#seems to like it as well

[njamil21]

A watercolor painting I did for a friend.

This was a commission piece I techinically did for the mother of a friend and it was my first time making anything for her so I was quite nervous when making this for her. I got doubly nervous when she wanted the original piece to frame but I was honored that she would want a physical piece of art from me. Her only requirements for the piece were "an angel that was neither black or white", as she mostly saw angels that were black or white, and for the picture to be 8"x10" to frame.

With the size being what it was, I had to forego colored pencils and go for watercolors as it would cover more space in less time and give a very dreamy and delicate look to the piece. Since my client wanted a more unique angel, I thought it would be fun to give her a Desi angel, as her dark features would contrast beautifully against her more paler clothes. 

She never requested a background, probably because this was her first time commissioning from me or from any artist, so I figured it would be nice to just give her one instead of having her float in a void. I figured lotuses on a pond would be a good way to go if I want to add more details and color to the picture. Painting the lotuses, lily pads, and the design on the salwaar kameez were so therapeutic to me so this paunting was such a joy. It's been a while since I made anything larger than 4 inches so I'm quite proud of myself for getting this done so I could have this sent to her!

Please do not edit or repost without permission. (I edited my commission prices!)

[evidently-endless]

i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.

[thestuffedalligator]

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

[noodles-and-tea]

Last part whoo!!!

PART 1 / PART 2 / PART 3 / PART 4

[ruporas]

dragon meat, you, and me

[hofudlaus]

also posting these two on their own :-) based on This post by @outpastthemoat

[akanemnon]

How to be an annoying little jerk 101

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[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[mokeonn]

"But if college was free, then people would abuse that and get useless degrees" hell yeah I would! If I could go to college without debt I would make it my job to get a degree in every little thing that interested me. I'd get a doctorate in film studies. I'd have a bachelor's degree for every science I like. I'd try to learn at least 5 languages with varying results. I would learn something "useful" like coding and then follow it up with a ""useless"" degree like art history. I'd be the world record speed run holder for getting every degree possible.

But I can't afford college without going into massive debt, so instead I spent the last 5 years trying to figure out what I am passionate enough about to consider going into debt over, because unfortunately being passionate about everything is extremely expensive to pursue.

[pleasureprose]

-I don't want to be here

-You exist here

[twinkubus]

Bound Man by John Singer Sargent, c. 1917-21

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[akanemnon]

It could get worse and it DID get worse

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[heliomanteia]

Pretty privilege is real and Apollo being included in God Games while not really having any particular intense feelings against Odysseus is the proof of that.

[inkskinned]

so i wrote a book that comes out soon and having that be real feels like falling down stairs because i wanted this since i was 7 years old so now what do i want after it.

so tell me why today all i care about is the word trundle, that the word trundle exists. of course i have things to do and emails to send and a world of suffering to protect but today my brain won't let me look away from the sheer linguistic improbability of trundle.

i saw a truck doing it. i imagine animals did it first. or people maybe. to trundle comes direct from old english. cows do it on occasion, but more often sheep (in my experience). someone had to name lope and someone had to name slog. the verbs to run and to leap make sense; they are singular and important distinguishers.

but we can bask rather than relax. we can scuttle rather than crawl. sometimes when i move in dance class it is to undulate rather than roll. someone had to name things like sonder and whimsy. of course we had words for tangible things like tree and grass and root. i love those words, i'm eating them.

i don't know the word for this thing. where it's real-now. sometimes i feel it when i am dating someone i actually like-and-love and i realize that is real, i am dating them and it's real that i like-and-love them. sometimes i have this feeling when i have been planning a vacation or an event for weeks-and-months and it finally happens - the feeling this is happening, it's happening right now.

it happens randomly sometimes too. i will be at the carnival or at an ice cream stand or with the last light of summer in my hair and i will feel it again, that sense - i have waited my whole life for this, and im finally experiencing it, and i need to pay attention to it.

but it's real! how amazing! how horribly tragic! it's real. it exists. the moment is here.

i have no idea what to do with it.