my shield waiting for the end to come I shall meet it head-on on the field of glorious combat). living on adrenaline and i-frames. L1 might as well not exist to me. ah yes. the coward button. I've heard tell of it. the button for people afraid to die. for people unwilling to tank a lethal blow to the face for no reason when it's totally avoidable if you use the game mechanics the devs have handed you. you know. like a real man