so what’s the verdict, womanbloggers: are ex-twitter employees victims of capitalism faced with horrendous hours handed out by a billionaire or are they slackers who worked four hour days drinking free smoothies and couldn’t do their jobs properly?
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THE EXPRWSSIONS HE HAS WHEN TALKING TO SCARAB HAS ME CRAZY the way they say so much with so little.
THIS IS YOUR SCARAB HATER??? From just a few frames he comes off as concerned in a caring way, how did we get to a point he's portrayed as an evil, abusive, narcissistic boss??
It's so clear that Orbo doesn't hate Scarab, I firmly believe he gets fed up because Scarab refuses to look outside of his own point of view and any attempt to bigger the picture with him falls on deaf ears, that he's more likely to listen under threats rather than just words he obviously doesn't care for.
(I DON'T AGREE with threatening or actually tearing his legs off, but it's to consider ORBO'S POTENTIAL POV. I feel that's more likely than him just being a huge asshole who hates him for some bs reason)
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thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.
what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).
in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.
best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.
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...I don't want Lenore to be Annabel's murderer now (only now, because if the story does introduce that plotline well enough idfc). Because it makes no fucking sense for why Annabel would be so loyal to her. That's the biggest flaw in everybody's theories, Annabel is not exactly somebody who would forgive somebody who'd kill her. Yes, she is deeply in love with Lenore, but it's clearly because Lenore somehow won Annabels' trust fully-
For God's sake, Annabel remembers backwards, it doesn't make sense for her to trust Lenore so deeply if Lenore actually betrayed her. It doesn't make sense for Annabel to feel completely safe around her.
"But she offered Lenore that she can kill her if she must!"
Yeah, dude. That was a trust thing. She did that, trusting Lenore would never do it. She did it to prove to Lenore that she trusts her too. Like, bruh. Talk about a bigger sign of devotion.
At most, Lenore killed her wife on accident. Not deliberately. Because at this point in the story (which is still pretty fucking early, we're nowhere near the wedding) Lenore doesn't really do violence much. She's violence-reluctant. And you're telling me she killed her biggest love on purpose? Ha. No.
I'll believe it when I'll see it. But until then? No way in hell.
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You're one of the only people I've seen the whole 'hire fans!' mentality actually make sense for. I'm actively mad that your ToTK concept isn't the one we got!
if you are mad that my version(s) of totk arent real, how do you think i feel about it bfhkngg,kdfnvdn
no but, im taking that as a huge compliment!! im always so worried i come off as one of those .. angery gamerdudes who get mad about whatever they deem is "woke" and hate on gamedevs
(which i really dont want to do, as much as i hate totk i dont wish any dev ill)
the 'hire fans' thing isnt realistic, as im sure we both know (like .. id have to be in some of the highest position there to achieve anything id want xD) and sometimes i dream of working on a zelda game, but then always have to think how much torture it would be to have to work on things you dont like, or watch as the director decides on things you know arent good, repeat the same old stereotypes etc etc
so then im more happy to not be there (although it is also very painful to watch them do it from the outside .......... i jsut imagine the pain be greater when you are working on it but cant decide on anything)
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Caught up with the 9-1-1 finale after watching some live-blogging on tumblr and I feel like some things should be addressed.
I saw some comments about how having Latinos being Cartel members was racist because it reinforces stereotypes. 9-1-1 also has Eddie and his family, who have been main/side characters for multiple seasons, who are positive complex characters, whereas the Cartel was like 1.5 episodes. Complex, wide ranging representation is important and in this instance I think the 6 seasons of Eddie and family far outweighs the 30-60 min of Cartel.
"Gerrard was like the father I had" "I wasn't close to my father" are SUPER IMPORTANT LINES FOR TOMMY. It shows that he grew up in a household that wouldn't/doesn't accept his sexuality, that his past behavior is predicated on existing in various forms of Gerrard's toxic environment his whole life. That is until the Winds of Change in the form of Chimney and Hen started to blow in.
Imho, Tommy wasn't nullifying Buck's trauma by making the daddy joke. Putting aside the argument that Queer people shouldn't have to be sanitized to be represented on TV, Tommy could have just read the room and thought Evan needed a little break from the EMOTIONAL DAMAGE his whole day had been consisting of. I mean if I went on the emotional rollercoaster that Buck did in one day, you better bet I would appreciate my super hot pilot boyfriend making some jokes and giving me some space to just breath.
Honestly, the whole live blogging experience on Tumblr was really disappointing. I won't be doing that again. Instead I'll just watch the show by myself, analyze it by my nerdy-self and then come here to post and hope some fellow nerds like it. Somehow I spent 30+ years of my life in positive fan culture land and I really wish I never ventured out of it.
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Because I constantly get hate for WDYW Chapter 49,
(I get it, it's polarizing) allow me to like,,, explain why I went with the plot point? I don't really owe anyone an explanation, and literally fuck any of my haters, they're ants, but I think my readers/people who actually like my writing would like to know the lore behind my choices.
So, context, in chapter 49, Frisk is drugged into obedience by Muffet and Muffet, being the money hungry cunt that she is, sells Frisk's body on the black market. It's a really uncomfortable concept, and when it happened it caused a lot of readers to drop the fic or rant at me in the comments, talk shit about my fic in private forums behind my back, or even imply a bunch of horrible things about me as a person lmao.
So why did I decide to go with this plot?
Well, for one, it all stems from two books: The Hunger Games, Mockingjay by Suzanne Collins and the Empress by S.J Kincaid.
In both of these books, there is a pivotal character who is drugged, manipulated and used for political gain by a dastardly authority figure. In The Empress, this plot point was ESPECIALLY devastating, because it completely changed and corrupted the character into a horrific shell of their old self to where they were actively antagonistic and irredeemable!
This plot device has intrigued and fascinated me ever since. Drugging a protagonist to make them wholly dependent on their abuser/villain, manipulating them, having them at rock bottom is, in my opinion, one of the worst things that can happen to a character... And seeing how the character can overcome it is the greatest triumph!
Ever since reading these books, this plot device has buzzed in the back of my mind and there is a part of me that always tries to recreate it, but I can never come close to perfecting it.
Either I always miss on the addiction part of the manipulation, or I can never commit truly to character corruption. Either way, the closest I've ever gotten to scratching this itch has been in WDYW part 3, but even then, I barely came close to getting it right.
My second reason for choosing the route; In WDYW, Frisk's whole arc is about having control over her own agency/autonomy/fate. What happens to her in Part 3 is the culmination of everything she's ran away from, fought against, and her greatest nightmare come to life. It was the lowest point I could bring her character, and make her face her past demons in a horrifically evil way. But my plan had obviously been that despite all of the torture she survives, that she not only survives but fucking WINS!
That was the whole point, but when I wrote it I was like,,, 17/18 😅, so there was definitely things I wasn't as graceful about.
With that said, would I change anything? Yes. If I could change anything I wrote about part 3, I would do a couple things:
1. Take out that obedience spell Muffet puts on Frisk. The reason I made that was because it was like a catch all spell to keep Frisk in Muffets clutches? But it was pretty OP and seemed like a hand wavey excuse to brush aside plot holes. I should've just simplified the spell to where she was simply tethered to Muffet's soul so Sans couldn't kill Muffet, or teleport Frisk away.
2. Frisk's "obedience" to Muffet should've been entirely addiction based, which would make the plot point of Frisk using determination to burn out her addiction in Part 4, and then eventually Determination becomes the addiction instead, (because overcoming addiction is really fucking hard actually and a constant struggle) a lot stronger.
3. I would probably be much more careful with my word choice in chapter 49. Some of it comes off as sexualization. Not my intention, but it was because I was writing in the creepy photographer's pov and he was objectifying her. In my head I was like, "surely people can read between the lines right???" (They can't. Only a select few fanfic readers have media literacy apparently)
So, TLDR, No chapter 49 was not some author's barely disguised fetish (that's honestly a really gross way to think about my writing and about me as a person) it was my genuine worst nightmare as a woman, and one of my favorite plot devices from two of my favorite books 😭 Please lay off me about chapter 49, and Part 3.
Last but not least... Some art is meant to disturb the comfortable and comfort the disturbed.
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