#but i thought this might be important considering some of the characters i see written with these words are specifically mexican

[buttdumplin]

I only know Mexican Spanish, so I can only speak for myself and those I grew up with but "mami" and "papi" are not the equivalent of mommy/daddy as used in sexual or intimate relations.

We use mami and papi with our kids. It's what our tíos and tías call us that affectionately. It's what the lady from the corner store calls us when she's sweet on us and can't quite remember our names. It's what our grandparents call us as they fix up a scraped knee. And they bring out papito/mamita when we're either in deep shit, or in need of comfort that can only come from someone with more knowledge, power, or experience than us. It's a diminutive term of endearment.

I'm not saying it's never used as mommy/daddy, but it's hardly ever a title. The context of it is so wildly different, because it's usually what we call someone we're responsible for.

"Mamas" tho? Mamas can fuck.

[pumpkin-piiee]

I've seen people making up different story arcs on what will happen after the Noroshi War so here's mine.

*Manga spoilers ahead*

Maybe in the future, Nii Satoru-sensei might create a story arc about a sukeban*.

*A sukeban is a delinquent girl gang that emerged in Japan from the 1960s to 1970s.

History

Credits: yaz1ska on Instagram

Sukebans were formed due to bōsōzoku a.k.a. male biker gangs or the yakuza not accepting female members. The rise of sukebans has a huge impact on the feminist movement in Japan. Each gang has their own rules, hierarchy, and ways of punishment. E.g. Cigarette burns were considered a minor punishment if a gang member was disrespecting a senior member or stealing a boyfriend.

My thoughts if it were to come true

If the author included a story arc about a girl gang, I would have faith in him. I mean look at how well-written & well-designed the ladies in wind breaker are.

Credits: Pinterest

Credits: Mangapill

*I love how the author would draw sketches of Kotoha with major characters such as Tsubakino and Sakura. This means that Kotoha is more important than we have initially thought. Moreover, kudos to Nii Satoru-sensei for not sexualising Kotoha. I am sick and tired of mangakas sexualising female characters for no reason.*

Credits: Nii Satoru on X

Not to mention many of us know that Nii Satoru-sensei is good at writing complex characters such as Tsubakino.

Credits: MyFigureCollection

Story Arc, Characters & Operation

As for how this story arc will be executed, I believe it will cover topics such as feminism, struggles of womanhood and mistreatment of women.

Moving on to how this sukeban operates, here's my input. I believe everything they do is the complete opposite of Bofurin. E.g. instead of protecting their own town, they protect themselves. This is because the town they live in is also the complete opposite of Makochi, hostile and narrow-minded.

*I just thought of making this sukeban the complete opposite of Bofurin because I think it's interesting to see their reactions. It's also hilarious because the opposite of a boy gang is a girl gang. Get it? Okay, I'll stop.*

I also believe maybe this sukeban and its base can act as a sanctuary for women of its town who were mistreated by men such as giving them food, shelter etc.

I believe the overall vibe that they give is going to be like the military instead of high school.

As for their leader, maybe she'll be the opposite of Umemiya, stoic and serious. However, it is interesting if she was a good leader like Umemiya because so far we've only seen bad leaders in Wind Breaker.

As for their gang name, maybe it will be associated with elements such as water or space. This is because the other gangs e.g. Bofurin 防風鈴 is named after the wind element, Noroshi 狼煙 is named after the fire element, Gravel and Shishitoren 獅子頭連 are named after the earth element along with KEEL is named after or related to the metal element.

*I know that Shishitoren are named after animals but animals are also related to Earth sooo*

Final Thoughts

Overall, this is just a random thought of mine that I just want to share. If Nii Satoru-sensei doesn't include a story arc that talks about girl gangs, I won't be disappointed or upset as long as he writes a good story.

*P.S.. this is my first time ranting about an anime so feel free to critique or educate me if I've made a mistake. Also, I still have some opinions regarding this sukeban idea so should I create a part 2?*

[astheworldgoesonitswickedway]

As the ASoUE fandom, we need to acknowledge the drastic differences between the books and show more often. I love them both though I do prefer book canon on this particular subject. The schism. The timeline can be confusing. And it's so important to recognize that while in the show, Beatrice accidentally killing Olaf's father incited the schism and Olaf's villainy, in the book, Kit tells us the schism happened when she was four. If we are assuming all our main generation of V.F.D. members are probably within a few years of each other in age, this happened when they were all young children. This changes a lot, but most importantly it means that the death of Olaf's parents and the great schism, were two different events. And also, this means they all grew up in schism V.F.D. essentially this environment of warring factions. They didn't get to experience a maybe healthier version of V.F.D. They grew up in an atmosphere where their lives would much more often have been at stake. Well I've been thinking about that night at the opera, since the schism had already happened, it could have played a part in the events. The show says it was an accident, but the books never clarify. To be honest, the books make things sound much more like an assassination...not saying it was but I won't say it wasn't. We see the Baudelaires themselves come to the conclusion their parents weren't who they thought they were. Why would they have poison darts if they didn't intend to use them? Kit says she snuck them past Esme to the Baudelaires. (Which is another thing. Seriously, if this was an assassination, Kit participated in the murder of her fiancée's parents...Olaf didn't seem to blame her like he did the others, did he not know, or did she not know what they would be used for so he didn't consider her complicit?) And for the record, the death of one person with a dart like in the show, could be an accident. Both of Olaf's parents died in the book and that's a lot harder to answer for. So why would the Baudelaire parents assassinate Olaf's parents? Would "noble" V.F.D. really condone something like that? I mean, I guess they were messing around with the medusoid mycellium...planning to use it against their enemies. Could the Baudelaires actions that night relate to their reluctance to tell the kids about their organization? As for why they would do that, is it possible Olaf's parents might have been villains on the other side of the schism? Were they planning something horrible? We are basically told that night is why Olaf switched sides, could he really have been on the noble side at a time when his parents weren't? What did Olaf see that night, how did he know who to blame? Did he watch his parents die? Could his parents have been planning to strike first? Could they have meant to kill his friends, an event which would also drive Olaf insane, just in the other direction, against his parents? Is there any way his parents could have been innocent? I have a really hard time believing that if the Baudelaires did what they did, though it was still not okay. This is all wild speculation I know, but the book canon just opens up worlds of theories, unlike the show which seems to sacrifice the plot a bit, in order to keep our important characters hands clean. But if Daniel Handler taught us anything, its that no one really keeps their hands clean, everyone participates in treachery at some point, and you never know how horrible someone's treachery was, you can't necessarily trust someone just because you care about them. Can I just say how absolutely gutsy it was for Daniel Handler to deliver a thirteen book series, the plot of which is driven by the great split of this secret organization, only for him to never tell us what happened? He never explains the schism? I know he loves to leave unanswered questions but. But this. Then again, it's written from the Baudleaires perspective and for many reasons, they don't get to know. It is fitting that neither do we.

[nevermeyers]

Yeah, I know I said I'd keep quiet about it because I plan on ignoring the ending. I've done it plenty of times, even with books I consider my favorites. "Oh this book is so good, it's one of my faves... How does it end? I don't remember." I'm going to do that with jjk because I've done it more times. Anyways.

Seriously, where's the character development? Why dedicate an entire chapter to showing how much criticism affects you and making excuses for your narrative instead of fixing it? Gege could have written about the characters and their problems, their worries, their evolution even while talking about how the politics of jujutsu world are changing rn.

What are Nobara's thoughts right now? There could have been an entire chapter dedicated to her character to fill in the gaps and finish defining her, what about her mother? How does she feel about her childhood friends? What are her plans now?

What about Megumi? Yeah, seeing him laugh was therapeutic, but honestly his character hasn't had the development/ending I expected. The timeskip was weird, his acting is literally the same as the beginning of the manga. It feels like I'm reading the same person who appeared in chapter one and not a traumatized boy who is learning to live. Where is Itadori teaching him that it's actually worth moving on? Where's the whole PTSD thing I'm sure he has? (fuck megumi haters btw fuck them, and fuck the way they victim blamed a kid). What are his thoughts about Gojo? About Sukuna?

Yuuji... Our mc. I was expecting to see him mourning Choso, mourning Gojo. But no, apparently it's more important to explain that there was a secret society (lmao) than to have him show respect and tears for those people he loved. His family, who he never got to spend time with, and his sensei, who decided not to execute him and who taught him almost everything he knows. I wanted to see him taking his friends to the movies to see some B-movie horror instead of going through the horror of watching characters insult him and tell him that it's better if he were dead.

And yes, I know there are two chapters left and some of the things I mention here might appear, but we've already wasted our time with one chapter, that's many pages. There won't be time to fix whatever is this. I feel bad :/

Now, one of the things that bothers me the most is that there are characters that were implied to be dead and now suddenly appear alive. I thought this was about letting the new generations create a fair world, but no. Do you know which character bothers me the most? Mei Mei. No, I'm not against someone writing sa/csa in fiction as long as it's not romanticized (I accept the unreliable narrator because that happens a lot irl and it's sad). The thing is that Mei Mei literally embodies the values ​​of the jujutsu world. In the jujutsu clans there was everything, sexism, abuse, neglect and most likely incest since (at least that's how I see it) they are like the monarchies of the Middle Ages. Mei Mei is the embodiment of all those rotten values ​​that Gojo hated, that the new generations are destined to eradicate. Seriously. What is she doing alive? Take her out rn. Gojo didn't die for this.

I read someone saying that maybe the point of this chapter isn't to break the cycle, but to repeat it. I have to say that I'm a big fan of that trope! It reminds me that humans repeat the same mistakes, but even if that were the point I think it wouldn't be well written.

There came a point in the story where both options: love is worthless and love is worth it were acceptable by the end of the manga. This is the ending where love is worth it, but why hasn't anything changed? The characters we saw in 269 are almost exactly the same we saw in chapter number one.

If this is a story about how love is worth it, accept the consequences and write characters who, thanks to love, move forward and build a new world instead of neutralizing any kind of development

[bitethedevil]

Raphael the Cat (Character Analysis)

I’ve thought a lot about the whole cat and mouse metaphor from his Cormyrian rhyme, even when I first started playing the game and hadn’t developed my unhealthy obsession with Raphael. It is an odd thing isn’t it? Why a cat?

The mouse thing makes perfect sense for his character. He often refers to others as ‘little’ or something to that effect (such as ‘pipsqueak’). You are small and he is big. That’s always the gist of it. Of course, the ‘mouse and cat’-trope is pretty common, but why not identify with something bigger and scarier? He does it by calling himself a ‘devil’ instead of what he really is: a cambion.

We know that he doesn’t just do it with us. In the Devil’s Den at Sharess’ there is a book where someone had written about winning over a devil in a poetry contest and the devil is clearly Raphael. We know because he has circled it in red that his ‘down came the claw’ line is mentioned in it. Which means that this loser (affectionate) reuses the same old material for clients.

He’s not a lion, or a wolf, or whatever absolutely terrifying creature you can find in the D&D universe. He’s a cat. That’s what he’s chosen as his fursona, if you will. Why though? The more I think of it, it makes complete sense, and it is such an apt metaphor for his character.

“Is there anything duller than a loyal dog?”

Raphael says that line and then says ‘I much prefer a cat. Meow.’ Iconic, honestly. It also says a lot about his character. What is a dog’s role in a house? They protect their owners because of some sense of fondness or at least because they are trained to it. What does a cat do? It kills mice.

Not because of any sense of fondness or duty to its owners, but because it is nature for it to do so. It is specialized to kill mice and rats. A cat does what a cat wants, which is exactly what Raphael does.

It’s written somewhere in the Devil’s Den that he sometimes doesn’t even really need to claim someone’s soul or help them, but simply does it because he feels like it. Cats are notorious for killing even though they don’t even really need to.

Considering how ordered and hierarchical the Hells are, I really think that Raphael is a bit of a wildcard. It comes with his nature, I think. Most cambions are loners and solitary by nature. He does what he wants. It certainly takes some balls to directly hand over an opportunity to fuck over the literal Archdevil of Cania by telling us about Cazador’s ritual.

No matter how much he claims that he loves order, I think order is mostly what he personally deems as order. It’s whatever he feels like, which is the general theme with him.

Master of the House

A cambion isn’t seen as much in the Hells. Don’t get me wrong, he still seems really successful for a cambion, and he certainly is higher in the hierarchy than most of his heritage. In the Hells he really is a cat surrounded by lions and tigers. He might see himself as a lion, but which cat doesn’t? Though, he is still aware of his place in the Hells, or he would not have lived for so long.

A cat might not be the king of the jungle, but they certainly rule their tiny kingdom of the house they reside in (ask any cat owner). It’s the same with Raphael. The House of Hope is his little kingdom where he rules. It’s obvious from all the plaques you see around his house.

He has created his own little space where he is the most fierce and dangerous thing there is, and all the little mice who enter buy it. To a mouse, a cat might as well be a lion, which is why I think Raphael ‘dotes on mortals’. He likes feeling important, big, and scary, and mortals see that image of him.

The Cat

Though they are small, cats are apex predators. At the same time, they are irresistible to humans. We pet them, we take them into our homes, but compared to a dog, the attention you get from a cat is very much dependent on the cat and not the owner.

Raphael is the same. He comes and goes as he pleases. He appears and gives you attention, nuzzles up against your leg, making you feel special for even getting his attention. Remember what he said to Mol if you help her win?: ‘She won, you know. She’ll be the one who comes to me.’

He wants people to want his attention, so when he gives it to you it almost feels like a gift. He keeps talking about us knocking on his door as well. We know that he has most likely talked to Voss before we arrive to Sharess’ because Voss knows he has the hammer. Still, he seems very uninterested when Voss is actually there, practically on his knees begging for his help. Peak cat behavior.

However, we know what happens if one chooses to spite Raphael. It becomes very clear that he is not a cuddly and patient pet, and you suddenly realize that you were the mouse all along and that you never were in any control over the situation.  

He was that apex predator all along, you just never quite realized just how small you were. Again, a cat is a lion to a mouse. He actually even alludes to this idea himself if you have tried hurting him: ‘Like a mosquito nibbling at a dragon. Begone.’.

He’ll tell you that you can be friends with him, pretending that you are something that could resemble equals, but it is all smoke and mirrors. Everything he does is to pretend that he is less intimidating that he is, and he even refuses the notion that he is the cat in the lullaby in the beginning. But if you happen to get too comfortable or think you can best him, he reminds you just how small you are and that’s a theme throughout all his interactions.

[livelaughlovesubs]

what do you think bsd men would be with a girl who is really hyperfeminine (ex loves sanrio, short skits and stuff) but still loves topping?

It literally does not matter what you like and how you look as long as you click. (Also tell me if you want any specific characters I didn’t mention)

I imagine them not minding it neither way, because you can wear a skirt or pants and still fuck them into oblivion. Though there are some that might get fooled by your appearance. It’s the first impression after all.

Dazai would probably tease you about it from time to time, “when I first saw you, I thought you were such a nice and innocent girl! Who knew you were into such freaky stuff?” He’d joke about it all the time, just to provoke you. Then he’d add, “but I love all woman, even if you are a beast in bed.” And wink at you. Now it’s your choice what you will do to him later, maybe you should punish that cheeky tongue of his.

Atsushi would probably be a bit embarrassed, that he needs a girl to take care of him, especially if you are shorter or look younger than him. You just have to assure him it’s alright to feel this way, and it’s alright to show emotions, cry, whatever. He gets embarrassed easily, or flustered, so it’s almost the same no matter what body Typ. You could be taller than him and hug him from behind, he’d blush already. Or as mentioned be shorter and nuzzle into his chest, and he’ll turn red. Also if you flirt with him, and he does catch on, then it really doesn’t matter if you look very feminine or not, he’d be nervous and fumbling with his thumbs the entire time.

Kunikida, I gotta say, he feels like the traditional reserved type of person, though secretly (unbeknownst to him) also a freak. Probably wrote in his book something about a nice and healthy relationship, a girly girl who is mature and gentle, and vanilla. Maybe someone who works part time so that they could take care of the household? He works full time after all. So consider him surprised when he found out about you, cuz your appearance made him believe you were very.. well, basic. (There is nothing wrong with basic) though to think you’d make him so such humiliating stuff.. you better not leave him now, not after seeing all those sides of him.

Sigma likes people who knows what they want and want to be, who can decide. Because he has a few problems with his identity. That’s why he really admires how you carry yourself, and know what you like. Fashion wise or others. You know what you like and you stand behind it, go for it girl. Also, I think sigma likes the high fashion, like a small hobby he has, so he’d love to go shopping with you and discuss outfit ideas. He probably enjoys a wide range of styles.

Fyodor also thought you would be a total sub, he just guessed. Turns out he guessed completely wrong, his mistake, can he make up by drinking a shot? Anyway, as long as you are useful, he doesn’t really care how you present yourself. The skills are what’s important. But to be honest, at first, he was trying to find a very traditional partner. It’s what he believes in. A good wife who cooks and takes care of the house, and obeys. That’s what he was looking for, if he wanted a relationship in the first place. It’s what’s written in the bible, he wanted to follow it. After spending a night with you, he had to think about it again. It felt too good to give up, and honestly, just because you top or dom doesn’t mean you won’t fulfil the requirements, no? Even if you didn’t, well, he was god’s chosen one he can make a special case just for you.

Nikolai would ask you to dress up as a clown with him. If you refuse, he’ll keep asking. So yea, he doesn’t really care what you like or look, he will make you into clowns and magic shows. It’s a part of getting closer to him, there is no roundabout. (Rip those who have a phobia against clowns, but if you do why would you like Nikolai in the first place) jokes aside, I’m sure he won’t really force you into liking all that. Probably…

Chuuya would find it pretty practical, cuz similar to sigma, you know what you like or who you are so you are easy to read. He doesn’t need to think that long to guess what kind of stuff you’d like, it’s practical. But he’ll still take ages to find the *perfect* present for you. Most of the time he’ll buy more than one, if you don’t like it throw it away. If you are even shorter than him, it’d boost his ego, cuz, yea, short people struggles. Though that ego would be gone after you show him who’s top, and he’d be pouting for a while. He thought he could finally stand over someone! He was taller but somehow he didn’t feel like he actually was! It’s not a negative feeling though, not at all. And you being girly didn’t matter, you look gorgeous anyway. Just say the word and he will silence anyone who thinks otherwise.

[tallymonster]

Careless Whisper ❤️ AO3 link ❤️‍🔥

Summary: Zesstra is a stripper and she just got off work. She turns on her computer and watches a very steamy streamer.

THIS IS PURE SMUT TRASH, IT IS NOT SERIOUS. If you come to my asks being an asshole, your ass will get BLOCKED.

A/N: there's a lot of emojis and out of character speak going on here. Do not take anything written here seriously, this was done for fun. Consider this a love letter to my friends on the Astarion Brainrot discord and to the ones who let me use their Tavs in this wild idea I had one day when I got too stoned and started to write on Google docs. Might be a one off, might be a thing, who knows?? Either way, enjoy! Happy Valentine's Day 😘💕

@cursedhaglette who let me use Halia (goldengalhal)

@tragedybunny who let me use Sera (SeraQueen)

@micropoe10 who let me use Colette (EcoGirl)

@just-a-refrigerator who let me use Elora (slutty_songstress)

And @bhaalbaaby who let me use Penelope

Thanks guys, I love love love you all 💕

Zesstra flops onto her bed with her laptop and a giant glass of wine in her hand. Another shitty day at work, but what's new? Being a dancer at the Fae Cabaret wasn't the ideal thing, but fuck, if the money wasn't worth getting her ass slapped for 10$ extra dollars in her tip pile.

Today though, was the last straw. The creepy rich dude who comes by every once in a while came by tonight, and did his same bullshit. She could practically recite his opening line “Hey gorgeous, why the sour face?” followed by a stupid smarmy laugh.

Zesstra smiled, put on the fake giggle, and slapped his shoulder. Next, he buys her the cheapest mixed drink, and of course, he gets himself an expensive glass of whiskey he never finishes.

She tries her hardest not to roll her eyes after he makes some degrading comment about her coworker, grimacing while he rants about some meeting with important people she doesn't give two fucks about.

Whatever, that's all in the past now. Tonight was about Zesstra, of course. It's her blessed time off and she was going to spend it the only way she could truly enjoy it.

Zesstra turned on her computer and went through her socials. The public one for family and close friends, some messages from the girls at work, nothing too exciting.

Then she flips to the slutty socials, the ones where she can post pictures from work. She answers some messages on her pay per post site, adds more lewd photos from her various shopping sprees, and scrolls for a few minutes. Messages pour in offering her the world for a few seconds of her attention, but there's really only one place she wishes to be.

Zesstra thinks back on the one bright spot in her nights. A regular she only knows as “The Lawyer”. He's a good looking elf, perfect silver hair, gorgeous face, dazzling red eyes that lock onto her as she walks the floor of the club.

He usually doesn't say much, but when he does Zesstra swears she’s heard that silky voice somewhere before. She put that thought to the back of her mind. Tonight was about seeking her own pleasure.

Clicking through the streaming sites she visits on nights when the images of him won't leave, she finds that her favorite creator, an asmr streamer called ProfaneDelight, just began his stream. Zesstra clicks on his name and pops her headphones on. She drinks more of the wine, and closes her eyes as his voice begins to fill her ears.

“Good evening, darlings.” She watches as he enters the frame of the video, his tight red shirt and black pants hug his body. The camera is at the most unfortunate angle, since it won't allow her to see his whole face which she assumes matches the delicious sound of his voice.

“Have you been waiting all day for me?” He huffs softly, a small laugh follows, “What a good audience you are…” His breathy tone sends shivers down her spine.

Zesstra kept her eyes on the screen as his hands come up to the desk he stands behind. She notices the black leather gloves with red piping along the edges that cover his hands.

“You know I can't stand to be away from you.”, his voice drips, seductively. “I bet you think of me while you do the most boring things.”

Zesstra can't help keeping her eyes locked on his hands, she tries not to, but her mind starts to imagine The Lawyer’s hands there instead.

“Do you get excited when you see time passing by as I get closer to coming back to you?”

His right hand comes up to the top of his shirt, slowly undoing a couple of buttons. A breathy sigh followed his hand as it lowered itself down his torso. Zesstra bites her lip in anticipation, taking another slow sip from her wine.

Her eyes follow his hand as it comes to a stop at the waistline of his pants. The heat rises to her cheeks when she sees the outline of his cock as the gloved hand cups it.

A strained groan escapes his lips, she can already feel the effects of his seduction working on her body. Her cheeks are heating up just by watching these slow teases.

Zesstra swallows more wine, watching as he opens his shirt more. The pale skin of his core seemed to shine in what appears to be candlelight. The soft yellows of the light bathe his body, the shadows cast highlight the muscles that are slowly exposed.

“Ah ah aaahh” he teases, “if you want more…you know what to do, darlings.”

Zesstra smirks mischievously, the money she earned tonight would be put to great use right now. She types a quick message and before she could type it she hears the ping of a donation from someone called goldengalhal.

goldengalhal sent 20$ “Starting off right, love. There's more where that came from 😘”

Zesstra rolls her eyes and sends her 25$ donation, 5 more than whomever that is. Back on the screen she sees her name and message pop up.

TestyZesty sent 25$ “couldn't wait to come home, looks like I got here just in time…”

He laughs and begins to slide one of the gloves off near the microphone. The soft scratching sound of the fabric rubbing against his pale hand sent more shivers through Zesstra’s skin.

As the glove comes completely off his hand, he taps on the mic, Zesstra sighs contentedly and licks the wine off her lip. She notices his fingers, and does a double take. They look familiar? She pours the last bit of this bottle into her glass and leans back to watch more before jumping to conclusions.

“Looks like we have someone who came by at the right time…little TestyZesty…my dear, what are you so testy about? Anything I can help with?” His lips curl into a little smirk, “I hear I give wonderful stress relief…”

Zesstra shoots up on her bed, her wine swivels in the glass and almost spills due to her abrupt reaction. “No fuckin’ way.” her jaw drops and she begins to type her response. Suddenly, another donation pings, this time from a SeraQueen.

SeraQueen sent 50$ “I had a bad day at work, can I get a little love too 🥺”

“Of course, dear. Hope your day can improve now that you're here, my Queen.” he responds with all the sweet words they all love.

Zesstra scoffs, “Biiiiitttttch, please.” she giggles and sends her message. As soon as it pops up on screen, she hears his melodic voice begin to read it.

“Work, irl shit. Life sucks, then you die. You make it better though.” she sees a small smirk on his lips, Gods, she would kill to suck on those lips. “Oh, don't be so nice to me, Zesty…you make me want to be nice back..” He draws out the last bit of that sentence, making the hairs on her arms stand on end.

The second hand comes up and begins the same languid dance of slipping the matching glove off. Bit by bit he takes the glove off each finger, a soft moan flows out of those pretty pink lips when he finally releases his hand from the offending accessory.

He strokes the microphone with his fingers as more soft, breathy moans leave his lips. “You're all so eager to get me exposed aren't you? All these adorable messages just for me?”

“You have no idea…” Zesstra grabs the second bottle of wine that sat on her nightstand, she unscrews the top and drinks straight from the bottle. More images of her Lawyer pop into her head, but her mind decides to think of the way he ran his hands all over her when she took him into the private rooms at the back of the club a couple of nights ago.

No matter how many times she's been told not to let people touch her, she can't help letting him do it every time they're alone. He was paying for the whole experience, of course, but sometimes she wonders what they would get away with if she were the one paying him.

She snaps out of it the moment she hears another donation ping from an EcoGirl.

EcoGirl sent 150$ “do you like to garden? Because I have a hedge that needs tending 😏”

“Oh no, little love. I can't mess up these immaculate hands…then how would I be able to make these streams?” He giggles a bit and stands to remove his belt. It's like a little game of back and forth comments and donations from different people.

Among the many she notices a comment from a slutty_songstress “how do I get you to sing for me? bet you make wonderful sounds 👀”. He apparently noticed that one as well, he reads it out and huffs into the microphone.

“I don't usually do private performances…most of the time I’m the one getting the dance done for me…” A skewed smirk grows on his face, as if he's trying to play coy.

Zesstra’s mind begins to fire off with unhinged horny thoughts. She would do anything to give this man a dance he would never forget. People do love her aloof drow attitude, who’s to say he wouldn't?

Before she could stop herself, she drops another donation.

TestyZesty sent 100$ “what kind of dancing? Are you going to the ballet or stopping by the Cabaret? maybe I'll see you there? 😘”

Another cheeky comment, sure to get his attention. He laughs again, and bites his lip. “Well, I do enjoy both, but I do hold a special place in my heart for the girls at the Fae…have a few in mind actually.”

Within seconds the chat is flooded with questions on who the girls could be. Zesstra sees a few of her coworker’s names flash up on the screen, most notably, Penelope, the pink tiefling with a huge fan base, and Nym the other drow girl who worked part time at the strip club.

Some even mentioned Nym’s brother Sorm, but he had given up the cabaret after finding himself a job as a model after one of his regulars hit it big during Faerun Fashion Week.

Penelope and Nym are Zesstra’s friends and friendly competition. Most nights where the three of them work, they'll place bets on which one of them will get hit on first (Penelope), which one will get a four figure tip (Nym), and who can get the client the most drunk within 30 minutes (Zesstra).

She giggles as the comments keep flying, eventually, one commenter names her!

“Have you seen Zesstra?? She's kind of a bitch but total dommy mommy energy 🥵”

Zesstra cackles like a banshee, “That's right, babes, fear me!” She takes a long drink from the bottle, amused that someone out there thought of her.

Back on stream, the delightful treat in front of her sucks his lip and releases it with a pop, “Darlings, I will never kiss and tell, but I do know one of my little friends is here right now.”

Zesstra sputters into her wine glass, she cannot believe what she just heard! Is he trying to imply that he's a possible client of the Fae??? There's no way, he's probably talking about the ballet that her cousin Octavia is a part of. But then again, how many of those girls sit in their room after a performance and flick their bean to this shit?

She chuckles the thought out of her head, and focuses her attention on the screen. She starts to type a message when a donation pops up.

goldengalhal sent 200$ “I do ballet, maybe you’ve seen one of our performances? I'm the prima ballerina at the Gate’s Performance Hall.”

“Good for you, goldengal. I do appreciate the arts, and I do love dressing up for the occasion, but….there's just something about the girls at the Fae that gets me going…”

Zesstra’s brain short-circuits. “OH MY FUCKING GODS.” Could he be one of her regulars????

Another donation. EcoGirl sent 50$ “CAN WE GET BACK TO THE MATTERS AT HAND?? our boyfriend is still wearing a shirt. 👀”

Zesstra laughs and sends her donation, TestyZesty sent 69$ “i agree with EcoGirl, can we get back to these pressing matters? In particular, the rest of those buttons 😏” An amused chuckle comes out of his lips, he stands and Zesstra could see him lean in closer to the microphone.

His hand slides down his chest, following along the line of buttons at the front of his shirt. The almost hushed sounds flowed from his lips. A strained groan here and a breathy moan there. Zesstra’s skin prickles under his teases.

His hands linger on the buttons that hold his shirt closed, one by one he begins to slide his fingers over the closures, his pale skin becoming more visible by the second. More soft whines and moans fill Zesstra’s ears, the vibrations pooling down in her core.

He leans over and speaks directly into the camera “I hope you all are pleased with yourselves, I don't usually let you all have this much power over me, but I figured with it being Lover’s Night, I would give my little pets a treat.”

He blows a kiss to the camera and begins running his hand down his neck, slowly trailing his hand down his now exposed chest. A low groan, almost a growly noise flutters out of his throat as he pulls the rest of his shirt open. The red silky looking fabric hung off his shoulders as his hand lingered on his waistband.

“Shall I keep going, lovelies? What do you think?”

The messages fly on the left hand side of Zesstra’s laptop screen. One after the other they compete for his attention until another high donation drops.

Slutty_songstress sent 200$ “off with the shirt, please (respectfully)”

“Well, my songstress, since you asked so politely…” The last word is drawn out, he lets his shirt drop from his shoulders, his hand throws it off and palms his cock again. He sucks his lip into his mouth, Zesstra could see what looked like a fang pop out the right side.

More breathy moans fill her ears as she begins to remember earlier in her night, when her bright spot waltzed into the club. She watched as the Lawyer walked up to the bar, he leaned on the counter and began to text furiously. Zesstra didn't usually feel so flustered because of a client, but the way he looked at her was not usual of the other patrons.

When she walked up to him he looked straight at her eyes and smiled. “Hello, beautiful.” She smiles back and leans over the bar, letting her shoulders drop, pressing her upper arms together to puff out her chest. The little game of playing it cool failed under his gaze.

They talk for a while before she hears her name being called, at the same time he checks his watch and notices the time. “I’m late to a very important meeting. Looks like we have to part ways, gorgeous. Maybe next time, we can have some time together? Perhaps away from these prying eyes?”

Zesstra could never properly hear him, no thanks to the loud ass music Alfira played behind the DJ booth, but she was pretty good at reading lips by now.

He slips her a note and winks as she bends down seductively to shove the little scrap of paper inside her platform boot. The moment ruined by Nym, who comes to pull her up on stage. Soon after she finishes her set, she pulls the little note out and reads it.

Zesstra’s jaw drops and sees that it's a business card for one of the most elite law firms in Faerun. It was a plain white card with his name, Astarion, and number written on it. On the back there was a note that read “I helped you once before, don't hesitate to ask again.”

She had given him her landlord’s number when they were trying to pull some shady shit and not fix her leaky shower. One call from “her lawyer” and it was done.

Seems like this was her chance, and given the amount of alcohol she's drunk so far, Zesstra decides to text the number.

“Hey, Astarion. It's Zesstra. Pretty bold of you to give me a business card.” She hits send and throws her phone on the nightstand. She'll check it later, he was probably busy at that meeting he mentioned.

Back in her room, she snaps back to reality yet again when she hears the sound of hundreds of messages scrolling past. Apparently in the time that she was in her daydream, her streamer had already undone his pants! She scoffs and types out a message.

TestyZesty sent 123$ “Holy shit, I looked away for five seconds and you sluts got his pants open??”

Zesstra hears the sultry voice reading her message out loud with a little wince at the end, “I guess if you were paying attention, you wouldn't be surprised.”

Her throat feels dry, she clenches and swallows. “You're all so sweet, letting me ramble like this…I wish I could see your face when you let me do whatever I want to you.”

Zesstra was already extremely turned on from seeing her crush earlier and the way she could feel his eyes studying her reactions.

“Touch yourself. I know you want to.”

As if she was being compelled to, her hand begins to trail down her center, slipping into her tiny shorts. She feels her wetness coating her fingers, her body opening up under his commands.

“Be good for me, I could be really good for you…” he slips his pants down, and she hears them hit the ground. His hand moves up to his waist, pulling at the fabric of his skin tight boxers, his cock very clearly hardened by this point.

“Oh fuck…” she slips her shorts completely off, spreading her legs on both sides of the laptop sitting on her bed. Her left hand goes back to work herself open while the right is tugging her bra up to play with her nipple.

“Give me what I want and I'll give you what you want, darlings.”

Another flood of donations and messages ring out, Zesstra wishes they would all just shut up and enjoy the show, but it's all part of the game.

EcoGirl sent 100$ “pleeease, I need to see this man cuuuuummmmmmm 🥵”

“As you wish, dear. Any particular way? Or is it the dealer's choice?” his voice drops as a sharp exhale escapes with a pout, his muscles tense and release as he runs his hand over his cock.

“Tell me how you want me to.” a sigh, and a moan, “I really wanna come for you all, you've been so good to me tonight..”

Two donations come in at the same time, each opposes the other.

SeraQueen sent 350$ “love the teasing, keep going, we love anything you give us”

goldengalhal sent 420$ “fuck your hand. Let us see your cock leak.”

“Ooh, the war begins…So direct, goldengal, and sooo generous…thank you, love. I do like what SeraQueen adds though, maybe I can give both of my generous beauties a compromise?’

He runs his left hand down the front of his boxers more, his breath hitches and stutters. His fingers teasing the length of his cock. He pulls the camera and the microphone down a bit and flops into the chair behind him.

TestyZesty sent 422$ “you look comfy, just how I imagined when I think of riding you when I touch myself.”

Zesstra had to take her hand off her tit to type that, but she could tell it had an effect on him. As a stripper, she could pretty much tell when any of the patrons got too excited by the dance. This guy clearly loved the attention he got doing these streams in more ways than one.

He begins to pull his boxers down, teasing them all with how slowly he was inching the fabric off. As soon as his cock is freed, it bounces back, bobbing with a twitch. “Is this what you think about, Zesty?”

TestyZesty sent 100$ “ fuck yes. I want to milk you, you drive me crazy.”

A pleased hum that turns into a moan follows as he runs his hands up his thighs, digging his nails into his skin. Zesstra can see the red scratch marks grow bright against his pale skin. Gods, she would love to bite down and see how pretty he would look bruised with little love bites all over.

He wraps one hand around his cock, the other continues to work his way up his toned chest, tweaking a nipple as he begins to lazily stroke his cock.

TestyZesty sent 100$ “get yourself nice and hard, I wanna have a good image of you underneath me.”

“Let me give you a better image then, darling Zesty…”

Zesstra is rewarded with a louder moan, he strokes himself a little more, grabbing a bottle off camera with his other hand. He flips the top and drizzles what looks like lube all over his cock.

EcoGirl sent 50$ “yesyesyesyes get it nice and slick, daddy. I would suck you all day if you let me.”

SeraQueen sent 240$ “you have the prettiest cock, so thick too”

“Oh EcoGirl, you like it when daddy fucks his hand? Would you like it to be your cunt instead? Maybe you and Sera can share?”

Zesstra clenches around nothing, she can't take it anymore and reaches down to fully indulge in herself. She begins to circle her clit, stroking slowly, trying to imitate the movements of his hand on screen.

His hand now coated in a combination of lube and precum slides up and down his hardened length, the muscles on his thighs flex and he lets out more breathy moans. “Let's see who can get me to come all over their beautiful tits, I do love it when they're covered with my come, bouncing in my face.”

Zesstra strokes down her pussy, her slick entrance is so desperate to be filled by him, to be the only one bringing him pleasure. She lets herself wander to the place in her mind where Astarion is the one making her mewl underneath him.

goldengalhal sent 300$ “faster, I love it when you can tell how desperate you are to come.”

He huffs and does as he's told, his hands find their places on his cock and on his balls, both working in tandem to ruin him for the audience. With one hand he strokes himself more, building up speed. His other cups his balls as his fingers spread, moving down towards his frenulum. He arches his back, thrusting into his hand more desperately.

Zesstra wants him to cry out for her like this, she wants to be the one to make him feel as good as he does for her, all she can bare to think of is his cock sliding inside her, splitting her open and taking what he wanted.

Waves of pleasure crash into Zesstra as she watches him stroking his cock faster, she can see how everyone's words affect him. The way his chest stutters as he's getting closer to his own high. His hips thrust up into his soaked hand, seeking release, his breaths growing more ragged and strained.

Zesstra's fingering herself in time with his thrusts, she lets the images of Astarion flood back into her head, his hands all over her as she grinds herself onto him during her dances. She rubs the heel of her palm into her clit faster as she feels herself getting closer, the moans and breaths in her ears pushing her closer to the edge.

“That's right, come for me…let me fill you with my come, get you nice and full for me. Have my seed drip down your legs as you go about your day…” a stutter followed by a strained groan “fuck yourself faster, I want to feel you come for me.”

Zesstra feels herself winding up more, the tension ready to snap at any moment, when she hears his moans grow louder and more primal. He's desperate to come and she would do anything to get that to happen. She keeps her eyes locked into his hands.

With her free hand she sends the last donation she thinks she can type before the lust fully takes her.

TestyZesty sent 69$ “come for me, gorgeous. Let me see you come and coat your beautiful skin.”

“Yes darling… gods, I'm so close… are you gonna come too, Zesty? Come with me, sweet girl.”

As if on command, Zesstra can feel herself crossing over the precipice, her body writhes and clenches as her cunt squeezes down on her fingers. She rides her orgasm out as she hears him panting and whining.

“Yes yes fuck you're so tight and wet, I can't take it anymore, fuuuuck…” he twists his hand on the rise of his hand, giving the head a bit of a squeeze. He thrusts into his hand with little shallow movements, his fingers from his other hand grip on his balls as he fucks his hand.

His body is clenching, tensing up more and more as he pushes himself over the edge, his cock twitches as he comes. The thick liquid coats his hand as it drips down. His body shudders as he keeps fucking his hand through his climax.

His moans stutter and his hips tremble. His waist and stomach are coated with his come, an obscene display for such a composed subject.

“Looks like I gotta clean up here, darlings.” he pants with a small laugh, his breath shallow and chest heaving. “For my little messenger, I hope you liked it. Expect a response from me soon, pet. Good night, loves.”

The stream ends, Zesstra thinks that little sign off was strange, but everyone has their thing. As she's coming down from one of the best orgasms she's had, she hears her phone ring and notices that Astarion has actually texted back! His meeting must've just ended, perfect timing.

When she opens the message, she nearly dropped her phone from the whiplash from throwing her head back. As plain as her own red eyes could see, was a short text. “You were pretty bold tonight, yourself, testyzesty…” Zesstra gasps, her eyes are as wide as dinner plates. “OH MY FUCKING GODS?!?!”

She immediately feels her hands trembling wildly. All she could think about was him, and it turns out that it was. Zesstra’s brain immediately blanks out when her phone rings again. “Did you mean what you said? Do you really want me like that?”

She quickly types a response and sent it back “I don't know what you're talking about.”

“Come now, dear. Don't play coy.” his response reads, “Pretty easy to figure out it was you, not many girls mention seeing me at the Cabaret. Thought you were trying to drop a hint? Figured you recognized my voice from earlier?

Zesstra didn't even think about it, the club is so fucking loud, her mind races at the fact that now she knows that he definitely got off to her watching him. “Did you always know?”

“No.” he replies.

“So then…you meant to give me your phone number tonight?”

“Yes. Let's just say, you intrigued me. Besides, you're not the only one who has a public and private life. I was hoping to let you in on my little secret eventually, but it seems life had other plans for us.”

Zesstra cannot believe what's going on right now, her mind is racing through the hundreds of times he's come through the club. The sudden departures and strange late night meetings, it all makes sense now. There were never any meetings…well, not with other lawyers at least.

“So….what happens now? I know who you are, you know who I am…do we keep going down this path or do we split ways?”

“I think you're a rather curious little kitten, why don't we see how far down the rabbit hole we can go? I'll send you my address. Let me know what you decide on.”

Zesstra bolts out of bed, she puts on the skimpy dress that hangs on the bathroom door. She slips it on and gathers some things before running to the door. As she makes her way down the stairwell of her building, she gets his address. She bites her lip and replies “I’m on my way, see you soon.”

[xortstories]

Contrary Writing Advice: Tell, Don't Show

Wherein I give advice that runs contrary to commonly shared writing tips, because some short bits of advice get repeated without context until they become actively detrimental to the process.

Today, we're looking at a common adage: "Show, don't tell."

On the surface, this seems to be (and often can be) good advice. "Showing," in the context of writing, is all about description. Don't say "He was sad because he had to go to work", say "His shoulders were slumped and he walked with slow, trudging steps to his cubicle."

It paints a picture with words. It implies the sadness, allowing the reader to interpret it by picking up on the cues in the writing, thus increasing engagement in the story.

It's not always that simple, though. For the most basic problem, let's compare word counts. In the example given it's not that egregious—10 words for "telling" vs 14 words for "showing," but that's still a 1.4x increase to the word count of your book, and it could get much more than that. There is value in shorter, telling sentences. For starters, they break things up and can be used to punctuate the end of a sequence. Let's have an example paragraph, which we'll then try two final sentences for.

He desperately raised his shield as his foe rained down a series of heavy blows on him. Once, twice, three times the knight's mace collided with the shield, splintering the wood and driving him to his knees. His shoulder ached, and the shield began to fall low enough that his head would soon be exposed. Then, out of nowhere, another soldier—one of the many allies whose names and faces now bled from his mind as adrenaline washed away all conscious thought—appeared as if from nowhere, colliding with the knight and thrusting his dagger frantically at the weaker parts of his foe's otherwise impenetrable armor.

Probably not the best fight scene I've ever written, but it does the job of being a very strong example of "showing." Now let's look at two ways to follow up this paragraph.

#1: Showing

He turned, heedless of his ally's struggle, and dashed away. His heart pounded in his chest and he struggled to keep his shaking limbs steady, stumbling and faltering every few steps. The sounds of battle surrounded him, overloading his senses, and he narrowly avoided several errant strikes from others embroiled in conflict as he raced through the battlefield.

Again, not the best, but a pretty good paragraph. We'll talk more about it in a moment though, as now we're gonna look at a second followup:

#2: Telling

He ran for it, leaving the battlefield far behind him.

So, let's examine what each of these followups actually does for the story.

For starters, we need to consider what we want this scene to accomplish and how important it is. If this is meant to be a defining moment for the character, the culmination of several chapters of buildup where he trained for the upcoming battle, grew close to his allies, struggled with his fears and insecurities, and now in the heat of the moment loses his nerve?

Yeah, it might be worth it to drag things out and continue "showing" what he does.

But let's say instead that this, instead, is meant to be an establishing moment for an already-true fact about the character. Let's imagine that this is from the opening scene in a story that, we will soon learn, is about a cowardly soldier. The buildup of the main paragraph above sets up a suitably intense, epic fight scene. It paints the main character ambiguously, as someone who is fighting but unable to hold his own, but it leaves open the possibility that he'll join his ally and finish off the knight that was hammering him down.

And then comes the rug pull. Just when the reader expects the intense fight scene to continue, nope! He's running away. The short and to-the-point nature of "telling" what the character does there leaves things unambiguous and drives the idea home immediately. We see that the character is a coward, and that sudden rug-pull creates a great moment where the reader goes "Oh, I see. He's a coward."

Basically, it's a punchline. And a punchline has to be... punchy. You can't draw it out with sentences and sentences of "showing." You just "tell."

Let's also consider the fact that ending a long series of "showing" paragraphs with a short, simple "tell" can be a great way to transition out of a scene. It signals that that sensory feast is over, wraps it up and puts a bow on it, and lets the author move into another discrete chunk of writing.

"Telling" is also great to summarize boring, inconsequential parts of the story. If your book is about political machinations, where the draw is the characters going toe-to-toe with clever enemies in social scenarios, then it's totally fine—sometimes imperative, even—to just say "After three weeks of travel, where x, y, and z, happened, Bobson finally reached his destination."

I could go on, but this post is long enough already. Remember, the point isn't that "showing" is always bad, just that you need to understand the benefits of telling and know when it's best to do one or the other, because 100% of either does not make for a very good story.

Also I'll probably write more of these in the future. I've got plenty of beef with common writing tips.

If you like my posts, feel free to buy me a coffee!

And if you're interested in seeing what I'm working on, check out my Blood of Dragons master post!

[somethingclevermahogony]

Updated: Kishite-Shabalic Script and a bit of the Kishic Language: Basics including an expanded list of nouns and verbs

I made this before but looking through it again I missed some things and made some mistakes, and so here is an updated version of this for y'all! As with the Kishite spoken language, the Kishic script descends from and is largely identical to the Shabalic script, thus the term Kishite-Shabalic. Kishite-Syllabic is one of three scripts used in Kishetal along with Kishic hieroglyphs (reserved for religious/cultic purposes) and the logographic Shetalic script, which has fallen almost entirely out of favour.

The Kishite-Shabalic script is syllabic, thus each symbol is representative of one syllable composed of a consonant and a vowel. In addition there are characters which serve as punctuation used to symbolize the conclusion of a thought, in similar fashion to the Latin "." and "?", and the presence of a proper noun or divine status. Though it should be noted that these are not always actually used.

Unlike the Shetalic script which is traditional formed using styluses pressed into clay, Kishite-Shabalic is typical written either through carving or the use of charcoal/ink.

Shetalic is shown below on the left with Kishite-Shabalic on the right, both say the same thing.

Keep reading for more linguistic babbling!

Vowels

As a general rule when transcribing the Kishite script, when two of the same vowel are put next to one another, they are treated as a single vowel, rather than elongated as we might see in English with words like book or meet or feat. Two different vowels, such as O and E, E and A, and so on, are almost never put directly beside each other. In the rare instances when this does occur the "stronger" of the two vowels will cover the other. The order of strength from least to greatest is as follows:

i-e-a-o-u

The vowels of the Kishite language are pronounced phonetically

Thus:

I as in sweet or pin

E as in egg

A as in palm

O as in coat

U as in tool

e.g. the substantive adjective "the Mighty" Urjali- + -ul (substantive ending) Urjaliul Urjaliul Urjalul (OOr-Jahl-OOl)

Special Note: One important differentiation between the Shabalic language and the Kishite language is that the Kishite language allows for the placing of multiple consonants in sequence. Take for example the Kishic name Ninma, in its original Shabalic form it would be Ninama (NI-NA-MA). Because of the fact that Kishite does have this trait, it has developed its own unique form of punctuation, the vowel drop. When placed below one of the syllabograms shown above, it cancels out the vowel, in essence rendering it mute. Ninma could alternatively be spelled using the formulation NI-IN-MA, similar to how Narul was spelled above, this is largely a matter of personal preference. The more traditional (Shabalic) form is often times considered more in keeping with nobility.

Sentence Structure

The Kishic language primarily follows a subject-object-verb structure.

Naru(u)l Nina(a)ma kimagiga(a)s Narul Ninma kimagigas. Narul Ninma carried. Narul carried Ninma.

Tamel kim(u)unur fabiguta(a)s Tamel kimunur fabigutas Tamel gates broke. Tamel broke gates.

Otilya (there is no -ia symbol in Kishite) Korithub luku ga. Otilya Korithub luku ga Otilia Korithia from is. Otilia is from Korithia

Enni Wi tuba chi Jahubur horu jawishaga The wind down the Mountain hard blows. The wind blows hard down the mountain.

Noun and Adjective Declensions

The Kishic language system consists of the following cases: nominative, genitive, dative, accusative, and possessive (the Shabalic language includes an instrumental case), and distinguishes between two numbers (singular and plural) and four genders, Masc/Neutral (undefined groups or individuals), Feminine, Inanimate, and Divine.

Divine beings such as gods and certain spirits as well as the Sun, Mountains, Rivers, and the Sea are always referred to in the Divine gender. Some monsters also fall under this category. (Water Bi (Inanimate), Lake Bi (Divine))

Objects which are not and have never been alive are rendered in the Inanimate gender. This can get confusing in some instances, for example while the word corpse Nahoku would utilize the masc/neutral form, the word bone, hashudi, would utilize the inanimate. Another example of this is the word Oli which can mean either blood or wine based on whether it utilizes masc/neut or inanimate declensions.

Not all inanimate objects are rendered into the inanimate. Words like spear shukala use the masc/neutral. This group typically consists of weapons and tools. The stem used will depend on the root word.

Plants as a rule are always rendered into the feminine.

Cities and countries are neutral.

Royal Titles have a specific declension.

A few examples of declension are given in the tables below.

Sample Verbs

Verb stems always end with -i. The exception to this is the verb to be, which rather takes the form of the conjugation, thus the first person singular indicative present sample or "am" would be wa.

Talk: Akki

Breathe: Ki

Eat: Ushki

Struggle: Nari

Sleep: Eshsi

Fight: Orishri

Hunt: Pabakazi (Literally Bow art(ing))

Dance: Irteti

Kiss: Mishuzi

Copulate (and the more vulgar equivalent): Seshiti/Tu(u)ki

More verbs will be provided below.

Verbal Conjugation

There are two conjugation groups within Kishite verbs, the ha/za/hi-conjugation and the wa/ya/wi-conjugation. Which conjugation is used is dependent on the verb in question, typically words with a Shabalic root use the wa -conjugation while words derived from native languages more often use the ha -conjugation.

Within the Kishite language there are two voices (active and medio-passive), three moods (indicative, subjunctive, and imperative), three aspects (perfective, imperfective/continuous, and simple), and three tenses (Past, Present, and Future)

The present tense can be identified by -i/-a/-u/-o, past by -as/-os/-us, and future by -ad/-id.

Indicative: Used for Stating facts and thus the mood of reality.

Active: The Subject is the agent of the verb.

Mediopassive: The agent acts as a reflexive agent of the verb (acting upon itself) OR the subject is the target of the verb.

Present Simple Active: Narul is hungry Past Simple Active: Narul was hungry Future Simple Active: Ninma will not be hungry Present Simple Mediopassive: Narul is accompanied by Ninma/ Narul cleans (himself). Past Simple Mediopassive: Narul was accompanied by Suru Future Simple Mediopassive: Narul will be accompanied by Mikrab Present Perfect Active: Narul has slept Past Perfect Active: Narul had slept Future Perfect Active: Narul will have slept. Present Perfect Mediopassive: Bop has been carried Past Perfect Mediopassive: Bop had been carried Future Perfect Mediopassive: Bop will have been carried Present Imperfective/Continuous Active: Narul is walking Past Continuous Active: The Deep Sun used to speak Future Continuous Active: Zatar will be fighting Present Continuous Mediopassive: Bop is being carried Past Continuous Mediopassive: Bop was being carried Future Continuous Mediopassive: Bop will be being carried

Subjunctive: Used for stating "unfacts", wishes and prayers, possibilities (may or might), hypotheticals, and opinions/judgements.

There is no Future conjugation for the Subjunctive, rather future events are expressed in the present through the use of may or might.

Additionally the Subjunctive is used for the following:

Jussive: used for suggestions and negative commands: What "should" or "should not" happen used only in the first person," we should leave/we should not leave" esh = should, na(e)sh = should not

Indefinite clauses: (if/until/whenever/whoever/however) ek = if, ekib = until, kowa(a)b =whoever, bowa(a)b = whenever, lowa(a)b = wherever, mowa(a)b = however

Purpose Clauses: "So that/ in order that" am = so that/in order that

Doubtful Assertions: "May not/Might not" er = may/maybe, na(e)r = may not, eb = might, nab = might not

Certain Future Assertions: "There certainly will..." erna = certainly (literally without maybe), na(e)rna = certainly not

Present Simple Active: We should run/ Narul wishes for rain Past Simple Active: Narul wished for rain Present Simple Mediopassive: If Ninma is stopped Past Simple Mediopassive: If Ninma was stopped Present Perfect Active: Narul has wished for rain Past Perfect Active: Narul had wished for rain Present Perfect Mediopassive: If Bop has been carried Past Perfect Mediopassive: If Bop had been carried Present Imperfective/Continuous Active: Narul is wishing for rain Past Continuous Active: Narul used to wish for rain Present Continuous Mediopassive: If Bop is being carried Past Continuous Mediopassive: If Bop was being carried

Imperative: Used for orders or commands/strong requests

Imperative is only conjugated in the second and third person singular or plural. Imperative is only used in the present and future, not for the past. Orders in the past are expressed as indicative. There are only Perfect and Imperfect Imperatives.

In the mediopassive form the imperative is translated as "Let them/you" for the first person of this the subjunctive is used "I/We should"

Present Perfect Active: Stop Future Perfect Active: You will stop Present Perfect Mediopassive: Let it stop Future Perfect Mediopassive: Let it be stopped. Present Imperfective/Continuous Active: Always stop Future Continuous Active: You will always stop Present Continuous Mediopassive: Let it be stopped (continuously) Future Continuous Mediopassive: Let it be stopped (continuously)

Additionally, the verbal system displays infinitives and participles in the present and past tenses.

Prounouns

There are four genders of pronouns; Masculine, Feminine, Neutral, and Divine. Objects with the Inanimate designation are given neutral pronouns. Only deities receive divine pronouns, other entities and places in the divine categorization will typically receive feminine pronouns, with the exception of celestial bodies which always receive masculine pronouns.

It is considered improper to address both royalty and deities with pronouns, as such there are no specific first or second person pronouns for the Divine category.

Articles

As with pronouns there is no "inanimate" article group, rather inanimate subjects are given masc/neut articles.

Stay Tuned for the ridiculously long Dictionary post that will be coming soon(ish)!

This post and the dictionary post are why, despite being back, I still haven't been all that active. I'll respond to a couple tag games tonight and I'll try to do more tomorrow. I'm still planning on doing the Korithian Recipes! Money is just tight at the moment so I'm waiting for paychecks!

If y'all notice any mistakes or typos in this, send me a message so I can fix them! Same goes for if you have questions!

@illarian-rambling, @mk-writes-stuff, @kaylinalexanderbooks, @willtheweaver, @patternwelded-quill

@elsie-writes, @elizaellwrites, @the-ellia-west, @the-octic-scribe, @the-golden-comet

@finickyfelix, @theprissythumbelina, @autism-purgatory, @diabolical-blue , @tildeathiwillwrite

@katenewmanwrites, @leahnardo-da-veggie, @paeliae-occasionally, @melpomene-grey

@drchenquill, @marlowethelibrarian, @winterandwords, @phoenixradiant, @pluttskutt

@dyrewrites, @unrepentantcheeseaddict, @roach-pizza, @rivenantiqnerd, @pluppsauthor

@flaneurarbiter, @dezerex, @axl-ul, @surroundedbypearls

@treesandwords, @the-golden-comet

[alpaca-clouds]

High Fantasy Conundrums: The Diversity Paradox

I have some thoughts on High Fantasy and the way it currently is shifting in terms of the mainstream depictions. Meaning: No, this is not about books that much. It is more about the big franchises. The stuff with money behind it. Because those have stuff in common right now. I am talking about Dungeons & Dragons, The Witcher, Dragon Age, The Rings of Power and other more budget heavy fantasy.

Many words have been written, said, and screamed into the void of the internet about how these days you will usually see diversity in those. Most notably people that are not white.

And the self-proclaimed "conservatives" (who are actually white supremacists) will cry about how those are "medieval European worlds" and that hence there should not be Black or Asian people run around in them. Ignoring, of course, how there were Black and Asian people running around in medieval Europe.

And there will be leftists, that will defend any decision in this regard, on pure principle.

I will count myself among the second kind no doubt. I think it is good and important to see non-white characters in those big franchises. And frankly, I couldn't give less of a fuck whether or not whatever writer originally wrote a book that stuff was based on did imagine the world to be inhabited by people who did not have cheese-skin. I really don't.

Especially as the entire "realism" and "historically accurate" argument falls apart rather quickly if you consider one very important fact: There were no elves in medieval Europe. There were no dragons in medieval Europe. And there sure as hell was no actual magic in medieval Europe. So... Yeah, somehow I actually do think that Black and Asian characters inhabiting those fantasy worlds is less of an issue, when it comes to stuff being "historically accurate".

And yet...

There is something about this, that still very much irks me. Especially when it comes to some recent franchise stuff, like most of what Wizards of the Coasts did in regards of Dungeons & Dragons 5e in terms of lore - and something I am starting to expect from Dragon Age: The Veilguard.

And that is the lack of any actually non-white cultures within the world - and the lack of worldbuilding in this regard.

See... High Fantasy has generally speaking one big struggle in regards of the worldbuilding. A struggle that can be found in high fantasy world after high fantasy world: For the most part, the cultural worldbuilding is often lacking. While humans are often allowed to have a couple of different cultures, everyone else is usually treated like this: "This is dwarven culture", "this is elven culture", and "this is halfling culture". There is no variation in it. The dwarves in the high north have still the same culture, as the dwarves living in the south of the continent. And while humans do have a bit more in terms of different cultures, it usually also goes in broad strokes. Like: "This is the horse culture, this is the very noble culture, and this is the peasant culture". Am I saying I am blaming Tolkien? Yeah, maybe a bit.

This is one of the reasons I fell so in love with Dungeon Meshi. Because Dungeon Meshi literally is the first time I have seen that someone actually came up with differences between different elven and half-foot cultures and stuff. And I love it.

But Kui is the one writer I can think of, that really did that.

So... Let me talk about DnD, because I know my DnD Lore and I can tell you a bit of why this is bothering me here.

See: Dungeons & Dragons has this whole ass world in the Forgotten Realms as the main setting: Toril. Toril has a variety of continents. Just as you can see:

Now, originally half of those continents did not exist, I might add. Most of them were added during 2e and 3e. Especailly 3e and 3.5e did some worldbuilding in regards of those other continents. Even though, yes, if we are honest those continents are very much: Fantasy Asia, Fantasy North America, Fantasy Middle America, Fantasy Africa, Fantasy Arabia, and Fantasy Australia (about which, I might note, we know next to nothing).

But while 3e and 4e did make some use of those other settings, 5e did something else. 5e very much reverted back to focusing on Faerûn and the Sword Coast once more. But because by the time 5e released it was 2014 in the real world, they knew they could not make Faerûn this super white world. So Faerûn became diverse. There are Black and Asian and Brown people living there now. But... culturally it stay in the "generic fantasy Europe" sphere.

And that is my issue: The lack of different cultures.

I will talk a bit more about the issues with the High Fantasy "Medieval Europe" culture tomorrow, but today let me say this: Even these days, when non-white characters will be included into those fantasy worlds, they still will only be allowed to exist within a supposedly white cultural context. They are not allowed to have a non-white culture.

While this makes some sense in prescribed worlds - so worlds based on books that never had any intent on depicting anything but their "white" pseudo-European culture (like Lord of the Rings and The Wheel of Time with their respective Amazon Prime adaptions), this is less the truth for worlds that are designed around whatever they represent today.

Wizards of the Coast absolutely could put some effort into creating those other continents as good, lived in settings - and allow folks from those other continents who live in Faerûn to bring parts of their own culture with them. They could pay some PoC to actually do that worldbuilding Own Voice style. You know?

And the same is true with Bioware and Dragon Age. While I am by far not as familiar with the worldbuilding of DA, as I am with the worldbuilding of DnD, I am under the impression that there is not a lot going on in terms of non-white cultures from other continents. There are non-white people hanging around in the main plot and what not, but it does not seem as if there is a lot going on in terms of them having cultures of origin. Correct me if I am wrong. Some of those cultures seem to have names, but that is where the worldbuilding ends.

And that... You know, that is an issue. Because diversity, especially ethical diversity, is not just about the skin color. It is about culture. And somehow the culture aspect of it gets ignored a lot. Doesn't it?

[charmwasjess]

Hi Jess! I have been reading the Darth Plagueis book, wherein he says that to get a true Sith, you can’t just corrupt a Jedi, you have to go a lot further… as much as Dooku was the right hand man of Palpatine, I think he was a lot less “true Sith Lord” and a lot more “fallen Jedi”… thoughts?

P.S. what do you think would’ve happened if Obi-Wan and Dooku joined forces? I’m not sure if you have written about them yet 

Always good to hear from you, bud! :D What a fantastic question!

I’ll start off by pointing out that Sidious, who as The Big Sith Master is the only dude who gets to say who is or isn’t a Sith, seems to consider him one, in an official capacity. But I TOTALLY see what you’re saying, and I tend to agree with you (and with Plagueis!) I think Dooku’s storytelling role, his identity in the saga, is that of a fallen Jedi, not characterizing the typical qualities in a Sith Lord. He might be officially a Sith, but narratively, it almost doesn’t matter. 

You know, it’s Dooku: Jedi Lost, not Dooku: Sith Rising. There’s no denying that Dooku is an unconventional Sith, to say the least. He only flashes Sith eyes once. He still uses his Jedi lightsaber form - a lightsaber form which is all about disarming, not deathblows. He has a notoriously difficult time killing, and seems to put off important kills out of blatant sentimentality, or get someone else to do them, often halfheartedly. On the sliding scale from “moments where he visibly looks miserable” in Clone Wars to some of the Legends novels where Dooku as a POV character outright describes his own life in excruciating terms full of regret and desperation, we as viewers are to understand that Dooku’s decision is the ultimate sunk-cost fallacy, one he pays for again and again. A miserable dance that concludes on his knees with that very expressive final look at Sidious. We see that he has wagered wrongly, and more, in that moment, that he finally knows it – just as much as we do. 

And of course, there are plenty of reasons for the conflict in the character  - everything from his motivations of corrupted idealism to the simple fact of old habits. I mean, Anakin spent 23 years as Vader as opposed to 14 years in the Order; Dooku, a mere 13 years as Tyranus, with a 60 year Jedi career hardcoded into his body.

But I think it’s more than just how Dooku feels about his identity as a Sith. Some of it is surely how Sidious treats him. 

To Sidious, Dooku is a servant and a patsy, a stopgap solution to his Maul -> Anakin apprentice problem, and certainly not ever as an heir to his and Plagueis’s Sith line. He is not training Dooku to carry on the legacy and knowledge of the Sith after he’s gone. (It’s arguable that Sidious doesn’t think anyone will NEED to carry it on, as he himself will be immortal.) Still, it’s not hard to see that Sidious does not have a lot of motivation or time to thoroughly sithize Dooku or give him an equal stake. Dooku himself behaves unreliably, is resentful and argumentative, can’t stop collecting minions, and plotting to overthrow his Master seems to be the one part of being a Sith that Dooku actually enjoys. He’s a liability to Sidious- and teaching him more Sith lore and powers just makes him more of a threat. 

Dooku himself articulates it well, so I'll give the last word to him. Here he is talking about what it’s like to be a Sith apprentice from Yoda: Dark Rendezvous:

[remidyal]

What is Fig Doing? - Mechanical Discussion edition

So! I know a lot of people who watch D20 are relatively new to DnD, or may not have much experience with the game itself at all, and as a lover of exploring weird and mechanically ineffective multiclasses I thought I might dive in in advance of whatever the hell Emily's about to do to Fig's character sheet following episode 7. Spoiler alert: Weird it may end up being, but this is absolutely NOT going to be anything like an ineffective multiclass.

First, here's Fig's character splash screen as of episode 7:

In addition to the information shown here, we know that she's currently subclassed into a Hexblade patron and into being a Lore bard. The Lore bard part is less important, but Hexblade is an incredibly common subclass for multiclassers into warlocks and might actually be the most common multiclass subclass in the entire game for reasons we'll get into.

There is a very small elephant in the room: Multiclassing into or out of Barbarian would, by the rules as written, require 13 strength; multiclassing into or out of Paladin requires 13 strength and 13 charisma. The charisma Fig has in spades, but she's short on strength, and in fact I would actually argue that Fig's overall stats are the worst of the entire party - she has a whole lot of 0s or +1s, where most everyone else either has multiple +3s or higher or has almost all +2s past their primary. However, the multiclass requirements have been consistently ignored in Dimension 20 as a whole and have been ignored in Fantasy High in particular in the case of Gorgug going into Artificer back when he was at 8 int; I think it's safe to say that if Fig/Emily wants to add Paladin and/or Barbarian that either they'll move around stats to allow for it or just ignore the requirement, because that strength stat is, in fact, completely irrelevent to this build.

So let's get to the meat of this: There is almost no combination of bard, paladin, and warlock that Fig could end up with that is not going to be an incredibly effective build, as long as she has pact of the Hexblade and is at at least two levels of Paladin for access to Smite (the first level of paladin gets her almost nothing). There are some that are going to be better than others, but mostly it's going to reflect different strengths and focuses, and the reason for this is this little section of the Hexblade level 1 abilities:

The influence of your patron also allows you to mystically channel your will through a particular weapon. Whenever you finish a long rest, you can touch one weapon that you are proficient with and that lacks the two-handed property. When you attack with that weapon, you can use your Charisma modifier, instead of Strength or Dexterity, for the attack and damage rolls. This benefit lasts until you finish a long rest. If you later gain the Pact of the Blade feature, this benefit extends to every pact weapon you conjure with that feature, no matter the weapon’s type.

Fig is a one-trick pony, statwise. Being a hexblade allows everything she would want to do in combat across all of these classes to use that trick. She'll have dials she can tweak across the three classes, and they're going to impact just what she can do, but if she's really decided to leave being a Bard behind it wouldn't surprise me to see her ditch Bard levels for Paladin and Warlock ones over the course of the season.

For those dials, one key thing to consider is the spell slots she'll have, which are WEIRD to calculate for any warlock multiclass with another caster. For every other caster class in the game, there is a pool of spell slots that go up as you level any of them that refresh on long rests. Warlocks, however, have a seperate pool from any of those, so her warlock spell slots are seperate and refresh on short rests. If she stays at level 2 in warlock, this pool will be two slots of first level. If she levels in warlock, the level of these spell slots go up but the number of them doesn't (unless she somehow were to end up at level 11, when warlocks finally get a third slot.)

The paladin and bard combo is a little simpler to look at - she's going to have spell slots from the table that a primary caster would have at the level equal to her bard level plus half her paladin level. Just as an example, let's say she by the next combat were to drop two bard levels for two paladin ones and she were to end up 7 bard/2 paladin/2 warlock. She would end up with the two warlock first level spell slots that refresh on short rests, and 7 + .5*2 = level 8 from the primary caster spell slot table. (4 1sts, 3 2nds and 3rds, 2 4ths). A very deep pool for using Divine Smites - a full paladin wouldn't be able to match this until level 16, and that's not even counting the warlock first level spells!

Key level breakpoints that might be worth looking at: At level 5 of Paladin, she would have multiple attacks; at level 6 Paladin gets one of the best abilities in the entire game, an aura where she and allies within 10 feet get her charisma mod as a bonus to ALL saving throws. In Fig's case this is an absolutely incredible +5 - at their level, this is a bigger boost than being proficient is! If she really wants to guard her president, this would allow even Kristen to have a +2 on dex saves! I'm not certain I could overstate how good this ability is in general; with a +5 it's completely insane.

She can also get multiple attacks through either Bard or Warlock, but neither is automatic. For Warlock, she would have to choose to take Pact of the Blade at level 3 (warlocks have, somewhat confusingly, two more-or-less subclasses, and Hexblade and Pact of the Blade are in fact different things) and Brennan has been HEAVILY hinting at wanting her to take Pact of the Chain so that Baby can be a class feature instead. She'd then have to get to level 5 in warlock and take the Thirsting Blade eldritch invocation, which are sort of little bonus powers warlocks get. I think this is the least likely path to multiple attacks but it is there. (Mechanically, while it's all still fine, I also think leveling warlock would be the worst of the three in a three-class build.)

Bard CAN get multiple attacks at level 6 but Fig would need to change subclasses to either Swords (which is what Fabian is) or Valor (which is, frankly, a worse version of what Fabian is, though it's still fine.)

Getting multiple attacks is a really big deal - Paladins can smite multiple times per round, and given being able to lay on mid to low level spell slots for ages Fig would likely want to.

I have no idea what Oath Fig would pick for a paladin if she gets to level 3, but honestly the level 3 subclass features for Paladin are mostly not that big a deal; she'd need to get to level 7 for the subclass aura for it to really matter all that much.

You'll notice I haven't been talking much about Barbarian above. If Fig dips into Barbarian mechanically at all, it's almost certainly just for one level given how spread thin she might be. This is a level she won't get any spell slots for, but she will get two rages per day, which will add 2 to damage rolls if Brennan allows it (technically it wouldn't apply normally because it does specify only to rolls made for attacks using strength) but much more importantly will halve quite a lot of incoming damage - bludgeoning, slashing, and piercing damage, more or less all of the physical attacks in the game.

Barbarian is a massively bad combination with caster classes in general because you can't concentrate on spells or cast them while raging; there's been a lot of in-character noise made about Gorgug's multiclass being unique and a bad fit together for exactly this reason. The exception to this, as Porter demonstrated to Fig in their last scene together, is that Smiting things is burning through spell slots but is NOT casting and you CAN do it while raging.

So, if by the end of the season, we see some wild 6 Paladin/5 Bard/2 Warlock/1 Barbarian build, know that it's going to be an absolute menace. And if Fig and Gorgug keep trending the directions they are, where she's adding heavy hitter abilities and he's shedding Barbarian levels for Artificer ones, don't be surprised if on the last boss she's the one up on their face and he's casting spells next to Adaine or casting the key Revivify.

[erinwantstowrite]

hi!! first off i just want to say i love LOF and i think it really stands out in this niche genre of “spiderman in gotham”, its my absolute favourite fic rn and im loving the long chapters and dynamics between characters :)

for my question, i wanted to know if you ever considered writing any portions of peters past. specifically when he was “Parker”, an informant for the avengers. it sounds like a really interesting story and i’d love to know more about it, no pressure tho ^^

thank you so much!! I do plan on writing more about it. I honestly want to do a prequel,,,

I have some of it written actually. It was called It's called "Technically Not a Lie (Just Omitting Information)" and what is hilarious about that is it's only 27,000 words right now. I haven't touched that fic in forever because I just... had all of the information written down and the planning, and I got into Batfam and was like "Let's just write a little about this" and we can all blame @alighterwood for where we are now LMFAOOO

Thing is, I never expected LoF to get so popular, which is why it was posted first. I was like "I'll just make sure as much as I can that LoF is clear about his past so anyone who isn't me can read it and be fine." And now that we're here, I'm like "...that might be important."

I think it would be fun to have a prequel so more people can see the dynamics of Peter's world from before LoF in a much clearer light.

I kind of wanna shed a little light on how this prequel would go:

He ran from his last foster house at 12 years old, and he's year years old in this fic. In that time, he has been determined to make a life for himself all on his own, as well as help people as Spider-Man. He has no idea that his personality made people trust him so much. He's only on the street for about a year by the time the story starts, but "Parker" is very much intertwined with people. People just know him, he's the kid that the other kids go to for help. Even without Spider-Man (who, at this point, has only just gotten a proper suit and people actually realize he's not a cryptid), Parker manages to help people.

That's why the Avengers end up talking to him. Kids are going missing in Queens and show up dead- but most of them are the homeless population. They think it has something to do with people trying to make a knock-off super solider serum, and during their investigation, everything comes back to "That Parker Guy." Not in a bad way- everything has nice things to say. One kid even says they'll only talk to them if Parker vouches for them.

Turns out, Parker is a 13 year old and a fucking genius. I mentioned in LoF chapter 1 about it a little bit, and here and there it was mentioned. Peter gives the Avengers a real run for their money the way he does for the Batfam. Except it's ten times worse because he hasn't gone to therapy and is on his own, yknow?

So Bucky and Steve run across Peter (who is doing his own investigation into the missing kids as both Parker and Spider-Man) and that conversation ends with Peter going "Look behind you!" and sprinting in the opposite direction.

Sam and Banner are the ones that really track Parker down and have the first contact with him, and from there, he becomes their informant. Of course, he's also lying to their faces. Swears that he has a mother waiting for him and that he's just really good friends with these people. And people have lied several times to their faces for Peter, going with the lie, which muddies the waters about what is and isn't the truth.

From there, the rest is history. Tony thought he was just viewing Peter like he was a puzzle to figure out, and is truly shaken to his core when he realizes how much he cares about the little shit. When Peter gets kidnapped by the people making the knock off serum, they go looking for him. And Peter ends up having a home :)

[nanowrimo]

How to Choose the Right Story Idea

Every year, we’re lucky to have great sponsors for our nonprofit events. Scrivener, a 2023 NaNoWriMo sponsor, is an award-winning writing app containing all the tools you need to get writing and keep writing. They’ve teamed up with S J Watson, bestselling author of Before I Go To Sleep, to get some tips on deciding if your story idea is a good one. 

If you’re writing fiction, the thing that must come first is the idea. Without that we have nothing. But what are ideas; how do we get them; and crucially, how can we choose which ones are good enough to sustain a long piece of fiction? 

These are big questions, so let’s consider them here. 

What is an Idea?

I came across two interesting dictionary definitions of what an idea is:

Something such as a thought or conception that is the product of mental activity; and

A sense that something can happen, a notion or expectation.

The seeds of ideas are everywhere. Everything we see, hear, read or watch can spark a thought, and we need to remain alert to those sparks, as some might become useful ideas. But being alert is not enough. Rarely do ideas arrive fully formed. Usually we have to actively work on promising nuggets in order to turn them into gold. We can’t just sit around and wait for the lightning bolt to strike.

Instead, get used to actively, and playfully, interrogating your daily musings. Ask yourself questions. ‘I wonder what would happen if…’ or, ‘Why did that person just..?’ etc. Don’t censor yourself. Let your mind take you to wild and fanciful places. You can always reign it back in later. Fill your notebook.

Choosing an idea to work on

Not all ideas are created equal. So how do we choose? Look at the second definition above. Some ideas seem exciting at first but they’re limited. It’s hard to see how they can lead to interesting characters and high-stakes conflict. Others invite you into a world brimming with possibilities. They seem to open doors. These are the ones to work on.

The best, most fertile ideas, are magnetic. They grow by attracting other ideas to them. You’ll notice connections, and find yourself asking ‘What if..?’ and ‘I wonder why..?’ more and more. When this happens, you know you’re on to something, but at this point it can still help to ask yourself some questions.

First, which ideas excite you?  Are there any that you can’t quite believe no one else has written? If so, go for it! If not, then perhaps proceed more cautiously. Don’t reject them outright, necessarily. Maybe you just need an extra ingredient or two. Give it time and wait until you do get that glimmer of excitement. 

Next, can you see a protagonist with a goal and obstacles that stand in their way? If not, maybe you have an idea for a situation, but not an actual novel. ‘What if a totalitarian regime came to power?’ is not an idea for a story, but ‘What if two people fall in love in a world governed by a regime that has outlawed romantic attachment?’ is. Again, keep going, stir the pot until you can come up with characters and conflict.

Also ask, are the stakes high enough to maintain a reader’s interest, and if not can they be raised? Are their problems, if not universal, then at least relatable? A professor searching for the key to immortality is one thing, but a professor searching for the key to immortality because his wife is dying is suddenly something else. Keep going until you feel that tug of universality. 

Finally, does your idea seem original?  This is important, but beware! Almost everything has been done before, the key is how you combine ideas and what you do with them. Don’t reject every idea that is reminiscent of something else, but instead look for how you’re going to make it your own. 

In short, daydream, be playful with your thoughts and observations, and sooner or later something will come along that seems on fire with possibility. Congratulations! Now the hard work starts…

SJ Watson is author of Before I Go To Sleep, which was turned into a film starring Nicole Kidman. He has since published two further psychological thrillers, Second Life and Final Cut, and has set up The Writers’ Lodge, which aims to help and support writers at every stage of their creative writing journey. S J Watson recently launched a public novel writing project called The Experiment. He writes using Scrivener.

All NaNoWriMo participants receive 20% off Scrivener for macOS and Windows from now until December 7, 2023, with the code NANOWRIMO23 .

Top photo by Jon Tyson on Unsplash.

[mulderscully]

feeling yappy tonight sorry but one argument that i get tired is firstprince not kissing with tongue in the movie. i find this annoying because it doesn't really matter to me. i think tongue kisses look kinda gross on screen sometimes tbh, but that's me. maybe nick and taylor didn't want to kiss with tongue, but i honestly do not think that is the case (and i say this is in the least rpf way because i'm being serious) because there actually is some tongue in the paris scene, it's just quick and not really prominent. i think they probably didn't use much tongue because they were attempting to avoid an r rating. matthew said he wanted teenagers to be able to watch this etc to me it really feels like they expected/wanted pg-13 and knew that queer movies unfairly get r-rating easier. romcoms honestly rarely have as much kissing and sex as the rwrb movie does even though it isn't explicit but does it deserve an r? i don't think so. but it still got it. so me the lack of tongue is due to that and i wonder why others don't even consider it.

another thing is i feel like tongue is the last thing i really care about when i think about henry and alex kissing. yes, i assume they use tongue but tongue isn't like narratively important per se. and despite the hayescodification of society lately, kissing and sex can and does have a place in a story.

one perfect example of an in character kiss is this:

if you watch the body language here, and you know the characters, you understand and recognize what is going on. look at how nick is making henry move here: running his fingers through alex's hair, pulling him closer, basically arching his back and the look of yearning on his face. he loves alex and he knows he loves alex, and someone who read the book will see that. a casual viewer might miss it, but it's still part of the character and the performance.

you can read alex's body language too, how he surges up and doesn't know where to touch henry because he wants to touch him everywhere. for henry it's years of quiet burning, for alex it's years of repressed desire. now alex has accepted it and can't get enough. he isn't thinking much about the depth of those feelings because he just likes henry so much and feels free in that understanding.

i think the biggest scene people complain abt no tongue is in the paris scene, but look at this kiss

they're shaking. they're nervous. they're falling in love.

there isn't tongue because this scene isn't meant to be pcrnographic, it's meant to be emotional. alex has never had sex with a man, and how he's having sex with henry.

henry, who months ago, he was convinced he hated, who he thought hated him, who he was always compared to, who he had an open rivalry, who has become his best friend somehow?? of course he's shaking. and henry is having sex with someone who he loves for the first time, someone he has loved for years and who he never thought he could have and who he thinks will move on and this will have all been his only taste of love before returning to a life of boredom and sadness??? you can see that in this kiss.

it adds to the story.

and there are other examples like taylor using teeth which is a reference to one of the emails, like alex kissing that corner of henry's mouth which is also a reference to an email.

there is insight to the characters in those kisses which is why we always say we can feel the love between them. because we are seeing what is written into the script actually reflected on the screen.

so yeah idc abt tongue 🫶🏼

[somerandomdudelmao]

Okay. This is it. Theory time.

I'm going to write an essay on "how I love elaborate lore in Mystic Hands by @characcoon " It may or may not be a complete circus, but at least you'll have fun watching me getting it wrong eh?

Okay, first of all, let me put on my clown suit for this performance. Because, I'll be honest, I can only understand 70% of a complex text if I don't use a translator. And the translator also tends to change the meaning of the text.

I'm also writing this essay through a translator and just hoping for the best, so...ahahaha...yeah.

Chapters nine and ten of Mystic Hands gave me something to think about. Mostly because, all of a sudden, Bishop and his lab-military squad turned out to be more than background characters. And let me tell you, I grew up on the 2003 series. I may not remember all the nuances of the plot there very well, but I remember the asshole named Bishop perfectly~ But I'm not sure how similar 2003 Bishop and MH Bishop are, so I'm just...anxious in advance and start looking for things that would ring a bell.

From what I learned in chapters 9 and 10:

Bishop is an asshole.

He has his precious organization.

He also has access to empyrium and a recipe for crafting an incredibly toxic herbicide.

He also has a mustache. ( funny how this part puzzles me the most)

Michelangelo talks about him as a cruel and despicable scumbag who should have been rolled in asphalt at the first opportunity. He also calls Bishop a liar, so I guess in the future Bishop and the turtles have a... "adventure" haha... And of course we all know how fun stories with a cruel scientist and mutants can be. Yep.

This is where I start trying to put the puzzle together.

When Michelangelo sees the glowing blue stuff in the vials he reacts rather emotionally and says it could be a version of a anti-mutagen. He also says that it might help bring Raph back to normal when he asks Donnie to analyze the thing.

Donnie does the analysis.

The so-called "anti-mutagen" turns out to be an herbicide. Yes, very toxic and suspect and containing empyrium, but only herbicide.

In this moment. ONLY at that moment does Michelangelo realize that his information about the substance and its capabilities was wrong. And for SOME reason, it makes him absolutely furious.

And this is where the shit hits the fan.

Everything written above leads me to believe that the Turtles have already dealt with Bishop and his "anti-mutagen" in a bad timeline of the future. Whatever happened, Michelangelo came out of that adventure with the certainty that the blue stuff was a anti-mutagen. Which in itself is not suspicious, because even with his constant sleepovers in Donnie's lab, Michelangelo is still not that advanced a science dude. If he was young enough, Bishop could pour Sprite into a test tube, call it a anti-mutagen, and Michelangelo would buy it.

What a good thing they had Donnie for situations like that, I thought. And then I thought again. A little more anxious.

Did they?

Obviously, if Donnie had participated in the "adventure" with Bishop, he would not have allowed the turtles to call the strange liquid a retromutagen without analyzing it at least ten different ways. Even if Bishop hadn't given him a free sample, Donnie would have found a way to extract as much information as possible. Michelangelo was his lab partner. There was no way he would have missed something that important.

So...I guess at that point in the future, Donny wasn't there. Which leaves me with two possibilities. Either he was dead, or...he was taken out of the game for some reason.

The death option looks pretty straightforward. Donnie wasn't there to take control of the situation, so Bishop could probably afford a lot of free lying.

But I tend to think more about the second option.

Because Michelangelo, after getting into the past, intends to keep Donnie away from Bishop. This cannot be dictated by logic. Donnie, of all turtles, would be best able to consider if Bishop tries to pull something sneaky. Donnie has his technique, his knowledge, and his ability to hack any computer with just a dessert fork and rage. And yet Michelangelo takes Donnie with him into the tunnels. Because I'm sure he's guided not by logic but by fear.

Which leads me to the second option.

Donnie was not there at the time of the "adventure". Maybe physically he was alive, but he wasn't there at that moment of the future. Because Bishop did something to him.

That's why Donnie couldn't discover the lie about the anti-mutagen. And that's why Michelangelo wants to keep his younger version away from Bishop.

Now. This is where my knowledge of the 2003 series comes into the chat. More specifically, about one of my favorite stories from there - season 4 episodes 24 and 25 - "Good Genes."

( These are the episodes in which Donnie mutates, turning into a monster because he was previously stung by one of Bishop's mutants. Donnie's brothers spend a very "fun" amount of time trying to figure out how to cure him, but none of them are smart enough. So they are forced to make a deal with Bishop to reverse Donnie's mutation. Bishop was nice enough to actually do it and at the end of the story Donnie is fine again)

What if. Listen. WHAT IF something like this happened in a bad timeline.

Maybe Donnie was infected by Krang. Maybe he mutated for some other reason. Something happened to him. Something that caused the rest of the turtles to go to Bishop for help, because Donnie was usually the one who solved problems like this and Donnie wasn't there at the time.

This is where I pull out the "squeeze apple juice out of oranges" pokemon, because I'm starting to use information that isn't in the fanfic. We have the art, and the post.

And Donnie is not having a good time there. There's also the idea that the anti-mutagen in Mystic Hands doesn't work as neatly and conveniently as it did in 2003 and 2012. It doesn't turn a hypothetical mutant turtle back into a regular turtle.

The art quite clearly complements this thought.

At first I thought - hey, anti-mutagen works differently. I guess it's because it's supposed to reverse a secondary mutation or Crang infection?

Then I thought again. You know, more thoroughly. Bishop was lying.

There was no anti-mutagen, at least not in the sense that the turtles needed it. They only THOUGHT the thing existed because Bishop convinced them it did.

So. What are the chances that Donnie was infected with something the turtles couldn't handle on their own? So they had to enlist the help of Bishop. But unlike the man in 2003 this Bishop didn't do his part honestly and used some version of the toxic herbicide on Donnie?

What are the chances that at first the herbicide actually worked as a cure for Krang, because in this universe Krangs are apparently very evil vegetables? How long did it take for this substance to start killing Donnie himself? Because there's no way I'm going to believe that this caustic stuff is harmless to living creatures of any kind. Was the herbicide slow enough for the turtles to think the "anti-mutagen" was working and happily celebrate Donnie's healing? Maybe it took hours, maybe days, but my guess is that at some point the herbicide destroyed Donatello, giving enough time before that, however, for Michelangelo to remember that "blue stuff = cure for krangification."

That's why Michelangelo was so furious when he found out the blue stuff wasn't a retromutagen. He realized that Bishop had lied to him by calling this toxic crap a healing possibility. He realized that Donnie, his Donnie from the future, was not healed. He realized that Bishop probably didn't even try to heal him, taking advantage of the incompetence of the turtles.

_________

Either that or Bishop in the future just stole Donnie and experimented on him for fun and science or something. And I just wasted a lot of your and my time for nothing~

Everything I've written here could be complete nonsense haha. And I'm not even sure I used half the terms correctly, because translating things from English into my native language and then translating back is tedious. But I hope that at least this post will be fun to reread when the fanfic plot moves on and mysteries are solved lmao