#seems important and all that | Explore Tumblr posts and blogs

aethersea · 6 months ago

Text

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

#finx rambles #worldbuilding #for writers #honestly I quite liked the asoiaf books I read #it's a well-constructed story! it's a well-constructed world too on its own merits #none of this stuff about grain and spinning is actually important to the story #the problem is that grrm himself seems to just. not realize this #and goes about blithely insisting he's created an extraordinarily realistic fantasy world where all the tax policies make sense #he has not!#he has invited people to tear his creation apart if they can and! it turns out! they absolutely can!#this shit's got no tensile strength! it's made of glue and popsicle sticks!#you're not supposed to put weight on it

5K notes · View notes

hussyknee · 1 year ago

Text

I know some dickheads have now decided that Judaism is the "bad, violent, terrorist religion" and Islam is the "good, peaceful" one, which is only to be expected of white people, but how much of an issue is it currently? Like I've seen some USAmericans sharing how the Islamic faith shapes Gazans values and perseverance (good) except with that distinct white hippie "I'm about to imprint on this like the world's most racist duck" vibe (bad), but I didn't think they're already turning on Judaism in numbers.

Do they realize that Christianity is also the same kind of comfort to Christian minorities in Asia and Africa? That it was Buddhists that genocided the Rohingyas in Myanmar and Tamils in Sri Lanka? That Hindu fundamentalists are even now trying to ethnically cleanse Muslims in India? How Hindus and Christians are terrorized and persecuted in Pakistan? That Muslims have a history of persecuting and ethnically cleansing Jews too?

Really tired of asking y'all to be normal about people's religions man. There's no religion that's inherently violent or exceptionally peaceful. It's just like any other ideology that becomes a weapon in the hands of ethnic power. Interrogate power, not religion, and respect people's belief systems insofar as they aren't in your business.

Edit: I've amended the "long history" of Muslim persecution of Jews because it might be misleading in the current political climate. Zionism and antisemitic Arab nationalism are twin births resulting directly from Christian colonization, and Islamic empires tended to actually be more tolerant of other religions compared to Christianity, especially Judaism, which was considered a sibling religion. Antisemitism wasn't ideologically entrenched in Islamic tradition. It's simply that ethno-religious power will lead to ethno religious domination and intermittent cleansing of minorities, and Islam is no exception. Humans be humaning always.

#Edit: please boost the edit #why can't white people just be fuckin normal for once #tbh this site was so weird about Judaism that it felt almost culty #I had several crises about whether I was being antisemitic before I realized no I'm just reacting to the idealization-demonization binary #that seems to be all western leftists know how to do #white queers are the worst about this #and now some of the asks I've been getting gives me the impression that the west thinks ''Islamist'' is some kind of dangerous cryptid #y'all attach insane levels of importance to people's choice of headgear #the only common denominator of all the Muslims I know is their fixation on biriyani idk #a lot of white lefties just want to use religion to distance yourself from your white privilege #same reason as why communism is so attractive to you #y'all want to share in a legacy of oppression because it's easier than self-reflection and unlearning #antisemitism #anti Zionism #Islamphobia #philosemitism #white queers #western leftists #racism #religious fundamentalism #genocide #religious violence #knee of huss

2K notes · View notes

starry-bi-sky · 1 year ago

Text

I saw a post a few months ago (and damn was it really months? In PLURAL?) that was a cracky dpxdc au where the LOS were making Damian clones but the clones kept getting snatched by ghost portals and dropped into Danny’s lap and Danny just goes “ok ig this is my life now” and takes care of each one until he has his own mini army of Damian Clones.

And I remembered it a few days ago, and now I've been thinking about it again. Because I love clone aus (see: clone danny au, the 'danny is thomas wayne' au) because it itches the part of my mind that loves exploring personhood and the exploration of identity and what it means to be clone.

(What do you do when nothing about you is unique? When your face, your eyes, your hands, your hair, your voice, all the way down to your heart, all belong to someone else?)

(When it comes to nature vs nurture what of you came from your environment and your experiences, and what of you was already programmed into you from the DNA that made you?)

(What do you do to make it unique? What do you do to make you unique?)

And if I could remember who made that post I'd @ them right now because it was their original post that inspired this, but I'm just thinking of if the au only had One Singular Damian clone that fell into Danny's life.

(a read more because im apparently incapable of making posts that are less than 1k words...)

One Damian who knew he was a clone and knew that he was to either bring the original back to base or kill him to take his place, who was being trained the same way but kept getting compared to his original over and over again. Like an older sibling who you can never match up to. Who is still a child who craves adult affection and validation and praise, and can't get it because nothing about him is original.

One Damian who, at six years old, in a twist of fate is sucked through a swirling portal and lands in Amity Park, directly on top of, in front of, or in line of sight of one Daniel Fenton, half-ghost extraordinaire and local hero.

What happens next?

Well, for one, Danny recognizes him immediately. He would recognize the face of Damian Wayne anywhere because his best friend was ranting about him all week about Damian Wayne's environmental stuff he does.

And for two, he would recognize that the Damian Wayne in front of him was not Damian Wayne. Because Damian Wayne was a teenager. And the Damian Wayne in front of him is a child. Six years old.

Getting this not-Damian but also-Damian to go along with Danny is not, not an easy task. The tiny Damian is aggressive, regal, and at this point in time, six years old, barely understanding english. He also has a sword.

It takes all day and a google translator to get this Tiny Damian to finally agree to go home with Danny. It's a miracle. Seriously. A tried and true miracle. And its also only when Danny has to fight a ghost does he finally agree, saying something in arabic that Danny doesn't understand.

Danny flies them both home, carrying Tiny Damian like a koala. The ensuing conversation in his room is not any better. It is tiring, long, and exhausting. Tiny Damian is six years old, and every single thing he says when Danny asks where he came from is met with a poorly translated "that's classified".

Danny keeps an eye on the news. There are no reports of Damian Wayne going missing, in fact he's been rather public. Bruce Wayne is not one to lie about his children going missing, and Damian's secretive behavior and young age draws Danny to one conclusion: Damian is a clone.

He doesn't know why Damian Wayne is being cloned. Frankly he doesn't really wanna know, because whatever organization that did it doesn't seem too pure-of-heart if tiny-Damian's immediate attempt of murder when they first met is of any indication. But he's too busy taking care of his city, that he doesn't have time to deal with whatever shady business Tiny-Damian was produced from.

In the end though, he decides that this Tiny-Damian is not going back to whatever place he came from. Tiny Damian disagrees. It is a long, nebulous problem of Damian trying to run away, Danny catching him, and Danny pulling him back home.

In that time, Danny downloads a language app and starts learning Arabic so that they can talk to each other properly. Damian slowly, slowly, starts picking up English.

In that time, Danny also has to inform his friends and his sister about Damian. Tiny Damian is not a fan of this. That is another argument they have. Tiny Damian does not like Sam or Tucker for a long, long while. He only really "listens" to Danny, citing something in arabic that Danny still cannot understand, but has a repeated use of the word "lieazir". It's the only word that Danny can catch in a sentence immediately, because its what little Damian calls Danny.

Tiny Damian, in that front, is very interested in Danny's powers and in his parents work. He finds tubberware of ectoplasm in the fridge once while they're down in the kitchen and calls it something with the word lieazir in it. The other word is something that Danny later learns means water in arabic.

It makes him feel even more uneasy of whatever place little Damian came from.

It takes weeks for little Damian to finally give up on escaping, and then a few weeks more for him to almost entirely lose his spunk. Danny isn't sure what started it. It was as if he'd been flipped with an off-switch.

(Damian had been so confident that the League would go looking for him after his disappearance. He was wrong, and he is crushed. He is still a child, alone, in a country very big and very busy, where nobody understands what he's saying. He feels powerless, helpless.)

(The lazarus boy who calls himself Danyal is nice to him in a way the league has never been, and he's making an effort to learn Damian's language. But he leaves for hours at a time and Damian doesn't have much else to do but wait in this house for him to come back.)

(He tried leaving, many many times, but he doesn't understand the street signs, the roads, the people. He doesn't know where he is, and he feels scared in a way that he's not felt in the League. Danny finds him every single time, hours later when Damian is lost somewhere in Amity Park)

(And he never yells at him. Never. The first time this happens, Damian puffs himself up and prepares himself for this strange lazarus boy to yell at him. Damian feels like he's tripped on the last step of the stairs when Danyal doesn't yell at him.)

(He can tell he's frustrated by the tone of his voice, but when Danyal lays eyes on him he just looks relieved. He gets scolded on the flight home, but Damian doesn't understand any of it other than Danyal just sounds worried. Not angry. He gets a proper scolding once they get back, with Danyal typing into the google translator and playing it for Damian to hear.)

(This happens every single time until Damian finally agrees to stop running away.)

It's with Jazz's help that Danny finally realizes that Damian was depressed. It's with her help again that Danny tries helping with it. It's like trying to get a stray cat to trust him. And with everything else they've done, it takes a long time.

And it is so, so worth it when it all works out.

Tiny Damian doesn't really like Sam, or Tucker, but he likes Danny. And he finally starts calling him his name. His full name, but his name nonetheless. Danny doesn't bother correcting him. He's not looking a gift horse in the mouth. And it's endearing hearing Damian call him Danyal.

Damian in this time, also begins to take more initiative into learning English. And they teach each other words they know. Danny buys flash cards and writes the english alphabet on them, and then finds a book on arabic to teach himself and Damian. Sam and Tucker and Jazz start learning as well.

And then when Danny knows enough arabic and Damian knows enough english, and Damian trusts Danny, Damian tells him he's a clone. It's a quiet moment, late at night when Danny takes Damian up to the ops center to look at what stars they could see through the light pollution.

It'd be very easy for Danny to tell him, "I know. I could tell from the start.". He doesn't, it's not the time nor the place, and Danny's matured enough to know when to open his mouth and when to keep it shut. He lets Damian, almost seven now, tell him that he's a clone of Damian Wayne. Lets him tell him why he was made, what his purpose was.

(Danny will need a minute later to process the fact that Damian Wayne originally came from some kind of... assassin league with an obsession with immortality. But he's focused on Damian.)

In the end, he puts an arm around Damian Wayne's clone and pulls him into his side. Thanks him for trusting him, it must've been hard to tell him, that he's brave for being able to. And if he wants to, they can find a way to get into contact with the Waynes and let Wayne know about him.

Damian hides his face in Danny's ribs and holds him tight, and tells him he doesn't want to. Danny leaves it at that.

Perhaps it would be more morally ethical to alert Damian Wayne that there was a clone of him running around, that his... uh, grandfather was making clones of him. Hell, Danny would have liked it. But little Damian has asked him not to say anything, and little Damian needs someone to rely on; someone he can trust.

And in the end, its not that hard of a decision to make. Danny knows little Damian more than he knows Damian Wayne, and while Danny likes to think he's a good person, he knows he's not a great one. Nor a perfect one. He cares more about someone he knows than someone he doesn't.

If Sam tries to argue with him about it, then Danny will just double down. If Damian doesn't want to tell Wayne about his existence, then it's not their place to say otherwise.

There's a lot more to talk about over Damian's cloning, like what he wants to do moving forward. But that's a long conversation not meant to be one taken late at night. Little Damian is falling asleep at his side, seemingly much more relaxed than he did before, and Danny wasn't gonna ruin that.

And later he's right, it is a long conversation, and a slow one. Talking with Jazz about it helps him figure out what to do moving forward, and their best bet is to let Damian figure out what he wants to do. So he sits Damian down at the dinner table the next morning and tells him before breakfast that he doesn't need to be Damian Wayne.

He doesn't need to learn all the same things Damian Wayne did. He doesn't need to do anything that Damian Wayne does. And little Damian is seven, and he's smart, but Danny still has to word it in a way that's not too complex for him to realize.

And in the end, what he says essentially boils down to "You are not Damian Wayne, you are just you. Don't be anyone else but you." and it'll take more time to drill that into his mind when all he's ever heard and learned from is that he was a copy of Damian Wayne, and he must act like Damian Wayne. But it'll happen.

It's a hard task when Danny's the only person Damian really trusts and he can't be by his side all the time, but he starts to warm up to the rest of Danny's family. The Fenton parents know of him, it's hard to keep a six year old child a secret for as long as Danny did without eventually having to come clean about it. His parents, much to Danny's relief, are very welcoming to Damian.

Damian figures out what he likes. Slowly. He's six years old, almost seven, and nobody expects of him to figure out who he is immediately. No child knows who they are right off the bat. So like any child he begins to explore. His english is better but still rough, and he struggles to read said language, but the Fenton family are happy to help even if Damian learns words that no normal seven year old does. (Many of them scientific.)

Damian realizes he likes stars, even if said interest is influenced by the association to Danny. Danny is all too delighted to tell him all about them, and in the process takes him flying out somewhere where the light pollution doesn't reach and showing him where constellations are.

Damian is six-almost-seven, so he doesn't find all of them, but Danny helps him figure out the easier ones. He tells him the scientific facts behind them, and then tells him about the mythos of the constellations. Later on they make their own constellations and make up stories about what they are.

(Damian adores Danny out of anyone else in the Fenton Family. The name Danyal turns to Dany. If anyone asks, Daniel Fenton is Damian's big brother.)

(He still refers to Jazz as Jazmine, and Danny's parents as Mrs. and Mr. Fenton.)

He realizes that, like his original, he loves animals, and he becomes vegetarian too. Sam is smug and Tucker is disappointed, but Damian doesn't super care about their opinions. ...he's getting better at liking them, even if he thinks Manson is a bit snobby and Foley is too much at times.

Its inevitable that the conversation of school comes into play. Damian can't stay home all day and he needs proper schooling. So after a long talk with Damian, they agree to send him to elementary school.

...And before they can do that the Fenton Family goes through with legally adopting Damian into the family as Damian Fenton. It takes convincing to get the administration to enroll him into the first grade without a proper schooling background.

(On his adoption form, Damian asks to change his birthday to the day he met Danny. Perhaps its not the most responsible thing to agree to, but Danny wants Damian to find himself. And its not like they know when his actual birthday was.)

And despite where he learned it from, Damian quite likes sparring. And he quite likes sparring with Danny in particular. Danny makes it fun, something that was foreign in his old league training, and Danny never hurts him. It's a lot like roughhousing.

Danny tells Damian how he got his powers, and how his parents don't know. Damian wakes up late at night to Danny sneaking out of the room (their house is not big enough to give Damian an individual room, and Danny agreed to share his) to go fight ghosts.

It's upsetting. Damian knows that Danny gets injured in those fights, even if Danny never comes home until after those injuries have been fixed up. He wants to help, and he voices it, and Danny shoots him down.

It becomes an argument, something that has happened less and less over the months.

Damian is experienced.

Damian is a child.

Damian knows how to fight.

Damian is mortal and fragile. He is a tiny, squishy human boy and the people Danny fights are ghosts who are near-indestructible. Who are intimately acquainted with death but also do not remember that humans are capable of it. Especially when they're fighting.

Damian says that Batman's rogues are capable of the same thing, that he lets his Robins help him fight.

And Danny says he is not Batman and he will not allow Damian to fight ghosts with him. Those ghosts will kill him and it will hurt. Dying hurts in a way that is terrifying and unimaginable and he will not risk Damian experiencing it. Not even Sam and Tucker help him in his fights most of the time, they are not able to. Not in the way Danny can.

Damian doesn't talk to him all day the following morning, but Danny does not budge on his decision. Damian tries to follow him out the next night, and Danny catches him and takes him back. Over, and over, and over again.

Until finally he gets intercepted by Skulker while taking Damian back home and is forced to fight him in front of Damian. (If it had been his choice, he would not have let Damian see it at all.)

It's not pretty. Skulker has new weapons, weapons that hurt, a lot. Danny is stuck between trying to take him down and trying to protect Damian from Skulker's attacks at him and from all the debris being created from the fight. It's with Damian's quick thinking and fast feet that finally helps Danny take Skulker out. But Danny is badly injured in the aftermath.

He doesn't have time to take Damian home and get medical attention. So he takes Damian with him to wherever he has his supplies stashed. He doesn't call Sam or Tucker or Jazz, and has to stitch himself up alone, with Damian watching.

Damian is quiet the entire time, he feels awful. Danny's not mad at him -- well, he is. But not because he had to protect him. He's just tired, and a little disappointed in him. Damian doesn't sneak out again. But he still feels helpless.

Danny tells him that that is why he doesn't want Damian to help him. Ghosts, his ghosts, are hard to fight. They are powerful, and his 'rogues' are mean. They will not care that Damian is a mortal child, if he picks a fight with them, they will fight back. And Damian is not immune to certain ghost powers like Danny is.

Damian is silent. He wants to help. But Danny is right: he is a squishy, mortal, living child. There is not much he can do to help Danny. Not without any gear to do it. Not without any powers to do it. He wants to help. He cannot.

Damian, almost-seven-years old, begins to cry. It is the last thing Danny was expecting, and for a moment he is at a loss of what to do.

Damian reaches for him -- in the Fenton family, physical affection is expected. Damian is getting used to it, but Danny is the only one he likes touching him -- and then stops, cringing away like he only just remembered that Danny was hurt.

He only cries harder.

Danny meets him halfway and pulls him into his arms, situating Damian between his knees from where he's sitting. Through his tears, Damian says he wants to help. He wants to help. He doesn't want Danny to get hurt anymore. He doesn't want Danny to fight ghosts alone anymore. He's scared that Danny will stop coming back.

Danny doesn't have anything to say to reassure him. Can't say anything to reassure him. It'll all just be lies. He's not going to stop fighting ghosts, he can't. He's not going to stop getting hurt, he can't. He's not going to bring Damian with him, he can't. He'd never be able to live with himself.

"I'll always come back." He says though, because that is something he can promise. Whether dead or alive, he'll come back.

When the tears finally stop, Damian doesn't say anything again. He sniffles, and presses his ear to Danny's chest, listening to the steady, slow heartbeat. If he puts his ear to his sternum and strains his ear, Damian would almost hear the low hum of Danny's ghost core, like a small dwarf sun.

"If you die, I'll drag you to the Lazarus pools myself." Damian mumbles eventually, his voice sleep-full. It's spoken in arabic, and Danny only understands half of it.

He laughs quietly, and smoothes his hand over Damian's hair. He hasn't had a haircut since he arrived, it's gotten long and there are curls beginning to form. "Okay."

Damian falls asleep shortly after, and with much consideration to his own injuries and Damian's sleeping form, Danny flies them back home.

It's hard to say, but not much changes in routine afterwards. Damian hovers close to Danny, more than usual. Danny still goes out at night, he still stitches himself up before going back, he still goes back home where Damian is waiting worriedly for him. Damian doesn't like falling asleep without knowing Danny is there.

Now the hard question is: when does little Damian finally meet the Waynes for the first time? There's plenty of ways to go about it, both easy and hard. Perhaps we go this way:

The Fenton family are visiting Maddie's sister in Arkansas. And Damian is dragging Danny around through the surrounding forest. It's his first time being in a forest this large since he moved in with the Fentons. Safe to say he is delighted by all of the nature, and he's dragging Danny along with him.

Danny likes the peace and quiet it gives him, he's found that he enjoys the rural area more than he likes the city. He's happy to let Damian point out every plant he recognizes, even if some of it is in arabic.

They walk around all day until Damian gets tired, and then at night when the sky is clear Danny and him go look at the stars. It's peaceful at first.

On the third day of their visit, Damian drags Danny out far from the house. It's slightly worrying, but Danny can always fly them back if it gets too late.

It's in the woods that Danny and Damian stray much too far from Alicia's house, and from there in the early evening that they run into Batman and Red Robin, both of them in rough 'just got out of a fight' shape.

Safe to say, it was the last thing any of them expected to run into. Damian and Danny had stopped at a small crik to rest, and the two vigilantes came through the tree line on the other side.

It was... quite the staring contest.

Damian, now seven years old at this point, forgot to mention that the Waynes were vigilantes when he told Danny he was a clone. But he was told that Batman was his original's father.

Before anyone can say anything, little Damian wraps his arms tight around Danny's middle and stares Batman and Red Robin down. His sharp edges have softened around the Fentons. But he makes no exceptions to anyone else outside of Danny's immediate social circle.

Danny's arm automatically goes around Damian's shoulders, and he looks between both Red and Batman uneasily. If they were here then it meant that there was something unsafe nearby. Danny did not fight the living, and he wasn't going to put Damian in the crosshairs of anything that does.

"Should... should we leave?" He asks, brows knotted together with a frown. He stands. "Is there something going on nearby?"

Batman suddenly grunts, and looks at him. "It's been handled." He says, and his voice is gruffer than Danny imagined it. Lower. Danny is not all that comfortable with that answer.

"Do you guys live nearby?" Red Robin asks, and Danny can't help but notice that he keeps looking at Damian. Warily. In fact, so is Batman.

He pushes Damian behind him slightly, and Damian's grip tightens on him. "Not... exactly." He says, his eyes narrowing slightly. "My family's visiting my Aunt and my brother wanted to explore since it's his first time out of the city, I guess we wandered too far away if we're running into you."

There's no visible indication of whether or not both Bats reacted to him calling Damian his brother. But he can all but feel little Damian preen at the title, it makes Danny's mouth twitch into a smile as his hand finds Damian's hair.

"Would we be able to go back with you?" Red Robin asks, startling both Danny and seemingly Batman, who looks at him instantly.

"Red Robin." He growls out, and Red Robin throws Batman a look of annoyance.

"We are lost, B. They jammed the comms and our trackers back there and it hasn't come back on yet, his aunt may have the signal we need to let the others know where we are."

They end up walking back with Danny and Damian. It's silent, and awkward, and Danny has Damian walking on his opposite side so he's not near the vigilantes. Red Robin is fiddling with a phone but still can't get a signal.

Batman is silently brooding.

Red eventually gives up and shoves the phone into a pocket on his belt, then turns to make conversation with Danny. "I never thanked you for letting us walk with you. Thanks, by the way."

Danny blinks at him, and smiles awkwardly. "No problem, man," he says, "I'm uh, Danny." He glances down at Damian, who looks up at him with big green eyes, and Damian nods quietly.

He looks back at Red Robin, and says, "This is my little brother, Damian." And Damian peers over his side and glares at Red Robin -- and Batman, who looks over when Danny says his name.

"He looks like Damian Wayne," Red Robin notes, head tilting like he's inspecting him.

Danny huffs dryly, "We get that a lot."

Red Robin smiles at him, its a tilted thing. It makes Danny uneasy. "Where did you say you were from?"

"I didn't," Danny says bluntly, and he really doesn't want to tell them where he's from. Not when Red Robin was acting strange, but they're vigilantes and notorious for their detective skills. If he's suspicious, they'll look into him. "But I'm from Amity Park."

Damian in that moment, peers around Danny again and scowls at Red Robin. Full on scowls at him, as if it were the first months when he met Danny. "You're being nosy." He sneers, his hand squeezing Danny's.

"Damian," Danny hisses, suppressing a smile. Damian jumps like he's been startled, and looks up at him with big green eyes. "He's just being curious."

(He lets his smile slip through briefly, just to let Damian know he's not that upset. A tension leaves his little brother's shoulders.)

"But he is." Damian continues, a whine leaking into his voice. Danny jabs him in the ribs with his fingers, and Damian jumps, swatting away his hand with a squeak.

"Would you rather have us walk in dead silence, Dames?" He goes for Damian's ribs again, a grin stretching across his face as Damian jumps back again and swats his hand. "Hm? Hm? We could just walk in awkward silence for the entire trip back, I know you just love awkward silence, little brother."

(It's funny, saying little brother always sounds so uncomfortable when he reads it in books and watches it on tv. But Jazz always makes it sound so natural when she does it, and Danny finds that he sounds the same too.)

Damian continues to bat away his hands, but it's not enough to prevent him from squealing with laughter when Danny gets a good hold on him and starts tickling him. Danny's grin only gets bigger, and he swoops Damian up with his arm and holds him like a football.

"Is that it? Huh? Me, you, and two vigilantes walking back to Aunt Alicia's cabin in complete, utter silence." He says, "You won't get to hear any of my amazing jokes."

Damian's wriggling, trying to pound on Danny's ribs, he's giggling uncontrollably. It's the best sound Danny's ever heard. "Your jokes are awful! Laeazir! Put me down!" He cries, grinning from ear to ear.

(From the side, both Red Robin and Batman tense up.)

Danny chuckles, and through a short series of flips, has Damian sitting on his shoulders. "I will not. You're sitting up in air jail for insulting my hilarious jokes."

Damian tugs on his hair in revenge, harrumphing at him but making no move to get down. Danny squeezes his ankles playfully, and looks back to Batman and Red Robin.

Both vigilantes look at him like he's grown a second head.

....Red Robin looks at him like he's grown a second head. Batman just stares, and then looks away. Danny tilts his head at them, his smile waning. "You guys look like you've seen a ghost or something."

(Damian tugs on his hair again. A silent boo at him.)

Red Robin jerks, "Oh, sorry." He says, not sounding all that sorry. "It's just... I've lost count to how many times I've saved Damian Wayne from the occasional kidnapping and he's always been very... serious. It's just weird seeing a kid that looks like him be... not serious."

From his shoulders he feels Damian hide his smile in his hair, that's another thing they can put on their "Things That Damian Does That Damian Wayne Does Not" list. It started as a joke, but it's been surprisingly helpful for when Damian is questioning himself.

However, Danny is not a fan of the comparison, and he smiles widely, perhaps a tad passive-aggressive. "It's a good thing that my Damian isn't Damian Wayne then." He says, giving him the slight stink eye.

Red Robin picks up on it quickly, and nods.

The rest of the way is spent in idle conversation. It's oddly casual, even if most of the conversation is Danny talking about himself. It's annoying, but he unfortunately understands the reason. Secret identities and all that.

Damian interjects a few times, some parts to talk to Danny, and other parts to throw shade at Batman and Red Robin. Mostly Red Robin, who seems begrudgingly used to it.

("I'm surprised you haven't asked me much about myself." Red Robin says at one point into the conversation. Over his shoulder Batman glares at Red Robin. "A lot of civilians do when they're able."

Danny stares at him. "You're a vigilante." He says, frowning, "Isn't it superhero 101 that you don't ask superheroes for their secret identity?"

"You'd be surprised."

"Huh. Well, no. I'm not gonna ask you about yourself. I quite like talking all about me.")

When they finally reach the cabin, it's late into the night and Danny has moved Damian from his shoulders to his front in a koala-like carry. Damian's fast asleep with his head on Danny's shoulder.

His family was also frantically searching for him, and Jazz sees him first. She immediately turns behind her and yells "I FOUND HIM!". And then sprints over to him, his parents thundering not too far behind.

Both vigilantes are subsequently ignored as Jazz dotes over him and Danny, and soon enough so is his mom and dad. They're all talking all at once, asking him where he was, they were worried sick, did he know how late it was.

He shushes all of them, loudly. And whispers that Damian is sleeping. His family then immediately quiet themselves, and go back to yelling at him in a more appropriate manner.

"Me and Damian walked too far by accident." Danny finally says when he can get a word in, and then he jabs his thumb in Red Robin and Batman's direction. "We also found two superheroes who need assistance."

The speed of which his family all snap their heads over to the direction he's pointing is almost comical. As is all of their expressions of shock.

His mother is the first to regain her senses, and she sighs at him. She sighs! "Only you, Danny." She says, and Jazz snorts into her arm.

#dpxdc #dpdc #dpxdc crossover #danny fenton is not the ghost king #danny phantom au #dpdc danny fenton #i am incapable of making short posts it seems. heavy sigh #this post is open to add ons if anyone's interested 👉👈#this entire au is essentially the song 'Strange Sight' by KT Turnstall from the Tinkerbell and the Neverbeast #This post mostly goes into how danny and damian's relationship develops because i think that's the more important part of the au #also damian's like six i firmly believe he wouldn't know much english #no no he's learning arabic first and then english LATER. if he would ever even get there with the league #iirc all the damian clones liked Danny so i wanna explore how their relationship got to that point. Like what happened for Danny to get eve #getting one Damian clone to like him enough to go up to bat for him? that takes time and patience and i wanna explore that lol #danny's in his late teens here btw.#Clone Damian is a 7yo child and I'm writing him as such because its fun. I thought about having Clone Damian change his name but nothing fi #little clone damian is also A Tad Clingy. Danny is the First Person to have shown him a kindness and Damian Imprinted On Him Like a Duck #i love clone aus and clone aus love me #clone damian and danny are bROOOTHEERSS #i thought about making clone damian's name damon bc its close to the name damian but also i like the idea that clone damian keeps the--#original name and then makes it his own. something about taking the name you were given thats not really yours and MAKING it yours

2K notes · View notes

fangirl-nadir · 10 months ago

Text

#so many people seem to miss the point of these books #stormlight archives #brandon sanderson #cosmere #cremposting #I swear all of the hated characters are the ones who do anything remotely morally nuanced #Shallan #Moash #Dalinar #people seem to completely miss how important their bad decisions are to the story

750 notes · View notes

essektheylyss · 2 months ago

Text

My thing about Veth potentially venturing into polyamory is that I do think everyone involved would be perfectly fine with it and happy to help her experiment, and I think that no matter how they do it, it would not fix her. This isn't to say that she wouldn't get any benefit out of trying! It's just to say that it's not a solution to her actual problem, because I genuinely don't think the problem is that she's lacking any one thing that would make her life complete.

Fundamentally, I think Veth struggles with the idea that there will come a point at which she has to settle. Not in a bad way, just in the sense that she is one person with one life and she will have to live within those bounds. Because the thing is, I don't really think her issue ends at struggling to "have it all"; to an extent she does! She is a good parent, even if her kid is a little rebellious; her marriage is supportive (and has fun sex); she gets to go off to save the world with Yeza's blessing on occasion, when the world needs saving. She doesn't have all of these things all the time, but... that's not really a flaw, that's just a fact of life.

But she started out her adult life settling to an extent—even if she loved Yeza and loved being Luc's mom, she did the safe thing that was expected of her. The goblin attack and everything that transpired after shoved her out of that life, but in retrospect, to an extent it likely feels that that pushed her to find something more that she wouldn't have had otherwise. Being pushed to her limit under the worst conditions made her better, stronger, braver, and at the end of it she found that she could have both her original life and much of her new life—so why wouldn't she then wonder if further experiences of that ilk could do the same?

Crucially, she has not actually run up against a hard limit yet, and as such she hasn't had reason to believe that there is a point at which she has to stop and recognize that there isn't more for her to find. When she was drinking more heavily during missions, even when it caused the death of herself or others, there were no long-term consequences. And the thing is, I'm not saying that she should face that kind of major consequence, but she seems as though she is scared to accept that maybe she could be happy if she stopped before she does.

I'm also not suggesting that she should stop experimenting or trying new things—the Luxon knows I am not one to talk in that realm—but I do think she is searching for novelty not because that would make her happy, but because she doesn't believe that she has the capacity to know what would make her happy. She was unaware that polyamory was even an option, so think of what else she might not be aware of! She doesn't have perfect knowledge of the world, after all, so how can she trust that she's found what she really wants? So yeah, she could fuck someone else, and it might even be an enjoyable experience that she didn't know was missing! But that only prolongs the question of what else she might be missing.

I think that deep down, she's terrified that if she doesn't keep pushing until that external hard limit, she will end up with regrets later, and simultaneously she is resentful that her friends all seem to have reached a point where they are largely content with what they have, because she wants them to have everything. She wants herself to have everything. And she has not yet allowed herself to come to terms with the fact that only she can determine when the everything of what she already has is enough, and anything else is the cherry on top.

#but also she should still try polyamory. because it'd be very funny.#I just think she should corner essek with a knife after sleeping with caleb like 'SURELY YOU WEREN'T ACTUALLY OKAY WITH THAT YOU LIAR'#(because she still feels guilty and unsatisfied and she couldn't possibly be the one keeping herself from being content. nosiree lmao.)#but in all seriousness hilariously I think she should talk to essek about it cuz I think he would actually relate most lmao #and he does seem to be doing well with it! like he's living within the bounds of what will keep him alive sure #but he's also doing so in such a way that's like #I can't have my cake and eat it too but I can be content eating the cake #like look. as an essek girlie. do you think I do not relate lmao. BUT the important point is that it really is up to you #you can do what you want forever! but you also have to live with that.#critical role #cr spoilers #cr meta #veth brenatto

365 notes · View notes

twopercentboy · 8 months ago

Text

I'm a firm believer that Edwin does NOT have internalized homophobia ☝️ repressed his sexuality? sure, obviously. but internalized hatred for himself? NO!!!

My man immediately confessed his love to Charles once he realized what his feelings were. He was going to even earlier but literally got dragged to Hell in the middle of it !!! He did not question the validity of his feelings and he definitely didn't question whether he was allowed to feel them !!!

Edwin has a lot of complexities when it comes to dealing with and acknowledging his emotions, but this is not one of them. Charles is not one of them.

#i think when Edwin was alive they just didnt talk about queer ppl at all #pretended they didnt exist so instead of hating himself he just Didnt Know #also firm believer that when it comes to Charles its not complicated or questionable #charles is the only thing *person* edwin is sure about yk and i think that applies to everything related to charles #dead boy detectives #edwin payne #charles rowland #painland #payneland #paineland #my.txt #me.txt #i hope im making sense LMAO #also this is brought to you by so many fics giving edwin internalized homophobia #like i get it he's stoic and seems like he would but hes NOT !! and i think thats beautiful and SO IMPORTANT !!!!

696 notes · View notes

bleeding-seraphic · 5 days ago

Text

when you look at the stats side by side Ivan's situation gets a lot sadder

200 notes · View notes

fatedroses · 3 months ago

Text

More than just the Demon.

#ffxiv #digital art #zenos yae galvus #venat #endwalker spoilers #will forever be fascinated with this man #look guys look- the literal embodiment of wol's wings of hope LOL (and me going hehe about that and footfalls)#the part of me that adores digging into the nuance of character writing (intentional or otherwise) is just latched onto zenos #and venat-- they cant just give us two characters who get really important 1v1 duels #and ask really important questions #and love the MC and are willing to risk themselves so unconditionally #and have them not live rent free in my brain #--and maybe this tiptoes into the realm of crack theory so beware there will be a lot past here--#but I cant help but think zenos is akin to an oracle or warrior of light but was tempered/corrupted by zodiark #or some strange happenstance of varis (who shares visual traits to golbez before 6.0 ever came out and the dark mana burst)#and carosa (who it seems zenos got his looks from- and he already looks like he has ties to venat and argos like minfillia does)#was he a result of the eternal chess match between the two parties' machinations? or just some strange twist of fate?#another day of him being “emet's successful experiment” (again- intentional or no) making me thonk #theres something so strange about the final days dreams and how dark aspected he is- that his void abilities are more tied to him tbh #yet his mannerisms beyond just what he's been through almost reminds me of light corruption and the uncanny calmness #we see in most beings associated with the light in any significant way and like second phase eden shiva #he almost has all the marks of someone who shouldve already had the echo or blessing of light but for one reason or another #was unable to hear hydaelyns call #of course it doesnt help i mentally associate him with connections to zero and how she was corrupted before she was even born #and durante- who states uncanny ability and connection with light and darkness and yet favors dark magic more #i simply live with the idea that zenos' soul was an eternally faithful companion to wol's and #this time the cardinal sin of separating the pair finally happened to rather dire consequences lmao

179 notes · View notes

sysig · 1 year ago

Photo

Those wacky skeletons ♥ (Patreon)

#Doodles #UT #Sans #Papyrus #Handplates #You can tell because of Sans' gloves lol #Getting-used-to-them-again doodles as well as just expressing Feeling <3 Happy towards them! Want them to be happy too!#It might seem silly for these - how many sets in now? - to still be getting used to drawing them again lol but it's because they're adults!#Their clothes and the way they hold themselves - but also especially Sans lol I dunno why I have such difficulty with him at times #He's got a cute face and I still find myself like ????how your face #Other than that tho it's just silliness hehe ♪ My favourite lads :D #I feel the need to make the distinction: I do actually have different favourites based on the AU lol #Like for example in classic I still love Flowey just a tiiiiiny bit more than Papyrus but it really is constantly neck and neck #Whereas in Handplates it's no competition even a little bit lol - Papyrus is just my Very Favourite #But Gaster is my favourite Handplates-specific character since he's unique to the AU! It gets a bit in the weeds lol #Sans isn't far behind at all of course the trio are very important! The duo even moreso imo #Going back to gloves tho I did carry over one of my quirks from my original UT doodles about Papyrus' gloves lol #I initially envisioned them as combination mitten-gloves with a free index finger and all the rest together #I still rather like the design! But it is admittedly not Handplates accurate lol #The occasional dip into self-indulgence who me? Lol #Sleeping on each other is important to me as well!! It is such a favourite hehe #Honestly I just imagined Papyrus getting so exhausted that he fell asleep in the snow lol poor lad #Sans teleported in but it's also funny to imagine him just walking up like ''you good? yeah he's fine'' *flop* haha #Silly lads <3 Do love 'em ♪

700 notes · View notes

buttdumplin · 3 months ago

Text

I only know Mexican Spanish, so I can only speak for myself and those I grew up with but "mami" and "papi" are not the equivalent of mommy/daddy as used in sexual or intimate relations.

We use mami and papi with our kids. It's what our tíos and tías call us that affectionately. It's what the lady from the corner store calls us when she's sweet on us and can't quite remember our names. It's what our grandparents call us as they fix up a scraped knee. And they bring out papito/mamita when we're either in deep shit, or in need of comfort that can only come from someone with more knowledge, power, or experience than us. It's a diminutive term of endearment.

I'm not saying it's never used as mommy/daddy, but it's hardly ever a title. The context of it is so wildly different, because it's usually what we call someone we're responsible for.

"Mamas" tho? Mamas can fuck.

#xavi ramblings #it's a little jarring sometimes lmao #but i thought this might be important considering some of the characters i see written with these words are specifically mexican #i'm also open to alternatives!!#would fucking love to see the same dynamic used #it's just a matter of context #i haven't been able to think of a masculine equivalent yet #because it doesn't seem to exist in the language with the same sentiment #kiko brought up that it's because so many latine households are lead and ran by the women #which leads to most possible masculine terms of endearment being diminutive #it all makes sense too that's why i love when women are mean to me #culturally built-in feature

175 notes · View notes

ube-bluebay · 4 months ago

Text

i have a problem

really long rambling in tags

#ive always liked him but i was in denial about it until i read the myspace stuff #it was then i realized i wasnt a fool for liking the stereotypical character #because he was rather prominent back in the day #he was one of the only when pizzas attack debutants important enough to be named. he had a myspace account.#in the development of pizzeria he was almost going to have something that people assume was similar to the blue ribbons #but as the focused shifted to gamerias his entire thing kind of became The Food Guy #to the point where theres a joke on the official blog posts about cupcakeria and donuteria of him wanting to order 4 cupcakes and 6 donuts #which is double the maximum amount #i don't really hate that hes The Food Guy (because i relate)#but some people are really mean spirited about it.#and i always used to think #there was no way to justify how upset that made me #because that was just how he is in the games. it was “true”#but like... some people think that's all he is and its not true at all #even if the gamerias make it seem like it is #god if i had a nickel for every time i liked a stereotypical character who had interesting details about them that no one knew about #bc most of the fandom refused to see them as anything but that stereotype #id have two nickels #i would like it to stay at that amount. anyways. id like to tag this properly now #papa louie #flipline studios #flipline big pauly #bluebay art

182 notes · View notes

dent-de-leon · 1 year ago

Text

The fact that Essek storms off "in a huff" and is literally brought to tears when he sees Caleb mourning Molly...there's just so many interesting implications for shadowidomauk there.

It's the fact that Essek saw Caleb kiss Molly on the forehead the way he kissed him--saw Caleb repeat these familiar phrases in battle to Lucien that he once used to comfort Essek. Essek learning Caleb's love language, and seeing it reflected in how he treats Mollymauk.

It's Essek seeing Caleb at his lowest, at his most desperate and hopeless--how very wrong it feels to see him like this, how painful it is to watch him fall apart over losing Mollymauk. "Caleb Widogast, have you ever accepted defeat?"

Because of all things, it is Molly's death that leaves Caleb more brokenhearted than Essek's ever seen him, the only time he's ever truly admitted to knowing defeat--"Maybe today. For the first time." The way Caleb came all this way and tried so desperately to save him, and it still wasn't enough. He poured his whole heart and soul into that ritual, and it just wasn't enough.

Essek being moved by the Nein's own grief, choked up and crying for this person that he never even met. Insisting over and over, "It's not fair--it's not fair...We've just all come so far. It's not fair." And it's the moment that Caleb kisses Molly on the forehead and says his goodbyes that really breaks Essek's heart, the passion and gutting loss of Caleb's own grief that sends Essek storming off and fighting back tears.

Do you think...Essek ever tells Kingsley what happened that day? How hard Caleb tried to save him--how much it shattered him when Tealeaf was still lying dead in his arms? Do you think he ever told King about the forehead kiss and how tender Caleb was with him--how he must surely love him? Do you think Essek admits that even he was crushed when Tealeaf didn't wake, that he never knew him before, but still mourned him all the same?

Do you think he ever quietly tells Kingsley that he's happy he came back, how much it means to him--especially for Caleb's sake--

Do you think Kingsley ever kisses either of the wizards on the forehead and everything just. Kinda falls into place for Essek--

#mollymauk #caleb widogast #essek #kingsley tealeaf #widomauk #shadowidomauk #sorry i am just...having feelings about all of them again #would love love LOVE to see a post campaign scene where all three of them get to talk #where maybe king is fascinated by essek because hes still New and doesnt make his heart ache with old memories #and essek just. cant help but tell king just how important he always seemed to be to caleb #because he feels like king deserves to know and caleb never got to share those feelings--

689 notes · View notes

zylphiacrowley · 12 days ago

Text

A Heart to Heart

#Final Fantasy XIV #FFXIV #WoL x Erenville #X'vahl Tia #Erenvahl #huge chunks of dialogue my beloathed...#Lamaty'i like: Maybe I leave out the part where I thought I was going to die......... :3 #This might seem like it didn't take very long for me to draft #but in truth it has been sitting in limbo just as long as the one I posted yesterday was #I just didn't want to post a rehash of MSQ with nothing to follow it for another month #so I forced myself to try to get these both out around the same time.#Anyway I suffer when I have to write this much dialogue #especially for a character I don't know as well #but it's good practice at least.#and while these are all supposed to center on Erenvahl #I wanted to get an outside perspective and Lamaty'i's is very important.#Honestly that short story couldn't have come at a better time #Anyway... there's gonna be a bit of a time skip between this and the next one probably #but just imagine that Erenville's trauma cutscene when he finds out about his mom happens between this and the next one #I'm not going to add that scene since it literally happens exactly how it happened in game #a part of me thinks I should for pacing but I'm not going to.

73 notes · View notes

thetomorrowshow · 3 days ago

Text

love is such a drag

Chapter one: Scar's first encounter with the angel (and Grian gets to eat ice cream)

welcome to my scariana griande drag college au. this will be quite the ride from start to finish.

Scar spots her from across the bar.

It would be hard not to notice her, honestly. Despite the dim, almost cloudy lighting of the room, she glows, as if a heavenly spotlight is set right on her to make it clear that she just descended from heaven.

Scar sneaks glances at her over the fun green umbrella in his drink. She's sitting by herself—an absolute crime, if you ask Scar—, swishing around the little black straw in her drink. Her dark blond hair falls in gorgeous ringlets down around her shoulders, outlining her face the way a pure golden frame would surround only the most beautiful of paintings.

Her nose is small, turned up just a little bit in a peak, the bridge delicate and sparkling with a small amount of angel dust that must be left over from the aforementioned descent. Her eyes are almost comically doe-like, large and accentuated with soft pink eye shadow and long eyelashes. Scar can't quite tell what color her eyes are from this distance (brown, maybe? Black?), but he knows that whatever color they are, they are absolutely perfect.

Her lips are pink to match her eye shadow, glittery, small and pursed, as if her drink isn't near good enough to pass those delicately soft lips.

Scar hasn't even met the woman, but he wants to kiss those lips. He wants some of that angel dust to find its way onto his own lips.

Her cheeks are rosy and full, and her round chin rests on her palm as she casts a bored look around the bar.

Scar downs the last bit of his drink for courage.

He sticks the umbrella in his shirt pocket for good luck.

Then he picks up his cane and saunters over, frantically sorting through every pick-up line in his repertoire—though none of them seem to match the beauty of God's creation before him.

She looks up at him as he approaches, peering at him from under those long lashes, and now he can tell—

Her eyes are grey, but not grey like clouds, or the sea, or the bartop that her arm rests on. Her eyes are grey like the comforter on his mom's bed, like the bricks around the fireplace back in his grandpa's old house, like the silver colored pencil he'd taken all his notes in for a semester to try and prove to Cub that it worked just as well as a normal pencil (it hadn't).

Her eyes are grey like the backdrop of Scar's dreams, the firmament that rests between consciousness and all else.

And then, of course, he's right there.

And she's waiting.

There isn't a single smooth pick-up line in his brain, which is offensive if Scar does say so himself, because he always has words. He could wax poetic about a frying pan for an hour just to annoy someone, but now that his skills are put to the test he can't hold on to his wits long enough to use them.

Goodness gracious, but she's beautiful.

She's wearing something pink and small, a cut-off that reveals a slender torso and adorable bellybutton, the sleeves long and flowy but off the shoulders. Her skirt is a lighter shade of pink, cutting off just above her knees, and it looks like just the kind of skirt that she could spin in and it would twirl along perfectly with her, the kind that sort of looks like a cupcake wrapper.

Scar's always wanted to wear that kind of skirt.

How long has he been staring at her?

"Hi," he manages, readjusting his sweaty grip on his cane. "Um. Come here often?"

She rolls her eyes.

It's breathtaking.

"Sorry, worst line in the book and all that," Scar excuses himself. "Can I order you another drink, then?"

She glances at the half-full drink she's been slowly working her way through. "I'm good, thanks," she says, and Scar nearly swoons.

The angel talked to him!

And her voice! Fluttery, but something deeper underneath! Textured like a symphonic piece of music, as soft as the faux fur carpets in the back of department stores!

She's perfect.

"I'll just cut straight to the point," Scar says, trying valiantly to not feel light-headed. "You are the most beautiful woman I have ever seen. May I take you out on a date?"

She blinks.

"You don't even know me," she says, leaning back down to take a dainty little sip out of the straw.

"No, but I want to," Scar reasons. "Can I get you anything? Some chips? A little umbrella?"

"The umbrellas come with the cocktails," she scoffs. She flicks her hair over her shoulder and Scar definitely doesn't almost fall over. "I'm not in the mood for a cocktail."

Scar leans forward. "You can ask for an umbrella with any drink," he whispers, winking conspiratorially. "I always do."

"What is it you really want?" she says, sounding almost tired, and Scar puts his hand to his heart.

"I just want to take you out on a date, I swear, nothing else," he says. "Scout's honor."

"Scout's honor?"

"Troupe 2906," Scar says, lying through his teeth. He was never a scout. Well, he did Cub Scouts, but he never made it to Boy Scouts. And he definitely didn't have a troupe. "Once a scout, always a scout."

Almost reluctantly, she giggles (a sound like windchimes softly jangling), then pulls her phone out of the tiny white purse at her side. "All right, fine. What's your name?"

"Scar," he tells her, pulling out his own phone. He unlocks it with a quick swipe, then pulls up a new contact card and trades his phone for the angel's.

"Your phone looks like it got ran over," she observes, picking at the tape on the side.

"If you pull that tape off, it goes dead."

She stops picking at it.

Scar types in his number slowly with one finger, leaning against the bar as casually as he can manage. He's been standing for a minute too long, but he doesn't want to make her uncomfortable by sitting down.

When he's finished, he passes the phone back to her, receiving his own in return.

"I'll text you," he promises.

She laughs again, nods. "Okay."

The way she dismisses him—

The conversation is clearly over, based on the way she turns back to her drink, her lips once again pursed but this time turned up at the corners.

Scar hurries out as fast as his body will allow him, which isn't very fast even on the best days.

Once he's outside, out of view of her, he checks his phone.

The contact is there, ten exquisite digits.

And her name.

Ariana.

"Cub, do you mind if I have someone over? I need to opine."

Cub looks up from his laptop, then flinches away when Scar turns on the lights.

"Scar, do you know what time it is?" he gripes, putting a pillow over his face.

"It's not even midnight, mister, so don't pretend like this is late. You're always up at all hours of the morning, anyway."

"Why can't you opine to me?" Cub sighs.

"You don't opine back! I need someone who will wallow on the floor with me."

Scar can practically hear Cub raise an eyebrow. "Ren?"

Scar grins. "Ren. He basically isn't even a guest, since he lives right above us. And it would only be for an hour at most!"

"Fine, fine," grumbles Cub, sitting up and setting his pillow to the side. "Call him. But I have a quiz tomorrow, so this better be quick."

Ren's over within five minutes, a two-liter of diet pepsi in one hand and a bag of candy in the other.

"Leftover Christmas candy, my dude," Ren says, tossing it on the floor. "You said you need to opine?"

Scar carefully lowers himself to sit on the floor, then flops down onto his back, his arms splayed out dramatically.

"Why are we doing this in my room?" groans Cub.

"I've seen an angel," Scar declares, and his heart flutters just the slightest bit.

"Ugh."

"Ooh!" Ren says, sitting cross-legged on the floor. "Tell me more."

"I was at the bar in Aquetown, right?" Scar starts, adjusting his arms to look more dramatic, one thrown over his forehead. "The good one. The quiet one."

"Right," nods Ren. "I know it well."

"And there she was," Scar says reverently. "The angel."

"What was her name? What happened? What did she—"

"Her name is Ariana," Scar breathes, the name as sweet on his lips as he knows her kiss would be. "She's perfect."

"Did you get her number?" Cub asks boredly.

Scar scoffs. "Of course I got her number! We're going on a date."

"Oooo!" Ren teases, slapping his shoulder. "My man has a date with a pretty girl!"

"She isn't just a girl," Scar says dreamily. "She's an angel. You should've seen her, Ren! If God himself turned up and told me that there had been a mistake, that she was supposed to be in heaven, I wouldn't have even blinked! She—"

"Yeah, she's a beautiful angel, we get it," interrupts Cub. "Can you do this in the living room?"

"What color are her eyes?" Ren asks.

"Grey . . . I've never met anyone with grey eyes. Not like those."

"What did she say? Is she into you?" Ren shakes his head. "What am I saying? Of course she's into you! Who wouldn't be?"

Scar. . . .

Scar hadn't even thought about that.

He'd just been so preoccupied with getting a date with such a perfect woman, he hadn't even thought about whether or not she might want one with him.

What if she secretly hates him?

What if she just told him yes to get him to go away?

"No, it's okay," Ren says quickly, patting his arm. "Don't cry! She's totally into you, dude! Don't even worry about it!"

"What if she isn't?" Scar asks, the hand thrown over his head moving to tug at his hair. "What if I was bothering her? What if she gave me a fake number?"

"No, dude, it's not—"

"Scar," Cub says, kneeling down on the floor beside him, "look at me."

There are already tears welling up in Scar's eyes when he looks up, straight into Cub's dark, unyielding eyes.

"Any woman would be lucky to have you," he says seriously. "If she was lying, that's her loss. Got it?"

Reluctantly, Scar nods, wiping away a tear with the heel of his palm.

Cub claps him on the shoulder. "Now get out of my room."

"Mumbo! Mumbo, you're never gonna guess—"

"In here!" Mumbo calls from their shared bedroom.

Grian shuts the front door and locks the deadbolt, then dashes down the short hall—past Pearl's empty bedroom—until he arrives at his own room. He shuts and locks that door behind himself as well, then leans against it, hands splayed on the old poorly-painted wood.

"Mumbo," he breathes. "Mumbo, it happened."

Mumbo is lying on his stomach on the floor, sleep shirt riding just a bit up his back from clear readjustments of position. He pushes his laptop a bit away, shuts whatever textbook he'd been studying, and rubs his eyes.

"You look cute," Mumbo says when he's done rubbing his eyes, blinking blearily at Grian. "Is that a new skirt?"

Grian stands up straight for a moment, twirls it back and forth. "Yeah, it's one of my new favorites, I think. Do you like it?"

"Looks great," says Mumbo. "Good show tonight?"

"It was fine, but that doesn't matter!" Grian falls back against the door again, letting himself slide all the way to the floor. "Mumbo, it finally happened. A man asked me out."

"No way!" Mumbo cheers, sitting up. "Like, legitimately? He thought—"

"He thought I was a girl and he asked me out!" Grian says. "This is the best day of my life. Nothing can top this."

"After—wait, after the performance? Or before? Because you think he'd know, after the performance, that it was drag, but maybe—"

"Oh, no, no, no," Grian waves him off. "This was at a different bar. I stopped by that one in Aquetown—you know, the dead one?—just on my way back, to try and get a decent drink before heading home. And he just came over to me—Mumbo, he called me the most beautiful woman he'd ever seen."

"Dude!" Mumbo waves his arms around like Kermit the Frog. "I think—I think we need to celebrate! Break out the ice cream, dude, because it's time to throw a party!"

Grian just breathes slowly, chest lifting and falling dramatically. He feels just like a girl in the movies after kissing her date goodbye, only better. More giddy, if that’s possible.

It's getting late, though. He should probably slip out of his heels, take out his hair extensions, wipe off his make-up, take off his boobs, change into pajamas. . . .

Or he could go eat ice cream in their tiny kitchen with Mumbo and animatedly recount every moment of the night.

Which is how Grian finds himself eating ice cream in their tiny kitchen with Mumbo, animatedly recounting every moment of the night.

"He has a cane," Grian remembers suddenly, halfway through telling Mumbo exactly what he'd said for the third time. "It was one of those old-fashioned ones. With the golden handle?"

"Okay, so he's, like, the rich heir of a mansion," Mumbo nods. "You could do a lot worse. Unless he was old—was he old?"

Grian shrugs. "I don't think so. He looked pretty young—he had a scar across his cheek, actually, kind of like—like this—"

He traces along his own cheek, starting from his jawbone, curving up a bit almost to his nose.

Mumbo frowns. "A scar? I think—"

The front door of the apartment opens, and in trudges Pearl, kicking off her muddy boots.

"Pearl!" Grian says excitedly, holding out his scraped-up plastic bowl, a couple of bites of melting ice cream still left. "We're having ice cream to celebrate!"

Pearl drops her blue backpack on the floor of the living room (right beside the front door, the dead carpet there dividing it from the tiled entrance space that leads into the kitchen). She looks first to Grian, then Mumbo, then the carton of vanilla ice cream on the kitchen counter.

"Sounds like a party!" she says, sticking her hands in her hoodie pockets. "You both look nice!"

"Oh! Um, thanks!" Mumbo says, while Grian does a little spin, his skirt lifting in the air (not that Pearl can see, standing on the other side of the counter as she is).

"A man asked me out," Grian tells her. "While he thought I was a woman!"

"Well, of course he did! You make a very pretty girl, Grian."

"Yeah, but you have to say that. You're my sister. He called me the most beautiful woman he'd ever seen."

"Awww," Pearl coos. She comes around the counter, pulls a chipped bowl out of the dishwasher (used to dry dishes, not wash them) along with a spoon, which she uses to load some ice cream into the bowl before sticking a spoonful in her mouth.

"What was his name?" she asks around the ice cream, words muffled.

Grian frowns. "I don't remember. He didn't write it in the contact. That isn't important, though—he asked me out!"

"Are you going to go?"

Grian freezes.

Is he going to. . . ?

"Oh no," he says, dread pooling in the pit of his stomach. "I—I didn't even think about that."

"Think about what?" Mumbo asks, scraping his spoon along the side of his bowl.

"I don't want to go on a date," Grian says. Oh, this is dreadful! "I just liked the attention! What do I do, Mumbo? I gave him my number and everything!"

Pearl scoffs. "You gave him your number? You're basically required to go on a date with him. If you give a man your real number, it means you're interested."

"Did you tell him you'd go on a date with him?"

Grian cringes. ". . . Maybe?"

"Grian!"

"I can't help it!" Grian defends. "I love flirting, you know that!"

Mumbo covers his face, bowl abandoned on the counter.

"Grian," Pearl bemoans.

"I'm sorry, I'm sorry. . . ."

"Well, we'd better hope he's a creep!" Mumbo says loudly, face still buried in his hands. "Because then you don't have to feel bad about ditching the date!"

"Was he nice?" asks Pearl.

Grian shrugs helplessly. "I guess? He tried to give me a drink umbrella."

"Oh. So, very drunk."

"No, I think he just wanted me to have one."

"Goodness, Grian. You've got yourself in a bit of a situation," Mumbo says, finally emerging from his hands. He looks into his bowl, frowns at the lack of ice cream.

"Maybe he'll forget about it?" Grian suggests, but his heart isn't really in it.

He doesn't have much hope. Not with the way the man had talked to him. No, he's probably just set himself up for a month of progressively creepier and more disgusting texts until he blocks the man and files a 'do not contact' directive with the school.

Assuming this man is a student.

What if he's, like, an old man?

Like, thirty?

Okay. This is too much.

Hopefully, he just doesn't text. Then Grian won't have to worry about it. Which won't happen, but he can dream.

"We can talk more about it tomorrow, all right?" Mumbo says, tossing his bowl in the sink. "It's getting late. And G, you should probably put your, er, appendages away."

"My bosom?" Grian says, raising an eyebrow.

"His tittie-tatties?" Pearl suggests.

"My breastily breasting boobs?"

"His badonka donk—"

"Please just get them off the counter."

74 notes · View notes