#seems important and all that

[desidesidesi]

10 out of 12, I'm Honduran American and have lived my whole life in America. Wish they'd tell me which ones I missed 🤔

I feel like this is a little unfair to say Americans suck at Geography as if that's just inherently and American thing. We're pretty America focused, yes, cuz we're flipping huge. There's the national capital, 50 states (and Puerto Rico), each state has its own capital, each state also having counties ranging from 3 (Hawaii/Delaware) to 254 (Texas) with a total of 3143 counties in all, Louisiana being special with Parishes (64 of them), each county/parish having a county seat/parish seat, and endless towns and cities, and we've got to navigate at least the ones around us if not more if we travel for a living. Hell I have to be pretty well-versed in the surrounding towns/counties for my job.

By the time we're out of school, we're lucky to have covered much outside of the basics of geography for the mostly Western World History that was taught to us because Standardized Testing kinda murdered any creative teaching for our public schools.

And to be fair to us! Here are Brits trying to label the states in America:

sitting here thinking about how stupid americans are at geography yup

[hellyeahsickaf]

I found an extremely dope disability survival guide for those who are homebound, bedbound, in need of disability accommodations, or would otherwise like resources for how to manage your life as a disabled person. (Link is safe)

It has some great articles and resources and while written by people with ME/CFS, it keeps all disabilities in mind. A lot of it is specific to the USA but even if you're from somewhere else, there are many guides that can still help you. Some really good ones are:

How to live a great disabled life- A guide full of resources to make your life easier and probably the best place to start (including links to some of the below resources). Everything from applying for good quality affordable housing to getting free transportation, affordable medication, how to get enough food stamps, how to get a free phone that doesn't suck, how to find housemates and caregivers, how to be homebound, support groups and Facebook pages (including for specific illnesses), how to help with social change from home, and so many more.

Turning a "no" into a "yes"- A guide on what to say when denied for disability aid/accommodations of many types, particularly over the phone. "Never take no for an answer over the phone. If you have not been turned down in writing, you have not been turned down. Period."

How to be poor in America- A very expansive and helpful guide including things from a directory to find your nearest food bank to resources for getting free home modifications, how to get cheap or free eye and dental care, extremely cheap internet, and financial assistance with vet bills

How to be homebound- This is pretty helpful even if you're not homebound. It includes guides on how to save spoons, getting free and low cost transportation, disability resources in your area, home meals, how to have fun/keep busy while in bed, and a severe bedbound activity master list which includes a link to an audio version of the list on Soundcloud

Master List of Disability Accommodation Letters For Housing- Guides on how to request accommodations and housing as well as your rights, laws, and prewritten sample letters to help you get whatever you need. Includes information on how to request additional bedrooms, stop evictions, request meetings via phone, mail, and email if you can't in person, what you can do if a request is denied, and many other helpful guides

Special Laws to Help Domestic Violence Survivors (Vouchers & Low Income Housing)- Protections, laws, and housing rights for survivors of DV (any gender), and how to get support and protection under the VAWA laws to help you and/or loved ones receive housing and assistance

Dealing With Debt & Disability- Information to assist with debt including student loans, medical debt, how to deal with debt collectors as well as an article with a step by step guide that helped the author cut her overwhelming medical bills by 80%!

There are so many more articles, guides, and tools here that have helped a lot of people. And there are a lot of rights, resources, and protections that people don't know they have and guides that can help you manage your life as a disabled person regardless of income, energy levels, and other factors.

Please boost!

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[hussyknee]

I know some dickheads have now decided that Judaism is the "bad, violent, terrorist religion" and Islam is the "good, peaceful" one, which is only to be expected of white people, but how much of an issue is it currently? Like I've seen some USAmericans sharing how the Islamic faith shapes Gazans values and perseverance (good) except with that distinct white hippie "I'm about to imprint on this like the world's most racist duck" vibe (bad), but I didn't think they're already turning on Judaism in numbers.

Do they realize that Christianity is also the same kind of comfort to Christian minorities in Asia and Africa? That it was Buddhists that genocided the Rohingyas in Myanmar and Tamils in Sri Lanka? That Hindu fundamentalists are even now trying to ethnically cleanse Muslims in India? How Hindus and Christians are terrorized and persecuted in Pakistan? That Muslims have a history of persecuting and ethnically cleansing Jews too?

Really tired of asking y'all to be normal about people's religions man. There's no religion that's inherently violent or exceptionally peaceful. It's just like any other ideology that becomes a weapon in the hands of ethnic power. Interrogate power, not religion, and respect people's belief systems insofar as they aren't in your business.

Edit: I've amended the "long history" of Muslim persecution of Jews because it might be misleading in the current political climate. Zionism and antisemitic Arab nationalism are twin births resulting directly from Christian colonization, and Islamic empires tended to actually be more tolerant of other religions compared to Christianity, especially Judaism, which was considered a sibling religion. Antisemitism wasn't ideologically entrenched in Islamic tradition. It's simply that ethno-religious power will lead to ethno religious domination and intermittent cleansing of minorities, and Islam is no exception. Humans be humaning always.

[starry-bi-sky]

I saw a post a few months ago (and damn was it really months? In PLURAL?) that was a cracky dpxdc au where the LOS were making Damian clones but the clones kept getting snatched by ghost portals and dropped into Danny’s lap and Danny just goes “ok ig this is my life now” and takes care of each one until he has his own mini army of Damian Clones.

And I remembered it a few days ago, and now I've been thinking about it again. Because I love clone aus (see: clone danny au, the 'danny is thomas wayne' au) because it itches the part of my mind that loves exploring personhood and the exploration of identity and what it means to be clone.

(What do you do when nothing about you is unique? When your face, your eyes, your hands, your hair, your voice, all the way down to your heart, all belong to someone else?)

(When it comes to nature vs nurture what of you came from your environment and your experiences, and what of you was already programmed into you from the DNA that made you?)

(What do you do to make it unique? What do you do to make you unique?)

And if I could remember who made that post I'd @ them right now because it was their original post that inspired this, but I'm just thinking of if the au only had One Singular Damian clone that fell into Danny's life.

(a read more because im apparently incapable of making posts that are less than 1k words...)

One Damian who knew he was a clone and knew that he was to either bring the original back to base or kill him to take his place, who was being trained the same way but kept getting compared to his original over and over again. Like an older sibling who you can never match up to. Who is still a child who craves adult affection and validation and praise, and can't get it because nothing about him is original.

One Damian who, at six years old, in a twist of fate is sucked through a swirling portal and lands in Amity Park, directly on top of, in front of, or in line of sight of one Daniel Fenton, half-ghost extraordinaire and local hero.

What happens next?

Well, for one, Danny recognizes him immediately. He would recognize the face of Damian Wayne anywhere because his best friend was ranting about him all week about Damian Wayne's environmental stuff he does.

And for two, he would recognize that the Damian Wayne in front of him was not Damian Wayne. Because Damian Wayne was a teenager. And the Damian Wayne in front of him is a child. Six years old.

Getting this not-Damian but also-Damian to go along with Danny is not, not an easy task. The tiny Damian is aggressive, regal, and at this point in time, six years old, barely understanding english. He also has a sword.

It takes all day and a google translator to get this Tiny Damian to finally agree to go home with Danny. It's a miracle. Seriously. A tried and true miracle. And its also only when Danny has to fight a ghost does he finally agree, saying something in arabic that Danny doesn't understand.

Danny flies them both home, carrying Tiny Damian like a koala. The ensuing conversation in his room is not any better. It is tiring, long, and exhausting. Tiny Damian is six years old, and every single thing he says when Danny asks where he came from is met with a poorly translated "that's classified".

Danny keeps an eye on the news. There are no reports of Damian Wayne going missing, in fact he's been rather public. Bruce Wayne is not one to lie about his children going missing, and Damian's secretive behavior and young age draws Danny to one conclusion: Damian is a clone.

He doesn't know why Damian Wayne is being cloned. Frankly he doesn't really wanna know, because whatever organization that did it doesn't seem too pure-of-heart if tiny-Damian's immediate attempt of murder when they first met is of any indication. But he's too busy taking care of his city, that he doesn't have time to deal with whatever shady business Tiny-Damian was produced from.

In the end though, he decides that this Tiny-Damian is not going back to whatever place he came from. Tiny Damian disagrees. It is a long, nebulous problem of Damian trying to run away, Danny catching him, and Danny pulling him back home.

In that time, Danny downloads a language app and starts learning Arabic so that they can talk to each other properly. Damian slowly, slowly, starts picking up English.

In that time, Danny also has to inform his friends and his sister about Damian. Tiny Damian is not a fan of this. That is another argument they have. Tiny Damian does not like Sam or Tucker for a long, long while. He only really "listens" to Danny, citing something in arabic that Danny still cannot understand, but has a repeated use of the word "lieazir". It's the only word that Danny can catch in a sentence immediately, because its what little Damian calls Danny.

Tiny Damian, in that front, is very interested in Danny's powers and in his parents work. He finds tubberware of ectoplasm in the fridge once while they're down in the kitchen and calls it something with the word lieazir in it. The other word is something that Danny later learns means water in arabic.

It makes him feel even more uneasy of whatever place little Damian came from.

It takes weeks for little Damian to finally give up on escaping, and then a few weeks more for him to almost entirely lose his spunk. Danny isn't sure what started it. It was as if he'd been flipped with an off-switch.

(Damian had been so confident that the League would go looking for him after his disappearance. He was wrong, and he is crushed. He is still a child, alone, in a country very big and very busy, where nobody understands what he's saying. He feels powerless, helpless.)

(The lazarus boy who calls himself Danyal is nice to him in a way the league has never been, and he's making an effort to learn Damian's language. But he leaves for hours at a time and Damian doesn't have much else to do but wait in this house for him to come back.)

(He tried leaving, many many times, but he doesn't understand the street signs, the roads, the people. He doesn't know where he is, and he feels scared in a way that he's not felt in the League. Danny finds him every single time, hours later when Damian is lost somewhere in Amity Park)

(And he never yells at him. Never. The first time this happens, Damian puffs himself up and prepares himself for this strange lazarus boy to yell at him. Damian feels like he's tripped on the last step of the stairs when Danyal doesn't yell at him.)

(He can tell he's frustrated by the tone of his voice, but when Danyal lays eyes on him he just looks relieved. He gets scolded on the flight home, but Damian doesn't understand any of it other than Danyal just sounds worried. Not angry. He gets a proper scolding once they get back, with Danyal typing into the google translator and playing it for Damian to hear.)

(This happens every single time until Damian finally agrees to stop running away.)

It's with Jazz's help that Danny finally realizes that Damian was depressed. It's with her help again that Danny tries helping with it. It's like trying to get a stray cat to trust him. And with everything else they've done, it takes a long time.

And it is so, so worth it when it all works out.

Tiny Damian doesn't really like Sam, or Tucker, but he likes Danny. And he finally starts calling him his name. His full name, but his name nonetheless. Danny doesn't bother correcting him. He's not looking a gift horse in the mouth. And it's endearing hearing Damian call him Danyal.

Damian in this time, also begins to take more initiative into learning English. And they teach each other words they know. Danny buys flash cards and writes the english alphabet on them, and then finds a book on arabic to teach himself and Damian. Sam and Tucker and Jazz start learning as well.

And then when Danny knows enough arabic and Damian knows enough english, and Damian trusts Danny, Damian tells him he's a clone. It's a quiet moment, late at night when Danny takes Damian up to the ops center to look at what stars they could see through the light pollution.

It'd be very easy for Danny to tell him, "I know. I could tell from the start.". He doesn't, it's not the time nor the place, and Danny's matured enough to know when to open his mouth and when to keep it shut. He lets Damian, almost seven now, tell him that he's a clone of Damian Wayne. Lets him tell him why he was made, what his purpose was.

(Danny will need a minute later to process the fact that Damian Wayne originally came from some kind of... assassin league with an obsession with immortality. But he's focused on Damian.)

In the end, he puts an arm around Damian Wayne's clone and pulls him into his side. Thanks him for trusting him, it must've been hard to tell him, that he's brave for being able to. And if he wants to, they can find a way to get into contact with the Waynes and let Wayne know about him.

Damian hides his face in Danny's ribs and holds him tight, and tells him he doesn't want to. Danny leaves it at that.

Perhaps it would be more morally ethical to alert Damian Wayne that there was a clone of him running around, that his... uh, grandfather was making clones of him. Hell, Danny would have liked it. But little Damian has asked him not to say anything, and little Damian needs someone to rely on; someone he can trust.

And in the end, its not that hard of a decision to make. Danny knows little Damian more than he knows Damian Wayne, and while Danny likes to think he's a good person, he knows he's not a great one. Nor a perfect one. He cares more about someone he knows than someone he doesn't.

If Sam tries to argue with him about it, then Danny will just double down. If Damian doesn't want to tell Wayne about his existence, then it's not their place to say otherwise.

There's a lot more to talk about over Damian's cloning, like what he wants to do moving forward. But that's a long conversation not meant to be one taken late at night. Little Damian is falling asleep at his side, seemingly much more relaxed than he did before, and Danny wasn't gonna ruin that.

And later he's right, it is a long conversation, and a slow one. Talking with Jazz about it helps him figure out what to do moving forward, and their best bet is to let Damian figure out what he wants to do. So he sits Damian down at the dinner table the next morning and tells him before breakfast that he doesn't need to be Damian Wayne.

He doesn't need to learn all the same things Damian Wayne did. He doesn't need to do anything that Damian Wayne does. And little Damian is seven, and he's smart, but Danny still has to word it in a way that's not too complex for him to realize.

And in the end, what he says essentially boils down to "You are not Damian Wayne, you are just you. Don't be anyone else but you." and it'll take more time to drill that into his mind when all he's ever heard and learned from is that he was a copy of Damian Wayne, and he must act like Damian Wayne. But it'll happen.

It's a hard task when Danny's the only person Damian really trusts and he can't be by his side all the time, but he starts to warm up to the rest of Danny's family. The Fenton parents know of him, it's hard to keep a six year old child a secret for as long as Danny did without eventually having to come clean about it. His parents, much to Danny's relief, are very welcoming to Damian.

Damian figures out what he likes. Slowly. He's six years old, almost seven, and nobody expects of him to figure out who he is immediately. No child knows who they are right off the bat. So like any child he begins to explore. His english is better but still rough, and he struggles to read said language, but the Fenton family are happy to help even if Damian learns words that no normal seven year old does. (Many of them scientific.)

Damian realizes he likes stars, even if said interest is influenced by the association to Danny. Danny is all too delighted to tell him all about them, and in the process takes him flying out somewhere where the light pollution doesn't reach and showing him where constellations are.

Damian is six-almost-seven, so he doesn't find all of them, but Danny helps him figure out the easier ones. He tells him the scientific facts behind them, and then tells him about the mythos of the constellations. Later on they make their own constellations and make up stories about what they are.

(Damian adores Danny out of anyone else in the Fenton Family. The name Danyal turns to Dany. If anyone asks, Daniel Fenton is Damian's big brother.)

(He still refers to Jazz as Jazmine, and Danny's parents as Mrs. and Mr. Fenton.)

He realizes that, like his original, he loves animals, and he becomes vegetarian too. Sam is smug and Tucker is disappointed, but Damian doesn't super care about their opinions. ...he's getting better at liking them, even if he thinks Manson is a bit snobby and Foley is too much at times.

Its inevitable that the conversation of school comes into play. Damian can't stay home all day and he needs proper schooling. So after a long talk with Damian, they agree to send him to elementary school.

...And before they can do that the Fenton Family goes through with legally adopting Damian into the family as Damian Fenton. It takes convincing to get the administration to enroll him into the first grade without a proper schooling background.

(On his adoption form, Damian asks to change his birthday to the day he met Danny. Perhaps its not the most responsible thing to agree to, but Danny wants Damian to find himself. And its not like they know when his actual birthday was.)

And despite where he learned it from, Damian quite likes sparring. And he quite likes sparring with Danny in particular. Danny makes it fun, something that was foreign in his old league training, and Danny never hurts him. It's a lot like roughhousing.

Danny tells Damian how he got his powers, and how his parents don't know. Damian wakes up late at night to Danny sneaking out of the room (their house is not big enough to give Damian an individual room, and Danny agreed to share his) to go fight ghosts.

It's upsetting. Damian knows that Danny gets injured in those fights, even if Danny never comes home until after those injuries have been fixed up. He wants to help, and he voices it, and Danny shoots him down.

It becomes an argument, something that has happened less and less over the months.

Damian is experienced.

Damian is a child.

Damian knows how to fight.

Damian is mortal and fragile. He is a tiny, squishy human boy and the people Danny fights are ghosts who are near-indestructible. Who are intimately acquainted with death but also do not remember that humans are capable of it. Especially when they're fighting.

Damian says that Batman's rogues are capable of the same thing, that he lets his Robins help him fight.

And Danny says he is not Batman and he will not allow Damian to fight ghosts with him. Those ghosts will kill him and it will hurt. Dying hurts in a way that is terrifying and unimaginable and he will not risk Damian experiencing it. Not even Sam and Tucker help him in his fights most of the time, they are not able to. Not in the way Danny can.

Damian doesn't talk to him all day the following morning, but Danny does not budge on his decision. Damian tries to follow him out the next night, and Danny catches him and takes him back. Over, and over, and over again.

Until finally he gets intercepted by Skulker while taking Damian back home and is forced to fight him in front of Damian. (If it had been his choice, he would not have let Damian see it at all.)

It's not pretty. Skulker has new weapons, weapons that hurt, a lot. Danny is stuck between trying to take him down and trying to protect Damian from Skulker's attacks at him and from all the debris being created from the fight. It's with Damian's quick thinking and fast feet that finally helps Danny take Skulker out. But Danny is badly injured in the aftermath.

He doesn't have time to take Damian home and get medical attention. So he takes Damian with him to wherever he has his supplies stashed. He doesn't call Sam or Tucker or Jazz, and has to stitch himself up alone, with Damian watching.

Damian is quiet the entire time, he feels awful. Danny's not mad at him -- well, he is. But not because he had to protect him. He's just tired, and a little disappointed in him. Damian doesn't sneak out again. But he still feels helpless.

Danny tells him that that is why he doesn't want Damian to help him. Ghosts, his ghosts, are hard to fight. They are powerful, and his 'rogues' are mean. They will not care that Damian is a mortal child, if he picks a fight with them, they will fight back. And Damian is not immune to certain ghost powers like Danny is.

Damian is silent. He wants to help. But Danny is right: he is a squishy, mortal, living child. There is not much he can do to help Danny. Not without any gear to do it. Not without any powers to do it. He wants to help. He cannot.

Damian, almost-seven-years old, begins to cry. It is the last thing Danny was expecting, and for a moment he is at a loss of what to do.

Damian reaches for him -- in the Fenton family, physical affection is expected. Damian is getting used to it, but Danny is the only one he likes touching him -- and then stops, cringing away like he only just remembered that Danny was hurt.

He only cries harder.

Danny meets him halfway and pulls him into his arms, situating Damian between his knees from where he's sitting. Through his tears, Damian says he wants to help. He wants to help. He doesn't want Danny to get hurt anymore. He doesn't want Danny to fight ghosts alone anymore. He's scared that Danny will stop coming back.

Danny doesn't have anything to say to reassure him. Can't say anything to reassure him. It'll all just be lies. He's not going to stop fighting ghosts, he can't. He's not going to stop getting hurt, he can't. He's not going to bring Damian with him, he can't. He'd never be able to live with himself.

"I'll always come back." He says though, because that is something he can promise. Whether dead or alive, he'll come back.

When the tears finally stop, Damian doesn't say anything again. He sniffles, and presses his ear to Danny's chest, listening to the steady, slow heartbeat. If he puts his ear to his sternum and strains his ear, Damian would almost hear the low hum of Danny's ghost core, like a small dwarf sun.

"If you die, I'll drag you to the Lazarus pools myself." Damian mumbles eventually, his voice sleep-full. It's spoken in arabic, and Danny only understands half of it.

He laughs quietly, and smoothes his hand over Damian's hair. He hasn't had a haircut since he arrived, it's gotten long and there are curls beginning to form. "Okay."

Damian falls asleep shortly after, and with much consideration to his own injuries and Damian's sleeping form, Danny flies them back home.

It's hard to say, but not much changes in routine afterwards. Damian hovers close to Danny, more than usual. Danny still goes out at night, he still stitches himself up before going back, he still goes back home where Damian is waiting worriedly for him. Damian doesn't like falling asleep without knowing Danny is there.

Now the hard question is: when does little Damian finally meet the Waynes for the first time? There's plenty of ways to go about it, both easy and hard. Perhaps we go this way:

The Fenton family are visiting Maddie's sister in Arkansas. And Damian is dragging Danny around through the surrounding forest. It's his first time being in a forest this large since he moved in with the Fentons. Safe to say he is delighted by all of the nature, and he's dragging Danny along with him.

Danny likes the peace and quiet it gives him, he's found that he enjoys the rural area more than he likes the city. He's happy to let Damian point out every plant he recognizes, even if some of it is in arabic.

They walk around all day until Damian gets tired, and then at night when the sky is clear Danny and him go look at the stars. It's peaceful at first.

On the third day of their visit, Damian drags Danny out far from the house. It's slightly worrying, but Danny can always fly them back if it gets too late.

It's in the woods that Danny and Damian stray much too far from Alicia's house, and from there in the early evening that they run into Batman and Red Robin, both of them in rough 'just got out of a fight' shape.

Safe to say, it was the last thing any of them expected to run into. Damian and Danny had stopped at a small crik to rest, and the two vigilantes came through the tree line on the other side.

It was... quite the staring contest.

Damian, now seven years old at this point, forgot to mention that the Waynes were vigilantes when he told Danny he was a clone. But he was told that Batman was his original's father.

Before anyone can say anything, little Damian wraps his arms tight around Danny's middle and stares Batman and Red Robin down. His sharp edges have softened around the Fentons. But he makes no exceptions to anyone else outside of Danny's immediate social circle.

Danny's arm automatically goes around Damian's shoulders, and he looks between both Red and Batman uneasily. If they were here then it meant that there was something unsafe nearby. Danny did not fight the living, and he wasn't going to put Damian in the crosshairs of anything that does.

"Should... should we leave?" He asks, brows knotted together with a frown. He stands. "Is there something going on nearby?"

Batman suddenly grunts, and looks at him. "It's been handled." He says, and his voice is gruffer than Danny imagined it. Lower. Danny is not all that comfortable with that answer.

"Do you guys live nearby?" Red Robin asks, and Danny can't help but notice that he keeps looking at Damian. Warily. In fact, so is Batman.

He pushes Damian behind him slightly, and Damian's grip tightens on him. "Not... exactly." He says, his eyes narrowing slightly. "My family's visiting my Aunt and my brother wanted to explore since it's his first time out of the city, I guess we wandered too far away if we're running into you."

There's no visible indication of whether or not both Bats reacted to him calling Damian his brother. But he can all but feel little Damian preen at the title, it makes Danny's mouth twitch into a smile as his hand finds Damian's hair.

"Would we be able to go back with you?" Red Robin asks, startling both Danny and seemingly Batman, who looks at him instantly.

"Red Robin." He growls out, and Red Robin throws Batman a look of annoyance.

"We are lost, B. They jammed the comms and our trackers back there and it hasn't come back on yet, his aunt may have the signal we need to let the others know where we are."

They end up walking back with Danny and Damian. It's silent, and awkward, and Danny has Damian walking on his opposite side so he's not near the vigilantes. Red Robin is fiddling with a phone but still can't get a signal.

Batman is silently brooding.

Red eventually gives up and shoves the phone into a pocket on his belt, then turns to make conversation with Danny. "I never thanked you for letting us walk with you. Thanks, by the way."

Danny blinks at him, and smiles awkwardly. "No problem, man," he says, "I'm uh, Danny." He glances down at Damian, who looks up at him with big green eyes, and Damian nods quietly.

He looks back at Red Robin, and says, "This is my little brother, Damian." And Damian peers over his side and glares at Red Robin -- and Batman, who looks over when Danny says his name.

"He looks like Damian Wayne," Red Robin notes, head tilting like he's inspecting him.

Danny huffs dryly, "We get that a lot."

Red Robin smiles at him, its a tilted thing. It makes Danny uneasy. "Where did you say you were from?"

"I didn't," Danny says bluntly, and he really doesn't want to tell them where he's from. Not when Red Robin was acting strange, but they're vigilantes and notorious for their detective skills. If he's suspicious, they'll look into him. "But I'm from Amity Park."

Damian in that moment, peers around Danny again and scowls at Red Robin. Full on scowls at him, as if it were the first months when he met Danny. "You're being nosy." He sneers, his hand squeezing Danny's.

"Damian," Danny hisses, suppressing a smile. Damian jumps like he's been startled, and looks up at him with big green eyes. "He's just being curious."

(He lets his smile slip through briefly, just to let Damian know he's not that upset. A tension leaves his little brother's shoulders.)

"But he is." Damian continues, a whine leaking into his voice. Danny jabs him in the ribs with his fingers, and Damian jumps, swatting away his hand with a squeak.

"Would you rather have us walk in dead silence, Dames?" He goes for Damian's ribs again, a grin stretching across his face as Damian jumps back again and swats his hand. "Hm? Hm? We could just walk in awkward silence for the entire trip back, I know you just love awkward silence, little brother."

(It's funny, saying little brother always sounds so uncomfortable when he reads it in books and watches it on tv. But Jazz always makes it sound so natural when she does it, and Danny finds that he sounds the same too.)

Damian continues to bat away his hands, but it's not enough to prevent him from squealing with laughter when Danny gets a good hold on him and starts tickling him. Danny's grin only gets bigger, and he swoops Damian up with his arm and holds him like a football.

"Is that it? Huh? Me, you, and two vigilantes walking back to Aunt Alicia's cabin in complete, utter silence." He says, "You won't get to hear any of my amazing jokes."

Damian's wriggling, trying to pound on Danny's ribs, he's giggling uncontrollably. It's the best sound Danny's ever heard. "Your jokes are awful! Laeazir! Put me down!" He cries, grinning from ear to ear.

(From the side, both Red Robin and Batman tense up.)

Danny chuckles, and through a short series of flips, has Damian sitting on his shoulders. "I will not. You're sitting up in air jail for insulting my hilarious jokes."

Damian tugs on his hair in revenge, harrumphing at him but making no move to get down. Danny squeezes his ankles playfully, and looks back to Batman and Red Robin.

Both vigilantes look at him like he's grown a second head.

....Red Robin looks at him like he's grown a second head. Batman just stares, and then looks away. Danny tilts his head at them, his smile waning. "You guys look like you've seen a ghost or something."

(Damian tugs on his hair again. A silent boo at him.)

Red Robin jerks, "Oh, sorry." He says, not sounding all that sorry. "It's just... I've lost count to how many times I've saved Damian Wayne from the occasional kidnapping and he's always been very... serious. It's just weird seeing a kid that looks like him be... not serious."

From his shoulders he feels Damian hide his smile in his hair, that's another thing they can put on their "Things That Damian Does That Damian Wayne Does Not" list. It started as a joke, but it's been surprisingly helpful for when Damian is questioning himself.

However, Danny is not a fan of the comparison, and he smiles widely, perhaps a tad passive-aggressive. "It's a good thing that my Damian isn't Damian Wayne then." He says, giving him the slight stink eye.

Red Robin picks up on it quickly, and nods.

The rest of the way is spent in idle conversation. It's oddly casual, even if most of the conversation is Danny talking about himself. It's annoying, but he unfortunately understands the reason. Secret identities and all that.

Damian interjects a few times, some parts to talk to Danny, and other parts to throw shade at Batman and Red Robin. Mostly Red Robin, who seems begrudgingly used to it.

("I'm surprised you haven't asked me much about myself." Red Robin says at one point into the conversation. Over his shoulder Batman glares at Red Robin. "A lot of civilians do when they're able."

Danny stares at him. "You're a vigilante." He says, frowning, "Isn't it superhero 101 that you don't ask superheroes for their secret identity?"

"You'd be surprised."

"Huh. Well, no. I'm not gonna ask you about yourself. I quite like talking all about me.")

When they finally reach the cabin, it's late into the night and Danny has moved Damian from his shoulders to his front in a koala-like carry. Damian's fast asleep with his head on Danny's shoulder.

His family was also frantically searching for him, and Jazz sees him first. She immediately turns behind her and yells "I FOUND HIM!". And then sprints over to him, his parents thundering not too far behind.

Both vigilantes are subsequently ignored as Jazz dotes over him and Danny, and soon enough so is his mom and dad. They're all talking all at once, asking him where he was, they were worried sick, did he know how late it was.

He shushes all of them, loudly. And whispers that Damian is sleeping. His family then immediately quiet themselves, and go back to yelling at him in a more appropriate manner.

"Me and Damian walked too far by accident." Danny finally says when he can get a word in, and then he jabs his thumb in Red Robin and Batman's direction. "We also found two superheroes who need assistance."

The speed of which his family all snap their heads over to the direction he's pointing is almost comical. As is all of their expressions of shock.

His mother is the first to regain her senses, and she sighs at him. She sighs! "Only you, Danny." She says, and Jazz snorts into her arm.

[fangirl-nadir]

[twopercentboy]

I'm a firm believer that Edwin does NOT have internalized homophobia ☝️ repressed his sexuality? sure, obviously. but internalized hatred for himself? NO!!!

My man immediately confessed his love to Charles once he realized what his feelings were. He was going to even earlier but literally got dragged to Hell in the middle of it !!! He did not question the validity of his feelings and he definitely didn't question whether he was allowed to feel them !!!

Edwin has a lot of complexities when it comes to dealing with and acknowledging his emotions, but this is not one of them. Charles is not one of them.

[fatedroses]

More than just the Demon.

[sysig]

Those wacky skeletons ♥ (Patreon)

[buttdumplin]

I only know Mexican Spanish, so I can only speak for myself and those I grew up with but "mami" and "papi" are not the equivalent of mommy/daddy as used in sexual or intimate relations.

We use mami and papi with our kids. It's what our tíos and tías call us that affectionately. It's what the lady from the corner store calls us when she's sweet on us and can't quite remember our names. It's what our grandparents call us as they fix up a scraped knee. And they bring out papito/mamita when we're either in deep shit, or in need of comfort that can only come from someone with more knowledge, power, or experience than us. It's a diminutive term of endearment.

I'm not saying it's never used as mommy/daddy, but it's hardly ever a title. The context of it is so wildly different, because it's usually what we call someone we're responsible for.

"Mamas" tho? Mamas can fuck.

[onaperduamedee]

Shooting star, as it turned out, never to return once you left our sky.

[dent-de-leon]

The fact that Essek storms off "in a huff" and is literally brought to tears when he sees Caleb mourning Molly...there's just so many interesting implications for shadowidomauk there.

It's the fact that Essek saw Caleb kiss Molly on the forehead the way he kissed him--saw Caleb repeat these familiar phrases in battle to Lucien that he once used to comfort Essek. Essek learning Caleb's love language, and seeing it reflected in how he treats Mollymauk.

It's Essek seeing Caleb at his lowest, at his most desperate and hopeless--how very wrong it feels to see him like this, how painful it is to watch him fall apart over losing Mollymauk. "Caleb Widogast, have you ever accepted defeat?"

Because of all things, it is Molly's death that leaves Caleb more brokenhearted than Essek's ever seen him, the only time he's ever truly admitted to knowing defeat--"Maybe today. For the first time." The way Caleb came all this way and tried so desperately to save him, and it still wasn't enough. He poured his whole heart and soul into that ritual, and it just wasn't enough.

Essek being moved by the Nein's own grief, choked up and crying for this person that he never even met. Insisting over and over, "It's not fair--it's not fair...We've just all come so far. It's not fair." And it's the moment that Caleb kisses Molly on the forehead and says his goodbyes that really breaks Essek's heart, the passion and gutting loss of Caleb's own grief that sends Essek storming off and fighting back tears.

Do you think...Essek ever tells Kingsley what happened that day? How hard Caleb tried to save him--how much it shattered him when Tealeaf was still lying dead in his arms? Do you think he ever told King about the forehead kiss and how tender Caleb was with him--how he must surely love him? Do you think Essek admits that even he was crushed when Tealeaf didn't wake, that he never knew him before, but still mourned him all the same?

Do you think he ever quietly tells Kingsley that he's happy he came back, how much it means to him--especially for Caleb's sake--

Do you think Kingsley ever kisses either of the wizards on the forehead and everything just. Kinda falls into place for Essek--

[iamhereinthebg]

๋࣭ ⭑unexplainable sorrow⭑ .

[ube-bluebay]

i have a problem

really long rambling in tags

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[unhetalia]

More dysfunctional dynamics —

Arthur's favourite is Alfred, but years of bitterness over Alfred's revolution means he doesn't treat him very well even when they finally get over that hurdle.

Meanwhile, Arthur thinks of Matthew as 'ex colony' and 'ally' and not much else, yet takes his side whenever there's conflict between the brothers, and treats Matthew like an equal in a way he only does with Alfred when forced to, and doesn't bother doing with Australia and New Zealand at all.

This is terrible for Matthew, and he doesn't realise it until it's too late.

A younger Matthew basks in the attention and flaunts it at his newly independent brother — to prove he made the right choice by not leaving, to work off his righteous anger for the hurt Alfred caused Arthur. For a time, Matthew really believes he's now Arthur's favourite, and he thrives.

Arthur, of course, is lavishing Matthew with attention to make a struggling Alfred regret his decision to leave. Matthew has new, comfortable clothes, and Alfred has to patch up the holes in his scratchy old shirts himself. Arthur spends nearly all his time with Matthew in the years after Alfred's revolution.

But eventually, Arthur's attention wanes. He has other colonies, more valuable ones, and Matthew doesn't have that something that makes Arthur love him despite a lack of riches. (Whatever Alfred had, Matthew thinks.)

In the meantime, Alfred's bonded with Francis, and their relationship is real. Francis treats Alfred like a son and a friend.

Arthur starts treating Matthew with polite disinterest, now that he's no longer trying to make Alfred jealous. Still, the physical dynamic between Arthur and Matthew doesn't change. Arthur treats Matthew better than he treats anyone else because he's used to doing that - there's just no feeling behind it. (Eventually, of course, that polite disinterest turns into a real acquaintance, a comfortable dynamic, but never the affection Matthew craves.)

It alienates Matthew from Australia and New Zealand, too, who see Arthur's treatment as a sign of love and favour they felt they didn't receive. They joke around with Alfred about Arthur being a jerk and then stop when they notice Matthew in the room.

Matthew can't say anything, not when Arthur never interrupts him when he shares his ideas. When they meet for breakfast every month and Arthur takes all his advice into consideration.

Matthew has Arthur's respect but lost out on everything else — a closer relationship with Francis, a camaraderie with Australia and New Zealand.

Meanwhile, no one thinks Alfred has Arthur's respect, but Matthew knows he has his heart, and Francis' affection, and a friendship with Australia and New Zealand.

How can Matthew not resent his brother for having everything he wants?